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hello my name is ana patricia gomes im a portuguese architect

this is my work.


Inside ...

ABOUT ME // FICTION // 1, 2 REFLECTION // 3, 4, 5 HEARTINESS // 6, 7, 8, 9, 10 // workshops and cooperations

DEMAND // 11, 12, 13, 14 // prosaico coletivo


1 4 7 10 13

2 5 8 11 14

Ana Patrícia Gomes, Architect

The Lonely Tree - reinterpretation of

Daydream House - Manifests and Utopias,

University of Minho, Guimarães

"Unité d'habitation", 2nd year

4nd year

Braga, portugal

Guimarães, 2010

3 6 9 12

Let's (re) start - Emergent Programs,

Comércio Guimarães - Local Trading

3nd year

System, 5nd year

Guimarães, 2010

About Portuguese Court - Master Thesis, 5nd year

Guimarães, 2012

Porto, 2009

Devir Menor - Iconoclasistas

Construir Junto - Exyzt collectif

http://www.youtube.com/

https://www.facebook.com/pages/

watch?v=Ef_Y_9q72K0

Curators-Lab-Laboratório-de-Curado-

Guimarães, 2012

ria/328933573818154?fref=ts

Braga, 2012

The World Big Exhibition 2012 Raumlaborberlin

http://vimeo.com/42357792

Berlin,

2012

Guimarães, 2012

Isto é um praça! - Esterni

Casa do Vapor - Exyzt collectif

Patio Acorda - Prosaico coletivo

h t t p s : / / w w w. f a c e b o o k . c o m /

https://www.facebook.com/casa.

h t t p s : / / w w w. f a c e b o o k . c o m /

IstoEumaPraca

dovapor.9?fref=ts

prosaicocoletivo

Lisboa, 2013

Guimarães, 2012

Espaço BALA - Prosaico coletivo, Circus & Andy Calabozo Porto, 2013

Guimarães, 2013

A ilha do Tesouro - Prosaico coletivo &

Cedofeita Cintilante - Prosaico coletivo

AMD

&

https://www.facebook.com/pro-

RUA,

https://www.youtube.com/

saicocoletivo

watch?v=KCrUT5tscTY

Lisboa, 2013

Porto, 2013


about me ...

my work always looks for citizenship, people's welfare and needs. i am a citizen first and then i’m an architect. for me architecture is not an end but a means, a tool at the service of society. I believe on an architecture of social responsibility that can intervene beyond the limits of design and construction. architecture as a physical representation of the relationship between people and the world, must be assumed as a tool to the claims of society.

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, , , ,


contacts anap_gms @ hotmail.com

xxxxxxxxxx

https://www.facebook.com/Tixeza

education

experiences

college

construir junto

Architecture School, Univerity of Minho

Construlab; EXYZT collectif Guimarães, Portugal

Master in Architecture

instant city

specialization in architectural culture Architecture School, Univerity of Minho

Raumlabourberlin Berlin, Germany

co-founder

anap_gms (tixeza)

prosaico coletivo xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

portuguese

c1 english

mapeamento coletivo Devir Menor; Iconoclasistas Guimarães, Portugal

isto é uma praça

Collective Architecture/design, Porto, Portugal

Esterni (Milan); Popup Culture Guimarães, Portugal

espaço bala

casa do vapor

Co-working platform; workspace Porto, Portugal

EXYZT; AMD; PROSAICO coletivo

a3 french

b2 spanish

a 1 german

technical skills

autocad 2d 100%

sketchup 80%

rhinocerus 60%

PHOTOSHOP 90%

ILLUSTRATOR 70%

Indesign 70%


fict

"early work; first approaches;


tion

; abstract; lake of truth; utopia"


1. The Lonely Tree - reinterpre

collective housing interpreted as an element of connection between urban fabric and dom

UNITÉ D’HABITATION

TRADICIONAL HOUSING GUIMARÃES

PROPOSAL

house house

house store

house

house

public space

house

house

house

house

public space store

store

store

parcking

parcking housing

square

square

square

square

belvedere housing

gym & nursery housing

& studios

reunion

reunion

reference point

hotel

square

housing & commerce

square

housing

& commerce

housing & studios

reference point


etation of "unité d'habitation"

mestic space

PRESERVE // SYMBOL // REUNION // COMMUNITY PRESERVE // SYMBOL // REUNION // COMMUNITY PRESERVE // SYMBOL // REUNION // COMMUNITY PRESERVE // SYMBOL // REUNION // COMMUNITY

CUBORO // EROSIAN // EXCAVATION // RHYTHM CUBORO // EROSIAN // EXCAVATION // RHYTHM CUBORO // EROSIAN // EXCAVATION // RHYTHM CUBORO // EROSIAN // EXCAVATION // RHYTHM


2. 2. daydream house - ma

individual looking for ways of living. exploring the proper balance bet

to eat and to cook

process This project aims to develop the capacity to think the architectural project with a sense of specificity, appropriation and comfort. Daydream house aims to develop a supposedly unique architectural design look (based on reflective analysis of empirical experiences) that expresses the identity of each one in the inevitable clash of sociocultural conventions. Linking the sense of freedom to will and desire, it is intended that the best wish should be taken constantly and not so ephemerally, valuing the sense of everyday life instead of exception.

In project design was also proposed t ogies. Besides freehand and technica constructed in an unconventional w which helped to externalize environm


anifests and utopias

tween intention and intuition

to rethink process methodolal drawing, methodology was way, more visual and creative, ments, feelings and routines.

to SLEEP and to WASH Daydream house assumes that the project is built from the "inside", assuming the double meaning of this word: the literal "inside" the house and the metaphorical "inside" of it’s author. If the first meaning seek to privilege an aesthetic sense of domesticity (based on the ideas of comfort, scale, texture, use, appropriation), the second meaning seek to privilege an honest approach based on the memories, experimentation and individual desires. The house should be a mirror of “being,” and this “being” is also the result of the associatiom between the real and the fictional.


refle

"FACING real problems; understanding


ection

g the city; URBANITY; HEART-SEARCHING"


3. let's (re) start - eme

Proposal for intervention in Porto "islands", S達o Victor: the right to the

let's face it

1.

2.

3.

In the second half of the nineteenth century, Porto's parishes showed a significant growth due to industrial expansion. This situation led to the need for housing for the working class, with the aim of bringing live and work for greater efficiency.In this sense, emerge rows of small houses of one floor built in the backyards of bourgeois houses, called ISLANDS. The parish of Bonfim, which concentrates most industrial establishments, participated in industrial expansion and the extraordinary development of the islands. There is a greater concentration of islands in the two central blocks of Bonfim. These two blocks are laterally pressed, on one hand by the river and slope, on the other by urban design and cemetery. These blocks stand out from the ones located in north side, because they are smaller and have an open patio.

4.

5.

The street of St. Victor is an important axis that structures the area. Some of it's ramifications support clusters of housing. Most of the islands are connected to this street, what makes this road the main living space. In hierarchical terms, this use doesn't match with the expression that St.Victor street assumes. In St. Victor street people abuse on parking, which contributes negatively to the quality of public space.

6.


ergent programs

e city and to decent housing

1.

built area empty constructed

2.

open areas public space private space restricted public space parking

3.

green areas vacant public private water

let's face it 4.

program housing mixed educational public services

program

5.

multifamiliar housing bifamiliar housing single family housing mixed + multifamiliar mixed + bifamiliar mixed + single family

area under study

6.

"islands" structural axis / street sloop water

area under study

7.

"islands" structural axis / street sloop water

let's start it


4. comĂŠrcio guimarĂŁes -

Rethinking the shopping mall: a starting point for a self


- local trading system

f-sufficient city


5. about PORTUGUESE CO A NEW ORGANIZATION FOR THE PORTUGUESE COURT - Reclaiming the In the maintenance of a democratic state, the judiciary plays a vital role in ensuring not only law and order as well as the defense of citizenship. The court houses are the structures that can ensure the realization of democracy, safeguarding citizens’ rights to equality and freedom The organization of the portuguese judicial structures currently retains a configuration appropriated to a law enacted in spaces marked by conservatism and authority. The seemingly public space of the Portuguese court is marked by an excessive segregation and segmentation of its unbalanced circuits, creating inequalities among its users as well as functionality issues. Thus, the court is less and less understood by the public, and even seen suspiciously due to its authoritarianism. Therefore, the judicial architecture is far from the conception of spaces that contribute to the consolidation of citizenship’s rights, or from reaching proposals for a truly democratic service. The court is usually seen as a program of fixed and unalterable identity, so, a reflection about its actual physical obstacles is not guaranteed and they continue to affect its nature of structure of access to law and justice Hereupon, there is an urgent need for an effective study of the civil enfrocement spaces and the judicial relations established there. The research proposes to rethink the organization of the Portuguese judicial area, based on a detailed and analytical reflection of its rules and relationships, and rehearsing a new model of judicial organization based on the belief that the court should be a public service, accessible and functional and symbolically appropriate to the principles of a Democratic State

JUVENIL AND FAMILY COURT

LABOUR CO

BRAGA, PORTUGAL

BRAGA, PORT

SUSPECT

VICTIM

WITNESS

IN

BASIC ORGANIZATIONAL STRUCTURE - PROPOSAL PUBLIC CIRCULATION

PUBLIC CIRCULATION

JUDGE

COURTROOMS SECTION

ACCUSATION

_COURTROOMS SECTION

TRIALS

3ª STEP MAGISTRATES SECTION

_MAGISTRATES SECTION

2ª STEP

_ADMINISTRATIVE OFFICES

1ª STEP

INQUIRY/RECONCILIATION MEETING

NOTIFICATIONS/DOCUMENTS DELIVERY/CLARIFICATIONS

PRIVATE CIRCULATION

PRIVATE CIRCULATION

CONTROL STATION

ADMINISTRATIVE OFFICES

PUBLIC CIRCULATION

MAGISTRATES

DISPUT JURY

DEFENSE

3 SECTIONS

DISPUTE

SPECTATORS

SPECTAT

PUBLIC CIRCULATION

ORGANIZATIONAL STRUCTURE - PROPOSAL PUBLIC CIRCULATION

LW

COURTROOM

COURTROOM

WT

WT

WT

LW

LW COURTROOM

WT

WT

COURTROOM

WT

WT

LW

LW

WT

WT

COURTROOM

COURTROOM

WT

WT

LW

C

WT

C

BIB MG

LOBBY

MG

MG

LOBBY

MG

CON

BIB MG

LOBBY

MG

OFFICE FOR CIVIL CASES

OFFICE FOR CIVIL CASES

OFFICE FOR CRIMINAL CASES

MG

OFFICE FOR CRIMINAL CASES

PUBLIC

ATRIUM ARCHIVE

LOBBY

CON

MG

MG

LOBBY

INQ

WAIT. ROOM

INQ

LOBBY

MG MG

MA

PRIVATE CIRCULATION

CONTROL STATION

PRIVATE ENTRANCE

MG

RECEPTION CIVIL AND CRIMINAL SECTION

OFFICE FOR PROSECUTORS SERVICE

CIRCULATION

A

OFFICE FOR LEGAL SUPPORT

RECEPTION PROSECUTORS SERVICE

PUBLIC ENTRANCE

OFFICE FOR PROSECUTORS SERVICE

ARCHIVE


OURT - master thesis principles of equality, civil liberty and participatory democracy JUDICIAL COURT

FISCAL COURT

JUDICIAL COURT

BRAGA, PORTUGAL

BRAGA, PORTUGAL

FAMALICテグ, PORTUGAL

OURT

TUGAL

NTERMEDIARY

magistrates

3 floor

officials

2 floor

users

1 floor

users

0 floor

victim spectators

DISTRIBUTOR

JUDGE

PROSECUTOR

DEFENSE

DEFENDANT

witnesses suspect

prosecutor lawyer

judge jury

SPECTATORS

DESIGN SOLUTIONS

spectators jury

victim prosecutor witness suspect lawyer judge

TE Y

COURT ROOMS SECTION

MAGISTRATES SECTION

TORS

COURTROOM SECTION

ADMINISTRATIVE OFFICES

PUBLIC CIRCULATION lawyers

3ツェ STEP

witnesses

CRIMINAL CASES DIVISION

SEMI-PUBLIC CIRCULATION

COURTROOM

witnesses

CORTROOMS

PROSECUTORS DIVISION

CIVIL CASES DIVISION

CELAS magistrates

antechamber

magistrates

PRIVATE CIRCULATION

AGISTRATES SECTION

1 FLOOR COURT ROOMS SECTION

2ツェ STEP PROCEDURE ASSISTANCE

120m 50m

2

GROUND FLOOR MAGISTRATES SECTION

2

ADMINISTRA TIVE OFFICES

ADMINISTRATIVE OFFICES

1ツェ STEP RECEPTION 1 FLOOR

GROUND FLOOR

COURTROOMS SECTION

ADMINISTRA TIVE OFFICES

MAGISTRATES SECTION


heart

“searching for new methodologies; Sincerity; being clo


tiness

oser to reality; pleasure; making culture and means�


6. devir menor - iconoclasistas micro-industries networks of "vale do ave". collective reflection on the post-crisis

critical cartographies Devir Menor intended to be a hybrid research between architecture, critical theory and practice of materiality. "Microindustries networks of 'Vale do Ave'- A reflection on the post-crisis economy," was the subject that gave rise to one of the workshops: Critical Cartographys, developed by the group of artists and activists Iconoclasistas. Their work is based on a collective and critical mapping capable to create shared opinions, where participation and group discussion can develop ideas and intellectual thoughts. One of the most interesting points of these exercises lies in the ability to rationalize and interpret the values of everyday life and transpose their practices on a visual and debatable scale. After mapping the results are exposed publicly, an essential step for the execution of their assumptions. The results of this analytical procedures are extremely effective for the construction of new realities in architecture


7. construir junto - co

Activation of an obsolete factory through a performa asa factory

With an extention of about 24 thousand metres squares, ASA Factory was for decades one of the main companies of home-textiles in Portugal. Around 1.500 people worked here manufacturing sheets and other household textiles. It stoped laboring in 2006. "Building Together" was part of the program of the ConstructLab and took place in the ASA Factory, which brought to the project an additional responsibility to be concerned test a possibility of reusing these complexes and returning them to the city

living structure Building Together wasn't just about building a wooden structure. The participation of the students and inhabitants in the project, wich is the core of the ConstructLab experience, enable them to take active part in the renovation of the factory and of the culture of their city. It was also built a structure where they could live during the time of construction, where they could share ideas and different daily habits, reinforcing and intensely involving the group in the project. This pedagogical experience was crucial for their future role as active citizens in the shaping of their living environment


onstructlab & exyzt

ative and informal architecture

inhabitants The idea was to return the factory to the city, reintegrating it's new structure by the reunion of the artists and the inhabitants in its construction and meaning. We scattered through the city some wastes of the construction with an invitation to participate in this experience. But the wastes do not wanted to stay in the street: they wanted to return to the factory by the hand of those who were surprised by them. And then the encounter takes place, the fusion between history and expectations, between past, present and future. A moment where everyone can make culture

auditorium More than a physical and architectural construction of an auditorium for ASA, the project “Contruir Junto� (Build Together) seeks to be essentially a social construction. Construir Junto debunks the myth of babel: the Exyzt team and students who take part in the project are from various origins, abilities, ages, but the language of contruction overcomes the differences to achieve common goals. It is a universal language that goes like this: one assures that the beams are in the correct position, the other put the screw in the right place and presses .on the drill


PAVILLONS ANDCOMPANY&CO. WOrLD FreuD CeNter

u

DeLLBrÜGGe & De MOLL CAMP Der reNeGAteN

8. The Big World Exh

architectural and artistic intervention in tempe

WILLeM De rOOIJ FArAFrA

The World Big Exhibition 2012 is an exposition of 15 pavilions spread across the vast airfield. The project is a statement to the ongoing discussion about the future of the Tempelhof airport in Berlin. Together with HAU (Hebbel Theater Berlin) were invited 15 directors, architects, installation - and performance - artists. They each developed a work for the site and for a pavilion designed by Raumlabor and collaborators. The architecture of the 15 pavilions can be understood as a contribution to a discussion about sensibly managing resources. A third of the exhibition spaces involve reformations of structures that already belong to the existing facilities of the former airport field

HAruN FArOCKI PArALLeLe LuKAS FeIreISS INStItut FÜr IMAGINäre INSeLN erIK GÖNGrICH PAVILLON Der WeLtAuSSteLLuNGeN INStItut FÜr rAuMeXPerIMeNte trANSLAtION ACtS HANS-WerNer KrOeSINGer FeLDPOSt 2012

check in

MACHINA eX DIe WerKStAtt DeS MetAtrON rABIH MrOuÉ DOuBLe SHOOtING tOSHIKI OKADA uNABLe tO See trACeY rOSe tHe WOrLD IS NOt FAIr

toshiki okada pavillion

uMSCHICHteN FeStIVALzeNtruM DrIeS VerHOeVeN FAre tHee WeLL! ˘ tAMer YIGIt uND BrANKA PrLIC´ QuArtIer 52.4697°N 13.396°e

In an architectural structure reminiscent of the damaged reactor blocks in Fukushima, the director Toshiki Okada, who comes from Yokohama, together with his theater troupe chelfitsch, examines the abstraction and immeasurability of the catastrophic events in a language of reduced gestures and limited words

tamer yigit & branca prlic pavillion

Under the title “52.4697°N 13.396°E”, filmmaker Branca Prlić and the actor, musician, and director Tamer Yiğit are creating an assembly point for people without permanent residence. In particular, it is often the Sinti and Roma from Rumania or Bulgaria who are forced into permanent mobility, people who have moved further west since these two states entered the European Union. They are part 1 M IN .of an economic0migration not unlike many others in history

S u LeGeNDe tOILette FAHrrADVerLeIH GAStrONOMIe

S

S-BAHN-StAtION

/5

M IN


hibition 2012 - raumlaborberlin

elhof airport in berlin. discussion about the future of the place harun farocki pavillion

erik göngrich pavillion Assuming that the artists that are flocking to Berlin stay in the city and grow old here– what to do with these aging artists in 30 or 40 years? The “Camp of the Renegades” by Dellbrügge & De Moll is a housing project for elderly artists. We see the pavilion as the first module of a colony under construction

6M

IN

/3

M IN

Berlin-based filmmaker Harun Farocki shows the first part of a long research project with the title “Vorbild/Nachbild,” which examines the role of computer animation for simulation systems and prognostic services. It concerns the global circulation of air, fire, and water–and the demand to control a world that is marked by a growing instability in relation to the predictability of systematically defined events

15 M

dellbrügge pavillion

25

Assuming that the artists that are flocking to Berlin stay in the city and grow old here – what to do with these aging artists in 30 or 40 years? The “Camp of the Renegades” by Dellbrügge & De Moll is a housing project for elderly artists. We see the pavilion as the first module of a colony under construction

IN

/5 M

IN

tracy rose pavillion

lukas feireiss pavillion

MI

N

/1

0M

IN

The video artists, performer, and activist Tracey Rose, with the help of non-professional actors, puts on a soap opera stretched out over the whole span of the exhibition. As a stage, she uses an oversized reconstruction of a blackand-white Blaupunkt television, which had provided her family in South Africa with access to world events during the Apartheid period

In a physical structure that can simultaneously be a research laboratory and a workshop, the Berlin architect Lukas Feireiss explores the interpretations given to fictional islands in works such as Plato’s „Atlantis“, Thomas More’s „Utopia“, Daniel Defoe’s „Robinson Crusoe“, or William Golding’s „Lord of the Flies“. Under his direction, pupils from Neukölln and Tempelhof designed their ideas of the island and their transposition into the practice .of spatial design

25

MI

N

/1

0M

IN


9. isto é uma praça! - pop up

recuperation and appropriation of a historical area in ruin to build a c inclusion of inhabitants

Isto é uma Praça! (This is developed for the place adjacent to the historic do known by this name bec connected to the tanning been forgotten by the city, economically inactive and degradation

build infrastructures

In recent years it has been Isto é uma Praça! was based the recovery of a historica the construction of a co the local population. The premise that the populati during the whole process


p culture & esterni coletivo

common public space for local people making connections

s a square!) Was a project of Couros in Guimar達es, owntown area, commonly ause of its historical past g industry. This area has , recognized as socially and being left in a situation of

n under discussion again. d on two key assumptions: al space into disrepair and ommon public space for e project started with the ion would be a key actor

activities and events organization


10. casa do vapor - amd col

From "construir junto" to "Cova do Vapor": Encourage the active

the kitchen

construir junto

Cova do Vapor is a fishing village from the 1940s and is still inhabited by fishermen. It is located in Lisbon and has not been through the process of legalisation. Given its irregular status, the community has a broad record in solving problems by their own means, sustained by a strong social cohesion and tight bonds of solidarity. Therefore, Cova do Vapor presents strong sense of community and unique architectonic heritage based on a tradition of selfbuilding Casa do Vapor project is a selfproduced project in the Cova do Vapor neighbourhood in Almada, collaboratively build by the local community, the EXYZT collective and guests. It resulted from the desire to create a new project of participatory construction, reusing the wood from Construir Junto to do something new. It is hosted by local groups and associations and open to all visitors. The Casa do Vapor project is conceived as a new public space, proposing workshops, forums, performances and diverse other activities. It is providing a residency space, performance and workshop area, a bar, a hammam and various facilities for the inhabitants of Cova and the beach users

cova do


letivo & collectif exyzt

e participation and cultural valorization of the Cova do Vapor community

o vapor

steps

1.

2.

3.

4.

5.

6.

the library


dema

“An urgent requirement or need; to claim as a righ


and

ht ; duty, obligation, responsibility; citizenship�


prosaico collective was born in Oporto at the hands of a group of friends who shared the willingness to find an alternative architecture that challenged their position and role in society today. Our nonconformity and our sensitivity to the problems and potentials of our country piqued our desire to react ambition to find real solutions to real problems, acting directly on the world around us and creating change with our own hands. Prosaic because we want to celebrate the everyday and the ordinary, because we like the informal empathy, the local culture and seek to make a difference in the little things of day-to-day, seeing the architecture not as an end but a means, a tool at the service of society


11. patio acorda! - pros

pátio acorda! ("wake up patio!") : intervention and occupa São João is a celebration that takes place in several portuguese cities in honor of St. John the Baptist. From young to old people, everyone celebrates São João with many traditions associated: launching hot air balloons, hitting people's head with plastic hammers, jump over bonfires, offer manjericos and watch fireworks. This is a day of joy and excitement, where everyone takes the streets and have fun Design Institute of Guimarães opened its doors and PROSAICO / FAHR 021.3 prepared a small St. John party for everyone in a way to bring some life to a vacant patio. This patio was occupied by balloons and furniture to create a convivial and informal atmosphere that essentially sought to bring people together. The objects were created by reusing materials, such as pallets, combining design, recycling and low cost production

+ +


saico coletivo & fahr 021.3

ation of a vacant patid to celebrate conviviality and community traditions


12. espaรงo bala - prosaic

Transformation of an empty area in a space where cultu

Espaรงo BALA started as an empty and vacant area where creatives from different areas intervened, in order to create an experimental space for sharing knowledge and ideas, also generate new fronts of action and new methods for artistic production. Therefore, Espaรงo BALA proposes to relate different areas and confront nonconformists points of view, to create new experiences and work practices that allows a constant transformation of the space too. Isn't just a production lab, but also a place of publicity and exhibition, and a place for meetings. Is located in the historic center of Porto and includes common areas and individual work spaces, and a patio that works for workshops, entertainment and discussion

1.

2.

3.

4.

5.

6.


co coletivo & circus & andy calabozo

ure can be made, discussed and experienced in a nonconformist way

BAlA


13. ilha do tesouro - p

Rediscover the treasure of Cova do Vapor: the values ​​o

? Ilha do Tesouro (Treasure Island) attempted to work around the reasons that made ​​Casa do Vapor a temporary project. In this intervention was reused some of the wood that re s ulted from the dismantling of Casa do Vapor, to respond directly to the needs of Cova’s public and colective spaces, improving and reinvigorating the local infrastructures. To understand better the needs of Cova’s inhabita n ts was performed a collective mapping, which were recorded some of their concerns and difficulties (1). Acting on a small scale way, PROSAICO coletivo built permanent infrast r uctures with a very personal connection to the everyday life of Cova do Vapor and it’s inhabitants. Were rehabilitated and built new pieces of furniture for the most frequented public places (2). These interventions consisted in building benches for public use and, where w a s implanted the library of Casa do Vapor, was preserved part of the structure to rebuild a new playground for the kids (3) l The course of PROSAICO coletivo in Cova do Vapor has left remnants of what was the treasure brought by Casa do Vapor project, to be reappropriated and again experienced by everyone

?

3. 3.

3.

?

?

2.


prosaico coletivo & coletivo amd

of the informal construction and community life

I. PERFORMATIVE and collective MAPPING

2. qualification of public space

3. interventions in collective programs


14. cedofeita cintilante

art, design and everyday life come together to transfor We believe that streets can be much more: they can be filled with new uses and new meanings, can be a space of all and for all. A place to enjoy, to live, to play. Cedofeita Cintilante was a project developed by PROSAICO coletivo and inserted in RU + A initiative, that proposed to fill the streets with urban furniture capable of suggesting a different way of living Cedofeita street. Chairs, tables, benches, activities and games - objects made with an easy construction and assembly, and full of life. For one day, we've transformed Cedofeita street into a platform for experiences, exchange ideas and gather energy to look into public space like a renovated space of possibilities and potential. The art and the ordinary come together to believe in a promising future for the streets of Porto

enjoy the walls painting

hang out, chill, enjoy

play, have fun


e - prosaico coletivo & arabrab & rua

rm Cedofeita street into a public space for experimentation and entertainment recreation


! Hope you enjoyed


Portfolio patricia