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ANDREA L. REINKEMEYER

Through Leaves for Percussion and Fixed Media with Optional Live Processing* Commissioned by and dedicated to JAY BORDELEAU, percussion (2004)

* The fixed media is available in the following formats: 2-, 4-, and 8-channels (DAT, CD [WAV/AIFF/MP3], DA-88). MAX/MSP Patch is available for live processing


I N STR U M E NTATI O N : Concert Bass Drum (Large) O-daiko Bongos 3 Temple Blocks 2 Suspended Cymbals Sizzle Cymbal Wind Gong F2 Nipple Gong Marimba (range to F2) 28� Timpani Other instrument substitutions may be made in consultation with the composer.


PERCUSSION KEY Tape

Non-pitched Percussion

Abbreviations:

ã

÷

w

w

Bass Drum

O-daiko

BD

O-D

¿

Hit side of drum

w Bongos: Low BNG

w High

w Temple Blocks: Low TB

w Medium

w High

w

w

w

Suspended Cymbal Sizzle Cymbal SUS

SIZ

Wind Gong WG

& Marimba

? MAR w

Necessary bass note

Nipple Gong

Timpani

? NG w

? TIMP w

bw

28" (range above)

·

w/ inverted Suspended Cymbal on Timpani head; Roll on both the Cymbal & Head Allow to ring

Gradually Faster

Gradually Slower

-wire Wire Brushes

-w Wood Sticks

-mhy Medium Hard Yarn Mallets

-sy Soft Yarn Mallets

-rute -bow Bundle Play w/ of Sticks Bow


TECHNICAL REQUIREMENTS: The fixed media accompaniment for “Through Leaves” is divided into two parts; it is available in multiple formats (DA-88, DAT, CD, AIF, AUP). Each track starts according to the notation in the score, but is not intended for precise alignment. Track 1 begins in m. 9 and ends around m. 26; Track 2 begins in m. 41 and ends before the percussion. I have left some silence at the end of the Track 1 to facilitate switching between the two files. 8-channel setup (use 8ch files, tracks 8-23)

4-channel setup (use quad files, tracks 4-7)

Tape Track Assignments: 8-Speakers 1 (front) 3 4 5 6 7 8 2

4-Speakers 1, 3 4, 6 5, 7

2, 8

8-channel – Track 1 1) tl-tape1-8ch-1-05-0219.AIFF 2) tl-tape1-8ch-2-05-0219.AIFF 3) tl-tape1-8ch-#-05-0219.AIFF

This file goes to speaker 1 This file goes to speaker 2 This file goes to speaker # ETC.

8-channel – Track 2 Named as above, except tl-tape2-8ch-#-05-0219.AIFF Optional Live Processing: This piece may also be processed live via three microphones that run to a MAX patch (created by Greg Laman) to be loaded on a machine at your facilities. It is also recommended to run this feed through an FX processor that adds a little reverb to the percussion. If you should choose to go this route, the microphones should be placed above the marimba, temple blocks and sizzle cymbal. If submitted on a CD, here is a list of the included files: * Through Leaves for Percussion & Tape (track 1) * ACCOMPANIMENT: 2-channel (use stereo files, tracks 2-3) * ACCOMPANIMENT: 4-channel setup (use quad files, tracks 4-7) * ACCOMPANIMENT: 8-channel setup (use 8ch files, tracks 8-23)


THROUGH LEAVES for Percussion and Fixed Media* with Optional Live Processing Commissioned by and dedicated to JAY BORDELEAU, percussion

Andrea L. Reinkemeyer (b. 1976)

ã

Tape

÷

Non-pitched Percussion

WG SUS BD

NonPitch

> ˙ ÷ jæ œ

∏

21

NonPitch

∑

Freely, within q = 48 jŒ

BD

œ

ƒ

œœ æ

j j ÷ œæ. œ œ œæ > > çps j œ

TR. 1 Begins - gongs

∑

3 ?4

Nipple Gong

14

Freely, within q = 48

Œ

Œ

∑

j‰ Œ Œ œ

∑ BNG O-D

-rute (rim)(ord.)

Œ Œ ¿j œæ ˙æ > ∏ ∑

(Get rute)

-bow

˙. p

œœ ˙˙ æ p

j œ

BD

j j j œ œæ. œ œ œæ > > p sÍ

Ͼ. >

j œ

j œ œæ > f

∑

j œ

∑

Ͼ

∑

j æ œ- ‰ Œ œ j œ

œæ ˙æ p j œ

∑

∑

∑

∑

˙æ

U

Œ

allow sound to fade

œæ ¿æ ¿æ œj œæ > j œ

∑

∑

˙ æ f

˙.

j œ ‰ ‰ œj ˙ > π ç BD NG

∑

˙.

o

∑

(-rute)

˙.

j œ

˙æ. Ø

∑

˙æ. p

˙æ.

ps

∑

∑

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ >œ œ œ œ œ œ œ >œ œ œ œ >œ œ œ œ >œ œ œ œ œ œ œ œ >œ œ œ œ œ œ œ œ > > > > ââ â â > ∏ j œ

-hands

ä ˙. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ. ç

* The accompaniment is available in the following formats: 2-, 4-, and 8-channels (DAT, CD [WAV/AIFF/MP3], DA-88). © Copyright 2004 Andrea L. Reinkemeyer (BMI). All Rights Reserved.

˙.

BNG O-D

SIZ O-D -fingertips

j œ

∑

SUS BD

-wire

∑

‰ j œ ˙ ç

˙.

Continues through m. 28 (transition to marimba)

ä j œ œ œ J æ ps

œ æ

œ ∑‰ œ J ∏

TR. 1 Ends

U

∑

to mar.


2

- THROUGH LEAVES 28

NonPitch

÷

∑

Ó

? bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ j œ Ø MAR -sy

Mar.

äœ @J f

(TB) 32

NonPitch

÷

∑

Mar.

37

Mar.

?UΠ?U w P NG

N.G.

39

Tape

j b œæ œ ∏

-mhy

Ó ˙æ

b ˙æ

Ͼ

j j‰ œ & bœ ß

4 b œj b ˙æ 4 œ ˙ @J æ ∑

j œ

æœj

Ͼ. p

œ- œ œ æ æ æ

Ͼ

Ó

Œ

j œ

j œ

j bœ <

b Ͼ.

∑ ˙-æ

Œ

œ æJ

Ͼ p

j œ

(MAR)

œ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

n

œ æ

œ œ œ œ œ œ œ œ œ œ œ œ œœœœœœœœ

Œ

Ó

f

?

œ œ œ œ¯ œ¯ œ¯ > œ. œ. b œ b œ œ œ¯ œ. œ. œ œ œ œ œ œ œ œ œ b œ œ œ b œ œ œ- œ- œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ. b œ b œ œ œ œ œ œ œ . . ∏ > Ï ∑

∑

ã

? UŒ

j œ

Broadly

(w/ processing, wait for the texture to clear a bit)

Mar.

j bœ

Œ

œ. æ

j œ

TB

> œ >œ >œ U˙ b œ > b œ œ œ œ b >œ œ œ œ œ œ œ œ œ œ œ œ æ bœ bœ œ œ œ Í

TR. 2 Begins: gongs, singing

∑

q = 48

∑

humming

w Ø

gliss.

b b wæw ƒ

rit.

bb ˙æœ æ

œ æ

œ˙æ. æ

j æœ

q = 48

wæ w ∏ j œ

w

j œ ‰ Œ œ

Ó

to wind gong

3 4


3 44

Tape

3 ÷4

NonPitch

54

Tape

Œ.

œ.

˙.

63

& ? ˙. ˙. æ

˙

∏

œ

˙.

œ J ‰

œ

∑

TIMP w/ Inverted SUS on Head

?

Œ

∑

Œ ˙. æ

Œ

b ‚ ‚ Oæ

÷

gliss.

æœj œæ. Œ ˙. æ

b ˙æ

˙

Œ

Oæ.

˙. Œ.

œ.

∑ WG

gliss.

Oæ Ø

∑

b Oæ

œ.

-sy

∑

∑ ‚æ

œ.

˙.

˙

∑

? Oæ.

Timp.

˙

WG -bow

ã ˙.

?

Mar.

Mar.

ã

j Ͼ Ͼ

Œ

∏

Ͼ.

b ˙˙æ . æ

‚æ.

‚æ

b˙. œ

œ

˙

∑

tap w/ handle

˙

˙.

œ

Œ

TIMP

?

‚æ.

æœj œæ b œæ

j b œ œ œæ.

(ord.)

gliss.

˙æ.

œ˙æ.. æ

∑

‚æ.

gliss.

œ œ

b Oæ. π

œ

b Oæ.

j Ͼ Ͼ

œæ˙ . æ

b‚

Œ

b˙ ˙

œ ˙.

j œ ∏

humming

œ

j b œ œ œæ.

j œ ‰ Œ

b ˙œæ.. æ

j œ < ∏

(ord.) (+ SUS)

p

˙. ˙. æ Ø MAR

‚æ

gliss.

˙. ˙. æ

gliss.

b ‚æ.

∑

b ‚æ ‚@ Oæ

∑ b œæ.

‚æ.

˙

(+ SUS)

∑

œ

˙

∑

(ord.)

gliss.

œ

∑ ‚æ.

˙æ.

gliss.

∑ (+ SUS)

Œ

- THROUGH LEAVES

÷

U

WG

œ J

-mhy

P

·

˙ ∑

&


4

- THROUGH LEAVES 72

Tape

ã

q = 60

∑

∑

q = 60

82

Mar.

?

∑

j æœ b œæ b œæ œæ æ œæj ˙æ bœ

& ˙æ j œ p ¯ ¯ ? ‰ b œJ b œ œ¯ œ æ

Mar.

∑

bœ æ

Œ

4 ?4U NG

œ œæ ˙æ.

¯ œ b œ¯ œ œ œ¯ œ¯ œ¯ b œ œ¯ œ¯ b œ¯ œ¯ æ < <

˙ æ

bœ ∏

Œ

œ

œ

œ

œ

j œ

œ< b œ œ<

œ

‰ œ Œ J

j œ æ æ œæ bœ bœ

˙æ

œ

‰ œ Œ J

œ< œ <

œ

œ

œ-

œ

‰ œ J

∑

æj æ œ œ.

b Ͼ

œ

æ œ.

æ œ.

¯ b œ¯ ¯ œ ¯ œ œ bœ bœ œ< b œ œ < < <

œ< b œ œ<

œ

∑

œ

œ

œ

U

∑

œæ. bœ. œ-

∑

U

∑

˙æ. ˙. f ˙æ. ˙.

?

U

to NG/Mar

∑

œ œ œ œ œ œ œ œ œ œ œ œ œ

4 4

&

w ß

N.G.

83

84

&

œ

6 & 4 bœ

Í

œ

œ

œ

œ

œ

œ

œ

œ œ

œ

œ

œ

bœ œ œ

œ

œ

œ

œ œ

œ

œ

œ

œ

œ œ œ

œ

œ

bœ œ

œ

œ

œ

œ

œ

œ

œ

œ

bœ œ œ œ b œ œ œ œ œ

œ

œ nœ

Broadly

œ œ

œ

˙>

œ

œ >

œ œ >

œ œ > Ï

6 4 3 4


5 -j œ

>j œ

-rute 85

NonPitch

N.G.

÷ ?

3 4

Œ

Œ

Ͼ

p ∑

˙æ

j œ

∑

Ͼ

œæ ˙æ j œ

∑

f

Œ

Œ

Ͼ

ps ∑

˙æ

j œ

æ œ > ∑

Ͼ

j œ >

BD NG

U

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ œj ˙ ç ∑

U

‰ j œ ˙ ç

∑ ∑

U

˙. < ç U

˙. ç

∑ ∑

- THROUGH LEAVES

U

˙. ç U

˙. ç

Through Leaves (2004) for Percussion and Digital Playback with Optional Live Processing  
Through Leaves (2004) for Percussion and Digital Playback with Optional Live Processing  

Music Score. Andrea Reinkemeyer. Commissioned by Jay Bordeleau, multi-percussionist.

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