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way too indie

The Place Beyond the Pines

bio: Dustin Jansick is the owner of www. WayTooIndie.com, which is dedicated on providing you with the most accurate and honest movie reviews and ratings. The site is focused around, but certainly not limited to, independent films. Dustin, along with other fellow contributors, not only write reviews on indie, foreign and art house films, but also post trailers, news articles, and Top-10 lists. Check them out on Facebook and @ WayTooIndie on Twitter.

It would be easy to mistake The Place Beyond the Pines  as a sequel to  Drive  as this film also stars Ryan Gosling as a stuntman turned getaway driver who is a soft-spoken badass that beats people with hardware tools. But I am here to tell you that The Place Beyond the Pines is not what you think it is, in more ways than one. Derek Cianfrance makes some interesting storyline decisions that I would consider spoilers if they were revealed, therefore, I will offer nothing more in this review than what the trailer does. The Place Beyond the Pines  contains of one of the best opening scenes that I have witnessed in some time. We see Luke Glanton (Ryan Gosling) without his shirt, which exposes his fully tattooed body, as he flips his butterfly knife back and forth. Still continuing in the same shot, he grabs his jacket, steps out of his trailer and walks through the buzzing sounds and bright flashing lights of carnival rides. The camera follows behind the bleachblond-haired man while he lights up

a cigarette and walks to the opposite end of the carnival up to a large tent. People are congregated outside and are eager to take his photo as he walks by. Just as he enters the tent, an announcer introduces the motorcycle stuntman over the loudspeaker. When he reaches his bike, we finally see his face for the first time, which also features a tattoo. Luke fastens his helmet before he and two others ride their bikes into a large metal ball cage and proceed to ride their bikes at top speeds past each other. All of the above had to be choreographed and perfectly timed as it happens in one continuous shot, lasting nearly a full three minutes. Working as part of the traveling carnival brings Luke to Schenectady, N.Y. where he runs into an old flame, Romina (Eva Mendes). It has been a year since they last saw each other, and a lot has happened since. Romina is now dating another guy, but the bigger news, as Luke soon discovers, is that she now has a three-month-old boy, and it is his. When Luke realizes

that he cannot be a part of his son’s life, he at least feels obligated to provide for his son. The only problem is that his motorcycle stunts earn him more fans than it does income. For a film that is nearly two-andhalf hours long, The Place Beyond the Pines  seems to fly by. It lures you in with a heart-pounding beginning, keeps you guessing during the middle, and has you on the edge of your seat at the end. The film is a crime epic about how a single split second decision can have life-lasting consequences. With the fantastic cinematography by Sean Bobbitt and a score that perfectly sets the unsettling tone of the film, The Place Beyond the Pines stands out as one of the better films of the year so far.

8.3 out of 10

Dustin Jansick Read full review online

June 2013  

605 Magazine June 2013 Edition

June 2013  

605 Magazine June 2013 Edition

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