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“Toga Porn” WRITTEN By Joanne Renaud


ometimes it seems that everyone loves ancient Rome, like Coke or blue jeans. It’s been a popular literary setting since the Middle Ages. The Last Days of Pompeii, written by Edward BulwerLytton in 1834, is considered a seminal piece of historical fiction. Victorians were particularly keen on all things Roman, and loved paintings depicting that era. It was “exotic”; it provided a high-brow excuse for naked people, and it made for a sexy getaway from corsets, locomotives and Christian morality. These same Victorian “Roman” paintings were so well-known that they were often used as a basis for films during the 1920s and ‘30s. Cecil B. DeMille discovered that ostensibly historical movies, set during pagan antiquity, made for boffo box office, especially when they featured axe-crazy gladiators and hotcha empresses. You could fool the censors and get away with lots of sex and violence, especially if your characters wore togas! With the birth of the paperback book market in the ‘40s, writers who grew up with DeMille wrote suitably DeMille-esque historical novels about ancient times, ramping up the sex and violence by several more notches. And thus, the genre of TOGA PORN was born. This trend continued through the ‘50s, ‘60s, ’70s and ‘80s, with books ratcheting up the raunch until even Caligula might have blushed. Scantily clad femme fatales like Messalina, Poppaea and Cleopatra prowl through palaces while manly centurions and gladiators glare

at them lustfully or fight to death in the background. Naturally this says more about postwar American pulp fantasies than what life was actually like 2000 years ago, but when the art is this cool to look at, who cares? Even the worst paintings are a lot of fun to look at, with famous artists like James Bama, Bob Abbett and Manuel Sanjulian contributing

Astonishing Adventures Magazine 5  

ePulp at its best

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