Page 1

2014 — 2018

Selected Works Anya Rana Widyawati


2014 — 2018

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Being open-minded gives us the ability to change and question all notions. It allows one to embrace diverse insights, to think differently and also try unexpected alternatives.

S E L E C T E D WO R KS A N YA R A N A W I DYAWAT I


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For Mama, Papa & Oma.


A N YA R A N A W I DYAWAT I


INDEX

S E L E CT E D P R O J E C T S

01

Tuscan Inspired

02

From Daybreak

03

Inf inite Possibilities

04

Sensory Details

05

Eat Like Locals

06

Complex Structure

07

London Dry

08

From Earliest Forms

09

Athletic Leisure

10

Identity Collection

06

28

48

75

90

106

116

128

146

168


A N YA R A N A W I DYAWAT I

01

→

S E L E CT E D WO R KS

Tuscan Inspired


PROJECT 01 / 10

006— 02 7

CAST E L LO D I A M O R O S A

006 / 007

Italian medieval built, inspired by the European architecture, Castello di Amorosa is a 13th century Tuscan style castle and winery located in the heart of Napa Valley. Directly translated as the Castle of Love in Italian, it was built by Dario Sattui, a fourth generation winemaker.

OBJECTIVE

Choose an existing winery and then create a new look. Design a packaging system for three variety of wine which includes the front and back label, cap design and a gift box packaging for the premium wine.

D E TA I L S

Category

Packaging, Branding

Course

Packaging Design 3

Semester

Fall 2016

Instructor

Thomas McNulty


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS

01

I could give up wine,

but I am not a quitter

→

APPROACH

Having wine at Castello di Amorosa is more than just sipping fine wine; it's a whole other experience. It feels like you are being transported to a European country. The underground wine caves and cellars create such an intimate setting feel and make it feel richer in history. With all the great details put into the 136,000 square foot castle, it inspired me to create a new and updated look for the brand that highlights the essence of the Castle of Love.


PROJECT 01 / 10

CAST E L LO D I A M O R O S A

008 / 009


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 01 / 10

CAST E L LO D I A M O R O S A

014 / 015


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS

N A PA VA L L E Y

2013


PROJECT 01 / 10

CAST E L LO D I A M O R O S A


PROJECT 01 / 10

CAST E L LO D I A M O R O S A

0 2 2 / 0 23

P R I V A T E

R E S E R V E

2013


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 01 / 10

CAST E L LO D I A M O R O S A

024 / 025


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


A N YA R A N A W I DYAWAT I

02

→

S E L E CT E D WO R KS

From Daybreak


PROJECT 02 / 10

028— 0 4 7

E A R LY R I S E R

028 / 029

Beyond the dance music, Early Riser embraces the excitement of art and life. A morning dance, paint party that aims to bring people closer together by trying something new and out of their comfort zone. Experience music in a different way, feel energized before the day even starts.

OBJECTIVE

To create a conceptual event and design a visual system to be applied to marketing materials across various media platforms such as brochure, poster and other promotional pieces for the event.

D E TA I L S

Category

Print, Promotional, Web

Course

Visual Systems 1

Semester

Fall 2016

Instructor

Julia Lemke


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS

02

I like trying new things,

thats how we grow and learn.

→

APPROACH

The idea of this event is to encourage people to get out of their comfort zone and try something new. At the same time creating a community of the Early Risers. An event that starts the day not only filled with energy but also intention. For the marketing materials, I chose a color palette that displays the radiant colors of the sun rising. Balancing it with deeper tones for contrast and also to create a neutrality to attract both male and female target audience. Other elements were used to incorporate the aspect of paint and to convey the dynamic flow of the dance.


PROJECT 02 / 10

NA R E MLY E O RFI SPER RO J E CT

030 / 031


A N YA R A N A W I DYAWAT I

P R I M A RY Apercu Black + Regular

S E L E CT E D WO R KS

Aa Aa

→

ABCD EFGHIJKLMN OPQRS TU V W X YZabcd e fghi jklmn opqr stuvwxyz0123456789 AB C DEF GHI JKL MNOP QRS T U V W X Y Z abc de f g hijk l mn o pq rs tu v w x y z 01 2 34 5 6 789


ER 1 CMYK 73 / 83 / 0 / 58

ER 2 CMYK 73 / 83 / 0 / 30

ER 2 CMYK 46 / 100 / 0 / 0

ER 3 CMYK 0 / 90 / 30 / 0

WHITE

ER 4

CMYK 0 / 0 / 0 / 0

CMYK 70 / 5 / 0 / 5

B L AC K

ER 5

CMYK 0 / 0 / 0 / 100

CMYK 100 / 69 / 0 / 10


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 02 / 10

E A R LY R I S E R

034 / 035


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 02 / 10

E A R LY R I S E R

036 / 037


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 02 / 10

E A R LY R I S E R

038 / 039


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 02 / 10

E A R LY R I S E R

040 / 041


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 02 / 10

E A R LY R I S E R

042 / 043


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 02 / 10

E A R LY R I S E R

044 / 045


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 02 / 10

E A R LY R I S E R

046 / 047


A N YA R A N A W I DYAWAT I

03

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S E L E CT E D WO R KS

Infinite Possibilities


PROJECT 03 / 10

048— 0 73

A L L N I P P O N A I R WAYS

048 / 049

Bringing the world closer together, creating experiences and inspiring infinite possibilities, All Nippon Airways is the largest Japanese Airline well known for its highest level of hospitality. ANA strives to be the leading global airline group by prioritizing safety and customer satisfaction.

OBJECTIVE

Establishing a new identity, application systems and graphic standards manual for the selected airline company. Then developing, designing and producing a comprehensive identity solution for necessary applications which demonstrates precise placement of new identifier.

D E TA I L S

Category

Branding, Logo, Print

Course

Strategies for Branding

Semester

Fall 2017

Instructor

Thomas McNulty


A N YA R A N A W I DYAWAT I

03

S E L E CT E D WO R KS

I don’t know exactly where I am going;

but I am on my way.

→

APPROACH

I chose ANA because it is one of the top three airlines in the world of international flights. It is the few airlines that strives to satisfy customers by providing quality service instead of just low prices. I created a new identity that is able to reflect its mission to connect people and making the world closer together. Moreover, an identity that is able to communicate the airline's reliability, and also hinting at the Mount Fuji which is known to be the symbolization of Japan. Tyingback into the richness of the Japanese culture throughout applications and using shades of blue to signify trustworthiness.


PROJECT 03 / 10

A L L N I P P O N A I R WAYS

050 / 051


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 03 / 10

A L L N I P P O N A I R WAYS

052 / 053


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 03 / 10

A L L N I P P O N A I R WAYS

054 / 055


A N YA R A N A W I DYAWAT I

P R I M A RY Circular Black + Book

S E L E CT E D WO R KS

Aa Aa

S E C O N DA RY Freight Text Pro Book

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Aa

ABCDEFGHIJKLMNOPQRS T UV W X Y Zabcdefghijklmn opqr st uv w x yz01 2 3456 789 ABCDEFGHIJKLMNOPQRS T U V W X Y Z a b c d e fg h i j k l m n opqrstuvwxyz0123456789

ABCDEFGHIJKLMNOPQRS T UVWXYZ abcdefghijklmn opqrstuvwxyz0123456789


ANA DEEP BLUE CMYK 100 / 70 / 0 / 55

ANA MEDIUM BLUE CMYK 96 / 68 / 8 / 1

ANA LIGHT BLUE CMYK 67 / 11 / 0 / 0

A N A AC C E N T G R E E N CMYK 68 / 3 / 60 / 0

A N A L I G H T G R AY CMYK 0 / 0 / 0 / 20

A N A DA R K G R AY CMYK 0 / 0 / 0 / 80


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 03 / 10

A L L N I P P O N A I R WAYS

060 / 061


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 03 / 10

A L L N I P P O N A I R WAYS

062 / 063


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 03 / 10

A L L N I P P O N A I R WAYS

064 / 065

ANA DEEP BLUE


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 03 / 10

A L L N I P P O N A I R WAYS

066 / 067


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 05 / 10

A L L N I P P O N A I R WAYS

068 / 069


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 03 / 10

A L L N I P P O N A I R WAYS

070 / 07 1


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 03 / 10

A L L N I P P O N A I R WAYS

072 / 073


A N YA R A N A W I DYAWAT I

04

→

S E L E CT E D WO R KS

Sensory Details


PROJECT 04 / 10

074— 089

SY N T H E S I S

0 74 / 0 7 5

Human beings possess powerful sensory capacities that allow us to experience and interact with the world. Synthesis is a limited editorial book that combines observations and perception of senses. Exploring all the facts, myths, theories and a life with or without senses.

OBJECTIVE

Creating a collectors addition experimental coffee table book on a subject in the area of natural science, designing with an emphasis on typography, concept, layout and image generation.

D E TA I L S

Category

Print, Editorial

Course

Typography 3

Semester

Spring 2016

Instructor

John Nettleton


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS

04

If you are what you eat,

I am what I hear, see and learn.

→

APPROACH

Our senses play an important role in our lives. We use at least one of your five senses every moment of every day, even when we are asleep. Then again, there actually is so much more than what we know. As a matter of fact, it is still an ongoing scientific research topic. Hence why I decided to learn and go in depth on the observation, sensation, and perception of the human senses. The chosen typeface, color palette and feel of photography were meant to convey minimalism as well as the sensitivity of the human senses.


PROJECT 03 / 10

N AN SY MTEH O ES F IP S R O J E CT

076 / 07 7


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 04 1 // 110 0

N AN SY MTEH O ES F IP S R O J E CT

078 / 079


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 04 / 10

SY N T H E S I S

082 / 083


PROJECT 04 1 // 110 0

N AN SY MTEH O ES F IP S R O J E CT

084 / 085


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 04 / 10

SY N T H E S I S

086 / 087


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 04 / 10

SY N T H E S I S

088 / 089


A N YA R A N A W I DYAWAT I

05

→

S E L E CT E D WO R KS

Eat Like Locals


PROJECT 05 / 10

090— 105

LO CA L E AT S

090 / 091

People say that the best way to learn and appreciate a culture is by exploring its food. LocalBites is your local food guide to discover and experience new flavors from places all over the world. Curating lists of top recommended dishes along with its brief description and translation to better understand unfamiliar dishes. OBJECTIVE

Design and develop a mobile application, solving a problem. Practicing basic knowledge of design in terms of layout, typography, and space within the constraint of a mobile screen.

D E TA I L S

Category

UI / UX

Course

User Experience

Semester

Fall 2017

Instructor

Bob Slote


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS

05

I don't want to look back,

and regret not trying.

→

APPROACH

When we are traveling to a foreign country, sometimes we will encounter language barriers. Making the smallest task of asking locals where to eat or ordering food off a menu hurdles to overcome. LocalEats curates lists of top things to try wherever you are going. Helping you to familiarize dishes with foreign names with a translation and brief description of what it is. So whether it's having Sundubu Jjigae, a soft tofu stew in Korea or simply Manapua, a pork bun in Hawaii, you have LocalEats! Your local food guide in hand whenever and wherever you go.


PROJECT 05 / 10

LO CA L E AT S

092 / 093


A N YA R A N A W I DYAWAT I

LO G OT Y P E Museo Sans Rounded 700

I N T E R FAC E Open Sans

→

S E L E CT E D WO R KS

Aa Aa

ABCDEFGHIJKLMNOPQRS TUVWXYZabcdefghijklmn opqrstuvwxyz0123456789

ABCDEFGHIJKLMNOPQRS TUVWXYZabcdefghijklmn opqrstuvwxyz0123456789


P R I M A RY C O LO R CMYK 0 / 0 / 0 / 0

P R I M A RY C O LO R CMYK 0 / 81 / 79 / 0

S E C O N DA RY C O L O R

S E C O N DA RY C O LO R

CMYK 0 / 42 / 98 / 0

CMYK 68 / 61 / 59 / 48

S E C O N DA RY C O L O R

S E C O N DA RY C O LO R

CMYK 3 / 15 / 100 / 0

CMYK 0 / 0 / 0 / 20


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 06 / 10

LO CA L E AT S

098 / 099


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 05 / 10

LO CA L E AT S

100 / 101


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 05 / 10

LO CA L E AT S

104 / 105


A N YA R A N A W I DYAWAT I

06

→

S E L E CT E D WO R KS

Complex Structure


PROJECT 06 / 10

106— 115

D I N ST R U K T U R

106 / 107

One of the things that the human skeletal system and typography have in common is that they both can be very complex as there are many elements to it. Din Struktur cardset is a tribute to Albert Jan Pool’s typeface, FF DIN, and also a cross study between science and typography.

OBJECTIVE

Create a typographic cardset is educational and original, introducing a selected typeface. These cardset will be sold in various museum stores.

D E TA I L S

Category

Typography, Print

Course

Typography 1

Semester

Fall 2015

Instructor

David Hake


A N YA R A N A W I DYAWAT I

06

S E L E CT E D WO R KS

I’m as interested in the smallest details,

as in the whole structure.

→

APPROACH

The subject study of science can be rather complicated and monotonous. Therefore with the help of typography, it will be much more aesthetically pleasing to dive in and learn about the skeletal anatomy fascinating facts. For Din Struktur, I chose Din as the typeface for its legibility and technical strong looks and then complementing it with strong imageries of the human skeleton. Moreover keeping it simple yet still impactful with the use of a vibrant red.


PROJECT 06 / 10

D I N ST R U K T U R

108 / 109


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 06 1 // 1100

N IANMST D E O RFU KPTRUORJ E CT

114 / 115


A N YA R A N A W I DYAWAT I

07

→

S E L E CT E D WO R KS

London Dry


PROJECT 07 / 10

116— 12 7

BOODLES BRITISH GIN

116 / 117

Boodles British Gin was named after the a gentleman’s club in London. Created in 1845, bottled and distributed in the United Kingdom, it is one of the gins to shape the flavor of the modern London Dry style gin, essentially vodka-like spirit infused with herbs and spices.

OBJECTIVE

Select an existing brand and create a label evolution and revolutionary packaging design for the brand for a possible future product.

D E TA I L S

Category

Packaging

Course

Packaging Design 4

Semester

Spring 2017

Instructor

Thomas McNulty


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS

07

I’m always seeking for criticism,

because I know thats how I will improve.

→

APPROACH

For the evolutionary design, I kept their existing design language and elevated it to match the exclusivity of an upper class gentleman's club. I introduced different type pairings to add a bit of personality and integrated flourishes. Then I designed its back cover to further match its price point. For the revolutionary design, I decided to create a product for the brand to expand to a different target audience of Millenials by creating a pre-made canned gin and tonic that is hassle-free and ready to go.


PROJECT 07 / 10

BOODLES BRITISH GIN

118 / 119


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 07 / 10

BOODLES BRITISH GIN

120 / 121


PROJECT 07 / 10

BOODLES BRITISH GIN

1 2 2 / 1 23


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 07 / 10

BOODLES BRITISH GIN

124 / 125


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 07 / 10

BOODLES BRITISH GIN

126 / 127


A N YA R A N A W I DYAWAT I

08

→

S E L E CT E D WO R KS

From Its Earliest Forms


PROJECT 08 / 10

128— 145

RE:FORM

128 / 129

Typevolution is a 3-day design conference that focuses on the development of typography that created social and communication evolution. From the past time old English to the present acronyms, from the ink pens to the present smart phones. A conference that discusses the past, present and future of type. OBJECTIVE

Design a conference of conceptual or experimental nature that focuses on typography. Then create a conceptual experimental book that addresses the topic of the conference.

D E TA I L S

Category

Typography, Print, App

Course

Typography 4

Semester

Fall 2017

Instructor

Ariel Grey


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS

08

I think change is scary,

but not as scary as staying the same forever.

→

APPROACH

Typevolution is a design conference that focuses on the evolution of typography, gathering leading designers to talk about typography from its earliest forms and predicting the future of type. Re:form is a conceptual experimental book that addresses the topic of the conference. The design aims to mix the old and new through the combination of the first typeface Adobe Jenson and the first san-serif, Akzidenz Grotesk. The duality is also shown through the graphics and color choices throughout the experimental book.


PROJECT 08 / 10

NE R A :M FE O ROM F P R O J E CT

130 / 131


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 08 1 // 1100

NE R A :M FE O ROM F P R O J E CT

132 / 133


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 08 1 // 1100

NE R A :M FE O ROM F P R O J E CT

134 / 135


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 08 / 10

RE:FORM

136 / 137


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 08 / 10

RE:FORM

138 / 139


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 08 / 10

RE:FORM

140 / 141


PROJECT 08 / 10

RE:FORM

142 / 143


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 08 / 10

RE:FORM

144 / 145


A N YA R A N A W I DYAWAT I

09

→

S E L E CT E D WO R KS

Athletic Leisure


PROJECT 09 / 10

146— 16 7

PNEUMA

146 / 147

A Seattle based athletic leisure brand, Pneuma—meaning spirit or soul, focuses on the wellbeing of all its consumers. Encouraging a balanced and healthy lifestyle, through its athleisure line of Fitness Apparel, Accessories, and Wellness products.

OBJECTIVE

Creating and developing a brand with a variety of products with a unifying sub-brand voice and feel.

TEAM

Anya Widyawati, Annika Schneider, Bo Zhao, Patricia Catangui, Thavin Rajanakhan, William Liao

D E TA I L S

Category

Packaging

Course

Packaging Design 4

Semester

Spring 2017

Instructor

Thomas Mcnulty


A N YA R A N A W I DYAWAT I

09

S E L E CT E D WO R KS

I think the key to happiness is

finding the right balance.

→

APPROACH

This was one of the sub-brands from a group project that falls under one mother brand. We create the athleisure movement that encourages a good balance between being active and relaxed. Our line integrating both leisure and athletic goods. Our products are divided into four categories: Accessories Apparel, Wellness, and Personal Care. In our products, we used cool and warm vibrant colors to create a balance throughout, also taking into consideration of product placement in store shelves in order to stand out amongst its competitors.


PROJECT 09 / 10

PNEUMA

148 / 149


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 09 / 10

PNEUMA

150 / 151


A N YA R A N A W I DYAWAT I

P R I M A RY Manifold CF Extra bold

S E C O N DA RY Victory Neue Light

DIN Regular

S E L E CT E D WO R KS

Aa Aa

Aa

ABCDEFGHIJKLMNOPQRS TUVWXYZabcdef ghijklmn opqrstuvwxyz0123456789

ABCDEFGHIJKLMNOPQRS TUVWXYZabcdefghijklmn opqrstuvwxyz012 34 56789

A B C D E FG H I J K L M N O P Q R S T U V W X Y Z a b cd e f g h i j k l m n o p q rst u v w x y z 0 1 2 3 4 5 6 7 8 9

→ WICKING FABRICS

WATER RESISTANT


PNEUMA WHITE CMYK 0 / 0 / 0 / 0

ANA MEDIUM BLUE CMYK 51 / 0 / 22 / 0

P N E U M A L I G H T G R AY CMYK 0 / 0 / 0 / 20

P N E U M A M AG E N TA

ANA LIGHT BLUE

CMYK 0 / 77 / 46 / 0

CMYK 0 / 0 / 0 / 90

P N E U M A G R AY CMYK 0 / 0 / 0 / 90

P N E U M A CYA N CMYK 56 / 0 / 25 / 0


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 09 / 10

PNEUMA

154 / 155


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 09 / 10

PNEUMA

156 / 157


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 09 / 10

PNEUMA

160 / 161


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 09 / 10

PNEUMA

164 / 165


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


PROJECT 09 / 10

PNEUMA

166 / 167


A N YA R A N A W I DYAWAT I

10

→

S E L E CT E D WO R KS

Identity Collection


PROJECT 10 / 10

→

IDENTIT Y COLLECTION

168 / 169


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS

ZEAL.


P R O J E C T 1001 / 1 0

INDAEM NET IO TF Y P CR OO L LJ E CT CTION

ZEAL.

170 / 17 1


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


P R O J E C T 1001 / 1 0

INDAEM NET IO TF Y P CR OO L LJ E CT CTION

172 / 173


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS


P R O J E C T 1001 / 1 0

INDAEM NET IO TF Y P CR OO L LJ E CT CTION

1 74 / 1 7 5


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS

Thank you, Terima Kasih—


T H A N K YO U,

T E R I M A K AS I H —

→

MAMA & PA PA

To the two most important people in my life; I can't thank you enough for all the encouragement and support. Thank you for believing in me since day 1, seeing the potential in me before anyone else did. I wouldn't be where I am today without you both. Thank you for being there with me throughout my journey from a distance. You both mean the world to me and I don't say it enough.

OMA

To one of the most hardworking people I know. Your passion and dedication for what you do is such an inspiration. Thank you for being such a great role model. I wish I can spend more time with you.

STEVEN

Thank you for your patience throughout the years, accompanying me during the countless late night hours and keeping me sane during my hectic days.

YA R A

I am forever grateful for your companion, laughter and shoulder to lean on. Thank you.

FRIENDS

Thank you Silvia Abruzzese, Kunsiri Jiratraanant, Ashley Chang, Jessica Sanjaya, Veronica Hartono, Amelia Hamdja, Catherine Santoso, Ballesa Martinez, Joddy Pramadya, Christian Tjahajanto and The Nous Team, for being with me along this journey. Last but definitely not least; to all my friends back home in Indonesia, thank you all for the everlasting support you've given me even from thousands of miles away.

INSTRUCTORS

Mary Scott, Thomas Mcnulty, Ariel Grey, David Hake, John Nettleton, Julia Lemke, Michael Taylor.

UNITED DSN

Thank you for giving me the opportunity to work with you all and for the sneak peek to what it would be like working in the creative industry.


A N YA R A N A W I DYAWAT I

S E L E CT E D WO R KS

C O N TAC T

Anya Rana Widyawati + 1 425 773 5745 anyawidyawati@gmail.com www.anyarw.com

SCHOOL

Academy of Art University, School of Graphic Design & Digital Media M AT E R I A L

100# Finch Fine Arrestox B Metal Vellum T Y P E FAC E

Lyon Display Maison Neue PRINTING

Giant Horse Printing South San Francisco, CA BINDING

The Key Binding & Printing Oakland, CA COPYRIGHT

© 2018 Anya Rana Widyawati All Rights Reserved.


Selected Works — Anya Rana Widyawati  
Selected Works — Anya Rana Widyawati  
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