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Pride and Prejudice, by Jane Austen, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriate All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences-biographical, historical, and literary-to enrich each reader's understanding of these enduring works.


'It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.' Thus memorably begins Jane Austen's Pride and Prejudice, one of the world's most popular novels. Pride and Prejudice-Austen's own 'darling child'-tells the story of fiercely independent Elizabeth Bennet, one of five sisters who must marry rich, as she confounds the arrogant, wealthy Mr. Darcy. What ensues is one of the most delightful and engrossingly readable courtships known to literature, written by a precocious Austen when she was just twenty-one years old. Humorous and profound, and filled with highly entertaining dialogue, this witty comedy of manners dips and turns through drawing-rooms and plots to reach an immensely satisfying finale. In the words of Eudora Welty, Pride and Prejudice is as 'irresistible and as nearly flawless as any fiction could be.' Carol Howard, educated at SUNY Purchase and Columbia University, where she received her Ph.D. in 1999, chairs the English Department and teaches in the Theater Department at Warren Wilson College in Asheville, North Carolina. She has published essays on early British and contemporary African-American women writers and has coedited two books on British writers (1996, 1997). Her primary scholarly interest is the literature of seventeenth- and eighteenthcentury England.  

About The Author Carol Howard, educated at SUNY Purchase and Columbia University, where she received her Ph.D. in 1999, chairs the English Department and teaches in the Theater Department at Warren Wilson College in Asheville, North Carolina. She has published essays on early British and contemporary African-American women writers and has coedited two books on British writers (1996, 1997). Her primary scholarly interest is the literature of seventeenthand eighteenth-century England.

Biography In 1801, George Austen retired from the clergy, and Jane, Cassandra, and their parents took up residence in Bath, a fashionable town Jane liked far less than her native village. Jane seems to have written little during this period. When Mr. Austen died in 1805, the three women, Mrs. Austen and her daughters, moved first to Southampton and then, partly subsidized by Jane's brothers, occupied a house in Chawton, a village not unlike Jane's first home. There she began to work on writing and pursued publishing once more, leading to the anonymous publication of Sense and Sensibility in 1811 and Pride and Prejudice in 1813, to modestly good reviews.

Known for her cheerful, modest, and witty character, Jane Austen had a busy family and social life, but as far as we know very little direct romantic experience. There were early flirtations, a quickly retracted agreement to marry the wealthy brother of a friend, and a rumored short-lived attachment -- while she was traveling -- that has not been verified. Her last years were quiet and devoted to family, friends, and writing her final novels. In 1817 she had to interrupt work on her last and unfinished novel, Sanditon, because she fell ill. She died on July 18, 1817, in Winchester, where she had been taken for medical treatment. After her death, her novels Northanger Abbey and Persuasion were published, together with a biographical notice, due to the efforts of her brother Henry. Austen is buried in Winchester Cathedral. Author biography courtesy of Barnes & Noble Books.

Reviews Austen is the hot property of the entertainment world with new feature film versions of Persuasion and Sense and Sensibility on the silver screen and Pride and Prejudice hitting the TV airwaves on PBS. Such high visibility will inevitably draw renewed interest in the original source materials. These new Modern Library editions offer quality hardcovers at affordable prices.


When i first heard of the book, i was under the assumption that is was an adult novel and that i wouldn't enjoy it. However, after reading it, as an 8th grader, for a challenge, i fell in love with it. I will be the first to admit that it took me 2 whole weeks to read this as where i usually only take about 2 days. It was a bit hard to understand at first, but eventually you got used to the writing and words she used. Overall, it is an epic love story and of course a classic. I recommend this book to anyone over the age of 12. It is simply amazing :)

Will they fall in love, or loath each other for all eternity? This was the question I asked myself when I was reading Pride and Prejudice by Jane Austen. I was captivated by the sense of authority in her words. She (Austen) explains the simplicity and hardships of love in a very graceful way. She laced this idea of love into a young woman's everyday life. This her second novel, and by my personal choice, the best. ¿It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.¿ There, she explains the subject of her novel. She said the main subject of the book is marriage and love, and it focusses you to know that the book will include someone looking for a wife, or vise versa. In the early 1800¿s, Elizabeth is a very regular girl. With her fast reactions and wits, she can give the rudest insult without losing her light hearted tone and good nature. She and her four sisters listen anxiously as their mother, Mrs. Bennet, persuades their father, Mr. Bennet, to go meet the new men in town. That is where new characters come into the book. Of course, any girl would be anxious to marry a wealthy man. Austen wrote the book in a very controlled manner. A scene such as when Mr. Collins proposes to Elizabeth, is an example. She (Austen) doesn¿t set Elizabeth into hysterics, or crosses the line of how she refuses him. It is almost funny to read. Mr. Collins, through his arrogance and stubbornness, doesn¿t stop asking Elizabeth to marry him. He keeps asking even though she refused him in the best manner over and over. The quote below shows the control Austen writes into her characters. ¿I (Elizabeth) do assure you... I would rather be paid the compliment of being believed sincere. I thank you again and again for the honour you have done me in your proposals, but to accept them is absolutely impossible... Can I speak plainer? Do not consider me now as an elegant female intending to plague you, but as a rational creature speaking the truth from her heart.¿ The Bingely¿s (a new family in town), along with Mr. Darcy host a ball celebrating their arrival. The whole Bennet family goes, dressed in their best apparel. Elizabeth immediately talks to Mr. Bingely, and is naturally repulsed at Mr. Darcys actions. Tightlipped and non-talkative, Elizabeth soon stops conversing all together around him until she is asked to dance by one of the men. Will Mr. Darcy get jealous and ask her to dance? Elizabeth is the main character, but Austen doesn¿t tell it from Elizabeth¿s perspective. She does this on purpose. It hides any strong or sudden emotions Elizabeth may have had. Austen¿s style of writing is slightly confusing. She jumps from one character and shoreline to another. It gave you multiple views of the story, and what can be happening all at once. It was better that she wrote this way, for one because the book shows multiple people who are in love. Instead of writing from how just one character sees how other people act, and ignorant of the characters own actions, she writes how each character acts a reacts to the situations they are placed in. ¿To Mr. Darcy it was welcome intelligence.... She attracted him more than he liked.... Particularly careful that no sign of admiration should now escape him, nothing that could elevate her with the hope of influencing his felicity..... His behaviour during the last day must have material weight in confirming or crushing it.... He scarcely spoke ten words to her.... and though they were at one time left by themselves for half an hour, he adhered most conscientiously to his book, and would not even look at her.¿ In this passage Austen shows Mr. Darcy¿s strength to resist, and his stubborn character to like anyone but himself. The writing style of the book is different than modern writers. For example: ¿When that business was over, he applied to Miss Bingley and Elizabeth for the indulgence of some music. Miss Bingley moved w

Jane Austen's Pride and Prejudice is without a doubt a masterpiece. Austen encompasses a unique style which incorporates elaborate vocabulary and detailed characterization. Pride and Prejudice is a page turner that readers fall in love with in a way that most of the other "greats" of British literature are not. Although the plot mostly revolves around the desire of the 5 Bennet daughters to marry, Austen overcomes the superficial pretenses and writes a novel that truly depicts the time period and the actual attitudes of pride and prejudice.


 

Read An Excerpt From Carol Howard's Introduction to Pride and Prejudice It is sometimes said that Austen's gift was to be a shrewd observer of her narrow, genteel social circle, that her experience and knowledge of the world were limited and her life sheltered, and that her novels realistically reflect the peaceful late-eighteenth- and early-nineteenth-century village community and English countryside she inhabited. That Austen was a careful observer of human motivation and social interaction is certainly true. One should not assume, though, that her choice to write novels of manners means that she was unaware of or unaffected by the political and social upheaval of her day. The idea that she centers her novels on the social classes with which she was most familiar is not entirely the case, although she had occasion to observe members of the gentry and aristocracy whose circumstances resembled those of some of the characters who populate her novels. Whether her own life was perfectly serene is questionable: Most lives, no matter how uneventful in retrospect, have their vicissitudes. At the very least, Austen and her family must have had concerns over the tumultuous historical events that unsettled the British nation during their lifetime. She was born in 1775, the year that marked the beginning of the American Revolution. Several decades later, she would read newspaper accounts of another British conflict with the new American nation in the War of 1812, which began as she finished revising Pride and Prejudice. What must have played significantly in Austen's imagination, as in the mind of every Briton, was the ongoing war with Napoleon's forces, which marked the culmination of a century of conflicts between Britain and France, and which ended, with the Battle of Waterloo in June 1815, six months before her fortieth birthday. The British fear of invasion by Napoleon, which endured until 1805, caused concern even in the towns and villages that seemed safest. Austen would have been aware of the billeting of British militia troops in the English countryside, and she certainly followed the career of her brother Henry, who had joined the Oxford militia in 1793, when Britain's latest war with France erupted in the aftermath of the French Revolution. She must also have taken a personal interest in the campaigns of the British navy, which counted her brothers Francis and Charles among its officers. To what extent she cared about daily political events is difficult to discern, for her letters are marked by characteristic irony. Of a newspaper report of an 1811 battle of the Peninsular War, when Napoleon invaded Spain and Portugal in an effort to close ports to British commerce, Austen declared, "How horrible it is to have so many people killed!-And what a blessing that one cares for none of them!" (Le Faye, Jane Austen's Letters).

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