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ANDREA L. REINKEMEYER

Through Leaves for Percussion and Fixed Media with Optional Live Processing* Commissioned by and dedicated to JAY BORDELEAU, percussion (2004)

* The fixed media is available in the following formats: 2-, 4-, and 8-channels (DAT, CD [WAV/AIFF/MP3], DA-88). MAX/MSP Patch is available for live processing


I N STR U M E NTATI O N : Concert Bass Drum (Large) O-daiko Bongos 3 Temple Blocks 2 Suspended Cymbals Sizzle Cymbal Wind Gong F2 Nipple Gong Marimba (range to F2) 28� Timpani Other instrument substitutions may be made in consultation with the composer.


PERCUSSION KEY Tape

Non-pitched Percussion

Abbreviations:

ã

÷

w

w

Bass Drum

O-daiko

BD

O-D

¿

Hit side of drum

w Bongos: Low BNG

w High

w Temple Blocks: Low TB

w Medium

w High

w

w

w

Suspended Cymbal Sizzle Cymbal SUS

SIZ

Wind Gong WG

& Marimba

? MAR w

Necessary bass note

Nipple Gong

Timpani

? NG w

? TIMP w

bw

28" (range above)

·

w/ inverted Suspended Cymbal on Timpani head; Roll on both the Cymbal & Head Allow to ring

Gradually Faster

Gradually Slower

-wire Wire Brushes

-w Wood Sticks

-mhy Medium Hard Yarn Mallets

-sy Soft Yarn Mallets

-rute -bow Bundle Play w/ of Sticks Bow


TECHNICAL REQUIREMENTS: The fixed media accompaniment for “Through Leaves” is divided into two parts; it is available in multiple formats (DA-88, DAT, CD, AIF, AUP). Each track starts according to the notation in the score, but is not intended for precise alignment. Track 1 begins in m. 9 and ends around m. 26; Track 2 begins in m. 41 and ends before the percussion. I have left some silence at the end of the Track 1 to facilitate switching between the two files. 8-channel setup (use 8ch files, tracks 8-23)

4-channel setup (use quad files, tracks 4-7)

Tape Track Assignments: 8-Speakers 1 (front) 3 4 5 6 7 8 2

4-Speakers 1, 3 4, 6 5, 7

2, 8

8-channel – Track 1 1) tl-tape1-8ch-1-05-0219.AIFF 2) tl-tape1-8ch-2-05-0219.AIFF 3) tl-tape1-8ch-#-05-0219.AIFF

This file goes to speaker 1 This file goes to speaker 2 This file goes to speaker # ETC.

8-channel – Track 2 Named as above, except tl-tape2-8ch-#-05-0219.AIFF Optional Live Processing: This piece may also be processed live via three microphones that run to a MAX patch (created by Greg Laman) to be loaded on a machine at your facilities. It is also recommended to run this feed through an FX processor that adds a little reverb to the percussion. If you should choose to go this route, the microphones should be placed above the marimba, temple blocks and sizzle cymbal. If submitted on a CD, here is a list of the included files: * Through Leaves for Percussion & Tape (track 1) * ACCOMPANIMENT: 2-channel (use stereo files, tracks 2-3) * ACCOMPANIMENT: 4-channel setup (use quad files, tracks 4-7) * ACCOMPANIMENT: 8-channel setup (use 8ch files, tracks 8-23)


THROUGH LEAVES for Percussion and Fixed Media* with Optional Live Processing Commissioned by and dedicated to JAY BORDELEAU, percussion

Andrea L. Reinkemeyer (b. 1976)

ã

Tape

÷

Non-pitched Percussion

WG SUS BD

NonPitch

> ˙ ÷ jæ œ

∏

21

NonPitch

∑

Freely, within q = 48 jŒ

BD

œ

ƒ

œœ æ

j j ÷ œæ. œ œ œæ > > çps j œ

TR. 1 Begins - gongs

∑

3 ?4

Nipple Gong

14

Freely, within q = 48

Œ

Œ

∑

j‰ Œ Œ œ

∑ BNG O-D

-rute (rim)(ord.)

Œ Œ ¿j œæ ˙æ > ∏ ∑

(Get rute)

-bow

˙. p

œœ ˙˙ æ p

j œ

BD

j j j œ œæ. œ œ œæ > > p sÍ

Ͼ. >

j œ

j œ œæ > f

∑

j œ

∑

Ͼ

∑

j æ œ- ‰ Œ œ j œ

œæ ˙æ p j œ

∑

∑

∑

∑

˙æ

U

Œ

allow sound to fade

œæ ¿æ ¿æ œj œæ > j œ

∑

∑

˙ æ f

˙.

j œ ‰ ‰ œj ˙ > π ç BD NG

∑

˙.

o

∑

(-rute)

˙.

j œ

˙æ. Ø

∑

˙æ. p

˙æ.

ps

∑

∑

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ >œ œ œ œ œ œ œ >œ œ œ œ >œ œ œ œ >œ œ œ œ œ œ œ œ >œ œ œ œ œ œ œ œ > > > > ââ â â > ∏ j œ

-hands

ä ˙. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ. ç

* The accompaniment is available in the following formats: 2-, 4-, and 8-channels (DAT, CD [WAV/AIFF/MP3], DA-88). © Copyright 2004 Andrea L. Reinkemeyer (BMI). All Rights Reserved.

˙.

BNG O-D

SIZ O-D -fingertips

j œ

∑

SUS BD

-wire

∑

‰ j œ ˙ ç

˙.

Continues through m. 28 (transition to marimba)

ä j œ œ œ J æ ps

œ æ

œ ∑‰ œ J ∏

TR. 1 Ends

U

∑

to mar.


2

- THROUGH LEAVES 28

NonPitch

÷

∑

Ó

? bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ j œ Ø MAR -sy

Mar.

äœ @J f

(TB) 32

NonPitch

÷

∑

Mar.

37

Mar.

?UΠ?U w P NG

N.G.

39

Tape

j b œæ œ ∏

-mhy

Ó ˙æ

b ˙æ

Ͼ

j j‰ œ & bœ ß

4 b œj b ˙æ 4 œ ˙ @J æ ∑

j œ

æœj

Ͼ. p

œ- œ œ æ æ æ

Ͼ

Ó

Œ

j œ

j œ

j bœ <

b Ͼ.

∑ ˙-æ

Œ

œ æJ

Ͼ p

j œ

(MAR)

œ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

n

œ æ

œ œ œ œ œ œ œ œ œ œ œ œ œœœœœœœœ

Œ

Ó

f

?

œ œ œ œ¯ œ¯ œ¯ > œ. œ. b œ b œ œ œ¯ œ. œ. œ œ œ œ œ œ œ œ œ b œ œ œ b œ œ œ- œ- œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ. b œ b œ œ œ œ œ œ œ . . ∏ > Ï ∑

∑

ã

? UŒ

j œ

Broadly

(w/ processing, wait for the texture to clear a bit)

Mar.

j bœ

Œ

œ. æ

j œ

TB

> œ >œ >œ U˙ b œ > b œ œ œ œ b >œ œ œ œ œ œ œ œ œ œ œ œ æ bœ bœ œ œ œ Í

TR. 2 Begins: gongs, singing

∑

q = 48

∑

humming

w Ø

gliss.

b b wæw ƒ

rit.

bb ˙æœ æ

œ æ

œ˙æ. æ

j æœ

q = 48

wæ w ∏ j œ

w

j œ ‰ Œ œ

Ó

to wind gong

3 4


3 44

Tape

3 ÷4

NonPitch

54

Tape

Œ.

œ.

˙.

63

& ? ˙. ˙. æ

˙

∏

œ

˙.

œ J ‰

œ

∑

TIMP w/ Inverted SUS on Head

?

Œ

∑

Œ ˙. æ

Œ

b ‚ ‚ Oæ

÷

gliss.

æœj œæ. Œ ˙. æ

b ˙æ

˙

Œ

Oæ.

˙. Œ.

œ.

∑ WG

gliss.

Oæ Ø

∑

b Oæ

œ.

-sy

∑

∑ ‚æ

œ.

˙.

˙

∑

? Oæ.

Timp.

˙

WG -bow

ã ˙.

?

Mar.

Mar.

ã

j Ͼ Ͼ

Œ

∏

Ͼ.

b ˙˙æ . æ

‚æ.

‚æ

b˙. œ

œ

˙

∑

tap w/ handle

˙

˙.

œ

Œ

TIMP

?

‚æ.

æœj œæ b œæ

j b œ œ œæ.

(ord.)

gliss.

˙æ.

œ˙æ.. æ

∑

‚æ.

gliss.

œ œ

b Oæ. π

œ

b Oæ.

j Ͼ Ͼ

œæ˙ . æ

b‚

Œ

b˙ ˙

œ ˙.

j œ ∏

humming

œ

j b œ œ œæ.

j œ ‰ Œ

b ˙œæ.. æ

j œ < ∏

(ord.) (+ SUS)

p

˙. ˙. æ Ø MAR

‚æ

gliss.

˙. ˙. æ

gliss.

b ‚æ.

∑

b ‚æ ‚@ Oæ

∑ b œæ.

‚æ.

˙

(+ SUS)

∑

œ

˙

∑

(ord.)

gliss.

œ

∑ ‚æ.

˙æ.

gliss.

∑ (+ SUS)

Œ

- THROUGH LEAVES

÷

U

WG

œ J

-mhy

P

·

˙ ∑

&


4

- THROUGH LEAVES 72

Tape

ã

q = 60

∑

∑

q = 60

82

Mar.

?

∑

j æœ b œæ b œæ œæ æ œæj ˙æ bœ

& ˙æ j œ p ¯ ¯ ? ‰ b œJ b œ œ¯ œ æ

Mar.

∑

bœ æ

Œ

4 ?4U NG

œ œæ ˙æ.

¯ œ b œ¯ œ œ œ¯ œ¯ œ¯ b œ œ¯ œ¯ b œ¯ œ¯ æ < <

˙ æ

bœ ∏

Œ

œ

œ

œ

œ

j œ

œ< b œ œ<

œ

‰ œ Œ J

j œ æ æ œæ bœ bœ

˙æ

œ

‰ œ Œ J

œ< œ <

œ

œ

œ-

œ

‰ œ J

∑

æj æ œ œ.

b Ͼ

œ

æ œ.

æ œ.

¯ b œ¯ ¯ œ ¯ œ œ bœ bœ œ< b œ œ < < <

œ< b œ œ<

œ

∑

œ

œ

œ

U

∑

œæ. bœ. œ-

∑

U

∑

˙æ. ˙. f ˙æ. ˙.

?

U

to NG/Mar

∑

œ œ œ œ œ œ œ œ œ œ œ œ œ

4 4

&

w ß

N.G.

83

84

&

œ

6 & 4 bœ

Í

œ

œ

œ

œ

œ

œ

œ

œ œ

œ

œ

œ

bœ œ œ

œ

œ

œ

œ œ

œ

œ

œ

œ

œ œ œ

œ

œ

bœ œ

œ

œ

œ

œ

œ

œ

œ

œ

bœ œ œ œ b œ œ œ œ œ

œ

œ nœ

Broadly

œ œ

œ

˙>

œ

œ >

œ œ >

œ œ > Ï

6 4 3 4


5 -j œ

>j œ

-rute 85

NonPitch

N.G.

÷ ?

3 4

Œ

Œ

Ͼ

p ∑

˙æ

j œ

∑

Ͼ

œæ ˙æ j œ

∑

f

Œ

Œ

Ͼ

ps ∑

˙æ

j œ

æ œ > ∑

Ͼ

j œ >

BD NG

U

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ œj ˙ ç ∑

U

‰ j œ ˙ ç

∑ ∑

U

˙. < ç U

˙. ç

∑ ∑

- THROUGH LEAVES

U

˙. ç U

˙. ç

Profile for Andrea REINKEMEYER

Through Leaves (2004) for Percussion and Digital Playback with Optional Live Processing  

Music Score. Andrea Reinkemeyer. Commissioned by Jay Bordeleau, multi-percussionist.

Through Leaves (2004) for Percussion and Digital Playback with Optional Live Processing  

Music Score. Andrea Reinkemeyer. Commissioned by Jay Bordeleau, multi-percussionist.

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