Page 1

Melody Eรถtvรถs

Beetles, Dragons, & Dreamers For Orchestra

(2013)


Beetles, Dragons, & Dreamers I. Draconian Measures II. Lilith, begone III. The Inanimate Spider IV. Trojan Horse

I.

Draconian Measures

Draco (600BCE) was the first legislator of Ancient Rome and was known for instituting particularly harsh, cruel and unforgiving laws. Where previously there had only been a system of oral law and blood feuds, Draco replaced these with a written code that could only be enforced by a court. I wanted to capture both the notion of lawful, stringent sternness as well as the desperation to escape it (as the victims of these laws would have sought) in this movement. As such, the repetition of small motivic units plays a central role, as well as the fleeting presence of some more florid, scale-like gestures. II. Lilith, Begone The word ‘lullaby’ originated from the Jewish ‘Lilith-Abi’, which translates as ‘Lilith, begone.’ In particular versions of Jewish folklore, Lilith was known as Adam’s first wife, and she was molded by God out of the same dust as Adam (whereas Eve is said to have been made from one of Adams ribs). Because of this, she saw herself as Adam’s equal and did not respond well to his desire to rule over her. Eventually she left Adam and the Garden of Eden. However, she was pursued by three angels who demanded she return to the Garden. She refused and vowed to forever steal the souls of little children as vengeance for Adam’s suppressive treatment of her. The angels would not agree to this, and so Lilith made the condition that if the mother of a child hung an amulet above the baby as it slept in its cradle, Lilith would pass over that child. Primarily conceived of as a lullaby, this movement unfolds delicately, with the main theme eventually culminating in a forceful climax. III. The Inanimate Spider The title of this movement was inspired by the Native American dreamcatcher, an object that originated in the Ojibwe and Chippewa cultures. The native word used for this object is actually the inanimate form of the word ‘spider’, inanimate here being an additional inflectional category when expressing person or gender combinations in language (i.e. proximate/obviate, singular/plural, animate/inanimate). The function of the dreamcatcher bears a remarkable semblance to the Lilith amulet. One of its uses is to protect the sleeper, over which it hangs, from nightmares and demons. Furthermore, it also aids in tranfering good dreams, which are caught in the many web-like threads of the object and moved down through the beads and feathers that hang from the central hoop. The nightmares are said to pass through the gaps and holes in the web, as though fading away through a window. As a way of making a connection between the dreamcatcher and the amulets of Lilith, I designed this movement as an extended variation of the main theme from ‘Lilith’. IV. The Trojan Horse This final movement is based on the concept of the Trojan Horse and how it has evolved over time. In Ancient Greece, it was a deceptive device constructed by the Greeks to invade Troy. The Greeks pretended to abandon the Great War they had been waging on Troy and left a large wooden horse as a gift. However, inside the horse was an elite force of Greek soldiers who, once the horse had been dragged into the city of Troy like a trophy, emerged and slaughtered the Trojans in the night. Today, a Trojan Horse is the term used for a computer virus that is secretly embedded in another file which you might, unknowingly, download on to your computer or electronic device. Once you have the file on your computer, the virus can attack from within, potentially destroying everything. This final movement is designed to be a kind of semi-transparent Trojan Horse. The music as a whole carries within it an almost hidden impression of a melodic, linear idea. This idea is strong and independent on its own, but the obscurity of the context it is in blurs the edges dramatically. The goal, therefore, is to get from the beginning of the movement to the end without the idea being heard as an entire cohesive entity; for it to be ‘smuggled’ as such to the end.


Instrumentation (score in C) 2 Flutes (2nd doubling on Piccolo) Oboe English Horn 2 B-flat Clarinets (2nd doubling on B-flat Bass Clarinet) 2 Bassoons (2nd doubling on Contrabassoon) 4 F Horns 2 C Trumpets 2 Trombones Tuba 3 Percussion (see below) Harp Piano Strings (min. 8.8.6.4.2)

Percussion: Percussion I – Large Tam-tam (may be shared with III), Small Suspended Cymbal, Bass Drum, Vibraphone (may be shared with II). Percussion II – Triangle (may be shared with III), Vibraphone (may be shared with I), Marimba (5 octave), Tubular Bells, Tambourine, Glockenspiel (may be shared with III), Medium Suspended Cymbal. Percussion III – Glockenspiel (may be shared with II), Crotales (one-octave), Triangle (may be shared with II), Large Tam-tam (may be shared with I), Large Suspended Cymbal, Tom-toms (4), Xylophone.

Harp: Harmonics – sound an octave higher than written. Piano: Use palm to strike the strings inside the piano in the approximate range indicated.

Transpositions at the Octave: Piccolo, Contrabassoon, Xylophone, Contrabass. Transpositions at the Double Octave: Glockenspiel, Crotales Duration: approx. 12mins


Score in C

Beetles, Dragons, & Dreamers for Orchestra

I.

Draconian Measures

q = 132

Piccolo

Flute 1

Oboe

English Horn

1 Bb Clarinet 2

1 Bassoon 2

1, 3 F Horn

  

  

  





pp

 









pp

          6

pp

 

mf

       

6

   

pp

 

  

 

  



 

 

pp

3

     pp

  fp



 

3

   

6



mf

 

    

 

     

p



ppp

 

   

ppp

   

  

 

p

ppp

 

2

 

Tuba

  

1 Trumpet 2

1 Trombone

Timpani

Percussion 1

Percussion 2

Percussion 3

      

 

   

always l.v.

f

Violin II (div)

Viola (div)

Violoncello (div)

p

gliss.

p

 

pp

 

     

f

     

 

 





ppp

 

mf

ppp

mf



    

 

gliss.

( )

pp

mf

  

     pp

gliss.

  

  

gliss.

  

f   

   









mf

p

f

mf

 pp



 





pp

mf

   

p

pp



ppp

mp

 

f

pizz

 

   

 

 

 

 

 

 

9

ppp

Contrabass

   

mf

            f

  

Violin I (div)

MNMOMMNN

   

mp

 

Piano

  

Marimba

Tam-tam

 

Harp

Bass Drum







 





arco

pp

mp

2, 4

pp

pp



3

mf



    



ppp





b.1984

ppp

      

mf

     

1. stopped

pp

6

mp



mf

 

mp

pp

mf

 

3 p



  

   

pp

              pp

  

mp



Melody Eötvös

       











pp

pp

Vib.


2

Meno mosso q = 120

A

  8

Picc.

 

Ob. 1

p

  

p



pp

         

 

      

        

1

   

E.H.

Fl. 1

B

  



pp

 

 



        

  

  







   

  

  

      

  



  

 

  

    

 



 

 



 3

p

     f

 



         



  





   

mp



    

Cl. 2

1 Bsn. 2

1, 3 Hn.

     

1. (stopped)       

cup mute

cup mute

 

2

1 Tbn. 2

Perc. 2 (Mar.)

Perc. 3 (Vibes)

Hp.

Pno.

Vln. I (div)

 

   

Cb.

 

ppp

                         mp ppp

medium yarn mallets

Vibraphone

motor off - med. mallets



mp

 

 

   

  

 



  





mp

 



mp



non vib.

(non trem.)



 

3



 

mp

 3

  

ppp

    

mf

p

 

 

 

 

 

 

 

 









   







mp

   



   

ppp



mp

   

ppp

 

















   

















 

 

 

pp

 

pp

  

 



  

pp



ppp

   

p



pp

pp



 

mp

pp





 

                 

f

     

mf

   Vc. (div)

 

 Vla. (div)

 



ppp

Vln. II (div)

3. pp

Tpt.

Perc. 1 (B.D.)

 

open

1

Timp.

pp

2, 4

Tba.

p


3

C

  17

Picc.

 

Fl. 1

 

Ob. 1

1

 

Bsn. 2

mp

 



mp



 

          

Tpt.

Tbn.

Timp.

Perc. 1 (B.D.)

Perc. 2 (Mar.)

Perc. 3 (Vibes)

Hp.

Pno.

Vln. I (div)

Vln. II (div)

Cb.

     



    





 

  

pp

pp

   mp

      

pp

 

 

mp

pp

mf

 

straight mute





      

  

  

 

p

pp

  

  mp

       mp

 

       

    

   

p

p

 

 

  

   

  mp

3

       



mf

     

p

   

3

3

      

   

  

      

remove mute

 

 

    

mp

 

p

      

    

gliss.

 

 

 

gliss.

mf

  

 

mf

f

 

  

ord.

   

p

mp

 

pp

     

 

f

   

 

 

 

  

 

 

 

 

 

   

mp

pp

mp













    

p

f

pp

mf

mp

  

mp

f

  

 





pp





mp

pp



 

 

mp

  

  

 

 







 

   











mf

mp

  p

 

  

  

       





  

 

 

 

 

mf

  

  

   mf

p





pp

p

p

3

pp



    f

pp

mp

f

                                                    

mf

     

  

 

  

mp

mp

 





 

mp

  

 

 

 

 

 

  

p



pp

  

p





   

mf

ppp

   

  

  

  



 

pp

   

   



p

   

      

p

 

          

    

mf

3

  

mf

      

  







 

  

   

p

p

 

p

1.

pp

 

 

mp





 

p

  

 3

 



    





 

 



  

 

  

straight mute

    



p

      

p

  

    

mp

     

 





 

    p

 

   



mp



 



  





 

 Vc. (div)



 

 Vla. (div)

   

2

Tba.

pp

mf

 

mp

 

       

1

    

    

mf

  

(cup) 2

mf

(cup)1

 



Hn.



   

   

2, 4

    

mp

mp 1. open

1, 3

   

        



1

 

      

Cl. 2





 

E.H.

p

p




4

  26

Picc.

  

    

Fl. 1

3

mp

Ob. 1

E.H.

1 Cl.

  mf

  

3

1 Bsn. 2

   

  

   

  

  

   

  

p

 

Hn.

  

  

  

(cup) 1

(straight) 1 Tbn.

p

3

  

Hp.

Pno.

Vln. I (div)

    p

    

 

    

p

 

3

3

     

    

 

    

3



  

  

 

 

3

   

3

      

       

 3

3

3

  

     

      

  

3

      

3

3

      

3



p





p

  

  

  

mp

 

mp



3

3

    

  

   

   

  

 



pp

     



  

    

  

  

mf



       

 

   

   

  

pp

   

   

  

 

  

 

mf

mf

mf

 

         



mf

p

open

 

 



 

remove mute





  

ppp





p

     

 





 pp



mp

      3

  



 

  

mf

    

 

p

 

       

         

p







   

 mf

            



mp f

  p

      

   

pp

   

pp

mf

f





Vln. II (div)

T.-t.

 



f

 

  p

pp

   

Vc. (div)

remove mute

pp

p

open

ppp

Vla. (div)



pp

3

      

 

3

     3

  

  

3

3

3



3

      

          

        

      

     

      

3

3

pp

2. & 4.

 

mp 3

       

  

   

      

      

      

 

Cb.

  

ppp

 

   

Perc. 2 (Mar.)

Perc. 3 (vibes)

(straight) 2

Perc. 1 (B.D.)

  

        

Tpt. (cup) 2

Timp.

mf ppp

3

mp 3

       

 

2, 4

Tba.





f 3

  

mp

             

3

           

    



f

mp

      

3

     

f

(1.)

1, 3

3

3

mp

3

mp

    

2

p

  

f

     

mf

    

p 3

       mp

  

 

     

D

     



     

   

mp f

     

3

3

mf

        



ppp

p

   

      

 

 

   

     

 

     

p

   

mp

 

   fp

  

mp

       f

      

fp

p

  

   

          

  

   

               



p





   

f

 



p

 

   

mp



mp

 









fp

fp

 f



 

     

      



     

      



mp

        

          

      

          

 

 

f

mp



pp

  

   









 

mf

f

mf

mf

inside piano strike with palm

pp

fp

fp

 

 

f

f


5

Meno mosso accel.

   34

Picc.

Ob. 1

p

      

 

Fl. 1

     

3

  

 

3

1 Cl.

  

3

  

 

Bsn. 2

1, 3

 

mf

      

3

f

3

 

3

      

3

  

 





  

mf

  

 

3

 



  

 

mp

  



 



    3

3

mp

3

f

     mf mf            

f

 

    

 

    

 

    

 

  

         

p

 

f mf

 

Hn. 2, 4

f

f

f

  

3

3

  

3

3

       

mp

mf

 

3

 

         mp

f

3

f

     

       3

      

f

 

f

3

3

mp

f

3

 

  

       

3

 

3

mp

  

3

     

       

      

           

   

mp

      

q = 108

 

3

3

   

       

  

3

3

1

3

      

       

2

3

 

E

      

      

  

3

mf

3

       

E.H.

    

p

 

 



 

mf

1



mf

Tpt. 2

1 Tbn. 2

  

   

ppp

Perc. 1 (B.D.) Perc. 2 (Mar.)

Perc. 3 (T.-t.)

Hp.

Pno.



pp

  

Cb.



 p

pp



 

 

  

 

fp

mf

  

 

fp

      

         

       

  

     

        

fp

  

p

   p

  

fp

mf



    

  

pp

f

Tam-tam

 

     

 

 

  

           

      

   

                p

    p



       

pp

 

NNMONMNN

gliss.



ord. (on keyboard)

       3

mf



 

f

mp

 

mp

mp

mp

           3 3 3

3

3             3 3

  

 

          3

f

         

3

3

ff

 

   f

3

    

 ff

mp

ff



f

3



 

mf

f

3

3

3

f

f

 

 mf







 

ff

mf

3

3

ff

mf

3

3

3 3          3

    

mf

3

  

             3

p

 

 

p

f

 

f

          

f

      

f

f

  

 

      

p

ff

       

  

mf

mf

3

mf



 

   

mf

mf

ff

 

 

 

mf

f



mf

 

pp

  



f

mf

  

    

f

pp

  



(inside piano) f

f

 

mf

               

  



 

open

   

 

  Vc. (div)

 Vla. (div)



p

       Vln. II (div)



  

Vln. I (div)



 

ppp

Tba.



open


F

6

  40

Picc.

Fl. 1

Ob. 1

Tempo Secondo q = 120

  

   mf

   mf

1

 

   

  

mf

  

  

    

mp

  

mf



mp

   

mf

mp

1

Bsn. 2

1, 3 Hn.

pp

  

Tpt. 2

   

   

    

Tbn.

mf

Tba.

Timp.

Perc. 1 (B.D.)

Hp.

Pno.

  

  

mf

f

p

    

  

   

 

   

   

  



   

3

    mf

  

pp

3

         

 

  



 



 

pp

 



 

pp



Vln. I (div)

 

  

 





 

      3

    p

mf

 

3

     

3

 

   

 3

 



 



 





    

mp

p







 



   

  

     

3

 

3

p



3

3



     

 

  3

mp

mp

Vla. (div)



  

p

Vln. II (div)

 

3

 

 

   

 

   

3

mf

 

 

pp

   



3

     

  

  mp

 

mp





 

3

 

p

   

 

mf

    

 

  

3

mp



 

    ff

  

mp

    ff









 

3



     



 

p

3

3

mf

pp

        

 

mf

      

   

   

 

mp

Vc. (div)

pp



      

p



 

 

f



pp

pp

 

Cb.

mp

 

Perc. 2 (Mar.) Perc. 3 (T.-t.)

3

   

3

   

mf

  

mf

3

pp

2

    



  

1

    

mp

 

mf

 

pp

1

  

p

   

2, 4



solo

f



mf

  

 

Cl. 2

        

3

mp

   

solo

p

E.H.




7

G

  45

Picc.

f

  

 

Fl. 1

Ob. 1

E.H.

1

       p

mf

    

     

mp

     

1 Bsn.

pp

2

1, 3

   

f

     

p

p

3

3

3

3

3

3

f

 

           

 

3

3

f

p

3

3



pp



      

f

p

       

       

3

       

 

3

















 

pp





 



  

 

  mp

 

 

 

p

 

Tbn. 2





      



    



 

   

         

 Vla. (div)

     



3

3

     

 

     

mf

   mf

   mf

   

   

3

 

3

  



 

3



  





   



               

  





 

   

     

3

   

 

   

3

      

  

           

   

  

     

           

   

   

     

3













  3



mp

mp

   

mp

 

  

mf

  3

               





pp

p

3

3

     



 pp

 

mf

  

 Vln. II (div)

Vc. (div)

mf

p

mf

Vln. I (div)

Cb.

p

pp

           

f

f

1

Pno.

f

 

pp

          

    

2

Hp.

 

 

Tpt.

Perc. 3 (T.-t.)

3

    

3

f

p

3

f

     

3

3

1

Perc. 2 (Mar.)

        

p

f

mf

Perc. 1 (B.D.)

3

mp

      

mp

3

Hn.

Timp.

f

3

       

2, 4

Tba.

p

p

Cl. 3

  

 

mp

 

   

   

f

3

2

      

 

3

3

      

3


8

H

 

50

Picc.

Fl. 1

Ob. 1

E.H.

Cl. 2

1



 

1

  

f



p

mf







 

f

   

 

f

   

 

 

    

 

mf

mf

 

mp

  pp



 

pp

mf

   

f

 mp

Bsn. 2

1, 3

    pp

    

Hn. 2, 4

pp



straight mute



 



1

pp

Tpt. 2

1

straight mute

 p

Tbn. 2

Tba.

Timp.

Perc. 1 (B.D.)

Perc. 2 (Mar.)

Perc. 3 (T.-t.)

Hp.

Pno.

 

 







mp

















   

  

Vln. I (div)

Vln. II (div)

 Vla. (div)



   

Vc. (div)

Cb.



 

    

mp



  



     

  



  



     

  

 

3

  



   

 

  

 

f

p

  

 

f

p



   



  

p



   



mf

    



 

















mf







  

mf

 

 

     

pp



     



 

 







 







mf

  

 

pp

  

p

mf

 







 















mf

p

sub. p

mf sub. p

  





  






9

  55

Picc.

Fl. 1

Ob. 1

E.H.

1

    



f

 



mp

  

mf

mf

  

 

 

mf

1

1, 3

 

Hn.

1.

f

mp

  

(straight) 2

   

f

  

Tpt.

   

f

p

3.







mp

mp

 



      

f

 

pp

 



  p



(1.)

 p



p

   

 





pp

p

 



1

  

p

  

f

 

   f

 

(straight)1

pp

  

 

 

p



 

p

    

mf

 

 

2, 4

 

  

 

 

f

Bsn. 2

 

 

 

pp

 

mp



p

mf

 

 

  

 





   

f

 

 

 

 





 

  

Cl. 2

Tbn. 2

Tba.

Timp.

Perc. 1 (B.D.)

Perc. 2 (Mar.)

Perc. 3 (T.-t.)

Hp.

Pno.

  

 

  

 

  

   

mp



 

 

 

Vln. I (div)

  Vln. II (div)

 

 

 

 

 

 

 

pp

pp

  

 

  p

 

 

 

sul tasto

 pp

 

(ord.)

pp



 (ord.)

 

sul tasto

 

mf

  

  

mf

 

 

  

 



   

  

 

pizz  

 

 

  

 



   

  

 











 

   

 

mf

 

  

   

 











 

















pp

  f

p

 

 

p

p

   



 

f

f

 

pp



pp

  

T-toms

 

pizz

pp

  

 

pp

p

  Vc. (div)

f

pp

 pp

f

    

Vla. (div)

Cb.

   

T.-t.

 




10

Meno mosso q = 112

I

 

Fl. 1

Ob. 1

E.H.

61

Picc.

1 Cl. 2

1

 

 



1, 3

  

2, 4

(straight) 1

2 (straight)

 

 

 

 

  mf

 mf

pp









 

remove mute

 

remove mute

pp

pp

 

Tam-tam

 

  

Tom-toms

  

Vln. II (div) (pizz)

ppp

f

  

 

  

 

mf

          p

mf

  

Vc. (div)

 

p

                

                           p

 



 

 

 

 

 

 

 

 

 







 





  

 

 

 





 

 





p

arco sul tasto

mf

p

mf

p





p

mf

p





 

 

 

 

 

 

 







 



   

mf

   f

 

 f

 f





sul tasto

p

 

 

 

                    





f



mf





p



p

p

arco sul tasto

  

 

mf

sul tasto

 

 

                                                   

p

sul tasto

solo

 

mf

mf



p

mf

p

     

(sul tasto)

mf

               

   Vla. (div)

 

f

     

(pizz)

p

(sul tasto)

             

Vln. I (div)



pp

   

Cb.

 

Perc. 2 (Mar.)

Pno.



2

Hp.



mf

Tbn.

Perc. 3 (Toms)

 

1

Perc. 1 (T.-t.)

 

Tpt.

Timp.

pp

 (1.)  

Hn.

Tba.



mf

Bsn. 2



p

 

 

sul tasto

p

f

f

f

f

f

f

  

 

f

  

 

  

f


11

J

 

69

Picc.

Fl. 1

Ob. 1

E.H.

1

 

 

     

 

 

Cl. 2

 

1 Bsn. 2

1, 3

Hn.

1

   

 

 

   

 



 





 

  

 

 

   

 

f

 

 

f

  

p

 

f

      

 

 

f



f

p

p



p

 

  

f

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2, 4

 

mf

f

 

f

    



Tpt. 2

1 Tbn.

2

Tba.

 

 

  Timp.  Perc. 1 (T.-t.)

Hp.

(sul tasto)

mf

 

mf

f

  

 



 





 

     

 

 

      

 

 

 

 

                          



           

mp

                          

  

  

 



 

 



  

 

 

  

 

   

 

 

 

  

 





ord.

 

 

sub. p

 

pizz

 f

  

 

  



  

 

 

ord.

 

 

  

ord.



  

mf

Vibes

f

f

Xyl.



 

ff

 



      

                 non pedal 

 

  

f



 

ord.

  

 

ff





ord.

f

            

 

  

(sul tasto)



 

 

 

    



 

sub. p

Vc. (div)



 



 

sub. p

 

 



 

sub. p



        

ord.

   

       

 

             

        

                       

 

sub. p

Cb.



sub. p

(sul tasto)



  

(sul tasto)



sub. p

Vla. (div)

   

 

  

(sul tasto)

 

sub. p

(sul tasto)

 

pp



   

(sul tasto) Vln. II (div)

 

 

(sul tasto)

          

Vln. I (div)

   

     

Pno.

          

Perc. 2 (Mar.)

Perc. 3 (Toms)

 

 

pizz

f

 

pizz

f

 

 

    

 

 



 

 

f

mp

 

 

f

mp

 

 

f

mp

 

f

mp

 

f

mp

f

   ff

mp

  

     


12

Fl. 1

Ob. 1

E.H.

   

p

 

Cl. 2

1

mp

 

 

p

   

  

     

 

   

 

p

    

 

  

  

   

 

  

      

 



   

 

 

 



 

f

 

mp

f

 

f





f

  

mp

    

   

f

       

mp

 

mp

    

p

 

 

mp

f

 

    f

mp

 

    

 

 

p

p

1

 

 

K

       

mp

    

     f

 

   

mp

f

1, 3 Hn. 2, 4

1

  

 

 

 

  

  

1 Tbn. 2

Tba.

Timp.

Perc. 2 (Mar.)

 

 

 

  

   

  



         

  



   

mp

Xylophone

 

Pno.

Vln. I (div) (pizz)

   

 









Vla. (div)

   

Vc. (div)

 

 Cb.  (pizz) 

mp

     

  mp

 

mp



 

    

f



 



      

gliss.

mf

   

            



         

     

   

    





 

 



 



 

 



p





 

 

 

     f

Tambourine

 

 

p

Triangle

 mp

 

mf

 



f



mf

  

T-Bells

 

 

  

 



 



sim.

    3

   





        

 

   

  





     

 

 

       

  

 

3

3

3

3

3

3

3

pizz

  

   

p

   

pizz



         

   

  

 

sul pont.

(ord.)

mp

p



 

f

p



  

sul pont.

p

           

    

 

pizz

mp

 



ord.



ff

sul pont.

 

f

  f

   

  

 

   

  

 ff

    

f



   

  

mf



mf

mf

  

f

glis s.

  

 

mp

  

 



ff

f



f



                

 

ff

  

p



                

  

ff

 

      



  

p solo

 

ff



  

  

 

  

ff

 

mf

 

 



        

mf

ff

 

timbre trill        p

ff

     

 

    

  

  

    Vln. II (div)

 

solo

 

p

   

 

 

        

  (pizz)  



NNMONNNN

 



mp

Hp.



 Perc. 3    (Xyl.)

harmon - half stem

 

Vibraphone

Perc. 1 (Vibes)

p

f

 

mf

p

p

 



   

Tpt. 2

mf



f

harmon - half stem

mf

pp

pp

 



 

mf

    

 

mf

pp

  



pp

f

 





Bsn. 2

pp

  



Picc.

 



   75


13

  81

Picc.

Fl. 1

Ob. 1

E.H.

1

1





mp



2

mp

mp

mp

1, 3

   





 

 

 



pp

    f

 

p

mf



  

mf

1 Tbn. 2

Tba.

 

pp

  

mp



 



 

 

 



 

 

 

  

  

 

 

mf

ff

     

  

mf

       mp

  

 

     

        

non pedal

         

mf

                 3

f

 

        

 

         ord.     

arco

 

       

   

 

p

Vln. II (div)

   

3

 

p

                  sul pont.

ord.

mp

(pizz)

 Vc. (div)

(pizz)

ff

      

mp

ff



ord.

mp

    mp

ff

  f

 

     

 

  

   

 

  

   

 

        







 f

   

mp



f

p





 

   f

f



  

f



f

  

 

  

p





mp

          

     

  

   

3

    

      p



 

  

sul pont.

      

 p

sul pont. arco



p



 

p sul pont.



mf

 



 





p



  

 

  (sul pont.)   



p sul pont. arco

 

  

pizz

f

  

          p

    f

  f

 f

 

    



     



  

pizz







 

      

 



     

 





  

  







pizz

mf

  

 

 f

mp

 

         

mp

     

  



mp

  

f

mp

 

pizz

mf

 

 

mf

     





   

 

   



 mf

  

  

 

pizz



mp



   f

   f

  

         

mp

 

  

         

mf

       

mp

    

ff



f

mf



f

sul pont.

  

  

ff

 

sul pont.

f

     

3

 



 

p

Tubular Bells

 

mp

f

ff

f

sul pont.        



   

ff

 

             

  



p

f

      



  

f

Vla. (div)



 

 

 

   

f

mp



mf

 

 

mp

 



pp



p

mf

open

f



f

f



 

pp

f

p



p

pp

   

         

f

open



  

f

mf

(pizz)

  

 

 

 

f

mf

 

  f

 

p

  

pp

             

  

                

f

mp

 

                 

Cb. (pizz)



 

p

f

  

f

       

Vln. I (div)

pp

f

mp

 

(pizz)

ff

             

f

Perc. 2 (T-Bells)

Pno.

      

Perc. 1 (Vibes)

Hp.

 

Timp.

Perc. 3 (Tri.)

mp

 

Tpt. 2



                 

pp

f

  

  

ff



pp

mp

ff

p

ff

 

                

mp

 

mp

ff



  



 

  

                  pp

p

 

p

1

 

 

 

3

L

      

ff

 

 

   

 

 

f

2, 4

f

Hn.

 

pp

mp







pp



 

pp





 

pp

Bsn.

p

Cl. 2

  

poco accel.

 f


M

14

(accel.)           88     Picc.  f

Fl. 1

                

3

pp

           

      

f



pp

           

    

pp

f

     

f

      f

 

pp

 

f



E.H.



1

 

          

           

f

Cl. 2

1 Bsn.

2

    

1, 3

pp



  

2, 4

f

  f

  

Tpt. 2

f

 

1

 

Tba.

 

Timp.

Perc. 1 (Vibes)

Hp.



p

p

 

     mp

p





mf

ppp



mf

 



 

 

mf

mf



  

pp

pp



  pp

 

 



mf

pp

ppp





mf

f

p

pp

p



p

 

2.

p





 



 



p

  

mf

f



Cym.

B.D.



 

 (pizz)  Vln. I (div)

(pizz)

(pizz) Vln. II (div) (pizz)

(sul pont.)

 

  

 

   

 

 

 







(pizz)

mf

mf

f

Vc. (div)

(pizz)

 f





 

 

 

 

 

 





 

 

 

 



 



 





 



 

 

 

 

 

 

  

  

     

f

 

  



 

mp





 



 

 

 

 f



  

      

  

  

 

  

  

 

  

  

  

  

 

mp

     

 



 



 

   

 

 

  



  





  





 

     

  





  



 

  

mp

mf

  

f



 

 

  

 

 

 



  

 

 

      





 

 

   

 

 

   

   

mp

(pizz)

Vla. (div)

Cb. (pizz)

f

 

mf

 

 p

 

 



f

mf

mp

 



 

Pno.



 

Perc. 2 (T-Bells)

Perc. 3 (Tri.)



mp

 f

 

 mf

Tbn. 2



mp

f

ppp







pp





p

 

f

pp



f

f

mp

f

1



                         





f

Hn.

      f

     mp

f

  



f

p

p

 

p

      

mp

 

Ob. 1

           

mp

      



          

   



   







 

 

 



 

  

 

  

 

 

     

f

mp

  



    

  

        

 f









   



 



    



   

arco (ord.)

arco (ord.)

pp

pp

      

 

  



mp



 

 

  

      

 

 



 

 

 





 f




15

(accel.)

 

Fl. 1

Ob. 1

1

94

Picc.

Cl. 2

1 Bsn. 2

1, 3

    

Hn.

1 Tpt. 2

 



     



pp

       



pp

mf



pp

mf







 

 





  

 





 

   

mp

  p

















Timp.

Perc. 1 (Vibes)

  

Perc. 3 (B.D.)



 

    

Perc. 2 (Cym.)

Hp.

p

 

  

   

Large Sus. Cymbal

Bass Drum

pp

f

 

 

  

    

  

    

  

    



    

  

    

  

    



                   

 

  

   

 

        

Vln. II (div)

      

  

p



    

(pizz)

 Vc. (div)

p

  

f

   

       

f

 

arco

mp

 

arco

mp

Cb.



 3

 

 

   

 



 

  

  

 

 

        

   

   

        





   

  

          

       

 

p

 

arco

p

     

     

   

       

 

ppp

























 





begin playing random chromatic clusters



 

 

      

     

          

             

 

gliss.

  

 

f

 

arco (ord.)

     ppp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ppp

 

gliss.

 

gliss.

ff

 

   

 

  

gliss.

    

gliss.

  p

gliss.

  

f pp

 

gliss.

p

f

gliss.

pp

 

ff

gliss.

pp

ff

   

f

 

 

  

f

 

 

gliss.

  

  

 

arco (ord.)

f pp

 

 

 

 

ff

gliss.

gliss.

 

f

pp

gliss.

 

 

pp

ff

gliss.

 



non trem.

                arco

ff

      

   

       

mp

Vla. (div)

 

             

(sul pont.)

3

3



mp

(pizz)

3

 

Pno.

Vln. I (div)

3

ppp

  

 (pizz) 

  

3

 

pp



pp

mf

  



3

mf

 

3



   

 



    

p Tba.

pp

pp

Tbn. 2





 

pp

mp

1

  

2, 4

 




16

N  

100

Picc.

O

q = 152

 

 

Fl. 1

 

Ob. 1

 

solo

1

 

E.H.

1 Bsn. 2

1, 3

Perc. 1 (Vibes)

 

pp





pp

3

  

mp

 

 

 

 

 

 

 

 

 

f

  f

  

f

f

f



    f

  

f

 

 

 

 

      

   

 

      

   

 

   

   

   

    

Vla. (div)

ff

ff

 

 

 

 

 

Tam-tam

 

 mf

  



mp

  

 

 

 

 

 

 

 

 

  

f

f

pp

pp

Tamb.

Mar.

  

fpp

fpp

pp

ppp

                          3

3

3

3

3

3

p

3

3

                        pp

3

3

 

 

 

 

pizz

 

 

ff

p

  ff

pp

 Vc. (div)

3

mp

 

Perc. 3 (B.D.)

Cb.

  

Vln. II (div)



Vln. I (div)

Pno.

 

Perc. 2 (Cym.)

Hp.

  

3

3

Tbn. 2

3

mf

 

Tpt.

1



p

3

3          

 

2



f

1

 

f

Hn.

    

2, 4

mp

  

solo

 

Cl. 2



mf

3



3

3

3

p

3

3

3

 

3

          3

3

          3

3

p

  p

3

3


 

106

Picc.

Ob. 1

E.H.







 

  



3

f

mp

 mf

p







f

 



fp



f

 

p

mf

1

2

Hn.

1

1 Tbn.

Tba.

ff

Perc. 1 (Tamb.)

 

 

 

  

  

   

 

3

mf

fp

pp

  p

 

  

  

f

  

pp

3 3 3 3 3                 

mf

f

(T. roll)

Tambourine

 

 

mp

 

f

 

  



Vibraphone

 

 

mf

       

 

 

 

 

 

fp

Vln. I (div)

 

 

 

        

p

                                    3

3

3

3

3

3

3

3

                         3

3

  pp

  pp

fp

ppp

Vln. II (div)

f

f

Vc. (div)

3

p

   

  mf



Vla. (div)

pp

 

3

mf

open

 

f

Marimba

f

f

 

Cb. (pizz)

p

    

fp

 



   p



straight mute

fp

Perc. 2 (Mar.)

 

Timp.

3

  

2

Pno.

 

3

mf

 

3

f

stopped

p

Tpt. 2

1.

2, 4

p

    

  

f

  

1, 3

Hp.

p



f

            

f

Bsn.

Perc. 3 (B.D.)

fp

Cl. 2

 

ff



p

    

3

fp

f



p



p

 

 

        

 p

 

 f

 p

1

Fl. 1

17

P

3

3

3

3

3

 

3

3

  3

 

3

    3

3

f

3

      3

 

f

 f

 

3

 f

3

3

                         p

3

3

3

3

3

3

3

3

                        p

 

3

3

3

3

3

 

  

f

3

3

3

3





fp

 fp

 fp

fp


18

 

111

Picc.

Fl. 1

Ob. 1

E.H.

1 Cl.

p

     3





Bsn.

2

Hn.



 

 

p

      

f



 

 

 p



 



3

 

pp

3

3

f

3

3

3

f

mf

pp



p

            3

3

  f

p

p

p

 

3

p

3

  

 

3

            

pp

f

3

3

        

            

mf

 

p



f

 

3

pp

p

 

 

3

p

f



f

 

 

3

p

p

3

f

 

f



f





3

p



p

f

 



p

 

p

3

p



 

f



            



p

 

p

p

(straight) 1

 

f

2, 4

f

  

1, 3

 

p

3

 

f

p

mf

1

 





 

2

 

f

3

3

p

Tpt. 2

1 Tbn. 2

Tba.

Perc. 1 (Vibes)

 

Perc. 2 (Mar.)

Perc. 3 (B.D.)

Hp.

Pno.

p

 

Timp.

 

mf

 

ff







 



ppp

p

ppp

 

  

 

   

Vln. I (div)

 Vln. II (div)

pp

Vla. (div)

 

3

3

3

3

pp

      



    3

 

pp

3

 

3

3

3

      

3



 

              

3

3

3

3

3

       

                       

       

3

3

pp

3

mf

3

3

             

3

3

mf

3

3

pp

3

3

3

mp

mp

3

3

3

           

       

pp

mp

3

3

3

 

3

3

Tom-t.

Cym.

3

3





pp

              mp

pp



  

 

Vc. (div)

 

f

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

                       

3

               

           

                            3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

 

 





f

p

3

                           

mf

ff



 

p

 

f

 

 



 

Cb. (pizz)

 



arco

3


 

116

Picc.

Fl. 1

Ob. 1

 

Cl. 2

 

1

  

 



p





1

 



3

    

f

 

3

3

     ff



 



f

 



  

 

 

3

  f

 





 



Tbn.

   

 

 3



3





   

 

   

open

(open)

ff 3

Timp.

Perc. 1 (Toms.)

 

3

 

  



Hp.

Pno.

 

     

3

3

 3

pp

 

f

  3

f

3

   

3



 

3

3

3

3

 

 

f



  

    

 

  

f

f

p

3

    

   

p

f

 

3. p

 p



 

   

 





p

3

3

3

  

Marimba

3

3

         3

f

3

   f

   3

 

 

ff

 

ff

3

3

3

3

      

3

 

3          3

3

3          3

3



 



3

    3

3

 

3

  ff

    3

    3

   ff

3

3

3

   

 

3

   

 

   3

3

    3

   

 

 

3

3



3

  3

 

3

3

 

3



 

 

  3

 3

3

 



3

3

  3

     3

mp

3

      

3

3

mp

3

mp

3

  3

3

            mp

3

3

3

3

3

3

             mp



fp

           

 

 

 



  

  

fp

fp

 

3

 

        

3

p



      

mp 3

p

 

3

3

 

3

3

     

3

3

3

f

 

  

3

     

3

f

 

3

       

 

3

  

 

3

3

 

fp



3

  ff

f

ff

   

   f

  3

   

f

3

       

3



p

3



3

 

              

  3

  

     

pp

p



 

pp

p



3

 

3

3

         



 

 

Vln. II (div)



 

 

f

        



3

Cb.



3

Vln. I (div)

Vc. (div)

   

 

Vla. (div)

           

3

f

Small Sus. Cymbal

Perc. 3 (B.D.)

3

     

   

 Tom-toms  

3

3

f

3

 

f



   

Perc. 2 (Cym.)

3



3

 

 

f



f

  Tba. 

 

          

 

2

 

 

3

p

 

 

1

     

3

Tpt. 2



f



  

 3

ff



3

 f

 

ff

2, 4

f

 

Hn.

f

p

Bsn.

1, 3

   

1

f

p

2

 

  

E.H.

19

Q



3

3

3

3


20

   

120    

Picc.

 

mf

      

Fl. 1

                 p

1

 

mf

E.H.



mf

Ob. 1



p

  

 

mp

  

 

mp

 

mp

2

1, 3

    

f

 



 

Timp.

Perc. 1 (Toms.)

  

Hp.

Pno.







mp

 

Vln. I (div)

mp

Vln. II (div)

   3

 

 

3

ff

3

3

            3

3

3

 

           

3



 

ff

3

3

 

3

 

 

 

 

f

 

 

 





pp



pp

3

 

pp



  

f

 Vibraphone



 

f

  

mf



fp

 

fp

 

 

 

 



      mf

3

3

3

3

                  

3

           3

3

ff

 

f

mf

 

mp

p



 

mp

fp

3

 

 

To Cym.

 

 

 

3

3

3

3

3 3

 



3

3



 

ff

  3



3

3

3 3

3 3

3



    3

f 3

3



 3

    

 

3

 3

 3

 

 3











 

3 

 

3

 

             

  

 



3  

 

 

 



 

 

 

3

3

3

3

p

  p  

3

3

p

 

mf

mf

pp

  p

  

 

              3 3 3 3

 

pp

p

3 

p

f

           

 

  

p

p

3

            

  

3

           

f

3

f

3

 

ff

3

f 3

3

    

3

 

mf

3

     

     

3

   

3

3

mp 3

3

   

 

ff

 

             

3

3

3

 

3

     

Vc. (div)



               



              

3

f

f

pp f

 



    

 

   

              

Vla. (div)

               

3

Cb.





3



3

    

3

pp f

f

 

f

 



  

 

 



pp

p



  



 

3

3

f

 

 

 

 3

3

3

3

3

f

 

mf

3

3

f

p



3

3

 

   

fp

p

Perc. 2 (Mar.)

Perc. 3 (B.D.)

3

3



3

f

mf Tba.

3

f

p



3







ff

3

3

 mp

ff

mp

3

mp



    

                                3

 

     



3

3

 

ff

fp

mp

3



p

p

3

3

3

mp

3

 

mf

 

2



mf

Tbn.

p

1

 

mf



3



Tpt. 2

3

  

3

3

ff

                                



3

3



        

mp

  

3



mp

Hn.

1





3

3

3

                 

mp

   

mp

  

2, 4

   



3

mp

f

 

Bsn.

f

   

                             



f

1

f

  

Cl. 2

R

   

  p

p

3

  3




   126

Picc.

Fl. 1

Ob. 1

E.H.

1 Cl. 2

1 Bsn. 2

 

   

 



 

ff

Tpt. 2

Tbn. 2

Perc. 2 (Mar.)

pp

 



p



ff

 

  

 

   

 

pp

f

pp

                      3

3

3

3

3

3

mf

                                  

 

 

  

   

  

 

f

 

 

f

   

 

 

    

    

    

    

Large Sus. Cymbal

pp

 

 

 

 

 

 

 

 

 

 

 

p

p

p

 

 

pp

f

 

 

ff gliss.

 

mp

 

f

   

 

   

  

  

  

 

ff



 



 



ff

ff

ff



    

ff

 

mp

  

         



fp

 

   

         

 3

 

 



   

   

   

   

pp

pp

pp

       

pp

 3 soli    3 soli  

pp



 

pp



mp

3 soli

pp

     

pp

   

               3 3  3  

  

3

  

ff

  

f

MNMONMNN

 

mf

       

 

 

p

ff

3

p

 

    

 



   

3

mf

pp

ff

Cb.

   

    Vc. (div)

  

ff

Vla. (div)

ff

Vln. II (div)

 

   

Vln. I (div)

3

 

Pno.

 

  Perc. 3     (Cym.)

Hp.

mf

Perc. 1 (Vibes)

f

Timp.

f

Tba.



p

f

1

   

pp

1

pp

  

Hn. 2, 4

 

f

pp

1, 3

21

S

3 soli

  pp

    

pp

    fp

  

   f

     

fp

   

pp

   

f

   

f

fp

f

 

pp

pp

   fp


22

 

Fl. 1

Ob. 1

E.H.

 

 

132

Picc.

1 Cl. 2

1 Bsn. 2

1, 3

Hn. 2, 4

1 Tpt. 2

1 Tbn. 2

Tba.

Timp.

Perc. 1 (Vibes)

 

Perc. 2 (Mar.)

Perc. 3 (Cym.)







Hp.

Pno.

 





pp

  

 

f



 

3 soli     

 

 

 

  

 

  

  

 

  

 

  

  

Vln. II (div)

(3 soli) Vla. (div)

(3 soli)

   f

f

  

(3 soli)

    

f

f

pp

f

 

pp

   

f

 



3 soli

ff

 

 

 

pp

ff

 

 

 

pp

ff

   

pp

 

ff

 

 

 

pp

ff

 

 

 

ff

  

 

fp

 

fp

ff

fp

   

pp

pp

  

fp

  

Vc. (div)

3 soli

pp

    

(3 soli)

pp

 

 

3 soli

Vln. I (div)

Cb.

 

 

 

 

ff


23

II. Lilith, begone q = 96

1 Flute 2

 

 

 

 

 

 

English Horn

 

Bb Clarinet

 

Oboe

Bb Bass Clarinet

1 Bassoon 2

1, 3 Horn in F 2, 4

1 Trumpet 2

1 Trombone 2

Tuba

 

 

 

 





 

  

  



pp

 

 

 

 

 

 

 

  

  

Violin II (div)

Viola

Violoncello

 

 

      pizz        fp



 

  

 

ppp

 Glockenspiel always l.v.

   

mp

 

   

 

 

 

 

med. yarn mallets, no motor

mf

  

   ff

 

 Crotales

 

  

 

 

 

 

f

  

 

  

  p   p   

Tri.

Glock.





 

ppp

    

fp

 

3

    

ppp f

3

3

    

ppp f

mf

 ppp

 ppp

  

  

  

pp

pp

pp



pizz

f



  

mf

pp

3

  3

   

ord.

   

 

   

mf

mp

   

mf

  

   

mp

p

 

mp



p

fp

 

 

3 3 3           

arco

pp

 

pp



pp

   

ff

  

  

mf

 

 

mf

p

  

ppp

  

pp

f

Contrabass

 

mp

 

mf

 

      p

 

 

  

 

f

3

 

   

 

f inside piano - strike strings with palm

 



f

  

 

 

ppp

pp

p

  

  

   

3    

f  

 

  

3

always l.v.

  

    

          f

ppp p      ppp p

ppp

 

pp

     

 

pp

 

3

   

 

Violin I (div)

 

Crotales always l.v.

Piano

Vibraphone

Harp

pp

mp

Percussion 3

f

   

Bass Drum always l.v.

Percussion 2

 

 

p

Percussion 1

 

f

  

 

    3      

f

 

always l.v.

Timpani

A

  



ppp fp



 

 

p

  

ppp

 

ppp

 

ppp


24

   7

1

3        

pp

Fl. 1

 

2

  

Ob.

ppp

 

 

pp

    

2

1, 3

 

      

   

      

     

p

3

   

mf

   

        

mp

   

  

ppp

mf

 

f

3

p

     3

f

p

    

 

 

pp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 



 

 

    

 

 

     

2

Perc. 2 (Tri.)

mf

  

mp

mf

mp

 Glockenspiel

 

 

 

 

 

 

always l.v.      mp

 

f

 

mf

  

 

 

mf inside piano

 

  

 

   pp

  

 

  

 

  

  

 

  

 

pp

Vln. II (div)

  

Vla.

 

Vc.

 

   

arco

f

  

mp

f



 

fp

ppp fp

 

pp

 

mp

   

pp

ppp

pizz

arco

 pizz   

pp

fp

mf

ppp

 

    fp

arco



   

   



 

 pizz

   

 

ppp

   

 ppp

arco

mf

mp

 

 

mf

  

pp

 

  

pp

  

 

  

Vln. I (div)

ppp



Tbn.

Cb.

   

1

Pno.

ppp

 



2

Hp.

C Tpt.

Perc. 3 (Glock)

 

 



1

Perc. 1 (BD)

p

3

  

  



ppp

   

sub. p

p

   

 

Hn.

Timp.

f

sub. p

3

 

2, 4

Tba.

3

p

 

f

    

3



pp

pp

1 Bsn.

f

B. Cl.

mf

pp

ppp

Cl.



  

f

  

E.H.

p

B

  

To Picc.

 

 

f

f

pp

  

ppp

 

pizz

 mf


25

C accel.

  12

Picc.

Fl. 1

Ob.

E.H.

   

 

ppp



f

  

 



 

q = 112

pp

  

f

 

 

ppp

   

f

 pp



ppp

pp



 

 ff

 

ff 

   



1

 

 

Hn.

2, 4

C Tpt.

 

2

   

Tbn.

Timp.

Perc. 1 (BD)



  

 

 

  p 

p

  

 

f

p

  

 

 f

p



 2.        p

 

 

straight mute



pp

        

 

  



 

 Tam-tam

 always l.v.

4.

p

  

 pp

f

  

pp

sub. p

  

f

 

f

f

  

ppp

  

f

straight mute

f

 

 

 

 

mp

 

 

 

 

  

mf

mf

 

 

 

 

  

 Vln. II (div)

 ppp



 



 

 

  

 

  

arco



fp



 



pp

  f

  f

      

 

pp

 

fp

  f

p

 

pizz f

fp

 

mf

p

 

 

fp

   



 

 

p

  

mf

 

 

p

mf

mf

ppp

pp

 

pp

 

ppp



       f

  

   

p

 

 

 



B.D.

p

ppp

Triangle

   

 

 

Vln. I (div)

Cb.

remove mute



Vc.

 

 

Vla.

p

 

f

  

 

 

 

  

Perc. 3 (Glock)

Pno.

  



p

Perc. 2 (Tri.)

Hp.

mf

 



  



 

 

f

pp

Tba.



remove mute

ppp

p

2

f

ppp

harmon mute (half stem)

1

p

p

  

 

 

 

  

 

 

1

  

 

harmon mute (half stem)

ff

 



pp

 

1, 3



  

ff

2

   

p

 

B. Cl.

Bsn.

 

ff

pp

 

Cl.

f

fp

 

  

p


26

D 18   

Picc.

Fl. 1

  

pp

ppp

  

Ob.

ppp

 





 

f

pp

 

B. Cl.

2



3

 

 



 

 

 

pp

Hn.



p

f

 

3

p

 

 

1. solo

 f

ppp

  

solo

ppp

1

 

f

pp

  

2, 4

   

  

  

p

pp

 

1, 3

3

f

Bsn.

3

mf

1

       

Cl.

 

 

solo

E.H.

 

 



  

 

C Tpt. 2

(straight) 1

  





 

pp

Tbn.

2 (straight)

p

pp

Tba.

 

Timp.

Perc. 1 (BD)

 

    

 

 

 

 

f



 

 

f



 p

 



ppp

p

 

   





  

3    

f

T.-t.





 

mp



 

mp



 

 

pizz

 pizz

 

f

arco solo



mp

  

ppp

 

mp

 





 

f

 

fp

 

ppp

pizz

3

 



mf

3

f

    

 

f



mf

f

p

mp

    

 



mf

ppp

Cb.

p

3

3

p

f

    

Vln. II (div)

Vc.

 

pp

 

ppp

f

3

p

ppp





 

pp

  

Vla.

p

 

ppp

 

  Vln. I (div)

 

  

pp

Bass Drum

Perc. 3 (Glock)

Pno.

Perc. 2 (Tri.)

Hp.



fp


27

E Picc.

24   

pp

Fl. 1

Ob.

1

1, 3

 

 

Hn.

 

 

 

1 C Tpt.



  



 

Tba.

Timp.

Perc. 1 (BD)

   

Hp.

Pno.

mf

 

mf

p

 



3. p

   pp

 p

pp

pp

3

 

ppp

 

 

mf

 

 

 

 

   

 

mf

   f

  inside piano

 



 

 

 

 

 

 



 

Vla.

  

Vc.

Cb.

 

  

ppp

3    

  

  

  

 

 

 



 fp



arco

pp

 



mf

mp





pp

 

 

  

  

 



3



mf



mf

  



 mf

3

 



ppp

  

 

mp

mp

 

mp

 

p

mp

    ppp

  

 







pp

mf





 mf

mp

  

pp

arco pp

 

 

ppp

mp

 

f

  

3

 

pp

   3

p

f

p

Vln. II (div)

 

pp

 



ff

 

pp

 

  

 mf



mp

 

arco

 

p

  

  

  

fp

3

mp



   3



3

mf

mf

 

p





mp

ord.

Vln. I (div)

3

3

    

3

 

 

 

  

f

ppp

 

 

 

 

  

 

 

 



 

 

fp

3

p





 

Tam-tam



  

 









 

 

 

 



   

Perc. 2 (Tri.)

Perc. 3 (T.-t.)



 

ppp p

 



 

  

  

mf

Tbn. 2 (straight)

    p

mf

p





mp

   

1.



f

p

mp

 

pp



 3     

(straight) 1

 

2, 4

2



f

  

 solo

   



 

3

 

 

 p

3     

 

 

Bsn.

 

  

B. Cl.

2

solo

Cl.

 

E.H.

 3  









p

p

    

3

3

     

 

 

3

mf

(non trem.)

3

mf





mf

 ppp

  

p

 ppp

  

p


28

F   31

Picc.

Fl. 1

Ob.

E.H.

 

 

  

1 Bsn. 2

1, 3

Hn.

1

  

 

  

 

 

mp

  

(straight) 1

   

 

 

  

2 (straight)

Timp.

sub. p

 

open

p open

 

p

 

  

  

  

 

 

 

 

 

 

 

  



f

 

f

 

f

 f

 f

       f

f

   



pp

         

  

 

      

  



f

 

Perc. 3 (T.-t.)



 

Pno.

 



  

sub. p

Vln. I (div)



sub. p

 

 Vla.

mp

sub. p

Vc.

 

 3  

 

 

     

3

f

     3

 

    

  

 

3



 



 

f

f

 

mf

mf

   

  

 

 

f

 

  

mf





      

  

 

 

        

  

 

        

  

 

        

  

 

f

 

sul pont.

f

 

 

 

f

pizz



ff



3    

mp

 

 



pp

3    

 

mf

  

  

    

ord.

    

    

    

 

 

mp

 

      

mp

 

   

    

sul pont.

mp

 

3

3

inside piano

   

  



  



 



 



 

 

3

3

mp

f

 

   

mp

f

   

3    

   

f

f

mf

 

mp

f

ff

 

f

  

f

f

 

        

f

   

   

 

f

mp

  

  

 

 

 

Vln. II (div)

Cb.

p

   

 

  

 

 

p

 

p

 

f

3

 

 

Perc. 2 (Tri.)

   

 

Hp.

 

pp

f

 



 

pp

pp

 

  

p

f

  

f

f

Perc. 1 (BD)

       

 

remove mute

f

pp

f

remove mute

f

p

 

 

 

 

  

 

pp

f

   

p

  

f

 



f

f

 

3

mp

 

3

sub. p

Tbn.

Tba.

  

C Tpt. 2

 

f

   

        

f

mp



  

f

 

mp

   

  

sub. p

2, 4

 



   

3

sub. p

3

sub. p

   

  

  

  

B. Cl.

  

  

Cl.

q = 72

poco rit.

3

3

  

 

   3

   

 

          

arco

    mp


29

G   38

Picc.

 

Fl. 1



 

3

f

 

mp

3

f

   

    

 

   

mp





    f

  

 



   

f

sub. p



sub. p

f



       

 

3

 

mf

      

      





 

B. Cl.

 

1

 

 

 

 

 

  

    



 

f

pp

 

  

  

Ob.

E.H.

Cl.

Bsn. 2

1, 3

Hn. 2, 4

1 C Tpt. 2

1 Tbn.

Tba.

Timp.

Perc. 1 (BD) Perc. 2 (Tri.)

Perc. 3 (T.-t.)

Hp.

Pno.

Vln. II (div)

Vla. (sul pont.)

Vc. (sul pont.)

Cb.

3

 

3

 

mf

   

  

f

   

pp

mf

 

 

  

    

f mp

   

 

  

  

   

      



    f



      



 

  

     



f

   

 

f

     

    

  

 

 

 

open

 

 

 

 

 

 

ppp

 

ppp

 



fff

  

with both hands

  

   

fff

ord.

f

3 3 ord.              

f



ff

  

 

f

 

 

        

     

 



single hand

f

 

f

mf

mp

3    

 

 

 

 

 

 

 

 

 

 

 

ppp

mf

3

       

    

 

pizz

         

      

 

pizz

    

 

pizz

3

3

ff

ppp

mp

   

ff



Vibes

3    

mf

ff

ppp

  

ppp

 

p

ff



ff

 

p

 

f



3



fp

 

pp

 

 



 

 

 

 

  p

    

 

3

              

             

 

pp

 

 

ppp



pp

ff



 

f

sub. p

open

  

mp

  

 

f

3

     

 

 

  

3

  

3



 

 

f

f

3

f





f



p

Vln. I (div)



   

  

3

  



3

2

 

 

 

3

f

3        

ff

p

p

p


30

H   

 

46

Picc.

Fl. 1

Ob.

 

 

   

      p

Cl.

B. Cl.

1

  



   

 

  

 

Hn.

1 C Tpt. 2

1 Tbn. 2

Tba.

Timp.

Perc. 1 (BD)

3



f

 

p

f

3

p

Vln. I (div)

Vln. II (div)

  

  



 

  

3

 

sub. p

 

 

   

pp

f

3

 

 

pp f

 

 

 

 

 

 

 

 

 

  

 

  

  

  

mp

mp

   3 

  

  

 

 

 

 

mf

   

  

Glockenspiel

 

  

mp

      

 

   

 



f

 

 

 

 

mf

Vla.

 

 

Vc.

 

 

  

    

p

   

mp T.-t.

3

   

    

mp

     

ord.

mp

  

3

f

ff

 

 3

pp



3

pp

 

 

pp







 

arco

  p

   f

 

 pizz



pp

   

3

   

f

mp

 

 

     



   

  

   

mp

f

   

 

 

 mp

mp

 

3        

 

      3

    

p

p

p

 

mp

3

 

   

3

f sub. p

f

  

3

   

pp

 

  f sub. p

pp

   3  

 

pp

Cb. (pizz)

p

f

pp

pp

 

mf

  

 

 

 

Pno.

p

p





 

Hp.

3

f

  

3

Perc. 3 (T.-t.)

 

    

 



f

Vibraphone

Perc. 2 (Vibes)

p

 

  

  

    

  

 

2   

2, 4

 

f

 

Bsn.

1, 3

pp

ppp

E.H.

pp

 

f

 

arco f

p


31

  51

Picc.

Ob.

Cl.



  p

3



ppp

  

ppp

f

  

3

         

5



    

 

ppp

mf

ppp

 

q = 50

pp

 

p

mp

ppp

mp

3





      

  

 

ppp

f



  

3

rit.

                 

ppp

  

f

  

 

mp

ppp

 

   

1

f

   

ppp

B. Cl.

   

 

E.H.

2

Fl. 1

Bsn.

       

  

p

ppp

pp

ppp

  

ppp

 

2, 4

1

1, 3 Hn.

C Tpt. 2

1 Tbn. 2

Tba.

Timp.

Perc. 1 (BD)

        

Hp.

Pno.

  

pp

        

     

      

  

    

          

ppp (no attacca)



Perc. 2 (Vibes)

Perc. 3 (T.-t.)

   p

Tam-tam

  Vln. I (div)

 

 

pp

f

 



 

  

  



mf

mf

   

mp

   





mp

  

pp





 

mp

pp

   

Vln. II (div)

Vla.

Vc.

arco



f

Cb.

 

   

ppp

  f

p

p

   

pp

pp


32

III. The Inanimate Spider q = 50

1

         ff

Flutes 2

5

5

p f

   

5



p f

p

       f



mp



        

1

2

5

         





f

1 Bassoons

 

p f

p f

 

p 5

p f

 

      

f



p f 5

       

p f



5

p f

p

 

p

p

f

p





 

 5

5

p

 

 

 

 

 

 

 

 

 

2

 

 

Tuba

  

 

   

 

 

2, 4

1 C Trumpets 2

1 Trombones

Timpani

Percussion 1

  

Tam-tam

     

Triangle always l.v.

mp

Glockenspiel always l.v.

Percussion 3

p

  

straight mute

   

Percussion 2

mp

ppp

p

    pp 

  

  

 

  

 

p

p

always l.v.  

Vibraphone

  

med. mallets

 

 

 

 

 

 

 

  

 

Violin II

 

 

Viola

 

 

Violoncello

 

 

Contrabass

  

 

Harp

Piano

Violin I

       f     

 



F Horns

p f

mp

p

5

          f   

  

1, 3

5

         

p f

p



5

p

5

5

       

f

p

f

  

2

p f

      

      

5            

5           f        

5

5

   

  5

         

         

pp



  5

         

f

   



 5

5

Bb Clarinets

   

mf

   

f

p f

pp

English Horn

p

5         

5

p f

         

f

      

p f

  

p

    

     

           

5

      

5

         

f

Oboe

5

      

 

p

f


33

A

   4

1 Fl. 2

Ob.

E.H.

1

   

Più mosso q = 56

       f

1

p

p

f

1, 3

f

 



(straight) 1

p

f

p

f

pp

5

         f

 

f

    

5

p





f



p

p f

pp

mp

 

f



pp

f

p

         p



5

 5

p

       f

      f

f

5

p

 

5

5



5

5

5

p

      f

pp

mf

p

 

pp

 

      p f

p

f

     

      

f

5

p





     

5

p

      

         

5



f

5

5

5

 

1.

pp

f

      p

p

 

p

 



5

     



 

5

     

 p

     

5

f

  

f

mp

      f

p

5







p

2, 4

f

5

p



Hn.

    

f

     

 

  

p

p

Bsn. 2

5

5

     

     



 

 

f

     

f

f

Cl. 2

5

  

     

mp

C Tpt. 2

1

 

 

 

  

   

Tbn. 2

Tba.

Timp.

Perc. 1 (T.-t.)

  

Perc. 2 (vibes)

 

Perc. 3 (glock)

  

 

 f

                                                                          p             

 

  

 

 

 

  

Vln. II

 

Vla.

 

Vc.

 

Cb.

  

Hp.

Pno.

Vln. I



 

f


34

B

        7

1

f

Fl.

5

     

p

f

5

f

5

p

f

5

 

f

 

 



 

  

p

f

p

p



       

     

5

1

f

p

f

p

 

5

f

5

    

1

5

             f

p

f

p

f

p

 

  

solo pp

 

pp

f

  

 

pp

pp

 

 

Cl. 2

p



 

E.H.

 

 

 

Ob.

 

p

                    

 

2

f

5         

f

5

      

p

f

5            

f

  

 f

p

p

  

pp

p

Bsn. 2

1, 3

 

  pp

  

mp

pp

1

 



    

mp

pp

2.



p

1 Tbn. 2

Timp.

Perc. 3 (glock)

Hp.

Pno.

 

  

mf

p

 

 

 

 

 

 

 

 f

 

 

pp

  p

   

 

 

 

 

 

 

 

mf

 

  



always l.v.

mf

                         f p     



 

 

 

 



 

Vln. II

Vla.

 

 

 



 

 

LMLOLMML

 

gli

ss.

pp

 

Tri.

f

con sord sul tasto

 

pp

 

 

f

   

p

 

  



 p





  





 



   









   









  



 







  









  



 

con sord

con sord

 

f

f

Vc.



f

 Vln. I  

Cb.

 

 

   

Perc. 2 (vibes)

pp

Perc. 1 (T.-t.)

pp

Tba.

p

C Tpt. 2

 

  

pp

  f

f

(1.)

Hn. 2, 4

con sord



sul tasto

f

 f

p

p

p

  

  




35

C

    11

1

Ob.

E.H.

1

3

 

  

 

  

   3

  

 

  





f

 

 

  



mp

 

3

  

mp

3

p





3

p

Fl. 2

  

   3

  

  



3

mf

3

3



3

mf

f

3

  

    3

    f

 

mp

  

 

3

p

3

f

 

   

3

mp

  

 

3

p

 

   3

mp







f

 

mp

   

pp

solo

pp

3

f

   

  

   

3

pp

 

 





f

 

 

 

pp

mp

Cl. 2

  

pp

1

 

2

1, 3 Hn. 2, 4

mp

 

f

Bsn.

     



  f

p

 

 

 

 pp

  

pp

f

ppp

    

pp

pp

 

mp



ppp

pp

   

p

 2.

 

 

 

2

 

Tba.

  

C Tpt. 2

1 Tbn.

Timp.

f

         

Hp.

 

Vln. I (con sord)

Vla. (con sord)

Vc. (con sord)

Cb.



  ord.  



f

pp

 

 





 

mf

ord.

 



f



 

pp

 

  

mp

 

  

 

mf

 











 





 

      

  

Cym.

p

f



3

f

p

          3

p

 







 

     

 

  

mf









mf

p

 

  





      





 

  





 

  





p

 



f

p

f



mp

p

       

   

 

 

  ord.   

 

 



p

f



f

p

   f

ppp

pp

  

f





   

 

 

pp



pp

 

     

  

f inside piano (strike strings with palm)

f

Vln. II (con sord)

mp

 

 

Pno.

  

always l.v.

 

f

  

   

 

  

 

 

 Triangle  

Perc. 2 (Tri.)

Perc. 3 (glock)

mp

pp

 

pp

Perc. 1 (t-t.)

 

p



pp

mf

1



3. pp

  f

 p

 

mf

   

       mf

 mf

  p



 

  p


36

D rit.

  15

1

q = 50

 

5

f

Fl.

 

2

Ob.

     

pp

   

  

p

  



    

 

pp

2

  

1

     



p f

5

f

5



p

 5

    

p

f

p

5

f

 

p f

     p



f

 

p

f

5

p

5

f

 

f





 

5

 

      

p







 

f

     

      



f

5

p

p f

f

p f

5

p f

 

       5

p

      

p

pp

5

     

mf

   

5

f



p

p

      

5

p



p f

5

          

5

                    5

     

p

5

p f

f



5

  

pp

    

mp

   

 

f

p

    

p f

      

p f

    

mp

f

Cl.

5



mp

pp

1

f

5

p f

    

accel.

     

     

     

5

p f

mp

  

E.H.

      pp

  

        

       

f

5

f

     5

p



   

f

 

pp

 

 

Bsn. 2

1, 3

     (3.)  

Hn.

 

 

2, 4

   

  

pp

1

1 Tbn. 2

Tba.

Timp.

Perc. 1 (cym.)

Pno.

Vln. I (con sord)

Cb.

  



 

  

 

3

  





 

  

3

 

  3



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

 

 

   

   

 

pppp

  

5

mf

        f

Vibraphone

mp

   

 

f

 

Small Sus. Cymbal

 



5

 

pp 5

        f



 

 

 

ppp

f

p











p

5

 

p

 

strum up and down

pp

 

 

 

p

5

f

 

 

 

 

 

 

 

 

 

 

 

 

 

       



  

   

ppp

       



 



     

    

  



   

 

pp

 

pp

    

 

 

    

 

 

pp

 

 

Vc. (con sord)

pp





 

 

Vla. (con sord)

 



   

Vln. II (con sord)

 



 

Hp.

(2.)

pp

   

Perc. 2 (Tri.)

Perc. 3 (glock)

pp

    

C Tpt. 2

 

   

mp

   

pp

 


37

E

   20

1 Fl. 2

Ob.

E.H.

1 Cl. 2

   

q = 60

        f

5

Bsn. 2



 

pp

        f

5

f

5

p

f

p

ppp

 

pp

5

p



5

p

5

p

5

f

 



p

f

    

     

5

p f

5

p f

p f

   

   

p



f

 

   

   



pp

f

 

 

f

 

p

 

p

 1.

  

 

 

pp

pp



 



 

 

 

 

 

2

 

 

Tba.

  

 

1 Tbn.

    

Perc. 1 (cym.)

  

  

Perc. 2 (vibes)

 

mf

Perc. 3 (glock)

mf

 

  

Pno.

   

  Vln. I  

(con sord)

 



 

 

(con sord)

Vla. (con sord)

 

mf

p mf

p mf

p mf

p mf

Vc. (con sord)

  









Cb.

 

5

p mf

 

mp

      f

pp

5

p mf

 

5

p mf

5

p mf

 

 

 

pp

5

p

p

 

5

mf

ord.

always l.v.

  f

      p

5

mf

pp



  

5

 f



mp

 

p

 

 



5

mf

 senza sord.



   

 

    f







 



 mp

 

pp

 

 

f





mp

                   

 

 

   

f

  

 

pp

pp

                                 

 

   

mp

mf

 

mp

   

pp

 

mf

  

  



p

  

 inside piano

 

 

Tam-tam

   

p

 

Vln. II

   

mp

      

      

pp

 

Hp.

pp

    

Timp.

pp

 

2

   3

C Tpt.

p

    

5

 

1

5

     

f

sub. p

ppp

p

p f

   

       5

5

f

f

  

p



f

5

p f

          

    

f

5

ppp

f

    

       

mp

 

p

      

f

5

     



  

pp

f

  

p

     

     

     

     

f

 

      

p

ppp

2, 4

 

pp

    

Hn.

 

 

mp

1, 3

 

pp

     

pp

       

p

  

f

1

 

senza sord.

 



pp

5


38

F

  24

1 Fl.

2

     

      f

5

p

f

5

p

     

 p

f

5

     

      p

mf

5

p

     

mp

     

5

f

 

p

mf

5

 

5

 

     

ppp

mp

E.H.

1

     

pp

mf

5

p

Cl. 2

1

    

 

     

pp

mp

 

mf

5

5

 

ppp

 

5

ppp

Ob.



p

p

pp

     mp

5

Bsn. 2

1, 3

 



(1.)

 

Hn. 2, 4

1



 

 

   



 

3

mp

  

   

3

 

 

pp

C Tpt. 2

1 Tbn. 2

Tba.

Timp.

Perc. 1 (T.-t.)

  

 

pp





Pno.

pp

5

5



5

5



5



5



 

5





 

5

 



ppp



 

mp

pp

 



  

mp

pp

Vc. (con sord)

                                                               

 

mp

Vla. (con sord)

Cb.

 Vln. I 

Vln. II

  

 

 

ppp

Hp.

 

p

Perc. 2 (vibes)

Perc. 3 (glock)

 

pp

 

pp

 

pp

5




39

     

   27

1 Fl.

2

mp

     mp

 

5

    

ppp

 

5

mp

    

ppp

mp

 

5

 

5

ppp

ppp

Ob.

E.H.

1 Cl.

2

 

 

pp

 

pp

 

1 Bsn. 2

1, 3

Hn. 2, 4

1 C Tpt. 2

1 Tbn. 2

Tba.

Timp.

Perc. 1 (cym.)

    

Hp.

Pno.

Vln. I

                                                                                        

  

p

5

5

5

mp

 

5

5

5

5

5

5

5

5

5

ppp

 

Vln. II

Vla. (con sord)

Vc. (con sord)

Cb.

Perc. 3 (glock)

Perc. 2 (vibes)

  

 

   

   


40

IV. The Trojan Horse

  1 

q = 96

Flute 2

 

Oboe

 

English Horn



 

3

mf





pp

 

 

  

   

pp

 



mf

  



 

pp

 

flt.

pp

mp 3

 

 

 

 

  

 

mp

 3

      flt.

      



mp

fp

ord.

fp

 

pp

 

 

Bb Bass Clarinet

 

Bassoon

 

Contrabassoon

  

 

 

 

 

Bb Clarinet

1, 3 F Horns 2, 4

1 Trumpet 2

1 Trombone 2

Tuba

Timpani

    

  

l.v.   always               pp

3

  

Vibraphone

Percussion 1

Glockenspiel always l.v.

Percussion 2

Percussion 3

  

Bass Drum   

  

Harp

Piano

Violin I (div)

always l.v.

3

3

mp

motor off

bowed

   mp

  

mf

 f

3

mf

3



 

 

  

   

  

Violoncello (div)

Contrabass

3

3

 

mf

mp

3

3

        3

pp

 

  

 

 

 

  



  



 

pizz

mp

 

 

 

      







pp

pp



  

 



  

3

 



3



  f

f

pp



mf

mf



  

  

p

p

 



pp

pizz



mp



pizz

mp

f

 

pizz

Mar.

Tam-tam

  

 

      

mp

Viola (div)

mf

3

3

3

3

med. mallets

pp

    

pp

3

pp

  

mp



3

p

 

p

                       

mp

pp

3

3

     

             

3

3

  

  Violin II (div)

mp

mp

  

mp


41

A ord.

   1 6

   

3

Fl.

mf



p

pp

    

mp

 

3

 

  

 

B. Cl.

 

 

Bsn.

 

 

Cbsn.

 

 

1, 3

 

Hn. 2, 4

1. stopped 3

  

mp

 3   

pp mf

pp

   

pp

 

 1. harmon mute

C Tpt. 1, 2

Tbn. 1, 2

Tba.

Timp.

Perc. 1 (Vibes)

3

 

 

 

 

  

 

pp

  

Marimba

 

 

f

pp

3       

 

3

3

3

ppp

 

 

 

mp

  mp

 

 



pp





    pp

 



mf

Cb. (pizz)

 

 mf

mp

pp



mp

(pizz)

3

 

 

 

pp



pp

 

  

       3

3

3



3

pp

pp

    

      

              3

3

3

pp

mp

p

 

 

      pp



mf

 

mfp

 

 

 

 mfp

   f

   

mp

 

mp

3



pp

   3       3

 

     

3

f

 

mp

  

p

3

3

   3   

    

3

 

mp

  

     

arco

 

3

f

   



arco

pp

  

pp

 

3

  

mf

 

 

     

arco

3. pp

f

 

 



 

 

p

Vc. (div)

mp

pp

   

pp

mp

 

 

pp

 

 

3

pp

 

 

mp

       

p

 

3

1. mute (1. & 3.)

pp

Vln. II (div)

Vla. (div)

mp

  

p

 

   

pp

 

 

mp

       

mf

3

      

Vln. I (div)

3

3

3

 

3

mf

med. yarn mallets





 

                

 

Pno.

 

 

3

p

Hp.

 

  

  

3

        pp p

p

 

3

 

p

Perc. 3 (T.-t.)

    

Perc. 2

 

 

Cl.

    

  

pp

 

pp

 

  

3

 

mp

 

  

3

pp

E.H.

   

Ob.

ord.

2

p

flt.

 

 

pp

 pp

 

pp

  pp



 

pp

   


42

B 1



 

 

pp

mf

 

   

ppp

    3

E.H.

 

B. Cl.

Bsn.

(straight) 1, 3

Perc. 1 (Vibes)

Pno.

 

pp

 

pp

 

 



 

 

 

 

 

mf

 

3

pp

3

mp

3     

always l.v.

 

 

mf

              

pp

       3

  

3

mp

  pp sub mf



 

pp

  

mp

 

pp

2. straight mute

         pp

 

Bass Drum

 

pp

mp

mf

 3        

B.D.

 

  

        

3

3

   pp

 

3

mf

p

mf

f

 

pp

3

    

mp

           

f

3

p

 

tutti

pp sub.

f



 

 

mp

  

 

pp

   

mp

pp

pp

  mp

 arco      3

f

 

 

pp

  pp

   

pp

 

 

 

 

3

   



Glock.

Vib.

 

 

   

 

pp

3

3

pp

p

3

pp

pp

 

solo

 

3

pp

to straight mute

f

mp

pp

 

 

Vln. II (div)

mp

 

 

mp

  

flt.

 insert straight mute (1. & 2.)    

no trill

      p

ord.

 

pp

p



p

3

f

mp

mp

3

3

3

pp sub

remove mute (1. & 3.)

 

3

mp

 

 

p

 

pp

      

  

Crotales

p fp

    

pp

               3

 



   

pp

pp

Cb.

bucket mute 1.



 



p f p ord.

 

 

f

     

pp

 

3

mf

 

 

    

Vc. (div)

ppp

  

3

pp

pp

 

   



 

Vla. (div)

mp

p

Vln. I (div)

  



f

       

 

 

3

pp

flt.

pp

3

 

 

timbre trill    1.      

  

p

mf

 

  

Hp.

 

Perc. 2 (Mar.)

Perc. 3 (T.-t.)

 

 

1.

5

 

pp

 

Tbn. 1, 2

 

C Tpt. 1, 2 (harmon)

pp

ppp

f

 



2, 4

Timp.

  

Hn.

Tba.

pp

 

   

 

Cl.

 

 

        

Fl. 2



ord.

flt.         



  11

pp

 

pp

mp

  

pp

  

mp

 mp

 

 

  



pp

pizz

 f

p

 arco



pp


43

C 16    

   

flt.

1

mp

p

Fl.

 

Ob.

 

Cl.

3

3

  

pp

B. Cl.

Cbsn.

p

mf 3

pp

 



p

  

p

mf

  

mp

p

C Tpt. 1, 2

 

 

Hp.

Pno.

Vln. I (div)

Vla. (div)

  

mp

  

pp

mp

   

pp

   

pp

p

  

pp

  

p

pp

1. pp

 

mp

pp

3. pp

 

    p 

 

3

mp

  

3

 

   

3

  

mf

  

always l.v.

3

pp

 3      

 

 

ppp

mp Bass Drum

ppp

 

3

 

mp

 3   

mp

3 3        

f

3

 3   

3

 3  3  3        

 Bass Drum

 

 

    

f

  

  



   

mf

pp

 







p

mf

mf

 



pp



pp



  

mp





pp

mf

  

ppp

pp

 

   

mf



  

    mf

 

 

ppp

mf



pp

 

  

pp

 

ppp

Cym.



 

ppp



 

mp

    

    

 

   

mp

Cb.

p

3

 

 Vc. (div)

pp

 Vln. II (div)



Glockenspiel (always l.v.)

Perc. 3 (B.D.)

Vibraphone

Perc. 2 (Glock)

open (1. & 3.)

 

Perc. 1 (Vibes)

pp

pp

Timp.

mp

    

pp

  

ppp

pp

 

Tba.

pp

p

2, 4

Tbn. 1, 2 (straight)

     

   

Hn.

mp

   

   

 

1, 3

pp

mf

3

mp

   

   

3

  

3

 

Bsn.

  

ord.

pp

E.H.

2

ord.

pp

    p

 p

pp

 


44

D q. = 72 Più mosso

  22

1

 

 

Fl.

 

2

Ob.

E.H.

 

Cl.

 

B. Cl.

 

 

1, 3

 



 

  

pp



   



  

 

pp

 

C Tpt. 1, 2

 

Tba.

Timp.

   

Hp.

Pno.

 

 

  

2.

pp

 

ppp

 

pp

 

3     

3

p

  

  

 



 



 

  

 



 

  

f

p

 

ord.

 

 

 

 



 

 

mf

Vc. (div)

 

 

 

 

 

mp

mf

  mf

mp

 

ord.

sul pont

p

sul pont

p

 

sul pont

f

p

 

ord.

 

 

 



 



p

p

  



 

p

 



 p

  



f



ppp



ppp

 

 

  

 



sul pont

p

p

 

sul pont



p



  

   

  

  



  

  

  



  

p

p

p

 

ord.

f

ord.

f



sul pont

   

p

   

sul pont

p

arco

ord.

  

 

f



  



  

 

  



  

 



  

ppp



 

sul pont.



f

p

p



pp



 

  

 

ppp

 



 

mp

 

 





f

 



   

p

ppp

   

   

  



Vib.

ppp

ppp

f





 

pizz

 

ppp

f

  

 

f

mp

   

 l.v.    

  

 



 

f



  

pizz

  



mf

p

mf

 

pp

ppp

pizz

 





sul pont

 

mf



 

 p

ord.

pp

mp

ppp

f

 

 

l.v.

mf





  

f

 

 

  



 

p

Vla. (div)

Cb.

ord.

 

 

 



f



  





mf



   

Vln. II (div)

pp

remove mute (1. & 2.)



    



  



pp

ppp

ff

 





  

  

 

mf

mp

mf

pp

   

 



mf

pp

touch vibrating cymbal surface with triangle beater (sizzle effect)

mf



  



  

f

 

mf

  

  



mf

pp

 



 

 

ppp

f

  

  

mp

Vln. I (div)

pp

   



pp



mp

 

p

     

3 3         

Perc. 2



pp

 

mp

Med. sus. cym.

Perc. 3 (B.D.)

pp

Perc. 1 (B.D.)

pp

 

   

 

pp



 

pp

pp

1.

pp

mp

  

 

mp

2, 4

Tbn. 1, 2 (straight)



 

mp

 

Hn.

pp



 

mp

 3

 

 

mp

pp Cbsn.

ppp

pp

Bsn.

 



   flt.

ord.

p

f

f

 



 



p

p


45

 

  1 28

Fl.

2

pp

 

 

 

 

 





   

pp

   

pp

   

pp

   

   

pp

 

1, 3

 

C Tpt. 1, 2

 

 

Tba.

Vibraphone

Pno.

(sul pont.)

  

  pp

mp 1.



 

 

Vla. (div)

 

(sul pont.)

(pizz)

Cb. (pizz)

 

mp

 



ord.





ord.     p

      2. pp

arco

  

mp

3

p

 3   

3

 3  3  3         

3

mf

   

ff

   

 

 

  

  

   

   

       





pp

 

  pp

mp

mf

3 3       

 

  

 

 

mf

 



  

f

pp

   

     

  

        

p

f

pp

f





 3   

3

   f

  

 f

      p

ff



  

 

mp

3

  mfp

  

   

3

 

mf

    

 

     

3

 

 mp

    mf

pp

mp

pp

pp

 





 

 

mp



mfp



3

mp

f

sul tasto 

           

f

mp

(ord.)



           

mp

p

pp

 

 

p

    

  

mp

 

f

    

3 3        

pp

 

 mf

   

pp

mp

        

p

      p

  

  



f

  

f

 3   

3

pp

mf

p

f

3    

p

ord.    

 

mf

mp

 

  

  

pp

p

3



p

mf



mfp

 

 

pp

p



  

mf

Vc. (div)

1. straight mute (1. & 2.)     

pp

  

1. open (1. & 2.)

  

f

       

   

3

  

3

  

             3 f

f

 

mf

pp



    

     

Vln. II (div)

 

(sul pont.)

 

Vln. I (div)

  

 

p



f

mp

 



Perc. 2

Hp.

pp

 

 

3

pp

  

pp



Perc. 1 (B.D.)

 Timp. 

Perc. 3 (B.D.)

2, 4

Tbn. 1, 2

 

mp

  



mp

Hn.

3

 

ord.

p

pp

E.H.

Cbsn.

 



Bsn.

B. Cl.

 

    

Ob.

Cl.

accel.

e = e

   

pp

mfp



mfp

mf

  


46

  34

1 Fl.

 

2

q = 156

     

pp

 

3  



  

 

  

 

  

Bsn.

   

Cbsn.

   

Ob.

p

E.H.

3

p

Cl.

3

p

B. Cl.

1, 3

    

p

 

mf

p

 

mf

p

 

C Tpt. 1, 2 (straight)

  

pp

Tbn. 1, 2

Timp.

Perc. 1 (B.D.)



Pno.

   



 

 

 

pp

 

 

  

   

mp

pp

  

   

3

  

pp

mf

1. pp

 

pp

mp

pp

   

2.

 

2.



pp

pp

 

 

 

 

 

mp

 

pp

  

  

mp

 

mp

 

 

pp

    

  

mf

  

   

pp

    

    

ff

 

pp

    

mf

bowed

Med. sus. cym.

  

p

f

    

    

mp

 

pp

1.

 

pp

mp

 3. 

 

3

     

    

 

mp

    

 

 

Mar.

 

 

mf

Vibes

 

 

f

    

ff

3

    

 



3

   

 

 

pp

3   

mf

 

      pp



mf

pp

pizz

f pizz

  3

p

 

 

  3

p

   p

 3   3  

mf

  

3

   



mf

 

 3

 

 

 

 f

mp

pp

f

 

 3   

 3   

 

  

    

mp

   

pp 3

mp pizz

  

mp pizz

   

pp

  

  

arco

mf

arco



   

mf

     

mf

 f



   



 

 

f

f

p arco   p



arco

p

   

 

   

 

f

pp

f

 f

 f

   

f

  

arco

 

f

p

mf

  

p

  

 

3

  

mf

p



  

  

mp

3

mp

  

pp



mp

pp

3

mp

pp

f

pp

pp

 

   



 

mp

pp

Cb.

 

Vc. (div)

Vln. I (div)

Vla. (div)

 

Vln. II (div)

  

 

   

mf

 

(open)

 

 f

 

p

 

pp

  

p

pp

p

= 120

pp

  

Hp.

  

Perc. 2 (Vibes)

Perc. 3 (B.D.)

   

mp

pp

2, 4

p

Hn.

Tba.

3

mf

pp

mf

  

mf

3

p

Fq

rit.



E



pp

    pp



 

   


47

  1  40

Fl. 2

 

Ob.

 

 

 

 

E.H.

 

Cl.

 

B. Cl.



pp

Bsn.

   pp

Cbsn.

1, 3 Hn. 2, 4

C Tpt. 1, 2 (straight)

Tbn. 1, 2

Tba.

Timp.

      

 

 

 

 

pp

     

 

pp

 

pp

 

      3

p

mf

pp

     

fp

3

p

mf

     

fp

 

 

 

 

 

 

 

  

   

 

 

bucket mute (1. & 2.)

2.

pp

 

  

mp

pp

 

 

 

  

 

 

 

 

   

 

  

 

 

 

(med. mallets)

 

mp

p

 

pp

 

1.

 



pp

 

mf

 

 

Vibraphone

   

 

 

     

 



  mf

  





3

f

3

mf

mf



    

     3

   loco 

 

3

p

  

 

 

 

 

 

 

 

 

 

 

 

      

 



    

     

mf

 

f

pizz

 

f

   

 

pizz

   

 

 

  

 

 

 

pp

mp

 

pizz

 

mp

 

 

 

3

3

f

 

mp

pp

  

f

   pp

  

pp

  

f

f

            

3

3

         

mf

mp

  

mf

 

  

 

3

mp

 

 

 

pp

 

    

 

 

   

  

     mp

  

 

pp

p

pp

 

pp

3

    

 

pp

pp

pp

     

 

bowed

p

pp

 

p

f

pp

   

straight mute (1. & 2.)

mp

mp

pp

 

 

 Marimba

mf

mf

 

 

pp

 

 

 

3

pp

 

 pp

pp

 

Cb.

pp

pp

Vc. (div)

 

Vla. (div)

p

mp

 

  

5

 

Perc. 3 (B.D.)

Vln. II (div)

 

Perc. 2 (Mar.)

Vln. I (div)

 

Perc. 1 (Vibes)

Pno.

mf

  

Hp.

mf

    

mp

mp

  

 

 

     

mp

pp

 

 

     mp

mp

pp

 

  

    mp

 

pp

3

3


48

G   1 46

        

pp

mf

Fl.

2

Ob.

E.H.

B. Cl.

  3

pp

  

Bsn.

3

  

p

pp

Cbsn.

1, 3 Hn.

2, 4

 

 

mp

pp C Tpt. 1, 2 (straight)

  

Tbn. 1, 2 (bucket)

Tba.

Timp.

Perc. 2 (Mar.)

Perc. 3 (B.D.)

mp mp

  

Vln. I (div)



(pizz) Vla. (div) (pizz)

Vc. (div)

Cb. (pizz)

3

p

 

  

pp

 

 

    

2.

pp

med. mallets

   

mf

soft-med mallets

          mf

mp

 

mp

 

 

       

  

 

 

3

3

mp

  

mf

   

non trem.

 

pp

 

 

arco

pp

 

 pp

   

mf

mf

remove mute

pp

mp

 

 

mf

 

p

3

 

 

mp

 

mp

pp

p



3

            3 3 3

  

  

 

 

pp

mf

3







mf

pp

mf



pp

mf

  

   



pp



   

 

       f

 

 

 

pp

mp

 

pp

 

mp

  

mf

  

mp

pp

mp

   

pp

arco

f

 

pp

f

pp

 

       

   

 

f

 

  

mp

mp

mf

  



mf

pp

f

mp

 

 

 

pp

1.

3

p

mf

pp

mp

 

1. pp

2. pp

  

3

 

   

 

3

pp

mf

  

pp

  

p

   

   

3

pp

   

3

p

 

pp

 

pp

(f )



mf

pp

 

 

 

mp

 

mf

 

Vln. II (div)

pp

Pno.

pp

 

  



mf

     



pp

  

 3

mf

mp

3

   

 

pp

pp

pp

Hp.

  



bowed

Perc. 1 (Vibes)

pp

mf

pp

pp

 

      3

fp

   

mp

2.

 

pp



pp

pp

 

p

   

 

pp

pp

mf

 

f

mp

 

 

 

   

mf

 

  

    

mp

    

Cl.

 



pp

mf

pp

 

pp

   

pp

   

 

 

 

 

 

 

pp

pp

pp

  

pp

 

 

arco

pp

pp


49

  1 

 

ord.  

51

Fl.

flt.

 

fp

3

     

2

f

pp

mp

   

Bsn.

Cbsn.

mp

 

 

  

  

      

f

 

 

mp

    3



 

 

 

p

mf

   f



 

fp



f

stopped

pp

    

pp

 

 



  

p

 



pp

Pno.

 

harmon mute

mp

  

pp





pp

Vln. I (div)

 

f

 

 

 

mp

 

 

 

 

 

 

 

pp

 

Cb.

      3  3

 

mf

 

non div.

mf



 

    

 

p

 

p

 

    

  

   

3

 

 

 

3

 

non div.

  

3

 

 

  

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

3

 

pp

 

 

 

 

f

 

Vc. (div)

mf

Vla. (div)

p

 

 

 

Vln. II (div)

 

mp

pp

 

 

f

 

 

   

mf

   

   

mp

pp

pp

Hp.

   

 

mf

Perc. 3 (B.D.)

pp

p

mf

mp

mp

mp

pp

1.

  

pp

Perc. 2 (Mar.)

         

   

C Tpt. 1, 2

Perc. 1 (Vibes)

  

 3

fp

Timp.

f

     

 



Tba.

 



f

2, 4

Tbn. 1, 2 (bucket)

 

pp

mf

Hn.

 

fp

 

1, 3



3

 

pp

  

p

pp

 

   

p

mf

B. Cl.

3

Cl.

     

E.H.

f

Ob.

 

ord.

mf

mf

   

mf



mf

mf

 

 

pp

mf

pp



mf

 

pp

 

 

pp

pp

 

pp

pp

 


50

H     56

1

3

 

   



mf

Fl.

 

2

 

Ob.

 

 

pp

 

p

 

 

 

 

 

 

 

E.H.

 

 

Cl.

 

 

B. Cl.

 

 

Bsn.

 

Cbsn.

  

 

pp

 mf

3

    

 

pp

 

 

 

 

  

 

 

2, 4

 

 

 

C Tpt. 1, 2

 

 

 

 

 

 

  

 

 

   

 

 

1, 3 Hn.

Tbn. 1, 2 (bucket)

Tba.

Timp.

Perc. 1 (Vibes)

  

Perc. 2 (Mar.)

 

Perc. 3 (B.D.)

Hp.

Pno.

Vln. I (div)

Vln. II (div)

Vc. (div)

Cb.

pp

   

 

pp

mp

 

mf

 

mp

  

pp

  

 

mp

pp

  

pp bowed

 

 

 

mp

pp

 

pp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

   Vla. (div)

 

 

  



 

mf

 

   

 

 

   

mf

 

pp

 

pp

  f

 

ff

 

 

  

 

mf

pp

 

pp

 

 

 

 

pp

mf

  

 

mf

 

 

pp



pp

mf

mf

 

   pp


51

I  1  61

 

 

 

 

Ob.

 

 

E.H.

 

 

Cl.

 

 

B. Cl.

 

 

Bsn.

 

 

Fl. 2



pp Cbsn.

 

 

 

pp



 

 

 

2, 4

 

 

C Tpt. 1, 2

 

 

 

 

 

 

1, 3 Hn.

Tbn. 1, 2 (bucket)

Tba.

Timp.

Perc. 1 (Vibes)

Hp.

Pno.

Vln. I (div)

1.



 

  

 

pp

 

 

 

 

 



 

 

 

 

 

 

 

 

mf

pp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Vla. (div)

 

Vc. (div)

 

pp

 

Vln. II (div)

Cb.

pp

   

Perc. 2 (Mar.)

Perc. 3 (B.D.)



 





 





 









 

 

 

 

 

 

 

 

 

mf

mf

mf

sul tasto pp

mf

mf

  

pp

sul tasto

 

pp

 

sul tasto

  

 sul tasto   pp



  



sul tasto

pp

Glock.


52

rit.

  1

 

 

Ob.

 

E.H.

 

Cl.

 

B. Cl.

 

Bsn.

66

Fl. 2

Cbsn.



 

mf

 

pp



 

 





pp

mf

 

 

2, 4

 

C Tpt. 1, 2

 

1, 3 Hn.

Tbn. 1, 2 (bucket)

Tba.

Timp.

Perc. 1 (Vibes)

Hp.

Pno.

Vln. I (div)

 



 

 

mf

pp

 

 

 

pp

pp

mf



3

mf

 3

 

 3

mf

 Glockenspiel



 

 

p

 

  

 

mp



p

 

 



 

 

  

p

 

 

 

 

 

 

 

 

 

 

 

Vla. (div)

 











(sul tasto) Vc. (div)

(sul tasto)

(sul tasto)

(sul tasto)

Vln. II (div)

Cb. (sul tasto)

med. mallets

 

mf



 

 



   

Perc. 2 (Mar.)

Perc. 3 (Glock)



mf

 3

 

 

 

 

mf

mf



mf

sul pont





 



 

pp sul pont













mf

pp



 

mf

pp

 

Eotvos: Beetles, Dragons and Dreamers