Page 1

Peter Fahey

IMPRESSIONS for orchestra


_____________________ Peter Fahey

IMPRESSIONS for orchestra I. Prelude II. Monody III. Tintinnabulation 2007, revised 2012

FULL SCORE _______________________________________________________________________________________________________________________________________________________________________

INSTRUMENTATION 3 Flutes (flutes 1 & 2 doubling piccolo; flute 3 doubling piccolo & alto flute) 3 Oboes 3 Clarinets in Bb (clarinet 3 doubling bass clarinet in Bb) 3 Bassoons (bassoon 3 doubling contrabassoon) 4 Horns in F 3 Trumpets in C 2 Tenor Trombones Bass Trombone Tuba 3 Percussion Percussion 1: glockenspiel; large crash cymbal; side drum; bass drum Percussion 2: glockenspiel; suspended cymbal (regular Turkish); tam-tam; whip Percussion 3: xylophone; large crash cymbal; 2 suspended cymbals (1 regular Turkish, 1 Chinese); side drum

Timpani Harp Piano (doubling celesta) Strings

The score is written in C. Duration: approx. 12’

ACO Online Library version // Š 2012 Peter Fahey (www.peterfahey.com)


Peter Fahey

Score in C

IMPRESSIONS for orchestra

I. Prelude

q = 108-112

F Horn 1

  

 

trill) A (timbral         

ppp

F Horn 2

F Horn 3

 

 

 

    

blow tonelessly through instrument

 

 

C Trumpet 1

 “ pp ”

C Trumpet 2

C Trumpet 3

 

“ pp ”

Tenor Trombones 1 & 2

Bass Trombone

 

  

Percussion 2

  

  

*s. f.        “ ff ”

Violin I

*s. f.

3  3         “ ff ”

*s. f.

bowed (double bass bow), rich sound

pp

“ ff ”

3

II             “ ff ” 3

*s. f.

“ ff ”

  

II

3

3

  

3

Viola

*s. f.

    “ ff ”



* s. f.

  3    “ ff ”

p

3 3           3

3

p

3

     p “ ff ”

   

3    

“p”

 

 

pp

II

       III

 3

   

arco



p

“ ff ”

3

  s. f.           “ ff ” 3

pp

arco saltando

        



3

  

s. f.

       “ ff ”

         pp

   s. f.    

arco



pp

3



“ ff ”

 3            pp

slow gliss. to an indefinite pitch; keep fingers same distance apart so that harmonic keeps changing ("seagull effect")

    

   



s. f.

  “ ff ”

*silent fingering (s. f.): finger the notes without bowing or plucking the strings. Press down on the strings with greater pressure than normal to make the notes more audible. © 2012 Peter Fahey (go to www.peterfahey.com for more information)

arco, behind the bridge

s. f.

3 3 IV     3                 p “ ff ”

p

3

III  3             

  3             

pizz. (l. v.) s. f.

 

      

s. f.

pizz. (l. v.)

3

III

  

s. f.         “ ff ”

      

3      

III s. f.

pizz. (l. v.)

III

“p” blow tonelessly through instrument plunger mute

arco

pp

3

       

fz

 

pp

“ ff ”

blow tonelessly through instrument plunger mute

arco, behind the bridge

pizz. III (l. v.) s. f.

“ ff ”

3 III                   

“ ff ”

   

pp

*s. f.

Double Bass

3

arco              

IV

“ ff ”

Violoncello

 s. f. 3 3                                     “ ff ” pp

s. f.   3                        

*s. f.

“ ff ”

s. f.

arco, behind the bridge

“ ff ”

     

 

behind the arco bridge saltando

          *s. f.

“ ff ”



Sus. cymbal scrape with triangle beater

arco s. f. 3      3                         

II

A s. f. IV   s. f. 3 3 3                                       3  3 3 “ ff ” pp

pp

3  

  (l. v.)   

Violin II

       

    

  

arco

3       

  

3

3

“ ffz ”

3

3

3

“p”

                   

            3

arco

3

III

     “ ffz ”

fz

s. f.                       p

    

 

pizz. (l. v.)

3

“p”

 

“ ffz ”

“ fz ”

Large crash cymbal Percussion 1

“p”

“ fz ”

    

blow tonelessly through instrument

“ ffz ”

    

“ pp ”

 

     “ fz ”

    

blow tonelessly through instrument

“ ffz ”

blow tonelessly through instrument

blow tonelessly through instrument

“p”

 

    

“p”

F Horn 4

“p” “ ffz ” blow tonelessly through instrument

 

fz

“ ff ”

         I   3

    III

3




2

  

6

 Picc. 3 (fl. 3)   Fl. 1

 

Fl. 2

Cl. 1 & 2

 

p

ppp

p

 



ppp blow tonelessly through instrument

  

 “p”

B. Cl. (cl. 3)

Hn. 1

“p”

Tbns. 1 & 2

  

Timp.

 

 Perc. 1 Perc. 3

 

    

 

 

 

 

 

 

“ ffz ”

“ ffz ”

  

“ ffz ”

 

harmon mute (stem half out)

p

 

  

(plunger mute)

  

(plunger mute) (toneless)

pizz. (l. v.) III

s. f.

3

II

3

pizz. (l. v.) s. f.

“ ff ”

p

s. f.

p

 

 

    

3

3

pizz. (l. v.)

         3

p

“ ff ”



II s. f.

3

s. f.

“ ff ” pizz. (l. v.)

 

p

“p” (toneless)

“ ffz ”

 

     

     

mf

  

3

               

 

pp s. f.





“ ff ” 3

    II

3

I

 

 

 

  

IV

III

III

  

   

arco

pp

III

   

arco

p

      arco

  

“ ff ”

“p”

   

“p”

    

 

pizz. (l. v.)

pp

            “ ff ”

pizz. (l. v.) III

pizz. (l. v.)     

3

 

mp

 

3

q

( )

3

  3

 

“ ff ”

       I

3

3

3

3

“ ff ” s. f.

   

3

mp

“ ff ”

“ ff ”

 

arco

pp

 

 pizz. (l. v.)   s. f. 3                                    arco

pizz. (l. v.) III s. f. p

bow on the corner of the bridge (see violin 1, bar 11)

pizz. (l. v.) s. f.   3                               3 mp 3

 

bow on the corner pizz. of the bridge (l. v.)

III

pp

   

mp

    

pp

  

    

III   s. f. 3            “ ff ”

pp

arco

    

f. IV    s.                               3 s. f.

 

col legno battuto (behind the bridge)

pp

III

 II      

col legno battuto (behind the bridge)

  3                   p 3

pp

3

pp

 

 

arco

3

         

3

    3                3



p

3

(s.f.)

s. f.

 3 

3

“ ff ”

3

pizz. (l. v.)

B

   

3

3         

p “ ff ” 3 arco saltando

3

p

arco

3 IV                     3

s. f.

 

fz

3                   

  

3

pizz. (l. v.)

3       

s. f.

 

p

3

“ ff ”

  

 

s. f.

pp

 

bowed crash cymbal

behind the arco bridge saltando

arco

        3

“ ffz ”

 

“ ffz ”

                              “ ff ”  

3

       

  



“p”

3

IV

       

III

  



II

s. f.

“ ff ”

pizz. (l. v.) s. f.

II               3



“ ffz ”

“ ffz ”

“ ffz ”

p

 s. f.     II             3   

     

  





“p” sim.

arco

s. f.

(s.f.) II

  

fz

behind the bridge

arco saltando

 

“ p”

“p” (toneless)

II s. f. s. f.  3 3 III  II                                               “ ff ” “ ff ” 3 3  pp pp “ ff ”

   

Vln. II

Db.

     

p s. f.

  

“p”

 



 

(toneless)

  



  

    

blow tonelessly through instrument

(toneless)

  

   

                         p “ ff ” pp

 

fz

Large crash cymbal bowed (double bass bow), rich sound

“ ff ”

 

Vc.

   

  

fz

(s. f.)

Vla.

 

 



  

pp

3     3          3

Vln. I

“ ffz ”

 

pizz. (l. v.) IV

“p”

  

pp





mf bowed crash cymbal

arco

      

 



p

    

 

 

 

strike body of timp. with hard stick

p

ppp

“ ffz ”

“ ffz ”

  



 

  

“ ffz ”

“ ffz ”

B. Tbn.





p

“ ffz ”

    

ppp

 

 

“p”

  

 

sim.



“ ffz ”

 

 

“t________________f” p fz

 

    

“ ffz ”

“p”

 

  

p

fz

“p” sim.

  

  

ppp

  

partially cover the embouchure hole and articulate phonetic into instrument

 

“p” sim.

 

 



 

 

“p” sim.

  

 

 

 

“p”

blow tonelessly through instrument

 

 

 

M

 

Tpt. 3

h.

“p”

Tpt. 2

 ( )

 

Tpt. 1

p

p

 

Hn. 4

multiphonic (indeterminate)

  

Hn. 3

“ ffz ”



Hn. 2



ppp

 

B



q

( )



pizz. (l. v.)

II

I

mp

mp

 

(h) arco slow gliss. to an indefinite pitch (as before)

   

pp

glis s.




11

  Picc. 3 (fl. 3)  

Fl. 1

 



to flute

ppp



ppp

Hn. 1

   

(toneless)

  

Tpt. 1

Tpt. 2

Tpt. 3

Tbns. 1 & 2

B. Tbn.

“ fz ” “ p ”

(toneless)

  

“ pp ”

 

 

 

   

  

blow tonelessly through instrument

      

(toneless)

   

      



 

 

“p”

 

pp

“ fz ” “ p ”

 3  III           “ ff ”

3

   

“ ff ” strike strings with hand

II



   

  

mp

f I s. f.

 

 

 

C 

  











“ fz ”

bow tonelessly on the bridge



    

“p”



“p”

   

   

“ fz ”

 (l. v.)   

  s. f.III   3 3                “ ff ” “ ff ”

  

  

arco II I

s. f.

     

                 

pp

3

3

s. f.

     

IV

   

arco saltando

3



 s. f.      III 3                             “ ff ” pp ("hammer on") s. f. IV

 II  

3



“ ff ”

pizz. (l. v.) IV

 

s. f.

   

p

3

“ ff ”

   3     

s. f.

    3

“ ff ”

        I

s. f.

“ ff ”

I

3

   

    3

arco

s. f.

“ ff ”

 

III







pp

pizz. (l. v.) II

   II      



3

III

s. f.



3

“ ff ”

“ fffz ” III

arco

s. f.

“ fffz ”

“ ff ”

fz

bow on the tailpiece, close to the tuning mechanisms, with a good amount of pressure to produce a dry rattling sound. (The bow may be held in the fist.)

“ fz ”

bow tonelessly on the bridge

IV

   

“ fz ”

p

p

“p”

pizz. (l. v.) IV

p

  

p

bow tonelessly on the bridge

3                 “ ff ”

  bow on the tailpiece  

bowed crash cymbal

p

 

mp

III

fz

“ ffz ”

“f ”

ppp

strike strings with hand 3

pizz. (l. v.) III



  

“f ”

ppp

Vla. s. f.

  

ppp

s. f.

f

“p”

II

“ fz ”

  

ppp

  

f

    

(toneless)

“ fz ”

Vln. II

    

“ ffz ”

Side drum (snare on)

   

“ fz ”

 

“ fz ” “ p ”

“ fz ”

  

  

  



“ fz ”

“p”

   

  

(toneless)

“ fz ”

(plunger mute)

bow on the corner of the bridge

 

 “p”

   

“ fz ”

(toneless)

“ fz ”

   

  

 “p”

(plunger mute)

  

(toneless)

“ fz ”

(toneless)

   

“ fz ”

(toneless)

bow on the right-hand corner of the bridge while resting the lower part of the bow against the body of the instrument (toneless bowing sound)

Vln. I

fz

“p”

  

“p”

  

ppp

 

(toneless)

  

“p”



ppp

“t_f” fz

  

pp

“p”

 

   

“ ffz ”

“p”

  Perc. 1  

Db.

 

   

“ fz ” “ p ”

   

 

“ ffz ”

   

“ pp ”

Vc.



“ fz ” “ p ”

(toneless)

 

  

“ ffz ”

   

 Tba.  

Perc. 3

“ ffz ”

   

(toneless)

  



“ fz ” “ p ”

“ pp ” Hn. 4

   

“ pp ”

Hn. 3

“ pp ” Hn. 2

3



Flute (3)

ppp

ppp

  Fl. 2   

C

   

p

   

 

3

  

    III



  II  

s. f.

 

3

“ ff ” s. f.     “ ff ”


4 18

 Fl. 1 

Fl. 2

Fl. 3

 

p



    3    

3

ppp

 

“ ff ”

p

ppp

 

“ ff ”

3

                 key clicks

p

“p”

ppp

 

M

 



“p”

fz

 

     

  

“p”

“ fz ” “ p ”

“p”

  



“ fz ” “ p ”

 

     

  

“p”

Tbns. 1 & 2

3           

key clicks

“t____________f” p fz

3

“ ff ”

 

 

 

 

“ ffz ”

(toneless) plunger mute Tpt. 3

3

“ ffz ”

     

 

“ fz ” “ p ”

“ ffz ”

(toneless; flutter tongue) senza sord. flz.

 

“p”

B. Tbn.

    

    p

fz

D

        

“ ff ” (s. f.) III

  Vln. II

IV 3

 

      

  

3

IV

  

“p”

3

3

Vc.

 

II

     

Db.

 





I

IV







ppp

                3

 

I

 p



arco

IV

 p

arco

 p

ppp

           3

I

            

3

3

3

 p

ppp

 

 

 

 



3

 

           II           III

3

 

 

 

3

pp

3

 

                

3

               3 “ ff ”

(s. f.)

III 3

arco, behind the s. f. bridge III ("hammer-on") II

(s. f.)

 

ppp

        3

3

(s. f.)

 

arco

IV

II

3

arco

III 3                       3 s. f.

 

“ fz ”

Vla.

    

 

“ fz ”

  

pp

       

  

“p”

                     3 

s. f.

      

 

bow on the inner part of one of the tuning pegs on the right hand side of the peg box to produce a toneless hissing sound

arco   I            

III s. f.  3                      “ ff ”  pp

III

3

arco saltando

s. f.

 

IV

3

   

                   pp

s. f. II

("hammer-on") s. f.

arco saltando

3      3           3

Vln. I

(toneless; flutter tongue) senza sord. flz.

 

“p”

Tam-tam bowed (double bass bow)

Perc. 2

 

 3                

(toneless) plunger mute

“ch_f” fz

“ ff ”

(toneless) plunger mute Tpt. 2

  

“ ff ”



3

3  3             

“f ”

key clicks

“ ff ”

q)

multiphonic (indeterminate)

“ ff ”

h

   

“f ”

key clicks

“t_f” jet whistle: cover the embouchure fz hole completely with the mouth and blow forcefully into the tube key clicks for an airy harmonic gliss.

   

jet whistle

3

3 3 3                        

pp

Tpt. 1

3                        

key clicks

(

B. Cl. (cl. 3)

D

key clicks: cover the embouchure hole completely with the tongue or lip and slap down on the keys (the sounding pitch will be a major seventh below the written pitch).

3

3

strike strings with hand

     f

  


5

E key clicks

 3            Fl. 1       24

Fl. 2

3

  



jet whistle

“p”

“ch_f” fz

Fl. 3

Cl. 1 & 2

  

Hn. 2

Hn. 3

Tpt. 1

  

jet whistle

“p”

“t___________________f” fz p

    

  

 

“ fz ”

 



3

5

  

    

(toneless)





   

    

  

     

 

 

to clarinet

 

 

 

 

“ fz ”

 

 

 

  

 

  

harmon mute (stem half out)

  

“ fz ”

B. Tbn.

     



   

“ fz ”

Perc. 1

Perc. 2

Perc. 3

   



p

 

  

 

“f”

“f”



Vc.

Db.

      

 

“ ff ”

           “ ff ”

     



ppp

  

ppp

      

behind the bridge

p

          p  saltando                    

p behind the bridge



        

p

II

s. f.

“ ff ”

arco

s. f.



  3

pp

3

     

arco

pp

“ ff ”

       3   

s. f.

“ ff ”

3

    

s. f. III

            

pp

IV

          3

 

3



“ ff ”

3



        pizz. (l. v.) III

   p

s. f. IV

    “ ff ”

3

 

         pp arco

         



3

pp

“ ff ”

  3         arco

s. f.

    

3

3

“ ff ”

pizz. (l. v.) s. f. IV III

      

        

“ ff ”

3

3  3         

s. f.

pp

pp

        

             arco



pp

3         

     

s. f.   3                        

p

3

3

 

3

           

3

 3   

 

slow gliss. to an indefinite pitch (as before)

gliss.

 

arco saltando

“ ff ”

s. f.

  

Side drum (snare on)

 

s. f.

III

  3    

“ ff ” 3

 

     

 

3

      

      

p

pp

3

p

fz

III

s. f.

ppp

     

s. f.

p

s. f.    3               “ ff ”  

3

3                “ ff ”

ppp

    Vla.

   

III

3

 

saltando

s. f.

s. f. III

    

  



p

“ ff ”

P       

“ ffz ”

Sus. cymbal scrape with triangle beater

E   

T

Vln. II

fz

  

gliss.

“p”

a brushing motion on the surface of the strings (II & III) with the wood of the bow - move the bow rapidly and loosely from side to side (rather than up and down), like a windscreen wiper, between the vicinity of the fingerboard (tasto) and the the bridge (pont.) P T



 

“ fz ”

 

       Vln. I

“p”

 

VII

I flz.

VII

I

  (l. v.)  

bowed crash cymbal

“ ffz ”

  

pp

“p”

gliss.

 

 

“ fz ”

pp

  

gliss.

“p”

  

  

VII

 

  

gliss.

pp

fz

I flz.

VII

I

 

p

Tbns. 1 & 2

“ fz ”

(toneless)

  

     

  

“ch________________f” fz p

“ch_f” fz

                 

key clicks

     

“p” Hn. 1

“ fz ”

“p”

B. Cl. (cl. 3)

    

pp



molto sul pont.

pppp

3 3            3

 

          

saltando

strike strings with hand

  

f

IV

  

3

arco molto sul pont.

      3

pppp poco a poco cresc.


6

F 28

 Fl. 1 

  





Fl. 3

    

flz.

 

pp

Cl. 1

(toneless)

“p”

Cl. 2



(toneless)

 

 

 

  

“ fz ”

fz

  

   

 

 

    

 

Timp.

p

p

fz

3              3

pppp

     



3        

    IV (s. f.)

 



arco molto sul pont.

        3

pppp

Vla.

      





       



3

poco a poco cresc.

         poco a poco cresc. 3

3

3

               pppp poco a poco cresc.

  3       

3

     

 

 

  

 

   

 

 plunger mute

         

(plunger)

 



       

p

 



mf

F

pizz. (l. v.) II

  

 

                molto sul pont.                 3

      

ord.

 

3

       

molto sul pont.

          3

3

3

   

3         



  



3       

  

      

3

    

3      

 

    

molto sul pont.





 

    

 

3

    

3          

3        

      

ord.

3

 

  

      

 

ord. molto sul pont. 3       3            

     ord.

 



     

      

       

molto sul pont.

      



 molto sul pont.                          

ord.

3

3

3

molto sul pont.

   

 

ord. saltando

arco molto sul pont.

3

3

     



 

ord.  3               ord.



 

            3 3

     

plunger mute

p

  

molto sul pont.

       

3

arco molto sul pont.





 

3

3         

 

     

3



fz

3

poco a poco cresc.

poco a poco cresc. molto sul pont.

pppp

3

saltando

pppp

 

mf

3

molto sul pont.

pp

3

3

  

mf

p

            

     

   

fz

 

                     poco a poco cresc.

arco

  

       

   

3         

pppp

 

     

arco molto sul pont.

(s. f.)

 

   

poco a poco cresc.



pppp

    

strike body of instrument with hard stick

p

      

     

 

fz

    





 

molto sul pont.

pp

Db.

f

 

 

p

 

poco a poco cresc.

arco

 

fz

  3 

(sus. cymbal) scrape

molto sul pont.

Vc.

  

fz

"squawk": same as clarinet 1

p

  

 

Vln. II

f

 

  

 

 Perc. 2     Perc. 3   

Vln. I

    

plunger mute

B. Tbn.

 

  

p

plunger mute (1 & 2)

Tbns. 1 & 2

"squawk": detach the mouthpiece from the body of the instrument and suck air through the back of the mouthpiece. A large amount of pressure is required.

 

p

Tpt. 3

  

harmon mute (stem half out)

Tpt. 2

“ fz ”

  

 

fz

Tpt. 1

 

p

 

fz

Hn. 3

 

“ fz ”

(toneless)

   

Hn. 2

 

  

“p”

Hn. 1

“p”

  

“ fz ”

“p” Cl. 3

jet whistle

fz

  

  

“ch___________________f” p fz

“ch_f” fz

 

   

ord.

3          

3         

 

3 3 3                              


7 32

  Fl. 1   Fl. 2

Fl. 3

Cl. 1

Cl. 2

  

flz.

 

p flz.

  

p

  

     

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

  

sim.

Tbns. 1 & 2

 

f (toneless)

   





“f ” (toneless)

  

Tba.

“f ” (toneless)

  

“f ”

       

     fz       

  

Vln. I

  

Glockenspiel

mf cresc.

  

Glockenspiel hard sticks



   

  

mf 3

 

 



3

 

“p”

 

  

cresc.



mf

        3

 

molto sul pont.

mf

 

(ord.)

3 3              mf

    

molto sul pont.

                 3

        3

      

3

3

                  mf

            mf    (ord.)             mf

(ord.)

(ord.) saltando

(ord.) saltando

3          

 

               mf

    3

 

     

strike strings

  with hand    f

f

      



f

     

“ fz ”

(behind the f bridge)

       f

 

    

 

“ fz ”

(toneless)

“p”

“ fz ”

 

 



 “p”

q

   

 

   

 

 

 

( )

(toneless) I

gliss.

q

( )

gliss.

VII

“ fz ” VII

“ fz ” (toneless)

 “p”

 

   “ fz ”

 

 

 

molto sul tasto

 

 

 

 

 

 

 

 

 

    

 

 

            ppppp

 

 

 

 

 

 

 

molto sul tasto    

 

 

 

 

 

 

 

 

ff

        

  

ff

  

     

 

 

ppppp

ff

molto sul tasto

 

ppppp molto sul tasto

ppppp molto sul tasto

ppppp

molto sul tasto

ff

molto sul tasto ppppp

ff

           

ppppp

ff

       

    

   

                   

“p” “ fz ” (toneless)

ff

        

f

 

“ fz ”

(toneless)

 

(toneless) I

G              

    

    

“ fz ”

ff

               saltando                      saltando                         (ord.)           f  mf  (ord.)             mf

 

   

     p ffz                                    

saltando

 

      

(ord.)

    

(toneless)

“ fz ”

 

6

   

   

5

“p” (toneless)

  

3

 

 

(toneless) plunger mute

 

“p”

 

 

  

3

 

 

 

   

“ fz ”

“p”

Side drum (snare on)

 

“p”

   

3

“t_________f” “p” “ fz ”

   

“p” (toneless)

“ fz ”

“ fz ”

(plunger)

    

   

(plunger)

   

   

(articulate phonetic into instrument)

 

 



     ff      ff      ff  

(ord.)

              

   

“ fffz ”

“p” toneless air sound

“p” toneless air sound

  

 

 



3

Db.





                    5 ff 3        3                 

Vc.

      

mf cresc.

  

Vla.

 

  

Vln. II

“ fffz ”

toneless air sound

“p”

 

  

“ fff ”

 Perc. 3    Cel.

  

    

    

 

“f ”

  

“f ”

jet whistle

  

“ fff ”



“ fffz ”

3

  

 

    



hard sticks    Perc. 1    

Perc. 2

 

“ fff ”



“f ”

   

    

“f ” (toneless)

  

“ fff ”



jet whistle

    

"squawk": same as clarinets 1 & 2 sim. 3

fz

B. Tbn.

jet whistle

 

fz “t_f”

    

fz

Tpt. 3

    

fz

  

sim.

 Cl. 3     Hn. 1

fz

 

  

 

G     

     ff

molto sul tasto

 

ppppp

         ff

 

molto sul pont.

ppppp

 


8 37

  Fl. 1    Fl. 2

 

     

(sim.)

“cha” fz

   

 

H 

  

jet whistle

Fl. 3

 

(toneless)



 

 

(toneless)

     

“p”

Cl. 2

 

 

“p”

Cl. 3

  

 

  

 

  

  

       

Hn. 2

 

“ fz ”

(toneless; flutter tongue) flz.





 

 



Tpt. 1-3

Tbns. 1 & 2

    

 

 

(toneless) (plunger)

 

“p”

       

(toneless)



“p”

    

“ ffz ”

(toneless) I



gliss.

“p”

(toneless; flutter tongue) senza sord.flz.

      

“ fz ”

“p”

 

      

 

      

 

 

 

 

 

 

 

 

      

flz.

“ fffz ”

      

flz.

“ fffz ”

      

flz.

  “p”

“ fffz ”

 

    

“p”

“ ffz ” “ p ”

(q) (toneless; flutter tongue) VII I flz.

VII

“ fffz ”

 

(toneless; flutter tongue)

 

“ fffz ”

 

(toneless; flutter tongue)

“ fz ” “ p ”

 

“ fffz ”

“p”

Hn. 4

 

      

(toneless)

 

(toneless; flutter tongue)

“ fffz ”

“p”

Hn. 3

      

(toneless)

“p”

 

 

 

 

“p”

(articulate phonetic into instrument)

“p”

   

 

“cha” fz

   

 

“ fz ”

“ fz ”

jet whistle

“p”

“ fz ”

(toneless)

“p”

Hn. 1

“t_________f” “p” “ fz ”

“ fz ”

(toneless)

   

“ fz ”

(toneless)

“p”

Cl. 1

“ p ” “ fz ”

“cha” fz

“p”

 

(articulate phonetic into instrument)

    

     

flz.

“ fffz ”

(sim.) I flz.

 

gliss.

“ ffz ”

VII

gliss.

“p”

      “ fffz ”

q

( )

B. Tbn.

 

 

(toneless) I

gliss.

“p”

 Tba.  

 

(toneless; flutter tongue) VII I flz.

     

VII

“ fz ”

    

gliss.

“p”

“ ffz ”

Perc. 1

Perc. 2

Perc. 3

  

 

  

      Vln. I          Vln. II         Vla.          Vc.       Db.   



p Sus. cymbal scrape with triangle beater





p

                                 

  



 

fz

fz

 

   

p

  

fz

Tam-tam bowed (double bass bow) rich sound (l. v.)

p

   

fz

Sus. cymbal

p

 

 

 

 

 

 

 

 

 

           

           

“ fz ”

“p”

gliss.

       “ fffz ”

      “ fffz ”

    

 

(l. v.)      

 

 

 

             

             

p



             

fz

Side drum (snare on) rimshot

   

p scrape with back (ring) of wire brush

 

 

flz.

    

H  

“p”

VII

solo

Large crash cymbal bowed (double bass bow) rich sound



 

(toneless; flutter tongue) flz.

“p” Large crash cymbal bowed (double bass bow) rich sound

(sim.) I flz.

fffz

fz

                              

 

(put bow down for start of second movement)

 

(put bow down for start of second movement)

       

             


II. Monody q = c. 80

  Flute 1   

Flute 2

Alto Flute (fl. 3)

Oboe 1

Bb Clarinet 1

Bb Clarinet 2

Bb Bass Clarinet (cl. 3)

Bassoon 1

  

  

  

  

  

   

ppp

   

  

(ord.)

F Horn 4

ppp

C Trumpet 1

ppp

  

ppp

plunger mute

Tenor Trombone 1

 

ppp

plunger mute

 Tenor Trombone 2  

 

   

p

p

   



p

p

 

p

p

()    

p

 (plunger)

  

(plunger)

 

    

 

( )

   

 

( )

 

p

   Harp  

ffz (all harp harmonics sound 8va above written pitch)

 

  

 

 

3

p

 

p

 

p

 

  

  

 3   

  

  

  

 

 

 

 

p

3

p

p

 

 

  

 

 

  

 

 

  

    

      

(sempre l. v.)

3

A

 

 

pizz.

 

 

     f

 change bow adlib.      III

Viola

ppp

   

III

Violoncello

change bow ad lib.

ppp



I change bow ad lib.

Double Bass

  

ppp





p





ppp





p

 

put bow down

h.

(

 

p

p

ppp

  

p

 

3

  

first 2 desks only III pizz. (sempre l. v.)

 

q)

first 2 desks only pizz. I (sempre l. v.)

 

 

mp (louder if necessary. Notes should be clearly audible)

  pizz.  Violin I     f Violin II

3

   

3       

ppp

3

   

sempre legato

  ppp 

 

 

  



p

 3   

p

 

  

3       

  

 

sempre legato

p

sempre legato

p

 

ppp

(D§, C§, Bb/Eb, F§, G§, A§) sempre l. v.

  

 

()   

   

  

  

flz.

  

 

  

sempre legato

 

 

      

 

p

 

sempre legato

p

 

p

 

p

  

(alto flute)

  

flz.

  

(flutter tongue) flz.

  

 



p

   



p

  

   

  

ppp

   

p

   

p

sempre legato                p

  

ppp

   

   

 

(timbral trill)

 

(flutter tongue) flz.

    

 

p

sempre senza vib. plunger mute

C Trumpet 2

 

A

   

p

(flute)

sempre senza vib. plunger mute

  

 

p possibile

(ord.)    

ppp

ppp

F Horn 3

  

   F Horn 1   

F Horn 2

(flute)

9

3

          mp 

mp


10

 

flz.      

  

Fl. 2

flz.        

flz.

12

 Fl. 1 

 

    

 

 

B. cl.    

  

Cl. 1

Cl. 2

3

  

  

 

Tpt. 1

Tpt. 2

Tpt. 3

3

3

 

Hn. 2

             

3

Tbn. 1

   

             

 

 

  

 

        3

  

  

    

 

ppp

 

3        

    

     

 

     3

senza sord. (timbral trill)

         p

 

   



 

 

p

ppp

p

 

 

3

  

     

  

3

3

        p

 

       

    p   

( )

3

  

3

p

(harmon mute)

 

3

senza sord. (timbral trill)



 

  

  

    

  

  

     

  

3

 

3

   

 

  



 

 

  

  

 

 

3

 

flz.

  

   

3   

  

   

    

3

 

 

flz.

flz.

3    

    

( )

 

   

3

3       

    

harmon mute

3        

    

3           



  

3           

     

( )

Hn. 1

 

   

flz.

      

flz.

flz.        

    

   



flz.

   

 

A. fl.

     

(harmon mute)

     3

ppp

     

harmon mute

Tbn. 2

Hp.

 Vla. 

   

 

 

             

 

 

      

   

  

 

3

( )

ppp



 

 



 



       

3

  

  

 

mp

      

p

    

 

    

first 2 desks only

first 2 desks only

Vc.

 

first 2 desks only

 

mp

q

( )

Db.

 

  

pizz. (l. v.) I

mp

 

q

( )

3


  

flz.

   Fl. 1    18

Fl. 2

A. fl.

Cl. 1

Cl. 2

     

         

flz.

 

 

       3

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 3

Tbn. 1

 

 

 

 

 

   

  

 

 

 

 

 

 

 

 

 

 

 

 

 

3       



   



   

   

   



 

    

 

 

      

 3

3

  

 

 

      

   

 

 

 

 

 

 

 

 

 

   



 

    

   



 

 

 

 

   

  

      

flz.

( )

Hn. 1

 

  

flz.

    

3

 B. cl.    

  

 

 

3    

 

C  

 

flz.

 

11

B

 

 

 

 

 

 



ppp



ppp



ppp

     



 

 

 

ppp

  

    

 

      

 

 

 

 

 

 

 

 

 

 

 

 

   

 

 

 

 

 

 

 

 

 

 

 

      

 

 

 

 

   

3 3          

   

C        

 

 

( )



   

 



p

 

   

   

(harmon mute)

Tbn. 2

  

( )

ppp

p

 

harmon mute

 B. Tbn.      Hp.  

( )

ppp

 

    3

     

   

   

p

B   Vln. I  

 

pizz.

 

 

ppp

Vln. II

 

 

pizz.

 

 

ppp

Vla.

  

   

first 2 desks only

3

 

tutti pizz.

 

ppp

          3

   

         

       3

         

 

3

 

p

 

         

 

3 3 3               

   

p

    

  

  

 

      p

      

 

 

 

first 2 desks only

 Vc.  

 

 


12

D 25

Fl. 1

  

 

 

  

      

     

ppp A. fl.

 

 

 

p

 

3       

       

ppp Cl. 2

 

 

 

p

    

 

ppp B. cl.

  

   3 Hn. 1     ( )

( )

Hn. 2

Hn. 3

 

  

      

3        

  

pp

3

          

     

3



    

pp

          Hn. 4      3

        Vln. I     

 3         

 3   

 

  

 

   

3

 

 3    

      

  

 

    

    

D  3            

3      

 

    

 

    

3      

 

3 3 3                    

  Vla.    

  

 

3

3

  

 

3    

  

 

                3

p

 

  

          

3

pp

 

 

pp

( )

Vln. II



p

   

 

 

ppp

() 3       

 

 

 

3

 

 

 

 

 

 

 

 

 

 

 

 

  

   3              

 

      3            

   

3         

  

  

 

 

  

32

  Fl. 1      

Fl. 2

A. fl.

Cl. 1

Cl. 2

 

   

     flz.

 

ppp

 

      

 3  

     Vln. I      

 

    

Vln. II

Vla.

 3       

      

3       

 

 

   

 

  

       3

    p



 

    

flz.

 

ppp

   

    

   

   

  

 3             

    

  

   

   

 

3



      5

 

        3    

p

   

      

  

ppp

3     

3                

  

E      

p

p

3    

  

3        

 

          ppp

3       

 

 

 3   

3             

 

    

B. cl.

  

3   3         

3      

 

 

 

    3

 

ppp

  3     

  

   



 

 

E   3     

 

 3   

      

      

 

 

 

 

   

 

 

 

3

 


13 39

   Fl. 1      Fl. 2

A. fl.

Cl. 1

Cl. 2

B. cl.

 

3

flz.

ppp

Hn. 2

Hn. 3

Hn. 4

       

 

Vla.

Vc.

ppp

ppp

        

    

3

         

 

 

 

  

  

     

3

  

3

      

          

 

 

  

 3 

 

3



to piccolo





     

 

  

 

 

   

 

3

ppp

p

 

 

 

 

   

 

 

 

 

to piccolo

 

 

 

 

 

 

 

 

 3   

 

 3   

 

(ord.)

p

(ord.)

  

 

   

 

 

 

 

 

 

p

ppp

p

F    

  tutti, div.    

ppp

  

3     

45

   Hn. 1            

   

3

    

 

   

 

 

 

 

                  







3            

  

 

3

 



p

 

p

     

3

   

  

   

mp decresc.

3    

( )

Hn. 2

    

   

 

ppp

p

3         

3      

 

ppp

 3   

  

          3

ppp

 

p

 

 

     to clarinet     

   

 

    3       

ppp

3

       

 

             

 

               

 

 

3

 

 

   

p ppp

ppp

 

        

 

  

  

      

3          

        3  

 

3

      

3

  

 

p

  

p

   

      

      Vln. I           3 Vln. II

 

3

to piccolo         

flz.

p

   

  

 

      

 

3

Hn. 1

 

   

F

    

   

  

   

5

 

 

mp decresc.

Hn. 3

                                                               ppp

p

p

3    

( )

Hn. 4

ppp

     

ppp

    

p

   

più p

ppp

3

    

ppp

più p

      

ppp

p

ppp

3

   

  

mp decresc.

Vln. I

Vln. II

Vla.

  

 

3

      

   

3

    Vc.

3                     

3         

 

 

   

3                   

poco a poco cresc.

       poco a poco cresc.

                            3 3 3 

  

q

( )

 

poco a poco cresc.



 

   

  

                       3 3

   



3 3                    

  3                   

poco a poco cresc.

                

 

    

 

3

3

            

3



  

poco a poco cresc. 3

    

3

   

     3

 

 

mp

mp

                3



          3

 

 

3

mp



 

mp

3        3

mp


14 52

Picc. 1

Picc. 2

 

G   

p

  

  

    

Picc. 3

Hn. 1



   

( )

Hn. 2

Hn. 3

   

  

 

    

 

   

p

ppp

  

  

  

  

  

  

3

p

   

pp

    

ppp

( )

   

 

p

ppp

mp

   

3

p

 

 

 

 

 

 

 

 

 

 

 

   

 

      

  

 

           

  

    

  

 

 

  

poco

 

 

ppp

     p

Tpt. 2

plunger mute

 

    

   

3

p

Tpt. 3

Cel.





Vla.

  

 

           

   

     

 

   

 

  

 

   

  

  

      

(use both hands)



p poco a poco cresc.

        3

 

                          3 3

 

    

G   

   

 

   

 

3

p poco a poco cresc.

            3



p poco a poco cresc.



  

p poco a poco cresc.

Vc. 3                         3

ppp

p poco a poco cresc.

   

 

  

(senza sord.)

 

  

        Vln. I        

Vln. II

 

3         

più mp

p

senza sord. (mellow tone) Tpt. 1

mp

 

p

  

  

p

   

poco

ppp

p

       

poco

3

p

più p

   

3

flz.

 



     

3

flz.

p



  

 

3                                      p

Hn. 4

 

             

3

p

  

     

    

p poco a poco cresc.

3

 

 

   

3

 3

  

3 

 

più p



ppp





3

3

(senza vib.)

3

p

3 3              

mf p

    

 

  

 

 

   

      

 

   



  

3        

  

3         

3

3

 

 

 

 

   


15

H flz.

  Picc. 1    58

 

p

mf

   

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

p

 

    

  

 

    

  

 

 

 

 

    

fz

mp

5

    

mp

     

             5

fz

3

fz

mf

 

                  p

6

6

6

      

 

 

  

 

 

  

 

 

 

  

   

 

 

p

5

7

  

 

Cbsn. (bsn. 3)

  

 

   5

   5

 



p

Hn. 1

   

   



Hn. 2

  

 

  

  

mf

Hn. 3

 

Hn. 4

Tpt. 1

 

Tpt. 3

    

  

 

Tbn. 1

Tbn. 2

      mf

p

3

 

 (senza sord.)   

 

    

Vln. II

   

Vc.

   

      

 

 

       

 Db.  

3

f

 

  

5

6

 

 

5

fz



   



   

ffz

5



 

 

  p   Bass drum  



   

 

   

   

 3      

 

     

 

 

 

 

3

3



H   f

3

     mf

 

ff

     



 

 6

 

 

5

  

 

f

mf

6

  

 

 

 

     

 

 

ff

   

5

  

  

   

ff

5

  



 

 

   

ff

f

 

   

5

 

mf

ff

5

 

5

f

5



ff

6

 

  



ffz

f

   

ffz

5

6

f

 

5





 

  

 

     

 

f

ffz

6

 

7

ffz



 

fz

p

 

 

  

 



mp

    



pp

 

    

5

mf

    

 

   

ff

 

6

5



        

5

 

     

pick up bow

 

pick up bow

 

pick up bow

 

 

 

 

 

 

f

 

    f

   I

  

 

6

5

(senza sord.)

   

    

( )



    

p (senza sord.) I

   

h

   

 

 

  

   

     

mp

(senza sord.) I (with F attachment)

 

5

   

6

   

    

   

    

5

7

     

6

 

5

  

fz

   

p

Vln. I

 

    

3

 

  Perc. 1   

5

f

fz

  

 

 Tba.  

Vla.

  

più mf

 

 

    

7

ff

6

fz

mf

  

Cel.

3

 



 

B. Tbn.

  

( )

p

3

mf

        

 

3

   

 

fz

  

3

            

mf

  

    

6

 

    

ffz

 

 

     

 

 

     mf

5

fz

mf

Tpt. 2

 

mf

  

3

mf

   

fff

ff

   

f

   

                         mf

 

f

5

  

 

 

7

     

7

ff

              6

 

mf

Bsn. 2

  

6

          7

mp

  

5

mf

5

p

          6

         

ff

7

6

                   p

 

 

Ob. 3

 

mf

 

Ob. 2

flz.

 

 

Ob. 1

  

p flz.

 

flz.

Picc. 3

   

mf

  

Picc. 2

  

q.

( )



    

q

( )



( )

q

(

arco

 

 

h.)

f



f

 

p

    ffz

 


16



I 61   Picc. 1  

 

 

 

Picc. 2

Picc. 3

Ob. 1

Ob. 2

Ob. 3

Cl. 1

Cl. 2





 

    

    fff       

fff

fff



fff

Cl. 3

Bsn. 1

Bsn. 2

Cbsn. (bsn. 3)

 

fff

  

fff

   

     

fff

      

Tpt. 2

Tpt. 3

Tbn. 1

        

   

fff

     fff     

fff

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

to bassoon

 

 

 

 

  

 



 

 

 

(ord.)

ppppp



(ord.)

ppppp



 



ppppp

ppppp

   ppppp

ppppp

     

fff

Tpt. 1

ppppp

     Hn. 1    fff      Hn. 2  

Hn. 4

 

fff

Hn. 3



ppppp

 

ppppp

ppppp

 



 

ppppp

ppppp

 

 

 

 

 

 

 

(ord.)



plunger mute

ppppp



ppppp

 

plunger mute





ppppp

 

ppppp

 

 

ppppp

ppppp



 

ppppp

       fff           

 

ppppp

 

 

 

 

 

 

 

 

 

 

      

      

     fff      Perc. 1   

 

 

 

      

 

 

Tbn. 2

plunger mute

ppppp

fff

B. Tbn.

 Tba.  

fff

fffz

Whip

Perc. 2

fffz

I arco     Vln. I

div.

change bow ad lib.

ppppp

arco   

change bow ad lib.

ppppp









    





    

 

change bow ad lib.

arco: sul tasto, senza vib.

Vln. II

ppppp div. uni arco: sul tasto, senza vib.

ppppp div. arco

   Vla.

div.

ppppp arco: sul tasto, senza vib.

      

arco: sul tasto, senza vib.

ppppp arco: sul tasto, senza vib. (not a harmonic!)

  

 ppppp

 

change bow ad lib.



   

 

 

   

  



  

 

 

 

 



 

 



ppppp



ppppp

change bow ad lib.

 

 

   

 

 



ppppp

 



change bow ad lib.

   

ppppp



ppppp



ppppp



 

 

 

ppppp

    

change bow ad lib.

 

   

plunger mute

ppppp



 

ppppp

 



   

ppppp unis. arco: sul tasto, senza vib. (not a harmonic!)

Db.

change bow ad lib.

change bow ad lib.

ppppp

Vc.

 

 

 

  

 

  

 

   

 

   

 


17

III. Tintinnabulation q = c. 108 Piccolo

          Flute 1  

      

mf

5

    3

Flute 2

      3

3

mf

Glockenspiel miniature brass mallets

    

   

    

    

Glockenspiel miniature brass mallets

   

  Harp



mf

      

 

pp

fz

  

 

3

mf (l. v.)



3

5

        

3

    

   

   

     

  

   

   

3

3

mf



        

5

(sempre l. v.)

(l. v.)

mf

    

       



mf



mf

Percussion 2



3

        

mf

     

mf

 Flute 3    

Percussion 1

Piccolo 

5

ppp

Piccolo

   

      





    

3

3

      3

f

(use both hands)



 Celesta    

pp

  

      

mf

        



5

mf

     

q = c. 108 div. con sord. II

h.

q

(

h

    

h)

(

(II)



mf

II

 



ppp

mf

Violin I con sord. II

 

h

 

(

h)

II

mf

h

( )

con sord. II



  

div.

h

h)

(II)

(

 mf

ppp

Violin II

h

( )

  

con sord.

 

II

 mf

II


18

       

5

Picc. 1

  

3

 

Picc. 3

    3

    3

Cl. 1 & 2

     5

p

             

   

Picc. 2

 

6



mf

      

5

3

5

ppp

            

    

 

A

      

        3

6

  

   5

fz

(niente)

mf

 

 

mf

pp

 

mf

(niente)

B. cl.

          



6

Bass clarinet (timbral trill)

        mf

(niente)

 Hn. 1 & 2



p possibile

mf

  

ppp



p possibile

Hn. 3 & 4

         mf

p possibile (timbral trill)

p possibile

Perc. 1

Perc. 2

Hp.

Cel.

  

 

       

  

  

pp

h.)

 

 

h.)

 

 

 

       

   mf

 q

 

Vln. I

(





   

      

mf

  

5

      

   

     3



    



         

3



5

3

   

pp

A  

mf

mf

mf



     

 

      

5

     



mf

mf Vln. II

h

 

( )

Vla.

 

con sord.

 

  





mf (

Db.

  

h

   

con sord. III

mf

con sord.

Vc.



   

h

h

h)

 

 

 

mf

 

(con sord.) (ord.)

   


           9

Picc. 1

mf

  

Picc. 3

5

Picc. 2

3

3

5

ppp

       

        

      

  

 

     

         

3

5

Cl. 1 & 2

mf

19

      

    

mf 5

5

                 

5

     

5

  



   3

3



  

mf

Bsn. 1 & 2





mf

    

ppp

ppp

 

    

ppp

             mf

ppp

mf

ppp

ppp

Tpt. 1

mf

ppp

      

Hn. 3 & 4

mf

ppp

Hn. 1 & 2

 

ppp

ppp

mf

ppp

harmon mute (stem half out) (+)



ppp

Tpt. 2

harmon mute (stem half out)



ppp

Tpt. 3

harmon mute (stem half out)



ppp

Tbns. 1 & 2

B. Tbn. & tba.

Perc. 1

Perc. 2

Hp.





     



ppp

p possibile

mf



ppp

p possibile

mf

ppp

 



 



   

         

5

5





 

   

5



 



ppp

     5

 

       

 



        

 

mf

Db.

    

mf sul pont.

 

(con sord.) IV

 

ppp

bisbigliando

sul pont.

  

mf

(con sord.) (ord.)

Vc.

p possibile

mf

  Vla.  

ppp

     



   

    

   

Cel.

mf



  

p possibile



(+)

 

mf


B

20 13

Picc. 1

  

Picc. 2

Picc. 3

Cl. 1 & 2

  

  

1.

       

     3

Bsn. 3

Hn. 1 & 2

   



      

mf

 

     

       

       3

3

3

mf

Tpt. 1

Tpt. 2

Tpt. 3

  

Perc. 1

Perc. 2

   

ppp

mf



ppp

mf

  

  

fz

ppp

  ppp

(ord.)

 

(ord.) mf

 

 





 



a2

mf

ppp



con sord.

ppp

mf





 

    



 



    

      

   



   



5

     

     

   

bisbig.







ppp

fz

 

 

pp

 

 

(con sord.)

(ord.)

molto sul pont.

  



ppp

Vln. II

(con sord.)

molto sul pont.

(ord.)

  



ppp

Vc.

Db.

   

mf

div. (con sord.) ord.

   

(con sord.) sul tasto

 

 

IV

ppp

(remove mutes)

(remove mutes)

mf

(remove mutes)

   

    

     

mf

  

(con sord.) sul tasto

fz

      

mf

fz

(con sord.) ord.

Vla.

fz

B Vln. I

ppp



 

fz

    Hp. 

Cel.

5

mf

mf

3

   

mf

ppp

3

   

mf

   

      mf

ppp

B. Tbn.

fz

fz

(+)

Tbns. 1 & 2

5

mf

 

  

pp

(ord.)

(ord.) ppp

Hn. 3 & 4

 

 

5

    

            

ppp

      

ppp



 

 

fz

5

fz

 

ppp

Bsn. 1 & 2

5

ppp

ppp

B. cl.

  


    

    17

Picc. 1

5

ppp

  

Picc. 2

Picc. 3

       6

 

3

Hp.

   

 

ppp

  

    

  

 

mf

senza sord.









  

  



        

  

 



   3

fz

    

(remove mutes)

(remove mutes)



 

senza sord.

(ord.)

ppp

 mf

 

senza sord.



  mf

 

 

(ord.)

mf

ppp senza sord. II

 

III

  ppp

  

mf

pp



mf





5

  



     



ppp

 

fz

ppp

ppp







 

3

  



mf

Db.

    

fz

       

   

ppp

fz

mf

Vc.

 

ppp

 Vln. I  

5

 

fz

Cel.   

Vla.

mf

ppp

  

  

Vln. II

fz

ppp





       

f

   

 



 

ppp

fz

Perc. 2

        

6

 

ppp

Perc. 1

    

 

 

ppp

B. Tbn. & tba.

6

  

pp

ppp

Tbns. 1 & 2



  

  Hn. 1

Hn. 3 & 4

   

3

        mf

mf

         

21

a2

 Bsn. 1 & 2  

Hn. 2

Cl. 1 & 2

 

       


22 20

Picc. 1

 

      6

Cl. 1 & 2

               p

Picc. 3



Picc. 2

3

fz

 

mf

5

 

mf

 

mf

3

        3



3

ppp

ppp

mf

harmon mute

(+)

ppp

Perc. 1

Perc. 2





  

Cel.

  

(+)

    

 







  

  

    

ppp  

 

ppp



fz



bisbig.

Hp.

  

ppp

 

  

fz

plunger mute Tbn. 2

mf

  

ppp

(+)

fz

con sord. (straight mute)



  

fz



plunger mute

con sord. (straight mute)

ppp

fz



    

ppp



    

 

 



3

     

  



 

    

5

  

5

 

mf

ppp

 

 

mf

 

Vc.

Db.

molto sul pont.

 

mf

    

C

 

senza sord.

 

senza sord.

Vla.

   

fz

 Vln. I 

Vln. II

  

 

ppp

Tbn. 1

5

ppp

ppp

        

3

ppp

3

mf

Tpt. 3

   

      

    

Tpt. 2

ppp

mf

Tpt. 1

6

ppp

    Hn. 1

Hn. 2

            

  

 

       

ppp

ppp

Bsn. 1 & 2

5

mf

B. cl.

C

             

 molto sul pont.

ppp

ord.

 

 

mf

ppp

ord.



  ppp

mf

 

 


23

Picc. 1

 

Picc. 3

      

fz

mf

    

 

Picc. 2

  

       6

      5

5

 

      

3

 

 

pp

Bsn. 1 & 2

  

f

     

5

 

         Hn. 1 & 2   

 

Tpt. 3

 Tbns. 1 & 2  

Perc. 2

Hp.

Cel.

Vln. I

  

harmon mute (stem half out)

 



  fz

 

 

 

sul pont.





  

      5

  

   



  



 

 

fz

 

 

   

poco a poco cresc.

  

 

  

   



   

sul pont.

 

 

 

ppp

f

non div.

 

     

5

poco a poco cresc.



pp

       

f

 

 

 

sul pont.

 

f

ppp

5

ppp



 

 



ppp

f

I

 

fz

   

fz

Db.

 

  

(ord.)

     

mf

fz

Vc.

 

 

fz

Vla.

ppp

3

fz

Vln. II

fz

(+)

pp

  

pp harmon mute (stem half out)(+)

 

 

poco a poco cresc.

pp

    

    

  

f

     

 

pp

(senza sord.)



ppp

Perc. 1

 

  

ppp

3

  

pp

Tpt. 2

 

pp

f

f

 

ppp

Tpt. 1

   

ppp

    

Hn. 3 & 4

 

ppp

mf

ppp

f

5

ppp f

 

 

           6



ppp

ppp

   

6



3

mf poco a poco cresc.

f

    mf

     

fz

5

ppp

Bsn. 3

5

      

 

6

ppp



 

ppp

        

6

ppp

B. cl.

 

poco a poco cresc.

poco a poco cresc.

6

flz.

23

    

            

 

6

Cl. 2

Cl. 1

5

3

       



 ppp




24 26

Picc. 1

Picc. 2

Picc. 3

Cl. 1

   

5

  

6

      

  

 

        

 

 

      

flz.

 

 

6

 

       

 

        

 

pp

     

Bsn. 1 & 2

    3

     fz

f

 

 

5

    

pp

B. cl.

 

pp

Cl. 2

6

3

3

 

     

       

f

  

 pp

       

6

f

5

5

pp

f



6

        Hn. 1 & 2       



 

 



5

p

f 5

Hn. 3 & 4

              

   

 

6

p

f

Tbns. 1 & 2

    

  

    

  

pp

B. Tbn. & tba.

 f



pp

Perc. 1

Perc. 2

   

 

 

   



3



  Cel.      Vln. I  

 



 







 

Vln. II

Vla.

Vc.

        

 

  

   



   

   

    5

 (ord.)

  

5

 

 

  

 

 

ord.

  

 

 

  

 

q

h

 

pp

   

    

 

IV

 

    

(

Db.

 

 

fz

   



f

   

    Hp.   



  

ord.

ord.

h.

  f




        

28

Picc. 1

Picc. 2

Picc. 3

   

5

   

3

        5

       

 

    

to Bb clarinet

   

    

   

    

    

     

    

p Bsn. 1 & 2

 

 



ffz

   

p

ffz

 6                Hn. 1 & 2 

Hn. 3 & 4

6

ciuvré

 

  p

          5

ciuvré

 

 

ffz

p

f

 

 



pp

B. Tbn. & tba.

   



pp

 Perc. 1   Perc. 2

  

Hp.

Cel.



 

  

 3    

  

     

 

p

   

f

5

3

  

f

  

    

        

  

pp

 

fz

 

D     

  

 

    

  

 

    

  

 

    

Vla.

Vc.

q)

 Db.  

ffz

ffz

ffz

ffz

 

 



5

f

  Vln. I  

Vln. II

f

        

 

   

ffz

 

ffz

ffz

Side drum (snare on)

Perc. 3

ffz

f

5

Tbns. 1 & 2

3

ffz

p

Bsn. 3

     

ffz

ffz

  

5

f

3

6

      

    

3

    

p

B. cl.

  

          

f

  

f 3

5

p

Cl. 2

25

    

6

         

cresc.

Cl. 1

D         

 


26

  

30

Picc. 1

Picc. 2

Picc. 3

Perc. 1

Perc. 2

Hp.

   



3

 

       5

      

   

  

    

5

        5

pp

 

 

         

Cel.   



3

3

     5

f 3

    3

3

3    

     

       

 

  

          5

 

 

  

bisbig.

      5

f

3

 

 

 



     

     

   

3

7

fz

 

   

  

p

3

     





5

   



  

  

 

3

6

3

fz

    

       

     

5

        

  

pp

fz



3

flz.

   



5

   

f

5

 

3

pp

E       Picc. 1 

         

34

5

Picc. 2

Picc. 3

Perc. 1

Perc. 2

Hp.

Cel.

   

     

3

 

3

      



3



  

7

 

 

  



E

  

    fz

    7

 

  

 3 

  

3

   

6

 

 3

      

        5

   

   

II

  

   

  

fz

div.

I



h)

          3

7

 

 3

      

 

3

 

 

     5

  3

      

   

  

  

   



 



fz

  

fz

h.

  

(

   



   I

q

( )

fz

  

pp

Vln. II

 



6

 

5

fz

h.

( )

    

        

h.

II

q





(m ) f (not louder than glockenspiels)

(

 

( )

div.

Vln. I

 

6

 





    

   

III

  

fz


   

37

Picc. 1

Picc. 2

 

3

     

3

3

         

Perc. 1

Perc. 2

   

  

     

     Cel.  

Hp.

f

q

   

I

    

     

(m ) f

3

       

  f

    

 

  

  

fz

h.

Vla.

 Picc. 1



 40      5

Picc. 2

Picc. 3

Perc. 1

Perc. 2

 

 

flz.

pp

3

3

   fz

   

3

   

     Cel.  

Hp.

   Vln. I

    

I

  

    

 pp

7

   

  

 f



f

   

3

5

     (m ) f

5

    

 

pizz. (l. v.)

fz

pizz. (l. v.)

fz

3

 

 

   

fz

 

f

  

3

 

6

  

    

3

p

f

    



3

   

  



   

 

   

   

fz



arco

 

    

fz

   

    arco   

3

5

fz

5



3

 



    

bisbig.

f

        

 

  

arco



 

  

f

II

fz

 

 

    

  

  

3

  

   

h

         

 

II

  

     

5

( )

 

 

3



 

fz

fz

  

5

h.)

3

7

 



      

3

fz

  

     

      

5

      

     

 

3

f

3

5

       

   

Vln. II

      div.     Vla.    

  

       3

 

3

        

   

      

f





  

q

  

(

III

  

fz

     

 

5

f pizz. (l. v.)

7

    

h.

I

3

  

( )

3

3

  

27

5

fz



     

5

    

     

h.)

Vln. II

   

5

  

( )

Vln. I

  

fz

3

  

pp

5

  

7

 

flz.

      

 



 

5

Picc. 3

   

I

  

3


F

28

    

44

Picc. 1

  

5

  

pp



 

fz

 

Picc. 3

  

flz.

Picc. 2

3

3

  

3

    

f 3

5

  

p possibile

f

       f        Cl. 3   f

Cl. 1 & 2

 Hn. 1 

Hn. 2

Tpt. 2

Tpt. 3

Perc. 3

Hp.

Cel.

5

5

5

5

    f

ppp

f

ppp

harmon mute (stem half out)

  

 



(senza sord.)

    3

3

    

 

Sus. cymbal bowed (double bass bow), rich sound

p possibile

  

3

  



fz

   3

     

5

 

 

 

(

q.

h

 

 

 

f

  

 





5

 

pp

q)

 

 

 

f



 

  

 

p

  

p

fz

  

  

p

   



fz

   

fz

 ppp



pp

 f

f

pp



   f

     

fz

 

h

 

p

   

p

fz III

3

fz

   

p

  



bisbig.

Vln. I

II

fz

 

p

p possibile

  

  

p possibile

  

(+)



  

 

   



5

p

p

   



F

Db.

ppp



7

f

3

  







    

3



p possibile

    

         

       

pp

 

5

(senza sord.)

 

Vc.

      

3

 

Vln. II

     

Perc. 2



   

1.

Tpt. 1

Perc. 1

Hn. 3 & 4

Tbns. 1 & 2

6

     

  

Ob. 1& 2

   


     

47

Picc. 1

  

      

 

Picc. 2

Picc. 3

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

    Hn. 1    

         6

3

3

 

 

flz.

          

pp

fz

       7

5

 p possibile

Tpt. 2

f

  

Tpt. 3

  Tbns. 1 & 2  

3

 

Perc. 2

     Sus. cymbal   bowed  

         Hp.   5

Perc. 3

3

  

      

3

3

  



  

Cel.

  

Vln. I



  

5

pp



 

f

 

f sul tasto

   

      

sul tasto f

Vc.

   

   

f

 

   

sul tasto

Vla.

  pp

sul tasto

Vln. II

  p

f

 

div.

    p

f

 



p possibile

 

con sord. (straight) (1 & 2)

p possibile

    3

  

5

   

    

fz

  

  

3

3

  

     

p possibile con sord. (straight)

bisbig.

  

p possibile



fz



fz con sord. (straight)

p

  

 

f

   

       

  Perc. 1 

p possibile

f

f

5

f

 

     

       

p possibile

pp Tpt. 1

f

f



        

     

p possibile

 

fz

     f       f    

29

f

f

  

Hn. 3 & 4

3

 

fz

 

Hn. 2

Ob. 1& 2

5

5

 

   

fz

fz

    

 

    

p

 

5

 

p

 

p

ord.

ord.

 

p

II

II

q

 

 

q

 

( )

p

 

( )

p

pp

     

 

p

    

    

fz

fz


30

      

50

Picc. 1

   

Picc. 2

7

 

Picc. 3

Ob. 1& 2

Cl. 1 & 2

Bsn. 1 & 2

       

 

5

6

      

        3

poco a poco cresc.

 

       

3

3

3

 

pp

 

7

5

Hn. 3 & 4

 

Tpt. 1

 

poco a poco cresc.

    

3

3



3

 

f

p

pp

pp

    

pp

      

 

     

 

   

 

             

 

 

6

f

f

5

6

   mf

f

6

  

Tbns. 1 & 2

5

B. Tbn.

  p possibile

 Perc. 1  

Perc. 3

Hp.

Cel.

 3

 

3

 



 

   

  



  

   

 

   II

ppp

f

q

h.)

5

  

(q   

h.

 

 

poco a poco cresc.

p

fz

 

 

p

 

fz

p

      

fz

  pp

ppp

 

p

    

p

 

h.)



f

 

 p

 f

 

 



q





f

(unis.)

f

    

h.

fz unis.



fz

Vln. II

p I

  fz

 

(q   

Sus. China cymbal bowed

3

    

 

fz I

3

p



     3 

 3





fz

fz



poco a poco cresc.

pp

 

Db.

3

3    

poco a poco cresc.

bisbig.



  

 

Vln. I

Vc.



  

Vla.

3

      



 

   

3



f

fz

   

 

Perc. 2

    

con sord. (straight) Tpt. 3



 

 

 

Tpt. 2





pp

      

 

f

a2

fz

Hn. 2

7

 

 

pp

     Hn. 1 

 

f

          

 

pp

 

    

poco a poco cresc.

 

fz

       

   

flz.

5

    

 

 

 

p

     


53

Picc. 1

Picc. 2

Picc. 3

Ob. 1& 2

   

  

 

    3

        3

  

 

3

5

   

  

ppp

Ob. 3

   

  

5

 

flz.

5

Bsn. 1

Bsn. 2

  

5

 

 Bsn. 3  

ppp



 

ppp



 

ppp

    Hn. 1   

p

Tpt. 3

Tbns. 1 & 2

  

   

  

3

 

p

 

      

        

    

3

5

p

5 5

p

   Vc.     Db.  

 

 

 

 

 

ff

 

  

ff

 

to contrabassoon

 ff

 



p

 

ciuvré



fz

p (hn 3 only)

fz

    

 

p



6



     

3

f

f

6                   p f 5              

   

 

7

f

p

f

p

 

f

 

3

  Side drum (snare on)



   



ff

3

  

3

ff

  p

 

 5



    5

p

         

 

 

 

 

 

 

 

      p

f

  

               p

ciuvré

  

3

   

 

       

 senza sord. (1 & 2) 

 

 Cel.    

Vla.

p senza sord. p

fz

Vln. II

  



    

fz





6



        

  

 

ff

 

5

      

 

ff

         

       

senza sord. (1 & 2)

 

ff

6

5

(timbral trill = hn 3 only)

p

 

6

  

p

 

5

 

6

    



  Perc. 3    

Vln. I

   

ff

7

    

 

  Perc. 1    Perc. 2



      

5



fz

Tpt. 1 & 2

6

        fz

Hn. 3 & 4

  

fz

Hn. 2

5

      

    

 

ff

7

6

  



 

                    5

   

 

  

ffz

    

ppp

 

6

  

   

ff          

p

   

ppp

Cl. 3

  

ff

ppp

Cl. 2

    



ppp Cl. 1

  6

           

         

5

 

  

31

 

 

  

 

 

 

ffz

ffz

 

 


32

Picc. 1

G 55                      

              

6

f

Picc. 2

7

5

f

fff

6

fff

                  7

Picc. 3

Ob. 1& 2

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Cbsn.

 

6

ff

  

  

 

f

  

 

f

         3

5

  

  



 

  

 

fz



3                                mf f                    f       3

3

 

       

3

3

   

3

  

       ffz   

3

mf

                  f 5

3

      

1.

     

p

a2

5

               

fz

  B. Tbn. & tba.   

f            3

Perc. 2

Perc. 3

Timp.

  

ffz

fff

to piano

Vln. II

f

3

Vla.

  

  

  

 

f Vc.

ffz

  

 

ffz

 

      

3

 

  

f

     3

   

sul tasto, senza vib.

p pizz. (l. v.)

3

fz

 

          3

arco

 

f pizz.

p

           3

3

 

pizz. (sempre l. v.) II

3

fz

fz

  

pizz. (l. v.)

fz

II

  ff

Piano

I  3

fz

5





3

 

 arco f

 

5

     

f

   

5

f

 

3

   

fz

    

(sempre l.v.)

(without pedal)

3

 

  f

             f p 3

fz

3

5

 Db.  

3

   

fz

f 5

p

 

3

f

       f

5

5

unis.

 

3

ff

  

   

p

unis.

      

G   Vln. I   

   

3

ffz

  

 



p

 Hp.   

Cel.

fff

3           f      

f

           

p

       

f

5

     

          3 

5

 5

3

  

      

                      fz p

  

3

f

 3

fz

f

     

  

 

f

Perc. 1

Contrabassoon

 f

p

          

f

  

ffz

Tbns. 1 & 2

    

1.    f

5

   Hn. 1 & 2       Hn. 3 & 4

fff

arco        3

f

3

  


33 1.

59

 Ob. 1& 2  

           5

3

       a2

f

Ob. 3

 

5

mf

3

f

  

    

  

1.

 

mf

f

     5                 5  mf

Cl. 1 & 2

f

p

Cbsn.

  5            3  

     

fz

    3

3

mf

   

 

p

p

  1.

B. Tbn. & tba.

senza sord.

      

3

fz

f

 

 

  

Tbns. 1 & 2

p



 

   

     

 5

f

5

3  

f



5

 

 

  

5

          f  3

         

  fz

mf

5

          

3

   



3

 



 

3

   

f

  

Vc.

 

      mf

fz

Db.

     

p

 

(pizz.)

3

   

f

3       

f

 

3

fz

f

pizz. (l. v.)

  

f

pizz. (l. v.) II

fz

f

p

pizz. (l. v.) II

  

arco

2. con sord. (straight)

f

3

        

 

Vla.

3     

 pizz.

5

Vln. II

3

fz

3

(without pedal)

Vln. I

p

3

  

 

 3              

Pno.

 

(1.)(ord.)

p

  

5

mf

             

fz

            

 

fz

f 3

Hp.   

p

f

1. harmon mute (stem half out)

3

fz

p

 

      

fz



     

3           

  



fz

   



           mf f

5

f

a2

Tpt. 1 & 2

         5

f

  Hn. 1 & 2     Hn. 3 & 4

f

fz

3

    

3

 

5

                   3

 

Bsn. 1 & 2

 3                   3 3 f

fz


34

H 63

Picc. 1 & 2

 

5

fz

mf

mf 5

  

p

3

 

       Bsn. 1 & 2 

 

f

        1.

3

  

5

p

 

f

 

 

 

 

 

 

 



           



                     3    3  5

      5

f

   3                   f

p

f

mf

    

p

f

 

fz

            f



f

               

p

   

3

f

p

5

fz

a2

 Hn. 1 & 2 

f

 5           



p

1.

1.

  

                    3

  

f

         

                   5

 

Cl. 3

  

f

 

a2

5

 

Cl. 1 & 2

         

    

Ob. 1& 2

 

fz

(timbral trill = hn 3 only)

    

Hn. 3 & 4

 

fz

p

   f

     

Tpt. 1 & 2

       

fz

            

mf senza sord. a2

Tbns. 1 & 2

Hp.

fz

3

 

3

bisbig.



mp

 

Vln. II

     

      

5

    

  

5

5

   

p

3

pizz. (l. v.) III

 

 

 

5

mf

  

p

  



3

arco

3

   

 

3



  

    p

f

      

   

        



f

 

ffz

           f

 

sfz p

            3

  

 

mp

p

   

3

f

      

fz

f

                  

bisbig.

 

    

    

5

 

a2

f

arco

Vla.

p fz                

ffz

    

        

 

f

1.

     

  

 

f

         

f

H Vln. I

p

5

 

f

(l .v.)

(pizz.)

  3  

Vc.

Db.

 

 

fz

pizz. (l. v.) I

    fz

           arco

5

p



f



   

f

pizz. (l. v.) I

  

   

fz

 

 


35 68

  Ob. 1& 2  

Cl. 1 & 2

Cl. 3

   

 

            p f

  

p

f              Hn. 1 & 2       5 f 

5

fz

5

5                 3

a2





 

         

(1 only)

  



f

5

p

fz

  

      

fz

      

   

Tbns. 1 & 2

div.

     

          

 

mf

 

Hp.

 

 

Pno.

 

p

a2

f

5

3           

       

 mf

  

3

fz

      3 

5

(a2)

 

 

ff

  

 

fz

 



5

p



        

5      3          3  

  

f

(+)

  

3              

fz p (2.) harmon mute (stem half out)

5

3

B. Tbn. & tba.

               5

fz

   1.

3

Tpt. 1 & 2

  

(ord.) fz

f

1.

fz

 3                     p

mf

fz

a2

mf

    

p

      

   

3

   

 3   3           

f

Hn. 3 & 4

 



3



          3

  

    

 

5

3

5

1.

5

 3                  5

  

a2

 

f

Cbsn.

 

a2

Bsn. 1 & 2

 

 

I



 

3

5  3                 

 3

3       

 

f

    

 (use both hands)

 

 



p

 

(without pedal)

  Vln. I  

Vln. II

  

 

fz

  

p

pizz. (l. v.)

 

(pizz.)

Vc.

      

 Db.  

   5

f

3       

 3 5                  5



              arco

3

f

3

5

   

3

      

       

3



3

3

f

fz

fz

Vla.

I

       

p

arco



fz

fz

5



  

5 3                 

         3

p

f

f

pizz. (l. v.) II

 

fz

  


36 72

Picc. 2

 

 

     3

5

     

        1.

fz

p

     

      5

 

Hp.

Pno.



 

f

         3

5

Vc.

      

5

    Db. 



pizz. (l. v.)

5

f

    

  

p

fz

5

 

fz

       

   

fz

fz

f

fz

 

       

  

 

(2.) harmon mute (stem half out) mp

     

 f

    

3   3            3 f

       

3

      3

3

fz

  

f





  

5

pizz. (l. v.)

    

5  

 





p

 

            3

3

mf

5

5

   



 

f

I

fz

3

          

f

           p

 

3



ff

ffz

p

  

3

 

     

fz

   

  

p

 

    

 

f

 

       1.

fz

    

 

p

mf

mp

fz

Xylophone

 

mf

Vla.

fz



                     3    5 3        

            

f

 



   

3

3

     

3 3   Vln. I               

Vln. II

p

(1.)    

  

fz

p

f

 

   

3

5

p

 

        

f

1.

   

p p

3

fz

 

 Perc. 3   5



     

p

 

fz

p

a2

3     f  3       5    1.                       

 

mf

  

5                

        

p

B. Tbn.

3



fz

f senza sord.

Tbns. 1 & 2

f

    

fz

3

3

 

p

    

Tpt. 3

f

   

p

Tpt. 1 & 2

3

         

 

fz

 

3

1.

     Bsn. 1 & 2     5        Hn. 1 & 2   

Hn. 3 & 4

    

  

 

p

f

a2

  

flz.

                      

p

1.

Cl. 3

                             

f

 

Cl. 1 & 2

 

5

mf

Ob. 3

   a2

 

Ob. 1& 2

 

Fl. 1

 

    (l. v.)

fz

fz



f

             arco

5

mf

   

 

pizz.

 

f

II

fz

pizz. (l. v.)

3

fz


37

J 77

Picc. 2

 

  

p

fz

     

         7

mf 3

p

  



fz

  

 

Cl. 3

       

f

p

p

    Bsn. 1 & 2   f

p

f

 

Hn. 3 & 4

Tpt. 1 & 2

p

fz

   3  p

B. Tbn.

Hp.

 

fz

              

1.

         3    

     

 

 



p

fz

 

5

        a2

5

mf

   p

f

3           

    

fz

p

     

      

       3

p

fz

1.           3

f 3

     3

p

 

 

3

fz

 

arco

p

   

 

     

mf

3

 

 

5

5

          

   

f

(pizz.) II

6

f

   5

f

pizz. (l. v.) I

        

arco

fz

f

  

pizz. (l. v.) III

      

pizz. (l. v.) I

5

     ff

  

f

3

f

fz

3



3

J

pizz. (l. v.)

f

sul pont.

ffz

mf

    



 5     Vln. I         

 

fz

   

harmon mute (stem half out)

bisbig.

p

f

Vc.

   

 

fz

mp

Vla.

  

fz

3



 

f

  

Vln. II

 

  3             

Pno.

   

5  3                          

f

 3       

 

p

 3

Tbns. 1 & 2

   

p (harmon)

Tpt. 3

fz

mf

fz

fz

3        

    

    

1.

           Hn. 1 & 2                              3  3   3      

    

fz

3

 

f

p

5

fz

        

fz

p

  3  3  3     3  3 3                                                      f 3

Cl. 1 & 2

3

        

  

 

   

f

    

Ob. 3

  

flz.

Ob. 1& 2

3   

p

 

Fl. 1

flz.

  3

fz

 

3

fz


38 81

Picc. 2

 

Fl. 1

Cl. 1 & 2

  p

        

    

  

 

    3             1.

Bsn. 1 & 2

      fz

Hn. 3 & 4

 

 

(ord.) p

 

p

Tpt. 1 & 2

 

    1.

   

Tbns. 1 & 2

 

   

 3 p           

fz

5

p

       



5

5

p

p

      f

       1.

fz

 

 5      

  

     

(1.)

p

  

p

fz p

 

          fz

3

p plunger mute

 

p

fz

  

fz

 

  

p (plunger)

fz senza sord.

   

  f

  

    

fz

p

fz

 Perc. 3  



Hp.

     

 

      

ff

5

Vla.

     

 

          p

 arco

f



  

 

    arco



pizz.

fz

5

f

   5

f

  p

f

  Db. 

          

 senza vib.



f

 

  

p

5

  

   

fz

      

  

  3

f

  

 

         

fz

fz

p

3

3

 

arco

pizz. (l. v.)

             

 

3

3

p

Vc.



sfz p

 Vln. I 

Vln. II

       f

Pno.

(xylophone)

3

(use both hands)

f

3

  B. Tbn. & tba. 



f

(harmon) Tpt. 3

      

5

    

5

   

 3    

 3  3      3                                    

(2.)

fz

fz

to piccolo

f

                    3

 

f

p

5

p

    

1.

 

p

f

 Hn. 1 & 2 

flz.

fz

f

Cl. 3

            

 

Ob. 1& 2

flz.

      f


39 85

Picc. 1

 

   

mf



 

3 3                        

Cl. 1 & 2

 

5





flz.

 

fz

p flz.

 

p

3           

3

f mf

 

           

Cl. 3



f

3      3                             mf f          

 

f

f

p

        3 

Ob. 3

7

        f

Ob. 1& 2

    

fz

 

Picc. 3

p

  

Picc. 2

K   

   

     3 

f

      3   3

  



6

mf

mf

f

5

    2.

 f

f

        

1.

3

f 5

 



5

Bsn. 1 & 2

Cbsn.

 Hn. 1 & 2 

2.



fz



  

 

 

harmon mute (stem half out)

  

p

fz

Tpt. 3

3.

B. Tbn. & tba.

fz

   

 

 

 

   

 

     Vln. I  f

    

Vc.

Db.

f

 



5

  

 



fz

p

3



f

   

 

harmon mute (stem half out) fz p f



 

 



3

3

    p

f

   fz





3

            p



        



3

 3           3 p

     K     3          

f

pizz.

p

   f

 

 

      

5

 





   fz

p

arco

       f 3

I arco

  p

3           3

f pizz. (l. v.)



fz

     pizz.

3



f    

fz

(sul pont.)

f

3

p

      

 

p

f

 

 sul pont. senza vib.

3

f

    3

fz

 

       

 

con sord. (straight) mf

3

mf (harmon)

  

 f     

       3

         3

3      

3               

3

  

Vla.

Vln. II

 

5

  

  

senza sord. f

3   Perc. 3   

Pno.

1.

p

f Tbns. 1 & 2

f

       

f

 

Tpt. 1 & 2

   

p

Hn. 3 & 4

  5

f

 


40 89

Picc. 1

  

     

Ob. 2

p

     

p

3

    

    

mf

f

 

 

5

  3     

  

 B. Tbn. & tba.  

3           

(con sord.)

 Perc. 1 

f

mf

 

 

 

Perc. 3

5

  

 

   

  

f

   

Pno.

Vln. I

 

Vla.

arco     

 

3

   f  pizz.  fz

  

 

 

ff

ff

 

 

mf

fz

 

 



 

 

 

  

     

 

  

Glockenspiel regular mallets

 

 

Glockenspiel regular mallets

  

f

    

(xylophone)

 



p

f

 

 

  

pizz. (l. v.)

 

fz

 

 

  3

3

5

  mf

f

         



   

 

(use both hands)

  ord.  

3

3

  

f

 

5

 

  3      

 

    

 

fz

     

 

più f

 

              3 3

p

 

sul pont.

3 3 3            

 

sul pont.

  

3

 

Vc.

   

 

Vln. II

Db.

 

3

 

  

 

 

 

3

 

 

 

   

 

 

 

fz



5

    

f

f

 

  

f

   ffz

più f

3





3

 



f

f

Perc. 2

mf

3

f

 

3

3

              ff

   

3

       

 

 

           

1. (harmon)

 

 

ff

       

mf

f

f

    

5

  

6

f 3

         

5

fz

Tbns. 1 & 2

 

5

p

      

1.

    f   Hn. 1 & 2     

Tpt. 1 & 2

   

3

Cbsn.

  



                  

3

    3 

      

f

 

Bsn. 1 & 2

           5

f

Cl. 2

 

f

   

Cl. 1

 

   

f





     

3

  

        

 

  

       f

Ob. 3

5 5

5

  

     

fz

Ob. 1

   f

Picc. 3

fz

 

Picc. 2



 

   

 

f

 

 

 

 

     3

  

3

 

3

ff



           3

3

3

3

          

      

3

        

 

 

   

ffz

    

3

3

   

  

p

mf

 



 


               

Picc. 1

Picc. 2

Picc. 3

   

5           

    

Ob. 2

Cl. 1

3

      

     

  

Cl. 3

Bsn. 1 & 2

      

Tpt. 1

Tpt. 2

Tpt. 3

Tbns. 1 & 2

5

fff

           fff         3

5

fff

fff

      

     5

 

     

  

  fff      a2   

    cuivré       fff    a2 cuivré    

  

  

   

 

fff

   

fff

fff

3

3

      3      

   fff              fff b. tbn    

fff

         Perc. 1          3 fff      Perc. 2  

 3              straight mute

    

B. Tbn. & tba.

Perc. 3

   

ff

  

 

fff

3

  Hn. 1 & 2    Hn. 3 & 4

fff

fff

ff Cl. 2

3

3

ff

Ob. 1

41

L

93

fff

  fff

5              3

mf straight mute

      3

mf

fff

Timp.

   

f

 Hp.   

          Pno.

  

    

 

fff

mf

       3

    

près de la table

Vln. II



ff

Vla.

     

 

3

ffz

 Vc.   

         

sub. mf (pizz.)

pizz. sub. mf

    

(arco)

fff



sub. mf arco

  fff

 

 

    3

    

3

mf

 

div.

(l. v.) I

                        3  5 pizz.

3

pizz.

        5

pizz.

  

  

    (without pedal)

 3    

 3                   3

3                     

(l. v.)

(l. v.) II

arco

ffz

(pizz., l. v.) III

sub. mf

div.

   secco

 pizz. L div. 3            3                      Vln. I        3 5      

5

     fff

fff pizz. (l. v.)

3      

5

3

 

5

   

3

3

        

p mf         arco                      3  arco mf pizz. (l. v.)  mf   pizz. (l. v.) I    3

3

mf


42

M            3 98

Tpt. 1

Tpt. 3

 

Tpt. 2

Hp.

3

         

3

     straight mute

 

mf

 



 

 

3

   

 

  

   

    

  5

   

     

 



3



    

  

   

5

  

 

 mf

3     

3

 3

  

 

 

      

5

 

        

    

Pno. 3

 3     

3

      

   3       

5

 

  

 

3 3 3                     

           3

 

M      

  

     

  

 



 

3

Vln. I (l. v.) III

   

      3

 

    

  

  

arco

           3

pizz.



3



l. v. II

 

arco

                 3

3

p

3

mf

p

arco

pizz.

            3

mf

pizz.

 3

  

mf

mf

arco

pizz.

Vln. II

 

  

  3

3

    

 



mf

3

    

 

   

arco

pizz.

  

3



5

 

pizz.

    

p

  





3

mf



3

  mf

arco

 

    



 

    



     

 

    

    

  

(pizz.)

   

5

Vla.

 

      3

(l. v.)

   3



  

III

arco

   

5

pizz. (l. v.) II

div.

 

3

pizz.

arco

 

3

Vc.

   pizz.

3

mf

Db.

3



3

pizz. (l. v.) III

 

mf

 

  3


43

  

103

 Tpt. 1   

Tpt. 3

      

 

Tpt. 2

 

   

    Pno.

 

  

    

  

       

 

 

 

  3

    



    

     

 

 

 

       

  

3     

3 3              3

3

 

3

 



3

  

      

 

 

mf

       

  

 



3

3





 



3

       

 

près de la table

fz

  

(l. v.)

fz

pp

5

arco  



     

ord.

5

3

3

3



                      3

5



  

 

 

         

3

  

 

3

 Hp.



     

3

3

 

3

mf

    

    

   

 

 

  

  

pizz. 3

  

Vln. I arco

          

3

3

pizz.            3

3

arco 3

   

 

pizz.

    

pizz.

  

arco



   



3

arco

       

3

arco

  

 

   

 

   

pizz.



 



 

Vln. II

  

3    



pizz.

   

3

    3

      

arco





  

pizz.

 

   p

3

mf

  

 

    

pizz.

    3

mf

3

  

  

(l. v.) I

Vla.



pizz.

 

3

arco





 



pizz.

 

         3

3

Vc.

Db.



         3

 

3

pizz. (l. v.) IV

 3

mf

3

(l. v.) I

   

 

 



 

3

    3

arco

   

          

arco

p

 

3

3

III

pizz. (l. v.) II

 

pizz. (l. v.) II

 

mf

  



  3


N

44

          Tpt. 1  109

       3

  3             3 

Tpt. 2

           

Tpt. 3

 

3

          

3

 

3

      

 

                   3 3 3

 

mf

 

5

ord.

          

3

 

fz

 

più f

cresc.

     

   

  3

                  

più f

cresc.

3

più f

 

 

 

 

 

 

 

 

près de la table

   mf

5

Hp.

 

  

 

 

 

     



pp

fz

Pno.

 

 

 

 div. a 3 (violin 1)

N

   

  

  

  

   

5

  

             

  

arco

3

f

cresc.

5

             pizz.

5

f cresc.

 

ffff

Vln. I

   pizz.

     

      

   5

mf

 

(l. v.)



  

3

3

fz

(pizz.)

           5

5

f cresc.

     3

3

    



  

    

pizz.

mf

5

 

  

   

 

     3

  

  

5

5

      



              5

 



  

  Vc.

Db.



  

  

    3

    arco

 







pizz.

    pizz.

     arco

5



   

 

  5

       f

arco

mf

5

 

ffff

         

fz

 





arco

pizz. (l. v.) I

Vla. arco

    

f cresc.

3

 

ffff

Vln. II 3

 

ffff

mf cresc.

 

arco

  

    

      

3

 

ffff

 

f

I   (l. v.)    

 

fz

 

 

 

 

 

 

 

 

 

pizz. (l. v.) I

fz

Fahey: Impressions