Page 1

Sean Friar

Out
of
Line 











for
chamber
orchestra

Score in C

Instrumentation 1 Flute (doubling piccolo and alto flute) 1 Oboe 1 Bb Clarinet (doubling bass clarinet) 1 Bassoon 1 Horn in F 1 Trumpet in C 1 Bass Trombone Percussion 1 Marimba (5 octaves) Xylophone Percussion 2 Glockenspiel kick Vibraphone w/ motor s drum 3 Glass Bottles (hi, med, low)   1 Brake Drum 1 Kick Drum (or bass drum, if kick drum unavailable)

glass bottles

 

brake drum

Piano Strings (4.3.2.2.1)

Notes: 




Though
I
always
like
to
try
different
compositional
techniques
and
approaches
whenever
I
begin
a
new
piece, I
often
find
the
way
I
can
best
get
a
foothold
is
to
come
up
not
with
a
harmony,
a
gesture,
or
even
a
melody,
but a
simple
musical
line—really,
just
a
series
of
pitches—that
seem
juicy
to
me,
and
pressing
on
from
there.

Out
of Line
started
off
as
an
exercise
in
taking
this
idea
to
the
extreme
by
using
a
single
line
and
exploding
it
throughout the
orchestra—I
wanted
to
make
monophonic
music
sound
as
non‐monophonic
as
possible.

As
is
always
the
case, this
was
more
of
a
jumping‐off
point
for
me
than
it
was
a
rule
to
rigorously
stick
to,
and
as
the
piece
progresses the
through‐line
opens
up
and
gives
rise
to
other
lines,
chords
and
rich
textures.
 ‐‐Sean
Friar


Out
of
Line

Score
in
C q=94 Spasmodic:
explosive
and
static

   Oboe        p

Bass
Clarinet in
Bb



8
seconds  

ppp

hard
mallet (+
=
dead
stroke)             

 

mf

   

soft
mallet motor
on
(low)

  

vibraphone

Piano

  

          

 

 

 

 

  pizz. Violin
I     p

mp pizz.

Violin
II

  

  

  

mp pizz.

Viola

pizz.

Cello

  

Double
Bass

  5

Fl.

 Bs.
Trb. 

Perc.
2

Pno.

     

Vc.

Db.





 

pizz.

f



 

 

fppp



  

  

     

pp

mf

   



   



 

f

    f    

p



p

       

f

arco.

 

very
heavy
bow
pressure
on
attack

 

fpp



 

niente





 

 

  

 

  

f

f

 non
vibrato,
at
first    

f

fpp

 

pizz.

  

       

pizz.

 

mf



pizz.

    

ff



   







p



 

pizz.

f

     



hard
mallet

hard
mallet

p



arco.

 



ffp

              f

marimba

   

 ff



   

punchy f

mf







      ffp f       

   

      

p

  

 

 

mf

f



p



 



p



f

Vla.

 

f

ff



xylophone

  

non
vibrato,
at
first

     

Vln.
II

p



p

f

 Vln.
I 

        

    

f



 

   

  



 

 

 

B.
Cl.

Perc.
1

f

  

 



 

Ob.

Bsn.

  

mp

mp pizz.



 

muffle

always
pedal
unless
notated
otherwise p static,
unwavering

  

mf

 

marimba

Percussion
2

 

non
vib.



    p

Percussion
1

Sean
Friar

for
chamber
orchestra



 

  

mf

mf

Copyright
©
2009
by
Sean
Friar
Music
(ASCAP)



    

         

  

ff

 

f arco.

  

 



f

 

 

 

f

   

        

f secco

 

   f


2

   

4
seconds

  Fl.   9

heavy
vibrato
(c.
1/4
tone)

f

    

        heavy
vibrato
(c.
1/4
tone)

Ob.

  

B.
Cl.

 

  fff

Bsn.

Hn.

Perc.
1

Perc.
2

Vln.
I

 

 





 

 

f

      

 

f

     

 

f

 

 

 

 

  

 

 

 

 

 

 

 

        

 

 

 

    

     

  

 

 

 

ff

 

     

pizz.

Db.

 

 

arco.

 mf

    

 

 

arco.

ff

mf

p

 

 

 

 

 

 

 

 

 

 

 

   

 

 

 

 

 

 



soft
mallet

  

  

dampen

  

 

p

 

 



 

 

 

 

 

 

 



   

 

 

 



  

   

 

 

 

 

      

 

pizz.

delicately

ff

Vc.

p

     

 

 

ff

 

 

ff

(+
=
dead
stroke)

 

Vla.

ff

 

 



Vln.
II



mf

Pno.

 

 



C
Tpt.

Bs.
Trb.

  

ff

f

seamlessly
begin to
flutter
tongue

  

4
seconds



p

pizz.

p

 

pizz.

 p

pp

   

pp





mp


A   Fl.   16

     

         

 

 

            

       

 

mf fff

ff

B.
Cl.

 

                          

fp

Bsn.

    

C
Tpt.

Bs.
Trb.

  

 

 

hard
mallet

mf

 

   

     

 

Vln.
I



mp





  

  

     



devastating f

     



  

 



 

  

  

 

  

   

 

 

 

arco. sul
pont.

mf



 





                

 

          

 

 



 

 

  

          arco.

very
aggressively

 

 

          

very
aggressively

              

                

    at
the
frog         very
aggressively f

very
aggressively

ff

arco.

f

 

   

fff

bass
drum



 

 

 

       

 

 

 

       

 

 

    

 

 

 

snap
pizz.      

 

ff

          

   

arco.

 

ff

arco.

f

mf

ff

 

     

 

 

     fff

ff

mf

 

 

f

very
aggressively

  

mf

 

ff

 

mf fff

       

fff



    

ff

  

   

electric

 

 

 



 

mf

   

    Db.  



xylophone

  

ff

ff

fp



   

   

strike

                                 

    

ff

f

ff

Vc.

 

scrape
in
steady
circular
motion
(2
rotations
per
measure) p

ff

Vla.

   

ff

Vln.
II

brassy fp

 

ff

 

  

   

      

    

f

   

 

Pno.

      



brake
drum

Perc.
2

  

 

ff

f

  

 

mf

buoyantly p

Perc.
1

 

  

    

        

f

f

Hn.

   

fff

ff

Ob.

3

            very
aggressively

pizz.

fff

fff

ff

   

fff

     ff

 


4

  Fl.   

  

  

  

non
vib.

20

Ob.

 

B.
Cl.

Bsn.

  

 

 

 

 



 

    

  

 

    



f

   



     

non
vib.

ffp

   



   

arco.     



    

arco.

    



  



f

 





fpp

    

arco.      

p

     

f

 

fff

    

ff

Db.





ff

Vc.



  

ff

      

 

 

 

Vla.

 

     

  

Vln.
II

ff

Vln.
I

  

  Bs.
Trb.    

Pno.



ffp

  

   

  ff

non
vib.

ff

Perc.
2



p

  Hn.  C
Tpt.





 

 

ff





 







 



ff



 



  

   

  





   

 

sul
pont. pp sul
tasto

pp

ff

   23

B.
Cl.

Hn.

Bs.
Trb.

Pno.

Vc.

 

flutter
tongue



 

stopped

  

p

  

  



  

 

 



gliss.

pp

 p

 

  gliss.



mp

 

 

 

  f

Db.

 f


  28

Fl.

B



Piccolo

 



    



       

    



ff

fff

B.
Cl.

   





Clarinet
in
Bb

          

  





     

 nat.    f

Bs.
Trb.



  





 

 



    

     

 



pp

  



    



 

  

mf

 

 

 

   

f

 



  

on    



plunger
mute

       

f

xylophone

fff

 

  

f

   

ff

fff



 

     

      

f

Perc.
1



C
Tpt.

ff

f

Hn.



fff

ff

Bsn.

5

       

ff

f

Ob.

 

   



ff

f

Perc.
2

  



f

mp

 

     



 Vln.
I 



 



        

arco.

     

Vla.

         

           

arco.

      

ff

arco.

           

Vc.

    fff

           

fff

ff

Db.

       ff

 

         

vigorously

fff



  

    

 

          

         

        fff

 

       

ff

fff

    

 

fff

           

 



f

ff

Vln.
II

mf

ff

 

 



Pno.



      

        

         

        

         

 



   

      

   

       

   

                 

   

 

 

 


6

32     Fl.    

Ob.

Cl.

Bsn.

Hn.

C
Tpt.

Bs.
Trb.

Perc.
1

Perc.
2

Pno.

Vln.
I

Vln.
II

Vla.

   

       

    

     

    

fff

ff

    

    

ff

    

Ob.

Cl.

Perc.
2

Pno.

Vln.
I

  

   

 

   

 

 

C

 

 C
Tpt.  Perc.
1

ff

ff

f

ff

     gritty

 

            ff            breath
accent     ff

 

   

  

 

   

  

     

  

      

  

 

    

   

    

    

    

   



p f

ff

     fff       ff

  

      fff

    

marimba

 

   



ffpp

hard
mallets

     



   

 begin
color
trill.

slowly
at
first, increasing
speed
as
you
crescendo

begin
color
trill.

slowly
at
first, increasing
speed
as
you
crescendo

    ff



 

fff

  

              

    

    

   

    



      

  

fpp



       

       

ff

ff

        ff          

  

 

 

fff

   

 

      

  

      

  

        

    

     fff

      

fff

       

ff

fff

 









fff



 

  

 

 

niente

  fff

 

 

   

fff

 

fff

 

     heavy
vib.

ff



fff

      

ff

   

  

       

 

fff

   

  

   

ff

  

pp

    pizz.   

         

ffp

non
vib. 

 





   

ff

  

    

          

flute

  

          

     



 

 

      

 

 

36

Fl.

   Db.  

f

f

Vc.

  

 

      

 

     

ff

  

 

  

  

ff

   

 

  

   

   

brassy

off      

 

 

     

    

  

ff

     

    

 

 

  ff

     


D A
bit
faster    39

Fl.

Ob.

Cl.

Bsn.

Driving,
edgy q=96  

  

  

   

 

ff cutting

ff

ff

   

   

   

cutting

cutting

Bs.
Trb.

  



     



   

 

          

  



  

   

  

                             



     

    





 





  

       





   

  





 

3           



 

     

  



   

         

   

    3

   

   

3

3

brassy

ff

       punchy,
incisive

  

  

  

  

    

3



ff

   

    



  

  







 





 

 

dead
stroke

Perc.
2



ff

 

Pno.

Vla.

  



  

ff

  

       



arco.

ff



    

  marcato             powerful,
rich 

 

 

  

 

ff

 



  

 

  

   



   

    

    



3

   

    

        

  

 



p

mf

 

3

      



fff

3

   ff

     

          

  

   

3

mf

ff

3          mf

3

                         

 

3

 



  

ff

       mf

ff

f

f

 

            f





3

  

 

3

 

   f

ff

mf

f

 

  

 

ff

 

  

mf

f

  

3



 

ff powerful,
full

ff

Db.

3

mf

ff

mf

3

f

ff

Vc.



3

                                                                   3    mf ff

  Vln.
I   

Vln.
II

airy

7

A
tempo

 

f

Perc.
1

     

Slight ritardando

   

ff

Hn.

   

    

3  

  

                  powerful,
rich

Slight A
tempo ritardando

3

     

ff

  

ff


8

  Fl.  45

 

mp f

Cl.

   

Ob.



 

   

 

   

  

      

 

f

    

Piccolo

3

     

 

     

fff

             5

3

ffp

      

        



    

fff

                 3

5

3

fff

ffp

Bsn.

C
Tpt.

   

 

  



   

  



    

 

     

 

       

Db.

 

  

 

 

 

 

 

  

 

 

    



 

  

  

f

   



f

   

 

pizz. mf



     

fff

      fff

      

   

      

                   5

3

ffp

fff

            

3

  

       



      

    

   

      

       



  

f

     

Vc.

 

   

       

Vla.

 

 Vln.
I  

p

fff

 

Vln.
II



 

Pno.



Perc.
1

Perc.
2

    

   

 

 

     

 

 

 

 

                           ffp

3

5

3

                             3

5

3

ffp

   

 

fff

   

         ffp

      

fff

 

3

 

             

 

 

5

3

fff

     

fff


9

  51

Picc.

      



   

f

 

Ob.

 

 

  



    



    

   



  

                   



  

  

  

  

  

ff

 

Cl.

Bsn.

 

 

 

ff





mf ff

ff

Bs.
Trb.

    ff

  

 

ff

  

 

  

 

 



 

 



 



   

  

    

     

   

  



   

  



 

   

 

  

 

  

 

     

 

     

 

  

   

  

  

 

 

Perc.
1

       

Perc.
2

    ff

 

Pno.

 

 

   

     

  

 

  

 



       

       



     



  

  

  

 Vln.
I  

  



   

   



  

   

  



 

   

     

  

 

   

   

    

 

         

      

ff

 

Vc.

    

ff

Db.

 

ff

  

ff

            

ff

mf

      

  

 

       

  

 

   

 



    

  



    

 

   

 

    

 

 

 

 

      

   

  

  

    

   

        

 

  

  

   

          

    

  

ff

Vla.

  

ff

    

Vln.
II

 

    

  



  

 

 



 

  

 

       

     

 

 

 


10

E Playful
and
capricious      Picc.    56

fff

Ob.

   

fff solo

    

f

Bsn.

  

fff

Pno.

buoyant
and
nimble

   

    

      Vln.
I   Vln.
II

     

fff

f

      59

flute



    

              f         Bsn.    Cl.

C
Tpt.

Perc.
1

Pno.

 

     mf    

  

   

 

  

Vla.

Vc.

Db.

 

arco

 

p

mf

 

   

 

ff

 

     

 

   



bouncy,
playful

     

  







 

  



pizz.   



 

   f







 

 



  

         





xylophone

 

fff



   f                   f mf     

arco.

 

   





 

 



   

  



 



 

  

            

pizz.

 

 

  

pizz.

 



bouncy,
playful



ff

 

pizz.

  

 

f

 

 

  



         



     

    

f

   

ff

breath accent

 

bouncy,
playful f

f              pizz.              

ff

 

 

non
vib.

Vln.
II

 

ff

 

    Vln.
I   

  









    

    

  

ff

f

              ff f             ff f             







f

    

  







    

 

ff

 



 

    

 

 



  

Vc.

Ob.

ff

Fl.

 

 

f

Vla.

Db.

 

f

non
vib.

         mp

                 buoyant
and
nimble 

Cl.

Perc.
1

 



flute



 

f

 

ff

 

 


F Explosive
      Fl.   62

  

Ob.

Cl.



  

 

  

 

ff

        

    

f

Bsn.

C
Tpt.

Bs.
Trb.

   



  

  



   



  

      

 

 

          

 

  



 

     

Perc.
2

   



  p

    

Pno.

f

    

   Vln.
I 









 

 

  

 

  

  

  

 

mf

Vln.
II



  

 

Vla.

     

f

Vc.

 arco.    mf

 arco.   Db.   mf

 

 

   

   

 

 

pp

       

  

    

 

     

   

 

    

   

 

  

 



     





 

  





 

  





     







  

    

ff



  





 

   





     

 

     

 

ricochet

ff

ricochet

ff

ff

 

f

 

mf

 



       

mf

  

 

    

 



ff

ff

             

 



  

  

straight
mute

 



11

f

mf

f

 

       

f

  

 

 

  

pp

Perc.
1

  

    

 



         

 

fff

  

sul
pont.

 



  



fff

   

f

 

  











ff



 

 

f

 

         

            

  

 

ff

 



 


12

  Fl.   

 

  

 

66

Ob.

 

Cl.

f

Bsn.

Hn.

Perc.
1

Perc.
2

Pno.

Vln.
I

 

        

 

Vla.

  

Vc.

  

 



   

 

 

 

 

 

 



Perc.
2

  

 Cl. 

Perc.
1

Perc.
2

Pno.

 

 Vc. 





 

 

mf



 

mf

 



p



vibraphone



motor
on
(low)

f

pedal
slurs

  

 





 

  





 



f

 

    f     

medium
mallets

 

 

graceful
and
warm mp

          

 

   

ff

 



ff



 

ff



 

   

          

mf

  

          

sul
pont. D
string

  

             



ppp audible,
but
just
barely

   





 

ff

medium
mallet

 

ff

 

  

pp

           

mf

 

f

 

          

mf

  





 

ff



 



fmp

  

 

 

ff



ff

ff

 

 





ff

 



mf

 

 

   



mf

  

  

p

71

keep
pedal
depressed
unless
otherwise
notated

Pno.

   

     



 

G Soothing,
a
brief
oasis     Bsn.     mp     Bs.
Trb.     mp marimba    Perc.
1 

 

68

   





    

     



ff

 



      

ff



mf

 

     



  

    

 



     

 

   

Vln.
II

Db.

  

C
Tpt.

Bs.
Trb.



 


13

 

74

Fl.

Ob.

Cl.

Bsn.

 Hn. Bs.
Trb.

Perc.
1



Pno.





 

 

Vln.
II

Vla.



Vc.

 

niente

 

  

Db.

  

mf

    mf

    mf

 muted

pp



 

                        

  

mf



  

     

   

  

 





natural

niente

                           

 

p

 

Vln.
I

p

Perc.
2

mf

 

p



pp

    mp   





  

   mp

  

   

 

mp

pizz.

mp

p

   79

Ob.

Bsn.

Bs.
Trb.

Perc.
1

Perc.
2

Pno.

Db.

Cl.



 

  

 

 

  

     

niente

  



    

 



   

       

 









    

  

   



p

p

   gently

  

niente



  



 





 



ppp



  

 



p

  



  

warmly

      

 

 

    3

           


14

  84

Fl.

  

mf

 

Ob.

 

Cl.

Bsn.

Hn.







 

 









 

 







 

 

 

 

 

 

 

 

  



mf

mf

mf

warmly









pp

Bs.
Trb.

 



 



C
Tpt.

  







mf

p









mf

 mf

        

 

 

hard
mallets

Perc.
1

Perc.
2



 

 

Pno.



        

 Vln.
I 

Vln.
II

Vla.

Vc.

Db.



 



  



  

  

pizz.



 

 

f

 

  

 

 

pizz.

 

f

pizz.

  







pizz.

f

f

 f

   

 

 

 

              f

ff

 

 





       



 

       

mf

 

 



release pedal

 f

 

                             

  

 

 

  

 

 

  

 

 

 



   

arco.

  

p

 

  

 

  

arco.

 

mp

           f

 

 


H

  

 

 

 

 

 

   

    

    Bsn.  





 

   

   





 

  





 

    





 

  





 

    





 

  





 





 





 

   

 

   

 

 

fff

Ob.

fff

Cl.

Hn.

ff

Bs.
Trb.

 

f

ff

C
Tpt.

f

fff

f

 

 

 

 

15

 90   Fl.  

ff

f

 

 

  

 

 

 

f

     

                          f

 

mp

 

 

 

 

 

ff

   

fff

Perc.
1

 

    

ff

 f

 



  Vln.
I  

 

 

 

arco

  

 

 

f

ff









 

 

f



   





 

 

 

 

 

 

 

 

 

 

 

 

mf

ffmf

                   

ffmf

           

  

  

glass
bottles

 

     

  

   

mf

 

Pno.

 

 

 

 bass
drum

Perc.
2



hard
mallets

 

  





 

  





 

ff

Vln.
II

arco     ff

Vla.

  f pizz.

fff

Vc.

 Db.  

 

fff

f

 



f

  

pizz.

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ffmf

         

 



    





    





 



 

   

 

ffmf arco.

   

light
and
buoyant mp

    ff





   


16

    Fl.  

93

Ob.

Cl.

  

ff

           f

Hn.

ff



ff Bsn.

  

    

 

    

 

    



mute
off

 

 

  

 

      

 

 

 

 

 

 

  

       

mf C
Tpt.

 

ff

 

 

               

  

 

  



  

   

 

 

   

 

   

Bs.
Trb.

  

 

  

    

 

Pno.

 

 



 





 

  

 



    

f





   

   

  

ff

Vla.



  

 

  

 

 

  

f

 

ff

 

 

  

 



 

 

 

    

 

  

 

 

fff

    

      

  

 

fff

    

  

    

  



 

 

     

 

 

  

 

  

     

   

  

    

  

   

     

 

 

 

fff

ff

Vln.
II

  

 

f

    

f

 

ff

  

Vln.
I

   

   

 

fff

ff

 



 

   

 

ff

Perc.
1

non
vib.

  

  

 

f

mf

       

Perc.
2

 

  

 

ff

p mute
off

  

arco.

 

       

    

                

  arco.               

arco.

                

  

 

 

fff

 

 

ff

Vc.

   

f

Db.

  

 

  

f

  

 

 

  

    

   

 


I Amassing,
heroic    96       Fl.   fff

Ob.

     



    

       

 

 





f

ff



 

 

Hn.

C
Tpt.

 





   

   

mf

Bs.
Trb.



    



  

    

 

   

  



   





  

marimba



f

           

vibraphone

    

  

  

    Vln.
I  

 

hard
mallets motor
off

pedal
slurs

 

   

 

 ff

                    

non
vib.



  

mf

            

    

 

f

  

  

ff

f

mf

   f

     



          ff

       

        



       

             

  

 

f

    

       

   

f

Vla.

  

                 f

Vc.

                          

ff

f

 mf



   

mf

ff

f

Db.

17

mp

 

Vln.
II



   

 

Perc.
1

Pno.

 

f

   

Perc.
2

 

f

ff

f

  



f

                 strong



f

mf

  Bsn.    

ff

mf

ff

Cl.

  

   



f


18

Fl.

102    

Ob.

Cl.

Bsn.

Perc.
2

Pno.

 



  

 

  



 

  

 





                  

  

  Vln.
I 

  

 

  

Vln.
II

Vc.

    





f



 

 

 

  

  

 

  

 

         

     

 



f

         

     

 

J

  Fl.   107

 



   

Ob.

 

Cl.

 

  

Bsn.

C
Tpt.

Perc.
1

Perc.
2

Pno.

   

      

mf smoothly

Vla.

Vc.

   

   

f

 

 Db.  



 

 

   



 



p

        

 

ff

 

          

          





 

p



  

 non
vib.



  f

mf

  

 

mp

 

        

  

   



  

       

 



         

f

    



solo

   



  

 

 

f

p



mf

 

 

fff

p

   

 



 

      

 

    

mf



  

 non
vib.

 

 

ff

mf

                                        

  Vln.
I   Vln.
II

 

non
vib.



  

   

f

 

     

      

               

 

      

 

ff



f

f Db.



   

      



  



 

                   

f

Vla.

     

                     



   

 



 

          

solo

f


19

   112

Fl.

 

Ob.

Cl.

Bsn.

 

 

 

 Hn. C
Tpt.

Bs.
Trb.

Pno.

Vln.
I

    

 

Vla.

 

 

Bsn.

Bs.
Trb.

Perc.
2

Pno.

Vln.
I

           

 





 

  

 

   

  

 

  

   

attack
with
very
heavy bow
pressure;
scratch
tone

 

fff f

   

fffmf

    

  

             

gliss.



Piccolo



 

 

Vc.

 

     

gliss.

 

     

Glockenspiel

 

ff



 

      





  

     

  

 ff

                

ffff mf

 



  

 fff f

             

  

 

f

f

 



ff

          

ff

    

sim.

  

Vla.

fff

ff

   

attack
with
very
heavy bow
pressure;
scratch
tone

   



                                      

  

mf

sim.

     

  

  



 

  







non
vib.

mf

       





ff

 

Vln.
II

Db.

                                    sim.       fff f

ffff

  

ff

  Hn. C
Tpt.

f

    

 

Cl.

 



  

Ob.



 

 

f

        

very
heavy
bow fff pressure;
scratch
tone

116

Fl.



 

attack
with
very
heavy bow
pressure;
scratch
tone

 

f

ff

Vln.
II

Db.

 

  

 

Vc.

  

                

 

fff

 ff


20

  

  

  

120

Picc.

Ob.

Bsn.

    

   Hn.

C
Tpt.

Bs.
Trb.

Perc.
2

 

   

 

  



  

  

    ffff

 

ffff

  

brassy  

fff





 

   

         

  

  



fff

 fff

 

  





         



 

fff

Vla.



 

  Vln.
I 

Vln.
II

non
vib.

           

                           

 

     



  

 



       

               

               

                  

fff

Vc.

  



            fff

Db.

  

  

 

 

 

 

 

ffff

   



 

  

 

 

ffff

 

ff

  

  

  

 

Pno.

  

 

Cl.

  

ffff


Picc.

Hn.

  



  

fff

Perc.
1

  

 

  

fff

 Vln.
I 

Vln.
II

ffff

fff

               

ffff

ffff

             

 

 

 

 

  

 

 

 

  

muffle

 

 

at
the
frog

   

 

  

 

 

 

 

 

 

 

  

 

 

 

   

 

  

at
the
frog

 

 

   

 

 

flute

 

   

3
seconds

 



 

 

   

ffff

Db.

   

ffff

Vc.

  



 

   

  

crash
cymbal

                  

Vla.

  

  

  

 

5
seconds  

fpp

bass
drum

Pno.

  

 

  

 

  

ff

fff

Perc.
2

  

  

C
Tpt.

Bs.
Trb.

    

 

Cl.

 

ff

  

Ob.

Bsn.

K Overwhelming  

  123

 

 

 

 

 

 

 

 

   

 

     

 

 

 

 

     

 

 

 

 

 

  

at
the
frog

at
the
frog

  

arco.

ffp

 

 

21


 

5
seconds

22

 Fl.  127

non
vib.

ghostly pp

Ob.

 

 

non
vib.

Cl.

Bsn.

  

non
vib.



Vln.
I

 

 



 

  

marimba

 

  

 

 



Db.



4
seconds

 

pp

 

  

pp

niente

 



   

 

 



soft
mallet

 

pp



 

 

  

 vibraphone

 

non
vib.

  

 

 

soft
mallet motor
on,
slow



 

f

 

 

          

 

ff aggressively

      

          

      

 

         

 

                  ff aggressively

 

  

 

ff

   

    

ff aggressively

Vc.



ff aggressively

Vla.

 

f

 

f

 

Vln.
II

  

ppp

 







ghostly pp

 

 

Pno.

   



pp

muted    

Perc.
1

Perc.
2



   

non
vib.

ghostly ppp

ghostly ppp

C
Tpt.

 

ghostly pp

non
vib.

Hn.



   

ff

  




L Inundating
and
still       Fl. 

23

132

f

  

 

f

Bsn.

Hn.



  

 

mf

  

  



mp

   

ppp

    



niente

pp

  

   

   

pppp

p

  

f

mf

f

   

C
Tpt.

 pp

mf

Cl.

mf

 

Ob.

pp

ppp

Perc.
1

fmp

   

muted

   

 

  

bass
drum

  

 

Vln.
I

Vln.
II

Vla.

Vc.

   

         

   

 

 

 

  

 

 

 

mp

pedal
always
depressed

    

       

  p

    p

sul
tasto

          pp

 

 niente

sul
tasto

  

             

          

 

     

 

   

            ff

pp

   

f rich,
warm

f

rich,
warm

p

sul
tasto

ppp

sul
tasto

 

arco.

Db.

pp

motor
on,
medium‐fast

ff

   

Pno.

   

p

mp

vibraphone soft
mallets Perc.
2

 warm,
mellow ppp

ff

  

muted

f

Bs.
Trb.

   

p

sul
ponticello

mf

p


24

    139

Cl.

Bsn.

Hn.

Perc.
1

Perc.
2

Vln.
I



pp

      

 

  

 

Vla.

 

 

  

pppp

niente

 

p

 

Db.

 

Vln.
II

  

  

niente

  

gliss.

pppp

 

   

Vc.



 

C
Tpt.

Bs.
Trb.

niente

 

 

pp

  

 

niente

niente

  

niente

M Warm,
resonant,
glowing

 144

B.
Cl.

bass
clarinet

slap
tongue
attack



fpp

Bsn.

 

 Hn.  Perc.
1

Perc.
2

Pno.

pp

 

niente



gliss.

   

 

pppp

 

  

p

 

 

  

 

  

 

    

pedal

each
note p

 Vla. 

sul
pont. non
vib.

    

mf

gradually
return
to


normal
bowing

pp

    niente  Db.   Vc.

pp

 

 

 

 


  149

A.
Fl.

B.
Cl.

Bsn.

Perc.
1

Perc.
2

Pno.

Vln.
I

25

alto
flute

   

 

 

 

 

clear pedal mp pedal
slurs

  



p

 

mf

 

  

   

Vc.

Db.

 

 

 

  



 



Ob.

Bsn.

Hn.

C
Tpt.

Perc.
1

Perc.
2

Pno.

Vln.
I



 

B.
Cl.



    

    

  

  

 

 

Vln.
II

 

Vla.

Vc.

Db.

 

 

 

 

   

ppp

 

   

mp

   

  p

 

 

   

subito p

  



   

 



 

 

        

 

 

 

 



ppp

 

 

ppp

   

   

 

mp

   

 

 

p

  

      

 

 



  

 

 

p

  

 

pp

  

mf

 

   ff

sim.

 

  

sim.

    

    pp  

 

subito pp

pp

  



 

 

   



 

 

punctuate
the 














attack

mp

 

 

 

pp

 

  

    

p

 

pp

p

pp



mp

   

 

  

subito pp

f

punctuate
the
attack

pp

 

 

mp



    

156

 

 

mf

 A.
Fl.

mp



 

  

sul
pont.

pp

 

natural

   

 



   

mf

gliss.

ppp

Vla.

mp

 

sul
pont.

 



p

ppp

Vln.
II

 

 

solo

p

 

freely



pp

 

 

   

 

  

 pp

 

   

muffle

niente

 

mp

mp

  mf



 

    

         


26

N Pulsing,
radiating 163 flute     A.
Fl.     

Ob.



 

  

 



   

mp

mf

  

  

mp

Cl.

 

 

   

mf

Bb
clarinet

 







   

mf

Bsn.

  

  Hn. 

C
Tpt.



   

 Bs.
Trb.  

 





    

mute
off

  

niente

 

punctuate the
attack



p

mute
off

   

p

slightly
punctuate the
attack mute
off



 



mp

Perc.
1

     

brake drum

Perc.
2

  

bass drum

  

    

 

  

  





 







p

Vla.

 

 

   

 

  

  

  

mp

 

 

Vc.

  

mf



 

  

 

 



sim.



   

 

 

  



pp

 









    niente

 



mp

  

 

   



   

 

 mp





mp

p

Db.

pp

 



 

 

keep
sustained



 

  

   

mp

Vln.
II

  

 

   

sim.

f

 

Vln.
I

 

scrape
in
a
steady
continuous,
circular
motion

p pulse
slightly
every
two
beats

       

Pno.

 

 



 mp

 

   


O Rocking     Fl.   







170

Ob.

 



  

piccolo



  



ff

 







  

27

 

  

ff

Cl.



    

 





 

   

  





  



 

ff

Bsn.

Hn.

C
Tpt.

Bs.
Trb.

Perc.
1

  



   

  

    



  

      

Vln.
II

Vla.

Vc.

Db.

 





  

 

 

mf



fff

   

   

   

       

 

  

  

  

ff



    







   

 

    



 



 

   

  

  

 





 

  

  

 

  

   

       

  

     

 

    

pedal
each
bass
note

 

 

  

 

   

 

Vln.
I



        mf

Pno.

   

   

   

  

   



 

 

  

 

f

 

pulse
every
q.

Perc.
2

mf

     

   









 

   

    

  

  

  

 





    

      

  

  



 







ff

ff



 

   





 

ff

   fff





 

 

 

 

      

 

 

      

ff



 

xylophone

      

  





   





 

  

    

 

    

 

   

     


28

P Dizzying
and
overwhelming 176      Picc.  

Ob.

Cl.

Bsn.

Hn.

C
Tpt.

Bs.
Trb.

Perc.
1

 



   

      







fff



 

 



ffff

      

 

 





 

 

ffff

 

  

fff

   

 





 

  

  



 



 

 

 

 

 



 





 





 









  

 

 

 

 

 

   

   

   

   

   

   

   

   

 

 

    

      

   

   

   

   

   

   

    

 

 

 

 

 

           





 









ff





  

 



  



 

 

fff



  fff

ff

Perc.
2

Pno.

 

 

   Vln.
I  

Vln.
II

  

 

Vla.

  

Vc.

 

Db.



   



   

 

  

 





   

 





    

     

 

  fffff

           

           

 

 



 

   

 

 

   



 

 

     

 



  

  



 

 

   

 



 

 


29

Picc.

181   

Ob.

Cl.

Bsn.

Hn.

Perc.
1

Perc.
2

Pno.



 



 

 

  





C
Tpt.

Bs.
Trb.

 

 

 

   

           

   

 

Db.

 

 

 

 



 



 



 

 

ffff

  

   

  

Vc.

 

 



 

  





Vla.



     Vln.
I  Vln.
II



  





 

 







   

   

   

 

   

   

   

   

    

ffff

 



  



     

fff



fff

 

  



   

 

 





 

  



 





         



 

 

 

 

 

 

 

  

 



 

 





   

   Picc.  

 

184

p

Ob.

    p

Cl.

Db.

  



     

p sul
pont.

subito pp

fingering
that
produces
a
similar,
but
 slightly
timbrally
different
Bb.

  



 

with
each
attack,
alternate
between

 the
normal
fingering
for
Bb
and
another fingering
that
produces
a
similar,
but
 slightly
timbrally
different
Bb.

 



with
each
attack,
alternate
between

 the
normal
fingering
for
Bb
and
another fingering
that
produces
a
similar,
but
 slightly
timbrally
different
Bb.

  









  

  



  



 





 





  



 

  

 

   

Q Eerily
static,
at
first with
each
attack,
alternate
between

 the
normal
fingering
for
Bb
and
another

 

     

  

 

 

fff

  

 

 

 

 

 

     

 

   

 

fff

  

 



 

  



   

 







 

 

 

  

 

ffff

 





     



ff

 





     





 

fff

 

 

 

fff

 

 



 


30 190       Ob.   Cl. 

Picc.

Hn.

Perc.
1

Perc.
2

Vln.
I

    

Vln.
II

marimba

 



   





   

  



pp

 

 pizz.



p

mf



pp



  

 

f



  

     

increase
from
non
 vib
to
heavy
vib.

 



  





mf



  



   

            





  

hard
mallet



   

  

f



 

pp at
the
frog



  



 





  

    

Vla.

Db.



    

  



   



    



 

    

    

pp pizz.

f

f

pizz.

f

R Disjunctly
lilting 197     Picc.      Ob.   Cl.  Bsn.

Hn.

Perc.
1

Perc.
2



   

  







p





         Pno. 





 

    

   

     

  



   



   





 



  

  



 



pp

 

 

  

Vln.
I

 

 

pp



  

Vla.

 

Vc.





Db.





 

  

 



  



 

 

 



  



 

 

mf

   mf



 



f

 

 

pizz.

ff

   

    

       





mp



pizz.



Vln.
II

 

mp no
pedal



 

aggressively

 

 





  

p

   



  

 

  







aggressively



arco.

       

ff pizz.

    fff


    Ob.     Cl. 

 

204

Picc.

Bsn.

Hn.

 



 









 



 



 Vc.

     

       

Perc.
2

Pno.

Db.

  



 

mute
on

 



 





p

  



 



 

 

  



  





 

 

   





Bs.
Trb.





       



31

 



       

  

pp

mf

mf

 

  

         

 

Picc.

209   

Ob.

Cl.

Bsn.

Hn.

Perc.
1

Perc.
2

Pno.

Vln.
I



 

   



  

 



 



       

  

 

  





 

  





  



hard
mallet motor
on,
slow

    

f

    f

 



 

   

  

 

aggressively

ff

       





        



 



 

niente mf

 

 

Vla.





 

 

arco.

 

f

vibraphone

 



 

aggressively







 



 



Vln.
II

Vc.



 

 

  pizz. 



pizz. 







f

f pizz.

f


32

  

 

214

Picc.

    

Ob.

Cl.

Bsn.

 

Pno.

Vla.

 

ff







  

ff

  Db. 

 

 



  

ff

  







  

 

 





 



ff



 

 





 



 







 

f



 



ff

 

arco.

arco.

 

ff





  



ff



 

  

Vc.

  



 

 





  

 

 





 

  

Perc.
1

Perc.
2



     Ob.     Cl. 

 

218

Picc.

  Hn. 

Bsn.



Pno.

Vln.
I

lightly

  

Vln.
II

Vla.

 

 

mp

 



    mf

    

 

 



mp



 

Vc.

Db.

  

 

mp

  

Perc.
1



f

  

 

  

 

 



 







  

mf pizz.

mf

 



 

  

fff



fff

fff

 

 

 



  

mp

     

     

  



       



 













  

f

 

 

   



 

 

     



f

 





  

 

 



  

 

  

p

p

 

 

 





   

p

pizz.

 

 

 



 



 

 



 

 

f pizz.

 

f

             


S Grooving,
determined    222

Picc.

revert
to
normal
fingering



  

 



revert
to
normal
fingering

Cl.

Bsn.

Hn.

C
Tpt.

Bs.
Trb.

Perc.
1

    

 

Vln.
I

Vln.
II

Vla.





    





      





  

   









        cutting

 

brassy

cutting f

        

ff

          

ff

  



    



       

      

cutting f

   

    

ffmf



     

 





ff

      



       

        

  

       



 

          

  



       

ffmf





 

       

 

  

       







    

         



  

 

  

 

  

 

  

 

  

 





  

 

  

 

  

 

  

 

  

 

   

 



  

 

 

arco.





 

   

 

arco.

ff

  



 arco. at
the
frog

   

ff



   



   

 

 

 

ff

   





ffmf

   

f Db.



33

 



        

f

   

 

f



f

      

mf







   

                               ffmf

 

  

f

Vc.

 

f

 

  



 

    

 

f

   

Pno.

  

  

ffmf

Perc.
2

  

f

revert
to
normal
fingering Ob.

 

  




34

Picc.

228   

Ob.

Hn.

 

ff

 

  

 

      

  

 





   

 

Vla.

Vc.

Db.

fff

  

  









fff

 



 



 



fff



  

  



   



 

fff

  

 

 



  



ff



       

         

 

 



ff

  

   



 

  

 

 

  

 



ff

 

  



 

 

 

 

 



        

  





     



        

       







        

      





      



 

  





  





  





  





 

 

 

  

 



 



  

 

 

 

  

 

arco.

 

ff

ff



   



   



   

  

  

ff

arco.  

   





 





   

     

fff

    

Vln.
II



 

 

  

         

Vln.
I

 

ff

 

Pno.

  

       

ffmf

Perc.
2

 

 

   Perc.
1

ff

    

 



 

ff



 





   

C
Tpt.

Bs.
Trb.



  

Cl.

Bsn.

 

   

   



     



 


Picc.

Ob.

Cl.

Bsn.

Hn.

C
Tpt.

Bs.
Trb.

233   

      

 

 



 



ffff



ffff

   



ffff

ffff



fff

 



 

  

 

    

 



 

  Vln.
I  

Vln.
II

 

Vla.

 



 



     



 



 



 

           

fff

 

 

ffff

      

 

 

    





                  

ffff

 







 

  ffff

   

    

ffff

     



 



      

fff

fff

fff

  

Db.

35



    

 

Vc.

 



 

   

 

Perc.
1

Pno.



  

Perc.
2

 

  

       

  

       

 



            

          

ffff


36

 236    Picc.  Ob.

Cl.

Bsn.

Hn.











 



  



 

 

 



Perc.
1

 

Perc.
2

 

  

  

 

   Vln.
I 

Vla.

Vc.

Db.

 

 

ffff

       













  

 

 



 

          

      

 

 

 

 



 

 







 



 

 

 

 

 

 

ffff

 

 

 

 

 

 

 

   

ffff

 

                                                



 

                     



 

  



 

Vln.
II

Pno.



 



  

C
Tpt.

Bs.
Trb.



 

 

  





 

 

              

 

 

                                

                

                                  

 

 

                                   

 

            


3
seconds 4
seconds  flute   

   239

Fl.

ppp

Cl.

 

 

 

 

 

ppp

 

 Bsn.  

 

2
seconds

enter
at
any
time
during this
3
second
interval. make
no
effort
to
 coincide
your
entrance with
anyone
else's

 

 

 

f

 

 

f

ppp

f

37

   

   

  

  

  

fff

 

ppp

  

f

WINDS

Ob.

 

3
seconds

 

   fff

 

fff

 

fff

BRASS

Hn.

C
Tpt.

 

    

 Bs.
Trb.  

Vln.
I

   

  

 

    

  p

 

 

p

  p

 

enter
at
any
time
during this
4
second
interval. make
no
effort
to
 coincide
your
entrance with
anyone
else's

                  

 

 

 

 

 

 

 

 

  

  

   

   Db.   

ppp

ppp

  

  

  

  

f

fff

 

    

fff

fff

    

  

  

fff

f

f

fff

fff

f

  

fff

 

 

f

fff

   

 

  

 

 

 

  

fff

 

STRINGS

ppp

Vc.

 

 

ppp

Vla.

 

 

ppp

Vln.
II

 

 

 

Pno.

 

   Perc.
1

Perc.
2

 

enter
at
any
time
during this
3
second
interval. make
no
effort
to
 coincide
your
entrance with
anyone
else's

        

        

fff

fff

fff

Friar: Out of Line  
Friar: Out of Line  
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