Page 1

142


[No]

Vacancy Catalyst Spaces

Master of Landscape Architecture Appropriate Durable Record RMIT School of Architecture & Design 2012 Anthony Paul Sharples


Acknowledgements   Supervisors: Charles  Anderson Craig  Douglas Jock  Gilbert Natasha  Morgan Liz  Herbert Thank  you  for  overseeing  this  project. A  special  thank  you  to: Andy  Miller ůĂŝƌĞDĂƌƟŶ Marieluise  Jonas dŚĞ'ƵůĂŐƌƚ^ƉĂĐĞƉĂƌƟĐŝƉĂŶƚƐ͗ Alistair  Kirkpatrick Emmaline  Bowman Sarah  Hicks Adrian  Keene Blaise  Macdonald   Anthony  Sharples Last  but  not  least: Thank  you  Bryce  McCoy  and  my  family   for  helping  me  throughout  this  project.  

Cover  Artwork: Spontaneous  Artwork  from  the  Former  Yorkshire  Brewery,   1-­‐21  Robert  Street  Collingwood,  Melbourne,  Australia:   Photograph  taken  on  September  2nd  2012 By:  Anthony  Sharples

4


“Do not become WKH à\ LQVLGH WKH bottle” Marcelo Stamm

This  quote  represents  an  approach  and  analogy   towards  design  research.   ͞ŽŶŽƚďĞĐŽŵĞƚŚĞŇLJŝŶƐŝĚĞƚŚĞďŽƩůĞ͘͟ Meaning  do  not  become  trapped  within  the   ĐŽŶƐƚƌĂŝŶƚƐŽĨLJŽƵƌŽǁŶƉĞƌĐĞƉƟŽŶŽĨƚŚĞƉƌŽďůĞŵ͘ tŚĞŶĂŇLJĞŶƚĞƌƐƚŚĞƚƌĂƉ͕ŝƚĐŽŶƟŶƵĂůůLJŇŝĞƐƚŽǁĂƌĚ ƚŚĞƚŽƉŽĨƚŚĞũĂƌ͕ƵŶƟůŝƚŝŶĞǀŝƚĂďůLJĚŝĞƐ͘ When  faced  with  an  unfamiliar  problem,  change  your   ŽǁŶƉĞƌĐĞƉƟŽŶĂŶĚĂƉƉƌŽĂĐŚƐŽĂƐƚŽĮŶĚĂŶĞǁ ƉĂƚŚǁĂLJ͘dŚŝƐǁĂƐƚŚĞŬĞLJĨŽƌŵĞŝŶŝĚĞŶƟĨLJŝŶŐĂŶĚ ƵŶĚĞƌƐƚĂŶĚŝŶŐƚŚĞƚƌƵĞĂŵďŝƟŽŶŽĨƚŚŝƐƌĞƐĞĂƌĐŚ project.

5


Photograph:   1-­‐21  Robert  Street  Collingwood,  VIC Photograph  Taken  October  14th  2012   By  Anthony  Sharples


[No]

Q

Vacancy Catalyst Spaces

ĂŶĂŶŝĚĞŶƟĮĐĂƟŽŶĂŶĚƌĞͲŝŶƚĞƌƉƌĞƚĂƟŽŶŽĨŽƉĞŶƐƉĂĐĞŽƉƉŽƌƚƵŶŝƟĞƐŝŶƚŚĞ ƵƌďĂŶĨĂďƌŝĐŽĨŽůůŝŶŐǁŽŽĚƉƌŽǀŝĚĞŝŶƐŝŐŚƚƐĨŽƌŶĞǁƚLJƉĞƐŽĨĚĞƐŝŐŶĞĚƉƵďůŝĐƐƉĂĐĞƐ ǁŚŝĐŚĂŝŵƚŽĞŶĐŽƵƌĂŐĞĂƉƉƌŽƉƌŝĂƟŽŶ͍  

Collingwood the small inner city suburb of Melbourne, is under increasing pressure due WRGHQVLÀFDWLRQDQGDSRSXODWLRQZKLFKLVLQFUHDVLQJDWSHRSOHSHUZHHN>$XVWUDOLDQ%XUHDX RI6WDWLVWLFV@:LWKRQO\IRXUVPDOOJUHHQVSDFHV&ROOLQJZRRGKDVEHHQRXWOLQHGDVKDYLQJ ҊVLJQLÀFDQWJDSVҋZLWKLQLWVRSHQVSDFHIUDPHZRUNKDYLQJRQO\P2 of open space per resident ><DUUD2SHQ6SDFH6WUDWHJ\@7KLVUDLVHVWKHTXHVWLRQҊZKDWDUHWKHRWKHURSHQVSDFH RSSRUWXQLWLHVDFWLYHO\RUSDVVLYHO\RSHUDWLQJLQ&ROOLQJZRRG"ҋ This research project attempts to identify and re-interpret what an open space opportunity is / could be within the suburb of Collingwood, which could potentially be used ZLWKLQDODUJHULQQHUFLW\FRQWH[W7KHLGHQWLÀFDWLRQDQGUHLQWHUSUHWDWLRQRIWKHVHVSDFHVERWK IRFXVHVRQH[LVWLQJRSHQVSDFHVDVRXWOLQHGE\WKH<DUUD2SHQ6SDFH6WUDWHJ\EXWDOVR RQVSDFHVZKLFKDUHVHHPLQJO\ҊYDFDQWRUXQRFFXSLHGҋ7KHVSDFHVLQTXHVWLRQZHUHGHVFULEHG DVҊWHUUDLQYDJXHҋ>0RUDOHV@E\,JQDVLGH6ROD0RUDOHVLQDQGZDVIXUWKHUH[SDQGHG RQLQ.HUE,VVXHLQZKLFK0RUDOHVZDVTXRWHG´:KDWZHKDYHGLVFRYHUHGWRGD\LVWKDW WKHVHHPSW\DEDQGRQHGRUH[SHFWDQWVSDFHVDUHDQRWKHUNLQGRI/DQGVFDSHZKLFKDUHQRW XVXDODQGZKLFKFRXOGSURYLGHDQDOWHUQDWLYHµ>0RUDOHVFLWHGLQ.HUE@7KH>12@9DFDQF\ SURMHFWXVHVWKHQRWLRQRIҊWHUUDLQYDJXHҋDVPHWKRGRORJ\WRLQWHUSUHWWKHSRWHQWLDOIXQFWLRQRIWKH VSDFHVLQTXHVWLRQ  ,QWHUSUHWLQJWKHVHVSDFHVDVDSRWHQWLDODOWHUQDWLYHWRKRPRJHQLVHGPXQLFLSDOGHVLJQHG urban landscapes, this research project is an attempt to design new types of public space which DLPWRHQFRXUDJHDSSURSULDWLRQ7KLVLQWHUHVWVWHPVIURPDQDQDO\VLVRI7KH)RUPHU<RUNVKLUH %UHZHU\LQZKLFKWKHVSRQWDQHRXVDQGDFWLYHXVHVRQWKHVLWHVXJJHVWWKDWDQHZW\SHRISXEOLF VSDFHRUҊDOWHUQDWLYHҋLVFXUUHQWO\RSHUDWLQJZLWKLQ&ROOLQJZRRG7KLVSURMHFWGRHVQRWDWWHPSW WRUHFUHDWHWKHVSDWLDOVLWXDWLRQRUGLUHFWIXQFWLRQRIWKH)RUPHU<RUNVKLUH%UHZHU\EXWUDWKHU XVHVWKLVVLWHDVDQH[DPSOHRIDQDOWHUQDWLYHDQGDWWHPSWVWRXVHSUHFLVHGHVLJQJHVWXUHDV DZD\WRHQFRXUDJHDSSURSULDWLRQRIWKHVLWHVLQTXHVWLRQ8VLQJSUHFLVHGHVLJQJHVWXUHWKLV project aims to encourage spontaneous use by opportunistic people rather than targeting the VXEFXOWXUDOJURXSVZKLFKDOUHDG\FRORQLVHWKH)RUPHU<RUNVKLUH%UHZHU\6LWH7KLVSURMHFW HYDOXDWHVGHVLJQJHVWXUHEDVHGRQWKHQRWLRQRIOLPLWҊ/LPLWҋUHIHUVWRDSRLQWZKHQDVLWH SHUKDSVPLUURUVRWKHURYHUSURJUDPPHGVSDFHVLQ&ROOLQJZRRG  $VSXWIRUZDUGLQ8UEDQ9RLGV´,IZHFRQVLGHUWKHLQFOXVLRQRIXUEDQYRLGVLQD UHSHUWRLUHRIXUEDQVSDFHVZHDUHSRWHQWLDOO\IDFHGZLWKWKHFRQVHTXHQWLDOORVVRIWKH XQSUHGLFWDEOHDQGLPSHUIHFWWKDWFRQVWLWXWHVRPHRIWKHNH\TXDOLWLHVRIWKHVHRWKHUVSDFHVµ >5DKPDQQDQG-RQDV@3HUKDSVWKURXJKSUHFLVHGHVLJQJHVWXUHWKHVHVSDFHVFDQ VWLOOKRXVHWKHXQSUHGLFWDEOHDQGLPSHUIHFWEHKDYLRXUZLWKRXWFURVVLQJWKHOLQHLQWRRYHU SURJUDPPHGSXEOLFVSDFH

7


8


CONTENTS

Research Question + Abstract Glossary of Terms Introduction Appropriating Space 7HUUDLQ9DJXH 7KH)RUPHU<RUNVKLUH%UHZHU\ 9LROHQW7UDQVIRUPDWLRQ

7 11   17 18 27

Introduction to Site Collingwood <DUUD2SHQ6SDFH6WUDWHJ\ &XUUHQW2SHQ6SDFHV Mapping Collingwood

    

Inspirational Projects 7KH)ROOLH ,QWURGXFWLRQWR7KHŇ&#x160;/,0,7Ň&#x2039; Creating a Dialogue

   

In between 5HVHDUFK4XHVWLRQ(YROXWLRQ

72 

'HYHORSLQJD7RRO.LW 7HVWLQJ3KDVH2QH )LQGLQJV Testing Phase Two 2SHQ6XUIDFHG6LWH 1RWHPSRUDO3URJUDP

&ORVHG6XUIDFHG6LWH 7HPSRUDO&DU3DUN

)LQGLQJV

     124 

Conclusion Project Methodology :KDW1H[W" Potential Design Process for Council

   

9


10


Glossary of Terms

Alternative: Ҋ$OWHUQDWLYHҋUHIHUVWRDUHVXOWHGDOWHUQDWLYHWRPXQLFLSDOGHVLJQHGSXEOLFVSDFHIRUPLQJ)RUH[DPSOH 7KH)RUPHU<RUNVKLUH%UHZHU\>VHHSDJH@ Appropriation7KHDFWLRQRIDSSURSULDWLQJVRPHWKLQJRUҊWRPDNHRQHVRZQҋ>2[IRUG'LFWLRQDU\@ Dialogue:´'LDORJXHҋUHIHUVGHVLJQPRYHVZKLFKLQWHQWLRQDOO\WU\DQGFUHDWHGLDORJXHEHWZHHQSHRSOHDQGWKHLU VXUURXQGLQJODQGVFDSH0RUHSUHFLVHO\DGLDORJXHEHWZHHQWKHGLJLWDOODQGVFDSH VFUHHQVPDUWSKRQHLQWHUQHW FRPSXWHU ZKLFKZHDVFRQWHPSRUDU\SHRSOHHQJDJHZLWKDQGWKHSK\VLFDOODQGVFDSHVZKLFKZHRFFXS\ Evocative Potential: >0RUDOHV @ ´7KH UHODWLRQVKLS EHWZHHQ DEVHQFH RI XVH RI DFWLYLW\ DQG WKH VHQVH RI IUHHGRPRIH[SHFWDQF\LVIXQGDPHQWDOWRWKHXQGHUVWDQGLQJWKHHYRFDWLYHSRWHQWLDORIWKHFLW\ҋVWHUUDLQVYDJXHVµ Limit: Ҋ7KH/LPLWҋUHIHUVWRWKHPRPHQWZKHQDUHVXOWDQWDOWHUQDWLYH WRPXQLFLSDOGHVLJQHGSXEOLFVSDFH ERUGHUV DUHVXOWHGSURJUDPIRUPLQJXSRQWKHVLWH Original Condition:Ҋ2ULJLQDO&RQGLWLRQҋUHIHUVWRDGHVLJQJHVWXUHZKLFKGRHVQRWDOWHUWKHEHKDYLRXURUSURPRWH DSSURSULDWLRQRIDVLWH Over Programmed:Ҋ2YHU3URJUDPPHGҋUHIHUVWRDVLWHZKLFKPLUURUVRUIXQFWLRQVDVDPXQLFLSDOGHVLJQHGSXEOLF RSHQVSDFH Potential Change (to site): Ҋ3RWHQWLDO &KDQJHҋ UHIHUV WR D VLWH ZKLFK KDV VWDUWHG WR FKDQJH EDVHG XSRQ WKH UHVXOWHGEHKDYLRXUVXSRQWKHVLWHIROORZLQJDGHVLJQJHVWXUH Potential Behaviour (within site): Ҋ3RWHQWLDO %HKDYLRXUҋ UHIHUV WR D GHVLJQ JHVWXUH DOORZLQJ D QHZ W\SH RI EHKDYLRXUWRRFFXS\WKHVLWHEXWGRHVQRWUDGLFDOO\DOWHUWKHVLWH)RUH[DPSOHWKHDGGLWLRQRIDWDSXSRQDVLWH ZKLFKDELNHULGHUPD\XVHZKHQSDVVLQJE\ Resulted Program: ‘Resulted Program’ refers to a design gesture which potentially results in a program upon WKHVLWH)RUH[DPSOH$FRPPXQLW\JDUGHQIRUPLQJIROORZLQJWKHSODFHPHQWRIDZDWHUWDQNDQGSODQWHUEHGVRQD VLWH VSHFXODWLQJWKDWSHRSOHZRXOGDSSURSULDWHWKHVLWHVR  Terrain Vague: $WHUPXVHGE\,JQDVLGH6ROD0RUDOHVWRGHVFULEHGHLQGXVWULDOLVHGDQGҊYDFDQWҋVSDFH ҊWHUUDLQ JUHDWHUDQGSHUKDSVOHVVSUHFLVHO\GHÀQHGWHUULWRULHVFRQQHFWHGZLWKWKHSK\VLFDOLGHDRIDSRUWLRQRIODQGLQLWV SRWHQWLDOO\H[SORLWDEOHVWDWHEXWDOUHDG\SRVVHVVLQJVRPHGHÀQLWLRQWRZKLFKZHDUHH[WHUQDOҋ$QGYDJXHҊZKLFKLV WRVD\´HPSW\XQRFFXSLHGµ\HW´IUHHDYDLODEOHXQHQJDJHGµ>0RUDOHV@

11


Fig.2 1-­‐21  Robert  Street  Collingwood,  VIC Photograph  Taken  July  10th  2012   By  Anthony  Sharples


Introduction   ,QP\H[SHULHQFHJURZLQJXSLQ&REXUJ%XQGRRUDDQGQRZ%UXQVZLFN ,KDYHDOZD\VEHHQFORVHWRWKHFLW\DQGRSHUDWLQJZLWKLQWKHGHQVHXUEDQIDEULF0\ SHUFHSWLRQDQGH[SHULHQFHRIҊODQGVFDSHҋLVYHU\IDUIURPRSHQIDUPODQGRUUXUDODUHDV DQGWKLVLVUHÁHFWHGZLWKLQWKLVSURMHFW,WLVWKHDQRPDO\RILQQHUFLW\YRLGVWKDWKDV captured my attention for a number of years, and perhaps it is the potential of these VSDFHVZKLFKLQWHUHVWVPHWKHPRVW7KLVSURMHFWUHMHFWVWKHLGHDRIRYHUSURJUDPPHG PXQLFLSDOVSDFHVDQGWULHVWRGHPRQVWUDWHQHZZD\VRIDFWLYDWLQJVSDFHZKLFKFDQEH RSHQIRULQWHUSUHWDWLRQ7KLVUHVHDUFKSURMHFWDLPVWRHPSRZHUSHRSOHWRFUHDWHDQG LQWHUSUHWWKHLURZQHQYLURQPHQWVDQGLQYLWHVRSSRUWXQLVWLFDQGWHPSRUDOVLWXDWLRQVWR PDQLIHVWZLWKLQUHDOLW\7KH>12@9DFDQF\SURMHFWFUDYHVDUWLVWLFFXOWXUDODQGVRFLDO H[SUHVVLRQDQGDWWHPSWVWRHPSRZHU<28  7KLVSURMHFWXVHV0RUDOHVQRWLRQRIҊWHUUDLQYDJXHҋ>0RUDOHV@DVD PHWKRGRORJ\WRLQWHUSUHWWKHFRQGLWLRQRILQQHUFLW\YRLGV0RUHVSHFLÀFDOO\LWLQYHVWLJDWHV 0RUDOHVQRWLRQRIҊHYRFDWLYHSRWHQWLDOҋLQUHODWLRQWRWHUUDLQYDJXHDQGGHPRQVWUDWHVKRZ DQGLIWKLVQRWLRQLVDSSOLFDEOHRQWRWKHVLWHVLQTXHVWLRQWKURXJKGHVLJQUHVHDUFK,QD EURDGHUVHQVHWKHUHLVDOVRUHIHUHQFLQJWRRWKHULGHRORJLHVDQGFRQYHUVDWLRQVUHODWLQJ WRWKHVLWHVLQTXHVWLRQZLWKWKHLQWHQWLRQRIDSSO\LQJGLIIHUHQWPHWKRGRORJLHVLGHDV WKRXJKWVWRWKLVFRQGLWLRQZKLFKLVHYLGHQWZLWKLQDQLQQHUFLW\FRQWH[W7KHVHVSDFHV ZKLFKÁXFWXDWHEHWZHHQIRUPDOLQIRUPDOOHJDODQGLOOHJDOXVDJHKDYHFRPHWRWKH DWWHQWLRQRI/DQGVFDSH$UFKLWHFWXUHGLVFRXUVH

13


ĮŐ͘ϭ

ĮŐ͘Ϯ

ĮŐ͘ϯ

14


Appropriating Space  0\LQWHUHVWLQWKHDSSURSULDWLRQRIVSDFHFDQEHVHHQLQSDVWGHVLJQZRUNXQGHUWDNHQ DW50,78QLYHUVLW\,Q%HQ.URQHQEHUJDQG,ZRUNHGRQDQLQVWDOODWLRQWLWOHG0$1,& 7KLVRQHGD\LQVWDOODWLRQZDVLPSOHPHQWHGDWWKH'RFNODQGVXQGHUQHDWKWKH%ROWH%ULGJH >Ã&#x20AC;J@7KHDFWRILQWHUYHQWLRQWUDQVIRUPHGWKHVLWHLWEHFDPHDSODWIRUPWRIDFLOLWDWH DUWLVWLFH[SUHVVLRQ7KLVZDVH[WUHPHO\H[FLWLQJDQGKDVEHFRPHDNH\GULYHUZLWKLQP\ GHVLJQSUDFWLFH7KLVQRWLRQKDVPDWXUHGDQGPDQLIHVWHGWKURXJKRXWWKLVSURMHFWDQGLV GHPRQVWUDWHGZLWKLQWKLVGRFXPHQWWKURXJKGHVLJQUHVHDUFK$QRWKHULQWHUHVWLQJSURMHFW SURGXFHGLQZDVWKH+\SHU5HDOLW\9R\HXULVP-DFNHW>Ã&#x20AC;J@7KLVLQKDELWDEOHSLHFH RIFORWKLQJZDVFRYHUHGLQLPDJHVRISHRSOHZLWKWKHZRUGV´(YHUIHHOOLNH\RXDUHEHLQJ ZDWFKHG"µSDLQWHGDFURVVLW,ZRUHWKHFORWKLQJDW)HGHUDWLRQ6TXDUH7KLVSURMHFWZDV YHU\FRQIURQWDWLRQDOIRUERWKPHDQGSHRSOHZLWKLQWKDWVSDFH7KHLQWHUHVWLQJDVSHFWWR this project was the appropriation of a space through a piece of clothing, which acted as a GLIIHUHQWPHFKDQLVPLQWKHZD\LQZKLFKLWDFWLYDWHGWKHVSDFH7KHFORWKLQJDOORZHGPHWR FUHDWHDVSDWLDOGLDORJXHEHWZHHQP\VHOIWKHVSDFHDQGWKHRWKHUSHRSOHZKRZHUHZLWKLQLW )HGHUDWLRQ6TXDUHEHFDPHDSODWIRUPIRUPHWRFRPPHQWRQFRQWHPSRUDU\VRFLHW\DQGWKH ZD\LQZKLFKSDVVLYHVXUYHLOODQFHLVHYHUSUHVHQWZLWKLQRXUGHQVHXUEDQIDEULF,WLVZLWKLQ P\LQGLYLGXDODSSURSULDWLRQRIWKHVSDFHZKLFKKLJKOLJKWVWKHLQWHUHVWZKLFKLVH[WHQGHGZLWKLQ WKH>12@9DFDQF\SURMHFW$QRWKHULQVWDOODWLRQEDVHGZRUNSURGXFHGVLPXOWDQHRXVO\ZLWKWKLV UHVHDUFKZDVDODQGVFDSHLQVWUXPHQWLPSOHPHQWHGDWWKH50,7&LW\FDPSXVLQ7KLV LQVWDOODWLRQZDVSODFHGZLWKLQDZDONZD\ZKLFKIRUFHGSDVVHUVE\WRZDONWKURXJKWKHZRUN >Ã&#x20AC;J@7KHSLHFHDFWHGDVDQLQVWUXPHQWZLWKLQWKHVSDFHUHFRUGLQJVRXQGDQGSURMHFWLQJ LPDJHVEDVHGRQWKHVRXQGOHYHOVRIWKHRFFXSDQWVSDUWLFLSDQWVZLWKLQWKHLQVWDOODWLRQ7KLV SURMHFWDSSURSULDWHGDQGFKDQJHGWKHSHUFHLYHGIXQFWLRQRIWKHVSDFHWKURXJKRXULQWHQWLRQDO DFWLYDWLRQDQGDSSURSULDWLRQRIWKHVLWH  7KLVLQWHUHVWLVH[WHQGHGDQGFODULÃ&#x20AC;HGZLWKLQWKLVGRFXPHQW,FDQRQO\DQWLFLSDWHWKDW P\VXFFHVVDQGIDLOXUHVZLWKLQWKLVSURMHFWFDQFRQWULEXWHWRWKHÃ&#x20AC;HOGRI/DQGVFDSH$UFKLWHFWXUH DÃ&#x20AC;HOGVRYDVWDQGLPSRUWDQWZLWKLQRXUFRQWHPSRUDU\FRQWH[W

15


01

02

犀席

04

05

06

07

08

09

10

11

12

檄席

14

15

16


Terrain Vague  7KLVWHUPZDVXVHGE\,JQDVLGH6ROD0RUDOHVDQGZDVDGRSWHGIURPWKH)UHQFK WHUPWHUUDLQYDJXH7KH)UHQFKZRUGWHUUDLQPHDQLQJҊUHIHUVWRJUHDWHUDQGSHUKDSV OHVVSUHFLVHO\GHÀQHGWHUULWRULHVFRQQHFWHGZLWKWKHSK\VLFDOLGHDRIDSRUWLRQRIODQGLQ LWVSRWHQWLDOO\H[SORLWDEOHVWDWHEXWDOUHDG\SRVVHVVLQJVRPHGHÀQLWLRQWRZKLFKZHDUH H[WHUQDOҋ$QGYDJXHҊZKLFKLVWRVD\´HPSW\XQRFFXSLHGµ\HW´IUHHDYDLODEOHXQHQJDJHGµ >0RUDOHV@0RUDOHVGHVFULEHVRWKHUDUWLVWVLQWHUSUHWDWLRQRIWKHFRQGLWLRQRIWKH VSDFHLQTXHVWLRQDVҊLQWHUQDOWRWKHFLW\\HWH[WHUQDOWRHYHU\GD\XVHµWKURXJKWKHLUXVH RISKRWRJUDSK\0RUDOHVZDVTXRWHGE\.HUELVVXH´:KDWZHKDYHGLVFRYHUHG WRGD\LVWKDWWKHVHHPSW\DEDQGRQHGRUH[SHFWDQWVSDFHVDUHDQRWKHUNLQGRI/DQGVFDSH ZKLFKDUHQRWXVXDODQGZKLFKFRXOGSURYLGHDQDOWHUQDWLYHµ>0RUDOHVFLWHGLQ.HUE @0RUDOHVQRWLRQRIWKHҊDOWHUQDWLYHҋDOLJQVZLWKDYLHZSRLQWUDLVHGE\/HYHVTXH ´2IIHULQJURRPIRUVSRQWDQHRXVFUHDWLYHDSSURSULDWLRQDQGLQIRUPDOXVHVWKDWZRXOG RWKHUZLVHKDYHWURXEOHÀQGLQJDSODFHLQSXEOLFVSDFHVVXEMHFWHGLQFUHDVLQJO\WRWKH GHPDQGVRIFRPPHUFHWKHҊWHUUDLQYDJXHҋLVWKHLGHDOSODFHIRUDFHUWDLQUHVLVWDQFHWR HPHUJHDSODFHSRWHQWLDOO\RSHQWRDOWHUQDWLYHZD\VRIH[SHULHQFLQJWKHFLW\µ>/HYHVTXH @0RUDOHVZULWHVDERXWRXUSHUFHSWLRQDVLQKDELWDQWVRIWKHPHWURSROLV´IHHOWKH VSDFHVQRWGRPLQDWHGE\DUFKLWHFWXUHDVUHÁHFWLRQVRIRXURZQLQVHFXULW\RIRXUYDJXH wanderings through limitless space that, in our position external to the urban system, to SRZHUWRDFWLYLW\FRQVWLWXWHERWKDSK\VLFDOH[SUHVVLRQRIRXUIHDUDQGLQVHFXULW\DQGRXU H[SHFWDWLRQRIWKHRWKHUWKHDOWHUQDWLYHWKHXWRSLDQWKHIXWXUHµ7KLVLGHDSXWIRUZDUGE\ 0RUDOHVVKDUHVVLPLODUFKDUDFWHULVWLFVWRҊ3XEOLF6SDFH+HWHURWRSLDVҋ>$OOZHLO .DOOXV @)RXFDXOW>FLWHGE\$OOHLO .DOOXV@ZULWHVDERXWKHWHURWRSLDQVSDFHV DVRWKHUVSDFHVҊFRXQWHUVLWHVDNLQGRIHIIHFWLYHO\UHDOLVHGXWRSLDVLQZKLFK«DOOWKH RWKHUUHDOVLWHV«DUHVLPXOWDQHRXVO\UHSUHVHQWHGFRQWHVWHGDQGLQYHUWHGµ1RWLRQV UDLVHGKDYHSURPSWHGDQHZTXHVWLRQҊZKDWLVWKHDOWHUQDWLYHRUWKHIXWXUHWKDWGRHVRU FDQPDQLIHVWZLWKLQWKHVHVSDFHV"ҋ7KLVLVSHUKDSVZKHUHDQDQDO\VLVRI7KH)RUPHU <RUNVKLUH%UHZHU\LQ&ROOLQJZRRGKDVOHGWRDQLQWHUHVWLQJÀQGLQJ7KURXJKVLWHDQDO\VLV DQGSKRWRJUDSK\DQXQFRYHULQJRIDFWLYLW\RQ7KHIRUPHU<RUNVKLUH%UHZHU\VLWHVXJJHVWV DGLIIHUHQWW\SHRISXEOLFVSDFHLVFXUUHQWO\RSHUDWLQJXSRQWKLVVLWH

/ŵĂŐĞƐ>ĞŌ Ϭϭ'ŽůĚ^ƚ͕ŽůůŝŶŐǁŽŽĚ ϬϮŝŐŚƚ^ƚ͕ŽůůŝŶŐǁŽŽĚ ϬϯZŽďĞƌƚ^ƚ͕ŽůůŝŶŐǁŽŽĚ ϬϰtĞůůŝŶŐƚŽŶ^ƚ͕ŽůůŝŶŐǁŽŽĚ Ϭϱ<ĞĞůĞ^ƚ͕ŽůůŝŶŐǁŽŽĚ Ϭϲ^ŵŝƚŚ^ƚ͕ŽůůŝŶŐǁŽŽĚ ϬϳWĂůŵĞƌ^ƚ͕ŽůůŝŶŐǁŽŽĚ ϬϴĂƐĞLJ^ƚ͕ŽůůŝŶŐǁŽŽĚ Ϭϵ'ĞŽƌŐĞ^ƚ͕&ŝƚnjƌŽLJ ϭϬtĞůůŝŶŐƚŽŶ^ƚ͕ŽůůŝŶŐǁŽŽĚ ϭϭKƩĞƌ^ƚ͕ŽůůŝŶŐǁŽŽĚ ϭϮZŽĐŬĞƌďLJ^ƚ͕ŽůůŝŶŐǁŽŽĚ ϭϯ^ƵƩŽŶ^ƚ͕EŽƌƚŚDĞůďŽƵƌŶĞ ϭϰůĨƌĞĚ^ƚ͕EŽƌƚŚDĞůďŽƵƌŶĞ 1ϱ^ƚƵĚůĞLJ^ƚ͕ďďŽƚƐĨŽƌĚ

17


The Former Yorkshire Brewery  7KHIRUPHU<RUNVKLUH%UHZHU\ ZDVGHVLJQHGE\-DPHV:RRGDQGEXLOW LQ7KLVVLWHZKLFKLVFXUUHQWO\RQ WKH+HULWDJH9LFWRULD5HJLVWHUKDVEHHQ FRQVLGHUHGҊYDFDQWҋIRURYHUWHQ\HDUV $OWKRXJKWKHUHKDYHEHHQPDQ\SURSRVHG GHYHORSPHQWVIRUWKHVLWHGXHWRFRXQFLO SODQQLQJUHJXODWLRQVDQGWKH+HULWDJH 9LFWRULDUHJLVWHUWKHVLWHKDVEHHQOHIWLQDQ XQNQRZQVSDFHGHLQGXVWULDOLVHGDQGVLWWLQJ DPRQJVW0HOERXQHҋVGHQVHLQQHUFLW\IDEULF ÁXFWXDWLQJEHWZHHQIRUPHUXVHDQGIXWXUH GHYHORSPHQW

Photograph  Taken   October  14th  2012 By  Anthony  Sharples

18


19


ĮŐ͘ϴEŽŶͲ>ĞŐŝƟŵŝƐĞĚƌƚ

ĮŐ͘ϰdĞŵƉŽƌĂůĂƌWĂƌŬ

ĮŐ͘ϵEŽŶͲ>ĞŐŝƟŵŝƐĞĚƌƚ

ĮŐ͘ϱͲ^ƉŽŶƚĂŶĞŽƵƐ/ŶƚĞƌǀĞŶƟŽŶƉƌŝůϭϲϮϬϭϮ

ĮŐ͘ϭϬZƵďďŝƐŚWŝůĞ

ĮŐ͘ϲ^ƉŽŶƚĂŶĞŽƵƐ/ŶƚĞƌǀĞŶƟŽŶ:ƵůLJϴϮϬϭϮ

ĮŐ͘ϭϭWĂŝŶƚĐĂŶƐ

ĮŐ͘ϳ^ƉŽŶƚĂŶĞŽƵƐ/ŶƚĞƌǀĞŶƟŽŶKĐƚŽďĞƌϭϰϮϬϭϮ

ĮŐ͘ϭϮ&ŽŽƚƉƌŝŶƚƐ


Table  2:  Plant  Species

'DLV\ %HOOLVSHUHQQLV

;dŚĞ&ŽƌŵĞƌzŽƌŬƐŚŝƌĞƌĞǁĞƌLJŽŶƟŶƵĞĚͿ :LOG0DOORZ 0DOYDV\OYHVWULV

:LOG0XVWDUG 6\QDSLVDUYHQVLV

5\HJUDVV /ROLXPSHUHQQH 

1DUURZOHDI3ODQWDLQ

&HVWUXP 1RFWXUQXP

&ORYHU 7ULIROLXP

7KLVWOH *UHHQ

'HDGO\QLJKWVKDGH 6RODQXP

 )URP$SULOWR2FWREHURIWKLVVLWHKDVEHHQUHJXODUO\YLVLWHG and documented in an attempt to understand how the site is operating in UHODWLRQWRLWVFXUUHQWXVHDQGDOVRWKHQRWLRQRIHYRFDWLYHSRWHQWLDOUHODWLQJ WRWKHWHUUDLQYDJXH0RUDOHVZULWHV´7KHUHODWLRQVKLSEHWZHHQDEVHQFHRI XVHRIDFWLYLW\DQGWKHVHQVHRIIUHHGRPRIH[SHFWDQF\LVIXQGDPHQWDOWR WKHXQGHUVWDQGLQJWKHHYRFDWLYHSRWHQWLDORIWKHFLW\ҋVWHUUDLQVYDJXHVµ7KLV SDUWLFXODUVLWHKDVDUHODWLRQVKLSEHWZHHQERWKDFWLYLW\DQGDVHQVHRIIUHHGRP UDWKHUWKDQDEVHQFHRIXVHWRDFWLYLW\RUDVHQVHRIIUHHGRPWRH[SHFWDQF\ ZKLFKUHYHDOVWKDWSHUKDSVWKHVLWHLVIXOÀOOLQJDQHYRFDWLYHSRWHQWLDO7KLVLV HYLGHQWZLWKLQWKHDSSDUHQWDUWLVWLFLOOHJDOOHJDOWHPSRUDODQGFUHDWLYHXVHV GRFXPHQWHGZLWKLQWKLVVSDFH:LWKLQWKLVWLPHWKHUHKDVEHHQGRFXPHQWDWLRQ DQGREVHUYDWLRQRIVSRQWDQHRXVLQVWDOODWLRQVRQVLWH ÀJ DWHPSRUDOFDU SDUN ÀJ ÁXFWXDWLQJDUHDVRIUXEELVK ÀJ SODQWLQKDELWDWLRQ WDEOH IRRW SULQWV ÀJ SDLQWFDQV ÀJ DVZHOODVÁXFWXDWLQJSXEOLFDUWJUDIÀWLRQVLWH ÀJ 2QHRIWKHPRVWLQWHUHVWLQJDUHDVRIWKHVLWHLVZLWKLQDVHHPLQJO\ XQDFFHVVLEOHDUHDLQWKH6RXWK(DVWFRUQHU7KLVDUHDKRXVHVRYHUGLIIHUHQW VSHFLHVRISODQWVVKUXEVZKLFKPHDVXUHRYHUWKUHHPHWHUVWDOODVZHOODV H[WUHPHO\EHDXWLIXOQRQOHJLWLPLVHGDUW ÀJ   7KLVVLWHKDVPDQLIHVWGXHWRLWVYDJXHFRQVWUDLQWVDQGXQFHUWDLQ SXUSRVH$FWVRIDUWLVWLFH[SUHVVLRQKDYHRFFXSLHGWKLVVSDFHEXWLWLVWKH GHÀQLWHDFWLYHHQJDJHPHQWEHWZHHQWKLVVLWHDQGLWVXVHUVDQGWKHVHQVH of limitless freedom on the site which does suggest that this site is meeting DQHYRFDWLYHSRWHQWLDO7KLVVSDFHLVDQH[DPSOHRIDSRODULVHGRSSRVLWH RIWKHSURJUDPPHGDQGGHÀQHGSXEOLFVSDFHZKLFKZHVRIUHTXHQWO\VHH FRXQFLOGHVLJQLQJIRULWVLQKDELWDQWVXV3XWIRUZDUGE\5DKPDQQDQG-RQDV ´WHPSRUDU\XUEDQVSDFHVDOVRKDYHWKHFDSDFLW\WRRIIHUFRXQWHUSHUVSHFWLYHV WRKRPRJHQLVHGXUEDQODQGVFDSHVµ>5DKPDQQDQG-RQDVSJ@7KHWHPSRUDO DFWLYHHQJDJHPHQWRIWKH)RUPHU<RUNVKLUH%UHZHU\KDVDOORZHGWKLVVLWHWR EHFRPHDFRXQWHUSHUVSHFWLYH5HODWLQJWKLVEDFNWR0RUDOHVQRWLRQRIRXU SHUFHSWLRQRIWKHVSDFHVLQTXHVWLRQDVRFFXSDQWVRIWKH0HWURSROLVLVWKH )RUPHU<RUNVKLUH%UHZHU\DQH[DPSOHRIҊRXUH[SHFWDWLRQRIWKHRWKHUWKH DOWHUQDWLYHWKHXWRSLDQWKHIXWXUH>0RUDOHV@ҋ,WZLOOEHDUJXHGWKDWLWLV one example of the potential of these spaces coming to fruition but does not H[HPSOLI\WKHRQO\SRVVLELOLW\WKDWFDQDULVHZKHQJLYHQDVSDWLDOFRQVWUXFW GLVSOD\LQJVLPLODUTXDOLWLHVWRWKHWHUUDLQYDJXH,IWKLVVLWHKDVLQIDFWPHWLWV HYRFDWLYHSRWHQWLDOVSHFXODWLQJWKDWWKHVSDFHLVQRZDFWLYHO\IXQFWLRQLQJDVD counter space to that of a programmed public space, is the site still a terrain YDJXH"2UKDVWKHVLWHWHPSRUDULO\ÁXFWXDWHGLQWRDQHZUHDOPRIH[LVWHQFHLQ ZKLFK ZKLOVWLWLVDFWLYHO\EHLQJHQJDJHG EUHDNVWKHWKUHVKROGRIZKDWDSXEOLF VSDFHRSSRUWXQLW\DFWXDOO\LV"

$VWKPD:HHG 3DULHWDULDMXGDLFD

&KLFNZHHG 6WHOODULD

21


April  10th  2012

ĮŐ͘ϭϯ

July  18th  2012

ĮŐ͘ϭϰ

October  14th  2012

22 ĮŐ͘ϭϱ


April  10  2012

ĮŐ͘ϭϲ

July  18th  2012

ĮŐ͘ϭϳ

April  10th  2012

ĮŐ͘ϭϴ

July  18th  2012

23 ĮŐ͘ϭϵ


2QWKHWKRI2FWREHUWKLVDUWZRUN DSSHDUHGRQWKHVLWH,WLVDQDUWZRUNGHSLFWLQJ WKHVLWHLWVHOIZLWKDVLJQZKLFKUHDGV 7KLVDUWZRUNLVSHUKDSVUHÁHFWLYHRIWKHGHHS connection that the sub-cultural street and public DUWZRUOGKDVZLWKWKLVVLWH$PXUDODERXWLWVHOI XSRQLWVHOI7KLVVLWHKDVUHFHQWO\EHHQDSSURYHG DSODQQLQJSHUPLWE\ERWK<DUUD&RXQFLODQG +HULWDJH9LFWRULD,WZLOOEHGHPROLVKHG ZLWKWKH UHWHQWLRQRIRQHEXLOGLQJ LQWKHQHDUIXWXUH

24


25


ĮŐ͘ϮϬ>ĂŶĚƐĐŚĂŌƐƉĂƌŬ͕WĞƚĞƌ>ĂƚnjнWĂƌƚŶĞƌ

Former  Yorkshire  Brewery  current  state

ĮŐ͘Ϯϭ'ĂƐǁŽƌŬƐWĂƌŬ͕ZŝĐŚĂƌĚ,ĂĂŐ

ZĞŶĚĞƌͲ&ŽƌŵĞƌzŽƌŬƐŚŝƌĞƌĞǁĞƌLJĂŌĞƌĚĞǀĞůŽƉŵĞŶƚ͘

sŝŽůĞŶƚdƌĂŶƐĨŽƌŵĂƟŽŶ͍dŚŝƐŝƐĂϯƌĞŶĚĞƌŽĨƚŚĞƉůĂŶĂƉƉƌŽǀĞĚĨŽƌ the  Former  Yorkshire  Brewery  by  both  Council  and  Heritage  Victoria. The  70  Million  Dollar  development  is  proposed  By  SMA  Projects.

26


Violent Transformation  7KHQRWLRQRIWHUUDLQYDJXHRUFRQGLWLRQRIWKHVLWHVLQTXHVWLRQOHDYHWKH GHVLJQHULQWKHXQNQRZQZKHQVSHFXODWLQJRQGHVLJQVRUZD\VWRGHVLJQIRUWKHVHVSDFHV LIWKHLQWHQGHGGHVLUHLVQRWWRORVHWKHHYRFDWLYHDQGEHDXWLIXOWHPSRUDOXVHVZKLFKVHHP WRRFFXS\WKHVHVLWHV,WLVSXWIRUZDUGE\/HYHVTXH´$WDWLPHZKHQWKHLPPHGLDF\RI HOHFWURQLFQHWZRUNLQJFRQVWDQWO\UHVKXIÁHVRXUSHUFHSWLRQVRIWKHZRUOGORRNLQJDWWKH ҊWHUUDLQYDJXHҋDVPDWHULDOPHDQVZRUNLQJDWEXLOGLQJZLWKWKHLQGHWHUPLQDWHWRJHQHUDWH DK\EULGG\QDPLFRQHWKDWLVҊLQV\QFҋZLWKWKHLVVXHVRIRXUWLPH>/HYHVTXH@7KLV QRWLRQLPSOLHVWKDWWKHFRQGLWLRQRIWKHWHUUDLQYDJXHҋLQLWVLQGHWHUPLQDF\PD\IDFLOLWDWHD QHZZD\RIGHVLJQLQJIRUK\EULGDQGG\QDPLFVSDFHV0RUDOHVZULWHVDERXWKLVSHUFHSWLRQ RIWKHZD\LQZKLFKZHGHVLJQIRUWKHҊWHUUDLQYDJXHҋ´:KHQDUFKLWHFWXUHDQGXUEDQ GHVLJQSURMHFWWKHLUGHVLUHRQWRDYDFDQWVSDFHDWHUUDLQYDJXHWKH\VHHPLQFDSDEOHRI GRLQJDQ\WKLQJRWKHUWKDQLQWURGXFLQJYLROHQWWUDQVIRUPDWLRQVFKDQJLQJHVWUDQJHPHQWLQWR FLWL]HQVKLSDQGVWULYLQJDWDOOFRVWVWRGLVVROYHWKHXQFRQWDPLQDWHGPDJLFRIWKHREVROHWH LQWRUHUHDOLVPRIHIÀFDF\µ>0RUDOHV@  3HUKDSVWKLVLVZK\WKH/DQGVFDSH$UFKLWHFWXUHGLVFRXUVHKDVEHHQFDSWLYDWHG ZLWKLQWKLVQRWLRQRIҊWHUUDLQYDJXHҋ,V/DQGVFDSH$UFKLWHFWXUHWKHSURIHVVLRQZKLFKFRXOG LQWURGXFHLQWHQWLRQDOGHVLJQPRYHVRUJHVWXUHVIRUWKHVLWHVLQTXHVWLRQZKLFKFRXOG SRWHQWLDOO\UHWDLQTXDOLWLHVRIWKHҊWHUUDLQYDJXHҋZLWKRXWYLROHQWO\WUDQVIRUPLQJWKHP" 3HUKDSVWKLVFDQEHVHHQLQ/DQGVFKDIWVSDUN ÀJ RU*DVZRUNVSDUN ÀJ ,WLVWR EHFRPHFOHDUWKDWWKHDPELWLRQRIWKLVUHVHDUFKGRHVQRWDLPWRSURGXFHQRQYLROHQW WUDQVIRUPDWLRQUDWKHULWLQYHVWLJDWHVKRZWRGHVLJQQHZW\SHVRISXEOLFVSDFHVZKLFKDLP WRHQFRXUDJHDSSURSULDWLRQ7KLVSURMHFWDWWHPSWVWRLQWURGXFHDFDWDO\VWRQWRVLWHVZKLFK GRQRWGLVSOD\WKHPHWHYRFDWLYHSRWHQWLDORIVLWHVVXFKDVWKH)RUPHU<RUNVKLUH%UHZHU\ Although there is a deep respect and infatuation with these spaces, it is the introduction RIWKHFDWDO\VWZKLFKDWWHPSWVWRLQYLWHVSRQWDQHRXVDQGXQSURJUDPPHGXVHVRQWR WKHVLWHVUDWKHUWKDQOHDYHWKHPҊXQRFFXSLHGҋLQWKHKRSHWKDWRQHGD\WKH\WRRDFWLYHO\ EHFRPHHQJDJHGLQDVLPLODUPDQQHUWR7KH)RUPHU<RUNVKLUH%UHZHU\ This also leads to a different dilemma in relation to the use of these spaces DVDҊQHZW\SHҋRISXEOLFVSDFH$VSXWIRUZDUGLQ8UEDQ9RLGV´,IZHFRQVLGHUWKH LQFOXVLRQRIXUEDQYRLGVLQDUHSHUWRLUHRIXUEDQVSDFHVZHDUHSRWHQWLDOO\IDFHGZLWK WKHFRQVHTXHQWLDOORVVRIWKHXQSUHGLFWDEOHDQGLPSHUIHFWWKDWFRQVWLWXWHVRPHRIWKH NH\TXDOLWLHVRIWKHVHRWKHUVSDFHVµ>5DKPDQQDQG-RQDV@7KLVQRWLRQSHUKDSV OHQGVLWVHOIWRDFULWLTXHWKDWLIWKHVLWHVLQTXHVWLRQDUHJRLQJWREHLQFOXGHGLQDUHSHUWRLUH RIXUEDQVSDFHVSHUKDSVWKHUHQHHGVWREHDVWDJHGV\VWHPLQZKLFKVLWHVÀUVWO\FDQ ÁXFWXDWHDQGEHFRPHRIWHUUDLQYDJXHVWDWXVEHIRUHWKH\FDQEHFRQVLGHUHGIRULQFOXVLRQ

27


$0%,7,21

Background Image: Spontaneous Artwork from the Former Yorkshire Brewery, Robert Street Collingwood, Melbourne, Australia: Taken on June 11th 2012 28 taken by: Anthony Sharples Photo


An Introduction to Site

&2//,1*:22'

7(67,1**5

281'

29 29


N

VICTORIA average age

below  the  age  of

<44

53 %38

MELBOURNE

MELBOURNE average age

below  the  age  of

<44

62 % 36 COLLINGWOOD average age

below  the  age  of

<44

74 % 30

31


Collingwood

commercial

Collingwood was originally home WRWKH:8581'-(5,SHRSOH,WZDV HVWDEOLVKHGDVRQHRI0HOERXUQHŇ&#x2039;VĂ&#x20AC;UVW PXQLFLSDOLWLHVLQ>+LEELQV@DQG LQ&ROOLQJZRRGPHUJHGLQWRWKHFLW\RI <DUUD&ROOLQJZRRGKDVDOZD\VEHHQDYHU\ GLYHUVHDQGLQWHUHVWLQJVXEXUEZLWKDKHDYLO\ LQGXVWULDOEHJLQQLQJ,Q&ROOLQJZRRG ZDVFRQVLGHUHGWKH%UHZHU\+XERI 0HOERXUQH>+LEELQV@7KHLQGXVWULDO infrastructure of Collingwood is increasingly PDNLQJWKHFRQYHUVLRQWRDSDUWPHQW dwellings, although the open space is not LQFUHDVLQJZLWKLQWKHVXEXUE7KHQHHG for new open spaces for Collingwood was FODVVLĂ&#x20AC;HGDVŇ&#x160;8UJHQWŇ&#x2039;LQWKH<DUUD2SHQ 6SDFHVWUDWHJ\7KHRSHQVSDFHVLQ &ROOLQJZRRGKDYHDOZD\VEHHQIHZDQGIDU EHWZHHQŇ&#x160;,QFUHDVLQJO\UHVLGHQWV LQ  had to go out of the suburb for recreation >+LEELQV@Ň&#x2039;&ROOLQJZRRGDOVRKDVD YHU\LQWHUHVWLQJGHPRJUDSKLF7KHDYHUDJH age of residents according to the Australian %XUHDXRI6WDWLVWLFVIRU&ROOLQJZRRGLV FRPSDUHGZLWK0HOERXUQHZKLFKLV RU9LFWRULDZKLFKLV$VZHOODVWKLV RIUHVLGHQWVDUHEHORZWKHDJHRI Collingwood also boasts extremely wide streets up to 20 meters in width, as well as a YHUWLFDODQGKRUL]RQWDOJULGVWUXFWXUHIRUWKH OD\RXWRIURDGV$VZHOODVZLGHVWUHHWVLW boasts many narrow laneways which attract KLJKOHYHOVRIVWUHHWDUWDQGRWKHUXVHV

social  housing predominantly  industrial Ć&#x2030;Ć&#x152;Ä&#x17E;Ä&#x161;ŽžĹ?ĹśÄ&#x201A;ĹśĆ&#x161;ĹŻÇ&#x2021;Ć&#x152;Ä&#x17E;Ć?Ĺ?Ä&#x161;Ä&#x17E;ĹśĆ&#x;Ä&#x201A;ĹŻ

31


Yarra Open Space Strategy

 7KH<DUUD2SHQ6SDFH6WUDWHJ\KDVRXWOLQHGWKHVXEXUERI&ROOLQJZRRGDV KDYLQJRQO\P2RIRSHQVSDFHSHUSHUVRQ$VZHOODVWKLVLWDOVRRXWOLQHVWKDW ´7KHDFFHSWHG8.DQGFRQVHTXHQW$XVWUDOLDQVWDQGDUGIRUWKHSURYLVLRQRIRSHQVSDFHLV LQWKHRUGHURIKHFWDUHVRIRSHQVSDFHSHUSHRSOHZKLFKHTXDWHVWRP2 of RSHQVSDFHSHUSHUVRQ7KLVVWDQGDUGLVLQFOXGHGLQWKH*XLGHWRSUHSDULQJ2SHQ6SDFH 6WUDWHJLHV%HVW3UDFWLFH*XLGDQFHRIWKH/RQGRQ3ODQSUHSDUHGE\WKH*UHDWHU/RQGRQ $XWKRULW\µ 7KH<DUUD2SHQ6SDFH6WUDWHJ\RXWOLQHVҊRSHQVSDFHҋDV ´DOOSXEOLFO\RZQHGODQGWKDWLVVHWDVLGHH[FOXVLYHO\IRUWKHZLGHUFRPPXQLW\DQGSULPDULO\ XVHGIRURXWGRRUUHFUHDWLRQSDVVLYHRXWGRRUHQMR\PHQWDQGQDWXUHFRQVHUYDWLRQ$FFHVV PD\EHUHVWULFWHGDWFHUWDLQRUDOOWLPHVRQDIHHSD\LQJEDVLV2SHQVSDFHLVPDQDJHG E\ORFDODQG6WDWHJRYHUQPHQWDJHQFLHVRULWVGHOHJDWHV7KURXJKRXWWKH6WUDWHJ\SXEOLF RSHQVSDFHLVUHIHUUHGWRDV´RSHQVSDFHµ  $VVHHQLQWKLVWDEOHWDNHQIURPWKH<DUUD2SHQ6SDFH6WUDWHJ\&ROOLQJZRRGKDV WKHORZHVWRSHQVSDFHSHUFHQWDJHLQWKHGLVWULFW7KLVWDEOHXVHVSRSXODWLRQÀJXUHVIURP $XVWUDOLDQFHQVXV

 ,QWKHSRSXODWLRQRI&ROOLQJZRRGZDVUHFRUGHGE\WKH$XVWUDOLDQ%XUHDXRI 6WDWLVWLFVDWSHRSOHWKLVLVDQLQFUHDVHRISHRSOHVLQFHWKHUHFRUGHGGDWDLQ ÀJ 7KLVLVDQDSSUR[LPDWHLQFUHDVHRISHRSOHSHU\HDU:LWKWKHLQFOXVLRQRI3HHO 6W3DUNDIRUPHUFRXQFLORZQHGFDUSDUNWXUQHGSRFNHWSDUN&ROOLQJZRRGQRZKDVDWRWDO RIP2RIRSHQVSDFHSHUSHUVRQXVLQJWKHSRSXODWLRQGDWDIURPWKHFHQVXV

32


 7KHPDLQLVVXHLQUHODWLRQWRWKHLGHQWLÀFDWLRQRIҊRSHQVSDFHҋZLWKLQWKLVVWUDWHJ\ LVWKHULJLGLQWHUSUHWDWLRQRIZKDWDQ´RSHQVSDFHµLV$WWKHWLPHRIWKLVVWUDWHJ\RQO\WKUHH VPDOOSDUNVZLWKLQ&ROOLQJZRRGZHUHLGHQWLÀHGDVҊRSHQVSDFHҋ ÀJ EXWWKHUHDUH many other moments within the urban tissue of Collingwood which could be utilised within DWHPSRUDOPDQQHU

KƉĞŶ^ƉĂĐĞƉĞƌWĞƌƐŽŶWƌŽũĞĐƟŽŶƐ͗

0

WŽƉƵůĂƟŽŶDŽĚĞůůŝŶŐ

2

5,267.7m2 2,925m

2

585.6m2

2021  

2061  

2101

1M2 9,751m2

17,559m2

1,952m2

2021  

2061  

02 55,241m2

2101 444,242m2

Ϯϳϱ͕ϵϱϯŵ2

WŽƉƵůĂƟŽŶ 2001  =  5,076 2006  =  5,491 2011  =  6,467 WŽƚĞŶƟĂů 2021  =  8,419 2061  =  16,218 2101  =  24,026 ΎΎĂƐĞĚŽŶƉŽƉƵůĂƟŽŶ increase  2006-­‐2011  from   Australian  Bureau  of   ^ƚĂƟƐƟĐƐ

2021  

2061  

2101

EĞǁŽƉĞŶƐƉĂĐĞƌĞƋƵŝƌĞĚĂƐƉŽƉƵůĂƟŽŶŝŶĐƌĞĂƐĞƐ

33


34 34


Current Open Spaces The current open spaces in &ROOLQJZRRGDUHÃ&#x20AC;QDOLQWKHLUQDWXUH8SRQ analysis there is only one of the four SRFNHWSDUNVZKLFKLVUHJXODUO\XVHG LQP\ H[SHULHQFHWKURXJKRXWWKLV\HDU ZKLFKLV 0DFQDPDUD5HVHUYH7KHWZRFRUQHUVRI 6WDQOH\2WWHUDQG6PLWK6WUHHWERWKDSSHDU WRDOVREHYHU\ZHOOXVHGE\SDVVHUVE\ 7KLVDQDO\VLVDWWHPSWVWRLGHQWLI\SHUFHLYHG XVHDFFHVVJUDIÃ&#x20AC;WLSODQWGLYHUVLW\QRQ OHJLWLPLVHGDUWDQGDGYHUWLVLQJFXUUHQWO\ RSHUDWLQJZLWKLQWKHVLWHV7KLVDQDO\VLV also attempts to demonstrate the municipal GHVLJQSDOHWWHIRU&ROOLQJZRRG

Cambridge  Street  Reserve,  Collingwood

35


N

PE

HI

GH

RC E

AC C

ESS I

IVE

GR

AF

PLA

IM

RT IS

ING

D LO

W

Seating VE

RS IT

N  -­‐

AD VE

ME

I  

 DI

 LE GIT

ITY

SE

FIT

NT

NO

BIL

D  U

ISE

Y

Table

D  A

RT

%%4 Lamp 'ULQN7DS

Alexander Street Reserve

36


N

PE

HI

GH

RC E

AC C

ESS I

IVE

GR

AF

PLA

IM

RT IS

ING

D LO

W

Playground

VE

Seating

RS IT

N  -­‐

AD VE

ME

I  

 DI

 LE GIT

ITY

SE

FIT

NT

NO

BIL

D  U

Y

Table

ISE

D  A

RT

%%4 Lamp 'ULQN7DS

Cambridge Street Reserve

37


N

PE

HI

GH

RC E

AC C

ESS I

IVE

GR

AF

PLA

IM

RT IS

ING

D LO

W

%LQ VE

RS IT

N  -­‐

AD VE

ME

I  

 DI

 LE GIT

ITY

SE

FIT

NT

NO

BIL

D  U

ISE

Y

Seating

D  A

RT

Lighting Lamp 'ULQN7DS

Peel Street Park

38


N

PE

HI

GH

RC E

AC C

ESS I

IVE

GR

AF

PLA

VE

IM

RT IS

ING

D LO

W

RS IT

N  -­‐

AD VE

ME

I  

 DI

 LE GIT

ITY

SE

FIT

NT

NO

BIL

D  U

Y

Playground

ISE

D  A

RT

Seating Lamp %LQ

McNamara Reserve

39


N

PE

HI

GH

RC E

AC C

ESS I

IVE

GR

AF

PLA

VE

IM

RT IS

ING

D LO

W

RS IT

N  -­‐

AD VE

ME

I  

 DI

 LE GIT

ITY

SE

FIT

NT

NO

BIL

D  U

ISE

Y

D  A

RT

Seating 'ULQN7DS

Corner Otter Street + Smith Street

40


N

PE

HI

GH

RC E

AC C

ESS I

IVE

GR

AF

PLA

VE

IM

RT IS

ING

D LO

W

RS IT

N  -­‐

AD VE

ME

I  

 DI

 LE GIT

ITY

SE

FIT

NT

NO

BIL

D  U

ISE

Y

D  A

RT

'ULQN7DS Seating

Corner Stanley Street + Smith Street

41


^/d >yEZ ^dZdZ^Zs

,/',

DZ/' ^dZdZ^Zs W>^dZdWZ< DEDZZ^Zs

D/hD

EZKddZн ^D/d,^dZd

EZ^dE>zн ^D/d,^dZd

>Kt

KE^/d

EKdKE^/d

42


Analysis Outcome WZ/sh^ ^^//>/dz 'Z&&/d/ W>Ed/sZ^/dz DhZ>同Zd sZd/^/E'

^d/E' Y Z/E<dW >DW W>z'ZKhE d> /E

43


44


Mapping Collingwood  2QHRIWKHDLPVRIWKLVUHVHDUFK project is to identify and re-interpret what an open space opportunity is / could be ZLWKLQWKHVXEXUERI&ROOLQJZRRG7KLV LGHQWLĂ&#x20AC;FDWLRQDQGUHLQWHUSUHWDWLRQRIRSHQ space opportunities within Collingwood has VRIDULGHQWLĂ&#x20AC;HGVL[H[LVWLQJRSHQVSDFHV IRXURIZKLFKZHUHRXWOLQHGLQWKH<DUUD 2SHQ6SDFH6WUDWHJ\DQGWZRRI which are new additions to the suburb SRVW7KLVLQYHVWLJDWLRQIROORZHGDQ LQLWLDOVLWHYLVLWWRWKH)RUPHU<RUNVKLUH %UHZHU\LQZKLFKWKHSXEOLFDUWDQG REYLRXVDSSURSULDWLRQRFFXUULQJRQWKHVLWH SURPSWHGPHWRLQYHVWLJDWHRWKHUVLWHVZKLFK SHUKDSVGLVSOD\HGVLPLODUFKDUDFWHULVWLFV 0DSSLQJ&ROOLQJZRRGŇ&#x160;YDFDQWRUSHUFHLYHG XQRFFXSLHGŇ&#x2039;VSDFHVRSHUDWHGDVDZD\RI identifying opportunistic moments within &ROOLQJZRRG,GHQWLĂ&#x20AC;HGDUHWKUHHWHPSRUDO FDUSDUNVDQGIRXUIRUPHUKRXVHVKRS EORFNV

45


N

ACCESS  POINT  1 FENCE

FENCE ACCESS  POINT  2

1  :  500

Address.HHOH6WUHHW&ROOLQJZRRG Size:P2 Access Points: 2 PERCEIVED  ACTIVITY

Walls: 2 Fence:<HV$ORQJERWKDFFHVVSRLQWV2SHQLQJLQWKHIHQFH

ACCESSIBILITY

GRAFFITI  

Approximate time â&#x20AC;&#x2DC;vacantâ&#x20AC;&#x2122;: 2FWREHU2FWREHU

PLANT  DIVERSITY

NON  -­â&#x20AC;?  LEGITIMISED  ART

ADVERTISING

46

Image  Taken  October  10th  2012

1 Image  Taken  April  20  2012


N ACCESS  POINT   FENCE

2

FENCE

1  :  500

Address:(DVH\6WUHHW&ROOLQJZRRG

Image  Taken  April  20  2012

Size: 480m2 Access Points: 1 PERCEIVED  ACTIVITY

Walls: 2 Fence:<HV$ORQJERWKDFFHVVSRLQWV2SHQLQJLQRQHIHQFH

ACCESSIBILITY

Approximate time â&#x20AC;&#x2DC;vacantâ&#x20AC;&#x2122;: GRAFFITI  

2FWREHU-DQXDU\,QIRUPDO&DU3DUN -DQXDU\6HSWHPEHUŇ&#x160;9DFDQWŇ&#x2039; 6HSWHPEHU2FWREHU&RQVWUXFWLRQ6LWH

PLANT  DIVERSITY

NON  -­â&#x20AC;?  LEGITIMISED  ART

ADVERTISING

Image  Taken  October  10th  2012

47


N

ACCESS  POINT  1

ACCESS  POINT  2

1  :  500

Address:'LJKW6WUHHW&ROOLQJZRRG

3 Image  Taken  April  20  2012

SizeP2 HIGH

MED

LOW

Access Points: 2 Walls: 2

PERCEIVED  ACTIVITY

Fence:1R ACCESSIBILITY

GRAFFITI  

PLANT  DIVERSITY

Approximate time â&#x20AC;&#x2DC;vacantâ&#x20AC;&#x2122;: 2FWREHU-XQH,QIRUPDO&DU3DUN -XQH2FWREHUŇ&#x160;9DFDQWŇ&#x2039;

*  A  fence  installed  in  June  2012  stops  the  informal  car  park.  

NON  -­â&#x20AC;?  LEGITIMISED  ART

ADVERTISING

48

Image  Taken  June  14th  2012


N

FENCE

ACCESS  POINT  

4

1  :  500

Address::HOOLQJWRQ6WUHHW&ROOLQJZRRG

Image  Taken  April  20  2012

SizeP2 Access Points: 1 HIGH

MED

PERCEIVED  ACTIVITY

LOW

Walls: 2 Fence:<HV

ACCESSIBILITY

GRAFFITI  

Approximate time â&#x20AC;&#x2DC;vacantâ&#x20AC;&#x2122;: 2FWREHU2FWREHU3ULYDWH&DU3DUN 0RQGD\)ULGD\3ULYDWH&DU3DUN 6DWXUGD\6XQGD\Ň&#x160;9DFDQWŇ&#x2039;$FFHVV<HV

PLANT  DIVERSITY

NON  -­â&#x20AC;?  LEGITIMISED  ART

ADVERTISING

Image  Taken  October  10th  2012

49


N

ACCESS  POINT   FENCE

5

1  :  500

Address:5RNHE\6WUHHW&ROOLQJZRRG SizeP2 HIGH

MED

LOW

Access Points: 1 Walls: 1

PERCEIVED  ACTIVITY

Fence:<HV ACCESSIBILITY

Approximate time â&#x20AC;&#x2DC;vacantâ&#x20AC;&#x2122;:

GRAFFITI  

2FWREHU2FWREHU3ULYDWH&DU3DUN 0RQGD\)ULGD\3ULYDWH&DU3DUN 6DWXUGD\6XQGD\Ň&#x160;9DFDQWŇ&#x2039;$FFHVV<HV

PLANT  DIVERSITY

NON  -­â&#x20AC;?  LEGITIMISED  ART

ADVERTISING

50

Image  Taken  October  10th  2012

Image  Taken  April  20  2012


N FENCE

ACCESS  POINT  

FENCE

ACCESS  POINT   1  :  500

Address::HOOLQJWRQ6WUHHW&ROOLQJZRRG

6 Image  Taken  April  20  2012

SizeP2 Access Points: 2 HIGH

MED

LOW

Walls: 2

PERCEIVED  ACTIVITY

Fence:<HV ACCESSIBILITY

Approximate time ‘vacant’:

GRAFFITI  

2FWREHU2FWREHU3HUPLW&DU3DUN 0RQGD\)ULGD\3HUPLW&DU3DUN 6DWXUGD\6XQGD\Ҋ9DFDQWҋ$FFHVV<HV

PLANT  DIVERSITY

NON  -­‐  LEGITIMISED  ART

ADVERTISING

Image  Taken  October  2nd  2012

51


N

FENCE FENCE

1  :  500

Address: 170 Smith Street, Collingwood SizeP2 Access Points: 0 HIGH

MED

LOW

Walls: PERCEIVED  ACTIVITY

Fence:<HV ACCESSIBILITY

Approximate time ‘vacant’:

GRAFFITI  

2FWREHU$XJXVW $XJXVW2FWREHU&RQVWUXFWLRQ6LWH $FFHVV1R

PLANT  DIVERSITY

NON  -­‐  LEGITIMISED  ART

ADVERTISING

52

/ŵĂŐĞdĂŬĞŶKĐƚŽďĞƌϭϯƚŚϮϬϭϮ

7 Image  Taken  April  20  2012


ŽƌŝŐŝŶĂůǀĞŐĞƚĂƟŽŶͬůĂŶĚƐĐĂƉĞ

ĚĞͲĐŽŶƐƚƌƵĐƚĞĚͬĂďĂŶĚŽŶĞĚͬ vacated  landscape Informal  Car  Park

agricultural  landscape Temporal  Carpark

ĐŽŶƐƚƌƵĐƚĞĚͬďƵŝůƚůĂŶĚƐĐĂƉĞ

re-­‐built No  temporal  Program

de-­‐constructed

sK/͍

abandoned FORMAL   ͬ/E&KZD>

vacated

No  temporal  Program temporary  space

public   ŝŶƚĞƌǀĞŶƟŽŶ

&ƵƚƵƌĞ^ƉĂĐĞ͍

ůƚĞƌŶĂƟǀĞWƵďůŝĐ Space

This information matrix aims to show GLIIHUHQWVWDJHVRIWKHÁXFWXDWLQJVSDFHV LQTXHVWLRQ7KLVZDVDQHDUO\DWWHPSWDW trying to understanding the condition of WKHҊYDFDQWRUXQRFFXSLHGҋVSDFH

53


^/d ϲϭ<>^dZd

,/',

Ϯϯ^z^dZd

Ϯϯ/',d^dZd

D/hD ϲϰt>>/E'dKE ^dZd ϴϬZK<z^dZd

ϭϵϱt>>/E'dKE ^dZd ϭϳϬ^D/d,^dZd

>Kt

KE^/d

EKdKE^/d

54


Analysis Outcome WZ/sh^ ^^//>/dz 'Z&&/d/ W>Ed/sZ^/dz DhZ>ͬZd sZd/^/E'

CAR  PARK

&E

55


Inspirational Projects / Sites

Technology:

9DFDQW%ORFN

What  If  Projects:  England DUNE  4.2  Studio  Roosegaarde

^Ä&#x17E;Ä?Ć&#x;ŽŜĎ´ͲDÄ&#x17E;ĹŻÄ?ŽƾĆ&#x152;ĹśÄ&#x17E;

'Ä&#x17E;Ć&#x152;Ć&#x161;Ć&#x152;ĆľÄ&#x161;Ä&#x17E;^Ć&#x161;WĆ&#x152;ŽŊÄ&#x17E;Ä?Ć&#x;ŽŜ&Ä&#x17E;Ć?Ć&#x;Ç&#x20AC;Ä&#x201A;ĹŻ

Staring  at  Goats:  Portland dÄ&#x201A;Ä?Ć&#x;ĹŻÄ&#x17E;^ŽƾŜÄ&#x161;'Ä&#x201A;Ć&#x152;Ä&#x161;Ä&#x17E;ĹśÍ&#x2022;DÄ&#x201A;Ć&#x152;ĹŹ^Ĺ&#x161;Ä&#x17E;Ć&#x2030;Ä&#x201A;Ć&#x152;Ä&#x161;

56

7KHUHDUHDYDULHW\RI inspirational precedents drawn upon within WKLVSURMHFW7KHVHIDOO LQWRVL[FDWHJRULHV 7HFKQRORJ\9DFDQW %ORFN,QIUDVWUXFWXUH 5H8VH6LWH DQG)XUQLWXUH 6SRQWDQHRXV6SDFHV


,QIUDVWUXFWXUH5H8VH Sites:

Highline,  James  Corner

The  Former  Yorkshire  Brewery,  Collingwood ŽƵďůĞ,ĂƉƉŝŶĞƐƐ͕ŝĚŝĞƌ&ĂƵƐƟŶŽ

)XUQLWXUH)RUPFUHDWLQJVSRQWDQHRXVVSDFHV

&ŽƌŐŽƩĞŶ^ƉĂĐĞƐƐŚŽƌƚůŝƐƚĞĚĞŶƚƌLJ͗ The  Curve  by  What  if.

Parallel  Park,  Vancouver

>ĂŶĚƐĐŚĂŌƐƉĂƌŬ͕WĞƚĞƌ>ĂƚnjнWĂƌƚŶĞƌ

Parkmobiles,  CMG  LA   Chairbombing,  Do  Tank

Gasworks  Park,  Richard  Haag

Space  Buster  -­‐  Raumlabor

57


The Follie ĮŐ͘ϮϮĨŽůůŝĞŽŶĞ͗ĐŽŶŶĞĐƟŽŶƐ

The follie experiments operated as a way of identifying interests in the HDUO\SKDVHRIWKLVUHVHDUFKSURMHFW.H\ WKHPHVLGHQWLÀHGZHUH&RQQHFWLRQVZLWKLQ ODQGVFDSHV\VWHPV ÀJ 0RPHQWVRI ULVNZLWKLQODQGVFDSHVXFKDVVLWHURDG DQGSDWKZD\V ÀJ 6FDOHDQGWKH perception of the object, at what point GRHVLWEHFRPHODQGVFDSH ÀJ "$UWDQG ODQGVFDSHLVWKHUHDGLIIHUHQFH ÀJ " ,OOHJDOYHUVXVOHJDODQGSXEOLFYHUVXVSULYDWH VSDFHV ÀJ $OWKRXJKWKHIROOLHVZHUH abstract experiments they operated as small manifestations and moments of the research WUDMHFWRU\DVDZKROH7KHPDLQIRFXVRIWKH IROOLHH[SHULPHQWVWRXFKHGRQDUWSHUFHLYHG ULVNOHJDOLOOHJDODQGSXEOLFYHUVXVSULYDWH spaces, all themes which correlate with the SHUFHLYHGIXQFWLRQDQGVSDWLDOFRQVWUXFWV RIҊYDFDQWDQGXQRFFXSLHGҋVSDFHV,WFRXOG EHVDLGWKDWWKHVSDFHVLQTXHVWLRQHPERG\ PDQ\RIWKHNH\LQWHUHVWVLGHQWLÀHGZLWKLQWKH IROOLHH[SHULPHQWV7KHVHLQWHUHVWVZHUHDOVR LQYHVWLJDWHGWKURXJKPRGHOPDNLQJFROODJH DQGGUDZLQJ7KLVHDUO\SKDVHRIVSHFXODWLYH design further expanded on the interests LQWKHIROOLHVUHQGHUVVKRZLQJVSHFXODWLYH REMHFWVZLWKLQODQGVFDSHVÁRRGHGҊYRLGҋ VLWHVDQGDOVRWHPSRUDU\FHPHWHU\7KLV HDUO\GHVLJQSKDVHDFWLQJDVDWKLQNWDQNRQ SRWHQWLDOXVHVIRUWKHVLWHVLQTXHVWLRQ

ĮŐ͘ϮϯĨŽůůŝĞƚǁŽ͗ŵŽŵĞŶƚƐŽĨƌŝƐŬ

ĮŐ͘ϮϰĨŽůůŝĞƚŚƌĞĞ͗ƐĐĂůĞĂŶĚƉĞƌĐĞƉƟŽŶ

ĮŐ͘ϮϱĨŽůůŝĞĨŽƵƌ͗ĂƌƚŽƌůĂŶĚƐĐĂƉĞ

ĮŐ͘ϮϲĨŽůůŝĞĮǀĞ͗ƉƵďůŝĐǀĞƌƐƵƐƉƌŝǀĂƚĞƐƉĂĐĞ

58


59


An Introduction to The Limit

 7KHQRWLRQRIŇ&#x160;/,0,7Ň&#x2039;UHIHUVWRDSRLQWLQZKLFKWKHGHVLJQJHVWXUHRUPRYH SRWHQWLDOO\UHVXOWVLQWKHRYHUSURJUDPPLQJRIDVLWH UHIHUULQJWRWKHSRWHQWLDORXWFRPH  7KHOLPLWUHIHUVWRWKHPRPHQWLQZKLFKDVLWHFURVVHVIURPDQDOWHUQDWLYHWRWKDWRID municipal design open space into a resulted program or use for the site, which no longer OHDYHVWKHVLWHDVDQDPELJXRXVVSDFHRSHQIRULQWHUSUHWDWLRQ7KLVPHWKRGRIHYDOXDWLRQ KDVEHHQXVHGWRKHOSLGHQWLI\ZKHQDGHVLJQPRYH GXHWRSODFHPHQWDPRXQWRUGHVLUH  SRWHQWLDOO\UHVXOWVLQDVLWHEHFRPLQJRYHUSURJUDPPHGDW\SHRIVSDWLDOVLWXDWLRQZKLFK GRHVQRWDOLJQZLWKWKHGHVLJQUHVHDUFKDPELWLRQRIWKLVSURMHFW7KLVŇ&#x160;OLPLWDWLRQEDUŇ&#x2039;LV used throughout the design iterations to help clarify my perception of the potential of the GHVLJQJHVWXUHXSRQWKHVLWHVLQTXHVWLRQDQGLVIXUWKHUH[SDQGHGXSRQLQWKHWHVWLQJ SKDVHZLWKLQWKLVGRFXPHQW

TERMS: Over Programmed:Ň&#x160;2YHU3URJUDPPHGŇ&#x2039;UHIHUVWRDVLWHZKLFKPLUURUVRUIXQFWLRQVDVD PXQLFLSDOGHVLJQHGSXEOLFRSHQVSDFH Resulted Program: Ň&#x160;5HVXOWHG3URJUDPŇ&#x2039; refers to a design gesture which potentially UHVXOWVLQDSURJUDPXSRQWKHVLWH)RUH[DPSOH$FRPPXQLW\JDUGHQIRUPLQJIROORZLQJ WKHSODFHPHQWRIDZDWHUWDQNDQGSODQWHUEHGVRQDVLWH VSHFXODWLQJWKDWSHRSOHZRXOG DSSURSULDWHWKHVLWHVR  Limit: 7KHŇ&#x160;/LPLWŇ&#x2039;UHIHUVWRWKHPRPHQWZKHQDUHVXOWDQWDOWHUQDWLYH WRPXQLFLSDO GHVLJQHGSXEOLFVSDFH ERUGHUVDUHVXOWHGSURJUDPIRUPLQJXSRQWKHVLWH Alternative: Ň&#x160;$OWHUQDWLYHŇ&#x2039;UHIHUVWRDUHVXOWHGDOWHUQDWLYHWRPXQLFLSDOGHVLJQHGSXEOLF VSDFHIRUPLQJ)RUH[DPSOH7KH)RUPHU<RUNVKLUH%UHZHU\>VHHSDJH@ Potential Change (to site):Ň&#x160;3RWHQWLDO&KDQJHŇ&#x2039;UHIHUVWRDVLWHZKLFKKDVVWDUWHGWR FKDQJHEDVHGXSRQWKHUHVXOWHGEHKDYLRXUVXSRQWKHVLWHIROORZLQJDGHVLJQJHVWXUH Potential Behaviour (within site):Ň&#x160;3RWHQWLDO%HKDYLRXUŇ&#x2039;UHIHUVWRDGHVLJQJHVWXUH DOORZLQJDQHZW\SHRIEHKDYLRXUWRRFFXS\WKHVLWHEXWGRHVQRWUDGLFDOO\DOWHUWKHVLWH )RUH[DPSOHWKHDGGLWLRQRIDWDSXSRQDVLWHZKLFKDELNHULGHUPD\XVHZKHQSDVVLQJ E\ Original Condition:Ň&#x160;2ULJLQDO&RQGLWLRQŇ&#x2039;UHIHUVWRDGHVLJQJHVWXUHZKLFKGRHVQRWDOWHU WKHEHKDYLRXURUSURPRWHDSSURSULDWLRQRIDVLWH

60


OP

OVER  PROGRAMMED

RP

RESULTED  PROGRAM

L

LIMIT

A

ALTERNATIVE

PC

POTENTIAL  CHANGE

PB

POTENTIAL  BEHAVIOUR

OC

ORIGINAL    CONDITION

This  bar  represents  where  the   ĚĞƐŝŐŶŐĞƐƚƵƌĞƐŝƚƐŝŶƌĞůĂƟŽŶƚŽ the  ‘LIMIT’

61


62


Creating a Dialogue

 Ň&#x160;'LDORJXHŇ&#x2039;ZDVWKHĂ&#x20AC;UVWGHVLJQ LWHUDWLRQZLWKLQWKLVUHVHDUFKSURMHFW Although I did not realise at the time, this iteration operated as a design scenario ZKLFKZDVŇ&#x160;RYHUGHVLJQHGŇ&#x2039;DVLQLWIDU VXUSDVVHGWKHŇ&#x160;OLPLWŇ&#x2039;7KLVLWHUDWLRQZDVDQ embodiment of my desire for the sites, rather than empowering others to create their own HQYLURQPHQWV3URMHFWLQJP\GHVLUHXSRQWKH VLWHVDOORZHGPHWRLGHQWLI\DNH\LGHRORJ\ which correlates with the ambition of this UHVHDUFK$FWLQJDVWKHXVHURIWKHVSDFH SURPSWHGWKHTXHVWLRQKRZFDQ\RXDFWLYHO\ LQWURGXFHGHVLJQPRYHVXSRQDVLWHZKLFK ZLOOFUHDWHWKHLQYLWDWLRQIRUSHRSOHWRFUHDWH LQKDELWDSSURSULDWHWKHLURZQVSDFHV"7KH realisation of this design iteration became QRWDERXWP\GHVLUHIRUWKHVLWHVLQTXHVWLRQ rather how to empower others through designing new types of public space which DLPWRHQFRXUDJHDSSURSULDWLRQ  Ň&#x160;'LDORJXHŇ&#x2039;UHIHUVGHVLJQPRYHVZKLFK intentionally try and create dialogue between SHRSOH DQG WKHLU VXUURXQGLQJ ODQGVFDSH More precisely this iteration attempts to create a dialogue between the digital landscape VFUHHQ VPDUW SKRQH LQWHUQHW FRPSXWHU  which we as contemporary people engage with and the physical landscapes which we RFFXS\ ,PSOLHG GHVLJQ PRYHV ZLWKLQ WKLV LQYHVWLJDWLRQ DUH RXWOLQHG ZLWKLQ WKH QH[W SDJHVRIWKLVGRFXPHQW

63


Site:.HHOH6WUHHW&ROOLQJZRRG Implied Design: $UWLVWVDUHLQYLWHGWRVHWXSLQVWDOODWLRQEDVHGZRUNXSRQWKHVLWH Two permanent projectors are set up on the surrounding buildings ZKLFKDUHGLUHFWHGDWWKHFHQWUDODUHDRIWKHVLWH7KHVHSURMHFWRUVDUH OLQNHGYLDDOLYHZHEVLWHZKLFKSHRSOHFDQXSORDGYLGHRLPDJHV7KH UHVXOWLQJSURMHFWLRQVIDOOXSRQWKHLQVWDOODWLRQOLYHDQGXQFHQVRUHG $OWKRXJKWKLVZDVDGHVLJQZKLFKVXUSDVVHGWKHҊOLPLWҋLWDLPHGWR HPSRZHUDUWLVWVDVXVHUVRIWKHVSDFH7KLVGHVLJQDWWHPSWHGWR HPSRZHUDUWLVWVEXWUHVXOWHGLQDSURJUDPPHGDUWVSDFH

OP

RP

L

A

PC

PB

OC

64


WƌĞǀŝŽƵƐŽŶĚŝƟŽŶ

ƐĞĐƟŽŶ

WƌŽƉŽƐĞĚŽŶĚŝƟŽŶ

65


Digital  Chillout  Space No  Car  Zone

Keele  St  Site

D

B

Easey  St  Site

C

A

OP

RP

L

A

PC

A

PB

OC

D

detail  1

ƐĞĐƟŽŶ

ƐĞĐƟŽŶ

ƐĞĐƟŽŶ

66

C Car  Zone

B


Site%XGG6WUHHW&ROOLQJZRRG Implied Design: detail  1

%XGG6WUHHWZRXOGEHWDNHQRYHULQDQDWWHPSWWRLQFUHDVHWKHRSHQ VSDFHIRUUHVLGHQWVLQ&ROOLQJZRRG9DJXHIXUQLWXUHRSWLRQVZRXOG EHSUHVHQWZLWKLQWKHQHZSXEOLFVSDFH7KHVH9DJXHIXUQLWXUH RSWLRQVZRXOGHPERG\GLJLWDOWHFKQRORJLHVZKLFKZRXOGEHOLQNHGWR DZHEVLWH7KLVGHVLJQDOVRVSHFXODWHVWKDWWKHUHZRXOGEHDVHFRQG ҊGLJLWDOSURMHFWLRQVSDFHҋDW(DVH\6WUHHW&ROOLQJZRRG7KHUHLV DOVRVSHFXODWLRQRQLQFUHDVLQJWKHHGJHFRQGLWLRQDQGIRRWSDWKWR PHWHUV Key Moment: This iteration ignited a new interest in terms of the open space RSSRUWXQLWLHVSUHVHQWLQ&ROOLQJZRRG,PSO\LQJWKDWDVWUHHWZRXOG EHWDNHQRYHUSURPSWHGDQRWKHUTXHVWLRQFDQWKHVWUHHWEHFRPH DFWLYDWHGDVQHZSXEOLFVSDFHZLWKLQ&ROOLQJZRRG"7KHPDLQ GLIIHUHQFHEHWZHHQWKHVWUHHWDQGWKHVLWHVLQTXHVWLRQLVWKH SHUFHLYHGLGHDRISXEOLFYHUVXVSULYDWHVSDFH7KHVLWHVLQTXHVWLRQ DUHYDJXHLQWKHLUGHÀQLWLRQDVWRZKHWKHUWKH\DUHSXEOLFRUSULYDWH VSDFHRUZKDWLVDOORZHGRU LVQRW ZLWKLQWKHVLWH7KLVGLIIHUVWRWKH VWUHHWDVWKHVWUHHWLVSXEOLFGRPDLQ

ĚŝŐŝƚĂůŽďũĞĐƚ͍

2.5

17 ĞƚĂŝůϭ͗WƌĞǀŝŽƵƐĚŐĞŽŶĚŝƟŽŶ

5

14.5 ĞƚĂŝůϮ͗WƌŽƉŽƐĞĚĚŐĞŽŶĚŝƟŽŶ

2.5

2.5

67


Site: 170 Smith Street, Collingwood Implied Design: 7KHGHVLJQPRYHVIRU6PLWK6WUHHWDLPHGWRFUHDWHDҊFHQWUDOPLUURU VSDFHҋWRDOOWKHRWKHUDUWSURMHFWLRQVSDFHVLQ&ROOLQJZRRG7KH DPELWLRQRIWKLVVSDFHZDVWRFUHDWHDQLQYLWDWLRQIRUSHRSOHWRHQWHU WKHVLWH2QFHLQWKHVLWHDVHULHVRIODUJHVFUHHQVDORQJWKHZDOOV VKRZOLYHIRRWDJHRIWKHRWKHUVLWHVFXUUHQWO\KRXVLQJDUWLQVWDOODWLRQV SURMHFWLRQV7KLVҊFHQWUDOPLUURUVLWHҋÀUVWO\LQYLWHVSHRSOHLQDQGWKHQ SURPSWVWKHPWRTXHVWLRQZKHUHWKHRWKHUVLWHVDUHLQ&ROOLQJZRRG Key Moment: $OWKRXJKRYHUSURJUDPPHGDQGÀQDOWKLVHDUO\GHVLJQLQWURGXFHVD ҊFDWDO\VWҋWKHVFUHHQLQWRDVLWHDVDQLQYLWDWLRQ

E E

OP

RP

L

A

PC

PB

OC

68


ƐĞĐƟŽŶ

69


F F

Site: 7KH)RUPHU<RUNVKLUH%UHZHU\ 1-21 Robert Street, Collingwood Implied Design: This design attempted to use the existing Silos as a screen for SURMHFWLRQVZLWKLQWKHVLWH,WDOVRVXJJHVWHGWKDWWKHWRSRJUDSK\RQ WKHVLWHZRXOGEHFRPHDOWHUHGDVDQDPSKLWKHDWUH7KLVLWHUDWLRQ ZDVSXWIRUZDUGEHIRUHDQDQDO\VLVRIWKH)RUPHU<RUNVKLUH%UHZHU\ UHYHDOHGWKDWLWLVDOUHDG\RSHUDWLQJDVDQDOWHUQDWLYHWRPXQLFLSDO GHVLJQHGSXEOLFVSDFH

70


OP

RP

L

A

PC

PB

OC

71


In-between  Ň&#x160;,QEHWZHHQŇ&#x2039;UHIHUVWRWKHWLPH period between the initial ambition and the WUXHDPELWLRQRIWKLVUHVHDUFKSURMHFW0\ LQLWLDOGHVLJQZRUNLQYHVWLJDWHGWKHUHVHDUFK TXHVWLRQŇ&#x160;7KHUHDUHPDQ\YRLGVSDFHV ZLWKLQWKHXUEDQIDEULFRI0HOERXUQH+RZ do these spaces function and what role does 3XEOLF$UWSOD\LQWKHVHVSDFHV"Ň&#x2039;:KHUHDV the true ambition of this research project aims to create new types of designed public spaces which aim to encourage DSSURSULDWLRQ,ZDV\HWWRXQGHUVWDQG what and how I could do what I was VXJJHVWLQJ+RZFDQ\RXFUHDWHQHZW\SHV of public space which aim to encourage DSSURSULDWLRQ"7KLVEHFDPHWKHEDWWOHWKDW ,DWWHPSWHGQRWWRĂ&#x20AC;JKW,GLGWKLVWKURXJK countless design exercises in which I did QRWFULWLFDOO\UHĂ HFWRQZKDW,ZDVGRLQJDV my true ambition was not yet fully realised RUXQGHUVWRRG7KHQH[WSDJHVLQWKLV document attempt to show the misguided LWHUDWLRQVRIWKLVUHVHDUFKSURMHFW

72


Research Question Evolution Void Urban Void urban spaces and public art 7KHUHDUHPDQ\YRLGVSDFHVZLWKLQWKHXUEDQIDEULFRI0HOERXUQH+RZGRWKHVH VSDFHVIXQFWLRQDQGZKDWUROHGRHVSXEOLFDUWSOD\LQWKHVHVSDFHV"

Urban Tear The vacant condition &DQDGHHSHUXQGHUVWDQGLQJRIYRLGVSDFHVLQWKHXUEDQIDEULFRI0HOERXUQHOHDGWR QHZZD\VRIDSSURDFKLQJXUEDQVSDFHVZKLFKFRXOGDOORZIRUJUHDWHUOHYHOVRISURJUDP RUXVH"

Re-CLAIM The “void” typology and temporal use +RZGRHVWKHDFWLYDWLRQRIYRLGW\SRORJLHVZLWKLQDQXUEDQFRQWH[WERWKVKLIWWKH IXQFWLRQRIWKHVHVSDFHVDQGZKDWRSSRUWXQLWLHVGRHVWKLVSURYLGHIRUQHZW\SHVRI SXEOLFVSDFH"

[NO] Vacancy Temporary uses for void urban spaces +RZFDQYRLGVSDFHVZLWKLQDQXUEDQFRQWH[WVHUYHDVSODWIRUPVIRUXVHUJHQHUDWHG ODQGVFDSHV"

Spatial Emergence Moments of opportunity in the dense urban fabric &DQDQLQYHVWLJDWLRQLQWRWKHWHPSRUDU\FRQGLWLRQRIҊYDFDQWҋVSDFHVSURYLGHLQVLJKWV for new urban strategies concerning population rise, density and public space RSSRUWXQLWLHV"

73


,19(67,*$7,216 +RZFDQVLWHVEOHHGEH\RQGWKHLUERXQGDU\" 7HPSRUDU\3HUPDQHQW" /LQHVEHWZHHQVLWHV VWULQJPRGHOOLQJ

+RZWRFRQQHFWH[LVWLQJSDUNV" 7DNLQJRYHUWKH URDGDVSXEOLFVSDFH

%OHHGLQJVLWHVEH\RQGWKHLUERXQGDU\ LQN PRGHOOLQJ VKRZQWKURXJKWLPHODSVHSKRWRJUDSK\ %OHHGLQJVLWHVEH\RQGWKHLUERXQGDULHVWKURXJK UHPRYLQJURDGVLQYLWLQJUHVLOLHQWSODQWVSHFLHVLQWR the street + increasing open space as population ULVHV

74

1

2




4



75


76



D

E


,19(67,*$7,216 6WDJH2QHҊ*HVWXUHҋ$OORZWKHVSDFHVKRXVLQJWHPSRUDOFDUSDUNVWRUHJHQHUDWH WKURXJKUHVLOLHQWSODQWVSHFLHLQKDELWDWLRQ D6WDJH7ZRҊ*HVWXUHҋ6LWHVZKLFKDOUHDG\KDYHDKLJKOHYHORISODQWLQKDELWDWLRQ UHFHLYHHLWKHUOLJKWLQJIXUQLWXUHRUZDWHU E6WDJH7KUHHҊ*HVWXUHҋ7KH)RUPHU<RUNVKLUH%UHZHU\WRUHFHLYHIUHHHOHFWULFLW\ %OHHGLQJVLWHVEH\RQGWKHLUERXQGDU\LQFUHDVLQJSDWKZD\ZLGWKV .(<020(17,GHDVUHÁHFWHGLQVWDJHWZRҊJHVWXUHҋZHUHWKHLQLWLDOVSHFXODWLRQRI VHUYLFHVDPHQLWLHVZLWKLQWKHVSDFHVLQTXHVWLRQ7KLVLQLWLDOLGHDSURPSWHGDULJRURXV WHVWLQJSKDVHZKLFKWKHWUXHDPELWLRQRIWKLVSURMHFWKDVEHHQLQYHVWLJDWHG

7

77


78

Lamp  -­‐  Alexander  Street  Reserve,  Collingwood

tĂƚĞƌ&ŽƵŶƚĂŝŶнdĂƉͲůĞdžĂŶĚĞƌ^ƚƌĞĞƚZĞƐĞƌǀĞ͕ŽůůŝŶŐǁŽŽĚ

tĂƚĞƌ&ŽƵŶƚĂŝŶнdĂƉͲĂŵďƌŝĚŐĞ^ƚƌĞĞƚZĞƐĞƌǀĞ͕ŽůůŝŶŐǁŽŽĚ

Vague  Furniture-­‐  Peel  St  Park,  Collingwood


Developing a Tool Kit

79 79


80

HIGH

MED

ADVERTISING

NON-­‐LEGITIMISED  ART

PLANT  DIVERSITY

GRAFFITI  

ACCESSIBILITY

PERCEIVED  USE

ADVERTISING

LOW

Lighting

NON-­‐LEGITIMISED  ART

PLANT  DIVERSITY

GRAFFITI  

ACCESSIBILITY

PERCEIVED  USE

ADVERTISING

NON-­‐LEGITIMISED  ART

PLANT  DIVERSITY

GRAFFITI  

ACCESSIBILITY

PERCEIVED  USE

ADVERTISING

NON-­‐LEGITIMISED  ART

PLANT  DIVERSITY

GRAFFITI  

ACCESSIBILITY

PERCEIVED  USE

Amenities

Seating Seating Seating

'ULQN7DS 'ULQN7DS 'ULQN7DS

Lamp Lamp Lamp

Table Table Table

%%4 %%4 BBQ

Playground Playground Playground

%LQ %LQ %LQ

Seating

Lamp

Lighting

e

M

cN

a

am ar

Pe el St re et P

ce s

es er ve

Re se rv e

k

ar

Sp a

es er ve

pe n

St re et R

O

nd er St re et R

id g

m br

Al ex a

Ca

d

lli ng w oo

Co


Co

ADVERTISING

NON-­â&#x20AC;?LEGITIMISED  ART

PLANT  DIVERSITY

GRAFFITI  

ACCESSIBILITY

'ULQN7DS

PERCEIVED  USE

'ULQN7DS

ADVERTISING

Seating

NON-­â&#x20AC;?LEGITIMISED  ART

Seating

PLANT  DIVERSITY

GRAFFITI  

ACCESSIBILITY

PERCEIVED  USE

Co

rn er O

rn er St a

tt

nl ey

er +

+

Sm ith

Sm ith

St re et

St re et

A Stolen Toolkit

FORM WATER LIGHTING FORM FORM FORM FORM LIGHTING

Testing Palette  7KHŇ&#x160;JHVWXUHVŇ&#x2039;WHVWHGWKURXJKRXWWKLV project came in the form of a municipal design palette which followed an analysis of the current RSHQVSDFHLQ&ROOLQJZRRGZKLFKUHYHDOHGD small and precise palette of which water, form and lighting were the main catalysts within current open VSDFHV7KLVSDOHWWHZDVLQWHQWLRQDOO\FKRVHQDV this is councils language for the design of open VSDFHVZLWKLQ&ROOLQJZRRG

81


82


Testing Phase One

83


Site:.HHOH6WUHHW&ROOLQJZRRG Temporal Program1R Surface: 2SHQ+LJKOHYHORISODQWLQKDELWDWLRQ

/ŶŝƟĂůƐƉĞĐƵůĂƟǀĞƌĞŶĚĞƌƐ͗

WATER

84


PLACEMENT  OPTION  WITHIN  SITE

PLACEMENT  OPTION  ON  EDGE

RP

L

A

PC

PB

OC

327(17,$/287&20(

OP

327(17,$/%(+$9,285

OP

3/$&(0(17

3/$&(0(17

INVITATION  INTO  SITE

RP

L

A

PC

PB

OC

In this scenario, it is thought that the placement of a tap on the edge of a site may result in MRJJHUVELNHULGHUVSHRSOHVWRSSLQJWRXVHWKH WDS'XHWRWKHSODFHPHQWRQWKHHGJHRIWKH VLWHWKHUHLVQRLQYLWDWLRQLQWRWKHVLWHWKXVQRW FUHDWLQJDSDWKZD\

In this scenario, it is thought that the placement RIDWDSZLWKLQWKHVLWHFUHDWHVDQLQYLWDWLRQLQWR WKHVLWH7KHUHVXOWLQJHIIHFWPD\EHDSDWKZD\ GHVLUHOLQHIRUPLQJGXHWRWKHXVHRIWKHWDSRYHU DQH[WHQGHGSHULRGRIWLPH The three iterations below try to speculate on the way pathways may from when the placement of WKHWDSRQWKHVLWHLVFKDQJHG POTENTIAL  PATHWAYS  FOLLOWING  PLACEMENT   OF  TAP

85


:,7+,16,7( 327(17,$/%(+$9,285

Insertion point

$ZDWHUWDQNRQVLWHPD\UHVXOW in a different form of inhabitation/ DSSURSULDWLRQ$VVHHQLQ/XVFRPEH &RPPXQLW\JDUGHQLQ%UXQVZLFN 0HOERXUQH$XVWUDOLDDZDWHUWDQNLV implemented on site using the next GRRUQHLJKERXUVZDWHUUXQRII7KLV ZDWHUWDQNDOORZVHQRXJKZDWHUIRU WKHFRPPXQLW\JDUGHQWRĂ RXULVK Another interesting use of water is in the Queens Parade Community Garden in which large plastic bottles are sitting within the site in the hope WKDWSDVVHUVE\ZLOOUHĂ&#x20AC;OOWKHP7KLV iteration speculates that neighbours / people within Collingwood may start to plant out the site, and the resulting effect could potentially be a change in HFRORJ\

Luscombe  Community  Garden,  Brunswick

OP

RP

327(17,$/287&20(

L

A

PC

PB

,16(57,213/$17(5%('6

OC

OP

Queens  Parade  Community  Garden,  Westgarth

RP

A

PC

PB

OC

86

&20081,7<*$5'(1

L

The addition of planter beds as well DVDZDWHUWDQNRQVLWHVSHFXODWHVRQ a more direct approach to how you PD\DWWUDFWSHRSOHWRWKHVLWH7KLV could potentially become a community JDUGHQZLWKLQ&ROOLQJZRRG3DWKZD\V food production and temporal inhabitation could potentially be a UHVXOW


3/$&(0(17

perceived  boundary

Insertion point Ć?Ä&#x17E;Ä?Ć&#x;ŽŜ''

Site::HOOLQJWRQ6WUHHW&ROOLQJZRRG

3/$&(0(17

Temporal Program:<HV&DUSDUN

SHUFLHYHGERXQGDU\

OP

RP

A tap placed on the edge of a car SDUNPD\UHVXOWLQDIHHOLQJRI SHUFHLYHGERXQGDU\8VHRIWKLV tap may be more inclined towards MRJJHUVELNHULGHUV0RYLQJWKH tap closer into the site creates an LQYLWDWLRQLQWRWKHVLWHDQGFRXOG FKDQJHWKHZD\SHRSOHPRYH WKURXJKWKHVLWH7KHSODQVEHORZ DWWHPSWWRVSHFXODWHRQSHUFHLYHG boundary and also the way in which XVHUVRIWKHWDSPD\DSSURDFKLW

327(17,$/287&20(

L

Surface: Closed- Mixture of bitumen, URFNVDQGSHEEOHV

A

PC

PB

3/$&(0(17

OC

INVITATION  INTO  SITE Insertion point Ć?Ä&#x17E;Ä?Ć&#x;ŽŜ,,

G

I Insertion point

H

G

I Insertion point

Insertion point

H

87


3/$&(0(17

Insertion point

RP

L

A

PC

PB

327(17,$/287&20(

OP

A tap within a temporal FDUSDUNPD\UHVXOWLQSHRSOH using the tap who also use the VSDFHWRSDUNWKHLUFDU1RW only this, due to easy access WRWKHVLWHSHRSOHZDONLQJ their dogs or passersby may VWRSWRĂ&#x20AC;OOWKHLUZDWHUERWWOHV Due to the ground plane of WKHVHFDUSDUNVPDGHXSRI HLWKHUELWXPHQRUJUDYHOWKH formation of a pathway is OHVVOLNHO\$ZHWDUHDPD\ EHFRPHSUHVHQWRYHUWLPH XQGHUQHDWKWKHWDS$GGLWLRQ RIDGRJERZOYLDUHVLGHQWVRI Collingwood is also a potential short term use of the tap as seen at Alexander Street 5HVHUYH,QZDUPHUPRQWKV RWKHUEHKDYLRXUVVXFKDV ZDWHUĂ&#x20AC;JKWVEHWZHHQ\RXQJHU residents may become apparHQW

OC

SRWHQWLDOEHKDYLRXU

OP

RP

L

A

PC

PB

OC

88

327(17,$/287&20(

Ć?Ä&#x17E;Ä?Ć&#x;ŽŜ//


25,*,1$/&21',7,21

IHQFHGLQWHPSRUDOFDUSDUN WŽƚĞŶƟĂůĂĐĐĞƐƐƌŽƵƚĞƐĨŽůůŽǁŝŶŐƉůĂĐĞŵĞŶƚŽĨƚĂƉ actual boundary

actual boundary

actual boundary

Insertion point I I potential route

327(17,$/287&20(

potential route

OP

RP

L

A

PC

PB

OC

A tap within a fenced off temSRUDOFDUSDUNLQYLWHVSHRSOH ZKRXVHWKHVSDFHWRSDUN their cars to also use the tap, rather than the tap functioning as a way to bring people into the site, it is the fence which functions as a literal and SHUFHLYHGERXQGDU\EHWZHHQ SDVVHUVE\DQGWKHWDS$Q additional tap on the perimeter RIWKHVLWHLQYLWHVSDVVHUVE\ to use the facility, but does not LQYLWHSHRSOHLQWRWKHVLWH

89


OP

RP

L

A

PC

PB

OC

90

327(17,$/287&20(

A tap on the street could potentially function similarly to a tap which sits on the edge of a temporal FDUSDUN3DVVHUVE\VXFKDV MRJJHUVELNHULGHUVSHRSOHZDONLQJ their dogs and others may use WKHWDSIRUĂ&#x20AC;OOLQJZDWHUERWWOHV DQGRWKHUDFWLYLWLHVVXFKDVZDWHU Ă&#x20AC;JKWVLQVXPPHURUĂ&#x20AC;OOLQJXSWKH FDUVHQJLQH5HVLGHQWVPD\DOVR VWHDOZDWHU,QWHUPVRIWHPSRUDO inhabitation one tap on the street GRHVQRWLQYLWHSHRSOHWRLQKDELW WKHDUHD

3/$&(0(17

^Ć&#x2030;Ä&#x17E;Ä?ƾůÄ&#x201A;Ć&#x;Ç&#x20AC;Ä&#x17E;Ć&#x152;Ä&#x17E;ĹśÄ&#x161;Ä&#x17E;Ć&#x152;ŽĨĆ&#x161;Ä&#x201A;Ć&#x2030;Ä&#x201A;ůŽŜĹ?Ä&#x201A;Ć?Ä&#x17E;Ç&#x2021;^Ć&#x161;Ć&#x152;Ä&#x17E;Ä&#x17E;Ć&#x161;Í&#x2022;ŽůůĹ?ĹśĹ?Ç Ĺ˝Ĺ˝Ä&#x161;


Site: Keele Street, Collingwood Program: Pathway

327(17,$/287&20(

327(17,$/287&20(

3/$&(0(17

Surface:&HPHQWELWXPHQ

91


Site: 170 Smith Street, Collingwood Temporal Program:1R Surface: 2SHQ+LJKOHYHORISODQWLQKDELWDWLRQ

LIGHTING

/ĹśĹ?Ć&#x;Ä&#x201A;ĹŻĹŻĹ?Ĺ?Ĺ&#x161;Ć&#x;ĹśĹ?Ĺ?Ä&#x161;Ä&#x17E;Ä&#x201A;Ć?͞ĨŽĆ&#x152;ĹľÄ&#x17E;Ć&#x152;Ĺ&#x161;ŽƾĆ?Ä&#x17E;ÍŹÄ?ŽžžÄ&#x17E;Ć&#x152;Ä?Ĺ?Ä&#x201A;ĹŻÄ?ĹŻĹ˝Ä?ĹŹÍżÍ&#x2014;

Ĺ&#x2021;ŽŽÄ&#x161;ĹŻĹ?Ĺ?Ĺ&#x161;Ć&#x161;Ć?

streetlight

92

Initial ideas relating to lighting came in the form of different types of lighting rather than the placement and intensity of the OLJKWZLWKLQWKHVLWHV7KHWZRLPDJHV DERYHGHSLFWWKHLQLWLDOLGHDVRIOLJKWLQJ W\SHV8SRQIXUWKHULQYHVWLJDWLRQ,KDYH speculated on the placement of a light within a site, and the areas of temporal inhabitation which could follow as a result RIWKHSODFHPHQW7KHUHLVDOVRWKHSRWHQWLDOWRIRUPSDWKZD\VZLWKOLJKWLQJ7KH OLJKWLWVHOIFDQFUHDWHDQLQYLWDWLRQLQWRWKH VLWHDVDOORIP\VLWHVRQO\KDYHWZRVLGHV WKH\DOOKDYHWKHSRWHQWLDOWRRSHUDWHDV VKRUWFXWVWKURXJKWKHVXEXUE7KHOLJKW EHFRPHVWKHLQYLWDWLRQWRXVHWKHVSDFHLQ TXHVWLRQ


3/$&(0(17 3/$&(0(17 dark  area  between  lights

ĨŽƌŵĂƟŽŶŽĨƉĂƚŚǁĂLJ

RP

L

A

PC

PB

327(17,$/287&20(

OP

OC

93


OP

RP

L

A

PC

PB

OP

RP

L

A

PC

PB

OC

ƉŽƚĞŶƟĂůŝŶŚĂďŝƚĂƟŽŶnjŽŶĞ

7KLVLQYHVWLJDWLRQVKRZVSRWHQWLDODUHDVRIWHPSRUDOLQKDELWDWLRQIROORZLQJWKHSODFHPHQWRI DOLJKW:KDWLVPRVWLQWHUHVWLQJZLWKLQWKLVLQYHVWLJDWLRQLVWKHDPRXQWRUOHYHOVRIOLJKWZLWKLQ WKHVSDFH2QO\OLJKWLQJXSRQHVLGHRIDVLWHSRWHQWLDOO\LQYLWHVGLIIHUHQWXVHVFRPSDUHGZLWKD VLWHZKLFKLVIXOO\OLWXS)RUH[DPSOHRQHOLJKWRQDҊYDFDQWҋRSHQVXUIDFHEORFNZKLFKFUHDWHV VPDOOSRFNHWVRIGLPOLJKWLQJLQYLWHLQKDELWDWLRQRIFHUWDLQEHKDYLRXUVVXFKDVSHRSOHGULQNLQJ EHIRUHWKH\JRRXWSHRSOHVPRNLQJPDULMXDQDRUDVLPSOHKDQJRXWDUHD7KLVLVGXHWRWKH GLPOLJKWLQJDQGZDQWLQJWRSDUWLFLSDWHLQDFWLYLWLHVZKLFKSHRSOHPD\QRWZDQWRWKHUSHRSOHWR VHHEXWQHHGDFHUWDLQDPRXQWRIOLJKWWRSDUWLFLSDWHLQ3ODFLQJHQRXJKOLJKWLQJWRIXOO\OLJKWXS WKHVLWHFUHDWHVWKHSHUFHSWLRQRIVDIHW\LQYLWLQJRWKHUXVHVVXFKDVSHRSOHZDONLQJWKHLUGRJV VKRUWFXWVIRUMRJJHUVSHRSOHZDONLQJWKURXJKRUDSRWHQWLDOSOD\]RQH

94

3/$&(0(17

3/$&(0(17

OC


N

327(17,$/287&20(

3/$&(0(17

M M

327(17,$/287&20(

3/$&(0(17

L L

327(17,$/287&20(

3/$&(0(17

327(17,$/287&20(

3/$&(0(17

J

K K

ƐĞĐƟŽŶ<<

ƐĞĐƟŽŶEE

327(17,$/287&20(

3/$&(0(17

J

ƐĞĐƟŽŶ::

N OP

RP

L

A

PC

PB

OC

ƐĞĐƟŽŶ>>

OP

ƐĞĐƟŽŶDD

RP

L

A

PC

PB

OC

95


Site::HOOLQJWRQ6WUHHW Collingwood

3/$&(0(17

Temporal Program<HV &DUSDUN Surface: Closed- Mixture of ELWXPHQURFNVDQGSHEEOHV

OP

Lighting reacts differently in a site which KRXVHVDWHPSRUDOFDUSDUN6RPHRIWKHVH VLWHVDOUHDG\KDYHOLJKWLQJ,WWKHQEHFRPHV about the form of the lighting, for example colourful in ground lighting, or the placement RIWKHOLJKW$ODPSLQWKHPLGGOHRIWKHVLWH FRXOGSRWHQWLDOO\LQYLWHWHPSRUDOLQKDELWDWLRQ along a wall similarly to a lamp on an open VXUIDFHGVLWH/LJKWLQJZLWKWKHLQWURGXFWLRQ RIDEDVNHWEDOOULQJ IRUP KDVPRUHSRWHQtial, as it is both the lighting and the ring ZKLFKZRXOGDWWUDFWSHRSOHWRSOD\EDVNHW EDOOQHWEDOOEXWFRXOGQRWZRUNZLWKRXWHDFK other as it is night time whilst the cars are QRWSDUNHGZLWKLQWKLVVSDFH 8QOHVVLWVWKH ZHHNHQGLQZKLFKFDVHWKHULQJFRXOGEH XVHGDVWKHFDUSDUNLVDOVRHPSW\ 

'$<

RP

L

A

PC

PB

OC

1,*+7

A

PC

PB

OC

3/$&(0(17

L

OP

1,*+7:((.(1' RP

L

A

PC

PB

Ĺ&#x2021;ŽŽÄ&#x161;ĹŻĹ?Ĺ?Ĺ&#x161;Ć&#x161;Ć?

OC

327(17,$/287&20(

RP

327(17,$/287&20(

OP

3/$&(0(17

Ä?ŽůŽƾĆ&#x152;ĨƾůĹ?ĹśĹ?Ć&#x152;ŽƾŜÄ&#x161;ĹŻĹ?Ĺ?Ĺ&#x161;Ć&#x;ĹśĹ?


327(17,$/287&20(

O

3/$&(0(17

O

OP

ƐĞĐƟŽŶKK

327(17,$/287&20(

RP

P

3/$&(0(17

P

ƐĞĐƟŽŶWW

327(17,$/287&20(

3/$&(0(17

R

3/$&(0(17

OP

327(17,$/287&20(

ƐĞĐƟŽŶYY

R

A

PC

PB

OC

Q Q

L

OP

RP

L

A

PC

PB

RP

L

S

A

3/$&(0(17

S

ƉŽƚĞŶƟĂůŝŶŚĂďŝƚĂƟŽŶnjŽŶĞ

PC

PB

327(17,$/287&20(

ƐĞĐƟŽŶZZ

ƐĞĐƟŽŶ^^ OC

7KHLWHUDWLRQDERYHVKRZVIRXUODPSV upon the site, potentially eliminating temporal inhabitation and creating a VKRUWFXWIRUSHRSOHWRZDONWKURXJKDW QLJKWWLPH

97

OC


325,*,1$/&21',7,21 Site:&UQ6DFNYLOOH DQG:HOOLQJWRQ6WUHHW Collingwood Program: Pathway / Road

3/$&(0(17 3/$&(0(17

It seems as though lighting along a street does not create new designed public spaces aimed at HQFRXUDJLQJDSSURSULDWLRQ This is because the street DOUHDG\KDVOLJKWLQJ(YHQ if the lighting came in the form of in ground coloured OLJKWLQJLWLVKLJKO\XQOLNHO\ that people would appropriate WKHVSDFH7KLVLVXQOHVVWKH lighting comes in the form RIIXUQLWXUH7KLVLWHUDWLRQ has speculated on lighting IRUPDQGWKHSUHYLRXV iteration also speculated on Ă RRGOLJKWVZLWKDEDVNHWEDOO ULQJ IRUP 7KLVZLOOEHWKH secondary phase of testing, how can the introduction of DPHQLWLHVFKDQJHWKHŇ&#x160;OLPLWŇ&#x2039; RUFUHDWHHQYLURQPHQWVZKLFK HQFRXUDJHDSSURSULDWLRQ"

3/$&(0(17

Surface:&HPHQWELWXPHQ

98


99

327(17,$/287&20(

327(17,$/287&20(

327(17,$/287&20(

327(17,$/287&20( OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC


VAGUE FURNITURE / FORM  7KLVSDUWLFXODUDPHQLW\UHTXLUHGDGLIIHUHQW DSSURDFK)LUVWO\,KDGWRVSHFXODWHRQZKDWD IRUPFRXOGEHDVLWLVYHU\YDJXHLQLWVGHÀQLWLRQ ,WFRXOGEHDZDOODVHDWDEDVNHWEDOOULQJDOO WKUHH",VWDUWHGWRVSHFXODWHRQWKHIRUPEHFRPLQJ DPHGLDWRUEHWZHHQRFFXSDQWVLWHDQGEHKDYLRXU, VRRQUHDOLVHGWKDW,ZDVRQFHDJDLQJRLQJRIIWUDFNLQ WHUPVRIP\UHVHDUFKDPELWLRQ7KHQRWLRQRIҊIRUPҋLV RSHQWRLQWHUSUHWDWLRQDQGFRXOGSRWHQWLDOO\SURYRNH DZKROHQHZSURMHFW)RUWKHSXUSRVHRIWKLVWHVWLQJ the forms which I speculate on are: $:DOO )RUPDVDVFXOSWXUDOVHDWLQKDELWDWLRQ]RQH $ULQJ QHWEDOOEDVNHWEDOOHWF 

OBJECT / LANDSCAPE / MEDIATOR SITE / SPACE / LANDSCAPE SUBJECT

INHABITATION

100


Paper  Modelling  -­‐  Modular  Forms

101


Site.HHOH6WUHHW&ROOLQJZRRG Temporal Program:1R

3/$&(0(17

25,*,1$/&21',7,21

Surface: 2SHQ+LJKOHYHORISODQWLQKDELWDWLRQ

OP

L

A

PC

PB

OC

102

327(17,$/287&20(

RP


327(17,$/287&20( 3,7(17,$/287&20(

325,*,1$/&21',7,21 325,*,1$/&21',7,21 Ć&#x2030;Ĺ˝Ć&#x161;Ä&#x17E;ĹśĆ&#x;Ä&#x201A;ĹŻĹ?ĹśĹ&#x161;Ä&#x201A;Ä?Ĺ?Ć&#x161;Ä&#x201A;Ć&#x;ŽŜÇ&#x152;ŽŜÄ&#x17E;

3XWWLQJDZDOOXSRQDVLWHSRWHQWLDOO\LQYLWHVDKLJKHUOHYHORI VWUHHWDUWGXHWRWKHFORVHGYLHZZKLFKWKHZDOOFUHDWHVRQ WKHVLWH7KLVFDQEHVHHQRQWKHIRUPHU<RUNVKLUH%UHZHU\ in the South East Corner, in which a completely cut off DUHDKRXVHVEHDXWLIXODUWZRUN$ERYHDVSHFXODWLYHIRUP creates a pathway on the site and / or creates a temporal LQKDELWDWLRQ]RQH

103


,1+$%,7$7,213$7+:$<

7KLVVHTXHQFHRILPDJHV speculates on moments of WHPSRUDOLQKDELWDWLRQ UHG  and also the formation of SDWKZD\VDURXQGWKHIRUP Shown right, the bottom right images speculates on DQDOWHUQDWLYHŇ&#x160;SOD\VSDFHŇ&#x2039; IRUPLQJ,WLVWKRXJKWWKDW this may occur due to the fact that access to the site is cut off on both sides and LQWKHFHQWUHRIWKHVLWH7KLV may create an inhabitable SOD\]RQH

3/$&(0(17

T

,1+$%,7$7,213$7+:$<

T

3/$&(0(17

U

3/$&(0(17

V

,1+$%,7$7,213$7+:$<

U

3/$&(0(17

W

W

104

Ć&#x2030;Ĺ˝Ć&#x161;Ä&#x17E;ĹśĆ&#x;Ä&#x201A;ĹŻĹ?ĹśĹ&#x161;Ä&#x201A;Ä?Ĺ?Ć&#x161;Ä&#x201A;Ć&#x;ŽŜÇ&#x152;ŽŜÄ&#x17E;

,1+$%,7$7,213$7+:$<

V


ƐĞĐƟŽŶdd

OP

RP

L

A

PC

PB

ƐĞĐƟŽŶhh OC

ƐĞĐƟŽŶss OP

RP

L

A

PC

PB

OC

ƐĞĐƟŽŶtt

105


3/$&(0(17

7KLVVHWRILQYHVWLJDWLRQV speculates that a form within a VLWHPD\EHLQWHUSUHWHGDVDVHDW Depending on materiality the object may become appropriated by SODQWVRUSHRSOH

OP

RP

A

PC

PB

,1+$%,7$7,21

L

OC

OP

RP

A

PC

PB

OC

106

,1+$%,7$7,21

L


25,*,1$/&21',7,21

Site: Easey Street, Collingwood Temporal 3URJUDP1R

3/$&(0(17

Surface: 2SHQ+LJK OHYHORISODQW LQKDELWDWLRQ &XUUHQWO\D FRQVWUXFWLRQVLWH

OP

RP

L

A

PC

PB

OC

107


Site::HOOLQJWRQ6WUHHW&ROOLQJZRRG Temporal Program:<HV&DUSDUN

3/$&(0(17

Surface: Closed- Mixture of bitumen, URFNVDQGSHEEOHV

7KLVVHWRILQYHVWLJDWLRQVORRNVDW the placement of a form within a FDUSDUN,WLVWKHSODFHPHQWRIWKH IRUPZKLFKFUHDWHVWKHLQYLWDWLRQ into the site, and could potentially UHVXOWLQWHPSRUDOLQKDELWDWLRQ

OP

RP

A

PC

PB

OC

108

,1+$%,7$7,21

L


Form  placed  over  the  edge  of  the  site.   WŽƚĞŶƟĂůŚĂnjĂƌĚĨŽƌƉĞŽƉůĞƉĂƐƐŝŶŐďLJ͘

&ŽƌŵƉůĂĐĞĚŽŶƚŚĞĞĚŐĞŽĨƚŚĞƐŝƚĞ͘WŽƚĞŶƟĂů perceived  boundary  to  the  site.

&ŽƌŵƉůĂĐĞĚǁŝƚŚŝŶƚŚĞƐŝƚĞ͘dŚŝƐĐŽƵůĚƉŽƚĞŶƟĂůůLJĐƌĞĂƚĞĂŶ ŝŶǀŝƚĂƟŽŶĨŽƌƚĞŵƉŽƌĂůŝŶŚĂďŝƚĂƟŽŶǁŝƚŚŝŶƚŚĞƐŝƚĞ͘

&ŽƌŵƉůĂĐĞĚǁŝƚŚŝŶƚŚĞƐŝƚĞ͘dŚŝƐĐŽƵůĚƉŽƚĞŶƟĂůůLJĐƌĞĂƚĞĂŶ ŝŶǀŝƚĂƟŽŶĨŽƌƚĞŵƉŽƌĂůŝŶŚĂďŝƚĂƟŽŶǁŝƚŚŝŶƚŚĞƐŝƚĞ͘

109


Program: Pathway + Road

X

Surface:&HPHQWELWXPHQ

X

Installing a wall along a footpath may result in people appropriating the wall with street art, but it would not become a site which would HQFRXUDJHDKLJKOHYHORIDSSURSULDWLRQ%HORZ a form on a street may result in temporal LQKDELWDWLRQ

25,*,1$/&21',7,21

Site: Keele Street, Collingwood

Y

3/$&(0(17

3/$&(0(17

Y

OP

Z Z

RP

A

PC

PB

OC

110

%(+$9,285

,1+$%,7$7,21

L


ƐĞĐƟŽŶyy

ƐĞĐƟŽŶzz

OP

RP

L

A

PC

PB

OC

ƐĞĐƟŽŶ

111


/Es/dd/KE KWE^hZ&^/d ;EKdDWKZ>WZK'ZDͿ

/E,/dd/KE ,s/KhZ

>K^^hZ&^/d ;t/d,dDWKZ>WZK'ZDͿ ^dZdͬ&KKdWd,

Wd,tz tdZ

>/',d/E'

&KZD

112

WZ/sKhEZz EKE


Findings  7KHSUHFLVHJHVWXUHRIZDWHUOLJKWLQJDQGIRUPFRXOGSRWHQWLDOO\FUHDWHYHU\ LQWHUHVWLQJRXWFRPHVIRUWKHVLWHVLQTXHVWLRQLQWHUPVRIQHZW\SHVRISXEOLFVSDFHV ZKLFKDLPWRHQFRXUDJHDSSURSULDWLRQ$YHU\LQWHUHVWLQJÀQGLQJZLWKLQWKHWHVWLQJSKDVH RIWKHSURMHFWZDVWKHRXWFRPHEDVHGXSRQWKHDFWXDOSODFHPHQWRIWKHDPHQLW\)RU H[DPSOHDWDSRQWKHHGJHRIDҊYDFDQWҋRSHQVXUIDFHEORFNFRXOGDFWDVDPHFKDQLVPIRU QHZEHKDYLRXUVIRUSDVVHUVE\EXWGRHVQRWLQYLWHSHRSOHRQWRWKHVLWHUDWKHUFUHDWHVD SHUFHLYHGERXQGDU\WRWKHVLWH:KHUHDVDWDSSODFHGZLWKLQWKHVLWHDFWVDVDQLQYLWDWLRQ LQWRWKHVLWHDQGSHUKDSVHYHQDFWVDVDQHZZD\RIGHVLJQLQJDSDWKZD\$VZHOODV SODFHPHQWLWDOVRUHOLHVRQWKHDPRXQWRIWKHDPHQLW\)RUH[DPSOHRQHOLJKWRQD ҊYDFDQWҋ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ҊFDWDO\VWҋXSRQWKHVLWHVLQTXHVWLRQ:LWKLQWKHFDUSDUNLQYHVWLJDWLRQVWKHUHZDVDOVRD speculation on introducing more than one amenity and this will be the focus on the next WHVWLQJSKDVHRIWKHSURMHFW  ,QYHVWLJDWLRQVLQZKLFKDPHQLWLHVZHUHWHVWHGXSRQDVWUHHWGLGQRWUHVXOWLQD VLPLODULQYLWDWLRQEHKDYLRXULQWHUPVRIWKHSRWHQWLDORIFUHDWLQJQHZRSHQVSDFHVZKLFK DLPWRHQFRXUDJHDSSURSULDWLRQ7KLVWHVWLQJVXJJHVWVWKDWWKHVWUHHWFDQQRWIDFLOLWDWHWKH DPELWLRQRIWKLVUHVHDUFKDVHIIHFWLYHO\DVWKHRWKHUVLWHVLQTXHVWLRQ7KLVLVSHUKDSVDOVR WRGRZLWKWKHSHUFHSWLRQRIWKHVLWHVLQTXHVWLRQÁXFWXDWLQJEHWZHHQSXEOLFDQGSULYDWH XVHZKHUHDVWKHVWUHHWLVSXEOLFGRPDLQ7KLVÀQGLQJVXJJHVWVWKDWRQHRIWKH reasons that these sites may be able to facilitate this particular type of public space, lies ZLWKLQLWVYDJXHGHÀQLWLRQDVWRZKHWKHULWLVSXEOLFRUSULYDWH

113


114


Testing Phase Two: Multiple Amenities

115


Site: 170 Smith Street, Collingwood 7HPSRUDO3URJUDP1R 6XUIDFH2SHQ+LJKOHYHORISODQWLQKDELWDWLRQ Stage 1::DOOVDUHSODFHGRQVLWHWRLQFUHDVHSXEOLFDUW DQGJUDIÀWLZLWKLQWKHVLWH ƉŽƚĞŶƟĂůŝŶŚĂďŝƚĂƟŽŶnjŽŶĞ

^ĞĐƟŽŶ

OP

RP

L

A

PC

PB

OC

116


,1+$%,7$7,21

3/$&(0(17

A

B

WŽƚĞŶƟĂůĂƌƚǁŽƌŬŝŶŚĂďŝƚĂƟŽŶ

117


Stage 2: :DOOVUHPRYHGDQGIRXUODPSVDUHSODFHGXSRQWKH VLWH7KHIRXUODPSVFRXOGSRWHQWLDOO\FUHDWHWZR temporal inhabitation zones in the East corner of WKHVLWH7KH:HVWVLGHPD\DOVRKDYHLQKDELWDWLRQ DORQJ6PLWKVWUHHW7KHOLJKWLQJRQVLWHPD\JLYHWKH SHUFHSWLRQWKDWWKHVLWHLVVDIHWRZDONWKURXJKDQGD UHVXOWDQWSDWKZD\PD\IRUP

ƉŽƚĞŶƟĂůŝŶŚĂďŝƚĂƟŽŶnjŽŶĞ ^ĞĐƟŽŶ

OP

RP

L

A

PC

PB

OC

118


3$7+:$<,1+$%,7$7,21

3/$&(0(17

A

C

WŽƚĞŶƟĂůƉĂƚŚǁĂLJĨŽƌŵĂƟŽŶĂŶĚƚĞŵƉŽƌĂůŝŶŚĂďŝƚĂƟŽŶnjŽŶĞƐ͘

119


Stage 3: 7KHWZRODPSVRQWKH:HVWHUQVLGHRIWKHVLWHDUHUHPRYHGDQG WKHVLWHZRXOGEHFRPHGDUNHUDVDUHVXOW3DWKZD\VVWDUWWRVKLIW EDVHGXSRQWKHQHZOLJKWLQJ$WDSLVSODFHGRQWKH6RXWKHUQZDOO RIWKHVLWHZKLFKFRXOGDOVRLQIRUPWKHQHZSDWKZD\VRQWKHVLWH 'HFUHDVHGOLJKWLQJFRXOGDOVRHQFRXUDJHDKLJKHUOHYHORIVWUHHWDUW WRLQKDELWWKHVLWH

ƉŽƚĞŶƟĂůŝŶŚĂďŝƚĂƟŽŶnjŽŶĞ ^ĞĐƟŽŶ

OP

RP

L

A

PC

PB

OC

120


3$7+:$<,1+$%,7$7,21

3/$&(0(17

A

C

Placement  of  tap

WŽƚĞŶƟĂůŶĞǁƉĂƚŚǁĂLJĨŽƌŵĂƟŽŶĂŶĚƚĞŵƉŽƌĂůŝŶŚĂďŝƚĂƟŽŶnjŽŶĞƐ͘

121


Stage 4: $YDJXHIRUPLVSODFHGLQDFHQWUDO]RQHRIWKHVLWH7KLVLQIRUPV SDWKZD\VDQGFUHDWHVDQHZ]RQHIRUSRWHQWLDOLQKDELWDWLRQ The site now houses one tap, two lamps, and a form which FRXOGIXQFWLRQDVDVHDW7KLVVLWHKDVEHFRPHDPLUURURI3HHO 6WUHHW3DUNZLWKLWVYDJXHFXEHIXUQLWXUHDQGFXUY\VHDWV7KH LQWURGXFWLRQRIWKHIRUPKDVUHVXOWHGLQWKLVVLWHEHFRPLQJDQRYHU SURJUDPPHGVSDFH

ƉŽƚĞŶƟĂůŝŶŚĂďŝƚĂƟŽŶnjŽŶĞ ^ĞĐƟŽŶ

OP

RP

L

A

PC

PB

OC

122


3$7+:$<,1+$%,7$7,21

3/$&(0(17

A

E

WŽƚĞŶƟĂůŶĞǁƉĂƚŚǁĂLJĨŽƌŵĂƟŽŶĂŶĚƚĞŵƉŽƌĂůŝŶŚĂďŝƚĂƟŽŶnjŽŶĞƐ͘

123


OP

OP

RP

RP

L

L

67$*(21(

A

A

PC

PC

PB

PB

OC

OC

OP

0,;785(2)67$*(6 RP

L

A

PC

PB

OC

124

67$*(7:2


OP

OP

RP

RP

L

L

A

67$*(7+5((

A

PC

PC

PB

PB

OC

OC

67$*()285

125


Site: :HOOLQJWRQ6WUHHW&ROOLQJZRRG

OP

Temporal Program:<HV&DUSDUN

'$<

RP

Surface&ORVHG0L[WXUHRIELWXPHQURFNV and pebbles

L

A

PC

PB

OC

Stage 1:,QVWDJHWZRWDSVDUHSODFHGRQWKHVLWH2QHZLWKLQWKH VLWHDQGRQHRQWKHHGJH Day:'XULQJWKHGD\SHRSOHPD\XVHWKHHGJHWDSWRĂ&#x20AC;OOZDWHU ERWWOHV7KLVSDUWLFXODUWDSRQWKHHGJHRIWKLVVLWHLVRQ/DQJULGJH 6WUHHWZKLFKKDVDKLJKYROXPHRIELNHULGHUV Night::LWKRXWOLJKWLQJLWLVGRXEWIXOZKHWKHUWKHWDSVZRXOGFUHDWH a new type of designed public space which would encourage DSSURSULDWLRQ Ć&#x161;Ä&#x201A;Ć&#x2030;Ĺ?ĹśĆ?Ä&#x17E;Ć&#x152;Ć&#x;ŽŜ

1,*+7 OP

RP

3/$&(0(17

L

A

PC

PB

OC

126


127

327(17,$/%(+$9,285

327(17,$/%(+$9,285


'$<

Stage 2:,QVWDJHWZRODPSVDUHSODFHGRQWKHVLWH2QHRQWKH (DVWHUQVLGHDQGRQHSODFHGZLWKLQWKHQRUWKVLGHRIWKHVLWH Day: During the day the central lamp would be hazardous for FDUVDQGWKH\ZRXOGQRWFUHDWHDQHQYLURQPHQWZKLFKHQFRXUDJHV DSSURSULDWLRQ7KHWDSVWLOOSODFHGRQVLWHKDVDVLPLODUSRWHQWLDO RXWFRPHWRVWDJH

OP

RP

Night:/LJKWLQJRQWKHVLWHDWQLJKWWLPHFUHDWHVDQLQYLWDWLRQLQWRWKH VLWH7KHVSDFHQRZKDYLQJWZRGLPODPSVDQGDWDSFUHDWHVWKH SHUIHFW]RQHIRUSHRSOHZDQWLQJWRGULQNVPRNHEHIRUHWKH\JRRXW RURWKHUSHRSOHZKRZDQWWRKDQJRXW

L

A

PC

PB

OC

ůĂŵƉŝŶƐĞƌƟŽŶ

ƚĂƉŝŶƐĞƌƟŽŶ ƉŽƚĞŶƟĂůŝŶŚĂďŝƚĂƟŽŶnjŽŶĞ

1,*+7 OP

RP

3/$&(0(17

L

A

PC

PB

OC

128


129 327(17,$/%(+$9,285

327(17,$/%(+$9,285


'$<

Stage 3:,QVWDJHODPSVDUHUHPRYHGDQGÁRRGOLJKWVDUHDGGHG RQWKH6RXWKHUQZDOORIWKHVLWH$ULQJIRUEDVNHWEDOORUQHWEDOOLV DOVRDGGHGRQWKH(DVWHUQZDOO

OP

Day:'XULQJDFWLYLW\ZLWKWKHWDSVFRQWLQXHV7KHULQJDQGOLJKW ZRXOGQRWEHXVHGXQOHVVLWLVWKHZHHNHQGLQZKLFKFDVHWKHFDU SDUNZRXOGEHHPSW\

RP

L

Night: At night time there is a potential that the site would become DWHPSRUDOVSRUWVVSDFH7KHÁRRGOLJKWVZRXOGSURPRWHDGLIIHUHQW W\SHRIWHPSRUDOLQKDELWDWLRQWKDQWKHODPSVGXHWRWKHKLJKOHYHORI OLJKWLQJ

A

PC

PB

OC

ŇŽŽĚůŝŐŚƚŝŶƐĞƌƟŽŶ ƚĂƉŝŶƐĞƌƟŽŶ

1,*+7 OP

RP

3/$&(0(17

L

A

PC

PB

OC

130


131

327(17,$/%(+$9,285

327(17,$/%(+$9,285


Findings  7KHLQWURGXFWLRQRIPXOWLSOHŇ&#x160;FDWDO\VWVŇ&#x2039;RQWRDVLWH KDGYHU\LQWHUHVWLQJĂ&#x20AC;QGLQJV 8SRQDŇ&#x160;YDFDQWŇ&#x2039;RSHQVXUIDFHGVLWHLWZDVWKHDGGLWLRQRIIRUPRQWRSRIRWKHUDPHQLWLHV ZKLFKDPSOLĂ&#x20AC;HGWKHVLWHIURPDQDOWHUQDWLYHWRPXQLFLSDOGHVLJQHGSXEOLFVSDFHWRDQRYHU SURJUDPPHGSXEOLFVSDFHLWLVSHUKDSVWKHIRUPZKLFKGRHVQRWZRUNZLWKWKHVHVLWHV (DUO\WHVWLQJLQSKDVHRQHRIWHQUHVXOWHGLQWKHIRUPFUHDWLQJDQLQYLWDWLRQRIWHPSRUDO inhabitation, but it is more about inhabitation of the object rather inhabitation of the space ZKLFKWKHOLJKWLVPRUHOLNHO\WRSURPRWH  8SRQDŇ&#x160;YDFDQWŇ&#x2039;FORVHGVXUIDFHGVLWHZLWKDWHPSRUDOSURJUDPVXFKDVDFDUSDUN WKHLQWURGXFWLRQRIDOOWKUHHDPHQLWLHVFRXOGSRWHQWLDOO\PDLQWDLQLWVDOWHUQDWLYHVWDWXVWR WKDWRIPXQLFLSDOGHVLJQHGSXEOLFVSDFHV7KLVSHUKDSVOHQGVLWVHOIWRDGLIIHUHQWFULWLTXH WKDWLWLVWKURXJKWKHPXOWLSURJUDPVLPXOWDQHRXVO\RFFXUULQJRQWKHWHPSRUDOFDUSDUNVLWH ZKLFKSRWHQWLDOO\DOORZVDOOWKUHHDPHQLWLHVWRDFWDVDQDOWHUQDWLYHWRPXQLFLSDOGHVLJQHG SXEOLFVSDFH,WLVWKURXJKWKHDOUHDG\Ă XFWXDWLQJQDWXUHRIWKHVLWHDPSP GHVLJQDWHGSURJUDPDQGYDFDWHGWKURXJKRXWWKHQLJKWDQGRYHUWKHZHHNHQG7KHVHVLWHV perhaps suggest that multiple programmed sites could potentially house the amenities tested in a more dynamic manner than that of an open surfaced site with no temporal SURJUDP

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

132 OC


Conclusion  7KURXJKRXWWKLVUHVHDUFKSURMHFWWKHUHKDVEHHQDQLGHQWLÀFDWLRQDQGUH LQWHUSUHWDWLRQRIRSHQVSDFHRSSRUWXQLWLHVLQWKHXUEDQIDEULFRI&ROOLQJZRRG7KH LGHQWLÀFDWLRQRIҊXQRFFXSLHGRUYDFDQWҋVSDFHVDVDQRSHQVSDFHRSSRUWXQLW\KDVOHG WRDFRPSOH[DQGPXOWLIDFHWHGSURMHFW7KHZD\LQZKLFKWKHLGHQWLÀHGRSSRUWXQLWLHV KDYHSURYLGHGLQVLJKWVIRUQHZW\SHVRISXEOLFVSDFHVLVWKURXJKDQDQDO\VLVRI ҊHYRFDWLYHSRWHQWLDOҋDQGWKHZD\LQZKLFKWKH)RUPHU<RUNVKLUH%UHZHU\LVFXUUHQWO\ RSHUDWLQJZLWKLQ&ROOLQJZRRG7KLVVLWHGHPRQVWUDWHVDPDQLIHVWHGSXEOLFVSDFHDQG DOWHUQDWLYHWRKRPRJHQLVHGPXQLFLSDOGHVLJQHGODQGVFDSHV7KLVVLWHKDVKHOSHGLQWKH UHLQWHUSUHWDWLRQRIZKDWWKHҊXQRFFXSLHGRUYDFDQWҋVLWHVZLWKLQ&ROOLQJZRRGDUHHLWKHU SDVVLYHO\KRXVLQJRUFRXOGSRWHQWLDOO\KRXVH  7KHUHZDVDQDWWHPSWWRXVHSUHFLVHJHVWXUHXSRQWKHVSDFHVLQTXHVWLRQ as a way of creating new types of designed public spaces which aim to encourage DSSURSULDWLRQ7KLVPHWKRGRIGHVLJQLQJIRUWKHVLWHVLQTXHVWLRQSHUKDSVDOLJQVZLWK DTXRWHE\0RUDOHVVSHFXODWLQJKLVWKRXJKWVRQWKHZD\LQZKLFKWKHWHUUDLQYDJXH VKRXOGEHDSSURDFKHGIRUUHGHVLJQ´ZKDW,SURSRVHLVDPRUHVXEWOHDSSURDFKZKLFK LVQRW\HWDFFHSWHGµ>0RUDOHVTXRWHGLQ.HUELVVXH@7KHXVHRIJHVWXUHZDVDQ attempt to appeal to a larger demographic of people who could potentially appropriate WKHVSDFHVLQTXHVWLRQ7KHSUHFLVHJHVWXUHVWHVWHGZLWKLQWKLVGRFXPHQWDWWHPSWWR open these spaces to other opportunistic people, not only the sub-cultural groups FRORQLVLQJWKH)RUPHU<RUNVKLUH%UHZHU\VLWH7KHҊJHVWXUHVҋWHVWHGWKURXJKRXWWKLV project came in the form of a municipal design palette which followed an analysis of WKHFXUUHQWRSHQVSDFHLQ&ROOLQJZRRGZKLFKUHYHDOHGDVPDOODQGSUHFLVHSDOHWWHRI ZKLFKZDWHUIRUPDQGOLJKWLQJZHUHWKHPDLQFDWDO\VWVZLWKLQFXUUHQWRSHQVSDFHV7KLV palette was intentionally chosen, as this is councils language for the design of open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ҊWHUUDLQYDJXHҋE\/HYHVTXH´VSRQWDQHRXV FUHDWLYHDSSURSULDWLRQDQGLQIRUPDOXVHVWKDWZRXOGRWKHUZLVHKDYHWURXEOHÀQGLQJD place in public spaces subjected increasingly to the demands of commerce, the ‘terrain YDJXHҋLVWKHLGHDOSODFHIRUDFHUWDLQUHVLVWDQFHWRHPHUJHDSODFHSRWHQWLDOO\RSHQWR DOWHUQDWLYHZD\VRIH[SHULHQFLQJWKHFLW\µ>/HYHVTXH@  $VSXWIRUZDUGLQ8UEDQ9RLGV´,IZHFRQVLGHUWKHLQFOXVLRQRIXUEDQYRLGV LQDUHSHUWRLUHRIXUEDQVSDFHVZHDUHSRWHQWLDOO\IDFHGZLWKWKHFRQVHTXHQWLDOORVV RIWKHXQSUHGLFWDEOHDQGLPSHUIHFWWKDWFRQVWLWXWHVRPHRIWKHNH\TXDOLWLHVRIWKHVH RWKHUVSDFHVµ>5DKPDQQDQG-RQDVSJ@,WLVSHUKDSVWKURXJKSUHFLVHGHVLJQ JHVWXUHWKDWWKHVHVSDFHVFDQVWLOOKRXVHWKHXQSUHGLFWDEOHDQGLPSHUIHFWEHKDYLRXU ZLWKRXWFURVVLQJWKHOLQHLQWRRYHUSURJUDPPHGSXEOLFVSDFH,WLVWKRXJKWWKDWWKLV FDQSRWHQWLDOO\EHDFKLHYHGWKURXJKDFDUHIXODQGUHVSHFWIXOLQWURGXFWLRQRIWKHWHVWHG amenities, and it is noted that these act differently upon sites which already house a WHPSRUDOSURJUDP,WLVZLWKLQWKHLPSHUIHFWDQGXQSUHGLFWDEOHQDWXUHRIWKHVHVLWHVDQG PDQLIHVWHGFRQGLWLRQZKLFKSURYLGHVDSRWHQWLDODOWHUQDWLYHWRRWKHUGHVLJQHGSXEOLF VSDFHV/RVLQJWKHVHNH\TXDOLWLHVFRXOGSRWHQWLDOO\PHDQORVLQJDSRWHQWLDOLPSHUIHFW DOWHUQDWLYHSXEOLFVSDFH

133


Project Methodology:

KWE^hZ&^/d ;EKdDWKZ>WZK'ZDͿ >K^^hZ&^/d ;t/d,dDWKZ>WZK'ZDͿ

d^d/E'W,^Ϯ

^dZdͬ&KKdWd,

>/D/dͬs>hd/KE OP

OVER  PROGRAMMED

RP

RESULTED  PROGRAM

L

LIMIT

A

ALTERNATIVE

PC

POTENTIAL  CHANGE

PB

POTENTIAL  BEHAVIOUR

OC

ORIGINAL    CONDITION

d>z^d^W^ ^ƉĂĐĞƐŽĨƉƉƌŽƉƌŝĂƟŽŶ ͚sĂĐĂŶƚнhŶŽĐĐƵƉŝĞĚ^ƉĂĐĞƐ͛

dĞƌƌĂŝŶsĂŐƵĞ

&ŽƌŵĞƌzŽƌŬƐŚŝƌĞƌĞǁĞƌLJ

ǀŽĐĂƟǀĞWŽƚĞŶƟĂů

134


/Es/dd/KE /E,/dd/KE ,s/KhZ Wd,tz WZ/sKhEZz

tdZ

EKE

>/',d/E'

&KZD

d^d/E'W,^ϭ

DƵŶŝĐŝƉĂůĞƐŝŐŶĞĚKƉĞŶ^ƉĂĐĞƐ ĞƐŝŐŶWĂůĞƩĞ

ƵƌƌĞŶƚKƉĞŶ^ƉĂĐĞ

>dZEd/sWh>/^W

135


What Next? This research project has opened XSPDQ\TXHVWLRQVIRUPHDVDGHVLJQHU VXFKDVZKDWLVWKHŇ&#x160;YDJXHIXUQLWXUHŇ&#x2039;ZKLFK ,VHHPWRNHHSUHIHUULQJEDFNWR"7KLVLGHD Ă RDWVXQUHVROYHGDQGLVSHUKDSVDSURMHFW ZLWKLQLWVHOI This particular way of designing, E\LQWURGXFLQJDŇ&#x160;FDWDO\VWŇ&#x2039;FRXOGEHFRPH a new way of designing council operated VSDFHV$VWKHLQWURGXFWLRQRIWKHFDWDO\VWLV open for interpretation and has the potential to encourage the appropriation of space, FRXQFLOFRXOGSRWHQWLDOO\DFFHVVDFWLYLW\RYHU a period of time and then introduce a new catalyst or reduce the impact of the catalyst ZLWKLQWKLVVSDFH(VVHQWLDOO\LWLVVSHFXODWLQJ on a new design process in which the FRPPXQLW\FDQDFWLYHO\HQJDJHDQGFKDQJH WKHVSDFHGHSHQGLQJRQZKRLVXVLQJLW7KH simplicity of the amenity coming in the form RIDWDSRUODPSFRXOGEHDFRVWHIIHFWLYH way of creating spontaneous public spaces which aim to encourage appropriation, EXWFRXOGDOVRWHPSRUDULO\HDVHWKHODFN RIRSHQVSDFHVRSSRUWXQLWLHV><DUUDRSHQ VSDFHVWUDWHJ\@ZLWKLQWKHVXEXUE RI&ROOLQJZRRG,WLVDOVRWKRXJKWWKDWWKLV methodology could be utilised amongst other VXEXUEVZLWKLQDQLQQHUFLW\FRQWH[W

>/D/dÍŹs>hd/KE OP

OVER  PROGRAMMED

RP

RESULTED  PROGRAM

L

LIMIT

A

ALTERNATIVE

PC

POTENTIAL  CHANGE

PB

POTENTIAL  BEHAVIOUR

OC

ORIGINAL    CONDITION

DE/dz ZDKsDE/dz

KEKd,/E'

136


Potential Design Process for Council /Es/dd/KE KWE^hZ&^/d ;EKdDWKZ>WZK'ZDͿ

/E,/dd/KE ,s/KhZ

>K^^hZ&^/d ;t/d,dDWKZ>WZK'ZDͿ ^dZdͬ&KKdWd,

Wd,tz WZ/sKhEZz

tdZ

EKE

>/',d/E'

&KZD

d^d/E'

DƵŶŝĐŝƉĂůĞƐŝŐŶĞĚKƉĞŶ^ƉĂĐĞƐ ĞƐŝŐŶWĂůĞƩĞ

ƵƌƌĞŶƚKƉĞŶ^ƉĂĐĞ

137


References

Allweil,  Y.  and  Kallus,  R.  2008,  ‘Public-­‐space  heterotopias:  heterotopias  of  masculinity  along   ƚŚĞdĞůǀŝǀƐŚŽƌĞůŝŶĞ͛ŝŶD͘ĞŚĂĞŶĞĂŶĚ>͘ĞĂƵƚĞƌ͕;ĞĚƐ͘Ϳ͕,ĞƚĞƌŽƚŽƉŝĂĂŶĚƚŚĞŝƚLJ͕ London  and  New  York:  Routledge.   &ŽƵĐĂƵůƚ͘D͕ϭϵϵϳ͞KĨŽƚŚĞƌ^ƉĂĐĞƐ͗hƚŽƉŝĂƐĂŶĚ,ĞƚĞƌŽƚŽƉŝĂƐ͘͟ZĞƚŚŝŶŬŝŶŐƌĐŚŝƚĞĐƚƵƌĞ͗ Reader  in  Cultural  Theory.  Edited  by  Neil  Leach.  NYC:  Routledge. ,ŝďďŝŶƐ'͘D͕ϭϵϵϳ͕͞^ŚŽƌƚ,ŝƐƚŽƌLJŽĨŽůůŝŶŐǁŽŽĚ͕͟ŽůůŝŶŐǁŽŽĚ,ŝƐƚŽƌŝĐĂů^ŽĐŝĞƚLJ͕ Abbotsford  Victoria Lévesque,  L  2001,  The  Terrain  Vague  as  Material,  Paysages,  Canadian  Society  of  Landscape   Architects,  Montréal,  vol.  winter, Sola  Morales,  Ignasi  de,  1995,  Terrain  Vague,    Anyplace  ,Cambridge,  MA  :  The  MIT  Press ^ŽůăDŽƌĂůĞƐ͕/ĚĞϭϵϵϲ͕dĞƌƌĂŝŶsĂŐƵĞŝŶ^ƚƵƩĞƌŚĞŝŵ͕;ĞĚͿ͕<Ğƌď͕ǀŽůϯ͕ZD/dWƌĞƐƐ͕ Melbourne Web: ZĂŚŵĂŶŶ͘,н:ŽŶĂƐ͘D͕ϮϬϭϭ͕hƌďĂŶsŽŝĚƐ͗dŚĞ,ŝĚĚĞŶŝŵĞŶƐŝŽŶŽĨdĞŵƉŽƌĂƌLJsĂĐĂŶƚ ^ƉĂĐĞŝŶZĂƉŝĚůLJ'ƌŽǁŝŶŐŝƟĞƐ͘ĐĐĞƐƐĞĚĂƚ͗ ŚƩƉ͗ͬͬƐŽĂĐϮϬϭϭ͘ĐŽŵ͘ĂƵͬĮůĞƐͬƉĂƉĞƌƐͬ^KϮϬϭϭͺϬϮϮϵͺĮŶĂů͘ƉĚĨ ŚƩƉ͗ͬͬǁǁǁ͘ĂďƐ͘ŐŽǀ͘ĂƵͬĐĐĞƐƐĞĚƵŐƵƐƚϰϮϬϭϮ ŚƩƉ͗ͬͬǁǁǁ͘LJĂƌƌĂĐŝƚLJ͘ǀŝĐ͘ŐŽǀ͘ĂƵͬŶǀŝƌŽŶŵĞŶƚͬWĂƌŬƐͲĂŶĚͲƌĞƐĞƌǀĞƐͬKƉĞŶͲƐƉĂĐĞͲƐƚƌĂƚĞŐLJͬ Accessed  April  9  2012 ŚƩƉ͗ͬͬŽdžĨŽƌĚĚŝĐƟŽŶĂƌŝĞƐ͘ĐŽŵͬĚĞĮŶŝƟŽŶͬĞŶŐůŝƐŚͬĂƉƉƌŽƉƌŝĂƟŽŶĐĐĞƐƐĞĚKĐƚŽďĞƌϭϬϮϬϭϮ

138


Bibliography

ůůǁĞŝů͕z͘ĂŶĚ<ĂůůƵƐ͕Z͘;ϮϬϬϴͿ͚WƵďůŝĐͲƐƉĂĐĞŚĞƚĞƌŽƚŽƉŝĂƐ͗ŚĞƚĞƌŽƚŽƉŝĂƐŽĨŵĂƐĐƵůŝŶŝƚLJĂůŽŶŐ ƚŚĞdĞůǀŝǀƐŚŽƌĞůŝŶĞ͛ŝŶD͘ĞŚĂĞŶĞĂŶĚ>͘ĞĂƵƚĞƌ͕;ĞĚƐ͘Ϳ͕,ĞƚĞƌŽƚŽƉŝĂĂŶĚƚŚĞŝƚLJ͕ London  and  New  York:  Routledge.   Beesley,  P.  2010,  Hylozoic  Ground  Liminal  Responsive  Architecture,  Edited  By  Pernilla   Ohrstedt  and  Hayley  Isaacs,  Riverside  Architectural  Press  2010 ƵůůŝǀĂŶƚ͕>͘ϮϬϬϳ͕ϰĚ^ŽĐŝĂů/ŶƚĞƌĂĐƟǀĞĞƐŝŐŶŶǀŝƌŽŶŵĞŶƚƐ͕/ƐƐƵĞ:ƵůLJͬƵŐƵƐƚϮϬϬϳ͕'ƵĞƐƚ Edited  by  Lucy  Bullivant,Vol  77  No  4,  John  Wiley  &  Sons  West  Essex  England,  RMIT  LIBRARY   ϳϮϬ͘ϭϬϯ&ϳϳϰ Daly.C  Ricardo.R,  2011,  KIRB  19,  Melbourne  Books,  RMIT  Press Daskalakis.G,  Waldheim.C,  Young.J,  2001,  Stalking  Detroit,  ACTAR &ŽƵĐĂƵůƚ͘D͕ϭϵϵϳ͞KĨŽƚŚĞƌ^ƉĂĐĞƐ͗hƚŽƉŝĂƐĂŶĚ,ĞƚĞƌŽƚŽƉŝĂƐ͘͟ZĞƚŚŝŶŬŝŶŐƌĐŚŝƚĞĐƚƵƌĞ͗ Reader  in  Cultural  Theory.  Edited  by  Neil  Leach.  NYC:  Routledge. Gissen.  D  2009,  Subnature:  Architecture’s  Other  Environments.  USA:  Princeton  Architectural   Press. ,ŝďďŝŶƐ'͘D͕ϭϵϵϳ͕͞^ŚŽƌƚ,ŝƐƚŽƌLJŽĨŽůůŝŶŐǁŽŽĚ͕͟ŽůůŝŶŐǁŽŽĚ,ŝƐƚŽƌŝĐĂů^ŽĐŝĞƚLJ͕ Abbotsford  Victoria Lévesque,  L  2001,  The  Terrain  Vague  as  Material,  Paysages,  Canadian  Society  of  Landscape   Architects,  Montréal,  vol.  winter, ZĂŚŵĂŶŶ͘,н:ŽŶĂƐ͘D͕ϮϬϭϭ͕hƌďĂŶsŽŝĚƐ͗dŚĞ,ŝĚĚĞŶŝŵĞŶƐŝŽŶŽĨdĞŵƉŽƌĂƌLJsĂĐĂŶƚ ^ƉĂĐĞŝŶZĂƉŝĚůLJ'ƌŽǁŝŶŐŝƟĞƐ͘ĐĐĞƐƐĞĚĂƚ͗ ŚƩƉ͗ͬͬƐŽĂĐϮϬϭϭ͘ĐŽŵ͘ĂƵͬĮůĞƐͬƉĂƉĞƌƐͬ^KϮϬϭϭͺϬϮϮϵͺĮŶĂů͘ƉĚĨ Sola-­‐Morales,  Ignasi  de,  1995,  Terrain  Vague,    Anyplace  ,Cambridge,  MA  :  The  MIT  Press ^ŽůăDŽƌĂůĞƐͲZƵďŝſ͕/ĚĞϭϵϵϲ͕dĞƌƌĂŝŶsĂŐƵĞŝŶ^ƚƵƩĞƌŚĞŝŵ͕;ĞĚͿ͕<Ğƌď͕ǀŽůϯ͕ZD/dWƌĞƐƐ͕ Melbourne ŚƩƉ͗ͬͬǁǁǁ͘ĂďƐ͘ŐŽǀ͘ĂƵͬĐĐĞƐƐĞĚƵŐƵƐƚϰϮϬϭϮ ŚƩƉ͗ͬͬǁǁǁ͘LJĂƌƌĂĐŝƚLJ͘ǀŝĐ͘ŐŽǀ͘ĂƵͬŶǀŝƌŽŶŵĞŶƚͬWĂƌŬƐͲĂŶĚͲƌĞƐĞƌǀĞƐͬKƉĞŶͲƐƉĂĐĞͲƐƚƌĂƚĞŐLJͬ Accessed  April  9  2012 ŚƩƉ͗ͬͬŽdžĨŽƌĚĚŝĐƟŽŶĂƌŝĞƐ͘ĐŽŵͬĚĞĮŶŝƟŽŶͬĞŶŐůŝƐŚͬĂƉƉƌŽƉƌŝĂƟŽŶĐĐĞƐƐĞĚKĐƚŽďĞƌϭϬϮϬϭϮ ŚƩƉ͗ͬͬǁǁǁ͘LJĂƌƌĂĐŝƚLJ͘ǀŝĐ͘ŐŽǀ͘ĂƵͬWůĂŶŶŝŶŐͲͲƵŝůĚŝŶŐͬDĂũŽƌͲĚĞǀĞůŽƉŵĞŶƚƐͬ&ŽƌŵĞƌͲzŽƌŬƐŚŝƌĞͲ ƌĞǁĞƌLJͲƐŝƚĞͲϭͲϮϭͲZŽďĞƌƚͲ^ƚͲŽůůŝŶŐǁŽŽĚͬĐĐĞƐƐĞĚKĐƚŽďĞƌϭϬϮϬϭϮ

139


IMAGES

ŚƩƉ͗ͬͬĞŶ͘ǁŝŬŝƉĞĚŝĂ͘ŽƌŐͬǁŝŬŝͬ&ŝůĞ͗'ĂƐͺtŽƌŬƐͺWĂƌŬͺϬϭ͘ũƉŐĐĐĞƐƐĞĚ:ƵŶĞϰϮϬϭϮ ŚƩƉ͗ͬͬĞŶ͘ǁŝŬŝƉĞĚŝĂ͘ŽƌŐͬǁŝŬŝͬ&ŝůĞ͗>ĂŶĚƐĐŚĂŌƐƉĂƌŬͺƵŝƐďƵƌŐͺEŽƌĚ͘ũƉŐĐĐĞƐƐĞĚDĂLJϭϴ 2012 ŚƩƉ͗ͬͬǁǁǁ͘ǁŚĂƚͲŝĨ͘ŝŶĨŽͬĐĐĞƐƐĞĚ:ƵůLJϮϬϮϬϭϮ ŚƩƉ͗ͬͬǁǁǁ͘ĐŵŐƐŝƚĞ͘ĐŽŵͬƉƌŽũĞĐƚƐͬƵƌďĂŶͲƐƉĂĐĞƐͬƉĂƌŬŵŽďŝůĞƐͬĐĐĞƐƐĞĚ^ĞƉƚĞŵďĞƌϯϬ 2012 ŚƩƉ͗ͬͬĚŽƚĂŶŬďƌŽŽŬůLJŶ͘ŽƌŐͬϮϮĐĐĞƐƐĞĚDĂLJϭϴϮϬϭϮ ŚƩƉ͗ͬͬǁǁǁ͘ƚǁLJůĂŚ͘ĐŽŵͬǀĂŐĂďŽŶĚŝƐŚͬƚǁĞĞƚƐͬϯϴϯϲϳϬϱϵϭϮϵϲϲϳϱϴϰĐĐĞƐƐĞĚDĂLJϭϵϮϬϭϮ ŚƩƉ͗ͬͬǁǁǁ͘ƐƚƵĚŝŽƌŽŽƐĞŐĂĂƌĚĞ͘ŶĞƚͬƉƌŽũĞĐƚͬĚƵŶĞͬŝŶĨŽͬĐĐĞƐƐĞĚ^ĞƉƚĞŵďĞƌϮϵϮϬϭϮ ŚƩƉ͗ͬͬǁǁǁ͘ƚŚĞŐĞƌƚƌƵĚĞĂƐƐŽĐŝĂƟŽŶ͘ĐŽŵͬŝŶĚĞdž͘ƉŚƉͬŽƵƌͲǁŽƌŬ͍ǀŝĞǁсĐĂƌŽƵƐĞůƐΘĐĂƟĚсϳ Accessed  July  9  2012 ŚƩƉ͗ͬͬǁǁǁ͘ďƌŽŬĞŶĐŝƚLJůĂď͘ŽƌŐͬƉƌŽũĞĐƚƐͬĐĐĞƐƐĞĚ:ƵŶĞϱϮϬϭϮ ŚƩƉ͗ͬͬŝŶŚĂďŝƚĂƚ͘ĐŽŵͬĂǁĞƐŽŵĞͲŵŽĚƵůĂƌͲƉƵďůŝĐͲůŽƵŶŐĞͲƚĂŬĞƐͲŽǀĞƌͲǀĂŶĐŽƵǀĞƌƐͲƉĂƌŬŝŶŐͲ ƐƉĂĐĞƐͬƉĂƌĂůůĞůͲƉĂƌŬͲŝŶͲǀĂŶĐŽƵǀĞƌͲϮͲϮͬĐĐĞƐƐĞĚ:ƵŶĞϱϮϬϭϮ

140


141


Q

ĂŶĂŶŝĚĞŶƟĮĐĂƟŽŶĂŶĚƌĞͲŝŶƚĞƌƉƌĞƚĂƟŽŶŽĨŽƉĞŶƐƉĂĐĞŽƉƉŽƌƚƵŶŝƟĞƐŝŶƚŚĞ ƵƌďĂŶĨĂďƌŝĐŽĨŽůůŝŶŐǁŽŽĚƉƌŽǀŝĚĞŝŶƐŝŐŚƚƐĨŽƌŶĞǁƚLJƉĞƐŽĨĚĞƐŝŐŶĞĚƉƵďůŝĐƐƉĂĐĞƐ ǁŚŝĐŚĂŝŵƚŽĞŶĐŽƵƌĂŐĞĂƉƉƌŽƉƌŝĂƟŽŶ͍  

Collingwood the small inner city suburb of Melbourne, is under increasing pressure due WRGHQVLÀFDWLRQDQGDSRSXODWLRQZKLFKLVLQFUHDVLQJDWSHRSOHSHUZHHN>$XVWUDOLDQ%XUHDX RI6WDWLVWLFV@:LWKRQO\IRXUVPDOOJUHHQVSDFHV&ROOLQJZRRGKDVEHHQRXWOLQHGDVKDYLQJ ҊVLJQLÀFDQWJDSVҋZLWKLQLWVRSHQVSDFHIUDPHZRUNKDYLQJRQO\P2 of open space per resident ><DUUD 2SHQ 6SDFH 6WUDWHJ\ @ 7KLV UDLVHV WKH TXHVWLRQ ҊZKDW DUH WKH RWKHU RSHQ VSDFH RSSRUWXQLWLHVDFWLYHO\RUSDVVLYHO\RSHUDWLQJLQ&ROOLQJZRRG"ҋ This research project attempts to identify and re-interpret what an open space opportunity is / could be within the suburb of Collingwood, which could potentially be used within a larger LQQHUFLW\FRQWH[W7KHLGHQWLÀFDWLRQDQGUHLQWHUSUHWDWLRQRIWKHVHVSDFHVERWKIRFXVHVRQH[LVWLQJ RSHQ VSDFHV DV RXWOLQHG E\ WKH <DUUD 2SHQ 6SDFH 6WUDWHJ\  EXW DOVR RQ VSDFHV ZKLFK DUHVHHPLQJO\ҊYDFDQWRUXQRFFXSLHGҋ7KHVSDFHVLQTXHVWLRQZHUHGHVFULEHGDVҊWHUUDLQYDJXHҋ >0RUDOHV@E\,JQDVLGH6ROD0RUDOHVLQDQGZDVIXUWKHUH[SDQGHGRQLQ.HUE,VVXH   LQ ZKLFK 0RUDOHV ZDV TXRWHG ´:KDW ZH KDYH GLVFRYHUHG WRGD\ LV WKDW WKHVH HPSW\ DEDQGRQHGRUH[SHFWDQWVSDFHVDUHDQRWKHUNLQGRI/DQGVFDSHZKLFKDUHQRWXVXDODQGZKLFK FRXOGSURYLGHDQDOWHUQDWLYHµ>0RUDOHVFLWHGLQ.HUE@7KH>12@9DFDQF\SURMHFWXVHVWKH QRWLRQ RI ҊWHUUDLQ YDJXHҋ DV PHWKRGRORJ\ WR LQWHUSUHW WKH SRWHQWLDO IXQFWLRQ RI WKH VSDFHV LQ TXHVWLRQ  ,QWHUSUHWLQJWKHVHVSDFHVDVDSRWHQWLDODOWHUQDWLYHWRKRPRJHQLVHGPXQLFLSDOGHVLJQHG urban landscapes, this research project is an attempt to design new types of public space which DLPWRHQFRXUDJHDSSURSULDWLRQ7KLVLQWHUHVWVWHPVIURPDQDQDO\VLVRI7KH)RUPHU<RUNVKLUH %UHZHU\LQZKLFKWKHVSRQWDQHRXVDQGDFWLYHXVHVRQWKHVLWHVXJJHVWWKDWDQHZW\SHRISXEOLF VSDFHRUҊDOWHUQDWLYHҋLVFXUUHQWO\RSHUDWLQJZLWKLQ&ROOLQJZRRG7KLVSURMHFWGRHVQRWDWWHPSWWR UHFUHDWHWKHVSDWLDOVLWXDWLRQRUGLUHFWIXQFWLRQRIWKH)RUPHU<RUNVKLUH%UHZHU\EXWUDWKHUXVHV WKLVVLWHDVDQH[DPSOHRIDQDOWHUQDWLYHDQGDWWHPSWVWRXVHSUHFLVHGHVLJQJHVWXUHDVDZD\WR HQFRXUDJHDSSURSULDWLRQRIWKHVLWHVLQTXHVWLRQ8VLQJSUHFLVHGHVLJQJHVWXUHWKLVSURMHFWDLPV to encourage spontaneous use by opportunistic people rather than targeting the sub-cultural JURXSVZKLFKDOUHDG\FRORQLVHWKH)RUPHU<RUNVKLUH%UHZHU\6LWH7KLVSURMHFWHYDOXDWHVGHVLJQ JHVWXUHEDVHGRQWKHQRWLRQRIOLPLWҊ/LPLWҋUHIHUVWRDSRLQWZKHQDVLWHSHUKDSVPLUURUVRWKHU RYHUSURJUDPPHGVSDFHVLQ&ROOLQJZRRG  $VSXWIRUZDUGLQ8UEDQ9RLGV´,IZHFRQVLGHUWKHLQFOXVLRQRIXUEDQYRLGVLQDUHSHUWRLUH RIXUEDQVSDFHVZHDUHSRWHQWLDOO\IDFHGZLWKWKHFRQVHTXHQWLDOORVVRIWKHXQSUHGLFWDEOHDQG LPSHUIHFWWKDWFRQVWLWXWHVRPHRIWKHNH\TXDOLWLHVRIWKHVHRWKHUVSDFHVµ>5DKPDQQDQG-RQDV @3HUKDSVWKURXJKSUHFLVHGHVLJQJHVWXUHWKHVHVSDFHVFDQVWLOOKRXVHWKHXQSUHGLFWDEOH DQGLPSHUIHFWEHKDYLRXUZLWKRXWFURVVLQJWKHOLQHLQWRRYHUSURJUDPPHGSXEOLFVSDFH

144


[NO] VACANCY - Anthony Sharples  

Masters in Landscape Architecture Final Thesis 2012

Advertisement
Read more
Read more
Similar to
Popular now
Just for you