pg. 03-06 - In and Out of Fashion
pg. 07-08 -The Early Work
pg. 09-10 - A World of Independent Creativity
pg. 11-12 - Body and Form
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pg. 13-14 - Tate Museum
Exhibition Ad
pg. 15-16 - Dior Sauvage
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pg. 16-17 - An Ode to the Open Road
Award-winning Dutch artist and fashion photographer, Viviane Sassen, has injected new energy and a sense of everyday celebration into the field. Listen to an exclusive 5-minute interview on LensCulture.
Photographs by Viviane Sassen
In the Netherlands and abroad, Viviane Sassen is known foremost as an artist, whose somewhat surreal, colorful photographs of Africa won her the Prix de Rome in 2007. Alongside her independent work, however, she has long worked as a fashion photographer. Her fashion work is held in high regard, and she has carved out her own unmistakable style. Huis Marseille is exhibiting a retrospective of her fashion oeuvre over the last 17 years. The retrospective shows images built up like paintings or collages, and which arise in free association and creativity. These are not generally prominent aspects in the cautious climate of today’s largely commercially driven fashion photography, but they are typical of Viviane
Sassen’s fashion photography. Over the last 17 years, Sassen has developed a personal language that is sometimes surreal – with intertwined bodies, sculptural compositions and abstract forms – and on occasion perhaps bewildering, but it is always fascinating and full of energy. Both innovative strength and a surrealistic beauty mark Sassen’s fashion photography. In contrast to her renowned independent work, Sassen’s fashion photography is commissioned work that is created in close collaboration with a team of stylists, art directors, models and makeup artists. This means Sassen can treat fashion photography as the ultimate playground; somewhere she can work quickly and intuitively while enjoying the additional benefits of having a professional team on hand to facilitate her experiments. She calls this her ‘Laboratory’.
Viviane Sassen’s fashion photography idiom developed from 2000 onwards partly in
close and experimental collaboration with Emmeline de Mooij, with whom she produced photographic series for magazines such as Purple, Re-Magazine and Dazed & Confused. The exhi-
bition in Huis Marseille includes the series Nudes. A Journey,which includes early nude photos by Sassen and De Mooij that were based on simple ideas that had strange and surprising effects. Bodies
became part of a sculptural investigation, were linked to extensions in the form of objects and clothing, and were turned into an amorphous tangle. The exhibition also includes images from the now iconic series she made for the magazine Kutt in 2002, an
ironic comment on an advertising campaign Sassen had shot for the Italian fashion house Miu Miu the previous year. The models’ bodies are so intertwined that it is almost impossible to say what belongs where. According to De Mooij they had worked
“in a sort of dream world”, working by free association. Sassen has remained strongly attached to this spontaneity, and her work is correspondingly free from the fashion world’s prevailing codes and conventions.
The Huis Marseille exhibition will be showing a selection of more than 300 photos taken from advertising campaigns created for Carven, M- Missoni, Stella McCartney/Adidas and Levi’s, and from editorials for magazines such as Pop, Wallpaper, Numéro, AnOther Magazine, Purple, and Dazed & Confused, projected in a special way. The fact that Sassen’s fashion images generally arise in the course of an unobstructed creative flow is particularly clear in this second category, in which the exciting, experimental, creative, modern character of contemporary fashion can be found. This is
where Sassen’s idiom can develop unhindered. Here Sassen can carry out a modernist research into form that has much in common with the formal experiments of cubism, surrealism and minimalism. Sassen can blithely cut out her models’ limbs and have them fly away into the background, add areas of color to her images to stimulate the viewer’s imagination, or rotate her pictures to free them from the constraints of gravity. The exhibition also contains a section called Foreplay, with images she makes just before or right after a shoot, revealing the serendipities of the photographic process. This series forms perhaps the most intriguing new genre in Viviane Sassen’s oeuvre, with images marked by an extraordinarily beautiful abstraction.
Sassen works with natural resources like bright sunlight, shadows, mirrors and reflection, but her images are also constructed using colors, forms and textures, in a kind of joint alchemy with stylists and models. The exhibition shows many beautiful examples of this, including her collaboration with Dutch top model Anna de Rijk, and a special series – 36 portraits of the French stylist Roxane Danset –,which is being exhibited at Huis Marseille in its entirety. Having started as a kind of performance, with Danset as a “white Grace Jones, obviously without the singing”, this exercise led to strange and unexpected forms that Danset herself describes as “creature-esque”.
Viviane Sassen’s spontaneous, non-commercial, and characteristically individual approach has ensured that her fashion photography goes far beyond the usual confines of this medium. The fashion domain affords her the space to carry out experiments that generate a reservoir of material with which to develop the language of her independent work. The exhibition also furnishes convincing proof that Sassen is developing a visual vocabulary for the fashion photography of the future.
Magdalena Abakanowicz’s the Abakans Open until 22:00 (10:00 PM) Tate Modern Lates
“TO ONLY LEAVE BEAUTY AS A LEGACY”
Actress Ni Ni and singer Lou Doillon star in a campaign inspired by the life of musicians on tour. Both a home away from home and a creative studio, turning miles and miles of road into a musical refuge, the tour bus becomes the backdrop of the campaign for the first release of the 2022 eyewear collection. Two parallel stories are portrayed in a cinematic style, one with actress and Global Brand Ambassador Ni Ni, the other with singer Lou Doillon accompanied by a band of characters. Within the mysterious and color-rich setting, each protagonist possesses an attitude of quiet confidence and individuality. Surrounded by instruments, Ni Ni wears a selection of oversized frames, each enriched with distinctive elements such as Interlocking G details and gold chains. A retro feel permeates the cat-eye or round frames that Lou Doillon wears. Captured during golden hour when the rays of the sun shift into the glow of city lights, the campaign becomes a bold portrait of the artists, and the creative freedom that emerges when it’s just them and the music.
