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33 AUCTION SINGAPORE MODERN AND CONTEMPORARY ART

SG022

27A Loewen Road Singapore 248839 | +65 6747 4555 | www.33auction.com

2017 SINGAPORE ART WEEK AUCTION 21 JAN 2017

33 AUCTION PTE LTD

MODERN AND CONTEMPORARY ART

2017年新加坡藝術周拍賣會 2017 SINGAPORE ART WEEK AUCTION SINGAPORE 21 JANUARY 2017 新加坡 2017年1月21日


Lot 32 HAJI WIDAYAT  Going to Market 維達雅 《去市集》

Lot 37 AFFANDI  Boats   阿凡迪  《船》


2017 Singapore Art Week Auction Modern and Contemporary Art Singapore 21 January 2017

2017年新加坡藝術周拍賣會 現當代藝術 新加坡  2017年1月21日

Auction

拍賣

Saturday, 21 January 2017, 7:30 pm

2017年1月21日 星期六 晚上7:30開始

Grand Salon 1, Level 2 Grand Hyatt Singapore 10 Scotts Road, Singapore 228221

新加坡君悅酒店 GRAND SALON 1,二樓 史各士路10號 新加坡 228211

Preview

預展

Sale Information

拍賣信息

19 – 20 January 2017, 10:00 am to 8:00 pm 21 January 2017, 10:00 am to 5:00 pm MoCA @ Loewen 27A Loewen Road, Singapore 248839 (Dempsey area)

In sending written bids or making enquiries, please quote this sale number ‘SG022’. The sale will be conducted in English. Bidding is carried out in Singapore Dollars. Please note that all US Dollar estimates are for reference only. A Buyer's Premium will be added to the hammer price and is payable by the buyer as part of the total purchase price. The buyer's premium is 20% on the first SGD 250,000 of the hammer price of each lot plus 15% of any sum in excess of SGD 250,000. Lots indicated in the catalogue with the sign † will have GST charged on the hammer price and will be payable by the buyer. Successful bidding via online bidding platform maybe subjected to a service fee: Hibid 0% of hammer price; Invaluable: 5% of hammer price.

2017年1月19日至20日 上午10:00至晚上8:00 2017年1月21日       上午10:00至下午5:00 新加坡MoCA@LOEWEN美術館 27A羅文路 新加坡248839 (登普西山區)

在發送書面競投單或致電查詢時請註明本次拍賣編號"SG022"。 本次拍賣將全程以英語進行。招標時使用新加坡幣,請注意所有 美元估價僅供參考。 買受人支付成交價外,同意支付於本公司酬金及任何適用之稅項 及費用。酬金費率一概為每件拍賣品成交價首新加坡幣25萬以 20%計算,及逾新加坡幣25萬之部分則以15%計算。 本圖錄中有符號†標識的拍品將會收取落槌價的消費稅,并由買受 人支付。 通過網上拍賣平臺成功拍下拍品的買受人將會收取服務費如 下:HiBid:落槌價0%;Invaluable:落槌價5%。


Guide for Prospective Buyers

Conditions of Business The Auction is governed by the Conditions of Business printed in the back of the catalogue. Prospective buyers are advised to review these carefully. Buying at Auction The following pages are designed to give you useful information on how to buy at 33 Auction Pte Ltd (here-in referred to as 33 Auction). Buyer’s Premium A Buyer's Premium will be added to the hammer price and is payable by the buyer as part of the total purchase price. The buyer's premium is 20% on the first SGD 250,000 of the hammer price of each lot plus 15% of any sum in excess of SGD 250,000. GST Lots indicated in the catalogue with the sign † will have GST charged on the hammer price and will be payable by the buyer. Pre-sale Estimates The pre-sale estimates are intended as a guide for prospective buyers. Any bid between the high and low pre-sale estimates would, in our opinion, offer a chance of success. However, all lots, depending on the degree of competition, can realise prices either above or below the presale estimates. The estimates printed in the catalogue do not include the buyer’s premium. Reserves The Reserve is the minimum price the seller is willing to accept, below which the lot will not be sold. Condition of Lots Prospective buyers are encouraged to inspect the property at the pre-sale exhibition. Solely as a convenience, 33 Auction may provide condition reports. The absence of reference to the condition of a lot in the catalogue description does not imply that the lot is free from faults or imperfections. Bidding at Auction Bids may be executed in person by paddle during the auction, in writing prior to the sale or by telephone. The auction will be conducted in Singapore Dollars. Auction speeds vary, but usually average between 40 – 80 lots per hour. Bidding Increments Bidding generally opens below the low estimate and advances in the following increments: S$ 500 – 1,000,- by S$ 50,S$ 1,000 – 2,000,- by S$ 100,S$ 2,000 – 5,000,- by S$ 200,S$ 3,000 – 5,000,- by S$ 200,S$ 5,000 – 10,000,- by S$ 500,S$ 10,000 – 20,000,- by S$ 1,000,S$ 20,000 – 50,000,- by S$ 2,000,S$ 50,000 – 100,000,- by S$ 5,000,S$ 100,000 – 200,000,- by S$ 10,000,S$ 200,000 up by Auctioneer’s direction However, the auctioneer may change the increments during the course of the auction at his or her discretion. Bidding may also be

reopened at the auctioneer’s discretion

are for guidance purposes only.

Bidding in Person To bid in person at the auction, you will need to register for and collect a numbered paddle before the auction begins. Proof of identity will be required. The paddle is used to indicate your bids to the auctioneer during the sale. Should you be the successful buyer of any lot, please ensure that your paddle can be seen by the auctioneer and that it is your number that is called out. Should there be any doubts as to price or buyer, please draw the actioneer’s attention immediately. All lots sold will be invoiced to the name and address in which the paddle has been registered and cannot be transferred to other names and addresses. Please do not mislay your paddle; in the event of loss please inform the Sales Clerk immediately.

Successful Bids The fall of the auctioneer’s hammer indicates the final bid. The auctioneer will call out and record the name or “paddle” number of the buyer, if your written bid is successful, you will be notified immediately after the sale by email or post.

Absentee / Written Bids If you cannot attend the auction, we will be happy to execute written bids on your behalf. This service is free and confidential. Lots will always be bought as cheaply as is consistent with other bids, the reserves and 33 Auction’s commission. In the event of identical bids, the earliest bid received will take precedence. Always indicate a “top limit”—the hammer price to which you would bid if you were attending the auction yourself. “Buy” and unlimited bids will not be accepted. Telephoned absentee bids must be confirmed before the sale by letter or fax (+65) 67474111 or email bid@33auction.com. To ensure satisfactory service to bidders, please ensure that we receive your bids at least 24 hours before the sale. Bidding by Telephone If you cannot attend the auction, it is possible to bid on the telephone on lots with a minimum low estimate of S$ 1,000. As the number of telephone lines is limited, it is necessary to make arrangements for this service 24 hours before the sale.We also suggest that you leave a maximum bid, which we can execute on your behalf inthe event that we are unable to reach you by telephone. Multilingual staff are available to execute bids for you. Online Bidding For your convenience, you may use 33 Auction mobile apps and bidding site to leave your bid before the sale or bid live during the sale. The service is free of charge and is undertaken at bidder’s risk. Please register at least 4 hours before the auction start to ensure your registration is approved in time. Bidding on partner’s online bidding platform may incur a service fee: HiBid: 0% of hammer price; Invaluable: 5% of hammer price. Currency Conversion The auction will be conducted in Singapore Dollars. 33 Auction may provide a currency conversion board in the saleroom for the convenience of bidders. Please note that the amounts shown in foreign currencies are approximate figures and

Payment Payment must be made within seven calendar days of the sale and may be made by telegraphic transfer direct to 33 Auction Pte Ltd’s bank account. Please include your name, 33 Auction’s account number and invoice number with your instructions to your bank. Payment can also be made by Singapore Dollars banker’s drafts (drawn on a recognized Singapore bank). Although personal and company cheques are accepted, you are advised that property will not be released until such cheques have cleared. Payment using the following method will be charged a service fee at the following rate of total amount payable: OCBC Visa / Mastercard: 2.00% Other Visa / Mastercard / CUP: 2.35% OCBC Cards Installment Plan: 2.60% via PayPal: 4.06% Collection Lots will be released to you or your authorised representative when full and cleared payment has been received by 33 Auction. After thirty days of the auction or from the time of collection, whichever is the earlier, the Lot will be entirely at the Buyer’s risk. Storage and Insurance All purchases will initially be held for collection at 33 Auction’s premises at no charge. 33 Auction provides insurance coverage for a maximum of thirty days after the sale. Storage charges will be incurred one month after the date of the auction at the rate of S$100 per lot per month. Packing and Handling We shall use all reasonable effort to take care when handling and packing a purchased lot but the Buyer is reminded that after seven days or from the time of collection, the lot is entirely at the Buyer’s risk. Shipping 33 Auction’s Shipping Department can advise buyers on exporting and shipping property. Please complete and sign the shipping instruction form sent with your invoice if this service is required. Purchases will be despatched as soon as possible upon clearance from the Accounts Department and receipt of your written despatch instructions and of any export licence or certificates that may be required. Shipping will be arranged at buyer’s expense. Your shipper will include a quote for transit insurance. All shipments should be unpacked and checked on delivery and any discrepancies notified to the transit insurer or shipper immediately.


買受人指南 商業規則 本次拍賣是由印刷在圖錄後面的商業規則來 規定的,我們建議買受人應詳細查閱。 拍賣行購買 以下內容旨在為您提供有用的信息來協助您 如何在 33 Auction Pte Ltd 購買. (以下被 譽為33拍賣行)。 買受人酬金 買受人支付成交價外,同意支付於本公司酬 金及任何適用之稅項及費用。酬金費率一 概為每件拍賣品成交價首新加坡幣25萬以 20%計算,及逾新加坡幣25萬之部分則以 15%計算。 消費稅 本圖錄中有符號†標識的拍品將會收取落槌 價的消費稅,并由買受人支付。 拍賣前估價 拍賣前估價的目的是作為買受人的指 導。以本拍賣行角度看來,任何在估價以 內的競投提供了一個成功競得的機會。 然而,所有拍品可以實現高於或低於估價的 價格,根據競爭程度於決定。在目錄印刷的 估價,不包括買受人的酬金。 保留價 保留價是賣方願意接受的最低價格。 拍賣品狀况 鼓勵買受人在拍賣預展明查拍賣品。僅為方 便起見,33拍賣行會提供拍品狀況匯報。 沒有在目錄說明提及到的狀況,並不意味著 是無缺陷。 拍賣競投 在拍賣過程中的出價可能是由競買人親自來 競投,以書面形式出價,或是通過電話競 買。本拍賣是由新加坡幣執行的。拍賣的速 度不一,但是通常是每小時40–80件拍品。 標價遞增 拍賣一般始於低於最低拍賣拍賣前估價的價 位,從而增加如下: 由S$ 500 至 – 1,000,- 加 S$ 50,S$ 1,000 – 2,000,- 加 S$ 100,S$ 2,000 – 3,000,- 加 S$ 200,S$ 3,000 -5,000,- 加 S$. 200,S$ 5,000 – 10,000,- 加 S$ 500,S$ 10,000 – 20,000,- 加 S$ 1,000,S$ 20,000 – 30,000,- 加 S$ 2,000,S$ 30,000 – 50,000,- 加 S$ 2,000,S$ 50,000 – 100,000,- 加 S$ 5,000,S$ 100,000 –200,000,- 加 S$ 10,000,S$ 200,000 以上由拍賣師決定。 但是,拍賣師可能會改變增加競賣價位的規

律,競買也可能會改變競買的規律。 親自競投 在競買拍賣開始前,閣下必須先攜帶身份證 明的文件登記和領取競拍牌,在拍賣現場, 我們需要用競拍牌來向拍賣師投標。若是成 功投標的受買人,須讓拍賣師清楚的看到你 的競拍牌而讓拍賣師叫出號碼。要是有任何 關於價格或者是買主的疑問,請立即向拍賣 行服務人員詢問。所有的拍賣作品一旦賣出 就會依照競拍牌的署名和地址送出發票。請 注意,署名和地址不能更換。請收好您的競 拍牌, 要是你遺失你的競拍牌請馬上通知拍 賣行工作人員。 書面競投 若您不能出席拍賣會,我們將很樂意代表您 執行書面競投。該服務是免費和保密的。 33拍賣行確保您所拍賣的拍品在一個最合 理的價位。若有兩個一樣的價碼同時投標, 我們只會接受最先投標的買主。若你是代表 一個人來投標,你要確保你有指出你能支出 的最高估價。「購買」和無限次數的投標是不 可以被接受的。 通過電話來參與拍賣會的委託拍賣人必須在 拍賣會開始之前通過郵遞方式或者傳真來 確認身份參與拍賣。拍賣會專用的傳真號 碼:(+65) 67474111 或者发送电子邮件 至bid@33auction.com。請24小時之前來 通知和確保您競買的價位。 電話競投 若您無法現場競拍,至少1,000新加坡幣的 拍品可以以電話拍賣的形式。由於電話拍賣 有限,所以安排這項業務在24小時之前是 必要的。 我們建議您留一個您的最高價位以便在無法 打到您電話時代理您的競買。多種語言的服 務人員可為您提供競買服務。 網絡競拍 為了您的方便,您也可以使用我們所合作的 網上競拍平臺,在競拍直播前或競拍中請留 下您的競拍價格(如果適用)。通過網上競拍 平臺成功拍下拍品的買受人將會收取服務費 如下:HiBid:落槌價0%;Invaluable:落 槌價5%。 貨幣交換 本次拍賣會以新加坡幣執行。為了買受人的 便利起見,33拍賣行會在拍賣大廳提供一 個貨幣換算板。請注意顯示的外幣金額只是 大約的數目,僅用指導參考。 拍賣成交 拍賣師落槌表示拍賣成交的最終價位。拍賣 師將會叫出,記錄下競買人的姓名或是競拍

牌的號碼。若委託競買成功,您將會立即以 郵遞或者电子邮件形式收到該通知。

付款 需在拍賣成交日起七天之內一次付清買價 款。銀行匯款到 33 Auction Pte Ltd 帳號, 請詳細填寫您的姓名,帳號以及發票號。買 受人也可以用新加坡幣支票的形式來支付。 雖然個人或是公司支票可以被接受,但是我 們建議在確定收到款項之後再辦理運輸。使 用下列的付款方式將收取總支付金額的服務 費: OCBC Visa / Mastercard: 2.00% 其它Visa / Mastercard / CUP: 2.35% OCBC 卡分期付款: 2.60% 通過 PayPal: 4.06% 領取拍賣品 在33拍賣行收到全部拍品金額之後,買受 人須在拍賣成交日起三十日內領取所購買的 拍賣品。若買受人未能在此期領取拍賣品, 因逾期造成對該賣品的全部責任將由買受人 承擔。 儲存和保險 所有的拍賣品可在33拍賣行領取。33拍賣 行會提供在成交日起三十日之內的保險。 若拍賣品沒有在拍賣成交日起七日內被領 取,33拍賣行將會收取每标的每月100新币 的倉庫儲存費用。 包裝和處理 我們會盡一切全力來包裝和處理在成交日起 七日之內沒有被領取的拍賣品,但全部責任 由受買人承擔。 運輸 33拍賣運輸部可就拍賣品之出口及付運向 買受人提供意見。已購物品將於會計部收到 結清貨款後及取得閣下之書面付費指示及任 何出口許可證或可能需要之證書後儘快付 運。付運所需費用概由買受人支付。如有要 求,33拍賣可提供報價及所有運送方式之 資料。如有垂詢,請聯絡33拍賣運輸部, 並傳真至 +65 67474111。閣下之承運人 將對運送保險作出報價。所有付運貨品交貨 之時應打開包裝檢查,如有任何不符之處, 請立即通知運送保險商或承運人。


Lot 20 LIM LEONG SENG Pool of Love 林龍成  《滿滿的愛》


Auction Liaisons 33 Auction33 Liaisons 33 Auction Liaisons 33拍賣行聯絡處 33拍賣行聯絡處

Singapore Singapore 新加坡 33 Auction新加坡 Liaisons Singapore 27A Loewen Road 27A Loewen Road

33拍賣行聯絡處

27A Loewen Road Singapore 248839 Singapore 248839 Singapore 248839 T: +65 6747 4555 T: +65 6747 4555 Singapore 新加坡 T: +65 6747 4555 F: +65 6747 4111 F: +65 6747 4111 27A Loewen Road F: +65 6747 4111 Singapore 248839 Jakarta Jakarta 印尼雅加達 T: +65 6747 印尼雅加達 4555 No. 46 Jl. Kemang Raya No. 46 Jl.Kemang RayaF: +65 6747 4111 https://auctions.33auction.com/ Selatan 12730 Indonesia 12730 Indonesia Jakarta SelatanJakarta Email: firstname.lastname@33auction.com T: +62 21 7190888 T: +62 21 7190888 Eg. David Fu = david.fu@33auction.com Jakarta 印尼雅加達 F: +62 21 7190123 F: +62 21 7190123 Kemang Raya Liaison: Fung Ye No. 46 Liaison:Fung YeJl. Jakarta Selatan 12730 Indonesia Facebook: facebook.com/33auction T: +62 21 7190888 Instagram: @33auction 北京 Beijing 北京Beijing F: +62 21 7190123 WeChat: sg-33auction 797 No.2, Jiu Xian Qiao Road 797 Street No.2,Liaison: Jiu Street Xian Qiao Fung YeRoad Chao Yang China District Beijing China 100015 Chao Yang District Beijing 100015

北京市朝陽區酒仙橋路甲2號 北京市朝陽區酒仙橋路甲2號 798藝術區 798藝術區 Beijing 北京 797街 郵編100015 706北三街西 郵編100015 797街 706北三街西

797 Street No.2,9565 Jiu 转 Xian Qiao Road 806 T: +86 5978 转10 806 T: +86 10 5978 9565 Chao Yang District Beijing China 100015

Managing 董事 Directors Managing Directors 符逢利 Managing Directors Ali Kusno Fusin Ali Kusno Fusin

Linda MaFusin Linda Ma 符逢利 馬美玲 Ali Kusno Linda Ma Managing Directors Director Director 總監 Ali Kusno Fusin Linda Ma 符升銓 Director David Fu David Fu David Fu Specialist Team Specialist Team Director 專家團隊 Specialist Team David Fu Karyadi Suwarno Suwarno Karyadi 郭祥琪 Alsa Chi 郭祥琪  Alsa Chi Karyadi 徐淑雯 Suwarno Chloe Zhang章娟 Chloe Zhang Specialist Team Suwarno Karyadi Clients Relations 客戶關係 Administrator Administrator 行政助理

Alsa Chi Joel Harumal 李尚寳 Elizabeth Lee Elizabeth Lee Chloe Zhang Clara Cong 叢婧 Kelvin Ng 吳志堅 Kelvin Ng Sui Chen 眭琛 Administrator Finance 財務部 Lidhya HariantoFinance Elizabeth Lee Tan Qiuyu 陈秋裕 Tan Qiuyu Kelvin Ng

符升銓 馬美玲

專家團 總監 符升銓 郭祥琪 徐淑雯 章娟

專家團

郭祥琪 行政助

徐淑雯 李尚寳 章娟 吳志堅

行政助 財務部

李尚寳 陈秋裕 吳志堅

Tan Qiuyu

陈秋裕

Email: firstname.lastname@33auction.com Email: firstname.lastname@33auction.com T: +86 10 5978 9565转 806 Eg. David Fu = david.fu@33auction.com Eg. David Fu = david.fu@33auction.com

www.33auction.com Email: firstname.lastname@33auction.com Eg. David Fu = david.fu@33auction.com

33 Auction Apps

Bidding 網上競拍 Online Bidding Online 網上競拍 Lot 74 JIANG SHUO Co-Guard 蒋朔《小協管》

Online Preview 網上預展

董事 總監 符逢利

財務部

北京市朝陽區酒仙橋路甲2號 798藝術區

Preview 網上預展 Online Preview Online 網上預展

符逢利 馬美玲

Finance

www.33auction.com www.33auction.com 797街 706北三街西 郵編100015

Online Bidding 網上競拍

董事


TAY BAK KOI AND THE IDEOLOGY OF HIS ART

a captivating dim light of dusk.

The prominent second-generation Singaporean artist, Cheong Soo Pieng’s outstanding disciple, the guru of diverse mediums and materials, and the master who bestowed everyday subjects with romantic and idyllic attribute – there was hardly anyone considered parallel to Tay Bak Koi among his contemporaries. Enrolled in the Nanyang Academy of Fine Arts in 1957, Tay’s artist experiments were conducted not only in the classroom, but probably more notably, at the market stall where he spent a large amount time selling crabs. From then on, the kampung sceneries remained to be Tay’s dreamland where he kept on returning to in his artworks.

Tay’s works are all about harmony – balanced composition, coherent shades of colours, comforting ambience, and well-juxtaposed subjects, it is an ideal world created by the artist that evokes the desire to live, to love and to enjoy life.

Tay’s art has been receiving increasing serious interest from the market in recent years. The highest-recorded 10 paintings sold at auctions fetched more than SGD560,000 (before buyer’s premium) which were all concluded within the past three years, and 33 auction alone has encouraged more than half of the transaction. Out of the eight paintings, three contain Tay’s most recognisable buffalo motif. The largest size of all – Spring in the Meadow (Lot 2) was completed in the 1970s capturing two flocks distance apart in the field. A warm tone envelopes the entire canvas suggesting the joy of spring. The palette is remarkably harmonised like a beautifully-embroidered tapestry. The other two buffalo pieces painted two decades later in the 1990s are manifestations of the evolved style of Tay. The artist carved out the stout figures of bulls in vibrant colours to create a collage effect alluding to the cubist expression. The Buffaloes (Lot 3) consists of eight bulls in contrasting but complementing colours that stand out from the dissected background. The Resting by the Buffaloes (Lot 1) was depicted with three ladies at ease, relaxingly grazing the herd. Gouache on paper is relatively a lesser seen medium for Tay. He painted the Harvesting (Lot 7) in 1965 when he was only 26 years old, yet, the serenity and peacefulness embodied in the artwork speaks of the profound affection he had for the contented village life since an early age. The Farmers (Lot 6) is a rather exquisite disc-shaped painting. The eight fishing men dressed in their traditional costume are portrayed meticulously that even though rendered with minimal outlines, it is more than adequate to convey the muscular tension in their bodies handling the long fishing-rods. The composition of the presentation was certainly well-thought – the single row shaped by the figures provided the main stem for the branches of rods that are pointing towards different directions, stretching out to the circled edge along the frame. The Return with Catch (Lot 8) completed in 1989 was a triumph piece that captures the homecoming fishermen at dawn. The mist of early morning, the sleeping households, and the wavy coastline were amazingly imprinted on canvas, signifying Tay’s mastery of techniques and matured artistic practice. The Red Sunrise (Lot 4) belongs to a series of figurative oil paintings that Tay was so into by the end of the 1990s. He particularly favoured the posture of woman lifting their hair and revealing the charming silhouette with gorgeous jawline and curve of neck. The rising sun has coloured the sky and the exuberant trees in the sweetest cherry-red, and the face of the lady sitting in the middle has turned into a radiant pink complexion, as if a rose has blossomed in the bath of sunlight. The Day by the River (Lot 5) is another fascinating piece that Tay accomplished with mixed media. The layered mountains were depicted with wrinkling strokes where a subtle sand colour appears through from underneath. The loaded baskets on the backs of farmers implies a day’s hard work has been paid back with harvested goods. Tay has skilfully executed the tonal effect here which provided the scenery with

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鄭木奎與他的理想世界 傑出的第二代新加坡藝術家,鐘泗濱出色的弟子,善用不同媒介和材 料的藝術大師,以及能賦予日常主題浪漫和田園氣息的“詩人”—在 鄭木奎的同輩中,鮮有能與他相提並論的大家。他從1957年開始就 讀南洋美專,那時,出於生計,鄭木奎經常在一處市場攤位賣螃蟹。 因此他最初的藝術體驗不僅是在課室中進行的,更多的則是深入於現 實生活。也是從那個時候起,村落風景似乎就成為了鄭木奎的理想之 地,他也經常通過自己的創作去回歸那一片淨土。 近幾年,鄭木奎的作品在市場上廣受關注和追捧。在拍賣場上競拍出 最高記錄的10幅作品的價格總值超過了56萬新元(為買家酬金之前) 。這些競拍記錄都是在過去三年內創下的,而33拍賣一家就促成了這 其中超過一半以上的交易。 在這八幅畫中,有三幅包含了鄭木奎最有辨識力的水牛圖像。其中最 大的尺寸—《春到田野》(Lot 2)完成於20世紀70年代,描繪了遠近兩 組田野上的牛群。溫暖的色調籠罩著整個畫布,表現了春天的喜悅。 整篇色調非常協調,像是一大張漂亮的刺繡掛毯。另外兩幅水牛圖是 在20年後所作,是鄭木奎技藝成熟的表現。他用鮮活的色彩勾勒出強 健的公牛,彷彿創造了一種拼貼效果,又與立體派的表現方式相近。 《水牛》(Lot 3)一圖包含了八頭公牛,顏色對比性強卻十分互補, 從背景中脫穎而出。《與水牛一同歇息》(Lot 1)描繪的是三名休息 中的女性在輕鬆地放牧。 水粉作品對於鄭木奎來說是相對少見的。他在1965年創作《豐收》 (Lot 7) 時其實只有26歲,但是,在畫面中展現的寧靜與祥和已經充分說明瞭 他對鄉村生活深切的嚮往和歡喜。《漁夫》(Lot 6)是一副相當精美 的圓盤形畫,精心描繪了穿著傳統服裝的八個漁民。即使只是用最簡 單的線條,也足夠能呈現出他們在握桿時肌肉的緊張感。畫面的構圖 也有巧思,由人物組成的一條橫向軸與不同指向的魚桿相接,這些直 線又共同指向圓形畫框的邊緣,增加了畫面的張力。在1989年完成 的《打魚歸來》(Lot 8)又是一副傑作,它捕捉了黎明時分歸家的漁 民。清晨的薄霧,沈睡中的家庭和起伏的海岸線都被生動地呈現於畫 布上,鄭木奎精湛的技藝可見一斑。 《日出》(Lot 4)是在90年代末時鄭木奎所作的一系列人物油畫之一。 他特別偏好描繪女人撩起頭髮時的姿態,因為可以展示出她側面到頸 部優美迷人的線條。畫面中冉冉升起的太陽將天空和茂盛的樹木染成 甜美的櫻桃紅色,坐在當中的女人也在陽光的沐浴下好似一朵盛開的 玫瑰,散髮出一股粉紅色的微光。 《河邊的一天》(Lot 5)是一副引人入勝的作品,是鄭木奎運用混合 媒介完成的。他用皴筆畫出層巒起伏的山脈,在筆觸間透露出底層渲 染的沙色大地。農夫的背上滿載的籃子意味著一天的辛勤工作有了收 穫。更讓人神往的則是鄭木奎用惟妙惟肖的技法為黃昏時的景色罩上 了一層薄薄的迷霧。 鄭木奎的作品都有關於和諧—平衡的構圖,平和的色調,安逸的氛 圍,以及他構建的各種日常主題。他創造了一個理想的世界,喚起人 們珍惜生活,熱愛生命的本質。


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TAY BAK KOI (Singaporean, 1939-2005) Resting by the Buffaloes signed and dated 01 lower right oil on canvas 119 × 98 cm

鄭木奎

與水牛一同歇息

油彩 畫布 2001 年作 款識:Bak Koi 01(右下)

S$ 22,000 - 32,000 US$ 15,720 - 22,860

‘Singaporean Art’

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TAY BAK KOI (Singaporean, 1939-2005) Spring in the Meadow signed lower left; titled and inscribed verso oil on canvas 101 × 185 cm S$ 45,000 - 65,000 US$ 32,150 - 46,430 Provenance Acquired directly from the artist Private Collections, Singapore

鄭木奎

春到田野

油彩 畫布 款識:Bak Koi(左下) Spring in the Meadow(畫背) 出處 直接得自藝術家本人 新加坡私人收藏

Tay Bak Koi Till the Cows Come Home (1996) oil on canvas 118.5 × 178.5 cm Sold for SGD 102,000 33 Auction, May 2016

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‘Singaporean Art’

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TAY BAK KOI (Singaporean, 1939-2005) Buffaloes signed and dated 01 lower left oil on canvas 110 × 150 cm S$ 40,000 - 60,000 US$ 28,580 - 42,860

鄭木奎 水牛

油彩 畫布 2001 年作 款識:Bak Koi 01(左下)

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‘Singaporean Art’

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TAY BAK KOI (Singaporean, 1939-2005) Red Sunrise signed lower center oil on canvas 61.5 × 57 cm

S$ 15,000 - 22,000 US$ 10,720 - 15,720 Literature Memoirs of Tay Bak Koi, Eagle's Art Publishers, Singapore, 2002, cover page

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鄭木奎 日出

油彩 畫布 款識:Bak Koi 木圭(中下) 出版 2002年《鄭木奎回憶錄》鷹眼畫廊 出版 封面


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TAY BAK KOI (Singaporean, 1939-2005) Day by the River signed lower left gouache on paper, framed 79 × 45 cm S$ 6,000 - 8,000 US$ 4,290 - 5,720

鄭木奎

河邊的一天

水粉 紙本 款識:Bak Koi(左下)

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‘Singaporean Art’

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TAY BAK KOI (Singaporean, 1939-2005) The Farmers signed middle right gouache on paper, framed 43.5 cm diameter S$ 4,000 - 6,000 US$ 2,860 - 4,290

鄭木奎 漁夫

水粉 紙本 款識:Bak Koi(右中)

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TAY BAK KOI (Singaporean, 1939-2005) Harvesting signed and dated 65 lower right gouache on paper, framed 55 × 75 cm S$ 6,000 - 8,000 US$ 4,290 - 5,720

鄭木奎 豐收

水粉 紙本 1965 年作 款識:Bak Koi 65(右下)

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TAY BAK KOI (Singaporean, 1939-2005) Return with Catch signed and dated 89 lower right gouache on paper, framed 76 × 97 cm

鄭木奎

打魚歸來

水粉 紙本 1989 年作 款識:Bak Koi 89(右下)

S$ 10,000 - 12,000 US$ 7,150 - 8,580

‘Singaporean Art’

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LAI KUI FANG (Singaporean, b.1936)

Chinatown Street Scene inscribed in Chinese and stamped with three seals of the artist upper right;signed in Chinese and stamped with two seals of the artist lower left oil and lacquer on board 38.5 × 79 cm S$ 12,000 - 18,000 US$ 8,580 - 12,860

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賴桂芳

早晨的牛车水

油彩 漆 纖維板 1980 年作 題識:牛車水集好匆忙 人潮車馬夾道中     繽紛景色節日中 晨光萬丈照衣裳(右上) 桂芳畫牛車水區有感 庚申年臘月星洲(左下) 鈐印:賴桂芳(左下) 賴桂芳(右上)


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LAI KUI FANG (Singaporean, b.1936)

Goldfish inscribed and signed in Chinese upper left oil and lacquer on board 63 × 91 cm

賴桂芳 金魚

油彩 漆 纖維板 1988 年作 款識:戊辰年 桂芳圖(左上)

S$ 22,000 - 26,000 US$ 15,720 - 18,580

‘Singaporean Art’

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CHIEU SHUEY FOOK (Singaporean, b.1934) Lady with Bird and Cat signed and dated 95 lower right copper relief 45 × 30.5 cm

丘瑞福

女,鳥,貓

銅 1995 年作 款識:chieu '95 (右下)

S$ 3,000 - 4,000 US$ 2,150 - 2,860 “Creative paintings and other art works are my daily routine and they are part of my life. I have been thinking, pondering, and reflecting constantly. And I hope I could create a new masterpiece that transcends and surpass my current works, that would be my greatest aim in life.” —Chieu Shuey Fook

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“創意繪畫是我的日常生活,它們已經是我生命的一部分。我一直 在思考,默想和反思。我希望能不斷創造出一副副能超越我當下作 品的新傑作,這將是我人生最大的目標。”—丘瑞福


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CHIEU SHUEY FOOK (Singaporean, b.1934) Peacemaker signed and dated 04 lower right copper enamel 91 × 91 cm S$ 5,000 - 7,000 US$ 3,580 - 5,000 Exhibited Singapore, ION Art Gallery, 2016

丘瑞福

帶來和平

琺瑯金屬 2004 年作 款識:Chieu 04 (右下) 展覽 2016年 新加坡 ION ART畫廊

‘Singaporean Art’

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EARL LU (Singaporean, 1925-2005)

Barra at the Bar signed and dated '98 lower left mixed media on paper 55 × 74 cm

盧明德

芭拉在酒吧

綜合媒材 紙本 1998 年作 款識:德 Lu'98(左下) 钤印:盧明德印(左下)

S$ 4,000 - 6,000 US$ 2,860 - 4,290 The most outstanding feature of Barra at the Bar lies in the courageous use of blue and orange. Yet, colour is not the only element that attracts viewer’s attention. The opening door, the neon signboard, the curving silhouette of the naked lady, as well as the cupboard full of wine glasses are all luring people to go in. It is a depiction of desires and traps that exist in the materialistic time. The artist portrayed the subject with such an alarming palette to highlight the flamboyant quality of the transient pleasure, and to alert the danger and threat in the meantime to the audience.

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這幅《芭拉在酒吧》最突出的特點在於他沒有顧慮地使用藍色和橙 色。當然,顏色並不是吸引觀眾注意的唯一元素。敞開的門,霓虹 招牌,裸女豐滿的輪廓,以及放滿葡萄酒杯的櫥櫃都在勾起人們的 好奇心想要進去一探究竟。這幅畫其實描繪了現有唯物主義社會中 充斥的慾望和陷阱。藝術家用這樣一個激烈的對比色來描繪主題, 也是為了提醒這些燈紅酒綠所能帶來的只是瞬時的歡樂,同時他也 想警告觀者與之而來的危險和威脅。


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ENG SIAK LOY (Singaporean, b.1941) Untitled signed and dated '12 lower right oil on canvas 80× 100 cm

翁錫禮 無題

油彩 畫布 2012 年作 款識:S.L.Eng '12(右下)

S$ 15,000 - 20,000 US$ 10,720 - 14,290

‘Singaporean Art’

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LIM TZE PENG (Singaporean, b.1923)

Tanah Lot, Bali signed in Chinese and dated 96 lower left oil on canvas 66 × 81 cm

林子平

巴厘島海神廟

油彩 畫布 1996 年作 款識:林子平 96(左下)

S$ 9,000 - 12,000 US$ 6,430 - 8,580 The Culture Medallion Award winner, and Singapore’s living legend – Lim Tze Peng, is one of the country’s most revered assets. Renowned for his portrayal of city life, Lim, in his paintings, recorded not only his own memory of the region, but also the experiences of various generations. The development, the vicissitude, the growth and loss during the urbanisation of towns are vividly captured in his artworks. Time stands still in his paintings where the items he depicted become perpetual evidences of history. Oil painting is the artist’s less attempted medium. They are rare to encounter but are highly regarded. The two oil on canvas featured in this auction Market Scene and the Tanah Lot, Bali, completed in

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the 1990s, are demonstrating Lim’s matured artistic practice imprinted with his understanding of tropical colour palette. Market Scene, as an everyday subject, is meticulously rendered by Lim in the most natural way to provide a sense of familiarity and a touch of tenderness. The light of dawn just started to shine upon the busy marketplace filled with early birds. The vendors have laid out their seasonal harvest expecting a fulfilled day. The Tanah Lot, Bali is completed with vibrant impressionist brushworks most likely supported by a drawing en plein air (in the open air) on site first. The short and firm strokes effectively express the island’s fickle climate. The sea waves are hitting the rocks near the


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LIM TZE PENG (Singaporean, b.1923)

Market Scene signed and dated in Chinese lower left oil on canvas 71 × 92 cm

林子平 巴剎

油彩 畫布 1992 年作 款識:林子平 九二(左下)

S$ 12,000 - 18,000 US$ 8,580 - 12,860 bank, and the wind is blowing against the verdant trees – the viewers share a vicarious experience in front of such a skilfully accomplished painting. 國家文化獎得主,新加坡的傳奇人物—林子平,是本地最受尊敬 的藝術家之一。林子平以描繪樸實的城市生活聞名。他的畫,記錄 的不僅僅是他自己對這個都市的記憶,也同樣反映了過往每一代人 的記憶。林子平的作品鮮活地捕捉到新加坡的發展,變遷,增長的 和遺失的。時間彷彿就這樣靜止於他的畫中,他筆下的物件成為了 永恆的歷史見證。 油畫是藝術家較少嘗試的媒介,在市面上鮮有,但都被高度評價。

上個世紀九十年代完成的《巴剎》和《巴厘島海神廟》兩幅布面油 畫均展示了林子平成熟的藝術技巧以及他對熱帶色調深刻的理解。 畫家以最自然古樸的方式精心呈現《巴剎》這一日常題材,給予人 一種熟悉和溫暖的情調。黎明的曙光剛剛開始照耀繁忙的市場,攤 販們擺放好這一季豐收的果實,期待著豐厚的一天。 《巴厘島海神廟》充滿了生動的印象派筆法,想必是畫家先在現場 創作出草稿,後又在其基礎上完成的。短而堅定的筆觸有效地表達 了熱帶島嶼上善變的天氣。海浪撞擊著岸邊的岩石,陣風吹過嫩綠 的樹叢,一場雷雨似乎就要襲來。這樣精湛的作品讓即使不在現場 的觀者也有著身臨其境的同感。

‘Singaporean Art’

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CHIA YU CHIAN (Malaysian, 1936-1991)

View from My Window Kuala Lumpur signed upper right; titled and dated 1971-1974 verso oil on canvas 61 × 67 cm S$ 10,000 - 15,000 US$ 7,150 - 10,720

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謝玉謙

窗外吉隆坡的景色

油彩 畫布 1971-1974 年作 款識:Yu Chian(右上) View from My Window Kuala Lumpur 1971-1974(背面)


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CHIA YU CHIAN (Malaysian, 1936-1991) Kampong Scene signed and dated 58 lower left oil on hardboard 42 × 35.5 cm

謝玉謙

甘榜村景

油彩 纖維板 1958 年作 款識:Yu Chian 58 (左下)

S$ 4,000 - 6,000 US$ 2,860 - 4,290

‘Singaporean Art’

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LIM LEONG SENG

Together signed and dated 2013 on the base edition: 5/10 bronze 53 × 20 × 20 cm S$ 4,800 - 5,800 US$ 3,430 - 4,150 Commissioned design by Capitaland displayed at Urban Resort Level 1

林龍成 在一起

銅 2013 年作 款識:L.Seng 2013 (底座) 版數:5/10 受凯德集团委託创作并展于 Urban Resort 一楼 He is one of the most iconic and successful contemporary Singaporean sculptor artist. He had many collaborations with several public and private organisations to narrate and recreate the Singapore stories through his work of art. 林龍成是當代新加坡最知名的雕塑家之一。他與很多國家和私人的 企業進行過許多合作。通過他的藝術作品,新加坡的歷史和故事得 以重現。

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‘alternate views’ 「另個角度」


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LIM LEONG SENG

Pool of Love signed and dated 2011 on the base edition: 2/9 bronze 69 × 69 × 48 cm S$ 9,800 - 11,800 US$ 7,000 - 8,430

林龍成

滿滿的愛

銅 2011 年作 款識:L.Seng 2011(底座) 版數:2/9 受凯德集团委託创作并展于 Urban Suites 一楼

Commissioned design by Capitaland displayed at Urban Suites

‘Singaporean Art’

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LEE BOON WANG (Singaporean, 1935-2016) The Old Town of Phoenix signed and dated 11 lower right oil on canvas 59 × 78.5 cm S$ 8,000 - 12,000 US$ 5,720 - 8,580 Literature ART OF BOON WANG , Liao Ning Art Publisher, China, 2014, Page 111

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李文苑

鳳凰古鎮

油彩 畫布 2011 年作 款識:B.W.LEE 11.(右下) 出版 2014年《李文苑畫集》遼寧美術出版社 第111頁


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CHUA MIA TEE (Singaporean, b.1931)

Keng Chew Street signed and dated 72 lower right; titled and dated 1972 verso oil on canvas 46 × 65 cm S$ 25,000 - 35,000 US$ 17,860 - 25,000

蔡名智

景昭老街

油彩 畫布 1972 年作 款識:M.T.CHUA 72(右下) Keng Chew Street 1972 (背面) 出版 1988年《CHUA MIA TEE 1988》國家博物館出版 第11圖

Literature Chua Mia Tee 1988 , National Museum, Singapore, 1988, figure 11

‘Singaporean Art’

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YEO SIAK GOON (Singaporean, b.1957) Lay Down signed and dated 87 lower right oil on canvas 101 × 81 cm

楊昔銀 躺姿

油彩 畫布 1987 年作 款識:S.Goon 87 ( 右下 )

S$ 6,500 - 8,500 US$ 4,650 - 6,080 “My source of artistic inspiration comes from the transformation of time, space and objects into one”, said Yeo Siak Goon. The artist came to Singapore alone at the age of fourteen to pursue his dream for art. His paintings reflect the innate fascination he has for this tropical land. Lay Down is one of his rare oil paintings with extremely abstract lines and dreamy colours. This extraordinary early work of his already announced the blossom of his artistic accomplishment.

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畫家曾說:“我的藝術靈感來源於融為一體的時間,空間和內在事 物”。楊昔銀十四歲隻身來到新加坡,開始追求他的藝術夢想。 他的畫裡表達了他對這片熱帶風光的迷戀。《躺姿》是他十分稀 有的油畫作品之一,擁有十分抽象的線條和夢幻般的色彩。雖然 屬於他早期的畫作,但這幅傑出的作品已經宣告了他的創作開始 開花結果。


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LEO HEE TONG (Singaporean, b.1940) Fishing Village signed and dated 85 lower right oil on canvas 120 × 120 cm

梁其栋 渔村

油彩 畫布 1985 年作 款識:H.T.Leo 85 ( 右下 )

S$ 8,500 - 10,000 US$ 6,080 - 7,150 The renowned second generation Singaporean artist, Leo Hee Tong is the record holder of nine times UOB Distinction Award in 1982-1986, 1988 and 1992-1994. He studied at the NAFA under the tutelage of Cheong Soo Pieng, then enrolled in Ashiya Art College in Japan to further refine his artistic skills. Leo is best known for his granular textures, abstract forms, and harmonised colour scheme. The Fishing Village is an early work of Leo completed in 1985 which captures the enchanting beauty of the village clouded by a thin layer of mist.

知名的第二代新加坡藝術家梁其棟曾在1982-1986,1988,19921994年奪得9次大華銀行榮譽獎章,他也是獲得過最多次這個獎項 的畫家。他先在南洋美專受到鐘泗濱的教導,又進而在日本的蘆屋 藝術學院深造,進一步提升自身的繪畫技法。 梁其棟最出名的是他顆粒狀的紋理,抽象的構圖和協調的配色。 《漁村》是在1985年完成的,屬於他的早期作品。在畫面中,畫 家描繪了一個薄霧瀰漫的村莊,安逸且迷人。

‘Singaporean Art’

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CHAN CHANG HOW (Singaporean, 1943-2016) Angkok Wat Cambodia titled, signed and dated 2008 lower left watercolour on paper 55 × 74 cm S$ 3,800 - 5,000 US$ 2,720 - 3,580

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陳長豪

柬埔寨吳哥窟

水彩 紙本 2008 年作 款識:C HAN CHANG HOW 2008 ANGKORWAT CAMBODIA(左下) 鈐印:豪(左下)


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ONG KIM SENG (Singaporean, b.1945)

Kathmandu titled, signed and dated 95 lower right watercolour on paper 55 × 85 cm

王金成

加德滿都

水彩 紙本 1995 年作 款識:KOTHMANDU AWS K.Seng '95(右下)

S$ 12,000 - 18,000 US$ 8,580 - 12,860

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KRIJONO (Indonesian, 1951-2011)

Bright Morning in Cinere Depok titled, signed and dated 2003 lower left acrylic on canvas 100 × 100 cm S$ 3,000 - 4,000 US$ 2,150 - 2,860

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克利約諾 雄鷄

壓克力 畫布 2003 年作 款識:2003 JKT KRijono Pagi jg Cerah di Cinere (Depok)(左下)


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KRIJONO (Indonesian, 1951-2011)

Mepayos Timpal Nganten signed, titled and dated 1998 lower left acrylic on canvas 110 × 180 cm

克利約諾 婚禮儀式

壓克力 畫布 1998 年作 款識:KRijono "Mepayos Timpal Nganten" 1998(左下)

S$ 4,500 - 6,000 US$ 3,220 - 4,290

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KOEBOE SARAWAN (Indonesian, b.1961) Figure Wayang signed and dated 2001 lower right; signed, titled and dated on the reverse on the stretcher oil on canvas 45 × 45.5 cm S$ 4,000 - 6,000 US$ 2,860 - 4,290

KOEBOE SARAWAN 皮影戲人偶

油彩 畫布 2001 年作 款識:KOEBOE 2001(右下) FIGUR WAYANG(2001) KOEBOE SARAWAN(背面)

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ERICA HESTU WAHYUNI (Indonesian, b.1971)

Watching Television signed and dated 2015 lower right acrylic on canvas, with artist's frame 81 × 111.5 cm(image); 100 × 138 cm (frame) S$ 2,000 - 4,000 US$ 1,430 - 2,860

艾麗嘉 看電視

壓克力 畫布 木雕框 2015 年作 款識:ERICA 2015(右下) 30

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SUNARYO (Indonesian, b.1943)

Barong signed and dated 93 lower right acrylic and mixed media on canvas 205.5 × 70 cm S$ 20,000 - 30,000 US$ 14,290 - 21,430

蘇納里奧 巴隆

壓克力 綜合媒材 畫布 1993 年作 款識:SUNARYO '93(右下)

accompanied with a certificate of authenticity signed by the artist

附藝術家原件證書簽名 Sunaryo was born in 1943 in Central Java. He has been an active Indonesian artist who started exhibition activities since the 1970s. He is a rather versatile artist who practice with different mediums. The works of Sunaryo are getting more and more popular among the collectors today. Many of his paintings received overwhelming responses at various auctions. His Jelang Persembahan #1 was sold for $188,987 at Larasati Auctioneers: Singapore Contemporary & Modern Art Evening Sale in 2012. Sunaryo expresses his fond of Balinese culture in his artworks such as this painting Barong. Barong is a lion like creature that is believed to be the guidance and truth that can protect humans from evil. It plays an important role in many Balinese dances especially in spiritual ceremonies. With Sunaryo’s fearsome portrayal of the creature, he invited the viewers to join him together in such a rich tropical culture. Sunaryo於1943年出生在中部爪哇。他從1970年代開始就活躍在 印尼畫壇,多次在國內外舉辦展覽。他是一個相當多才多藝的藝術 家,喜歡用不同的媒介進行創作。 Sunaryo的作品在現今的收藏 家中越來越受到歡迎。他的許多畫作在不同拍賣場都受到熱烈的反 響。他的《Jelang Persembahan#1》就在2012的Larasati新加 坡當代和現代藝術晚拍中以188,987美元的價格售出。 Sunaryo在他的作品中喜歡表達他所熱愛的巴厘島文化,就如這幅 畫Barong。 Barong是一個類似獅子的生物,在印尼文化中被認 為是可以保護人類免受邪惡吉祥的象徵。它在許多巴厘舞蹈,特別 是在精神儀式中有著重要的角色。這幅畫中,通過Sunaryo精彩的 描繪,他邀請觀者與他一起感受這樣豐富多彩的熱帶文化。

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HAJI WIDAYAT (Indonesian, 1919-2002) Going to Market signed and dated 82 lower left oil on canvas 96 × 146 cm S$ 40,000 - 60,000 US$ 28,580 - 42,860 Provenance Private collection of a prominent Indonesian collector

維達雅 去市集

油彩 畫布 1982 年作 款識:Widayat 82(左下) 出處 印度尼西亞私人收藏 Haji Widayat is one of the well-known artists of the modern Indonesian art. He is a true master of lines, forms, colours, and composition. Born in the colonial era, trained at the Indonesian Fine Art Academy, Widayat started to gain reputation as early as the 1950s. In the 1960s, he spent two years in Japan studying ceramics and printmaking which then further shaped his artistic practices. His expression is rather distinctive, as well as humorous, often known as the “magical-decorative” style. Although leaning towards decorative art, Widayat’s work is certainly not superficial. It has depth and manifold meanings. His creativity is unparalleled with limitless choices of subject. Going to Market, like his Flora and Fauna and Deep Sea Fishes, depicts one of Widayat’s favorite subject matters that never failed in quality. In this painting, almost all Widayat’s distinguishing elements can be identified – the disproportionate figures, the dense jungle, as well as the primitive but whimsical tones. The woodblock printing effect that he created is also echoing the rural and tribal culture that he was so fond of. There is a variety of brush strokes presented in the painting, from short to long, from swift to rough, from thin to thick; Widayat has hence weaved out the Javanese fantasy world that he envisioned.

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維達雅是現代藝術圈中最知名的印尼畫家之一。他真正稱的上是一 位線條、形狀、顏色和構圖的大師。出生在殖民時代,受教於印 尼美術學院,維達雅早在20世紀50年代開始便享有盛譽。60年代 時,他用兩年的時間在日本學習陶瓷和版畫,所以日本的藝術進一 步塑造了他此後的藝術風格和表達方式。他的創作相當獨特,又極 具幽默感,經常被稱為是有魔力的裝飾畫風格。雖然傾向於裝飾藝 術,Widayat的作品一點也不局限於淺顯的表達,而恰恰相反,他 畫中的深度往往能被賦予多樣性的解釋。與此同時,他無與倫比的 創造力更加無限拓寬了他對繪畫主題的選擇。 《去市集》,就像他的《花與動物》或是《動物與深海魚》,都是 維達雅最喜歡的主題的之一,也正因為如此,畫的質量從未讓人 失望過。在這幅畫中,幾乎所有維達雅獨有的元素都可以被識別出 來—如不成比例的人物,密集的叢林,以及原始但異想天開的色 調。他所創造的木版印刷效果也與他所喜歡的農村和部落文化相呼 應。畫中運用了各種各樣的筆觸,從短到長,從明快到粗糙,從輕 薄到厚重,維達雅就是用這些編織了他幻想中的爪哇世界。

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HAJI WIDAYAT (Indonesian, 1919-2002) Flora and Fauna signed and dated 75 lower right oil on board 120 × 200 cm S$ 50,000 - 70,000 US$ 35,720 - 50,000 Provenance Private collection of Widayat's son Fajar Purnama (Pungki)

維達雅 動植物

油彩 畫布 1975 年作 款識:Widayat 75(右下) 出處 藝術家之子Pungki Widayat收藏作品

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DONALD FRIEND (Australian, 1915-1989) Sudden Storm signed and titled lower left mixed media on board 55 × 75 cm

S$ 2,500 - 4,000 US$ 1,790 - 2,860

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唐納德·弗林德 突擊風暴

綜合媒材 紙本 款識:Sudden Storm Donald Friend BALI(左下)


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RUDOLF BONNET (Dutch-Indonesia, 1895-1978) Portrait of an Indonesian Man signed and dated 1969 upper right pastel on paper 45 × 46 cm

约翰·鲁道夫·博内 肖像

粉彩 紙本 1969 年作 款識:R.Bonnet 1969(右上)

S$ 12,000 - 16,000 US$ 8,580 - 11,430 Rudolf Bonnet was born in Amsterdam in 1895. He spent decades of his life in Bali painting landscapes and villages, but mostly are figurative paintings which established his fame as a portraiture painter. Greatly involved in the Pita Maha movement, Bonnet played a large role in encouraging local artists to pursue higher trainings in art. The first Indonesian President Sukarno was among the avid collectors of his paintings too. The portrait included in our auction this time was an exquisite depiction of an Indonesian man. The painting captures not only the appearance of a native person, but remarkably, the underlying personality seems so evident as well. Bonnet’s confident strokes have

beautifully presented the natural curls in the hair, the masculine shoulders, and most notably, the deep and steely eyes. Rudolf Bonnet於1895年出生在阿姆斯特丹。他在巴厘島用幾十年 的時間去描繪那裡的風景人情。他畫的最多的還是人物肖像作品, 這也確立了他肖像畫家的聲譽。 Bonnet曾積極參與Pita Maha運 動,他鼓勵當地藝術家接受更高更好的藝術訓練。第一任印尼總統 蘇加諾也是Bonnet作品的收藏家之一。 這次我們拍賣中的這副肖 像畫精緻的刻畫了一名印尼男子。畫中不僅捕捉到一個本地人的外 表,而他的個性也似乎躍然紙上。Bonnet用自信的筆觸精美地呈現 了他自然捲曲的頭髮,有線條感的肩膀,以及深邃且堅毅的雙眸。

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Being the son of a painter, Jean Le Mayeur’s innate desire to become an artist seems unquestionable. Although his family persuaded him to be a civil engineer after school, Le Mayeur’s persistent passion for art has already determined his lifetime pursuit. Following a similar path as many European expatriates like Paul Gauguin, Le Mayeur landed in Southeast Asia where the native exotic culture appealed him to stay for the rest of his life. In 1932, Le Mayeur set foot in the tropical island Bali when he was already 52 years old, but the summit of his career was just about to come. His fascination for the Balinese landscape, people, and custom has stimulated the artist’s creativity unprecedentedly. Ni Pollock, a young Legong dancer, who eventually became the wife of Le Mayeur, was also his muse of inspiration. The exquisite painting Two Balinese Women at the Verandah featured in our auction this time was a portrayal of his beautiful wife and her friend. It is absolutely a love-at-first-sight piece with its vibrant colours and pleasing ambiance. The afternoon sun shines upon the balcony from the upper left, gilding a layer of brilliance over the entire picture. The jade-green costume, the crimson-coloured couch, the luxuriant garden, and the colourful frangipani and hibiscus are resonating harmoniously with each other, like an incredible orchestra performance. With Le Mayeur’s impressionist strokes, the flowers were as if planted on canvas, blossoming vigorously. Such an enchanting yet transient moment was hence perpetually captured with Le Mayeur’s brushes, a true dazzling masterpiece.

作為一個畫家的兒子,勒邁耶與生俱來對藝術的渴望是不容置疑 的。縱然他的家人曾試圖說服他在畢業後做一名土木工程師,但勒 邁耶對藝術的熱愛早已決定了他終身追求的事業。跟許多歐洲移民 國外的人一樣(例如藝術家高更),勒邁耶在一戰後來到東南亞, 被這裡的異國文化所深深的吸引,就這樣將他的餘生都交賦於此。 1932年,勒邁耶第一次踏上熱帶島嶼巴厘島時,已經52歲了,但 他職業生涯的巔峰才即將到來。他對巴厘風景、人物和風俗的迷 戀,激發了勒邁耶前所未有的創造力。他與一位年輕的黎弓舞者Ni Pollock相遇,並最終娶她為妻。Ni Pollock也成為了他創作靈感的 繆斯。 收錄在本次拍賣的作品《午後時光》絕對是一副讓人一見鍾情的作 品。其鮮豔的色彩和令人愉悅的氛圍都著實誘人。下午的陽光從左 上方照射到陽台上,給整個畫面鍍上一層光輝。玉綠色的服裝、深 紅色的沙發、茂盛的花園和五顏六色的赤素馨花和木槿花彼此交相 呼應,彷彿一場精彩絕倫的管弦樂表演。勒邁耶通過他印象派的筆 觸,讓一朵朵的鮮花在畫布上生機勃勃的綻放。勒邁耶用畫筆永恆 的鐫刻下這樣一個迷人又短暫的瞬間,它真真是一副耀眼的傑作。

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ADRIEN JEAN LE MAYEUR DE MERPRES (Belgian, 1880-1958)

Two Balinese Women at the Verandah signed lower left oil on board 35.5 × 44.5 cm S$ 98,000 - 150,000 US$ 70,000 - 107,150 Provenance Acquired directly from the artist Private collection, Dutch Accompanied with certificate of authenticity from Cathinka Huizing

勒邁耶

午後時光

油彩 硬質纖維板 款識:J Le Mayeur(左下) 出處 荷蘭私人收藏,早期親自購自藝術家本人 附Cathinka Huizing簽名證書

Ni Pollock was always the centre of the canvas for Le Mayeur’s paintings in Bali. This young Legong dancer was his beautiful wife as well as the source of inspiration. In this exciting artwork, Ni Pollock is sitting languishingly in the sunlight-coated balcony while her friend comes to greet her. 在勒邁耶巴厘島的創作中,Ni Pollock幾乎佔據了所有畫布的中心。這位 年輕的黎弓舞者是勒邁耶美麗的妻子更是靈感的源泉。在這件令人興 奮的藝術品中,Ni Pollock正慵懶地坐在陽光籠罩的陽台上,她的朋友正造 訪來致以問候。

Aderien Jean Le Mayeur De Merpres(1880-1958) oil on canvas 75.5 × 91.5 cm Sold for USD 1,927,680 Christie's, Hong Kong, 27 Nov 2016

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AFFANDI (Indonesian, 1907-1990)

Boats signed and dated 1983 upper left oil on canvas 121 × 164 cm S$ 88,000 - 128,000 US$ 62,860 - 91,430

阿凡迪 船

油彩 畫布 1983 年作 款識:A 1983(左上) “My subjects are expressive rather than beautiful. I paint suffering – an old woman, a beggar, a black mountain ... My great wish is that people learn a little from my work. I do know the danger of doing paintings with this in mind. I have no intention of becoming a social propagandist, and I must be careful.” — Affandi Born in Cirebon, West Java, Affandi was a self-taught artist. Throughout Affandi’s renowned art career, he had participated in numerous exhibitions across the world and received distinctive awards which earned him the title of Grand Maestro. Recognised as the founding father of Modern Indonesian Art, Affandi’s paintings adhere to pure expressionism. He applied paint directly from the tube and used his hands instead of brushes. This eventually became his trademark technique. In the 1950s, Affandi emerged as an influential artist that brought Indonesian art to the global stage. His paintings have captivated the world with a profound imprint left in the viewers’ minds. In all of his works, one is able to feel the strong energy transmitted from Affandi onto canvas. The Boats was completed with his extraordinary imagination in the later years of the artist. The sun depicted in verdant green speaks of Affandi’s enthusiastic heart. The boats in vibrant blue and red are as if riding along the wind and waves. The dynamic intertwined lines, the whimsical colour combinations, and the turbulent structure are all expressing the intense passion and love that Affandi has towards the motherland he grew up in. “我的目的不僅是傳達美,還要傳達一種情感。我畫苦痛:一位老婦人,一名乞 丐,一座黑山...我的願望是希望人們能從我的作品中學到些什麼。我知道這樣做或 許有些危險,我無意成為社會上的宣傳家,所以我必須小心。” ——阿凡迪 阿凡迪在1907年出生於西爪哇的Cirebon,他是一位自學成才的畫家。在阿凡迪 的藝術生涯中,他在世界各地舉行展覽,並獲得豐富的獎項,這也讓他贏得“藝 術大師”的稱號。阿凡迪被認為是現代印尼藝術的創始之父,他的繪畫堅持純粹 的表現主義。他直接用顏料管在畫布上塗色,然後用手繼續塗抹。這也成為了阿 凡迪標誌性的代表技法。

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在20世紀50年代,阿凡迪已經在國際上享有盛譽,他把印尼的藝術帶到全球的藝 術舞台。他的創作能給人留下深刻的印象,觀者能夠感受到從阿凡迪身上傳達到 畫布上的強大能量。《船》這幅作品是阿凡迪的晚年作品,記錄了他超凡的想像 力。他用綠色來描繪太陽也能反應出阿凡迪一顆熱忱年輕的心。藍紅相間的船隻 在他的指尖下彷彿行駛在風浪之中。不論是捲曲交織的線條還是異想天開的顏色 都無疑是在表達阿凡迪對他從小生長的祖國的熱愛。

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BASOEKI ABDULLAH (Indonesian, 1915-1993) The King of Beasts signed lower right oil on canvas 69 × 119 cm

S$ 50,000 - 75,000 US$ 35,720 - 53,580

巴蘇基·阿卜杜拉 百獸之王

油彩 畫布 款識:Baosoeki Abdullah(右下)

Abdullah is a well-known Indonesian realistic painter. The King of Beasts is a marvellous piece depicting the symbol of power and authority. The lion was meticulously rendered on canvas as if it was quietly stepping out of the tall grass and ready to make an attack at his targeted prey at any moment. 阿卜杜拉是著名的印度尼西亞現實主義畫家。這幅精美的 《百獸之王》描繪了力量與權威的象徵。這頭雄獅在阿卜 杜拉的筆下彷彿活了過來,它靜悄悄地從草叢中上緩緩走 出來,隨時準備向他的目標獵物進行攻擊。

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AWIKI (Indonesian, b.1961)

Going Forward signed and dated 16 lower right oil on canvas 50 × 60 cm S$ 7,000 - 10,000 US$ 5,000 - 7,150

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羅維奇

勇往直前

油彩 畫布 2016 年作 款識:AW16(右下)


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AWIKI (Indonesian, b.1961) The Champion signed and dated 16 lower left oil on canvas 150 × 125 cm

羅維奇 冠军

油彩 畫布 2016 年作 款識:AW16(左下)

S$ 15,000 - 20,000 US$ 10,720 - 14,290

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SRIHADI SOEDARSONO

Bedaya Ketawang - Pare Anom Beauty of Soul signed and dated 2014 upper right; signed, titled and dated 2015 verso oil on canvas 150 × 150 cm S$ 85,000- 125,000 US$ 60,720 - 89,290

斯里哈迪·蘇達索諾 心靈美

油彩 畫布 2014-2015 年作 款識:Srihadi 2014(右上)    Bedaya Ketawang - Pare Anom Beauty     of Soul Srihadi 2015(背面)

‘artist with his artwork’ 「藝術家和其作品」

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PUTU SUTAWIJAYA (Indonesian, b.1971)

Gesticulate II embedded with a artist plate and dated 2010 on the base recycled metal and iron wire 93 × 87 × 77 cm S$ 5,000 - 7,000 US$ 3,580 - 5,000

普圖·蘇塔維賈亞 姿勢 II

回收金屬 鐵絲 款識:PUTU SUTAWIJAYA 2010(底部)

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SINGAPOREAN CALLIGRAPHY AND INK PAINTING – CONTINUITY AND CREATIVITY 新加坡書法和水墨作品 — 傳承與創新

Lot 43 - Lot 68

The twentieth century saw a lot of Singaporean artists went abroad to study western art and embrace new ideas. At the same time, there were also groups of artists who were diligently preserving the oriental tradition with ink and brushes. In 1922 and 1938 respectively, two national institutions for art education were set up – the Singapore Overseas Chinese Art Academy and the Nanyang Academy of Fine Arts. They marked the official start of art trainings here including an emphasis on calligraphy and ink paintings as well. Since then, calligraphy and brush artwork creations and exhibitions have been proliferating with increasing recognition and appreciation. The pioneer artists such as Chen Wen Hsi, Fan Chang Tien, and Wu Tsai Yen had a great influence locally with their teaching and promotion of ink paintings. Scholars used to claim that these first-generation artists were producing more excellent second-generation ink painters than their own works. In our auction this time, we have featured both generations’ artworks to demonstrate the continuity and creativity of styles evolved over the decades. We have gathered masterpieces from the renowned first-generation artists including Chen’s lively-depicted birds by nature (Lot 43 & Lot 44), Fan’s most-recognisable crested Myan (Lot 54), Wu’s highly-regarded finger paintings (Lot 56 & Lot 57); in addition, Pan Shou, Tsue Ta Tee, and Shi Xiang Tuo’s distinguishing and superior calligraphy pieces (Lot 45 - Lot 50), as well as Rev. Song Nian’s large-scaled magnificent landscapes (Lot 51 & Lot 52) are also proudly presented together. Their works embody an optimistic and cheerful spirit, and at the same time provide a meditative and introspective ambience. The second-generation artists, took inspirations from their predecessors, have carried on the practices of this ancient beautiful tradition. Koh Mun Hong and Nai Swee Leng’s still-life and landscape paintings (Lot 58 - Lot 60) have assumed the essence of ancestors that communicate graceful and contemplative ideas. Moreover, Tan Joo Jong and Tan Oe Pang have courageously wielded their brushes to construct an ingenious portrayal of everyday subjects (Lot 66 -Lot 68). The seemingly-effortless expressions were in fact thanks to years of practice and experience, just like how the old masters were doing. One may consider that the younger generation’s works are infused with vitality and imagination, but at the same time, they also represent a continuity adopted from the past in both the drawing techniques as well as the philosophical attitude towards life.

二十世紀以來,許多新加坡藝術家出國深造學習西方藝術,接受新 鮮的理念和技法。與此同時,也有一批藝術家用毛筆努力地傳承水 墨這一美麗的東方傳統。新加坡華僑美術學院和南洋美專分別在 1922年和1938年成立。這兩家國家藝術教育機構的誕生標誌著本 地對藝術培養的正式啟動。在所學科目中便包括對書法和水墨畫的 重點訓練。也是從那時起,書法和水墨畫的創作和展覽越來越興 盛,也漸漸獲得更多人的認可和欣賞。 諸如像陳文希,範昌乾和吳在炎等先鋒藝術家,他們在本地 對水墨畫的教學和推廣有著巨大的影響。有學者曾稱這些第一 代藝術家培育出的優秀水墨畫家比他們自己所創作的作品還要 多。在我們這次的拍賣會上,我們努力徵集了兩代人的書法和 水墨作品。從中,人們不難發現這幾十年來水墨藝術的傳承和 創新。其中第一代藝術家的傑作:包括陳文希活靈活現的鳥和 植物(Lot 43 和 Lot 44),範昌乾最知名的八哥(Lot 54 ),吳在 炎高超的指畫(Lot 56 和 Lot 57);此外,潘受,崔大地和施香沱 優秀的書法作品(Lot 45 - Lot 50 ),以及松年法師的大篇幅的 山水畫(Lot 51 和 Lot 52)也都一併呈現給大家。他們的作品 體現了樂觀和豁達的精神,同時又富有可冥想和沈思的氛圍。 第二代的彩墨藝術家,在前輩的帶領下繼承了這個歷史悠久的傳統 習俗。許夢豐和賴瑞龍的靜物和山水畫(Lot 58 - Lot 60)蘊含了 前人水墨畫中和諧安寧的精髓;陳有勇和陳有炳(Lot 66 - Lot 68 ) 則更大膽地運用簡單的線條巧妙地刻畫日常物件的韻味。這些看起 來似乎毫不費力的筆觸實則是經過了多年練習和經驗的積累。這些 年輕一代的作品充滿生命力和想像力,但同時,它們也延續了經過 一代代人傳遞而來的技巧和對生活的態度。 書法和水墨藝術已經發展了幾千年。新加坡藝術家在支持和倡導這 種優雅的藝術形式方面發揮了重要作用。這次拍賣中的傑出作品無 疑是上個世紀所創作的最好的水墨作品之一,也是收藏家不容錯過 的拍品。

The art of calligraphy and ink painting has developed through thousands of years. Singaporean artists played a significant role in supporting and advocating this long-established elegant art form. The outstanding works featured in this auction are undoubtedly some of the finest creations produced in the past century – unmissable items for our collectors.

‘Singaporean Art’

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‘close up’ 「局部」

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CHEN WEN HSI (Singaporean, 1906-1992)

Bamboo and Sparrows inscribed and signed in Chinese upper right; stamped with two seals of artist upper right and lower left ink and colour on paper 91 × 58.5 cm

陳文希 竹雀

彩墨 紙本 立軸 款識:文希指頭生活(右上) 鈐印:文希指畫(右上)長年(左下)

S$ 25,000 - 40,000 US$ 17,860 - 28,580 Although Chen has been working with a variety of mediums, it was among his ink paintings that some of the most remarkable pieces are found. The Three Birds and the Bamboo with Sparrows were both depicted with Chen’s fluid and expressive brush strokes. The well-thought composition and minimal palette accentuate the peaceful and delighting atmosphere that the artist was emphasising.

雖然陳文希常用的媒介多種多樣,而他最經典的作品更常見於他的 水墨畫中。《三隻鳥》和《竹與麻雀》都展現了陳文希流動和富有 表現力的筆觸。畫家通過精心設計的構圖和簡單明了的色調強調了 畫中平和愉快的氣氛。

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CHEN WEN HSI (Singaporean, 1906-1992)

Three Birds signed in Chinese upper right; stamped with a seal of the artist upper right; stamped with another seal lower left ink and colour on paper, hanging scroll 46 × 55 cm

陳文希 三只鳥

彩墨 紙本 立軸 款識:文希记(右上) 鈐印:陳文希(右上) 白宮(左下)

S$ 15,000 - 20,000 US$ 10,720 - 14,290 Chen Wen Hsi is a prominent first generation Singaporean artist and one of the four key proponents of Nanyang Style alongside Cheong Soo Pieng, Liu Kang and Chen Chong Swee. As an art practitioner and educator, he had a profound influence over his peers and students throughout his entire career. He has merged the western idea and the eastern philosophy to establish his own unique style in painting. Over the recent years, there has been a renaissance for his artworks in the market, and we are pleased to feature two brush paintings of Chen in our auction this time.

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陳文希是第一代新加坡藝術家,他與鍾泗濱,劉抗,陳宗瑞一起都 是南洋風格的主要代表人物。作為一個藝術從業者和教育家,在他 的整個職業生涯中,他對同輩和學生有著深遠的影響。他把西方思 想和東方哲學融為一體,在繪畫中樹立了自己獨特的風格。近年 來,他的作品熱度在市場上再次復興,我們也很欣喜的能為大家奉 上兩幅陳文希的水墨作品。


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PAN SHOU (Singaporean, 1911-1999)

Calligraphy signed in Chinese and stamped with two seals of artist lower left ink on paper, hanging scroll 135.5 × 67 cm S$ 10,000 - 15,000 US$ 7,150 - 10,720 Provenance Acquired directly from Dr Tan Tsze Chor, Xiang Xue Zhuang Private collection, Singapore

潘受 書法

水墨 紙本 立軸 1975 年作 款識:之初先生屬題 香雪莊新居豈哂正     乙卯秋虛之弟潘受(左下) 鈐印:潘受(左下) 之印(左下) 出處 直接得自著名藏家陳之初香雪莊 新加坡私人收藏 Probably the most celebrated poet and calligrapher in Singapore, Pan Shou remains a cultural icon in the local art scene. His childhood exposure to Chinese literature and calligraphy evoked his strong interest in art since an early age. He has diligently studied the archaic scripts of Qin, Han and Wei dynasty which shaped his later calligraphic expression. Over the years, he developed and matured his own artistic approach which eventually gave rise to the widelyrecognisable “Pan-Style”. In Singapore as well as overseas, his works are broadly collected in both national and private organisations. 潘受是新加坡最著名的詩人和書法家之一,他可以算 得上是本地藝術界裡一個重要的文化的標誌。他童年 時期便開始接觸中國文學和書法,因此他從小就對藝 術有著濃厚的興趣。他孜孜不倦地研究了秦,漢,魏 的古代文字,也為他今後的書法造詣產生了深遠的影 響。多年來,他發展出自己的藝術理念,也最終演變 出了後來廣為人知的“潘體”。在新加坡及海外,他 的作品也被廣泛收集在各種國家和私人組織。

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PAN SHOU (Singaporean, 1911-1999)

Calligraphy signed in Chinese middle left; stamped with two seals of artist lower left ink on paper, hanging scroll 68 × 47.5 cm S$ 6,000 - 8,000 US$ 4,290 - 5,720

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潘受 書法

水墨 紙本 立軸 1981 年作 款識:雞有五德 頭戴冠者文也 足搏距者武也 敵在前敢鬥者 勇也 見食相呼者仁也 守夜不失時者信也辛酉迎歲 語 見韓詩外傳 倬卿賢嫂屬者 潘受(左下) 鈐印:潘受(左下) 之印(左下)


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PAN SHOU (Singaporean, 1911-1999)

Calligraphy singed in Chinese and stamped with two seals of the artist middle left ink on paper, hanging scroll 138 × 34 cm; 138 × 34 cm S$ 7,000 - 10,000 US$ 5,000 - 7,150

潘受

書法對聯

水墨 紙本 立軸 上聯:秋菊堪餐蘭可佩 下聯:青山繞檻水當門 款識:虛之潘受(下聯左中) 鈐印:潘受(左中) 之印(左中)

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TSUE TA TEE (Singaporean, 1903-1974)

Calligraphy signed in Chinese and stamped with two seals of the artist middle left ink on paper, hanging scroll 133 × 33 cm; 133 × 33 cm S$ 5,000 - 7,000 US$ 3,580 - 5,000

崔大地

書法對聯

水墨 紙本 立軸 上聯:少吃苦日苦 下聯:多吃苦日甜 款識:書並大地(左中) 鈐印:大地(左中) 崔(左中)

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SEE HIANG TO (Singaporean, 1906-1990)

Calligraphy signed in Chinese and stamped with two seals of artist lower left ink on paper, hanging scroll 119 × 29 cm S$ 1,500 - 2,500 US$ 1,080 - 1,790

施香沱

節臨週鑄公簠銘

水墨 紙本 立軸 1964 年作 款識:節臨週鑄公簠銘 甲辰大除夕守歲 香沱 (左下) 鈐印:八郎(左下) 香沱(左下)

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SEE HIANG TO (Singaporean, 1906-1990)

Calligraphy signed in Chinese and stamped with two seals of artist lower left ink on paper, hanging scroll 118 × 27 cm S$ 1,500 - 2,500 US$ 1,080 - 1,790

施香沱 書法

水墨 紙本 立軸 1976 年作 款識:歲丙辰九月 香沱(左下) 鈐印:香沱七十歲後作(左下) 一方(左下) 49

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REV. SONG NIAN (Singaporean, 1911-1997)

Landscape inscribed and signed in Chinese upper left; stamped with two seals of artist upper left and another seal lower right ink on paper, hanging scroll 136.5 × 68 cm S$ 6,000 - 8,000 US$ 4,290 - 5,720 Provenance Acquired directly from Rev. Song Nian Private collection, Singapore

松年法師 山水

水墨 紙本 立軸 款識:江上清風 山間明月 松年(左上) 鈐印:兩方(左上) 延年益壽(右下) 出處 直接得自松年法師 新加坡私人收藏

The art of Reverend Song Nian is considered the national treasures of Singapore. Ordained at the age of 16, he took over the abbotship at the Phou Tai Kok Temple in 1964. Spanning his entire life, Rev. Song Nian pursued various art forms along with his Buddhist practice. His calligraphy, painting, and sealcarving works hold transcendent qualities which are beyond common artistic appeal. 松年法師的藝術一向被認為是新加坡的國寶。在16歲 時,他剃度出家,並在1964年成為了新加坡Phou Tai Kok寺的主持。在他的一生中,松年法師一邊修行, 一邊通過對各種藝術形式的研究來修身養性。他的書 法,繪畫以及印章雕刻都有著卓然不群的造就,擁有 高度的靈性。

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REV. SONG NIAN (Singaporean, 1911-1997)

Landscape inscribed and signed in Chinese upper right; stamped with three seals of artist upper right left and another seal lower left ink on paper, hanging scroll 136.5 × 68 cm S$ 6,000 - 8,000 US$ 4,290 - 5,720 Provenance Acquired directly from Rev. Song Nian Private collection, Singapore

松年法師 山水

水墨 紙本 立軸 款識:志中守朴 松年(右上) 鈐印:延年(右上) 煙水老人(右上) 松年(右上) 延年益壽(左下) 出處 直接得自松年法師 新加坡私人收藏 The two paintings presented in the auction this time are rather rare large-scale landscape pieces of Rev. Song Nian. The jagged mountains rising upon one another are creating magnificent and boundless space and depth within the two-dimensional canvas. The distinctive wrinkling brushwork offers a meditative and soothing effect that isolates the external noise and disorder. In one of the landscapes, an elder monk is spotted standing still on a mountain top, alluding the reverend himself, implying that he has already seen through the vanity of life and the chaos of the world. In the other painting, although the abbot is not present within, he is in fact looking from the same angle as the viewer, as if he is standing together with us, suggesting that there is Buddha in the heart of every one of us. 本次拍賣會上的兩幅作品,都是松年法師少見的大型風 景畫作品。山峰層巒疊嶂,此起彼伏,他在二維的畫布 上創造了宏偉無邊界的空間和深度。獨特的皴筆技法又 好似產生了冥想和舒緩的效果,能把噪音和混亂隔離在 外。在其中一副風景畫中,有一位高僧立於山頂,似乎 是松年法師自己,暗示著他已然看透了世間的紛爭與浮 華。在另一幅畫中,雖然高僧沒有畫在其中,但卻能表 示法師其實是從與觀者相同的角度望出去,就彷佛他同 我們站在一起,也間接說明了人人心中都能有佛,佛就 在心中。

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Swallows on Branches inscribed and signed in Chinese upper right; stamped with a seal of artist upper left ink and colour on paper, hanging scroll 67 × 34 cm

Crested Myna on Lychee Branches inscribed and signed in Chinese upper right; stamped with two seals of artist upper left and lower left ink and colour paper, hanging scroll 136 × 33 cm

FAN CHANG TIEN (Singaporean, 1907-1987)

S$ 1,800 - 2,800 US$ 1,290 - 2,000

范昌乾 花鳥圖

彩墨 紙本 立軸 1983 年作 款識:知花遲早必然開 興趣燕成拾聲來     莫道地偏無鼓吹 聽禽唱和踏徘徊     癸亥畫 范昌乾(右上) 鈐印:昌乾(左上)

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FAN CHANG TIEN (Singaporean, 1907-1987)

S$ 3,000 - 5,000 US$ 2,150 - 3,580

范昌乾

荔枝香鳥兒歡

彩墨 紙本 立軸 1982 年作 款識:熱旋香氣荔枝香 鳥小果粗乏力嘗     未是蝦蟆心裡物 粒怡卻喫是何妨     天氣不是香氣 壬戌嵗畫 范昌乾(右上) 鈐印:昌乾(左上) 一方(左下)


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FAN CHANG TIEN (Singaporean, 1907-1987)

Pine Trees and Cranes inscribed and signed in Chinese upper right; stamped with two seals of artist upper left and lower right ink and colour on paper, hanging scroll 177 × 48 cm S$ 12,000 - 16,000 US$ 8,580 - 11,430

范昌乾 松鶴圖

彩墨 紙本 立軸 1982 年作 款識:九霄頻喚過南湖 萬里雲山無阻趨     松黛參天樓穩寒 蓬萊何向去來無     壬戌嵗 范昌乾(右上) 钤印:昌乾(左上) 一方(右下)

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WU TSAI YEN (Singaporean, 1911-2001) Fishes inscribed and signed in Chinese upper left; stamped with a seal of the artist lower left ink and colour on paper, hanging scroll 80 × 46 cm S$ 2,000 - 3,000 US$ 1,430 - 2,150

吳在炎 金魚

彩墨 紙本 立軸 1962 年作 款識:祖賢吾兄法正 壬寅秋月在炎指畫於 星洲定盧(左侧) 钤印:一鵬(左下)

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WU TSAI YEN (Singaporean, 1911-2001)

Crysthanamum inscribed and signed in Chinese upper right and upper left; stamped with three seals of the artist upper right, middle left and lower right ink and colour on paper, framed 124 × 58 cm S$ 15,000 - 20,000 US$ 10,720 - 14,290

吳在炎 菊

彩墨 紙本 立軸 1950 年作 款識:新加坡美國新聞學圖書館開幕紀念吳在 炎謹贈一九五零年五月二日(右上) 庚寅春初 在炎指畫 得先題時同客星洲 (左上) 钤印:吳(右上) 吳(左中) 一方(左中) 另一方(左下)

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NAI SWEE LENG (Singaporean, b.1964)

Kois in the Lotus Pond titled and signed in Chinese upper left; stamped with two seals of artist middle left and another seal lower right ink and colour on paper 105 × 246.5 cm S$ 28,000 - 50,000 US$ 20,000 - 35,720 accompanied by a photo of Singapore fifth President Ong Teng Cheong and the NAFA principal-to-be Ho Kah Leong with this painting

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賴瑞龍 魚樂圖

彩墨 紙本 1995 年作 款識:魚樂圖 九五年 瑞龍畫(左上) 钤印:賴瑞龍印(左中) 另一方(左中) 附新加坡第五任總統王鼎昌和南 洋藝術學院前院長何家良觀看本 作品時照片


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Kois in the Lotus Pond was completed by Nai in 1995 to celebrate the thirtieth birthday of Singapore. The work itself was featured in the National Day Exhibition where the President of the time Ong Teng Cheong and the NAFA principal-to-be Ho Kah Leong were also present. This painting has captured a charming scenery that depicts nine koi in a lotus pond. Number nine is a symbol of longevity and great fortune while lotus signifies purity and grace. More notably, the painting has an impressive large scale that catches the attention with just one glimpse. The well-balanced composition and the vivid strokes enlivened the artwork, and its highly-regarded artistic expression is a pleasure to both the eye and the heart.

此副《魚樂圖》創作于1995年,是賴瑞龍為慶祝新加坡30周年國 慶時所創作,并在國慶藝術展覽上展出。新加坡第五任總統王鼎昌 和南洋藝術學院前院長何家良也出席本次畫展並合影留念。這幅 畫描繪了九條錦鯉悠然自得地在美麗的荷花池中暢游的景象。數字 九是長壽和財運的象徵,而蓮花代表純潔和恩典。更難得的是,這 是一幅賴瑞龍少有的大幅水墨作品。其畫中平衡的組合和生動的筆 觸,表達了藝術之美帶給觀者愉悅美好。

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NAI SWEE LENG (Singaporean, b.1964)

Pomegrante titled and signed in Chinese upper left; stamped with four seals of artist upper left, lower left and middle right ink and colour on paper 68 × 68 cm S$ 5,000 - 7,000 US$ 3,580 - 5,000

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賴瑞龍 珠璣圖

彩墨 紙本 立軸 1996 年作 款識:丙子歲 中秋節 瑞龍作(左上) 钤印:瑞龍(左下) 養硯堂(左下) 藝術家之印(右中)


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KOH MUN HONG (Singaporean, b.1952)

Calligraphy and Still Life inscribed and signed in Chinese; stamped with ten seals of the artist ink and colour on paper 26.5 × 51.5 cm (top) 36 × 51.5 cm (bottom); 26.5 × 51.5 cm (top) 36 × 51.5 cm (bottom) S$ 8,000 - 12,000 US$ 5,720 - 8,580 The artist received Cultural Medallion award 2016

許夢豐

薔薇花 / 牡丹

設色 紙本 鏡芯 1990 年作 款識:錄花史東坡集二則 庚午冬月 夢豐(左上)     薔薇花一瓶 置書齋案頭 自有一種活潑生趣非他花可比     庚午秋月寫貽 雪彬小妹清玩 夢豐(左下)     庚午 夢豐(右上)     四月新來三月還 一春光景鏡中看 東風如逐     情濃處 吹落桃花放牡丹 戲寫牡丹一枝予     雪琳小妹 夢豐(右下) 钤印:許 夢豐(左上)夢豐(右上)     許 夢豐(左下)夢豐(中下) 藝術家是2016年新加坡文化獎得主

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LIM MU HUE (Singaporean, 1936-2008)

Lust titled and signed in Chinese upper right; stamped with two seals of artist upper right and lower left pastel on paper 74 × 50 cm S$ 6,000 - 8,000 US$ 4,290 - 5,720

林木化 性也

粉彩 紙本 款識:性也 木化 猴年(右上) 钤印:木化 ( 右上 ) 林木化印(左下)

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LIM MU HUE (Singaporean, 1936-2008)

Friendship inscribed and signed in Chinese upper right; stamped with two seals of artist upper right and lower left pastel on paper 49.5 × 64 cm

林木化 友誼圖

粉彩 紙本 款識:友誼圖相携龍汀去龍年重九後三天 木化正华(右上) 钤印:林木化字木炭(右上) 林師聚物(左下)

S$ 6,000 - 8,000 US$ 4,290 - 5,720

‘Singaporean Art’

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GOH BENG KWAN (Singaporean, b.1937)

Green Grass by the River Bay signed in Chinese lower left; stamped with two seals of the artist lower left ink and colour on paper, hanging scroll 68 × 34 cm S$ 4,000 - 6,000 US$ 2,860 - 4,290

吳珉權

青青河邊草

彩墨 紙本 立軸 1993 年作 款識:吳珉權(左下) 钤印:珉權畫印(左下) 癸酉年(左下)

The Cultural Medallion Award winner Goh Beng Kwan is a pioneer artist, well-known for his abstract and collage paintings. Under the influence of Chen Wen Hsi, Goh draws inspirations from various sources including calligraphy, batik, as well as western art. The Green Grass by the River Bay is a very rare piece given its hanging scroll format. The verdant grass is popping out from the canvas contrasting with the earthy background. The swift strokes of Goh are as if introducing an abrupt wind to the vista depicted. 新加坡國家文化獎章獲得者吳珉權是一位先鋒派藝 術家,以其抽象和拼貼畫著稱。在陳文希的影響 下,吳珉權從包括書法,蠟染和西方藝術的各種領 域中獲取靈感。《青青河邊草》是畫家一副非常罕 見的立軸形式的作品。青翠的草地從畫布上跳脫出 來,與大地色的背景形成鮮明的對比。畫家輕快的 筆法也似乎給他所描繪的風景帶來陣陣微風。

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64

TAN TEO KWANG (Singaporean, b. 1941)

Jiawu Series (Horse Series) signed, dated 2014 and stamped a seal of the artist lower right arcylic on canvas 120 × 60 cm S$ 6,500 - 8,500 US$ 4,650 - 6,080

陳潮光

甲午系列(馬年)

壓克力 畫布 2014 年作 款識:藝術家簽名 2014(右下 ) 钤印:陳潮光(右下)

64

‘Singaporean Art’

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YEO HOE KOON (Singaporean, b.1935) Landscape signed lower right ink and colour on paper, framed 77 × 52.5 cm S$ 7,000 - 10,000 US$ 5,000 - 7,150

楊可均 山水

彩墨 紙本 鏡芯 款識:Hoe Koon(右下)

66

TAN OE PANG (Singaporean, b.1947)

Untitled (Rambutan) signed in Chinese and stamped with a seal of the artist upper left ink and colour on paper, framed 234 × 51.5 cm S$ 15,000 - 22,000 US$ 10,720 - 15,720

陳有炳 無題

設色 紙本 鏡芯 款識:有炳寫 ( 右上 ) 钤印:一方(右上) 66


67

TAN JOO JONG (Singaporean, 1951-1984)

Eagle signed in Chinese and stamped with a seal of the artist upper right ink and colour on paper, hanging scroll 73 × 43.5 cm S$ 4,000 - 6,000 US$ 2,860 - 4,290

陳有勇 鷹

設色 紙本 立軸 1982 年作 款識:壬戌年 有勇作(右上) 钤印:有勇(右上)

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68

TAN JOO JONG (Singaporean, 1951-1984)

Fish signed in Chinese and stamped with a seal of the artist upper left ink and colour on paper, hanging scroll 68 × 45 cm S$ 4,000 - 6,000 US$ 2,860 - 4,290

陳有勇 魚

設色 紙本 立軸 1982 年作 款識:壬戌年 有勇戲筆(左上) 钤印:有勇(左上)

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‘Singaporean Art’

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THAWAN DUCHANEE (Thai, 1939 - 2014) Mountain Buffalo signed and dated 89 upper left ink on paper, framed 109 × 78 cm S$ 12,000 - 18,000 US$ 8,580 - 12,860 Literature Provenance Acquired directly from the artist Private Collections, Singapore

塔萬·杜查尼 水牛

水墨 紙本 鏡芯 1989 年作 款識:THAWAN 89 BKK(左上) 出處 購自於藝術家本人新加坡私人收藏

69

Thawan Duchanee is best-known for his depiction of animals and beasts. In the painting Mountain Bull, artist chose heavy ink and tough lines to portray the obstinate animal. The well-balanced composition strikes a stable triangle structure in the painting, and the monochrome tone offers a convincing and sincere impression to the viewer. The arching back of the bull, the lifted tail, the tilted head and horns, and the muscular limbs are filling to the edge of the canvas, as if the infuriated bull is about to break the frame and rush out from the surface.

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塔萬·杜查尼最出名的是他所創作的動物和野獸。在這幅《水牛》 圖中,藝術家選擇用濃墨重彩和堅韌的線條來描繪這樣一頭頑固的 物種。他以三角形構圖創建了一個穩定的框架,選取簡單沉穩的 顏色增加厚重感。公牛拱起的後背,翹起的尾巴,傾斜的頭部和雙 角,以及發達的四肢填滿了整個畫布,猶如一頭憤怒的公牛即將要 奪眶而出。


70

REARNGSAK BOONYAVANISHKUL (Thai, b.1961) The Great Glory signed, numbered 11/12, dated 2014 and titled on the base bronze 124 × 90 × 50 cm S$ 25,000 - 35,000 US$ 17,860 - 25,000

朗薩

至尊榮耀

銅 2014 年作 款識:Rearngsak 11/12 2014 The Great Glory(底部)

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‘Thai Art’

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RUFINO TAMAYO (Mexican, 1899-1991)

RUFINO TAMAYO

Arriero signed and dated 1980 upper right oil, crayon and clay on burlap 50 × 40 cm

馬夫

油彩 蠟筆 黏土 麻布 1980 年作 款識:Tamayo 1980(右上)

S$ 50,000 - 80,000 US$ 35,720 - 57,150 Provenance Private collection, Houston Texas, United States Accompanying the work is a Mr. Bill Martin Certificate of Authentication Private collection, South Carolina, United States Private collection, Indonesia

Born in 1899 in Mexico, Rufino Tamayo had a brief drawing training in the 1910s but decided to devote most of his time to study art by himself. Together with his contemporary artists such as Diego Rivera and David Alfaro Siqueiros, Tamayo’s work successfully attracted international attention for Mexican art. Highly influenced by cubist and surrealist movements, Tamayo played with lines, forms and perspectives to create geometric and transfigured subjects. His work is an ingenious assembly of simple motifs and minimal palette which embodies metaphorical meanings and mysterious forces. The painting Arriero portrays a profile of a man wearing a tall hat. The orange coloured figure is contrasting strongly against the blue background, drawing the focus directly towards the dissected face. The facial expression is intriguingly enigmatic, as if both happiness and sadness are presented at the same time.

出處 出處美國德克薩斯州休斯敦私人收藏美國南卡羅來納州私 人收藏印度尼西亞私人收藏附Bill Martin認證證書

Rufino Tamayo於1899年出生在墨西哥,他在1910年代接受過短 暫的繪圖訓練,但很快他就決定用接下來主要的時間自己去研究 藝術。和他同輩的藝術家一起,如Diego Rivera和David Alfaro Siqueiros,Tamayo的作品成功吸引了國際畫壇對墨西哥藝術的 關注。受到立體派和超現實主義的影響,Tamayo對線和麵進行巧 妙地處理來創造變形的幾何圖案以呈現非常規的視覺效果。即使只 是簡單的圖形和少數的顏色也似有無窮的隱喻和神秘力量。 這幅《馬夫》描繪了一個戴著高帽男人的側顏。橙色的人物與藍色 的背景產生強烈的對比,將人們的視線直接聚焦到以線條勾勒的臉 部輪廓。人物的面部表情引人入勝,神秘難解,好像同時寫著幸福 和悲傷。

Cara Azul (1973)

Niño en la ventana (1963)

oil on canvas  30.5 × 45.7 cm

oil on canvas  48.3 × 66 cm

oil on canvas  80 × 99.7 cm

Sold for USD 223,500

Sold for USD 331,500

Sold for USD 2,167,500

Christie's , New York, 22 Nov 2016

Christie's , New York, 22 Nov 2016

Christie's , New York, 22 Nov 2016

Sandías (1969)

‘Mexican Art’

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SHI HU (Chinese, b.1942)

Washing Hair by the River titled in Chinese upper right; signed and stamped with a seal of the artist lower right ink and colour on paper, framed 134 × 67 cm S$ 15,000 - 20,000 US$ 10,720 - 14,290 Literature Art of China, Hong Kong, 1990 December edition, page 87

石虎

關雎圖

彩墨 紙本 鏡芯 款識:關雎圖 ( 右上 ) 石虎(右下) 钤印:石虎(右下) 出版 1990年《中國文物世界·1990 十二月刊》中國文物世界 出版社 第87頁 Coming out from a small village under the Taihang mountains in He Bei province, Shi Hu enrolled in the Beijing College of Art and Design when he was sixteen years old. Subsequently, he pursued further education at the Zhejiang Academy of Art before he started an active journey around China to experience life. He served in the army for six years followed by another sketching trip to thirteen countries in Africa. All of these has made a profound impact on the artist’s creativities.The artist himself is often considered the “Picasso of the East”. In the Washing Hair by the River, Shi has depicted three ladies bathing beside the river. The idea of the work came from the ancient poem collection The Book of Odes and Hymns. The half-naked beautiful women, the lifelike water waves, the ingeniously-rendered plants, together with the artist’s distinctive calligraphy autograph are forming a romantic, idyllic, and rhyming verse, just like how the poem goes:    Guan! Guan! Cry the fish hawks,    On sandbars in the river.    A mild-mannered good girl,    Fine match for the gentleman.

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Provenance Private collection Accompanied with certificate of authenticity signed by the artist

出處 私人收藏 附藝術家簽名證書

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石虎出生在河北太行山下的一個小村莊里,十六歲時進入北京美 術學校。隨後,又繼續在浙江美術學院深造。畢業後,他為了體 驗生活開始了一次漫長的艱辛之旅。他曾在軍隊服役六年,後又 到非洲十三個國家進行寫生。所有的這些經歷都對他的創造力有 著深遠的影響。藝術家常被認為是“東方的畢加索”。 這幅《關雎圖》描繪了三個女人在河邊洗頭。這個題材是來源於 詩經裡的《關關雎鳩》。半裸著的美麗女人,栩栩如生的水波, 巧妙呈現的水生植物,以及石虎獨創的書法題字聚在一起匯成一 首浪漫的田園詩歌,就像詩裡所寫道的: 關關雎鳩 在河之洲 窈窕淑女 君子好逑


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SHI HU (Chinese, b.1942)

Untitled signed and dated 2002 in Chinese middle left oil on canvas 48 × 69 cm

石虎 無題

油彩 畫布 2002 年作 款識:二〇〇二 石虎畫(左中)

S$ 9,000 - 12,000 US$ 6,430 - 8,573 Provenance Private collection Accompanied with certificate of authenticity signed by the artist

出處 私人收藏 附藝術家簽名證書

‘Chinese Art’

85


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JIANG SHUO (Chinese, b.1958)

Co-Guard signed on the underside and numbered edition 7/8 porcelain 35 × 22 × 16 cm; 35 × 22 × 16 cm S$ 40,000 - 60,000 US$ 28,580 - 42,860

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蔣朔

小協管

搪瓷 2013 年作 款識:朔 jiang 7/8(底部)


75

REN ZHE (Chinese, b.1983)

Territory Expansion signed on the back and numbered edition 2/3 bronze 133 × 100 × 68 cm S$ 35,000 - 60,000 US$ 25,000 - 42,860 Provenance HaKaren Art Gallery, Singapore Private collection, Singapore Accompanied with certificate of collection issued by the gallery

任哲

開疆拓土

銅 款識:Ren Zhe(後部) 版數:2/3 出處 新加坡HaKaren藝術畫廊新加坡私人收藏 附HaKaren藝術畫廊收藏證書

75 Graduated from Tshinghua Academy of Fine Arts, Beijing China Ren Zhe is an established contemporary sculptor who has received numerous domestic and international awards. His artworks have been receiving increasing attentions after multiple solo and group exhibitions in China, Singapore, South Korea, United States and many more. He is fascinated about the warrior spirit which is certainly evident in all of his sculptures. The dynamic postures that he has carved out convey vigorous passion and strength. Courage, magnanimity, respect, and honesty, which are Confucius ideology, are manifested in Ren’s works.

任哲於畢業於清華大學美術學院雕塑系,獲得過眾多國內和國際獎 項,已成為備受關注的雕塑藝術家。他對勇士精神十分著迷,這也 都體現在他作品中被賦予的那股力量和熱情。在這些雕塑中,人們 不難發現任哲雕刻出的勇氣,尊重和誠實的特質,這些也都來源於 藝術家所喜歡的儒家理念。

‘Chinese Art’

87


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GUO JIN (Chinese, b.1966)

Hai Xia signed and dated 1998 lower centre oil on canvas 42 × 32 cm S$ 4,000 - 6,000 US$ 2,860 - 4,290

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郭晋 海霞

油彩 畫布 1998 年作 款識:guo jin 1998(中下)


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77

XIAO HONG (Chinese, b.1966)

The Series of Face signed in Chinese and dated 2014.10 lower right oil on canvas 170 × 150 cm

肖紅

脸系列

油彩 畫布 2014 年作 款識:肖紅 2014.10(右下)

S$ 25,000 - 35,000 US$ 17,860 - 25,000

‘Chinese Art’

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CHEN WUJI (Chinese, b.1963)

Wang Wei Passing Through a Temple inscribed and signed in Chinese upper right; stamped with two seals of artist upper right ink and colour on paper, framed 37 × 52 cm S$ 8,000 - 12,000 US$ 5,720 - 8,580

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陳無忌

詩意的香積寺

彩墨 紙本 鏡芯 1993 年作 款識:王維過香積寺詩意 癸酉春陳無忌制(右上) 钤印:陳德法印(右上) 無忌書畫(右上)


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XUE SONG (Chinese, b.1965)

Coca Cola signed lower right; signed in both Chinese and English, dated 20 05 and titled verso mixed media on canvas 60 × 50 cm

薛松

可口可樂

綜合媒材 紙本 款識:薛松(右下) 薛松 xue song 可口可樂(背面)

S$ 7,000 - 10,000 US$ 5,000 - 7,150

‘Chinese Art’

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YOON JONGSEOK (Korean, b.1970)

Whst We Need Now Is... signed and dated 2011 upper right edge acrylic on canvas 182 × 182 cm S$ 15,000 - 20,000 US$ 10,720 - 14,290

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尹鍾錫 獨角獸

壓克力 畫布 2011 年作 款識:yoon jeongseok 2011(右上)


Philippine Art 菲律賓藝術


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FERNANDO CUETO AMORSOLO (Filipino, 1892-1972) Gathering Fruits and Farming in the Field signed and dated 1957 lower right oil on canvas 68 × 53 cm S$ 58,000 - 95,000 US$ 41,430 - 67,860 Provenance Christie's Hong Kong, 29 May 2005, lot 44 Acquired from the above by present owner

Honoured the first Filipino National Artist in 1972 shortly after his death, Fernando Cueto Amorsolo was recognised as a rising star as early as the beginning of the twentieth-century. Born in 1892 in Paco, Manila, Armosolo’s humble origin contributed to the sincere and modest expressions that are manifested throughout his paintings. After the WWII, the subject of Armosolo’s works returned to his favourite countryside scene which portrays the peaceful and contented life of peasants. The Gathering Fruits and Farming in the Field depicts two groups of villagers working diligently in the day. In the foreground, two beautiful Filipina ladies are occupying the central stage, revealing their beautiful necklines and healthy complexion. At distance, the golden haystack, the ploughing farmers, and the blue mountains are constructing a picturesque vista. The exuberant tree standing in the middle ground was meticulously rendered by Armosolo to bridge the foreground and background. The artist was never stingy with the use of light in his paintings. Influenced heavily by European maestros like the Spanish Luminist Joaquín Sorolla, the French Impressionist Claude Monet, as well as the Baroque artist Diego Velázquez during his study in Spain in the 1910s, Amorsolo also became a master in depicting light. In this painting, the sun is shining vigorously over the field with Amorsolo’s skilful brushworks. The painting itself is as if self-luminous even without the addition of external light. The glaring and blazing Filipino sunshine is therefore articulated in its most alluring form.

阿莫索羅 收穫

油彩 畫布 1957 年作 款識:F Amorsolo 1957(右下) 出處 2005年5月29日 香港 佳士得 第44拍品 購自於上述拍賣

1972年,阿莫索羅去世不久後被授予菲律賓第一位國家藝術家。 他在20世紀初已經被公認為是一名冉冉升起的新星。1892年出生 於馬尼拉帕科,阿莫索羅謙遜的出身也表現在其後來作品中的真誠 和溫柔。 第二次世界大戰後,阿莫索羅的作品主題回歸到了他最喜歡的鄉 間,他喜歡描繪村民和平滿足的生活。這幅《收穫》描繪了在田 間努力耕耘的兩組村民。在前景,兩個美麗的菲律賓女人佔據了主 要的舞台,露出她們美麗的頸項和健康的膚色。遠處,金色的干草 堆,耕田的農夫和藍色的山脈構成了一個風景如畫的遠景。畫面中 間茂盛的樹木也被阿莫索羅的巧手精心地勾勒,恰當好處的銜接了 前景和背景。 阿莫索羅不曾吝嗇他對光的描繪。他於20世紀10年代時在西班牙 學習,在此次期間他受到歐洲大師的影響,如西班牙的光亮主義 大師Joaquín Sorolla,法國印象派畫家Claude Monet,以及 巴洛克藝術家Diego Velázquez,阿莫索羅也因此逐漸成為了刻 畫光影的大師。在這幅畫中,阿莫索羅用嫻熟的筆法給大地罩上一 層金光。即使沒有添加外部光源,繪畫本身也好像能發光似的。也 因此,這耀眼的菲律賓陽光被阿莫索羅以其最美的姿態展示了出來。

‘Philippine Art’

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ISABELO TAMPINCO (Filipino, 1850-1933) Young Jesus with Bird engraved I.L.T on bottom right plaster cast 55.9 × 20.3 × 19.1 cm S$ 6,500 - 9,500 US$ 4,650 - 6,790 Literature Literature The Life and Art of Isabelo Tampinco, National Museum Pambansang Museo, Philippine, 2014 , page 303

ISABELO TAMPINCO 小耶穌和鳥

石膏模 款識:I.L.T ( 右底 ) 出版 2014年《The Life and Art of Isabelo Tampinco》 菲律賓國家博物館個出版 第303頁

82 Isabelo Tampinco is one of the greatest Filipino masters in sculpture and woodcarving. He emerged as a serious sculptor when this art form started to receive wider attentions in the Filipino art circle. In a way, his works also encouraged the growing awareness and recognitions for sculptures in the country. The art of Tampinco used to be well-known only within a limited circle of connoisseurs and scholars. With increasing number of studies and publications, a broader audience is starting to get familiar with the extraordinary works of Tampinco.

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Isabelo Tampinco是最偉大的菲律賓雕塑和木雕大師之一。在雕 塑這種藝術形式開始在菲律賓藝術圈內受到認可的時候,也正是他 真正決定成為一名雕塑家的時候。可以說,在某種程度上,正是隨 著他更多作品的問世,雕塑藝術也開始在菲律賓獲得更多的關注。 Tampinco的作品曾經只在有限的鑑賞家和學者圈內聞名,隨著越 來越多的研究和出版物,他開始擁有更為廣泛的觀眾,對他作品的 追求者也在不斷增加。


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ISABELO TAMPINCO (Filipino, 1850-1933) Madonna and Child signed verso plaster cast 22.6 × 20.3 × 39.4 cm S$ 7,500 - 11,000 US$ 5,360 - 7,860 Literature Literature The Life and Art of Isabelo Tampinco, National Museum Pambansang Museo, Philippine, 2014 , page

ISABELO TAMPINCO 麥當娜和小孩

石膏模 款識:藝術家簽名 ( 背面 ) 出版 2014年《The Life and Art of Isabelo Tampinco》 菲律賓國家博物館個出版 第頁

83 The two sculptures Young Jesus with a Bird and Madonna and Child featured in the auction were both included in the book The Life and Art of Isabelo Tampinco published by the National Museum of Philippines. They are plaster-casts accomplished in the 1900s and 1920s respectively. The classical subjects were carved with pristine qualities. The gentle touch on the baby and the loving expression of Madonna in one sculpture are also resonating with the tenderness in Jesus’ posture in the other sculpture. Love, as the eternal topic, is sincerely articulated in the carvings of Tampinco.

這次拍賣的兩個雕塑《小耶穌和鳥》以及《麥當娜和孩童》都收錄 在菲律賓國家博物館出版的《Isabelo Tampinco的生活和藝術》 裡。它們都是在20世紀前20年間完成的石膏鑄造。這些以古典主 義為題材的雕刻有著十分古樸的質地。麥當娜對嬰兒溫柔的觸摸和 她柔軟的眼神也都反映在另一尊小耶穌的雕塑中。愛,這個永恆的 話題,被Tampinco深深地雕刻在他的作品裡。

‘Philippine Art’

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33 Auction


84

ANITA MAGSAYSAY-HO (Filipino, 1914-2012) Love for the Bird signed and numbered 5/12 bronze with brown patina 26.7 × 16.5 × 11.4 cm S$ 18,000 - 26,000 US$ 12,860 - 18,580

安妮塔·馬賽賽·何 愛鳥

銅雕 棕色銅綠 2001 年作 款識:anita(側面) 版數:5/12 本件作品在雕塑家 Jose Mendoza 的協助下鑄造並鑄成青銅

This work was molded and casted in bronze through the assistance of the sculptor Jose Mendoza

出處 2005年5月29日 香港 佳士得 第39拍品購自於上述拍賣

Provenance Christie's Hong Kong, 29 May 2005, lot 39 Acquired from the above by present owner

展覽 2001年 馬尼拉 The Crucible 畫廊

Exhibited Manila, The Crucible Gallery, 2001 “In my works I always celebrate the women of the Philippines. I regard them with deep admiration and they continue to inspire me—their movements and gestures, their expressions of happiness and frustration; their diligence and shortcomings; their joy of living. I know very well the strength, hard work and quiet dignity of Philippine women, for I am one of them.”

“在我的作品中,我總是頌揚菲律賓的婦女。我深深地敬佩她們, 她們持續地給予我靈感—她們的動態和姿勢,她們對幸福和沮喪 的表達,她們的勤奮和短處,她們對生活的喜悅。我非常了解菲 律賓婦女的能量,辛勤工作且沉穩端莊,因為我就是其中之一。” —— Anita Magsaysay Ho

—— Anita Magsaysay

‘alternate views 1’ 「另個角度1」

‘alternate views 2’ 「另個角度2」

‘Philippine Art’

99


85

†85

ROGER SAN MIGUEL (Filipino, b.1940)

Market Scene II signed and dated 10 lower left collage oil on canvas 80 × 120 cm S$ 1,200 - 1,800 US$ 860 - 1,290

100

33 Auction

羅傑 . 聖米 . 格爾 集市 II

拼接 油彩 畫布 2010 年作 款識:R San Miguel 10(左下)


86

†86

ROGER SAN MIGUEL (Filipino, b.1940)

Vendors signed and dated 11 lower right collage oil on canvas 80 × 120 cm

羅傑 . 聖米 . 格爾 小販

拼接 油彩 畫布 2011 年作 款識:R San Miguel 11(右下)

S$ 1,200 - 1,800 US$ 860 - 1,290

‘Philippine Art’

101


33 AUCTION CONDITIONS OF BUSINESS Conditions mainly concerning Buyers 1. The buyer All lots will be invoiced to the name and address given at the time of registration and once it is issued to the allocated buyer’s number it cannot be transferred to other names and addresses. The highest bidder will be the buyer at the ‘hammer price’ and any dispute will be settled at the auctioneer’s absolute discretion. Every bidder will be deemed to act as principal unless there is in force a written acknowledgement by 33 Auction that he/she acts as agent on behalf of the named principal. 2. Minimum increment The auctioneer will have the right to refuse any bid which does not exceed the previous bid by at least 5% or by such other proportion at his/her absolute discretion. 3. The premium A Buyer's Premium will be added to the hammer price and is payable by the buyer as part of the total purchase price. The buyer's premium is 20% on the first SGD 250,000 of the hammer price of each lot plus 15% of any sum in excess of SGD 250.000. Lots indicated in the catalogue with the sign † will have GST charged on the hammer price and will be payable by the buyer.

11. Legal Costs The buyer shall be responsible for the payment of 33 Auction’s legal costs calculated on the scale as between attorney and its own client incurred in the enforcement of 33 Auction’s rights irrespective of whether 33 Auction institutes legal proceedings or not. 12. Liability of 33 Auction and sellers a) Goods auctioned are usually of some age. All goods are sold as it is with all faults and imperfections and errors of description. Illustrations in catalogues are for identification only. Buyers should satisfy themselves prior to sale as to the condition of each lot and should exercise and rely on their own judgement as to whether the lot accords with its description or not. Subject to the obligations accepted by 33 Auction under this condition, neither the seller, 33 Auction, its servants or agents is/are responsible for errors of descriptions or for the genuineness or authenticity of any lot. No warranty whatsoever is given by 33 Auction, its servants or agents, or any seller to any buyer in respect of any lot, and any express or implied conditions or warranties are hereby excluded. b)

4. Absentee bids. Upon request, 33 Auction shall execute absentee bids on behalf of intending buyers. This service is free. Lots will be bought as cheaply as is allowed by other bids placed and the seller’s reserves. In the event of identical bids, the earliest will take precedence. When absentee bids are placed by telephone they are accepted at the buyer’s risk, and must be confirmed prior to the sale by letter or facsimile. To ensure a satisfactory service, bidders are urged most strongly to send bids in advanced so that they are received at least 24 hours before a sale. 5. Telephone bids 33 Auction will do its best to accommodate telephone bids from buyers who have made proper arrangements at least 24 hours prior to the sale and subject to the availability of sufficient telephone lines. Because this method cannot be entirely free from risk of communication breakdown, 33 Auction cannot be held responsible for losses arising from missed bids. 6. Company property It is the general policy of 33 Auction to act as agent only for the seller. Circumstances do, however, arise from time to time where 33 Auction or its director/s may have an interest in a lot or lots being offered. In the catalogue, such lots are designated with a next to the lot number. 7. Payment Immediately when a lot is sold the buyer will: a) give to 33 Auction his/her name and address and, if so requested, proof of identity; b) pay to 33 Auction the ‘total amount due’ Any payments by a buyer to 33 Auction may be applied by 33 Auction towards any sums owing by the buyer to 33 Auction on any account whatsoever without regard to any directions of the buyer or his/her agent, whether express or implied. 8. Collection of purchases The ownership of the lots purchased will not pass to the buyer until he/she has made payment in full to 33 Auction of the ‘total amount due’. After an auction, only limited assistance with packing and/or loading of purchases is available from the staff of 33 Auction. Where such assistance is rendered, no liability will devolve on 33 Auction or its staff for any damage that may arise, from whatever cause, during such packing and/or loading. The buyer will at his/her own expense collect the lot purchased immediately after the auction and will be responsible for all packing, removal, storage and insurance charges. 9. Buyer’s responsibility for lots purchased The buyer will be responsible for the loss of or damage to lots purchased from the time of auction to date of collection. Neither 33 Auction nor its employees or agents will thereafter be responsible for any loss or damage of any kind, whether caused by negligence or otherwise, while any lot is in its custody or under its control. 10. Remedies for non-payment or failure to collect purchases If any lot is not paid for in full and taken away in accordance with Conditions 7 and 8, or if there is any other breach of either of those conditions, 33 Auction as agent of the seller will, at its absolute discretion and without prejudice to any other rights it may have, be entitled to exercise one or more of the following rights and remedies: a) to proceed against the buyer for payment and/or damages for breach of contract; b) to rescind the sale of that or any other lots sold to the defaulting buyer at the same or any other auction; c) to resell the lot or cause it to be resold by public auction or private sale and the defaulting buyer will be liable to pay to 33 Auction any resulting deficiency in the ‘total amount due’ (after deduction of any part payment and addition of resale costs) and any surplus will belong to the seller; d) to remove, store and insure the lots at the expense of the defaulting buyer and, in the case of storage, either at 33 Auction’s premises or elsewhere; e) to charge interest at a rate not exceeding 2% per month on the ‘total amount due’ to the extent it remains unpaid for more than 5 working days after the day of the auction; f) to retain that or any other lot sold to the same buyer at the same time or at any other auction and release it only after payment of the ‘total amount due’; g) to reject or ignore any bids made by or on behalf of the defaulting buyer at any future auctions or require and receive a deposit in an amount determined by 33 Auction before accepting any bids in future; h) to apply any proceeds of sale then due or at any time thereafter becoming due to the defaulting buyer towards settlement of the ‘total amount due’ and to exercise a lien on any property of the defaulting buyer which is in 33 Auction’s possession for any purpose.

c) d)

Any lot which proves to be a ‘deliberate forgery’ may be returned by the buyer to 33 Auction within 21 days of the date of auction in the same condition in which it was at the time of the auction, accompanied by a statement of defects, the number of the lot, and the date of the auction at which it was purchased. If 33 Auction is satisfied that the item is a ‘deliberate forgery’ and that the buyer has and is able to transfer a good and marketable title to the lot, free from any third-party claims, the sale will be set aside and any amount paid in respect of the lot will be refunded, subject to the express condition that the buyer will have no rights or claims against 33 Auction if: i. the description in the catalogue at the date of the sale was in accordance with the then generally accepted opinion of scholars and experts or fairly indicated that there was conflict of such opinion; or ii. the only method of establishing at the date of publication of the catalogue that the lot was a ‘deliberate forgery’ was by means of a scientific process not generally accepted for use until after publication of the catalogue, or by a process which was unreasonably expensive or impractical. A buyer’s claim under this condition will be limited to any amount paid in respect of the lot and will not extend to any loss or damage of whatsoever nature suffered, or expense incurred by him/her. The benefit of this condition will not be assignable and will rest solely and exclusively in the buyer who, for the purpose of this condition, will be and only be the person to whom the original invoice is made out by 33 Auction in respect of the lot sold.

Conditions mainly concerning sellers and consignors 13. Inspections 33 Auction shall inspect items brought to its offices or viewed at seller’s domain for potential auction and will advise owners as to the value and suitability within the 33 Auction trade markets. Items of insufficient value or unsuitable for the auction trade must be collected within 7 days after having being notified. Items not collected will be sold in terms of Condition 25. The service is without charge, though in certain instances it may be necessary to charge out-ofpocket and travelling expenses where the seller is out of town. 33 Auction reserves the right to accept or reject any item not meeting 33 Auction’s criteria for the auction trade markets. 14. Seller’s commission A seller’s commission of 10% is payable on the hammer price for lots. 15. Illustration of items in catalogue The seller agrees to have the items illustrated in the auction catalogue. The charge is S$300 per single page, S$500 per double page spread, S$200 per half page, S$150 for one third page, S$ 100 for quarter page and S$800 per gatefold.The featuring of item(s) on the back cover of catalogue and inserts will be chargeable at S$ 2,000 per item, and front cover feature will be chargeable at S$ 3,000 per item. 33 Auction is authorised to feature item(s) as it deems fit, and the sellers shall not request for special featuring of his/her/its auction item(s). 16. Warranty of title and availability a) The seller warrants to 33 Auction and to the buyer that he/she is the true owner of the property or is properly authorised by the true owner and is able to transfer good and marketable title to the property, free from any third-party claims. b) The seller of any property not held by 33 Auction on its premises or under its control, warrants and undertakes to 33 Auction and the buyer that the property will be available and in deliverable state on demand of the buyer. c) The seller indemnifies 33 Auction, its agents and the buyer against any loss or damage suffered by either in consequence of any breach of (a) or (b) above on the part of the seller. 17. Liability for Loss or Damage a) Unless otherwise agreed with 33 Auction in writing in accordance with paragraph (d), 33 Auction will assume liability for loss or damage to any item, commencing at the time that item is received by 33 Auction and ceasing when (i) risk passes to the Buyer of the lot following its sale; (ii) for unsold lots, 45 days after the sale or when the lot is released to the Seller (whichever is earlier) b) The Seller agrees to pay a charge of 1.00% of (i) hammer price if the property sells, or (ii) reserve price if the property fails to sell. c) If any loss or damage should occur to the lot during the period identified in paragraph (a) above, 33 Auction liability to compensate the Seller in respect of that loss shall be limited to the amount set out in paragraph (b)(i) to (ii) as applicable, less Seller’s commission and Expenses. d) The Seller must agree with 33 Auction in writing if it does not wish 33 Auction to accept liability for loss or damage to any item delivered to 33 Auction, and undertake to maintain insurance cover for the item until the Buyer has made payment for the item in full.


18. Reserves The seller will be entitled to place, prior to the auction, a reserve on any lot, being the minimum ‘hammer price’ at which that lot may be treated as sold. A reserve once placed by the seller may not be changed without the consent of 33 Auction. 33 Auction may at its discretion sell at a ‘hammer price’ below the reserve, but in any such cases the sale proceeds to which the seller is entitled will be the same as they would have, had the sale been at the reserve. The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing responsive or consecutive bids for a lot. The reserve, if any, on any one lot will not exceed the low estimate as published in the catalogue. 19. Authority to deduct commission and expenses The seller authorises 33 Auction to deduct commission at the ‘stated’ rates, ‘illustration’ and ‘expenses’ from the ‘hammer price’ and acknowledges 33 Auction’s right to retain the premium payable by the buyers in accordance with Condition 3. 20. Rescission of the sale If before 33 Auction remits the ‘sale proceeds’ to the seller, the buyer makes a claim to rescind the sale under Condition 12 or otherwise and 33 Auction is of the opinion that the claim is justified, 33 Auction is authorised to rescind the sale and refund the buyer any amount paid to 33 Auction in respect of the lot. 21. Payment of sale proceeds Subject to Condition 16 above, 33 Auction will remit the 'sale proceeds' to the seller not later than 35 days after the date of auction, but if by that date 33 Auction has not received the 'total amount due' from the buyer, then 33 Auction will remit the 'sale proceeds' within 5 working days after the date on which the 'total amount due' is received from the buyer. If the buyer fails to pay 33 Auction the ‘total amount due’ within 3 weeks after the auction, 33 Auction will endeavour to notify the seller and take the seller’s instructions as to the appropriate course of action and, so far as in 33 Auction’s opinion it is practicable, will assist the seller to recover the ‘total amount due’ from the buyer. If circumstances do not permit 33 Auction to take instructions from the seller, the seller authorises 33 Auction at the seller’s expense to agree special terms for payment of the ‘total amount due’, to remove, store and insure the lot sold, to settle claims made by or against the buyer on such terms as 33 Auction will in its absolute discretion think fit, to take such steps as are necessary to collect the amount due by the buyer to the seller and if necessary to rescind the sale and refund money to the buyer. If, notwithstanding that the buyer fails to pay to 33 Auction the ‘total amount due’ within 3 weeks after the auction, 33 Auction remits the ‘sale proceeds’ to the seller, the ownership of the lot shall pass to 33 Auction. 22. Charges for withdrawn lots Where a seller cancels instructions for sale, 33 Auction reserves the right to charge both full buyer’s premium and seller’s commission on 33 Auction’s middle estimate of the low and high estimates of the property withdrawn, together with ‘expenses’ incurred in relation to the property. 23. Rights to photographs and illustrations The seller gives 33 Auction full and absolute right to photograph, illustrate, or otherwise produce images, of any lot placed in its hands for sale and to use such photographs and illustrations and any photographs and illustrations provided by the seller at any time at its absolute discretion (whether or not in connection with the auction). 24. Provenance 33 Auction may print in the catalogue the history of ownership of a lot if such information contributes to scholarship or is otherwise well known and assists in distinguishing the item. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons, including a seller’s request for confidentiality or because the identity of prior owners is unknown. 25. Unsold lots and uncollected items 33 Auction reserves the right to sell any unsold lot within 35 working days from the auction date, at the reserve price on behalf of the seller. Where any lot fails to sell after the above period, 33 Auction will notify the seller accordingly. Uncollected items not suitable for auction must be collected within 5 days after being notified of their unsuitability as per clause 13 and failing timely collection they will be dealt with on the basis set out in paragraph 25(c) below. The seller must make arrangements either to re-offer the lot for sale or to collect the lot. If such arrangements are not made: a) within 7 days of notification, the seller will be responsible for any removal and storage expenses; b) within 3 months of notification, 33 Auction will have the right to sell the lot at public auction without reserve and to deduct from the ‘hammer price’ any sum owing to 33 Auction including (without limitation) removal, storage, commission at the stated rates, and other reasonable expenses before remitting the balance to the seller. c) If 33 Auction is unable to sell the lot at a public auction as contemplated in paragraph 25(b) above then 33 Auction is entitled to sell the lot and any uncollected items without auction at the highest attainable price and to deduct from the selling price any sum owing to 33 Auction including (without limitation) removal, storage, commission at the stated rate, and other reasonable expenses before remitting the balance, if any, to the seller. Any shortfall which may be owing by the seller to 33 Auction consequent upon the seller’s failure to collect the unsold lot shall be payable together with interest and legal costs on demand. 26. General conditions and definitions 33 Auction sells as agent for the seller (except where it is stated wholly or partly to own any lot as principal and such lots are identified by ◊ next to the lot number) and as such is not responsible for any default by seller or buyer.

27. Any representation or statement by 33 Auction, in any catalogue, as to authorship, attribution, genuineness, origin, date, age, provenance, condition or estimated selling price is a statement of opinion only. Every person interested should exercise and rely on his/her own judgement as to such matters and neither 33 Auction nor its servants or agents are responsible for the correctness of such opinions. 28. While the interests of prospective buyers are best served by attendance at the auction, 33 Auction will if so instructed execute bids on their behalf. Neither 33 Auction nor its servants or agents being responsible for any neglect or default in doing so or for failing to do so. 29. 33 Auction will have the right, at its discretion, to refuse admission to its premises or attendance at its auctions by any person. 30. 33 Auction has absolute discretion without giving any reason to refuse any bid, to divide any lot, to combine any 2 or more lots, to withdraw any lot from the auction and in case of dispute to put up any lot for auction again. a) Any indemnity under these conditions will extend to all actions, proceedings, costs, expenses, claims and demands whatsoever incurred or suffered by the person entitled to the benefit of the indemnity. b) 33 Auction declares itself to be a trustee for its relevant servants and agents of the benefit of every indemnity under these conditions to the extent that such indemnity is expressed to be for the benefit of its servants and agents. 31. The parties choose domicilium citandi et executandi* at the addresses reflected on the face thereof. Any notice given in connection with this agreement may be delivered by hand; or be sent by prepaid registered post; or be sent by telefax or by email if the domicilium includes a telefax number and/or an email address, to the domicilium chosen by the party concerned. Any notice or process delivered on any party in connection with any matter or subject arising out of this agreement or any notice shall be deemed to have been delivered if handed to any responsible person at the domicilium chosen by any party and it shall not be necessary to hand such processes or notices to any party personally. A notice given as set out above shall be presumed to have been duly delivered:(i) on the date of delivery if delivered by hand or telefax or email; (ii) on the fourth day from the date of posting including the date of posting if posted by prepaid registered post from within the Republic of Singapore. 32. Every auction and all matters concerned therewith including these conditions, will be governed by and construed in accordance with the laws of Singapore and the buyer submits to the non-exclusive jurisdiction of the Singaporean courts. 33. In these conditions: a) ‘catalogue’ includes any advertisement, brochure, estimate, price-list, website content and other publication; b) ‘hammer price’ means the price at which a lot is knocked down by the auctioneer to the buyer; c) ‘total amount due’ means ‘hammer price’ in respect of the lot sold together with any premium chargeable and additional charges and expenses due from the defaulting buyer under Condition 10; d) a ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source, which is not shown to be such in the description in the catalogue and which at the date of the sale had a value materially less than it would have had if it had been in accordance with that description; e) ‘sale proceeds’ means the net amount due to the seller, being the ‘hammer price’ of the lot sold less commission at the ‘stated rates’, ‘expenses’ and any other amounts due to 33 Auction by the seller in whatever capacity and howsoever arising; f) ‘stated rates’ means 33 Auction’s published rates of commission for the time being; g) ‘expenses’ in relation to the sale of any lot means 33 Auction’s charges and expenses for illustrations, special advertising, packing and freight of that lot and any GST thereon; 34. Special terms may be used in catalogues in the description of the lot. Where terms are not self-explanatory and have special meanings ascribed to them, a glossary will appear before Lot 1 in the catalogue of the auction. 35. Data Protection 33 Auction intends to use your personal data for direct marketing with your consent. We would like to use your name, phone number, email and address to contact you about transactions, the events, products and services of 33 Auction and our associated companies. We do not sell or trade Data but it may be provided to (a) 33 Auction associated companies for direct marketing; and (b) third party services providers assisting us with mailing, shipping, legal, accounting, travel and hospitality. When doing so, we will require them to ensure that your Personal Data disclosed to them is kept confidential and secure. Clients will please note that for security purposes, 33 Auction premises are subject to video recording. Telephone calls eg. telephone and internet bidding/voicemail messages may also be recorded. You may access or correct the Data by contacting our Data Quality Representative via email at data@33auction.com 36. The headings in these conditions do not form part of the Conditions of Business but are for convenience only. *domicilium citandi et executandi refers to the address where a summons or other official notice should be served if necessary, which must be supplied by somebody applying for credit or entering into a contract.


33 Auction 拍賣條款

關於競買人及買受人的規定 1. 買受人

所有售出的拍賣品發票抬頭均需為登記競投號牌時的姓名及其地址,而不 得轉讓至他人及其它地址。買受人是指拍賣官落槌確認的最高出價人,落 槌價即為成交價,拍賣官有權平息拍賣中的任何爭議。除非在拍賣日前, 經33拍賣行書面認可某競投人是表明身份的某買受人的代理人,否則該名 競投人應被視為買受人本人。

2. 最低加價幅度

拍賣官有權拒絕加價幅度未超過5%的競投,及有權決定最低加價幅度比例。 3. 買受人酬金 買受人支付成交價外,同意支付於本公司酬金及任何適用之稅項及費用。 酬金費率一概為每件拍賣品成交價首新加坡幣25萬以20%計算,及逾新加 坡幣25萬之部分則以15%計算。本圖錄中有符號†標識的拍品將會收取落槌 價的消費稅,并由買受人支付。 4. 委託競投 經由競投人委託,33拍賣行可以代表競投人進行競投。此項服務為免費。 拍賣品將會以相對於其他競投價及委託人保留價的最相宜的價格買入。若 競投價相同,則最先競投者有優先權。電話競投者自擔風險,必須於拍賣 前以函件或傳真向本公司確認。為確保獲得滿意的服務,強烈建議競投人 確保本公司在拍賣前至少24小時收到您的競投指示。 5. 電話競投 33拍賣行將盡己所能為電話競投提供便利,由於電話線路有限,競投人需 在拍賣前至少24小時安排此項服務。由於電話競投無法完全避免出現通訊 故障的風險,如因此未能作出競投從而造成的損失,新加坡33拍賣行將不 承擔任何責任。 6. 公司資產 新加坡33拍賣行的總體方針是作為委託人的代理人。然而在某些情況下, 33拍賣行擁有某個或某些拍賣品的業權。在拍賣品圖錄中,這樣的拍賣品 將在拍賣品編號旁邊標注。 7. 付款 拍賣品競投成功後,買受人需: a)向33拍賣行提供該買受人的姓名、地址。如需要,一併提供身份證明。 b)向33拍賣行支付全部購買價款。 c)33拍賣行可以申請買受人應向33拍賣行支付的所有款項,無論是從買受 人或是其代理人處,無論明示或默示。 8. 領取拍賣品 買受人向33拍賣行全額支付購買價款後,即可獲得拍賣品的所有權。拍賣 結束後,33拍賣行工作人員對包裝及/或裝貨提供有限協助。提供此項協助 服務時,33拍賣行及其工作人員對在包裝及/或裝貨過程中因此發生的損 失不承擔任何責任。買受人應在拍賣結束後即領取拍賣品,並自負所有費 用。所有包裝、搬運、存儲及保險費用都由買受人承擔。 9. 買受人對其已購拍賣品所承擔的責任 從買受人領取拍賣品之日起,買受人應對其所購拍賣品的毀損、滅失負全 責。即使拍賣品由33拍賣行或其代理人代為保管,33拍賣行及其工作人員 或其代理人對因失誤或其他任何原因所致的該拍賣品的毀損或滅失,不承 擔任何責任。 10. 未付款或未領取拍賣品的補救方法 若買受人未按照本規則第七、第八條的規定全額付款或領取拍賣品,或有 任何違反這兩條規則的行為,作為委託人的代理人,33拍賣行將有權在不 損害委託人其他權利的條件下,採取以下一種或多種措施: a)對買受人提起訴訟,要求支付款項及/或賠償本公司因其違約造成的一切損失。 b)撤銷在同一或任何其他拍賣中向違約買受人售出的該件或任何其他拍賣 品的交易。 c)以公開拍賣或私下售賣方式再次出售該拍賣品。若再次拍賣或以其他方 式出售該拍賣品所得價款低於原拍賣價款的,原買受人應當向33拍賣行支 付全額價款的差額(包括各種費用及再行拍賣的費用),高於原拍賣價款 時,超出部分收益歸於委託人。 d)拍賣品搬運、存儲(無論該拍賣品儲存在33拍賣行或其他地方)和保險 費用均由原買受人承擔。 e)如買受人在拍賣成交日起五個工作日內仍未足額支付購買價款,本公司 將就全額價款按照月息不超過2%收取利息。 f)留置該買受人在同一或任何其他拍賣中拍得的該件或任何其他拍賣品,直 至買受人付清全額購買價款。

g)拒絕該買受人在今後的拍賣中以本人或代理形式作出的任何競買,或者 要求其在今後競買中事先向33拍賣行指定帳號支付保證金。 h)將應付或此後應付於該買受人的出售收益用於結清全部購買價款,且對 無論因何種原因由本公司佔有的該買受人的任何財產行使留置權。 11. 法律費用 無論33拍賣行是否提出法律訴訟,因33拍賣行執行其權利而引致的律師 及其客戶之間產生費用,在此範圍內的33拍賣行的法律費用需由買受人支 付。 12. 關於33拍賣行及委託人的責任 a) 拍 賣品通常有一定年份。所有的拍賣品都以所描述的原樣出售,包含 一切的瑕疵、缺陷及錯誤。拍賣品圖錄僅供參考用。競買人應在拍賣日 前,親自審看擬競投拍賣品之原物,自行判斷該拍賣品是否符合其描 述。委託人及33拍賣行及其工作人員或代理人無需對拍賣品描述中的錯 誤或真偽或真實性承擔任何責任。33拍賣行及其工作人員或代理人或委 託人對任何競買人購買的任何拍賣品不承擔擔保責任。 b) 如 買受人證實拍賣品為贗品,則應於拍賣日後二十一天內將拍賣品退 回33拍賣行,且拍賣品保持與拍賣當日現場的原狀,並附上贗品鑒定說 明、拍賣品編號及購得拍賣品的日期。   如33拍賣行確認本拍賣品為贗品,且買受人對該拍賣品有絕對所有權,   並未在該拍賣品上設定任何債權,則取消此次交易,並將買受人所支付   款項退還。   但如有以下情況之一,買受人無權要求33拍賣行取消交易: (1)拍賣品圖錄對該拍賣品的說明符合當時的有關專家普遍接受的意見,   已經清楚表明專家對於該拍賣品的鑒定意見存有爭議; (2)只能夠用科學方法證明該拍賣品為贗品,而該科學方法是在拍賣結束   才被普遍使用,或僅能用某種方法證明該拍賣品為贗品,而該種方法的   使用費用昂貴或不合實際。 c) 在這種情況下,買受人索賠的金額僅限於買受人為該拍賣品支付的款項,   並不得請求其他任何自然損失或個人損失的賠償。 d) 因本條款而獲得的收益僅授予持有33拍賣行的原發票的買受人,不得轉   讓給他人。 關於委託人及寄售人的規定 13.審查 33拍賣行將審查送至本公司辦公處的預備上拍品,或至委託人處查看,並 根據33拍賣行的市價給予估價建議。若拍賣品價值不足或不適合由本公司 拍賣,則委託人應自收到本公司領取通知之日起五個工作日內取回該拍賣 品。委託人逾期未取走拍賣品的,則本公司將根據條款三十一出售該拍賣 品。此項服務為免費,但在某些情況下可能要求支付現款或因為委託人在 外而產生的旅行費用。33拍賣行有權接受或拒絕任何不適合本公司拍賣標 準的拍賣品。 14. 委託人的酬金 33拍賣行將按落槌價10%收取酬金。 15. 拍賣品圖錄中的內容說明 委託人可選擇在拍賣品圖錄加入拍賣品內容說明。單頁,300新加坡幣;跨 頁,500新加坡幣;折頁,800新加坡幣。圖錄封底及插頁價格為2000新加 坡幣。封面為3000新加坡幣。33拍賣行將全權負責以合適的方式對拍賣品 進行刊載,委託人不得要求以特殊形式登載拍賣品。 16. 所有權擔保及標的轉移 a) 委託人向33拍賣行及買受人保證委託人對該拍賣品擁有絕對所有權及享 有合法的處分權,並未在該拍賣品上設定任何債權。 b) 委託人向33拍賣行及競買人擔保,對於委託人擁有的,業權不歸於33拍 賣行所有的拍賣標的,將按買受人要求轉移給買受人。 c) 若委託人違反上述保證,致使33拍賣行及其代理人或買受人蒙受任何損 失,則委託人應承擔因此發生的一切費用。 17. 丟失和損毀責任 a)除非另有33拍賣行以書面形式同意17(d)之情況外,33拍賣行會承擔拍 品丟失和損毀責任,承保期限是從33拍賣行收到拍賣品之日起,至拍賣會 結束。(i)若拍品成交,保險責任轉移給買受人,(ii)若拍品未成交,保險期 限延45天或自拍品歸還給委託人為止(以較早時間為准)。 b)委託人同意支付的保險費用(i)拍品成交,落槌價之1%,或(ii)拍品 未成交,保留價之1%。 c)若在17(a)情況下,任何物品發生丟失或損毀,33個拍賣行承擔責任並賠 償損失,以彌補委託人的損失,委託人將無需支付17(b)(i)(ii)項(如適用) 的酬金和費用。


d)委託人若無需33拍賣行承擔責任,必須通過書面形式同意33拍賣行無需 承擔委託人任何物品的丟失或損毀的賠償責任,並承諾承保的期限是直到 買受人已付清全部款項為止。 18. 保留價 委託人有權在拍賣前設定拍賣品的保留價,即為拍賣品在拍賣中需達到的 最低“落槌價”。保留價一旦設定,如無33拍賣行的同意將無法更改。當 “落槌價”低於保留價流拍時,為保障委託人的銷售收益達到保留價,33 拍賣行有權將拍賣品以其保留價出售。拍賣人可以代表委託人為任何拍賣 品叫第一口價以開始競投。拍賣人更可代委託人以接連投標或競投的方式 就拍賣品作出競投,直至達到保留價。保留價不得高於在拍賣品圖錄中所 記的拍賣低位估價。 19. 扣除酬金及費用的權利 委託人授權33拍賣行按“落槌價”扣除約定比率的酬金、拍賣品圖錄費用 及其他各項費用,並確認33拍賣行有權根據規則三獲得買受人的酬金。 20. 交易撤銷 在33拍賣行支付出售收益給委託人之前,若買受人根據第十二條款提出撤 銷交易,並得到33拍賣行認同。33拍賣行將有權撤銷交易並退回所有買受 人向33拍賣行支付的購買該拍賣品的款項。 21. 售出收益支付 根據上述規則十六,33拍賣行將在出售日起35天內將畫作、雕塑、雕刻藝 術品、鐘錶的售出收益支付給委託人。但若期限屆滿,33拍賣行仍未收到 買受人支付的全部購買價款,則33拍賣行將在收到買受人支付的全部購買 價款之日起五個工作日內將出售收益支付委託人。 若33拍賣行與買受人之間達成賒欠協定,則33拍賣行將在出售日起35天 或45天之內把出售收益支付委託人,除非與委託人有其他協議。如買受人 在出售日起三周內仍未向33拍賣行支付全部購買價款,33拍賣行將通知委 託人,並獲得委託人的指示,採取適當措施,並在33拍賣行認為實際可行 的情況下,協助委託人向買受人收取全部購買價款。若因條件不容許而致 使33拍賣行無法向委託人獲取指示,則委託人授權33拍賣行(由委託人支 付費用)同意購買價款以特殊付款條件支付,或搬移、存儲及投保已出售 拍賣品;或33拍賣行有權解決買受人提出的索賠或向買受人提出的索賠; 或採取其他必要措施收取買受人拖欠委託人的款項或如需要的話,撤銷交 易並退還買受人所支付款項。若儘管如此,買受人仍未能在出售日起三周 內將全部購買價款支付給33拍賣行,而33拍賣行已將出售收益支付給委託 人,則該拍賣品的所有權歸33拍賣行。 22. 撤回拍賣品的費用 委託人申請撤回拍賣品時,33拍賣行保留對其收取全額買受人酬金及委託 人酬金的權利,金額為所撤回拍賣品高位估價和低位元估價的均價,並收 取該拍賣品相關的所有費用。 23. 拍賣品照片及內容說明 委託人全權授權33拍賣行對出售的拍賣品拍照、做圖錄或通過其他方法製 作圖像,且33拍賣行有權使用這些照片、圖錄以及委託人所提供的照片和 圖錄(無論是否與此拍賣相關)。 24. 拍賣品的出處 若拍賣品出處的資訊擁有學術價值或是為人熟知且能協助鑒別該拍賣品, 33拍賣行會在圖錄內刊印有關資料。然而基於不同原因,委託人或前物主 的身份將不會被曝光,如應委託人要求對其身份保密或前物主的身份不詳 等。 25. 未能出售拍賣品及未領取拍賣品 33拍賣行有權代表委託人在拍賣日起35個工作日之內以保留價出售未賣出 的拍賣品。若屆時期滿,仍未售出,則33拍賣行將通知委託人。委託人應 根據規則十三在收到通知的五天之內領取不適宜拍賣的未售出拍賣品。逾 期仍未領取拍賣品的,按以下25(c)的方法執行。 委託人需安排重新拍賣或取回該拍賣品。否則 a) 委託人未在收到領取通知七日內取回拍賣品的,自負所有的搬移及存儲 費用。 b) 三個月內還未領取的,33拍賣行有權以公開拍賣的方式出售該拍賣品, 並有權從落槌價中扣除賣家應支付的包括但不限於給33拍賣行的搬移、存 儲、固定比率的酬金及其它合理費用,將餘款支付賣家。 c) 若33拍賣行未如25(b)中所預期的通過公開拍賣的方式賣出該拍賣品, 則33拍賣行有權將該拍賣品及其他未領取拍賣品以非拍賣方式所能獲得的 最高價格賣出,並扣除賣家應支付的包括但不限於給33拍賣行的搬移、存 儲、固定比率的酬金及其它合理費用,將餘款支付賣家。因委託人未能領 取未出售拍賣品而造成33拍賣行的損失,原買受人應補足差額,並負擔利 息及所需法律費用。 26. 一般條款和定義 33拍賣行作為委託人的代理人(除了在拍賣品編號旁標注?的表示33拍賣行 擁有該拍賣品全部或部分業權的),對委託人或買受人的任何違約行為不 承擔責任。

27. 33拍賣行在拍賣品圖錄中對任何拍賣品的作者、歸屬、真實性、來歷、 日期、年代、出處、保存情況和估售價,所作的介紹及評價,均為參考性 意見。競買人應親自審看拍賣品原物,並自行判斷。33拍賣行及其工作人 員或其代理人毋需對上述之介紹及評價中的正確性負責。

28.如競買人希望確保競投成功,則應親自出席競投。若33拍賣行被授權代 理競買人競投,則33拍賣行及其工作人員或代理人對競投未成功或代理競 投過程中出現的疏忽、過失或無法代為競投等將不負任何責任。 29.33拍賣行有權拒絕任何人參加拍賣活動或進入拍賣現場。 30.33拍賣行有權拒絕任何競投價,有權撤銷或分拆拍賣品或合併任何兩件 或兩件以上的拍賣品,以及在出現爭議時,有權將拍賣品再次拍賣。 a) 依據這些條款所引發的賠償適用範圍將擴至所有由受賠償人引致或遭受 的訴訟、程式、成本、費用、索賠、請求。 b) 若依據這些條款而產生的賠償是授予33拍賣行的相關工作人員或代理 人,則33拍賣行聲明其為相關工作人員及代理人的賠償收益的受託人。 31.各方選擇domicilium citandi et executandi*(住所)作為聯繫地址。

所有與本協議相關的通知都將以手送、預付費掛號信、傳真或電子郵件方 式(如住所位址中包含有傳真號碼或/及電子郵件位址聯繫方式)發送。發 送給各方的與本協議或通知有關的一切通知在交付給住所處的負責人時, 即被視為成功送達,無需親手交接。 按以下時間送達的通知將被認為是按時送達的: (1)如使用手送或傳真或電子郵件方式,當天送達 (2)如使用預付費掛號信形式,在新加坡境內,從發出日起(含發出日) 四天內送達

32.所有拍賣、事物及本規則都按照新加坡法律進行解釋,並受其管轄,且 買受人服從新加坡法院的非排他性管轄權。

33.本規則內:

a) “拍賣品圖錄”包括宣傳品、小冊子、估價、價目列表、網站內容以及 其他出版物。 b) “落槌價”指拍賣官落槌決定將拍賣品售予買受人的價格。 c) “全部購買價款”指買受人因購買拍賣品而應支付的包括落槌價、酬 金、應由買受人支付的其他各項費用以及因買受人不履行義務而應當支付 的所有費用(見規則十)在內的總和。 d) “贗品”指拍賣品經刻意製造,其作者、來歷、日期、年代、時期、文 化或來源等各方面資料屬偽造,與圖錄說明不符;並且在拍賣日,該拍賣 品的價值大大低於符合圖錄說明的真品的價值; e) “出售收益”指支付委託人的款頂淨額,該淨額為落槌價減去按比率計 算的酬金、各項費用及賣家應支付33拍賣行的其他款項; f) “設定比率”指33拍賣行公佈的當時的酬金比率。 g) “各項費用”指33拍賣行對拍賣品進行拍賣品圖錄及其它形式宣傳品的 製作、包裝、運輸等所收取的費用以及增值稅費用;

34.在拍賣品圖錄中描述拍賣品時,可能使用一些特殊術語。若這些術語並

非不言自明的或是有特殊含義的,則在拍賣品圖錄中的拍賣品介紹前會有 術語辭彙表。

35.資料保障 委託人、競買人及買受人確認並同意,33拍賣行可能向客戶要求提供其個 人資料或向第三方索取有關資料,如姓名、電話、郵箱以及位址,用於運 輸管理,經營業務,市場推廣以及33拍賣行提供的服務,或法律法規規定 的其他用途。在沒有獲得委託人、競買人及買受人(視情況而定)同意的 情況下,33拍賣行不得將該等資料用作其他用途,只用於(a)與33拍賣行合 作用於市場推廣,(b)第三方服務機構用於快遞、法務支持、結算、運輸、 出行及醫療。在提供服務期間,我們會要求他們確保您的個人資訊的保密 和安全。為履行委託人、競買人及買受人所要求之服務,33拍賣行有可能 向第三方(如付運人)披露資料。33拍賣行根據公司的政策要求該第三方 尊重委託人、競買人及買受人(視情況而定)的隱私,對資料保密。客戶 同意本規則,即同意有關披露。 委託人、競買人及買受人應注意保安理由,33拍賣行範圍內可能進行錄影 拍攝。電話對話例如電話競投以及電話留言也可能被錄音。 委託人、競買人及買受人之資料若有更新,請訪問和發送電子郵件至 data@33auction.com,聯繫33拍賣行的資料監管專員修正資料。 36.本規則中所用標題僅為方便參閱而設,不構成本業務股則的一部分 domicilium citandi et executandi(住所)是指法院傳票或其他正式通知 應寄往的地址,當申請貸款和簽訂合同時,必須提供此地址。


4


LOT NUMBER

LOT DESCRIPTION

MAXIMUM SINGAPORE DOLLAR (TICK FOR PHONE BIDS)

Absentee Bidding Form SALE NUMBER    

SG022

SALE  DATE   21 January 2017   IMPORTANT Kindly note that the execution of written and telephone bids are offered as an additional service at no extra charge, and at the bidder’s risk. It is undertaken subject to 33 Auction’s other commitments at the time of the auction. 33 Auction therefore cannot accept any liability for failure to place such bids, whether through negligence or otherwise.

PLEASE SELECT YOUR BIDDING OPTION: WRITTEN BID

PHONE BID

TITLE (MR, MRS, MS, DR) OR COMPANY NAME IF APPLICABLE LAST NAME

FIRST NAME

CLIENT ACCOUNT NO. (IF KNOWN) ADDRESS

Please note that we may contact new clients to request a bank reference. 33 Auction will require sight of government issued ID / Passport and proof of address prior to collection of purchases. All payments are due within 7 days after successful sale. FOR WRITTEN/FIXED BIDS Bids will be executed for the lowest price as is permitted by other bids or reserves. “Buy” or unlimited bids will not be permitted and neither do we accept “plus one” bids. Please place bids in the given order as per catalogue. Alternative bids can be placed by using the word “or” between lot numbers. Where appropriate your written bids will be rounded down to the nearest amount consistent with the auctioneer’s bidding increments. FOR TELEPHONE BIDS Please clearly specify the telephone number on which you may be reached at the time of the sale, including the country code. We will call you from the saleroom shortly before your lot is offered. In the event of identical bids, we will only acknowledge the first bid. Bids must be submitted in Singapore Dollars at least 24 hours before the auction.

(POSTAL CODE) TELEPHONE (HOME/MOBILE)

(BUSINESS/FAX)

EMAIL

TICK IF THIS IS AN UPDATED ADDRESS TELEPHONE NUMBER DURING THE SALE:

1.

(FIRST PRIORITY)

(FOR TELEPHONE BIDS ONLY)

2.

(ALTERNATIVE)

PLEASE SEND OR FAX THIS FORM TOGETHER WITH COPY OF IDENTITY CARD / PASSPORT TO:

33 AUCTION – BID DEPARTMENT 27A Loewen Road Singapore 248839 TEL: +65 67474555 FAX: +65 67474111 EMAIL: bid@33auction.com

I agree that I am bound by 33 Auction Conditions of Business which are published in the catalogue for the sale that govern all purchases at auction that I make. If any bid is successful, I agree to pay the published buyer’s premium on the hammer price.

Signed

Dated

ARRANGING PAYMENT

It is 33 Auction’s policy that all cheque / payments must be cleared before purchases will be released. Payments may also be made by direct debit or telegraphic transfer to 33 Auction account indicated in the invoice. Please include your name, 33 Auction client’s account number and invoice number with your instructions to your bank. Credit card payment (Visa, MasterCard and UnionPay) are also accepted. It is 33 Auction’s policy to request any buyer preferring to make cash payments to provide: proof of identity with attached photograph (example: passport, driving license, identity card) and confirmation of permanent address. Thank you for your kind cooperation. SHIPPING: IF YOU ARE SUCCESSFUL AND WANT US TO CONTACT YOU REGARDING SHIPPING, KINDLY TICK HERE


SG022

2017年1月21日


Lot 41 SRIHADI SOEDARSONO Pare Anom Beauty of Soul  斯里哈迪·蘇達索諾  《心靈美》 6


ADRIEN JEAN LE MAYEUR DE MERPRES 勒邁耶 AFFANDI 阿凡迪 ANITA MAGSAYSAY-HO 安妮塔·馬賽賽·何 AWIKI 羅維奇 BASOEKI ABDULLAH 巴蘇基·阿卜杜拉 CHAN CHANG HOW 陳長豪 CHEN WEN HSI 陳文希 CHEN WUJI 陳無忌 CHIA YU CHIAN 謝玉謙 CHIEU SHUEY FOOK 丘瑞福 CHUA MIA TEE 蔡名智 DONALD FRIEND 唐納德·弗林德 EARL LU 盧明德 ENG SIAK LOY 翁錫禮 ERICA HESTU WAHYUNI 艾麗嘉 FAN CHANG TIEN 范昌乾 FERNANDO CUETO AMORSOLO 阿莫索羅 GOH BENG KWAN 吳珉權 GUO JIN 郭晋 HAJI WIDAYAT 維達雅 ISABELO TAMPINCO ISABELO TAMPINCO JIANG SHUO 蔣朔 KOEBOE SARAWAN KOEBOE SARAWAN KOH MUN HONG 許夢豐 KRIJONO 克利約諾 LAI KUI FANG 賴桂芳 LEE BOON WANG 李文苑 LEO HEE TONG 梁其栋 LIM LEONG SENG 林龍成

36 37 84 39,40 38 25 43,44 78 17,18 11,12 22 34 13 14 30 53,54,55 81 63 76 32,33 82,83 74 29 60 27,28 9,10 21 24 19,20

LIM MU HUE 林木化 LIM TZE PENG 林子平 NAI SWEE LENG 賴瑞龍 ONG KIM SENG 王金成 PAN SHOU 潘受 PUTU SUTAWIJAYA 普圖·蘇塔維賈亞 REARNGSAK BOONYAVANISHKUL 朗薩 REN ZHE 任哲 REV. SONG NIAN 松年法師 ROGER SAN MIGUEL 羅傑 . 聖米 . 格爾 RUDOLF BONNET 约翰·鲁道夫·博内 RUFINO TAMAYO RUFINO TAMAYO SEE HIANG TO 施香沱 SHI HU 石虎 SRIHADI SOEDARSONO 斯里哈迪·蘇達索諾 SUNARYO 蘇納里奧 TAN JOO JONG 陳有勇 TAN OE PANG 陳有炳 TAN TEO KWANG 陳潮光 TAY BAK KOI 鄭木奎 THAWAN DUCHANEE 塔萬·杜查尼 TSUE TA TEE 崔大地 WU TSAI YEN 吳在炎 XIAO HONG 肖紅 XUE SONG 薛松 YEO HOE KOON 楊可均 YEO SIAK GOON 楊昔銀 YOON JONGSEOK 尹鍾錫

61,62 15,16 58,59 26 45,46,47 42 70 75 51,52 85,86 35 71 49,50 72,73 41 31 67,68 66 64 1,2,3,4 5,6,7,8 69 48 56,57 77 79 65 23 80


Lot 32 HAJI WIDAYAT  Going to Market 維達雅 《去市集》

Lot 37 AFFANDI  Boats   阿凡迪  《船》


33 AUCTION SINGAPORE MODERN AND CONTEMPORARY ART

SG022

27A Loewen Road Singapore 248839 | +65 6747 4555 | www.33auction.com

2017 SINGAPORE ART WEEK AUCTION 21 JAN 2017

33 AUCTION PTE LTD

MODERN AND CONTEMPORARY ART

2017年新加坡藝術周拍賣會 2017 SINGAPORE ART WEEK AUCTION SINGAPORE 21 JANUARY 2017 新加坡 2017年1月21日

33 Auction - 2017 Singapore Art Week Auction  

In conjunction with the Singapore Art Week 2017, 33 Auction will be holding a Modern and Contemporary Art Auction on Saturday, 21st January...

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