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A Small Book of Zoomed in Letters and Symbols


Caslon

(Oldstyle Serif ) Designed by William Caslon William Berkson, designer of a revival of Caslon, describes Caslon in body text as “comfortable and inviting�.


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Baskerville

(Transitional Serif) Designed by John Baskerville Baskerville is classified as a transitional typeface, intended as a refinement of what are now called old-style typefaces of the period


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v Didot

(Modern Serif) Designed by Firmin Didot

This design looks very elegant due to the regular, rational design and fine strokes, having a dazzling effect on the reader.


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l Clarendon

(Egyptian / Slab Serif) Designed by Robert Besley

Clarendons have a bold, solid structure, similar in letter structure to the “modern� serif typefaces popular in the nineteenth century for body text.


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Futura

(Geometric Sans Serif) Designed by Paul Renner This design captures the spirit of modernity, and was marketind using the German slogan “die Schrift unserer Zeit” “the typeface of today and tomorrow”


Helvetica

(Transitional Sans Serif)

designed by Max Miedinger with input from Eduard Hoffmann. This typeface was designed specifically to support the reading process – that clear communication is the primary goal of typography.


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Seravek

(Humanist Sans Serif) designed by Eric Olson Olson described Seravek as having a neutral design of “near silence�.


A Small Book of Zoomed in Letters and Symbols  

This is a small book of zoomed in letters and symbols.

A Small Book of Zoomed in Letters and Symbols  

This is a small book of zoomed in letters and symbols.

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