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REVIEW this Colby Dix, i am. it is. you should be. (SELF-RELEASED, CD, DIGITAL DOWNLOAD)

Most Vermonters likely know Colby Dix as one-fourth of the band Touchpants, a foulmouthed local supergroup of sorts that also includes Chris Friday, Aram Bedrosian and Phish’s Jon Fishman. That band is notorious for its aggressively non-politically-correct brand of humor, a base, off-color style that makes Tenacious D seem like Raffi by comparison. But as he reveals on his debut solo record, i am. it is. you should be., there is more to Colby Dix than dick jokes. In truth, Dix has accomplished far more as a musician than simply

being part of a Fishman side project. As an engineer and/or performer, the Berklee grad has worked with the likes of country superstars Brooks & Dunn, indie popsters Matt & Kim, locals the Jazz Mandolin Project and jam stalwarts the Breakfast, to name a few. That’s a diverse resume. And it’s one that informs the wide-ranging sounds found on his freshman solo outing. Dix’s varied musical interests are unquestionably a plus, and he generally wears his coat of many colors well. “Closer Walk” is a pretty, slowburning alt-folk cut that bears some resemblance to the work of Boston’s Joe Pernice in his Scud Mountain Boys days. “Forget This” is a scintillating number that should get the jam band set a-wiggling. Dix follows that up with an elegant acoustic gem, “I Know I Know I Know,” that tugs at the heartstrings. “Too Far” is an ambitious, atmospheric epic that hints at an affinity for Dawes. “Away” finds Dix vacillating between a clean falsetto and a strained chest voice that suggests time spent with a Justin Vernon record or three. The album closes on a trio of songs, “Try as You Might,” “WTF” and “20 June,” that

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further display Dix’s chameleon quality, venturing into ethereal indie folk, gritty alt-rock and a sparse, tender acoustic ballad, respectively. Dix’s multifaceted approach is intriguing. But if his record has a flaw, it might be that he takes aim at too many styles. Individually, almost all of these songs are well crafted and compelling — though these ears could do without the adult-contemporary leanings of opener “Two.” The issue is that, taken 29 South Main Street • Alburgh, VT collectively, the album struggles to 10-4, M-Sa • 796.4694 • newdye.com settle into a cohesive groove. But that’s a minor gripe, considering the record’s 16t-tiedyeshop112013-2.indd 1 11/13/13 3:47 PM many other fine qualities. And, given the cherry-picking manner in which most listeners consume music now, perhaps it’s actually beneficial. In any case, i am. it is. you should be. is a strong debut that Personalized Tours often borders on brilliance and reveals in the Comfort an overlooked talent. i am. it is. you should be. by Colby Dix of a Customized Van is available at colbydix.com. Dix plays a • Holiday Gift Certificates • release show at Nectar’s in Burlington “You gave us a wonderful this Saturday, December 14.

look into Burlington’s past.”

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Peter Day, Break Down the Heavy

(SELF-RELEASED, CD, DIGITAL DOWNLOAD)

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unapologetic about them as he is about his unabashed hooks. “Been There All Along” sets the record’s upbeat tone with a driving groove and warm sheen of guitars and keys. Day drops the record’s title at the bridge, repeating, “Break down the heavy, gonna find a song.” If James Taylor and Paul Simon got together to out-soothe each other with agreeable crooning, it might sound something like this. Day writes that his solo record was born out of finding beauty in dark times. “The Beauty That Surrounds” is the most overt example of that idea. And especially at the harmony-heavy, Doobie Brothers-styled chorus, it is undoubtedly beautiful. The same could be said of “If You Looked Both Ways.”

Driven by a sparse piano progression and accented with steely (Dan) atmospherics, it is the album’s lone moment of darkness. But even given the song’s cloudy disposition, Day finds a ray of light and gives it voice with an uplifting blue-eyed-soul sensibility. Forming the core of Day’s band are drummer Sean Preece, keyboardist Leon Campos and his Grift conspirator, SCAN THIS PAGE WITH LAYAR Clint Bierman. They’re joined by percussionist Daiko Hirani, bassist Josh SEE PROGRAM COVER Weinstein, vocalists Jer Coons and Mike Pedersen, and, on the opening track, banjo player Seth Folsom. That’s a topnotch supporting cast. Collectively, they frame Day’s compositions with taste and tact, leaving just enough room for the album’s true star, Day, to shine. And he does, offering a warm suite of songs that could melt even the most cynical hearts. Break Down the Heavy by Peter Day is available at peterdaymusic.com. Day will play a CD release show at the Skinny Pancake in Burlington on Saturday, December 21.

11/8/13 1:43 PM

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For more than a decade, Peter Day has co-fronted local rockers the Grift, a group whose technical prowess and innate knack for tight harmonies and sticky melodies have made them staples of the Vermont scene at large. That band’s most recent album, 2009’s Doppelganger, found them shedding some of their earlier jammy tendencies in favor of a leaner, more pop-centric sound. On his new solo record, Break Down the Heavy, Day continues that shift, delivering a sunny collection of tunes that should satisfy fans of the Grift and attract new listeners with a pop-rock sweet tooth. On his website, Day outlays a lengthy list of influences that reads like who’swho of pop-rock luminaries: Paul Simon, Rubber Soul-era Beatles, Tom Petty, James Taylor. Those are pretty common touchstones for anyone who has penned a catchy verse-chorus-verse in the last 50 years. And in Day’s case, he wears his influences proudly on his rolled-up Oxford shirtsleeves. He’s as

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Seven Days, December 11, 2013  

At the Crossroads: Artist-developer Matt Bucy is making White River Junction into a next-generation nexus

Seven Days, December 11, 2013  

At the Crossroads: Artist-developer Matt Bucy is making White River Junction into a next-generation nexus

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