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To One In Paradise Edgar Allen Poe

 

Adam Buffington (b. 1992)

q=54

                                 pp gently                            sim. q=54

  

7

q=75 mp expressively, yearning

     

   

 

          

 

Thou wast

                               

  

12

love,

    

      

       For

which my soul

       

  

- that to me,

q=75



  

p expressively

   

   

 

    

  

   

did pine,

        



all

   

Copyright © 2013

A

        

     

 

 


2

 

      

green isle in the sea,

     

love,

A

       

     

        

   

               

25

                                        

   

   

    

  



          

                    

sim.

And

 rit.     

wreathed with fair - y fruits and flo - wers,

               

           

 

                        

20

All

  

foun -tain and a shrine,

  





         



all

   

    the

flo - wers

      

             





were

mine.



16

      

 


3 30

 

p



Ah, 



  

 



  

37

 

 

 

dream

 

                  

too bright

         

   

   to



   

Ah, star -ry Hope!



                 that didst a - rise

        

last!



 

 

                                        

  

44

pp calmly



But to be o -ver - cast!

           



 

   A

 

 

 

                   






4

  

51

voice

    from

55

rit.

the

fu - ture

out

         

            

               

 



cries,

 

                                  

 p

On!

                                        

57

   



  on!

f

           

 

 But

                                                                  


5

  

 

or'er

the

Past

59

                                                                      

61

 



Dim

gulf!

                                                                           



64

                               

                          


6 66

 

 

my

    3      

spir - it ho - ver - ing lies

                                                                     

69



        

Mute, mo tion less,

    

73

  

     And all

           

            



   

a - ghast!

 

p

        

     

And all

my night - ly dreams

     



my days are

tran - ces,

     

   p   

  

      

rubato



    

Are where

    

       

thy grey eye glan

     

-

 

  

 

   

ces,

And

 

 


                      

75

where thy foot step gleams

                

             

79

q=54

In what eth real dan - ces,

7 ppp

          

By what e - ter - nal streams.

         

  

 

    

                       pp                  q=54

 

84

sim.

                                     

    


To One in Paradise