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aren castro

architectural portfolio 2019

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aren castro 952 295 0015 number acastro2014@fau.edu email @aren.castro social

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curriculum vitae aren castro

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aren castro Florida Atlantic University | Fort Lauderdale, FL BArch, Professional Degree 2019 (expected graduation)

(954)-295-0015 acastro2014@fau.edu 106 SW 87 Ln, Coral Springs FL

education

Atlantic Technical College Technical High School | Coconut Creek, FL Drafting and Design Vocational Program (certification valid through 2019) 2010 to 2014

Brooks + Scarpa Architects

Architecture, Landscape, and Urban Design | Fort Lauderdale, FL

experience 01.2019 - present

On-going design position with a internationally recognized practice Worked on projects including: - Exhibit Design of “Salty Urbanism: Sea Level Rise Adaption Strategies for Urban Areas” | University of Southern California - Design Criteria Manual | City of Fort Lauderdale, FL - Signage and branding proposals | City of Hollywood, FL

School of Architecture, Florida Atlantic University

Graphic Designer | Fort Lauderdale, FL

05.2018 - present

Created content for the School of Architecture including: - SOA Annual Lecture Series Comprehensive Poster + all attending material - Exhibition Content related to “20/20: 20 Years of Architectural Education at Florida Atlantic University” - “17 Lives, 17 Minutes” Walkout Poster in rememberance of the Marjorie Stoneman Douglas tradgedy - Exhibition Design and Content creation related to “Selections from the Donald and Elaine Singer Collection: Frank Lloyd Wright drawings, books, and memorabilia from the 20th century” - FAU SOA event documentation

American Institute of Architecture Students, FAU SOA Chapter

Creative Director | Fort Lauderdale, FL

05.2018 - present

Created and published content for the AIAS FAUSOA Chapter including: - National Award Submittal Package, AIAS National, 2018 - All graphic content for all Chapter-organized events - Design of Membership Cards (physical protoype to production) - Headed Voter Registration Initiative in collaboration with AIAS Vice President, Angelo Peuguero

Synalovski Romanik Saye

Architecture, Planning, Interior Design | Fort Lauderdale, FL Long-term Design Internship with a practice specializing in Architecture and Interior Design services Worked on commercial, educational, and hospitality projects including: - 6372 Collins Avenue | Miami Beach, FL Developed schematic designs and assisted in client proposals - David Posnack Middle School | Davie, FL Constructed scale model for visualization and donation purposes - Aventura Chabad | Aventura, FL Developed construction documents as part of a focused design team, led in the permitting of the project - Cooper Square | Cooper City, FL In collaboration with small design team, developed several site design strategies, site visualization through 2D rendering techniques - Beacon Tower | Aventura, FL Assured and examined post occupancy satisfaction, led permitting for future tenant buildouts

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05.2014 - 08.2018


Campus Masterplanning: Exhibiting Student Responses

Directed Independent Study | Guidance from Prof. Jeffrey Huber | Jupiter, FL

research 01.2019 - present

On-going research, curation, and design of an exhibit showcasing masterplan proposals for Florida Atlantic University Wilkes Honors College

Urban Topographies: Sea-Level Rise and the Transformation of South Florida’s Coastal Environments

09.2018 - 11.2018

Venice Biennale | “Approaches of Repair” Symposium at Meetings on Architecture | Venice, Italy Created and edited content for Associate Professor John Sandell’s research proposal regarding the natural reclamation of Florida landmass and ecologies in the wake of extreme climactic change, and the subsequent urban reaction Creative Directors: Mauro Baracco, Louise Wright and Linda Tegg

“Salty Urbanism: Sea Level Rise Adaption Strategies for Urban Areas”

Exhibit Design and Curation | 2018 AIA Award Winner in Regional and Urban Design

exhibitions/publications /recognitions 01.2019 - present

Working with a focused design team run through architectural firm Brooks + Scarpa, my responsibilities revolve around a fluid and exciting integration of student work that presents alternative responses to frameworks set by the original research

“Lauderdale by the Sea: Exploring the City’s Midcentury Modern Architecture”

Prepared for The City of Lauderdale by the Sea | Author: Deirdre J. Hardy, AIA

11.2018 - 02.2019

This publication documents the research of Florida Atlantic University School of Architecture students who enrolled in the elective class “Exploring Lauderdale-by-the-Sea’s Architectural Heritage” Responsibilities included final graphic edits and print/production coordination

Student Organization of the Year

Awarded to Board Members of AIAS Chapter of FAU | Fort Lauderdale, FL

Ritter Art Gallery Juried Student Exhibition

Submission of Graphic Content | Juror: Hamza Walker, director of LAXART

05.2018 03.2018 - 04.2018

Selections chosen for exhibit: “DIWAR”, 2018 Architectural Render completed using Rhino 3D Software and Photoshop Post Production “LOOKING IN”, 2017 Sectional Studies completed using rhino 3D Software and Photoshop Post Production

Remarque: Student Journal of Visual Arts

Submission of Graphic Content | Student Published Journal

02.2018

Selections chosen for publishing: “DIWAR”, 2018 Architectural Render completed using Rhino 3D Software and Photoshop Post Production “WYNWOOD DIGITAL INSTITUTE AND LIVE-WORK COMMUNITY”, 2017 Architectural Render completed using rhino 3D Software and Photoshop Post Production

Florida Bright Futures Academic Scholars Award

Silver Medallion | Florida Atlantic University

Physical | Trained in physical modeling, hand drafting, sketching, laser cutting, woodworking 2D | Adobe Photoshop, Adobe Illustrator, Adobe In-Design, AutoCAD 3D | Rhino, Sketchup, Maya Other | Microsoft Office Suite, V-ray Render for Rhino/Sketchup, Lumion Render for Rhino/Sketchup Associate Professor Vladimir Kulic

Iowa State University | vladakulic@gmail.com

08.2014 - present

skills

references

Partner, Jeffrey Huber, AIA

Brooks + Scarpa Architects | huber@brooksscarpa.com | 904.540.9135

Lizette Rios

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academic work

a selection of work from my time at Florida Atlantic University

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digital institute + live-work date advisor tools used

Fall 2017 Diego Camargo Rhinoceros 5, Vray, AutoCAD, Adobe Illustrator, Adobe Photoshop

Utilizing a vacant city block deep in the center of Wynwood, Miami, the Wynwood Digital Institute + Live-Work Community takes advantage of its rich cultural context. The architecture becomes a place for the community to gather, whether through academics, art, theatre, or public activities. The building has a minimal footprint, only touching the ground lightly at the entrances to the programmatic space, and immediately funneling inhabitants upwards into the core of the structure. Conceptually, visitors and students are transported into another realm, where the real and digital become one.

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Understanding the future development of the area influenced the overall height and volume of the building, with this proposal being one of the first in Wynwood's developmental shift upwards. Matching the height of a future adjacent parking garage and residential complex, the Wynwood Digital Institute + LiveWork Community solidifies academics, art, technology, and community on Wynwood's future skyline.


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In a repetitive gridded urban context, the Wynwood Digital Institute + LiveWork Community separates itself from its surroundings. Rising above the buildings adjacent, the architecture's unique profile helps to develop visual branding for not only the programs within, but for the area of Wynwood around it.

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digital institute + live-work


perforated steel panels

prefabricated concrete paneling construction

concrete walls and slabs

steel column and beam structure system

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site context + location exploded axonometric digital institute + live-work

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eastern entrance live-work entrance lobby cafe/retail location

digital institute + live-work

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residential parking existing retail locations exhibition space

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auditorium live-work residences institute classrooms


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floor plans (1-4) spot sectional studies rendered south elevation (future garage context)

digital institute + live-work

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The building develops a cove like effect in relationship to the public park and recreation space north of the structure. In the nighttime visualization to the right, the perforated metal cladding shielding the Southern elevation from the sun, finds a second use as a projection surface for movies, concerts, or advertising.

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perspective rendering

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dĂŽwar (the wall) date advisor collaborator tools used

Spring 2018 Jean Martin Caldieron Kyle Roethlisberger Rhinoceros 5, AutoCAD, Adobe Illustrator, Adobe Photoshop

Kurds make up the fourth largest ethnic group in the middle east, and have been called the largest nation without a state. The turmoil that exists between Turkey and the Kurds has been present since the establishment of Turkey in the 1920's, and includes events such as the Zilan Massacre which took the lives of thousands of Kurds. To speak the word Kurd was banned by the Turkish government until 1991, and the Kurdish people have active in peaceful and non-peaceful rebellions in order to attain basic civil rights, and further, a Kurdish Nation State.

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This unstable regional history helped to narrate, explore, and conceptualize what the location of this project means to the people around it, and what an observation structure could symbolize. The competition brief presented a site deep in historically Kurdish territory, and the intervention became an opportunity for us to explore the contextual political effects of an equal playing field; a space in which no single ethnicity is represented more than another, a place where Turks, "Mountain Turks", and visitors can all feel welcome.


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perforated corten steel cladding panels

steel circulation stair + monolithic stone table

structural steel column and beam layout

left right

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dĂŽwar

structural axonometric perspective rendering


dĂŽwar

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As shown in the rendered view of the project's approach, the view into the focus of the observation structure -a volcanic caldera- is blocked to the incoming visitor. Preconceived judgment of inhabitants of the structure becomes impossible, and therefore, an equal playing field is created for all to enjoy the view.

bottom left top right

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dĂŽwar

view from mountaintop view on approach


dĂŽwar

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koli connection date advisor tools used

Spring 2018 Jean Martin Caldieron Rhinoceros 5, Vray, AutoCAD, Adobe Illustrator, Adobe Photoshop

The Koli people located on an underdeveloped peninsula south west of the city of Mumbai are a population characterized by their relationship with water. As one of the first recorded settlements in Mumbai, their presence, image, economy, and culture is fueled by fish. Attempting to bring more attention to this unique culture, and allow it to grow and thrive within a rapidly changing and growing context of Mumbai, the proposal seeks to implement a new light rail station, outdoor bazaar marketplace, as well as event spaces and community amenities.

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The relationship of these new programs to the inhabitants of the Koli village hope to expand the economic and cultural reach of the people, and facilitate a seamless entry of a historic people into a modern context. Three other rail stations are proposed around a shared Mahim Bay, which successfully connects the Koli people not only to the city, but to the region and the country. The combination of a connected transit system as well as community amenities that take advantage of the best views in Mumbai reevaluate the relationship that Mumbai has with its history and it's people.


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The monolithic construction becomes a iconic visual element on the point of the Koli Peninsula, symbolizing a new connected Mumbai. Taken from the perspective of the park surrounding the intervention, the architecture houses a bazaar on the ground level, event spaces above, and a new regional train station overhead.

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koli connection


perspective rendering

koli connection

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koli connection

rendered section site location on peninsula regional site plan + stations


koli connection

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koli connection


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rendered site plan photographs, physical model

koli connection

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savannah ga, bike cafe date advisor tools used

Spring 2017 Jean Martin Caldieron SketchUp, AutoCAD, Adobe Illustrator, Adobe Photoshop

While visiting Savannah Georgia, and studying the context and history of the place, it became apparent that any architectural intervention within the city needed to be conscious of that historic context, and respond in a sympathetic way. This building achieves a low profile, by going low. Digging into the ground allows for a maintained view around the park towards the historic buildings surrounding the site. The building is not invasive in its landscape, and therefore responds directly to the context, by allowing it to remain the center of attention.

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Maintaining its low profile, public amenities still manage to be packed into the structure. With a focus on a bike shop/rental facility, other programmatic amenities include a coffee shop, pedestrian breezeway, co-working spaces, and direct connection to the riverfront tourist areas. The building is intended to become a destination for residents of Savannah, as well as tourists alike, all the while paying respect to the city it was birthed into.


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top left bottom left right

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savannah ga, bike cafe

rendered perspective strategy diagram exploded axonometric


savannah ga, bike cafe

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savannah ga, bike cafe


savannah ga, bike cafe

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[band] scape date Fall 2018 advisor Jeffrey E. Huber, AIA collaborators Flavia Chiste, Kalina Ester, Rachel Holmstock tools used Rhinoceros 5, Adobe Illustrator, Adobe Photoshop, Lumion As a masterplanning exercise, Florida Atlantic University's John D. Macarthur Campus in Jupiter, Florida, begged for an alternative approach to campus design. Situated in a primarily suburban area of South Florida, the context allowed for us to play with the preconceptions that come with a traditional college campus. Secondly, the Honor's college provided a unique, research fueled vision for the campus' future development. This proved to us that this non-traditional campus required a non-traditional approach.

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How do we curate a dynamic new landscape for the FAU Jupiter Honor's College. Through the following approach, the process transitioned from place making, to community making, redefining what it means to not only be a student, but also a community member. By re-orienting the campus' axial relationships to connect it more strongly to adjacent communities, banding like programs, implementing vegetated corridors, and providing architectural gateways, the intervention speaks to the future of the college.


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The distance between the six FAU campuses is 250 miles, and it takes +/- 4 hrs to commute between all of them. 83% of Jupiter students have a 30 minute commute to school. The median house sale price in Jupiter is $370,000, with rent prices averaging $2,500 per month. These qualities, among others, set the scene for an alternative approach to campus masterplanning.

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campus placement in regional context "suburban archipelago" ink on paper, early context research drawing conceptual diagram, non-traditional housing solutions

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strategy diagrams site axonometric


[band] scape

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Parking Garage

Gardenette Housing Site Plan SCALE: 1/32” = 1’-0”

I LOVE KNOWING ALL OF MY NEIGHBORS!! <3

Bleeding Edge Library Wing

Garden Connection to Platz

LETS MEET BACK HERE AT FIVE FOR YOGA!

WANT TO WALK TO ABACOA FOR DINNER?

Terraced Entry Exhibit/Class Wing

Cafe Bosque

The Link: Multipurpose Hub Site Plan SCALE: 1/32” = 1’-0”

DON’T BE A FOWL OWL! LETS GRAB AN FAU T-SHIRT!

MY MIDDLE SCHOOLER LOVES THE LIBRARY!

LETS GO TO THE OWLERY FOR BRUNCH!

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[band] scape

gardenette housing axonometric "the link" multipurpose building axonometric neuro complex axonometric hybrid housing axonometric


Cocktail Lounge

Nuero Complex Ground Floor Plan SCALE: 1/32” = 1’-0”

WE CAN TAKE MY CAR, ITS PARKED IN THE HILL!

A COOL LOCAL BAND IS PLAYING HERE NEXT WEEK! LETS GRAB A DRINK AFTER THE CONFERENCE!

Social Channel Connection

DUDE, THIS IS THE BEST SHADY STUDY SPOT!

Community Garden

Art Corner Community Pool

Woonerf

Hybrid Housing Site Plan SCALE: 1/32” = 1’-0”

LOFT

IM ONLY A FIVE MINUTE WALK FROM ANT2240!

DORM APART ARTME TMENT OH LOOK! MY UBER DRIVER IS HERE!

LETS INVITE OLD MAN JAMES TO THE BARBECUE!

SUITE I ITE

[band] scape

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[band] scape

hybrid housing visualization neuro complex courtyard visualization urban edge visualization hybrid housing visualization


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"the link" visualization

[band] scape

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[band] scape


The projects colorful character and nontraditional approach to architecture and campus masterplanning was evident in every piece of content that was produced by our team. We worked hard for consistency of vision and intent through each medium that our project's representation called for.

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masterplan, honors college photographs, physical model

[band] scape

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professional work 2014-18 6372 Collins Avenue Intern, Synalovski Romanik Saye Architects Fort Lauderdale, Florida 2018-19 Salty Urbanism Exhibit Designer, Brooks + Scarpa Los Angeles, California 2018-19 Miscellaneous Projects Creative Director, Florida Atlantic University Fort Lauderdale, Florida

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6372 collins avenue date location type tools used

Summer 2015 Miami Beach, FL Residential, Multi-family AutoCAD, Illustrator

In this project, my responsibilities including taking part in crucial schematic design decision making, in this projects case, elevation and fenestration design. Through this project and others throughout my time at SRS Architects, I developed a proficiency in using AutoCAD as a design and production tool. Other responsibilities while working with SRS Architects included permitting, developing client proposals, site visits, preparing bid documents, preparing specification sheets, product research, and physical modeling.

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This project, and others, help to showcase some of the skills I absorbed while working with SRS Architects. I believe this position played a crucial role in preparing me and fully equipping me to perform well in any future workplace.


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6372 collins avenue

schematic documents, elevations perspective renderings


6372 collins avenue

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salty urbanism exhibit date location type tools used

Spring 2019 Los Angeles, California Exhibition Design Rhino6, Adobe Illustrator

The Exhibition for, Salty Urbanism: Sea Level Rise Adaption Strategies for Urban Areas took place on the campus of the University of Southern California in March of 2019. The exhibition showcased work from the AIA Award winning project and research, as well as student work developed at Florida Atlantic University and the University of Southern California. I was tasked with conceptualizing, curating, and designing the exhibition to showcase this work.

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The exhibition was designed with two major components acting upon visitors as they enter the space. The first, a series of cylinders hanging in the volume of the gallery are meant to make visitors feel as if they are coming up for a breath within a flooded landscape, and then show the inhabitant of the cylinder information within. The second, an anamorphic projection across the entire space spelling the exhibitions name, highlights key renderings that help to explain the projects and methods. The design facilitates a novel comprehension and digestion of the work exhibited.


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2” spacing between panels unless otherwise noted

board sizing legend

a 24”x36”

b 36”x48”

c 48”x48”

d 48”x72”

e 48”x96”

USC EXHIBIT

SALTY URBANISM

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salty urbanism exhibit


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design/layout drawings conceptual visualization photograph, final construction

From the perspective of the initial entry through the gallery's doorway, the anamorphic projection of the exhibition's name is visible on the left and right walls. The cylinders floating in the space of the gallery reinforce ideas connected to sea level rise, and further, the research and student work being exhibitted.

salty urbanism exhibit

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creative director (misc.) date location type tools used

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2018-19 Fort Lauderdale, Florida Poster design, digital design Adobe Illustrator, Adobe InDesign

As Creative Director for the FAU School of Architecture, as well as Creative Director and Board Member for the FAU School of Architecture, I was able to develop a robust portfolio of graphic work ranging from poster design, digital media design, event branding, and merchandise design.

Included in the work is Florida Atlantic University Architecture School's Annual Lecture Series, in which I was tasked with designing the event's complete promotional material. This includes the original lecture schedule poster, as well as individual print/digital lecture announcements.

This miscelaneous collection is intended to show the range of projects worked on while holding these positions at FAU.

Working in graphic design has fostered skills necessary for the successful representation of architectural projects, enhanced my time management skills, and further prepared me to perform well in any future workplace.


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17 LIVES 17 MINUTES 1 MONTH 10 A.M. On the one-month anniversary of the tragedy that took place at Marjorie Stoneman Douglas High School, students across the country will be conducting a â&#x20AC;&#x153;walk outâ&#x20AC;? for 17 minutes at 10:00 am. Immediately following this event, Florida Atlantic University Police, together with Broward College police will conduct a special presentation in the MetroLAB to review security on campus and answer any questions anyone may have. Faculty are encouraged to release students from course obligations if they would like to participate in these events.

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creative director (misc. projects)

School Walkout following Parkland Shooting tragedy, event poster Valentine's Day, digital posting in preparation for accompanying event FAU Annual Lecture Series, event schedule poster + misc. supporting individual announcements


Footnoting Architecture presents several acts of transformative copying, and differently motivated efforts to cite it. Situating the material from Un/Fair Exhibition and Project_Rorschach, this lecture examines copying, authorship, and other ways we conceptualize the production and transfer of ideas in architecture. Ana Miljački is a critic, curator and Associate Professor of Architecture at Massachusetts Institute of Technology, where she teaches history, theory and design and directs the Masters Program in Architecture. She was part of the three-member curatorial team, with Eva Franchi Gilabert and Ashley Schafer, of the US Pavilion at the 2014 Venice Architecture Biennale, where their project OfficeUS, critically examined the last century of US architects’ global contribution. The third of the books planned for this project—OfficueUS Manual—was published with Lars Muller in 2017. Her Un/Fair Use exhibition was on view at the Center for Architecture in New York in the fall of 2015 and at UC Berkeley's Wurster Hall in 2016. In 2018 Miljački launched the Critical Broadcasting Lab at MIT. She is the author of The Optimum Imperative: Czech Architecture for the Socialist Lifestyle 1938-1968 (Routledge, 2017), and the editor of Terms of Appropriation: Modern and Architecture and Global Exchange, with Amanda Reeser Lawrence (Routledge, 2018).

A New Humanism proposes cities as people—that our built environments literally provide expressions of our own experiences of our bodies, gestures and perceptions. This lecture will center on various approaches to the planning process, the art and science of urban design and why building for a more humane future is both timely and essential. Sottile will touch on how theorists over the centuries have sought and created human forms in architecture, juxtaposing appealing buildings with ones that are not, and connecting the very language we use to describe cities to the language of the body and of human perception. This talk will make the case for integrating a greater awareness of these connections as we develop more humane tools for architecture and urban design. Christian Sottile is principal of Sottile & Sottile, a Savannah-based firm working extensively in Nationally Registered Historic Districts. His work includes civic design and master planning, emphasizing historic research, urban analysis and community-wide engagement. Concurrently with his professional practice, Sottile is a professor of architecture and urban design at the Savannah College of Art and Design and is the formerdean of the SCAD School of Building Arts.In this role, Sottile led the graduate and undergraduate programs in Architecture, Architectural History, Preservation Design, Interior Design, Furniture Design and Urban Design. Sottile's work, which has received over fifty awards, has been featured in the New York Times, Preservation Magazine, Architect magazine, and Architectural Digest.

oct.30

[ illinois institute of technology ]

Alla Vronskaya

This lecture focuses on an alternative method to address the rampant urbanization in developing countries, where a high percentage of the population already lives in self-constructed areas. Informal Armatures may be a powerful tool to foster the sustainable growth of informal settlements, as the dominant form of territorial occupation in the developing world, considering that it is expected that over an additional one billion people will live in informal settlements over the next two decades. These ideas are condensed in his most recent book, Planning and Design for New Informal Settlements: Shaping the Self-constructed City. David Gouverneur is a Professor of Landscape Architecture and City Planning in the School of Design at the University of Pennsylvania. His professional practice focuses on urban plans and projects for historic districts, the rehabilitation of areas affected by extraordinary natural events, the creation of new centralities and mixed-use districts, the improvement of existing informal settlements, planning ahead for emergent informal occupation, and the rehabilitation of cultural landscapes. David Gouverneur received his M.Arch in Urban Design from Harvard University (1980), and his B.Arch from the Universidad Simón Bolívar in Caracas, Venezuela, where he was the Chair of the School of Architecture from 1987 to 91. From 1991 to 1996, he was the National Director of Urban Development of Venezuela.

architecture as activism: lessons from harlem This lecture examines several strategies by which design professionals – architects and urban planners – have used the built environment toward effecting social change and improving the public good. Rather than simply a container in which such efforts unfolded, the talk will consider organizations and individuals who used buildings and plans as the medium through which to pursue such change. Professional and amateur designers occupied a unique position as activists. With direct influence over the spaces people inhabited, they could shape participation in urban development decisions, create affordable housing, pursue civil rights equality, and shape public memory. In particular, this talk will explore three such efforts that intersected with the Harlem neighborhood of New York City: the nation's first community design center; the labors of low-income homesteaders who turned abandoned buildings into decent housing; and the work of American architect J. Max Bond, Jr. Brian D. Goldstein is an architectural and urban historian and an assistant professor of architectural history at Swarthmore College. His research focuses on the intersection of the built environment, race and class, and social movements, especially in the United States. His writing includes the book The Roots of Urban Renaissance: Gentrification and the Struggle Over Harlem (Harvard University Press, 2017) and articles appearing in the Journal of American History, Journal of Urban History, and in the edited volumes Reassessing Rudolph; Affordable Housing in New York; and Summer in the City: John Lindsay, New York, and the American Dream. He is the recipient of fellowships and awards from the Graham Foundation for Advanced Studies in the Fine Arts, Society of Architectural Historians, Society for American City and Regional Planning History, Center for the Humanities at the University of Wisconsin-Madison, and Charles Warren Center for Studies in American History. Goldstein received his PhD from Harvard University and has taught previously at the University of New Mexico and the University of Wisconsin-Madison.

The idea that thoughtful architecture can strengthen social bonds and create new segments of an urban fabric, is what underlies much of what Glavovic Studio does. This value system and role, that of a cultural change agent and facilitator, will be explored and discussed through a selection of projects and approaches to architectural discourse and practice. Margi Nothard is the Founder, President and Director of Design at Glavovic Studio Inc. a creative design company in architecture, public art and urban design since 1999. The studio’s housing, civic spaces, museums, galleries, commercial facilities and public art interventions integrate landscape, environment, architecture, culture and urban connections in a unified spatial and transformational experience. Nothard’s work has been widely published in national and international publications such as Architecture News, Architectural Record, Abitare, TASCHEN, Metropolis, Objekt, Design Bureau, Braun, OFArch, Urban Land, Irreversible Magazine, HOME, Tropic and other publications.

creative director (misc. projects)

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thanks

thank you for taking the time to look through my work

952 295 0015 acastro2014@fau.edu @aren.castro 64

number email social

Profile for aren.castro

Architecture Portfolio - Undergraduate | Aren Castro  

A selection of academic and professional works completed while pursuing an undergraduate degree at Florida Atlantic University.

Architecture Portfolio - Undergraduate | Aren Castro  

A selection of academic and professional works completed while pursuing an undergraduate degree at Florida Atlantic University.

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