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14 Series 19 Series 21 Series 28 Series

2 - 15 16 - 23 24 - 31 32 - 55

28 Colours 28 Copper

34 - 37 52 - 55

14 custom 21 custom 28 custom 38 custom

82 - 85 86 - 87 88 - 89 90 - 91

38 Series 57 Series Mini innie/outtie canopies Bocci Variation Design Sustainability Custom

Technical

14 Specifications 21 Specifications 28 Specifications 38 Specifications 57 Specifications

Credits

92 - 97 98 - 101 102 - 109 110 - 113 114 - 117

56 - 63 64 - 69 70 - 71 72 - 73 74 - 75 76 - 77 78 - 79 80 - 91

92 - 117

118


14

2

STANDARD

14s 14sp 14.1mi 14.1mo 14.1m 14.1 14.1deep 14.3 14.5

Âą 102

14.7

14

Designed by Omer Arbel, 2005. Traditionally, chandeliers have been understood as central, sculptural installations, which become the visual focus of a room. The 14 series, designed in 2005, is the original chandelier to challenge this concept. Instead of a central sculptural object, 14 is an ambient chandelier, achieving its power through a strategy of composition and clustering. 14 fills the volume of a room, making the height and shape of its dimensions understood to the inhabitants in a direct sensual manner.

14.14 14.26 14.36

14 is an articulated, seamed cast glass sphere with a frosted cylindrical void that houses either a low voltage (12V, 10Watt xenon) or proprietary, dimmable, and replaceable LED. The 14 series is also available in grey cast glass. Individual pendants are visually quite subtle, but gain tremendous strength when multiplied and clustered in large groups. Light interacts with the bubbles and imperfections of the cast glass to produce a glow reminiscent of small candles floating within spheres of water. Cast glass is an organic process, imperfect by nature, and each 14 is handmade; thus, every piece produced is unique. Our standard collection offers flexibility in both design and measure, starting from a single pendant and continuing through to 36 pendant chandeliers in a range of canopy shapes and sizes as well as custom configurations (see pages 82-85). The clustering effect can be manipulated through various combinations to create larger scale groupings with profound phenomenological impact. Materials Cast glass, blown borosilicate glass, braided metal coaxial cable, silicone gaskets, electrical components and a brushed nickel or white powder coated canopy. Worldwide patents issued and pending. US patent # D556,361 EU patent # 000518394 Approved to UL standards by CSA


4

5

4

14.36

5

14.1m x 9


6

7

14.1

14.1m x26


8

9

14.3 grey

14.26


10

11

14.250


12

13

14s

14s


14

15

14s amber

14s amber


19

16

STANDARD

19.280 19.540 19.800

± 280 - 800

19 Designed by Omer Arbel, 2011. 19 is an exploration of sand casting, which is a low fidelity technique used for making metallic objects. The technique involves pressing a shape into sand to create a void, and then roughly pouring molten metal into the void. Some overspill is a by-product of this process, which is, in conventional circumstances, cleaned up after production and re-finished. In this project we explored the expressive possibilities of the overspill. We developed a technique that encourages a generous and unpredictable overspill during production, which occurs along the entire open perimeter of the cast piece, making a unique ‘halo’ for every piece fabricated. We chose to use a high copper content brass such that the overspill oxidizes instantly, producing an extremely textured surface that stands in contrast to the interior of the piece, which retains a smooth finish because it does not come in contact with air, and which we hand-polish to a near mirror finish. 19.280’s are unlimited production, numbered and signed. 19.540’s are a limited run of 95 pieces, numbered and signed. 19.800’s are a limited run of 19 pieces, numbered and signed. Made of recycled brass in East Vancouver at the oldest foundry on the West Coast of Canada.

Materials Recycled red brass Worldwide utility and design patents pending EU patent # 001829912


18

19

19.280


20

21

19.540 and 19.280


22

23

19.280

19.280 x2


21

24

STANDARD

21.1mi 21.1mo 21.1m 21.1 21.1deep 21.3 21.5 21.7

21

21.21 21.26 21.36

Designed by Omer Arbel, 2007.

21.50

A random amount of raw porcelain is flattened and rolled into a pancake shape, which is then wrapped around a frosted borosilicate glass inverted trumpet diffuser. The thin porcelain skin is allowed to flop over the borosilicate core to create whatever form is most natural to it, thus making a unique shape, of varying size, in each iteration of the fabrication process.

Âą 160

21’s are meant to be mounted in groupings, such that the pieces touch each other to form clumps. The relatively simple shapes of the individual pendants, when placed in a group, make a complex sculptural form. Each diffuser houses either a low voltage (12V, 20W xenon) lamp or proprietary, dimmable, and replaceable LED. A strong contrast is established between the organically distributed soft light passing through the translucent charcoal grey or white porcelain skin and the sharp, crisp light passing through the borosilicate glass diffuser.

Materials Raw porcelain glazed on one side, blown borosilicate glass, silicone gaskets, braided metal coaxial cable, electrical components and a brushed nickel or white powder coated canopy. Worldwide utility and design patents pending

Approved to UL standards by CSA


26

27

21.36


28

29

21.7

21.21nd white


30

31

21.50

21.1m x 21


28

32

STANDARD Random 28s 28sp 28sc 28d 28.1mi 28.1mo 28.1m 28.1 28.1deep 28.3

Âą 150 - 180

28.5 28.7 28.11 28.16 28.28

STANDARD Cluster 28.3 28.7 28.19 28.37 28.61

28 Designed by Omer Arbel, 2009. Bocci’s 28 series is an exploration of fabrication process. Instead of designing form itself, here the intent was to design a system that produces form. We developed a method with loose parameters that produces a different shape in every iteration of the fabrication procedure, thus every 28 created is unique from any other in existence. The 28 pendants result from a complex glass blowing technique performed in Bocci’s glass atelier in Vancouver, whereby air is intermittently introduced and then removed from a glass matrix, which is heated and then rapidly cooled. The result is a distorted spherical shape with a composed collection of inner satellites (bubbles), one of which is made of opaque white milk glass and houses either a low voltage and replaceable xenon (12V 20W) or proprietary, dimmable, and replaceable LED.

28 pendants are designed either to cluster in hexagonal shapes, where the pendants nestle into one another, or to be composed with random drop lengths in an ambient manner similar to their distant cousins, the 14 series. Standard 28 pendants are blown with a clear glass exterior sphere and an opaque white interior cavity along with one to three clear satellites. The 28 series is also available in smoked grey glass and an infinite variety of colour options. Coloured 28 pendants are hand blown specifically for each chandelier. The colours reflect an endless variety of mood and palette and are created in one of two formats; either with the entire outer sphere blown from coloured glass, or maintaining the clarity of the exterior sphere and introducing colour through the satellites only. The innovative canopy design of the 28 series allows for a modular approach - chandelier scope is scaleable to nearly any application. In the arena of bespoke work, there exists endless customization options during manufacturing: Canopy shape, size and colour; chandelier composition; pendant colour and custom pendant sizing; and custom drop lengths of up to 30500 mm.

Materials Blown glass, braided metal coaxial cable, electrical components and a powder coated or brushed nickel canopy. Worldwide utility and design patents pending US patent # D628,740S EU patent # 001695834

Approved to UL standards by CSA


34

35

COLOURS OPAQUE

TRANSLUCENT

Milk

grey

Ivory

emerald

Linen

copper

Seaglass

steel

Celadon

cobalt

Robin’s Egg

amethyst

Denim

purple

Lapis

plum

Mauve

pink

Sandstone

aubergine

Olive

oxblood

Forest

nutmeg

Grass

charcoal

Buttercup Apricot Ruby Bubblegum

moss lime neon yellow amber orange cherry

Due to the hand crafted nature of the 28 series, the pendant size as well as color depth and tonality will vary. All photography taken with lit 20w Xenon bulbs, colour of pendant when off or with LED may vary.


36

37

SATELLITES OPAQUE SATELLITE

Milk

grey

Ivory

emerald

Celadon Linen Seaglass Robin’s Egg Denim Lapis Mauve Sandstone

Due to the hand crafted nature of the 28 series, the pendant size as well as color depth and tonality will vary. All photography taken with lit 20w Xenon bulbs, colour of pendant when off or with LED may vary.

TRANSLUCENT SATELLITE

copper steel cobalt amethyst purple pink aubergine charcoal

Olive

moss

Forest

lime

Grass

neon

Buttercup

yellow

Apricot

amber

Ruby

orange

Bubblegum

cherry


38

39

28.37

28.37


40

41

40

28.1

28s


42

43

28.7

28.7


44

45

28d

28d


46

47

28.1m x10


48

49

28.37

28.37


50

51

50

28.1m x46


52

53

28 copper Bocci introduces a flexible copper suspension option for all 28 series chandeliers - designed to create a compositional aesthetic achieved through shaping the copper tube during installation. Seemingly gravity defying, the pendants can be angled any which way with potential for the glass to sculpturally tangle with the copper - yielding an awkward expression we find interesting. Copper suspension adds complexity and scale to individual hanging or surface-mounted 28’s. The copper will intentionally weather and tarnish, registering duration and use in its patina.

Materials: Blown glass, copper tubing, electrical components and a white powder coated, brushed nickel, or copper mini canopy. Worldwide utility and design patents pending US patent # D628,740S EU patent # 001695834

28sc

Approved to UL standards by CSA


54

55

55

28.7c

28.7c


38

56

STANDARD

38.3m 38.3 38.11 38.16

Âą 200 - 250

38.28

38 Designed by Omer Arbel, 2012. 38 is a surrealistically motivated re-exploration of a technique originally developed for a previous project called 28, whereby air is pushed in and out of glass that is intermittently heated and cooled. In the case of this project, the technique is stretched to the limits of possibility. Large glass spheres are blown, and then a multitude of white cavities are introduced into them haphazardly, intentionally intersecting and colliding with each other. Several of these are deep enough to contain earth with succulent & cacti plantings. Others are used as a housing for lighting elements. There are two or three lighting elements per large sphere, and one or two planters. Electricity and suspension are achieved using stiff copper tubing, which is allowed to tangle and crinkle, seemingly without regard for gravity. Occasionally, these copper tubes loop around white satellite planters that appear to have escaped from the confines of the lit clear glass spheres.

Materials: Blown glass, copper tubing, electrical components and a powder coated or copper mini canopy. Worldwide utility and design patents pending EU patent: # 002071019

Approved to UL standards by CSA


58

59

38 moon

38.11


60

61

60

38.3

38 pendant


62

63

38.11 x 10


57

64

STANDARD

57s 57.1mi 57.1mo 57.1m 57.1 57.1deep 57.3 57.5 57.7

Âą 100 - 165

57.37

57 Designed by Omer Arbel, 2013. 57 is an exploration of a technique of making analogous to that used for producing closed cell foam. The process involves trapping voids of air of different sizes and configurations within a glass matrix, yielding a shape loosely referencing a rain cloud. These pockets of air remain invisible when the piece is off, but come alive to reveal an interior universe when the piece is illuminated.

A flexible suspension system allows for easy composition: pendants may be clustered such that they touch each other, referencing a cloudy sky (an especially poignant reference in the City of Vancouver, where the idea was born); they may also be composed as a field, such that each piece can be perceived individually, perhaps referencing a child’s drawing of a cloud (equally poignant but in a more universal manner). Most chandeliers are fundamentally vertical in composition, which is why they work best in rooms with high ceilings; in contrast, 57 is conceived as a layer or strata of light, or in other words: a horizontal chandelier.

Materials: Blown glass, aircraft cable, semi-rigid coax, electrical components and a brass or white powder coated canopy. Worldwide utility and design patents pending EU patent # 002268581


66

67

57.7


68

69

57 pendant

57.1m


70

71

Normally, fixtures are designed to function somewhat independantly from their architectural substrates. the mini innie and mini outtie are instead designed to emerge out of or press into their substrate as if revealing the electrical infrastructure hidden within the walls. By doing so, they suggest a sort of ‘nonfixture’, an architectural appendage. The mini innie is a strain relief mud-in canopy that presses into the ceiling plane to form an indent (or ‘innie’), the coaxial cable and pendant emerging from within. The effect is an uninterrupted ceiling plane with no additional hardware mounted to it.

Innie/ Outtie mini canopy Bocci introduces two new mini canopies for all coaxial cable suspended pendants: colloquially named the mini innie and mini outtie. Mini innie canopy

Mini outtie canopy

The mini outtie canopy is a strain relief paintable canopy that pulls out from the ceiling. Designed for non-mudded ceiling materials, the canopy minimizes the effect of mounting hardware on the celing plane. Use the innie and outtie canopies together or seperately. Materials: polyurethane plastic, brass hardware

Approved to UL standards by CSA


72

73

Vancouver

Bocci Bocci is a contemporary design and manufacturing house based in Vancouver, Canada, with a satellite company based in Berlin, Germany.

BOCCI

Unlike typical corporate structures, Bocci operates unconventionally as a co-operative community of designers, architects, craftspeople, technicians, agents, governance bodies, testing facilities, raw materials suppliers and fine shops. Our aim is to build a healthy, flexible and stable network united under the goal of creating conceptually motivated, practical and striking consumer goods of the highest quality.

The trend in contemporary manufacturing is to outsource production. In contrast, Bocci is committed to manufacturing at our Vancouver factory. We have fully equipped glass casting and blowing shops and a ceramics atelier all under our roof, or at arms length. Our designers, technicians and salespeople walk through the factory floor to get to their desks, and thus have an intimate and profound connection to our work. All these activities take place around a courtyard with a very large tree, carved into the 5th floor of a renovated art deco former printing press building located close to Vancouver’s downtown, on the edge of the Pacific Ocean. As a company, we have committed to participating in the speed of contemporary culture. We’ve structured ourselves to hold strong inventories, and have invested in a network of warehouses worldwide, such that the things we make are available with astonishingly short lead times - in many cases shipped within 24 hours of an order. Bocci is focused on the values of flexibility, design rigor, sustainability, innovation, creativity and intelligence. We apply these ideals to the things we make, but also to the way we make them, and above all, to the way we operate as a company.


74

75

In effect, the pendants are designed to adapt to the requirements of spaces in rooms, hallways, atriums and stairways; not only physically, but phenomenologically as well. This approach requires a very adaptable and pragmatic system of power delivery, mounting and suspension. The result of this then is a modular series of pendants that can be configured using a number of different canopies and suspension means to accomplish almost limitless variations on a single series without expensive customization.

Variation Bocci’s modular pendant strategy of composing and clustering individual units began with the 14. Conventional chandeliers are understood as centerpieces orienting the room around these sculptural installations. for Bocci, a chandelier can be seen more as a grouping of singular units to form a cohesive cloud emerging from a loosely defined field of light. Each singular pendant is seen as a spatial instigator, filling a room with clusters of pendants engaging the entirety of the space.

This variability enables a number of additional features, significantly a capacity for resilience as use and necessity change. Aligned with our goals for sustainability, a small number of welldesigned products should be functional, beautiful and additionally adaptable throughout all the scenarios of a persons life. As such, in most cases for example, a chandlier designed for one use (ie. staircase) can be adapted to another (ie. chandelier over a dining table) by economically swapping parts (coaxial cable lengths in this example). Different pendants can be swapped from one installed canopy to another. Bocci is constantly developing new means of interface with our pendants while utilizing our past and current innovations. We are looking for reciprocal relationships between series and developments for new pieces that in turn often become modifiers for old series. Bocci is commited to exploring these adjacencies by looking backwards as well as forwards.


76

77

76

Design Arbel finds form in the intrinsic qualities of materials and the processes we have at our disposal to manipulate them. Thus, projects tend towards the particular rather than the universal, and have a formal appropriateness to them derived from physical, chemical or mechanical process, rather than from abstract ideas in the author’s imagination. Direct access to high craft ateliers has meant that design at all scales is investigated as an analog, sculptural exploration, using technology only as a secondary analytical tool. Omer Arbel’s practice has evolved to intimately combine the fields of industrial design, architecture, manufacturing and materials research. This interdisciplinary approach was born of the necessities of building a sustainable and ambitious office in a context with little opportunity within the cultural periphery, but has since transformed into a structure uniquely positioned to explore the rich area of investigation in the overlap of these fields.

The approach of the practice demands a high level of collaboration between craftspeople and designers, and as such has shied away from conventional manufacturer-designer or contractor-architect relationships. Instead, the practice does as much as possible in house: manufacturing as much as possible of its own designs, and building as much as possible of its constructed environments. Accolades include several Red Dot and iF Awards, a Yellow Pencil Yearbook Entry, the Ron Thom Early Design Achievement Award, a World Architecture Festival Shortlist and, with Corrine Hunt, the commission to design the 2010 Olympic and Paralympic Medals. Arbel leads OAO (Omer Arbel Office), a multidisciplinary design practice and he acts as Creative Director for the Design and Manufacturing company Bocci. Both companies have achieved near instant critical and commercial success, and position Arbel as a young voice within the international design community. For further information on Omer Arbel, visit www.omerarbel.com


78

79

78

In pre-industrialized western societies the average individual owned less than 100 objects throughout his or her lifetime. A lifetime with only 100 discreet objects is a life in which each object is likely practical, beautiful, particular, inherited, and well made. These objects are undoubtedly precious to their owners; each possessing a tremendous emotional depository of memories. By contrast, today’s consumer society is characterized by what could be described as an unhealthy relationship between us and the things that surround us. We do not commit to our objects – rather they cycle in and out of our lives in a very casual and thoughtless manner. The objects don’t really make a commitment to us either – they are usually badly made, badly designed, and thoughtless.

Sustainability We strive to create objects that become companions in people’s lives. We believe that an object contributes in the most meaningful way to the sustainability discussion if it is, quite simply, never thrown away. If we are able to make objects that suggest the possibility of a commitment to living an entire lifetime alongside them, then the selection of one object over another becomes important and meaningful - and therefore, investment in the quality, value, beauty and worth of the objects that surround us becomes paramount.

We strive to make wonderful objects that suggest the possibility of a lifelong commitment to and by their owners. Of course, the objects we make also take into account conventional sustainability principles. The 14 series cast glass chandelier is made of recycled glass, for example, and our packaging is, of course, recycled and recyclable. However, we hope that our greater contribution is in the conceptual model discussed above. If we are able to redefine (or at least, suggest an alternative to) what we see as a fundamentally unhealthy relationship between people and objects, we hope to contribute to the growth of a responsible and committed materialism, which we see as a more evolved and humane alternative to current consumptive trends.


80

81

Custom Bocci offers consultation, design, and fabrication services for custom chandeliers of unlimited configuration – from petite to linear to oversized chandeliers. With pendant cascades reaching 100’ (30.5 meters) in length; boundless canopy size, shape, depth, and finish; and variations on standard pendant colours. Our custom capacity is infinite.

Alternate to our standard pendant offerings, we produce the following variations, which are available as options on our standard chandeliers as well as custom chandeliers. The blown glass pendants of the 28 series can be created in diameters of 5” (130 mm) up to 11” (280 mm) and are available in a range of glass colours (see colour guide on pages 34-37 for the full breadth of options). Alternate to our classic 14 series clear cast glass pendants, we now produce a grey version. Also available is the 21 series pendant in charcoal grey raw porcelain.

The ceiling canopy is created to your specification. We offer a range of finishes, from our standard white powder coated mild steel to custom options of matte stainless steel and colour-matching RAL shades. For those clients who wish to explore their own paint finishes, we offer a primed mild steel canopy.

Our in-house design team assists in developing each custom chandelier – from concept, to design drawings, to final shop drawings, to production. We work with your CAD files and dimensions to create 3D renderings of the utmost detail, which include your specific space and detailed installation instructions.


82

83

83

14.250


84

85

85

14.230


86

87

21.172


88

89

28.219


90

91

38.11 X 4


92

93

14

Technical Specifications

55mm diameter mounting plate.

LAMPING:

*wall or ceiling mounted

approx. 1 kg L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.

SPECTRAL POWER DISTRIBUTION

0.008

0.008

0.007

0.007

0.007

0.007

0.006 0.006 0.005 0.005 0.004 0.004 0.003

Peak Wavelength

780nm

Luminous Flux

196 Im

0.003

Input Power

0.002

Lumens/Watt

0.002

19.03 W 10.3

0.001

Spectral Power (W/nm)

Spectral Power (W/nm)

2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -

LED

SPECTRAL POWER DISTRIBUTION

0.001

0.006 0.006 0.005 0.005

Peak Wavelength

0.004 0.004 0.003

Input Power

0.002

Lumens/Watt

0.002

47 Im 2.04 W 23.0

0.001

Surface light (mini plate - remote transformer)

0.000 400

440

480

520

560

600

640

680

Wavelength (nm)

720

760

800

400

440

CIE 1931 CHROMATICITY DIAGRAM

480

520

560

600

640

680

Wavelength (nm)

720

760

800

*

CIE 1931 CHROMATICITY DIAGRAM

0.9

x y

0.8 0.7

0. 4660

u

0 . 2658

0 . 4120

v

0 . 3525

CCT

2628

K

u'

CRI

100

v'

R1

99 .8

R9

99 .4

R2

99 .9

R10

99 .7

R3

99 .9

R11

99 .7

R4

99 .8

R12

99 .5

R5

99 .8

R13

99 .9

R6

99 .8

R14

99 .9

R7

99 .9

R8

99 .7

0.9

x y

0.8

0 . 2658 0.7

0. 5288

0.6

0. 4660

u

0 . 2658

0 . 4120

v

0 . 3525

CCT

2628

K

u'

0 . 2658

CRI

100

v'

R1

99 .8

R9

99 .4

R2

99 .9

R10

99 .7

R3

99 .9

R11

99 .7

R4

99 .8

R12

99 .5

R5

99 .8

R13

99 .9

R6

99 .8

R14

99 .9

R7

99 .9

R8

99 .7

0. 5288

0.6

0.4 0.3 0.2 0.1

0

0.1

0.2

0.3

0.4

0.5

0.6

0.7

0.8

0.4 0.3 0.2 0.1 0

0.9

x

Correlated Colour Temperature: Colour Rendering Index: Luminous Flux: Lumens/Watt:

T es t

0.5

y

0.5

y

14s

605nm

Luminous Flux

0.003

0.001

0.000

0

± 51

L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.

2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -

XENON

2537 100 81 8.3 P age 6 / 10

0

0.1

0.2

0.3

0.4

0.5

x T es t

0.6

0.7

0.8

165mm diameter paintable mounting plate.

± 102

0.9

*wall or ceiling mounted

2647 84 47 23 P age 6 / 10

10W or 1.5W LED type G4 bi-pin lamp (Bocci 24.1 or 24.2 LED)

approx. 1 kg

Ta = 25C ± 51 DESIGNATIONS:

(14s/sp)

suitable for indoor or outdoor use

14sp

Surface light

14 technical

*


94

95

-18 41

adjustable up to 3000 standard

41

adjustable up to 30500 custom

adjustable up to 30500 custom

approx. 2 kg

approx. 2 kg

± 102

14.1mi

14.1mo

14.1

approx. 5.5 kg

14.3

Deep

152 220

32 adjustable up to 3000 standard

201

adjustable up to 30500 custom

approx. 9.5 kg

approx. 14 kg

± 102

± 102

14.1

14.5

adjustable up to 3000 standard

254

adjustable up to 30500 custom

approx. 2 kg

approx. 2 kg

adjustable up to 30500 custom

32

adjustable up to 30500 custom

adjustable up to 30500 custom

220

approx. 2 kg

adjustable up to 3000 standard

116

adjustable up to 3000 standard

152

adjustable up to 30500 custom

7 adjustable up to 3000 standard

14.1m Mini canopy

116

± 102

Mini outtie canopy

13

32 adjustable up to 3000 standard

± 102

Mini innie canopy

29

40

16 adjustable up to 3000 standard

14.7


96

97

53

53

53

53

284 3000 standard max.

850

30500 custom max.

508

3000 standard max.

3000 standard max.

3000 standard max.

30500 custom max.

30500 custom max.

30500 custom max.

755

approx. 36.5 kg

approx. 38 kg

14.14

14.14

Round

30500 custom max.

approx. 61.5 kg Round

370

3000 standard max. 1100

30500 custom max.

approx. 63.5 kg

14.26 Square

Square

53 3000 standard max.

600

approx. 87 kg

14.36

53 3000 standard max.

14.26

approx. 83.5 kg

14.36 Round

Rectangle

53

600

755

30500 custom max.

approx. 83.5 kg

14.36

Rectangle


98

99

Technical Specifications

41

LAMPING:

L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.

0.007 0.007

0.006 0.006 0.005 0.005 0.004 0.004 0.003

Peak Wavelength

780nm

Luminous Flux

196 Im

0.003

Input Power

0.002

Lumens/Watt

0.002

19.03 W 10.3

0.001 0.001

560

600

640

680

Wavelength (nm)

720

760

0.005 0.005

Peak Wavelength

0.004 0.004 0.003

Input Power

0.002

Lumens/Watt

0.002

approx. 0.5 kg

400

47 Im

y

0.8 0.7

0. 4660

u

0 . 2658

0 . 4120

v

0 . 3525

CCT

2628

K

u'

440

480

520

560

600

640

680

Wavelength (nm)

720

760

CRI

100

v'

R1

99 .8

R9

99 .4

R2

99 .9

R10

99 .7

7

R3

99 .9

R11

99 .7

R4

99 .8

R12

99 .5

R5

99 .8

R13

99 .9

R6

99 .8

R14

99 .9

R7

99 .9

R8

99 .7

x y

0.8

0 . 2658 0.7

0. 5288

21.1m

0. 4660

u

0 . 2658

0 . 4120

v

0 . 3525

CCT

2628

K

u'

CRI

100

v'

R1

99 .8

R9

99 .4

R2

99 .9

R10

99 .7

R3

99 .9

R11

99 .7

R4

99 .8

R12

99 .5

R5

99 .8

R13

99 .9

R6

99 .8

R14

99 .9

R7

99 .9

R8

99 .7

116

0 . 2658 0. 5288

40 adjustable up to 3000 standard

116

32 adjustable up to 3000 standard

0.6

0.4 0.3 0.2 0.1

0.1

0.2

0.3

0.4

0.5

0.6

0.7

0.8

x

Correlated Colour Temperature: Colour Rendering Index: Luminous Flux: Lumens/Watt:

0.4 0.3 0.2 0.1 0

0.9

T es t

0.5

y

0.5

2628 100 196 10.3 P age 6 / 10

0

0.1

0.2

0.3

0.4

0.5

x T es t

0.6

0.7

0.8

adjustable up to 30500 custom

adjustable up to 30500 custom

approx. 0.5 kg

approx. 0.5 kg

adjustable up to 3000 standard 152

2647 84 47 23 P age 6 / 10

approx. 1.3 kg

Âą 160

DESIGNATIONS:

21.1 recommended for indoor use only

adjustable up to 30500 custom

0.9

20W or 1.5W LED type G4 bi-pin lamp (Bocci 24.1 or 24.2 LED) Ta = 25C

Mini canopy

23.0

800

0.9

0.6

21.1mo Mini outtie canopy

Mini innie canopy

2.04 W

CIE 1931 CHROMATICITY DIAGRAM

x

0

approx. 0.5 kg

0.001

800

0.9

y

21.1mi

605nm

Luminous Flux

0.003

CIE 1931 CHROMATICITY DIAGRAM

0

approx. 0.5 kg

adjustable up to 30500 custom

0.006

0.000 520

adjustable up to 30500 custom

0.006

0.001

0.000 480

adjustable up to 30500 custom

SPECTRAL POWER DISTRIBUTION 0.008

0.007

Spectral Power (W/nm)

Spectral Power (W/nm)

SPECTRAL POWER DISTRIBUTION 0.007

440

41

adjustable up to 3000 standard

29

2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -

LED

0.008

400

adjustable up to 3000 standard

L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.

2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -

XENON

12

16 adjustable up to 3000 standard

21.1 Deep

21.3

21 technical

21

-18


100

101

adjustable up to 3000 standard 152

53

32

32

adjustable up to 30500 custom

203

53

adjustable up to 3000 standard

3000 standard max.

adjustable up to 30500 custom

30500 custom max.

755

3000 standard max. 30500 custom max.

755

approx. 2.8 kg

approx. 2 kg

approx. 32 kg

21.5

21.7

21.36 Round

53 284

850

approx. 28 kg

21.36

Square

53

53

3000 standard max.

3000 standard max.

30500 custom max.

30500 custom max.

600

53

3000 standard max.

370

1100

3000 standard max. 30500 custom max.

755

30500 custom max.

approx. 18 kg

approx. 28 kg approx. 24 kg

21.21

21.26

21.36

Rectangle

21.50

approx. 33 kg


102

103

*

Technical Specifications

55mm diameter mounting plate.

165mm diameter paintable mounting plate.

*wall or ceiling mounted

*wall or ceiling mounted

approx. 1 kg

approx. 1 kg

LAMPING:

L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.

L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.

2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -

XENON

0.008

0.007

0.007

0.007

0.007

0.006 0.006 0.005 0.005

Peak Wavelength

0.004 0.004

780nm

Luminous Flux

0.003 0.003

Input Power

0.002

Lumens/Watt

0.002

196 Im 19.03 W 10.3

0.001

Spectral Power (W/nm)

Spectral Power (W/nm)

SPECTRAL POWER DISTRIBUTION

0.008

0.005 0.005 0.004 0.003

Input Power

0.002

Lumens/Watt

0.002

560

600

640

680

Wavelength (nm)

720

760

800

400

440

CIE 1931 CHROMATICITY DIAGRAM

x y

0.8 0.7

0. 4660

u

0 . 2658

480

520

560

600

640

680

Wavelength (nm)

720

760

23.0

*

800

0 . 4120

v

0 . 3525

CCT

2628

CRI

100

K

u'

0 . 2658

v'

0. 5288

0.9

x y

0.8 0.7

0.6

0. 4660

u

0 . 2658

0 . 4120

v

0 . 3525

CCT

2628

CRI

100

K

u' v'

R1

99 .8

R9

99 .4

0 . 2658

R2

99 .9

R10

99 .7

R3

99 .9

R11

99 .7

R4

99 .8

R12

99 .5

R5

99 .8

R13

99 .9

R6

99 .8

R14

99 .9

R7

99 .9

R8

99 .7

Âą 150-180

0. 5288

0.6

0.4 0.3 0.2 0.1

0

0.1

0.2

0.3

0.4

0.5

0.6

0.7

0.8

R1

99 .8

R9

99 .4

R2

99 .9

R10

99 .7

R3

99 .9

R11

99 .7

R4

99 .8

R12

99 .5

R5

99 .8

R13

99 .9

R6

99 .8

R14

99 .9

R7

99 .9

R8

99 .7

Correlated Colour Temperature: Colour Rendering Index: Luminous Flux: Lumens/Watt:

0.4 0.3 0.2 0.1 0

0.9

x

T es t

0.5

y

0.5

y

47 Im 2.04 W

CIE 1931 CHROMATICITY DIAGRAM

0.9

0

Surface light

0.001 0.000

520

605nm

Luminous Flux

0.003

0.001

480

Peak Wavelength

0.004

28sp

(mini plate remote transformer)

0.006

0.000 440

28s Surface light

0.006

0.001

400

2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -

LED

SPECTRAL POWER DISTRIBUTION

2628 100 196 10.3 P age 6 / 10

0

0.1

0.2

0.3

0.4

0.5

x T es t

0.6

0.7

0.8

flexible crochet memory cable

58mm diameter mounting plate.

0.9

2647 84 47 23 P age 6 / 10

3000mm

500mm flexible copper tubing.

20W or 1.5W LED type G4 bi-pin lamp (Bocci 24.1 or 24.2 LED) Ta = 25C DESIGNATIONS:

*wall or ceiling mounted

28sc suitable for indoor or outdoor use

Surface light (copper tubing remote transformer)

approx. 1.2 kg

approx. 2.2 kg

28d

Desk Lamp

28 technical

28

*


104

105

40 -18

116 41

32

16

adjustable up to 3000 standard

41

adjustable up to 3000 standard

adjustable up to 30500 custom

adjustable up to 30500 custom

approx. 1.1 kg

approx. 1.1 kg

adjustable up to 3000 standard adjustable up to 30500 custom

adjustable up to 3000 standard

152

adjustable up to 30500 custom

± 200

approx. 3.5 kg approx. 1.5 kg

28.1mi

28.1mo

Mini innie canopy

28.1 Deep

Mini outtie canopy

28.3

Random 32

32 7

12 29

adjustable up to 3000 standard

116

adjustable up to 30500 custom

adjustable up to 3000 standard

203 ± 406

adjustable up to 30500 custom

adjustable up to 3000 standard adjustable up to 30500 custom

adjustable up to 3000 standard 203 ±406

approx. 6 kg

28.1m Mini canopy

approx. 8 kg

approx. 1.5 kg

approx. 1.1 kg

28.1

28.5

Random

adjustable up to 30500 custom

28.7

Random


106

107

53 32 32

152 ± 330

3000 standard max.

adjustable up to 3000 standard

adjustable up to 3000 standard adjustable up to 30500 custom

203

30500 custom max.

adjustable up to 30500 custom

600

±495

± 1050

approx. 8 kg

approx. 3.5 kg

approx. 71.5 kg

28.37 28.3

28.7

Cluster

Round

Cluster 53

53 3000 standard max. 30500 custom max.

3000 standard max.

501

30500 custom max.

± 750 707 approx. 40 kg

28.19

Round

± 1450

28.61

Round

approx. 81.6 kg


108

109

53

53 3000 standard max.

850

3000 standard max.

30500 custom max.

30500 custom max.

508

53 3000 standard max.

30500 custom max. 755

284

approx. 28 kg approx. 29 kg

28.11

28.11

Square

approx. 65 kg

Square

53

53

53 3000 standard max.

600

28.28

Rectangle

30500 custom max.

1100

3000 standard max.

3000 standard max.

1320

30500 custom max.

30500 custom max.

370 445 approx. 39.5 kg

28.16

Square

approx. 38 kg

28.16

Rectangle

approx. 66.8 kg

28.28

Rectangle


110

111

14

38

Technical Specifications

3000 standard max. 6000 custom max.

62

LAMPING:

approx. 8 kg

L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.

L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.

2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -

XENON

0.007

0.007

0.007

0.006 0.006 0.005 0.005 0.004 0.004 0.003

Peak Wavelength

780nm

Luminous Flux

196 Im

0.003

Input Power

0.002

Lumens/Watt

0.002

19.03 W 10.3

0.001

0.006 0.005 0.005 0.004 0.003

Input Power

0.002

Lumens/Watt

0.002

560

600

640

680

720

760

800

440

480

520

560

600

640

680

Wavelength (nm)

720

760

800

CIE 1931 CHROMATICITY DIAGRAM

0.9 0.8 0.7

x

0. 4660

u

0 . 2658

y

0 . 4120

v

0 . 3525

CCT

2628

CRI

100

v'

R1

99 .8

K

u'

R9

99 .4

R2

99 .9

R10

99 .7

R3

99 .9

R11

99 .7

R4

99 .8

R12

99 .5

R5

99 .8

R13

99 .9

R6

99 .8

R14

99 .9

R7

99 .9

R8

99 .7

0.9 0.8

0 . 2658 0.7

0. 5288

0.6

x

0. 4660

u

0 . 2658

y

0 . 4120

v

0 . 3525

CCT

2628

CRI

100

v'

R1

99 .8

K

u'

R9

99 .4

0 . 2658

R2

99 .9

R10

99 .7

R3

99 .9

R11

99 .7

R4

99 .8

R12

99 .5

R5

99 .8

R13

99 .9

R6

99 .8

R14

99 .9

R7

99 .9

R8

99 .7

Âą 200 - 250

0.3 0.2 0.1

0

0.1

0.2

0.3

0.4

0.5

0.6

0.7

0.8

x

Correlated Colour Temperature: Colour Rendering Index: Luminous Flux: Lumens/Watt:

0.4 0.3 0.2 0.1 0

0.9

T es t

0.5

y

0.4

2537 100 81 8.3 P age 6 / 10

0

0.1

0.2

0.3

0.4

0.5

x T es t

0.6

0.7

0.8

3000 standard max.

0. 5288

0.6

0.5

y

23.0

53 400

CIE 1931 CHROMATICITY DIAGRAM

0

47 Im 2.04 W

0.001 0.000

Wavelength (nm)

605nm

Luminous Flux

0.003

0.001

520

Peak Wavelength

0.004

0.000 480

Mini Canopy

0.006

0.001

440

38.3m

SPECTRAL POWER DISTRIBUTION 0.008

0.007

Spectral Power (W/nm)

Spectral Power (W/nm)

SPECTRAL POWER DISTRIBUTION 0.008

400

2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -

LED

330

6000 custom max.

0.9

2647 84 47 23 P age 6 / 10

10W or 1.5W LED type G4 bi-pin lamp (Bocci 24.1 or 24.2 LED) Ta = 25C

approx. 8 kg

DESIGNATIONS:

38.3 suitable for indoor or outdoor use


112

113

53 284 3000 standard max. 850

6000 custom max.

53 3000 standard max.

445

1320

approx. 31 kg

38.11

53 3000 standard max.

370

1100

38.16

6000 custom max.

6000 custom max.

approx. 43 kg

38.28

approx. 75 kg


114

115

57

42 55mm diameter mounting plate.

Technical Specifications

*wall or ceiling mounted

L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.

LED

28

*

adjustable up to 3000 standard

41

adjustable up to 30500 custom max.

*swag hook must be used

*swag hook must be used

approx. 1.5 kg

approx. 1.5 kg

± 200

± 105

2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -

adjustable up to 3000 standard adjustable up to 30500 custom max.

approx. 1 kg LAMPING:

29

± 150

SPECTRAL POWER DISTRIBUTION 0.008 0.007

Spectral Power (W/nm)

0.007 0.006 0.006 0.005 0.005

Peak Wavelength

0.004 0.004

605nm

Luminous Flux

0.003 0.003

Input Power

0.002

Lumens/Watt

0.002

47 Im

57s

2.04 W 23.0

0.001 0.001 0.000 400

440

480

520

560

600

640

680

Wavelength (nm)

720

760

800

57.1mi

Surface light (mini plate - remote transformer)

57.1mo

Mini innie canopy

Mini outtie canopy

CIE 1931 CHROMATICITY DIAGRAM

0.9

x y

0.8 0.7

0. 4660

u

0 . 2658

0 . 4120

v

0 . 3525

CCT

2628

u'

0 . 2658

CRI

100

K

v'

0. 5288

R1

99 .8

R9

99 .4

R2

99 .9

R10

99 .7

R3

99 .9

R11

99 .7

R4

99 .8

R12

99 .5

R5

99 .8

R13

99 .9

R6

99 .8

R14

99 .9

R7

99 .9

R8

99 .7

0.6

y

0.5 0.4 0.3 0.2 0.1 0

0

0.1

0.2

0.3

0.4

0.5

0.6

0.7

0.8

7

adjustable up to 3000 standard

29

adjustable up to 30500 custom max.

116

adjustable up to 30500 custom max.

0.9

x T es t

Correlated Colour Temperature: Colour Rendering Index: Luminous Flux: Lumens/Watt:

adjustable up to 3000 standard

13

± 100 - 165

P age 6 / 10

2647 84 47 23

1.5W type G4 bi-pin lamp. (Bocci 24.2 LED) approx. 1.5 kg

DESIGNATIONS:

approx. 2 kg ± 150

± 150

suitable for indoor or outdoor use

57.1m Mini Canopy

57.1

57 technical

*

*


116

117

40 32 adjustable up to 3000 standard

116

adjustable up to 30500 custom max.

152 Âą 220

53 adjustable up to 3000 standard

3000 standard max. adjustable up to 30500 custom max.

adjustable up to 30500 custom max.

600

approx. 2 kg approx. 9 kg

Âą 150

57.1

57.3

Deep canopy

32

152 220

32 adjustable up to 3000 standard adjustable up to 30500 custom max.

201 300

3000 standard max. adjustable up to 30500 custom max.

approx. 15 kg

approx. 12 kg

57.5

57.37

57.7

approx. 75.2 kg


Photographs courtesy Estudi Borrell

IMAGES

10 - 11 83

Photographs by Cory Dawson

13 31

Photographs by Josh Dunford

04 - 05 85

Photographs by Spencer Hung

43 57 80 91

Photographs by Robert Keizure

18 - 19

Photographs by Nic Lehoux

50 - 51

Photographs by Gwenael Lewis

3 8 14 15 17 20 - 21 22 23 25 26 - 27 29 30 33 34 35 36 37 38 39 40 41 44 45 48 49 52 53 54 55 58 59 61 62 - 63 65 66 - 67 68 69 74 78 87 89

Photographs by Shannon Loewen Photographs by Matthew Millman Photographs by Janis Nicolay Photographs by James O’Mara

6 9 28 42 76

Photographs by Letícia Remião

7

Photographs by Mike Seymour

70

Photographs © Manollo Yllera / AD Spain Photographs by Goruta Yuuki

12 46 - 47 60

© 2013, Bocci Design and Manufacturing Inc. inquiries should be directed to info@bocci.ca.


Bocci Catalogue 2014