حراك البلوره - Crystalisim movement

‫ﺣِﺮاك َ اﻟﺒﻠﻮره‬

‫اﻟﻤﺠﺘﻤﻊ اﻟﻤﻌﻤﺎري‬

Architecture Society

‫ﻣﻦ ﻧﺤﻦ؟‬ ‫ ﻧﻘﺪم ﺣﻠﻮل ﺗﺼﻤﻴﻤﻴﺔ ﺑﺈﺳﺘﺨﺪام‬.‫ﻧﺤﻦ ﻣﺠﺘﻤﻊ ﻣﻬﺘﻢ ﺑﺎﻷﻓﻜﺎر اﻟﻤﻌﻤﺎرﻳﺔ اﻹﺑﺪاﻋﻴﺔ‬ ‫اﻟﺘﻘﻨﻴﺎت اﻟﺤﺪﻳﺜﺔ واﻟﺨﺎﻣﺎت اﻟﻤﺘﻨﻮﻋﺔ اﻟﻤﺒﺘﻜﺮة ﺑﺤﻴﺚ ﻧﻄﻮرﻫﺎ ﻣﻊ اﻟﺨﺒﺮاء‬ ‫واﻟﻤﺨﺘﺼﻴﻦ ﻓﻲ اﻟﻤﺠﺎﻻت اﻟﻤﺘﻌﺪدة و ﻧﺴﻌﻰ ﻟﺘﻌﺰﻳﺰ وإﺛﺮاء اﻟﺜﻘﺎﻓﺔ اﻟﻤﻌﻤﺎرﻳﺔ‬ ‫اﻹﺑﺪاﻋﻴﺔ ﺑﺸﺘﻰ ﺗﺨﺼﺼﺎﺗﻬﺎ ﻟﺮﻓﻊ ﻣﺴﺘﻮى ﺟﻮدة اﻟﺤﻴﺎة وإﺿﺎﻓﺔ ﺑﺼﻤﺔ ﺟﻤﺎﻟﻴﺔ ﻓﻲ‬ .‫ﺣﻴﺎة اﻟﻔﺮد واﻟﻤﺠﺘﻤﻊ‬ What is the Architecture Society in Ithra?

We are a community interested in creative ideas. We provide design solutions using diverse and innovative elements and materials that we develop with experts and specialists in multimedia fields. We try to enhance and enrich creative culture in its various specializations and raise the level of quality of life and an aesthetic imprint on the life of the individual and society.

‫اﻟﻤﺠﺘﻤﻊ اﻟﻤﻌﻤﺎري‬

Design by

‫ﻣﻦ ﺗﺼﻤﻴﻢ‬

: ‫أﻋﻀﺎء اﻟﻔﺮﻳﻖ‬

‫ ﻃﻼل ﻋﺒﺪ اﻟﻜﺮﻳﻢ اﻟﻘﺤﻄﺎﻧﻲ‬.‫م‬ Eng. Talal Alqahtani +966561444018 E.taq@hotmail.com In/talal-alqahtani

‫ أﺣﻤﺪ ﻋﻴﺪ اﻟﻄﻠﺤﻲ‬.‫م‬ Arch. Ahmed Altalhi +966531366933 arch.altalhi@gmail.com In/Ahmed-Altalhi

‫ ﻃﻴﻒ اﻟﻤﺎﻧﻊ‬.‫م‬ Eng. Tayf Almana +966507610065 Tayfalmana@gmail.com In/tayf-almana

‫ ﺟﻮد ﺻﺒﺮ‬.‫م‬

Eng. Joud Sabr Joudsabr.designs@hotmail.com In/joud-sabr

‫اﻟﻤﺠﺘﻤﻊ اﻟﻤﻌﻤﺎري‬

Philosophy of movement In the first meeting within the group, we began discussing the interests of each member among us, and then formulating general questions that helped us reach common characteristics between us, and from them we concluded the movement, which is Crystalisim . , which symbolizes clarity from opposites. The movement took the methodology of harmony resulting from contrast as an essential element in the constructive philosophical confrontation. To reconcile opposites, inspired by the quote “unity of opposites” - Herclitus, where a unique and distinct artistic language was formed by combining sharp and flowing lines to carve gaps and prominence in the element through points of intersection and spread throughout it.

‫ﻓﻠﺴﻔﺔ اﻟﺤﺮاك‬ ‫ﺑﺪأﻧﺎ ﻓﻲ اول ﻟﻘﺎء داﺧﻞ اﻟﻤﺠﻤﻮﻋﺔ ﺑﺎﻟﻨﻘﺎش ﺣﻮل‬ ‫اﻫﺘﻤﺎﻣﺎت ﻛﻞ ﻋﻀﻮ ﺑﻴﻨﻨﺎ وﻣﻦ ﺛﻢ ﺻﻴﺎﻏﺔ أﺳﺌﻠﺔ ﻋﺎﻣﺔ‬ ‫ﺗﺴﺎﻋﺪﻧﺎ ﻓﻲ اﻟﻮﺻﻮل اﱃ ﺻﻔﺎت ﻣﺸﺘﺮﻛﺔ ﺑﻴﻨﻨﺎ وﻣﻨﻬﺎ‬ ‫اﺳﺘﻨﺘﺠﻨﺎ اﻟﺤﺮاك اﻻ وﻫﻮ اﻟ َﺒﻠﻮَ ره واﻟﺬي ﻳﺮﻣﺰ اﱃ‬ ‫اﻟﻮﺿﻮح ﻣﻦ اﻟﻤﺘﻀﺎدات‪ ،‬ﻓﺄﺧ َﺬ اﻟﺤِ ﺮاك ﻣﻨﻬﺠﻴﺔ اﻟﺘﻨﺎﻏﻢ‬ ‫اﻟﻨﺎﺗﺞ ﻣﻦ اﻟﺘﺒﺎﻳﻦ ﻛﻌﻨﺼﺮ اﺳﺎﺳﻲ ﻓﻲ اﻟﺘﻮاﺟﻪ‬ ‫اﻟﻔﻠﺴﻔﻲ ﺑﻨﺎءاً ﻋﻠﻰ اﻟﺘﻮﻓﻴﻖ ﺑﻴﻦ اﻟﻤﺘﻀﺎدات اﺳﺘﻠﻬﺎﻣًﺎ‬ ‫ﺣﻴﺚ ‪unity of opposites" - Herclitus‬ﻣﻦ اﻗﺘﺒﺎس "‬ ‫ﺗﻜﻮﻧﺖ ﻟﻐﺔ ﻓﻨﻴﻪ ﻣﺘﻔﺮدة وﻣﺘﻤﻴﺰة ﻋﺒﺮ اﻟﺠﻤﻊ ﺑﻴﻦ‬ ‫اﻟﺨﻄﻮط اﻟﺤﺎدة واﻻﻧﺴﻴﺎﺑﻴﺔ ﻟﻨﺤﺖ اﻟﻔﺠﻮات واﻟﺒﺮوز‬ ‫ﻓﻲ اﻟﻌﻨﺼﺮ ﻋﺒﺮ ﻧﻘﺎط اﻟﺘﻘﺎء واﻧﺘﺸﺎر ﻓﻲ ﺧﻼﻟﻪ‪.‬‬

Questionnaire We began to ask questions in order to reach a deeper understanding of the cultural accumulations and surrounding factors influencing, and thus the subconscious mind was affected. It became clear that the attributes were formed as a result of the mixing of accumulations of opposite ideas of winter and summer, darkness and light. This is what created a meaning for each attribute through their opposition. Hence, our concept began to embody these qualities and make them systematic that can be projected into any tangible product.

The questions were as follows: What is your favorite color?

What type of environment do you prefer?

What type of design fonts do you prefer?

What attracts you to architecture?

After analyzing the answers, common characteristics were found: Light warm colors ----- Dark cool colors Places full of details ----- clear open places Straight lines ----- curved lines Form and sensory composition ----- the dramatic, non-sensory aspect

‫اﻻﺳﺘﺒﻴﺎن‬ ‫ﺑﺪأﻧﺎ ﻓﻲ ﻃﺮح أﺳﺌﻠﺔ ﺣﺘﻰ ﻧﺘﻮﺻﻞ ﻟﻔﻬﻢ أﻋﻤﻖ ﺣﻮل اﻟﺘﺮاﻛﻤﺎت اﻟﺜﻘﺎﻓﻴﺔ‬ ‫واﻟﻌﻮاﻣﻞ اﻟﻤﺤﻴﻄﺔ اﻟﻤﺆﺛﺮة‪ ،‬وﺑﺬﻟﻚ ﺗﺄﺛﺮ اﻟﻌﻘﻞ اﻟﻼواﻋﻲ‪.‬‬ ‫واﺗﻀﺢ ان اﻟﺼﻔﺎت ﺗﻜﻮﻧﺖ ﻧﺘﻴﺠﺔ اﻣﺘﺰاج ﺗﺮاﻛﻤﺎت اﻓﻜﺎر ﻣﺘﻀﺎدة اﻟﺸﺘﺎء‬ ‫واﻟﺼﻴﻒ ‪ ،‬اﻟﻈﻼم واﻟﻨﻮر‪ ،‬ﻓﻬﺬا اﻟﺬي أوﺟﺪ ﻣﻌﻨﻰ ﻟﻜﻞ ﺻﻔﺔ ﻋﻦ ﻃﺮﻳﻖ‬ ‫ﺗﻀﺎدﻫﺎ‪.‬‬ ‫وﻣﻦ ﻫﻨﺎ ﺑﺪأ ﻣﻔﻬﻮﻣﻨﺎ ﺑﺘﺠﺴﻴﺪ ﻫﺬه اﻟﺼﻔﺎت وﺟﻌﻠﻬﺎ ﻣﻨﻬﺠﻴﺔ ﻳﻤﻜﻦ‬ ‫اﺳﻘﺎﻃﻬﺎ ﻓﻲ اي ﻣﻨﺘﺞ ﻣﻠﻤﻮس‪.‬‬ ‫وﻛﺎﻧﺖ اﻷﺳﺌﻠﺔ ﻛﺎﻟﺘﺎﻟﻲ‪:‬‬ ‫ﻣﺎ ﻫﻮ اﻟﻠﻮن اﻟﻤﻔﻀﻞ؟‬ ‫ﻣﺎ ﻧﻮع اﻟﺒﻴﺌﺔ اﻟﺬي ﺗﻔﻀﻠﻪ؟‬ ‫ﻣﺎ ﺗﻮع اﻟﺨﻄﻮط اﻟﺘﺼﻤﻴﻤﺔ اﻟﺬي ﺗﻤﻴﻞ ﻟﻪ؟‬ ‫ﻣﺎ اﻟﺬي ﻳﺠﺬﺑﻚ ﻟﻠﻌﻤﺎرة؟‬ ‫وﺗﻢ اﻟﺘﻮﺻﻞ اﻟﻰ ﺻﻔﺎت ﻣﺸﺘﺮﻛﺔ ﺑﻌﺪ ﺗﺤﻠﻴﻞ اﻷﺟﻮﺑﺔ وﻫﻲ‪:‬‬ ‫أﻟﻮان داﻓﺌﺔ ﻓﺎﺗﺤﺔ ‪ -----‬أﻟﻮان ﺑﺎردة ﻏﺎﻣﻘﺔ‬ ‫اﻷﻣﺎﻛﻦ اﻟﻤﻠﻴﺌﺔ ﺑﺎﻟﺘﻔﺎﺻﻴﻞ ‪ -----‬اﻷﻣﺎﻛﻦ اﻟﻤﻔﺘﻮﺣﺔ اﻟﻮاﺿﺤﺔ‬ ‫اﻟﺨﻄﻮط اﻟﻤﺴﺘﻘﻴﻤﺔ ‪ -----‬اﻟﺨﻄﻮط اﻟﻤﻨﺤﻨﻴﺔ‬ ‫اﻟﺸﻜﻞ واﻟﺘﻜﻮﻳﻦ اﻟﺤﺴﻲ ‪ -----‬اﻟﺠﺎﻧﺐ اﻟﺪراﻣﻲ اﻟﻼﺣﺴﻲ‬

Our environment

‫ﺑﻴﺌﺘﻨﺎ‬

Brainstorming We began to connect contradictory qualities and achieve harmony and coherence between them by achieving curved lines with sharp edges, creating original shapes, then sculpting them and adding details.

‫اﻟﻌﺼﻒ اﻟﺬﻫﻨﻲ‬ ‫ﺑﺪأﻧﺎ ﻓﻲ رﺑﻂ اﻟﺼﻔﺎت اﻟﻤﺘﻀﺎدة وﺗﺤﻘﻴﻖ اﻟﺘﺠﺎﻧﺲ‬ ‫واﻻﻧﺴﺠﺎم ﺑﻴﻨﻬﺎ ﻣﻦ ﺧﻼل ﺗﺤﻘﻴﻖ ‪،‬ﻟﺨﻄﻮط اﻟﻤﻨﺤﻨﻴﺔ ﻣﻊ‬ ‫واﻟﺤﻮاف اﻟﺤﺎدة‪ ،‬اﻟﺘﻜﻮﻳﻦ ﺑﺄﺷﻜﺎل اﺻﻴﻠﺔ وﻣﻦ ﺛﻢ ﻧﺤﺘﻬﺎ‬ ‫واﺿﺎﻓﺔ اﻟﺘﻔﺎﺻﻴﻞ‪،‬‬

Interactive design We began to connect contradictory qualities and achieve harmony and coherence between them by achieving curved lines with sharp edges, creating original shapes, then sculpting them and adding details.

‫اﻟﺘﺼﻤﻴﻢ اﻟﺘﻔﺎﻋﻠﻲ‬ ‫ﺗﻢ اﻟﻤﻨﺎﻗﺸﺔ ﻣﻊ اﻟﻤﺠﻤﻮﻋﺎت اﻷﺧﺮى ﺿﻤﻦ اﻟﻤﺠﺘﻤﻊ‬ ‫اﻟﻤﻌﻤﺎري وذﻟﻚ ﻹﻋﻄﺎء ﺗﺨﻴﻼت ﻋﻠﻰ اﻟﺨﺼﺎﺋﺺ‬ ‫اﻟﻤﺴﺘﻨﺘﺠﺔ وﻛﻴﻒ ﻳﺘﺨﻴﻞ ﻛﻞ ﻋﻀﻮ ﺿﻤﻦ اﻟﻤﺠﺘﻤﻊ ﺗﻜﻮﻳﻦ‬ ‫اﻟﺤﺮاك اﻟﺨﺎص ﺑﻨﺎ‪.‬‬

Artificial Intelligence We formulated the characteristics extracted from the questionnaire, created initial visualizations for them using artificial intelligence, and explored the greatest possible possibilities.

‫اﻟﺬﻛﺎء اﻟﺼﻨﺎﻋﻲ‬ ‫وﻗﻤﻨﺎ ﺑﺼﻴﺎﻏﺔ اﻟﺼﻔﺎت اﻟﻤﺴﺘﻨﺘﺠﺔ ﻣﻦ اﻻﺳﺘﺒﻴﺎن واﻧﺸﺎء ﺗﺨﻴﻼت أوﻟﻴﺔ ﻟﻬﺎ‬ ‫ﺑﺎﻟﺬﻛﺎء اﻟﺼﻨﺎﻋﻲ واﺳﺘﻜﺸﺎف أﻛﺒﺮ ﻗﺪر ﻣﻦ اﻻﺣﺘﻤﺎﻻت اﻟﻤﻤﻜﻨﺔ‪.‬‬

‫دراﺳﺔ ﻋﻦ اﻻﻋﻤﺪة‬ ‫ ﻳﻘﻮم اﻟﻌﻤﻮد‬،‫اﺑﺘﺪأت ﻣﻜﺎﻧﺔ اﻷﻋﻤﺪة ﺗﺎرﻳﺨﻴﺎ ﻛﻌﻨﺼﺮ إﻧﺸﺎﺋﻲ ﻛﺎﻟﻌﻤﻮد واﻟﻌﺎرﺿﺔ‬ ‫ﺑﺪﻋﻢ اﻻﺳﻘﻒ ﻣﺴﺘﻐﻨﻴﺎ ﻋﻦ اﺳﺘﺨﺪام اﻟﺠﺪران و داﻋﻢ ﻣﺮﻛﺰي ﻟﻼﺳﻘﻒ ﻓﻲ‬ ‫ ﻻﺣﻘﺎ‬،‫اﻟﻤﺒﺎﻧﻲ اﻟﺼﻐﻴﺮة وﻳﺴﻤﺢ ﺑﺪﺧﻮل اﻟﻀﻮء ﻋﻨﺪ اﻻﺳﺘﻌﻤﺎل ﻓﻲ اﻟﻤﺪاﺧﻞ‬ ‫ﻓﻲ ﻋﻬﺪ اﻹﻏﺮﻳﻖ‬.‫اﺳﺘﻄﺎع اﻟﻌﺎﻣﻮد ان ﻳﻘﺪم ﺑﺪاﺋﻞ ﺟﻤﺎﻟﻴﺔ ﻟﻮاﺟﻬﺎت اﻟﻤﺒﺎﻧﻲ‬ ‫واﻟﺮوﻣﺎن واﻟﻤﺼﺮﻳﻴﻦ ﺗﻢ ﺗﻄﻮﻳﺮ اﻟﺘﻨﻈﻴﻢ اﻟﻜﻼﺳﻴﻜﻲ ﻟﻼﻋﻤﺪة ﺣﻴﺚ اﺑﺘﺪأت ﺑﺎﺧﺬ‬ ‫ﺑﻌﺪ اﻛﺒﺮ ﻣﻦ ﻣﺠﺮد اﻧﺸﺎﺋﻲ وﺗﺤﻮﻟﺖ اﱃ رﻣﺰ اﺟﺘﻤﺎﻋﻲ واﻗﺘﺼﺎدي ﻓﻲ اﻟﻤﻌﺎﺑﺪ‬ ‫اﺗﺨﺬت اﻻﻋﻤﺪة ﺷﻬﺮة واﺳﻌﺔ ﻓﻲ ﻋﻬﺪ اﻟﻨﻬﻀﺔ وﻓﻲ‬.‫واﻟﻘﺎﻋﺎت واﻟﻤﻴﺎدﻳﻦ‬ ‫ ورﻣﺰ ﻟﻠﻘﻮة واﻷﺑﺪﻳﺔ‬،‫اﻟﻘﺮن اﻟﻌﺸﺮون ﻟﻤﺎ ﺗﻤﺜﻠﻪ ﻣﻦ ﺟﻤﺎﻟﻴﺎت ﻗﺪﻳﻤﺔ‬ ‫ ﺧﻼل اﻟﻌﺼﻮر أﺻﺒﺢ ﻟﻠﻌﻤﻮد اﻟﺤﺪﻳﺚ إﻣﻜﺎﻧﻴﺎت ﺟﺪﻳﺪة ﻛﻌﻨﺼﺮ‬.‫واﻟﺪﻳﻤﻘﺮاﻃﻴﺔ‬ .‫ﻋﺎﻣﻮدي ذا ﻓﻌﺎﻟﻴﺔ ﻓﻲ اﻟﺘﻌﺒﻴﺮ واﻹﺑﺪاع واﻻﺑﺘﻜﺎر ﺑﺒﺴﺎﻃﺔ وﺗﻜﻠﻔﺔ ﻣﻨﺨﻔﻀﺔ‬ ‫ﺗﻌﺪدت اﻹﻣﻜﺎﻧﻴﺎت ﻓﻲ اﻟﺘﻄﺒﻴﻖ واﻻﺳﺘﺨﺪام ﺳﻮاﺋﺎ ﻓﻲ اﻟﻤﺴﺎﺣﺎت اﻟﺨﺎرﺟﻴﺔ أو‬ .‫اﻟﺸﺮﻓﺎت أو اﻷرﺻﻔﺔ واﻣﺎﻛﻦ اﻟﺘﺮﻓﻴﻪ‬

Case study for culmons Columns historically started as structural elements as in beam and post. Supporting ceilings without the use of solid walls, and as a central support for the roofs in small buildings. To allow the entrance of more light. And later on, it started to offer an alternative aesthetic to building exteriors.The ancient Greek, Roman, and Egyptian developed the classical orders of columns. Columns started to take forms beyond structural purposes in architecture and morphed into social-economical symbols in temples, courts and arenas.Columns gained popularity in the Renaissance. And in the 20th century, it recalled the beauty of ancient architecture. symbolizing power, agelessness, mad democracy.Throughout the eras, the modern columns had new capabilities. A useful vertical supportive element that is expressive, creative and innovative, minimal and low cost. The possibilities varied in its application as being used outdoors, porches, terraces, and entertainment areas.

‫ﻫﺎﻣﻪ‬ ‫ وذﻟﻚ‬،‫اﻟﻬﺪف اﻟﺮﺋﻴﺴﻲ ﻣﻦ ﺑﺪاﻳﺘﻨﺎ ﺗﻄﻮﻳﺮ ﺣﺮاك ﻣﺤﻠﻲ ﺟﺪﻳﺪ‬ ‫ﻟﺘﻤﺜﻴﻞ اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ ﺑﺸﻜﻞ ﻋﺎﻟﻤﻲ وﺗﻮﺛﻴﻖ‬ ‫ﺛﻘﺎﻓﺘﻬﺎ ﻣﻦ ﺧﻼل إﺑﺪاع ﻃﺮاز ﻳﺘﺼﺪر اﻟﻤﺠﺎﻻت اﻟﺘﺼﻤﻴﻤﻴﺔ ﻋﻠﻰ‬ ‫ أﻃﻠﻘﻨﺎ أول ﻣﻨﺘﺞ ﻟﻬﺬا‬،‫ ﻟﻬﺬا اﻟﺴﺒﺐ‬.‫اﻟﺼﻌﻴﺪﻳﻦ اﻟﻤﺤﻠﻲ واﻟﻌﺎﻟﻤﻲ‬ ‫اﻟﺤﺮاك‬ .‫ وﻫﻮ اﻟﻮاﺟﻬﺔ ورﻣﺰ اﻻﻋﺘﺰاز ﺑﺘﺮاﺛﻨﺎ‬،"‫) اﻟﺒﻠﻮره( واﺳﻤﻴﻨﺎه "ﻫﺎﻣﻪ‬ ‫ﺗﺠﻠﻰ ذﻟﻚ ﻓﻲ ﺗﺼﻤﻴﻢ اﻟﻌﻤﻮد اﻟﺬي ﺗﻢ ﻧﺤﺘﻪ وﺗﺼﻤﻴﻤﻪ ﺑﺸﻜﻞ‬ ً .‫اﺳﺘﻘﺒﺎﻻ ﻟﻠﺠﻤﻬﻮر واﻟﺰوار‬ ‫ﺑﺎرز وواﺿﺢ ﻓﻲ اﻟﺠﺰء اﻷﻣﺎﻣﻲ ﻟﻴﻜﻮن‬

Hama, Top of head The main goal of our beginning is to develop a new local movement, in order to represent the Kingdom of Saudi Arabia globally and document its culture by creating a style that takes the lead in the design fields at the local and global levels. That's why we launched our first product for this movement (The crystal) and we called it “Important”, and it is the showcase and symbol of pride in our heritage. This was evident in the design of the column, which was carved and designed prominently and clearly in the front part to be a reception for the public and visitors.

Diagrams The column was designed so that its base was completely circular to represent the connection to the land and originality, and then the spread of the curves that make up the sculpture as it proceeded from the earth to the sky to represent ambition and inspiration, and therefore it does not end with the column, but rather continues visually and does not end. Lines were added to define the column's facade and match the design idea, and then reverse lines were formed in line with the curves to form branches that would shine with dramatic diffused lighting.

‫اﻟﺮﺳﻮم اﻟﺒﻴﺎﻧﻴﺔ‬ ‫ﺻﻤﻢ اﻟﻌﺎﻣﻮد ﺑﺤﻴﺚ ﺗﻜﻮن ﻗﺎﻋﺪﺗﻪ داﺋﺮﻳﻪ ﻛﺎﻣﻠﻪ ﻟﺘﻤﺜﻞ اﻻرﺗﺒﺎط ﺑﺎﻷرض‬ ‫واﻷﺻﺎﻟﺔ وﻣﻦ ﺛﻢ اﻧﺘﺸﺎر اﻟﻤﻨﺤﻨﻴﺎت اﻟﻤﻜﻮﻧﺔ ﻟﻠﻨﺤﺖ ﺣﻴﺚ ﺗﻨﻄﻠﻖ ﻣﻦ اﻷرض‬ ‫اﱃ اﻟﺴﻤﺎء ﻟﺘﻤﺜﻞ اﻟﻄﻤﻮح واﻟﻬﻤﻪ وﻟﺬا ﻓﻬﻲ ﻻ ﺗﻨﺘﻬﻲ ﻣﻊ اﻟﻌﺎﻣﻮد ﺑﻞ‬ ‫ﺗﺴﺘﻤﺮ ﺑﺼﺮﻳﺎ وﻻ ﺗﻨﺘﻬﻲ‪ .‬وﺗﻢ إﺿﺎﻓﺔ ﺧﻄﻮط ﻟﺘﺤﺪد واﺟﻬﺔ اﻟﻌﺎﻣﻮد‬ ‫وﺗﺘﻄﺎﺑﻖ ﻣﻊ اﻟﻔﻜﺮة اﻟﺘﺼﻤﻴﻤﻴﺔ‪ ،‬وﻣﻦ ﺛﻢ ﺗﻜﻮﻳﻦ ﺧﻄﻮط ﻋﻜﺴﻴﺔ ﺗﺘﻤﺎﺷﻰ‬ ‫ﻣﻊ اﻟﻤﻨﺤﻨﻴﺎت ﻟﺘﻜﻮﻳﻦ اﻟﺘﻔﺮﻳﻌﺎت اﻟﺘﻲ ﺳﺘﺸﻊ ﺑﺈﺿﺎءات ﻣﺸﺘﺘﺔ دراﻣﻴﻪ‪.‬‬

‫ﺗﻄﻮﻳﺮ اﻟﺘﺼﻤﻴﻢ‬ ‫دراﺳﺔ وﺗﻄﻮﻳﺮ ﻧﺴﺐ اﻟﻌﺎﻣﻮد ﺣﺘﻰ ﺗﺨﻠﻖ ﺷﻌﻮر ﻳﻤﺰج ﺑﻴﻦ‬ ‫ وﺗﻢ اﺧﺘﻴﺎر اﻷﺳﻄﻮاﻧﺔ ﻛﺸﻜﻞ أوﻟﻲ ﻳﺘﻢ‬١/٤‫اﻻﻧﺴﻴﺎﺑﻴﺔ واﻟﺼﺮاﻣﺔ‬ ‫ وﻟﺬا ﺗﻢ اﻟﺘﻄﻮﻳﺮ اﱃ ان أﺻﺒﺤﺖ اﻟﻮاﺟﻬﺔ‬.‫اﻟﺘﻜﻮﻳﻦ واﻟﻨﺤﺖ ﺧﻼﻟﻪ‬ .‫ﻣﺴﺘﻘﻴﻤﻪ ﺑﺤﻴﺚ ﺗﻈﻬﺮ اﻟﻨﺤﺖ وﺗﺒﺚ اﻳﺤﺎء ﺑﺎﻟﺼﺮاﻣﺔ واﻟﻤﺮوﻧﺔ‬

Design development Studying and developing the proportions of the column in order to create a feeling that combines fluidity and rigor1/4.

The cylinder was chosen as the initial shape through which the composition and sculpture take place. Therefore, the development was carried out until the facade became straight, showing the sculpture and conveying an illusion of rigor and flexibility.

Cladding development Exploring the possible possibilities for materials that are compatible with the design idea of the column, the details that can be added, and the resulting effects by using artificial intelligence to speed up the development process, and then choosing a pure and clear material to emphasize the column and the complete harmony between the opposites and highlight it through shadow and light.

‫ﺗﻄﻮﻳﺮ اﻟﺘﻜﺴﻴﺔ‬ ‫اﺳﺘﻜﺸﺎف اﻻﺣﺘﻤﺎﻻت اﻟﻤﻤﻜﻨﺔ ﻟﻠﺨﺎﻣﺎت اﻟﺘﻲ ﺗﺘﻮاﻓﻖ ﻣﻊ اﻟﻔﻜﺮة اﻟﺘﺼﻤﻴﻤﻴﺔ‬ ‫ﻟﻠﻌﺎﻣﻮد واﻟﺘﻔﺎﺻﻴﻞ اﻟﺘﻲ ﻳﻤﻜﻦ اﺿﺎﻓﺘﻬﺎ واﻟﺘﺄﺛﻴﺮات اﻟﻨﺎﺗﺠﺔ ﻋﻨﻬﺎ ﻋﻦ ﻃﺮﻳﻖ‬ ‫اﺳﺘﻌﻤﺎل اﻟﺬﻛﺎء اﻟﺼﻨﺎﻋﻲ ﻟﺘﺴﺮﻳﻊ ﻋﻤﻠﻴﺔ اﻟﺘﻄﻮﻳﺮ‪ ،‬وﻣﻦ ﺛﻢ اﺧﺘﻴﺎر ﺧﺎﻣﻪ ﺻﺎﻓﻴﺔ‬ ‫واﺿﺤﺔ ﻟﺘﺆﻛﺪ اﻟﻌﺎﻣﻮد واﻻﻧﺴﺠﺎم اﻟﻜﺎﻣﻞ ﺑﻴﻦ اﻟﻤﺘﻀﺎدات واﺑﺮازه ﻋﻦ ﻃﺮﻳﻖ‬ ‫اﻟﻈﻞ واﻟﻨﻮر‪.‬‬

Drawings and Details

‫اﻟﺮﺳﻮﻣﺎت واﻟﺘﻔﺎﺻﻴﻞ‬

Architecture Society

‫اﻟﻤﺠﺘﻤﻊ اﻟﻤﻌﻤﺎري‬