The first time I came into physical contact with his work was in India, in Ahmedabad in 1992. I was totally overwhelmed by the brutalism, which he used to transform the surroundings. However, once inside the megalomaniac building there was a softness, an architectural softness. A softness that is so characteristic of his work. This play with light, the unexpected light, has made a big impression on me, far away in India.
Later on I visited Notre-Dame-du-Haut, Villa Savoye and maison La Roche. Never as a series, always separately.