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PROUD ma g a z i n e Ge t a na r t i s t i c

Do y o u

l o o k

l i k e mo d e r na r t ?

Da wa l c o l l e c t i o n

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Co n t e n t 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15

Re pl i c as t i car t Dawalc o l l e c t i o n Rhyt hm C0nt i nui t y LI f edr awi ng Spac e Bal anc e Ti nt sands hade s Te xt ur e St at i o nar y Bi l l bo ar d Magaz i ne Po s t e r We bs i t e Cdc o ve randf l ye r

1 3 4 5 6 8 9 10 11 12 14 16 17 18 20


Re p l i c a s t i c Ar t c t ur e, c opy Repl i c as t i c ar t anypi i sanar ti n whi c ho fanyt hi ngi san anexac tc opyofar tbutt heexac t any a pai nt i ng,c opyofanypai nt es pec i al l y ofa i scal l edr epl i c as t wor k ofanar t ,i gn car t . Wedesi wher e,we ar e apai nti never y noti dependent pai nwehavet o wec annotus e us eonl yonec ol or ourhandf r ee t ogi veal ookof wehave t or epl i c as t i ci t sour wor kl ook creat ogi ve i vi t yt pr oper l y angenerat eanew andt hen l ookc al l edan t hepai nt ar t .

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Ar epl i c ai sacopy t heori gi nalne ver c l os el yressembl i nge xi s t ed.Repl i c as t heori nei s andr gi nalo epr oduc t i ons c onc er ni ngi t sa c anbe r el at edt o s hapeandc i r c l e anyf or m ofl i c ene appear anc e.An ani orot her magef i nver t ed r epl i c at t ous e, , wheat heri c ompl ement st he i st hr oughphot os , or i gi nalbyf i l l i ng pos t c ar ds ,pr i nt s , i t sgap. I tc anbe mi ni at ur esorf ul l ac opy us ed f or s i z ec opi est hey anc e hi s t or i c alpur pos es , representressembl heori s uc hasbei ng i n t gi nalobj ec t . However , r epl i c as pl ac edi namus eum.

s omet i me,

have of t en been us ed.

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Da wa l c o l l e c t i o n oi t sa dvant age Thedawals el l sc ol l ec t i on backgroundt es ent i ngaprof es s i onal l y s i gnspr i nt ed pr ofbeaut i f ulde r oduc tagai ogr aphedp n onhi ghqual i t ys hi r t sThe phot t hey i ght gr aybac kgr ound, kest hi s al f l as hani mat i onma s ogi o vean oppor t uni t yt pend al des i gnsf un:youc oul ds hei rconsumert os ubmi t hour smaki ngt hemodel st hei rownwor kand j oi n s pi nar oundand s how of ft t sc r eat i ve c ommuni t y t hei rt s hi r t s ,yetanot her i t yl i hwor ki n pl ac et obuygr eatt s hi t s Thedawals pi r edoodl l esofc r eat i ve andsubmi s i gn s tyourownde ewhoj oi nedusand Thedawalus est hedar k peopl kwi t hus . phot oi n t hebac kgr ound wor

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R

hy t h m

Rhyt hm as equenc ei n t i mer epeat ed, f eat ur e vi ng i ndanc eanear l ymo pi c t ur e demons t r at es t z . Si mpl edupl t hewal e as ur e dr um pat t er n, i sme hpopul armus i nmuc i c c ompoundt r i pl edr um pat t er n,di vi dest hr ee beat si ont ai n nt ot hr eec onrepi evel s .Any t i t i onl t i on r egul arr ec ur r i ngmo s ymmet r y ,maybet he gener al l ydef i nedasa movementmar kedby t her egul at edsuccessi on of s t r ong and weak el ement soraoppos i t e ordi f f er entc ondi t i ons Thi sgener almeani ng r egul arr ec c ur anc eor pat t er ni nt i memaybe appl i ed t ot he wi dea var i et yofac onnec t i on

c yl i c alnat ur alphenomena havi ng a per i odi c i t y or f r equenc yofanyt r om hi ngf omi l l i onsof mi c r os ec ondst year s . I nt heper f or manc e ar tr hyt hm i st he t i mi ng ofan event sonahuman s c al e:ofmus i c als ounds ands i l enc eof t he s t eps ofdanc e,ort hemet erof ndpoet r y s pokenl anguagea Rhyt hm mayal s or ef ert o vi s ual pr es ent at i on as t i medmovementt hr ough s pac eandac ommont ype l anguage.

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Co n t i n u i t y I nf i c t i onc ont i nui t yi s al s ocal i mes c heme l edt i sc ons i s t enc yof t he per s on, pl ot , obj ec t sand eader or pl ac ess eenbyr vi eweroversomeperi od oft i me. I ti srel evanc et o Cont i nui t y s ever almedi a. i spar t i c ul ar l yc onc er n i nt heproduct ff i l m i ono andt t ot he el evi s i ondue di f f i c ul t y ofr ec t i f yi ng aner r ori nc ont i nui t y af t ers hoot i ng hasi t s wr appedupI tal s o appl i es

t oar tf or msi nc l udi ng novel s , nd c omi c s , oper aa vi deogames , t hr ougha us ual l y ona s mal l er s c al e.I nc omi c books , c ont i nui t yhasc omet o t hemeana s etwhi c h

of c ont i guoousevent s , s omet i mes ai dt obes et i nt hes ameunver s eor s eper at euni ver s es .i sa Todaymai nt i ni gs t r ong pl otandt he c har ac t er c ont i nui t yi sal s oahi gh i t er s pr i or i t yf ormanywr unni ngt el evi s i on ofl ongr s er i es . 5


Li f e d r a wi n g The t er m c an al s o r ef ert ot he produci ng ac tofs uc h dr awi ng. Fi gur edr awi ngi sthe mos tdi f f i c ul ts ubj ec t an ar t i s tc ommonl y enc ount er s ,and enti r e c our s esar ededi c at ed t ot hes ubj ec t .

A l i f e dr awi ng i sa wor kt hathasbeen dr awnf r om anar t i s t t o obs er ve ofa l i f e model .


I ns t r ument . Ther e ar es ever alki nd ofpenci c har eus ed l swhi i nl i f edr awi ngs uc h as , 2b,4b,6b or2h,4h,6h. t hes e al l penc i l spl ay di f f er entr ol e, H ar et i nt s andBar es hady .

Theabovef l owerand bel ow watchal s omade hes epenci hes e f r om t l st al lpenc i l sar ehel pf ul i f f er entpl ac ewi t h i nd outpenc i lt her ei sone anot herthi c hi s ngwhi wi r k? yourhandho t swo 7


Spac e Ther ear et wot ypesof gat i ve s pac epos i t i veandne t he wi t houtc ol orar ea whi c hi swhi t e , i ti sne gat i ve andt hec ol or f ular ea i s pos i t i ve ar ea.I t sver y har dt odef ot har eas i neb

Thes et wo ar epai nt ofs pac e,Ipai ntt hi s i nr ed c ol or one i s t r i angl eunderc i r c l e i semptyc i r c l ear eai s negat i ve and out er i spos i t i vear ea. 8


Bal anc e Bal anc ei sanar thavi ngt aken ever yt hi ngi nt oconsi nbal anc e der at i ono


Ti nt sandShades I nc ol ort heor yat i nt i st hemi xt ur eofwhi t e whi c hi nc r eas el i ght nes s andas hadei st he mi xt ur eofac ol orwi t h bl ac kwhi c hr educ esl i ght nes s ,Mi xi ngac ol or wi t hanyneut r alc ol or ,I nc l udi ngbl ac k andwhi tr educ est hec hr omac ol or f ul nes s whi l et hehuer emai nsunc hanged


Te x t u r e Theways o me t hi ngf eel s whent ouc he d, e at e n,t het e xt ur eofwood,s ki net c . Thi st ext ur ei smadebyme,i nt hi st ext ur ev ,ius ed paperandt he ni tr o undt heot heri sal s oapaper madef r onts mi l e yf i gur eandus edpr i mar yand ne ut r alc ol or .

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Da wa l ’ s l o g o

Thi si sal o gomadef ordawalout f i t s f i r s tt i mewei t r o duc e dadawalbr andi npaki s t an. Dawali sf o rne wc l as s i c alandf ors t yl i s hTs hi r t s andc r e at eahi ghqual i t ybr andi nt hi sl ogoi us edr edc o l o ri tr e l at e st oaname dawal . Dawali s pas ht owor dandr e dc o l o ri st hec ul t ur alc ol orofpas ht o s peaki n. Dawali sno to nl yf o rpas ht oc ons umerbutal s o wec he e ral lc ons umer .

Da wa l ’ s v i s i t i n g

c a r d

Da wa l ’ sEn v e l o p

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Da wa l ’ s Le t t e r h e a d

13


Da wa l ’ s

14


l ’ s Bi l l b o a r d

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Thi si smagaz i neadde s i gnf ordawalout f i t snew c o l l e c t i o ni t st ar get mar ke ti sal lt hec ons umer whowant st obeane wl o okl i keas mar tdawl i e. 16


That sapo s t e rmadef o rdawalus eddawal l o go , mai nhe adi ngandwi t h bl ac kandgr ayt heme andal s ous e do fvi s uali t sanew l ookofdawal . 17


Da wa l ’ s we b s i

18


b s i t e h o me p a g e

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Da wa l ’ s c dc o v e r Thi si sac dc o ve ro fdawal ’ soutf i t s i nt hi sc dc o ve rihavebur ntmyal lwor k whi c hide s i gnf ordawalout f i t l i kemagaz i ne , po s t e randbi l l boar det c .

Da wa l ’ s f l y e r

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De s i g n e d b y

I l y a s a l v i

Al v i _ i l y a s @y a h o o . c o m

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