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The Truth About Urban Fiction

Urban Fiction Books When i edited urban fiction, similar to most new endeavors, I stumbled with it. But as a former social worker, I've always thought it was interesting how women of color cope in desperate situations. As I read different manuscripts, I recognized the voices that I'd met over time in my own life, in numerous foster homes or in my inner city case work.

African American Fiction Books Although I'd recently completed my nonfiction book, Heal thy Soul, 365 Days of Healing for females of Color, to become published by Urban Books in November 2008, I must address urban fiction.

Being a story editor of the best selling urban fiction writers around today, I've many userful stuff here along the way about urban fiction.

I could speak from each party of the fence-both as a writer in addition to being an editor.

As urban writers, we sometimes get bad press. Let me clarify something.

All urban writers aren't street fiction writers. This genre might be referred to as ghetto lit or street lit, or hiphop fiction.

Some people say there's an excessive amount of drama, even in the women's distinctive line of Urban fiction, and never enough literary literature.

Well, being an editor, that depends how you look at it.


What is drama?

I remember when i read that drama is danger when combined opportunity.

To write about people of color who live in urban settings will likely be replete with danger.

Just to think of some of the dangers these urban characters face, it starts the moment the characters get out of bed. Any day your could turn out homeless, a victim of violence, or foreclosed upon.

Now how do we create these elements in our stories?

By showing the (limited or missed) opportunities we will need to obtain the American Dream and also the danger that is involved in trying to pursue it.

For a few people, they take the nine-to-five route. Persons they go the route of crime. But all characters, within the pursuit of the American Dream of happiness, will go on a journey.

This journey involves subtext.

My concise explaination subtext is what is going on beneath the story.

The dictionary's definition is that this:


1. The implicit meaning or theme of the literary text.

2. The main personality of a dramatic character as implied or indicated by a script or text and interpreted by an actor in performance.

My story "Katrina Blues," a novella, in anthology, Did not know Love Like This Before, (authored by Urban Books-Urban Soul in June 2007) works with a cross section of society.

The protagonist, Deni Richards, is a thirty-something Los Angeles attorney who finishes up facing discrimination with a restaurant, racial profiling through the police department, and disparity of treatment on her behalf job.

Although she thinks she's got achieved the American dream because she drives a Mercedes, is regarded as the successful child in their own family and owns her condo in Santa Monica, California, by the end of the story, she learns some harsh truths about becoming an African American citizen in this country.

She finally ends up getting an up-close as well as taste of reality when she opens her the place to find a displaced saxophonist, Coleman Blue with his fantastic family, after Hurricane Katrina.

I have discovered a lot of meaning regarding the American Dream when I read urban literature and it's really not always found on the top of the story.


The truth about urban fiction4