Page 1

BLACKandWHITE and red all over


For our 2018 winter exhibition we wanted to examine works of art which were produced in black and white. Black and white is the most basic form of making art, and yet it is timeless. We discovered that works from all periods of art, and mediums, speak to each other when color is removed. Then we decided to have fun and put a room together of black and white and red! We hope you will enjoy the exhibition. BLACKandWHITE and red all over

Lily deJongh Downing and David Yudain, Winter 2018


Susan Williams, Marin Headlands Nocturne, study, 2017 mixed media on acetate: 8 1/2 x 11 inches


Susan Williams, Muir Beach, study, 2017 mixed media on acetate: 8 1/2 x 11 inches


Susan Williams, Open the Floodgates, study, 2017 oil on acetate: 8 1/2 x 11 inches


Susan Williams, Passageway 1, 2013 oil on panel: 24 x 24 inches


Susan Williams, Grey Girl, 2013 oil on mylar: 40 x 48 inches


Lisa Downing Sartorius, Mom’s Maples c-print: 20 x 16 inches, 1/12


Lisa Downing Sartorius, Vermont Holsteins print on aluminum: 24 x 36 inches, 1/12


Lisa Downing Sartorius, Caspian Lake print on metal: 20 x 24 inches, 1/12


Mike Glier, Study #2, The Forest of Antarctica #216, 2016 acrylic oil on primed paper: 42 7/8 x 68 1/2 inches


Mike Glier, The Forests of Antarctica #60, 2012 oil on aluminum: 62 x 42 inches


Mike Glier, The Forests of Antarctica #78, 2013 oil on aluminum: 50 x 40 inches


Mike Glier, July 21, 2012: Money Brook, Williamstown, MA, 72 degrees F, 2012 gouache on paper: 11 1/2 x 14 inches (left) Mike Glier, July 4, Croak Hoosick, NY, 82 Degress F, 2012 gouache on paper: 16 1/2 x 18 inches (right)


Al Held, 60-104, 1960 India ink on paper: 18 x 23 3/4 inches


Al Held, 65-A20, 1965 India ink on paper: 22 1/2 x 34 3/4 inches


Alexander Liberman, Sun Dial, 1991 aluminum: 6 3/8 x 6 1/2 x 3 inches


Robert Motherwell, Magpie, 1952 ink on paper: 27 1/2 x 21 1/2 inches


Keith Haring, Untitled, 1981 ink on paper: 38 1/4 x 50 inches


Bryan Nash Gill, Honey Locust, 2012 relief print: 26 x 26 inches


Bryan Nash Gill, Pine Plank II, 2011 relief print: 77 x 28 inches


J Henry Fair, Old Slave Market gelatin silver print: 16 x 20 inches, 1/8


J Henry Fair, Anna Cady gelatin silver print: 12 3/4 x 18 7/8 inches 1/12


Malcolm Moran, A Horse and His Ride Returning, No. 9, 2013 monotype: 22 x 19 inches


Malcolm Moran, The Bishop #2, 2014 monotype: 12 x 18 inches


Malcolm Moran, Young Man Preparing for His Future, 1990 gouache on paper: 8 x 4 1/2 inches


Malcolm Moran, A Japanese Crow, 2015 monotype: 15 x 19 1/4 inches


Malcolm Moran, Diagram of a Very Fast Horse, 2009 monotype: 10 x 25 inches


Malcolm Moran, Hooves at Work, 2015 monotype: 12 x 12 inches, (left) Malcolm Moran, The Spirit of the Angry Beast, 2015 monotype 14 x 14 inches (right)


Malcolm Moran, The Beast and His Burden, 2015 monotype: 12 x 12 inches


Frances Middendorf, Perfume Bottles, 2018 drawing for fan: 9 1/2 x 18 inches


Frances Middendorf, Neptune, 2018 drawing for fan: 9 1/2 x 18 inches


J William Middendorf II, Bull’s Eye, 2017 mixed media: 11 1/2 x 11 1/2 inches


J William Middendorf II, Black on Black, 2018 mixed media: 20 x 16 inches (left) J William Middendorf II, Buy the One‌, 2018 mixed media: 16 x 20 inches (right) J William II, Buy the one‌, 2018 mixed media: 20 x 16 inches


J William Middendorf II, Tulip, 2018 mixed media: 20 x 14 inches


Dan Rizzie, Aspidistra, 2004 etching: 27 1/2 x 22 1/2 inches


Dan Rizzie, Raven’s Garden, 2004 Aquatint: 24 3/8 x 19 3/8 inches


Geoffrey Gorman, Buffel Will Not Bark, 2017 mixed media/found objects: 12 x 10 x 8 inches


Robyn Geddes, Seagull, 2016 acrylic and silkscreen on panel: 14 x 14 inches


Rafael Soares, White Cow, 2015 watercolor on paper: 11 x 13 1/4 inches


Rafael Soares, Mouse, 2018 watercolor on paper: 6 1/2 x 8 inches


Rafael Soares, White Horse, 2017 watercolor on paper: 13 1/4 x 10 1/2 inches


Rafael Soares, Zebra, 2018 watercolor on paper: 10 3/4 x 13 1/2 inches


Julie Betts Testwuide, Porch 2, 1985 printed in 2018, black and white fiber print from negative: 9 x 13 inches


Julie Betts Testwuide, Porch 1, 1985 printed in 2018, black and white fiber print from negative: 9 x 13 inches


Julie Betts Testwuide, Great Blue, Camargue, France, 2017 limited edition print on photo rag paper: 20 x 30 inches, 2/30


Julie Betts Testwuide, Rush in the Camargue, Camargue, France, 2017 limited edition print on Hahnemuhle photo rag paper: 20 x 30 inches, 1/50


Linden Frederic, Orchard Keeper, 1998 etching: 5 1/2 x 10 inches


Rebecca Smith Ford, Dogwood, 2015 oil on panel: 11 x 14 inches


Joseph Stella, Pittsburgh II, Italian Leader, 1908 crayon on paper laid down on board: 17 3/8 x 13 1/2 inches


Ben Shahn, Tree ink on paper: 9 1/2 x 13 inches


Ben Shahn, Tree ink on paper: 9 1/2 x 13 inches


Childe Hassam, Helen Wills at Easthampton 2 etching: 8 3/4 x 4 7/8 inches


Stow Wengenroth, New England Village, Castine, Maine, c. 1945 lithograph: 7 3/4 x 14 1/4 inches


Stow Wengenwroth, Evening, Maine, c. 1945 lithograph: 11 x 16 inches


Russell Sherman, A Quiet Pool, c. 1940 lithograph: 8 1/2 x 14 inches


Asa Cheffetz, The Road Home, c. 1935 wood engraving: 5 3/4 x 9 1/2 inches


John Rogers Cox, Wheat Shocks, c. 1945 lithograph: 8 3/4 x 11 3/4 inches


Everett Warner, Winter in the City, c. 1917 woodcut: 3 9/16 x 3 1/2 inches


Percival Rosseau, Nancy, 1932 etching: 8 x 6 inches


And Red All Over


Geoffrey Gorman, Foxygen, 2017 mixed media/found objects: 13 x 13 x 8 inches


Susan Williams, Lucky Break, 2016 oil on panel: 24 x 24 inches


J Henry Fair, Arsenic and Water c-print: 19 1/4 x 13 1/4 inches 1/12


J Henry Fair, Warehouse at Abandoned Furniture Factory c-print: 13 1/4 x 19 1/4 inches, 1/12


J Henry Fair, Port Lavaca, Texas c-print: 30 x 25 inches 1/8


John Gibson, Hermosa Beach, 2014 oil on panel: 27 x 96 inches


John Gibson, John #62, 2002 oil on panel: 18 x 15 inches


Rebecca Smith Ford, Pinky, 2017 oil on panel: 14 x 11 inches


Robyn Geddes, Red Crow, 2016 acrylic and silkscreen on panel: 14 x 14 inches


Malcolm Moran, Red Horse on Green Field, 2010 hand worked monotype: 13 x 17 inches


Malcolm Moran, Pelican’s Minding His Own Business #3, 2011 hand worked monotype: 22 x 20 inches


Malcolm Moran, Bird Reflecting on His Shadow, 2009 hand worked monotype: 17 x 12 inches


Malcolm Moran, Mr. Crow’s Friend, 2012 monotype: 22 x 19 inches


Frances Middendorf, Le Silo handcolored etching: 9 x 6 inches


Frances Middendorf, Dress hand colored etching: 9 x 6 inches


Downing Yudain LLC 357 Old Long Ridge Road Stamford, Ct 06903 www.art357.com info@art357.com 917-544-6417

Black and white  
Black and white