JEWELLERY & WATCHES
Wednesday 4th March 2026
Starting at 11am
1
OMEGA: GENTLEMAN’S GOLD WRISTWATCH, CIRCA 1952
manual wind sixteen jewel Omega 30T2SC calibre movement numbered 9702418 (manufactured circa 1939), white dial with black Arabic numerals, hands and centre seconds, rounded circular gold case with ‘cornes de vache’ type lugs, snap-on back 9 carat gold hallmarked for Albert Thomas Oliver, London, 1952 and numbered 202, on a crocodile strap with Omega gilt-metal buckle, associated case 33mm diameter
£400-600
2
SMITHS, DELUXE: GENTLEMAN’S CHROME PLATED WRISTWATCH, CHELTENHAM, CIRCA 1960
manual wound Smiths seventeen jewel shockproofed 60464E calibre English movement, signed cream dial with applied Arabic numerals surrounding a dot minute track with chevron decorated centre, circular case with stainless steel snap-on back, with associated leather strap, case 33.5cm diameter
£80-120
3
3
CYMA: STAINLESS STEEL, GOLD AND DIAMOND BRACELET WATCH, CIRCA 2000
quartz movement, white signed dial with single cut diamond hour indicators and date aperture at six o’clock, with a frosted white gold bezel with ribs at the hours, the circular stainless steel case with ribbing to the lugs and matching ribbing to the links of the stainless steel bracelet with double fold clasp, with cushion in its wood box with card outer box, case 35mm diameter
£150-250
4
PEQUIGNET, MOOREA, REF.8816 313: STAINLESS STEEL BRACELET WATCH, CIRCA 1995
Swiss quartz movement, signed white dial with luminous dot indicators and date aperture at six o’clock, circular case with flat bezel etched with Roman numerals, signed case back secured with six screws, ‘Morea’ link bracelet with double fold clasp, with cushion in its signed wood box and outer card box, with guarantee booklet with sale date of 1996, case 33mm diameter
£100-200
5
BULGARI, ‘BVLGARI BVLGARI’, REF.A5055: GOLD AND STAINLESS STEEL BRACELET WATCH, CIRCA 1990
quartz movement, black dial with silvered dash hour indicators between ‘12’ and ‘6’, the gold straight sided circular case with flat bezel inscribed ‘BVLGARI.BVLGARI’, snap on back signed, inscribed ‘QVARTZ’ and with reference and case number ‘7536’, Swiss 18 carat gold assay marks, with integral solid lugs to the bracelet of shaped solid stainless steel links with gold cylinders between, folding clasp with security lock inscribed ‘B’, case 33mm diameter
£1,000-1,500
6
AUDEMARS PIGUET, PROMESSE, REF.67259: LADY’S STAINLESS STEEL AND DIAMOND BRACELET WATCH
quartz movement, plain signed black dial, curved rectangular case set with a row of brilliant cut diamonds above the dial and another below, inscribed to one side ‘AUDEMARS PIGUET’, blue stone cabochon set crown to other, signed case base secured with four screws and numbered E30691, bracelet of barrel and half-barrel shaped links with double fold signed clasp, with cushion in its wood box, case 20mm wide
£1,000-1,500
7
LONGINES: LADY’S GOLD BRACELET WATCH, CIRCA 1965
17 jewel manual wind calibre 410 signed movement, silvered signed dial with gilt baton indicators, circular case with snap on back, integrated textured mesh bracelet with Longines logo to the folding clasp, 9 carat gold hallmarks for D. Shackman & Sons, London, 1965, case 18mm diameter; together with a gold bar brooch, plain with suspension hook, 9 carat gold hallmarked for Birmingham, 1968, 18mm long (2)
£500-600
8
CARTIER, TANK FRANCAISE, REF.2301: STAINLESS STEEL LADY’S BRACELET WATCH, CIRCA 2000
quartz calibre 157 movement, guilloché silvered Roman signed dial with secret signature at ten o’clock, signed case back secured by four screws and numbered CC708177, Tank bracelet with signed deployant clasp and numbered CCEB, case 21mm wide
£700-1,000
9
WHITE GOLD AND DIAMOND LADY’S ART DECO COCKTAIL WATCH, CIRCA 1930
Swiss 17 jewel manual wind movement with cut and compensated balance, silvered guilloché Arabic dial, elongated octagonal case and articulated shoulders millegrain set with single cut diamonds to a fine white gold mesh adjustable bracelet, worn 18 carat gold British hallmarks to case back, clasp to bracelet stamped ‘18ct’ and indecipherable maker’s mark, case 14mm wide
£500-700
10
LADY’S DIAMOND COCKTAIL WATCH, 1920s
the rectangular dial with Arabic numerals to a rectangular cut-cornered case accented with single-cut diamonds, later double leather cord strap
£300-400
CARTIER, BALLON BLEU, REF.3002: GOLD WRISTWATCH, CIRCA 2010
automatic 25 jewel calibre 076 movement, guilloché silvered signed dial with black Roman numerals scalloped at three o’clock and with secret signature at seven, blued steel sword hands, rounded circular case with distinctive blue cabochon mounted crown inset, signed case back secured with eight screws and numbered 93791NX, 18 carat Swiss Convention assay marks, Cartier fishskin strap with Cartier signed gold pin buckle with 18 carat Swiss Convention assay marks, with a ‘Cartier International Service’ red suede pouch, case 36mm diameter
£3,000-5,000
CARTIER, TANK LOUIS CARTIER, REF.78086: GOLD MID SIZE WRISTWATCH, SWISS,
CIRCA 1975
manual wind 28-1 calibre movement, refinished signed dial black enamelled with rectangular minute track surrounded by Roman numerals and ‘PARIS’ to bottom, rectangular 18 carat gold case with rounded sides, back inscribed ‘I’LL ALWAYS LOVE / YOU - CORNELIA’ and numbered 780861120, Swiss assay marks, on an associated black crocodile leather strap, case 23mm wide, with cushion and Cartier box
£3,000-5,000
13
CARTIER, PAIR OF GOLD AND ENAMEL CUFFLINKS, 1920s
each designed as a pair of rectangular cut-cornered links decorated with a geometric black and white enamel pattern, to curb link connecting chains, signed Cartier, Paris, Londres, New York, numbered 3053, French assay marks
£3,000-5,000
14
COLLECTION
OF GENTLEMAN’S CUFFLINKS AND DRESS STUDS
comprising: a pair of 9-carat gold, scroll engraved cufflinks of oval panel design, hallmarks for 9-carat gold, Birmingham 1911, with four associated dress studs, fitted case, a set of three gold dress studs, hallmarks for 9-carat gold Birmingham 1968, cased, and a pair of moss agate cufflinks
£300-500
15
A PAIR OF GOLD AND BANDED AGATE CUFFLINKS, 1950s
each designed as a baton of banded agate to rope work connecting chains
£200-300
16
GRAFF: PAIR OF RUBY AND DIAMOND CUFFLINKS
each rectangular-shaped link inset with lines of calibre-cut rubies and baguette diamonds, to fixed bar connecting links with hinged baton back links each accented with two calibre-cut rubies and a single baguette diamond, signed Graff, Russian assay marks
£2,500-3,500
17
VICTORIAN RUBY AND DIAMOND STICK PIN, 1890s
designed as a fox head, decorated with rose-cut diamonds with cabochon ruby eyes, fitted case stamped A. Louis Reis & Co
£500-700
18
FATIMID GOLD DINAR COIN SET IN AN EGYPTIAN KEYRING, CAIRO, CIRCA 1960
the coin set with four claws to an openwork ring with chain of alternative flat and tubular belcher links to the ring with clip closure, Egyptian ‘14’ carat assay marks throughout keyring, 11.9cm long, 20g
£800-1,200
19
COLLECTION OF JEWELLERY
comprising: a Victorian diamond stick pin, set with an old mine-cut diamond, an Edwardian diamond bar brooch, a Victorian ruby and diamond half hoop ring, hallmarks for 18-carat gold, ring size L, and a cultured pearl ring, stamped 18k, ring size N1⁄2
£400-600
18
20
FOUR VICTORIAN PIQUE
TORTOISESHELL HAIR COMBS, 1890s each decorated with gold pique work
£100-200
21
TWO VICTORIAN
TORTOISESHELL
HAIR COMBS, 1880s
comprising one with pierced scroll carved surmount with seven ball terminals, three other with pierced scroll surmount, one tooth deficient
£100-200
22
FIVE VICTORIAN TORTOISESHELL HAIR COMBS, 1890s
each with pierced scroll carved surmounts
£100-200
23
COLLECTION OF VICTORIAN TORTOISESHELL ACCESSORIES, 1880s
comprising: two hair combs of interlaced design, a cameo brooch depicting the profile of two dancing peasants, a fan with pierced scroll carved guard, leaf deficient, two pairs of lorgnettes and a gilt metal button hook
£100-200
24
VICTORIAN GOLD, AMETHYST, EMERALD AND DIAMOND BRACELET, 1840s
centring on a quatrefoil panel set with a circular-cut amethyst framed by square emeralds and old mine-cut diamonds to the cardinal points, to a tapering articulated foliate and scroll engraved bracelet.
Accompanied with copy of receipt dated 1947.
£2,000-3,000
25
ANTIQUE, EMERALD AND DIAMOND BROOCH, 1800s
designed as a rectangular open work foliate panel decorated with foil backed square emeralds accented with lasque-cut diamonds, supporting two detachable pear-shaped drops, each centring on a facetted pear-shaped emerald, associated case stamped London & Ryde, New Bond Street
£600-1,000
26
TWO PAIRS OF CORAL EARRINGS, MID 19TH CENTURY
comprising a pair of facetted coral bead drops mounted in gold and a pair of hoop design accented with facetted coral beads, mounted in gilt metal
£200-300
29
SEED PEARL AND GOLD NECKLACE, 1800s
composed of fourteen graduated strands of seed pearls to a gold rectangular convex clasp, with glazed hair locket framed by half-pearls, 40cm long
£300-500
28
VICTORIAN GOLD AND DIAMOND SERPENT RING, 1873
designed as a pair of opposing serpents with rose-cut diamond eyes, hallmarks for 18-carat gold, Birmingham 1873, ring size P
£1,000-1,500
31 (illustrated online)
VICTORIAN GOLD AND CITRINE BROOCH/ PENDANT, 1880s
collet set with a cushion-shaped mixed-cut citrine, within a gold geometric frame, pendant loupe, brooch pin deficient
£200-300
30
VICTORIAN GOLD AND DIAMOND BROOCH, 1880s
circular dome design, centring on an old mine-cut diamond framed with rope work detail, glazed locked reverse
£300-400
GROUP OF TORTOISESHELL PIQUE WORK AND MOTHER-OF-PEARL JEWELLERY
comprising two tortoiseshell gold and silver floral piqué work brooches and a single pendent earring, 1860s and a carved mother-of-pearl cameo brooch and pair of matching pendent earrings, depicting the profile of a maiden (6)
£60-100
VICTORIAN RUBY AND DIAMOND BROOCH, 1890s
designed as a Butterfly with articulated wings, decorated with old mine-cut diamonds and circular-cut rubies.
£600-800
VICTORIAN GOLD, ONYX AND PEARL MOURNING BROOCH, 1890s
the shuttle shaped brooch set with an onyx panel applied with a half-pearl star motif, within a bezel of half-pearls, glazed locket to the reverse
£300-500
34
VICTORIAN GOLD AND HALF-PEARL BROOCH, 1890s
designed as a floral spray set with half-pearls, stamped 15ct
£150-200
35 (illustrated online)
EDWARDIAN DIAMOND BAR BROOCH, 1890s
the navette shaped brooch centring on a single lasque-cut diamond within a surround decorated with rope and bead detail, British hallmarks for 9-carat gold, Birmingham 1905, fitted blue velvet case
£50-70
VICTORIAN GOLD, OPAL AND DIAMOND CRESCENT BROOCH, 1890s
designed as a crescent moon set with a graduated line of cabochon opals, accented with old mine-cut diamond detail.
£1,000-1,500
37
EDWARDIAN, SAPPHIRE AND DIAMOND CLASP, 1900s
the shuttle shaped clasp set with an oval mixed-cut sapphire framed by calibre-cut sapphires to a millegrain bezel of circular-cut diamonds
£300-500
38
SOUTH AFRICAN 1/2 POND COIN PENDANT, 1896
applied with a scroll pendant surmount
£400-500
39
VICTORIAN GOLD, SAPPHIRE AND DIAMOND HALF-HOOP RING, 1890s
set with three oval mixed-cut sapphires, accented with circular-cut diamond points, to a pierced scroll gallery, one diamond deficient, ring size M½
£250-350
41
40
EDWARDIAN SILVER AND PASTE DEMI-PARURE
comprising and necklace of floral scroll design set with blue and colourless paste, 43cm long, and a pair of pendent earrings of matching design, some paste deficient, fitted case stamped Carrington & Co, Ltd, 130 Regent St, W1
£200-300
A GOLD AND SHELL CAMEO BROOCH AND TWO BAR BROOCHES
the oval shell cameo to a 9-carat gold collet mount, hallmarks for 9-carat gold, and two Edwardian gold bar brooches
£200-300
42
PICKSLAY & CO: BELLE EPOQUE
SEED PEARL AND DIAMOND BRACELET, 1900s
designed as four uniform rows of seed pearls, each measuring approximately 3.6mm, to a central square panel, pierced and millegrain set with six old mine-cut diamonds, to a baton clasp set with a line of six small old mine-cut diamonds, signed Pickslay & Co, 18cm long, case stamped S.J.Phillips Ltd, 189, New Bond Street, London, W1
£3,000-5,000
43
EDWARDIAN GOLD, TOURMALINE AND HALF-PEARL HINGED BANGLE, 1909
scroll design set with two circular tourmalines, accented with half-pearls, one pearl deficient, hallmarks for 9-carat gold
£150-250
44 (illustrated online) SILVER AND PASTE PENDANT, 1900s
designed as an openwork heart with swing centre and scroll surmount set with colourless paste, mounted in silver, 8cm long.
£40-60
BLACK OPAL, SAPPHIRE AND DIAMOND BROOCH, 1920s
centring on an oval cabochon black opal, accented to the cardinal points with calibre-cut sapphires and single-cut diamonds
£1,000-1,500
46
RUBY AND DIAMOND PANEL RING, 1920s
the tonneau shaped bezel decorated with circular- and rose-cut diamonds, accented with French-cut ruby detail, ring size O½
£400-500
47
DIAMOND RING, 1920s
collet set with a foil backed rose-cut diamond, the shoulders accented with lasque-cut diamonds, ring size O
£300-500
48
GOLD NAVAL CROWN BROOCH, 1920s
stamped 14kct, case stamped Gieves Ltd, 21, Old Bond Street, London, W1
£100-200
CULTURED PEARL AND DIAMOND NECKLACE, 1920s
designed as a single graduated row of cultured pearl measuring from approximately 7.9mm to 3.5mm, to a clasp of geometric buckle design set with single-cut diamonds, 54cm long, cased.
£250-350
50
GOLD, ENAMEL AND DIAMOND, GEORGE V, CYPHER BROOCH, 1920s
the oval open work brooch depicting the cypher of George V within a blue enamel Garter with crown surmount accented with rose-cut diamonds
£400-600
51
ROYAL ARTILLERY REGIMENTAL, SWEETHEART GOLD, ENAMEL AND DIAMOND BROOCH, 1930s
decorated with rose-cut diamonds, with emerald, ruby and pearl accents, and blue enamel motto, case stamped Plante & Johnson Ltd, 12 Bury Street, St James’s, London, SW1
£600-800
52
SAPPHIRE AND DIAMOND BROOCH, 1930s
designed as an open work geometric bow shaped panel set with circular-, single-cut and baguette diamonds, accented with three oval mixed-cut sapphires
£800-1,200
53 (illustrated online)
MIRIAM HASKELL: TWO IMITATION
PEARL NECKLACES, 1950s
comprising a necklace design as two graduated rows of imitation baroque pearls to a flower clasp, signed Miriam Haskell, 42cm long, and a single row of imitation baroque pearls to a cluster clasp, signed Miriam Haskell, 60cm long
£80-120
54
9-CARAT GOLD CHARM BRACELET
fancy oval rope linking supporting eleven various charms, including a piano, telephone and birdcage, hallmarks for 9-carat gold, 18cm long, 22.33 grams
£600-800
55
AQUAMARINE RING, 1960s
claw set with an oval mixed-cut aquamarine, within a textured scroll mount, stamped 585, ring size T
£200-300
56
COLLECTION OF ELEVEN GEM-SET RINGS
including: a diamond cluster ring, hallmarks for 9-carat gold, four gem-set band rings, three with hallmarks for 9-carat gold, three stone rings, two band rings and a diamond and sapphire two-stone ring
£500-700
57
GEM-SET AND DIAMOND BROOCH, 1950s
designed as a floral spray with carved amethyst, aquamarine and rock crystal flowers, accented with circular-cut amethyst, peridot and zircon centres, to a single-cut diamond set ribbon tie
£1,200-1,800
58
PAIR OF AMETHYST AND DIAMOND EAR CLIPS, 1950s
each designed as a Pansy set with oval mixed-cut amethyst petals, accented with old mine-cut diamonds, clip and post fittings.
£1,200-1,800
59
GOLD AND SMOKY QUARTZ COCKTAIL RING, 1950s
centring on a rectangular cut-cornered smoky quartz to a spiral pierced mount, hallmarks for 9-carat gold, ring size P
£300-400
60
PERIDOT AND ENAMEL RING
cluster design, decorated with circular-cut peridot, accented with black enamel, stamped 14k, ring size M
£80-120
(part)
61
COLLECTION OF CORAL JEWELLERY
comprising: a coral cabochon bead bracelet, 18cm long, stamped 14k, two coral rings, stamped 750 and 18k respectively, a pair of coral earrings and a ruby and sapphire eternity ring, stamped 18
£500-600
62
COLLECTION OF JEWELLERY
comprising: an oval eye pendant accented with colourless stone detail a coral bead bar brooch and a 9-carat gold band ring inset with green paste, hallmarks for 9-carat gold, London 1960, ring size Q
£300-500
63
DIAMOND CLUSTER RING, 1960s
the circular bezel set with brilliant-cut diamonds to an open work textured mount, stamped 18ct, ring size O
£500-600
RUBY AND 18-CARAT GOLD NECKLACE, 1961
designed as two strands of flat gas pipe linking, accented with two open work shell motifs, decorated with circular-cut ruby detail, 42cm long, hallmarks for 18-carat gold, London 1961, stamped EJLd for Excel jewellery weight 62.75grams
£3,500-4,500
65
AQUAMARINE SAUTOIR
composed of a single row of eighty-one carved oval aquamarine beads, 132cm long, 134.9 grams
£400-500
68 (illustrated online)
66
STAR SAPPHIRE AND DIAMOND RING, 1950s
centring on an oval cabochon star sapphire within a ribbon tied bezel of single-cut diamonds, stamped 14k, ring size J
£800-1,200
67
SAPPHIRE AND DIAMOND RING, 1978
cluster design claw set with brilliant-cut diamonds and navette sapphires, one sapphire deficient, hallmarks for 18-carat gold, London 1978, ring size L½
£200-300
CULTURED PEARL NECKLACE, 1973
designed as a uniform row of 48 cultured pearls, each measuring approximately 6mm to a gold and garnet clasp, hallmarks for 9-carat gold, London 1973, 40cm long, one garnet deficient
£50-70
69
DIAMOND THREE STONE RING, 1976
claw set with three graduated circular-cut diamonds, British hallmarks for 18-carat gold, Birmingham 1976, ring size I½
£1,200-1,800
70
PASTE AND DIAMOND PENDANT
set with a mixed-cut turquoise paste, framed by brilliant-, single-cut and baguette diamond detail, trace link chain
£150-250
71
PAIR OF OPAL AND DIAMOND PENDENT EARRINGS
each supporting an open work square panel centring on a cabochon opal within a surround of rose-cut diamonds
£80-120
72
DIAMOND RING
designed as a zig zag double line of brilliant-cut diamonds, ring size N½
£300-500
(part)
73
COLLECTION OF JEWELLERY
comprising a coral bead necklace with textured 9-carat gold ball clasp, 69cm long, a lapis lazuli and cultured pearl bead necklace, 56cm long and two silver and cultured pearl brooches
£150-200
74
SAPPHIRE AND DIAMOND BAND RING, 1980s
inset with an oval mixed-cut sapphire accented with brilliant-cut diamond detail to a tapering band, ring size P½
£250-350
75
GOLD BROOCH, 1989
designed as a spray of leaves, hallmarks for 9-carat gold, Birmingham 1989
£300-500
76
SAPPHIRE AND DIAMOND RING
bombe cluster design set with three graduated circular-cut sapphires framed by brilliant-cut diamonds, stamped 18k, ring size Y
£300-500
77
DIAMOND NECKLACE
centring on a crossover motif accented with two brilliant-cut diamonds, to a rope link chain, 41cm long, stamped 750, 12.55 grams
£700-900
78
COLLECTION OF JEWELLERY
comprising, a ruby pendant with curb and baton link chain, stamped 18k, a coral pendant with S link chain, hallmarks for 9-carat gold and a car charm
£200-300
79
A DIAMOND SINGLE STONE RING AND A DOUBLE BAND RING
the diamond ring set with a brilliant-cut diamond, hallmarks for 18-carat gold, ring size J½, and the double band ring, stamped 750, ring size L½, cased
£200-300
80
GOLD AND DIAMOND RING, 1984
the oval open work bezel accented with brilliant-cut diamonds, Hallmarks for18-carat gold, London 1984, ring size N
£250-350
81
PAIR OF RUBY, PINK SAPPHIRE, AND DIAMOND PENDENT EARRINGS
each supporting a square pendant centring on calibre-cut pink-sapphires and rubies to a scroll frame accented with rose-cut diamonds
£80-120
82
GOLD AND DIAMOND SIGNET RING, 1990
the wide tapering band inset with an old mine-cut diamond, hallmarks for 18-carat gold, London 1980, ring size K
£1,000-1,500
83
FOUR PENDANTS AND CHAINS
comprising: an oval shell cameo pendant to a curb link chain, hallmarks for 9-carat gold, a Zodiac pendant to a curb link chain, hallmarks for 9-carat gold, a heart shaped pendant with brilliant-cut diamond detail to a curb link chain, hallmarks for 9-carat gold, and a garnet cross pendant to a fine twisted link chain, hallmarks for 9-carat gold
£600-800
86 (illustrated opposite)
84
DIAMOND TRINITY BAND RING
designed as three interlocking pink, yellow and white bands, each claw set with a line of brilliant-cut diamonds, stamped 750, Italian assay marks, ring size K
Accompanied by a receipt from XIV Karats Ltd, Beverly Hills
£700-900
85
OPAL AND DIAMOND PENDANT
designed as an open work oval panel decorated with cabochon opals and rose-cut diamonds
£100-200
CITRINE TORSADE NECKLACE, 1990s
designed as a torsade of sixteen rows of citrine beads, accented with fluted silver-gilt beads, centring on a Chinese figurative bronze panel, possibly 16th/17th Century, terminating in a citrine tassel, 56cm long, cased
£300-500
87
TWO JADE PENDANTS AND CHAIN
comprising: one of floral design accented with two jade cabochons and one of scroll design accented with two jade cabochons and two brilliant-cut diamonds, both stamped 585, to a fine box link chain, Italian assay marks for 14-carat gold, 6.39 grams
£250-350
88
RUBY AND DIAMOND PENDENT
centring on an oval cabochon ruby within a floral bezel of rose-cut diamonds
£150-250
89
SAPPHIRE, MOONSTONE AND DIAMOND BROOCH/PENDANT
designed as a single flower set with circular-cut sapphires, accented with rose-cut diamonds and cabochon moonstones
£150-250
90
STAR DIOPSIDE AND DIAMOND RING
centring on a cabochon star diopside to scroll shoulders, ring size M
£200-300
91
GOLD, EMERALD AND GEM-SET BROOCH
designed as a Dragonfly, the articulated body set with a graduated line of square emeralds with cabochon garnet eyes and cultured pearl detail, the wings decorated with blue and green plique-à-jour enamel, accented with circular-cut sapphire and single-cut diamond detail, bearing CF makers mark and “Russian 56 zolotnik mark” stamped to brooch pin
£2,000-3,000
92
PERIDOT BRACELET
designed as a series of circular peridots, interspersed with circular links, 21cm long
£300-500
93
PAIR OF EMERALD, SPINEL AND DIAMOND PENDENT EARRINGS
each designed as a Bee, with cabochon emerald body and head with spinel eyes and rose-cut diamond wings
£100-200
94
A TANZANITE AND DIAMOND RING AND A PAIR OF DIAMOND EARRINGS
the ring of band design decorated with navette shaped tanzanites and single-cut diamonds, stamped 9k, ring size O, the earrings decorated with three lines of single-cut diamonds
£300-500
95
BLUE TOPAZ AND LEMON QUARTZ PENDANT
centring on an oval facetted blue topaz, to an oval facetted lemon quartz surmount, mounted in silver to a curb link chain, hallmarks for sterling silver
£300-500
96
CULTURED PEARL AND DIAMOND NECKLACE
composed of a uniform row of 6.6mm cultured pearls, interspersed with gold rondelles, to a shuttle shaped clasp of fluted design accented with single-cut diamonds, 45cm long
£300-500
97
PAIR OF SOUTH SEA BAROQUE CULTURED PEARL AND DIAMOND PENDENT EARRINGS
each supporting a baroque cultured pearl drop to a surmount of Tulip design accented with brilliant-cut diamonds, hallmarks for 18-carat gold
£400-600
98
DIAMOND PENDANT CROSS
Latin design set with lasque-cut diamonds, framed by rose-cut diamonds, to a twisted link chain, mounted in silver and gold
£700-900
99
THREE GEM-SET RINGS
comprising: one set with an oval aquamarine with brilliant-cut diamond set shoulders, ring size O, a tanzanite ring, stamped 9k, ring size M, and a diamond V bar ring, hallmarks for 9-carat gold, ring size Q½
£300-500
100
AMETHYST, RUBY AND DIAMOND PENDANT
centring on an oval mixed-cut amethyst within a foliate frame of rose-cut diamonds, accented with circular-cut rubies, mounted in silver-gilt
£350-450
101
BLUE TOPAZ BRACELET
designed as a series of oval mixed-cut blue topaz, interspersed with cross motifs, 19cm long
£1,000-1,500
102
DIAMOND PENDENT NECKLACE
supporting a pear-shaped pendant illusion set with marquise-, princess-cut and pear-shaped diamonds, to a diamond line necklace claw- and millegrain-set with brilliant-cut diamonds to a bead work back chain, 49.5cm long
£1,000-1,500
103
PAIR OF EMERALD AND DIAMOND PENDENT EARRINGS
each supporting a circular emerald and diamond cluster to a ribbon bow surmount accented with brilliant-cut diamonds
£700-900
104
ENAMEL AND DIAMOND CLUSTER RING
the circular bezel decorated with brilliant-cut diamonds and blue enamel, ring size O
£800-1,200
105
PAIR OF SAPPHIRE AND DIAMOND EAR STUDS
each centring on an oval cabochon sapphire within a surround of brilliant-cut diamonds
£800-1,200
106
CITRINE AND DIAMOND PENDANT
centring on a circular facetted citrine within a scroll frame accented with brilliant-cut diamonds, to a fine double strand curb link chain, Italian assay marks, stamped 750
£800-1,200
107
RUBY AND DIAMOND RING
centring on a line of French-cut rubies, the fan shaped shoulders accented with rose-cut diamonds and French-cut ruby detail, ring size N½
£200-300
108
PAIR OF GEM-SET AND DIAMOND PENDENT EARRINGS
each designed as a spider with oval cabochon ruby body and amethyst head with spinel eyes, the legs accented with rose-cut diamonds
£100-200
109
FANCY LINK LONG CHAIN
fine box linking accented with textured twisted baton motifs, 88cm long, stamped 18ct,17grams
£800-1,200
110
TABBAH: SAPPHIRE, RUBY AND DIAMOND RING
claw set with a heart-shaped sapphire to a wide tapering band accented with navette rubies and marquise-shaped diamonds, signed Tabbah, stamped 750, ring size L½
£1,500-2,500
111
RUBY, EMERALD AND DIAMOND BROOCH/PENDANT
designed as a Frog beneath and umbrella, decorated with rose-cut diamonds, ruby eye and emerald accented black enamel top hat, mounted in silver-gilt
£350-450
112
SAPPHIRE AND DIAMOND RING
collet set with an oval mixed-cut sapphire within a rectangular cut-cornered bezel set with brilliant-cut diamonds, hallmarks for 9-carat gold
£1,000-1,500
113
PAIR OF SAPPHIRE AND DIAMOND PENDENT EARRINGS
each supporting a pear-shaped drop with rose-cut diamond centre, framed by circular-cut sapphires to a similarly set surmount with rose-cut diamond connecting link, 3.5cm long
£2,500-3,500
114
CHANEL: ULTRA GOLD AND BLACK CERAMIC RING
brick link design, signed Chanel, numbered S 35079 T51, stamped 750 with maker’s marks, European convention marks for 18-carat gold, ring size L
£1,500-2,000
115
KYANITE AND DIAMOND STRAP BRACELET
designed as a panel of oval mixed-cut blue kyanites, accented with single-cut diamonds, mounted in silver, threaded on a fabric strap with diamond set clasp, 18cm long
£600-800
117
116
TIFFANY & CO.: GOLD, CULTURED PEARL AND DIAMOND NECKLACE
designed as a uniform row of 27 cultured pearls, each measuring approximately 6.3mm, interspersed with quatrefoil motifs of brilliant-cut diamonds, 40cm long, signed Tiffany & Co, stamped 750, British hallmarks for 18 carat gold
£3,000-5,000
PAIR OF CULTURED PEARL, SAPPHIRE AND DIAMOND PENDENT EARRINGS
each supporting a grey cultured pearl drop, to a shield-shaped surmount set with a pear-shaped sapphire within a bezel of brilliant-cut and baguette diamonds, stamped 750
£2,500-3,500
118
EMERALD AND DIAMOND RING
the oval bezel centring on an oval mixed-cut emerald within a milligrain surround of single-cut diamonds, accented with lines of calibre-cut emeralds, stamped pt950, ring size N½
£1,800-2,200
119
PAIR OF DIAMOND PENDENT EARRINGS
each designed as a tassel of brilliant- and marquise-cut diamonds, clip fittings, stamped 750
£1,500-2,500
120
AQUAMARINE AND DIAMOND RING
collet set with a rectangular mixed-cut aquamarine, within a bezel of brilliant-cut and baguette diamonds, stamped pt950, ring size N
£1,800-2,200
121
PAIR OF MORGANITE AND DIAMOND EAR STUDS
each set with a pear-shaped morganite within a bezel of brilliant-cut diamonds, stamped 750
£1,200-1,800
122
RUBY AND DIAMOND COCKTAIL RING, 1997
centring on an oval cabochon ruby within a brilliant-cut diamond bezel, to a wide tapering mount accented with brilliant-cut and marquise diamonds, cabochon rubies and channel set lines of calibre-cut rubies to the shoulders, Hallmarks for 18-carat gold, London 1997, ring size P
£3,000-5,000
123 (illustrated opposite)
SPINEL BEAD, SEED PEARL, DIAMOND AND ENAMEL NECKLACE, INDIAN, LATE 19TH CENTURY
composed of seven graduated rows of oval spinel beads, interspersed with seed pearls, terminating in a pair of chevron-shaped panels set with foiled lasque-cut diamonds and cabochon rubies, with red, green and white enamel decoration to the reverse, to an adjustable cord back chain, shortest spinel bead row 42cm long, excluding cord back chain
£10,000-15,000
BULGARI: MONETE GOLD AND ANCIENT COIN NECKLACE, 1990s
collet set to the centre with an ancient silver coin, the reverse engraved “Campania - Neapolis Att - 3rd Cents B.C”, to a curb link chain, signed Bulgari, Italian assay marks. 43cm long, Bulgari leather case
£12,000-18,000
END OF SALE
Next Jewellery & Watches sale 14th May 2026 closing for entries mid-March
IMPORTANT INFORMATION FOR BUYERS
1. INTRODUCTION
The following notes are intended to assist Bidders and Buyers, particularly those who are inexperienced or new to our saleroom. The sale of goods at our auctions are governed by our Terms of Sale (for Live Auctions or Online Auctions as applicable), our Privacy Policy, the Important Information for Buyers, and any notices that are displayed in our saleroom or announced by the Auctioneer (in the case of a Live Auction) or displayed on any Listing for a Lot in our Online Auction catalogue (in the case of an Online Auction) (collectively, the “Terms and Conditions of Business”). The Terms and Conditions of Business are available for inspection on our Website and at our saleroom on request. Our staff will be happy to help you if there is anything in our Terms and Conditions of Business that you do not fully understand. Please make sure that you read the applicable Terms of Sale carefully before bidding. If your bid is successful, you will be obliged to comply with our Terms of Sale.
2. AGENCY
As Auctioneers we usually act on behalf of the Seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your Contract for your purchase of the goods is with the Seller, not with us as Auctioneer.
3. ESTIMATES
Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular Lot. Estimates may change and should not be thought of as the Lot’s value or predicted sale price. The lower Estimate may represent the Reserve price (the minimum price for which a Lot may be sold) and will not be below the Reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the Auctioneer before the auction of the Lot (for Live Auctions), or on the Listing for a Lot in our Online Auction catalogue before the auction of the Lot (for Online Auctions). They represent a matter of opinion and are not definitive.
4 BUYER’S PREMIUM
The Terms of Sale oblige you to pay a Buyer’s Premium at 25% on the Hammer Price of each Lot purchased. The Buyer’s Premium is subject to VAT at the standard rate (currently 20%).
5. VAT
The following paragraphs are intended to give general advice on VAT for items purchased at auction. We have covered the common situations, and this may not be comprehensive. We are unable to offer Tax advice and we suggest you seek independent advice if you require clarifications or further information.
5.1 Items in our catalogue may be marked in the following ways:
(a) (†) indicates that VAT is payable by the Buyer on both the Hammer Price and the Buyer’s Premium. VAT will be chargeable at the standard rate (presently 20%) for most Lots. Qualifying books will be charged at 0%. This imposition of VAT is likely to be because the Seller is registered for VAT within the UK and is not operating the Dealers’ Margin Scheme on their consignment to us.
(b) (‡) indicates that the Lot has been imported from outside the UK using customs Temporary Admissions procedures. Import VAT of 5% (reduced rate due to nature of the Lot) is due on the Hammer Price and an amount in lieu of VAT at 20% will be included in the Buyer’s Premium. This VAT on the Buyer’s Premium cannot be itemised separately on our invoices. The successful Bidder and therefore Buyer of the Lot will become its importer.
(c) (Ω) indicates that the Lot has been imported from outside the UK using customs Temporary Admissions procedures. Import VAT of 20% (higher rate) is due on the Hammer Price and an amount in lieu of VAT at 20% will be included in the Buyer’s Premium. This VAT on the Buyer’s Premium cannot be itemised separately on our invoices. The successful Bidder and therefore Buyer of the Lot will become its importer.
(d) Lots which do not display one of the above symbols (referred to herein as unmarked Lots) have no VAT payable on the Hammer Price. This is because such Lots are sold using the Auctioneers’ Margin Scheme. Therefore, an amount in lieu of VAT at the standard rate is included within the Premium and will not be shown separately on our invoice or be recoverable as input Tax.
5.2 For the items marked (‡) or (Ω), Buyers registered for VAT in the UK should notify us as soon as possible after the sale so that we can correctly instruct our shipping agents to complete the import into the UK under the Buyer’s VAT registration and HMRC can issue a form C79. The charge on our invoice for the import VAT is not sufficient evidence to make a claim for the import VAT.
6. REFUNDS OF VAT
6.1 For Buyers from outside the UK, the VAT charged on the Hammer Price and Buyer’s Premium or included in lieu of VAT in the Buyer’s Premium can be refunded so long as the Buyer has:
(a) registered to bid with an address outside the UK; and
(b) discussed with us the proof of export we require and the timeframes to complete the export.
6.2 Once we are satisfied that the requirements referred to in Clause 1.6.1 have been met, and with the proof of export provided, the following VAT will be refunded:
(a) For Lots marked (†): The VAT on the Hammer Price and on the Buyer’s Premium.
(b) For Lots marked (‡) and (Ω): the import VAT and, the VAT in lieu in the Buyer’s Premium.
(c) For unmarked Lots: the amount in lieu of VAT in the Buyer’s Premium.
6.3 To enable us to refund the VAT charged correctly we normally require the use of our international shippers to assist with the required paperwork. For private Buyers, we will only be able to refund the VAT if our shippers are used for the export of the Lot outside the UK.
7. REINVOICING SALES
For unmarked Lots, you can request a Lot to be reinvoiced outside the Auctioneers’ Margin Scheme. VAT at 20% will be charged on the Hammer Price and the VAT on the Buyer’s Premium will be itemised separately on our invoice. This will enable a VAT registered business to reclaim all the VAT. Please note that the item will no longer be eligible to be sold in the Margin Scheme. We recommend you seek advice before proceeding. Requests must be made within 6 months of the sale and certain conditions apply.
8. INSPECTION OF GOODS BY THE BUYER
As we act on behalf of the Seller, we are dependent on information provided by the Seller about their goods. We may inspect Lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. You will have the opportunity to inspect the goods (upon request). Where a Lot is made available for inspection, we strongly recommend that you inspect any Lots that you are interested in prior to bidding at
the auction. Please carefully note the exclusion of liability for the condition of Lots set out in the Terms of Sale for Online Auctions at Clause 22.5 and the Terms of Sale for Live Auctions at Clause 18.5.
9. GOODS WITH ELECTRICAL COMPONENTS
These are sold as “antiques” for their historical and decorative attributes, and for collection and display only. They are not intended for use. If you buy goods with electrical components and intend to use them, you must ask a qualified electrician to check them for compliance with safety regulations before you use them.
10. ENDANGERED SPECIES
If you intend to buy goods which contain endangered species, you need to find out if there is a prohibition on the purchase of goods of that character. For goods containing elephant ivory, you also need to satisfy yourself that they have been correctly registered or certified and meet the exemption conditions under applicable legislation.
11. EXPORT OF GOODS
If you intend to export goods you must find out:
11.1 whether an export licence is needed; and
11.2 if there is a prohibition on exporting goods of that character outside of the UK or on importing goods of that character in your intended country of import such as because the goods contain prohibited materials such as elephant ivory or other protected flora and fauna.
12. BIDDING
Bidders will be required to register with us before the auction starts. We Reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value Lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. Please enquire in advance about our arrangements for telephone or online bidding. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.
13. BIDDING PLATFORMS
We offer free online bidding directly through our Website (www.olympiaauctions.com). You may also bid using an independent Bidding Platform. Bidders using an independent Bidding Platform or service should note that the platform may impose an additional fee or charge, which will be added to the total amount payable in the event your bid is successful. Please refer to the terms and conditions on the relevant independent platform for rates.
14. FINANCIAL CHECKS
As Auctioneers we may have to conduct various checks into our customers under the Money Laundering Legislation, under sanctions legislation and other related legislation. Unless we confirm we already have this information, on registration to bid you will be required to provide the following:
(a) For individuals, official photo identification (driving licence, passport or equivalent) and proof of address (if this is not included in your ID document).
(b) For corporate entities, the certificate of incorporation (or equivalent) with the entity’s official name, registered number (if any) and registered address, as well as details and ID documentation for directors and beneficial owners of the entity.
(c) For trusts and estates, details and ID documentation for executors/trustees and details of beneficiaries: please contact us for further information.
14.1 You may be asked for further information if we deem this necessary.
14.2 If you are bidding for another person (your Principal) you will be required to provide the above information for yourself and your Principal, along with a signed letter from your Principal authorising you to bid on his/her behalf.
14.3 If you require further information about ID requirements, please contact enquiries@olympiaauctions.com. If we deem that you have not provided sufficient information for us to complete our anti-money laundering, terrorist financing and sanctions checks to our satisfaction, we may refuse to register you to bid and we may postpone completion of or cancel any Contract made by you and the Seller in the event you have made a successful bid.
15. COMMISSION BIDDING
You may leave commission bids with us indicating the maximum amount to be bid against a Lot (excluding the Buyer’s Premium and/ or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Buyers submit identical commission bids, we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax/email or via our Website or online Bidding Platform.
16. METHODS OF PAYMENT
16.1 Online: Payment can be made at www.olympiaauctions.com/payments.
16.2 Cheque: Usually any cheques will need to be cleared before you can take the goods away. We require seven days to clear sterling cheques unless special arrangements have been made in advance of the sale.
16.3 Bank Transfer: Payments must be received from a bank account held in the name of the person or entity named on the invoice for the Lot.
16.4 Cash: £6,000 and “card holder not present” payments above £2,000 cannot be accepted.
16.5 Credit Card payments in person: Payments above £6,000 cannot be accepted.
16.6 Debit card payments in person: Payments are without limit.
17. COLLECTION AND STORAGE
Please note what the applicable Terms of Sale say about collection and storage (see Clause 13 of the Terms of Sale for Live Auctions and Clause 15 of the Terms of Sale for Online Auctions). It is important that you pay for and collect goods promptly. Any delay may involve you having to pay storage charges. You (or your agent) must bring photographic ID for collection. Please note that collection may be made during working hours only, usually Monday to Friday 09:30 to 17:00.
18. POTENTIAL CANCELLATION RIGHTS
If you purchase a Lot in an Online Auction as a Consumer in the UK or EU from a Seller who is a Trader, you may have a right to cancel your purchase of that Lot from the day of the auction up to the day which is 14 days after the date on which you take possession of the Lot. You may also have the right to cancel Services provided by us. Further information is set out in the Terms of Sale for Online Auctions.
