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1340 ART MAGAZINE 2018//Q2

Carlos Javier Vielba Seco

$14.99 USD

Issue #8 Q2 2018

Cover Ar t by Carlos Javier Vielba Seco Banana For Life More on pg. 58

1340 Mission Statement: Since its founding, 1340 Magazine has been a platform for artists you’ve heard of and artists you should get to know. Through our print editions and online presence we are building a community of artists and connoisseurs from all over the world, and showcasing a diverse collection of styles, influences, and processes.

Postbus 9607 (Box C145) 1006GC Amsterdam Nederland Editor in Chief Roy Owh Contributors Q2 Lisa Harris - Writer & Project Lead 1340 Gallery Steve Rendall - Writer Elene Slozko - Writer Chris Vermont - Writer Keri James - Editor Carolyn Tait - Editor Advertising Enquiries: Iwan Steward Design and Art Direction: Ally Frame

Published by 1340 Gallery (Part of Thedge BV) All rights reserved 1340 Gallery, the artists, the writers and photographers.

EDITOR’S NOTE Welcome to the Q2 edition of 1340ART Magazine! I am extremely excited about this issue, as it marks the transition into a new era for 1340Art. We have decided that instead of pursuing or following trends, we owe it to you, our readers, as well as the artists we feature, to go further, explore deeper and bring about new discoveries. We could do it better. With that, we started planning what soon became a fantastic and somewhat groundbreaking project as the next progressive stage for 1340Art – the 1340Foundation. As an organization founded by artists, it has always been top of mind to create a platform for emerging artists to showcase their work. What better way to assist in accomplishing this mission, than to support various non-profit art organizations from all over the world in their pursuit to do the same! Proceeds from our magazine competition therefore provide backing for these organizations in aid of promoting both young artists and those who have been underrepresented in their career, but who deserve championing. We believe that by empowering these artists, we are contributing to stronger communities, and helping raise public awareness.

As we know, art is subjective. It is the expression of an individual’s innermost space and feeling, but requires the artist’s work to captivate and resonate with an audience. Yet, no matter who that audience is, art is engaged in an exploration of our world. We therefore try hard not to reflect any one particular style or discipline. Striking a balance with what we publish is harder than you may think though. It means reviewing hundreds of submissions, looking always for the hidden gems and ensuring that when we develop each new edition, we feature some more well-known artists of our moment, alongside stunning upcoming talents of the world. We strive to include varying styles and processes, whilst still maintaining the quality of the content we provide to our readers. The 1340ART magazine team has been enthralled and enraptured discovering the various artists and artwork which we have featured in this issue. We think you will be too.

Roy Owh, Editor in Chief

DIRECTORY Who’s who, and where to find them.

01 02 03 04 05 05 06 07 09 10 11 12 12 13 14 15 16 17

Birgit Hutteman-Holz

Ziba Moasser

Rachel Dawn Renaudin

Olivia Sherman

Randall Jason Ir vin

Dmtir y Samygin

Emanuel Bullita

Sally West

Lauren Gemmell

Sophie Vanhomwegen

Shane Allan Smith

Laura Mosquera

David Willis

Veronica Ibarguengoitia ibarguengoitia_art

Masha Poluektova

Andrew K Currey

Yves Goyatton goyaton.sculptor

MiSun Kim

18 18 19 19 20 21 23 24 25 26 28 29 30 30 32 33 34 35

Vassilis Patikis

Jared Malton

James Au

Elin Fan yell0w_p0mel0/

Edmund Jun

Marlowe Emerson

Tina Sturzenegger

Hiromi Kawano

Lars Sjöberg

Tanis Teau

Jonathan Hemelberg

Werlen Fabrice

Noel Caban

Zacharie Lévesque Gauthier

Nicolae Vatra

Robyn Willow Chmelyk

Ernesto Ibanez

Victoria Herrera

36 37 38 38 39 40 43 44 45 47 48 49 50 50 51 52 53 55

Celie Placzek

Duar te Netto

Gayle Madeira

Michel VanWeegberg

Mitch Fuller

Jörg Pietschmann

Nasser Lubay

Marga Miret

Har vey B-Brown

Emily Surabian /

Mar y Mirabal

Jennifer J Mawby

Roxa Ocampo

Stephan Kochs

Elena D’Alessandro

Lisa Renner

Seyed Shariatpanahi

Penny Santy

56 57 57 58 59 60 61 62 63 64 64 67 68 69 69 70 71 72

Marian Lazaro Mar tin

Calen Barnum

Evan Lawrence

Carlos Javier Vielba Seco

Tara Flores

Jane Kenyon

Matia DiCarlo

Ryan Kohler

Felix Dörflinger

Star Li

Hanna Supetran

Sophie Swan

Daniel Sullivan

Ernst Koslitsch

Kathy Mor ton Stanion

Isaac Greener

Boonyapat Deedenkeeratisakul

Francesco Baiocchi


In 2014, Birgit was awarded first place at the national NANA Competition at Lucky Street Gallery, Key West, FL and was granted a month long residency at The Studios of Key West. In 2017 she packed her studio and transferred her life to the subtropical beautiful island. On the first day she passed a yard that was abundantly embellished by orchids. Immediately Birgit was put under the spell of those beautiful flowers. They resembled swaying gorgeous color dots with a profound sense of vulnerability. From that day on, she only printed orchids, lush gardens and imaginary spaces. Sanctuaries that have the power to stop time and let you reset. The Weight of Orchids XXVII (Left) Encaustic Monotype on Japanese Paper - 96.5 x 63.5 cm

Korean Fair ytale (Top Right) Acrylic, Oil, & Pigmentstick on Canvas - 61 x 61 cm

Lose Yourself (Bottom Right) Acrylic & Pigmentstick on Canvas - 91.4 x 91.4 cm

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big blue portrait

Ziba Moasser - The Answer is Love Mixed Media (Modeling, Acrylic, Silver and Tourmaline Stones) - 70 x 100 cm

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Rachel Dawn Renaudin - Their God is Their Bellies Oil on Canvas - 121.9 x 152.4 cm


Olivia Sherman - A Goblet of Popcorn (Festivities) Mixed Media on Paper - 55.9 x 76.2 cm

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Randall Jason Ir vin - The Prophecy Acrylic & Gesso on Linen - 91.4 x 50.8 cm

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Dmitr y Samygin - Tree Gouache on Paper - 58 x 91 cm, 76 x 41 cm

Emanuel Bullita - Imos Collage with Texturized Paper from Fashion Magazine - 30 x 40 cm

1340ART | 7



West is predominantly a plein air painter, which means she prefers to work outdoors, on site. She likes working spontaneously and responding directly to her environment. When the weather isn’t suitable West then works from her studio where she explores the art of still life and portraiture. She also regularly produces street scenes from her studio. At times Sally is drawn to views that she is unable to produce on site because of the access. West uses oil paint and applies it with a palette knife. The only time Sally uses a brush is when she is working with ink on paper. Oil painting is her passion. She is constantly striving for her best work and always learning from doing.

Beach for Carice - 60 x 36.72 cm (Top) Beach Study 3 - 18 x 18.72 cm (Bottom Left) Beach Study 2 - 18 x 18.72 cm (Bottom Right)

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Loser Love Photography

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Chasm (Left) Dead Ringer III (Right) Collage on Paper - 30 x 24 cm, 35 x 24 cm

SOPHIE VANHOMWEGEN Sophie uses collage techniques to generate an alienating and highly surrealistic universe that reflects on the overflow of manipulated images surrounding us. She believes that through the images found in advertisement we are told what is beautiful or sexy, what is ugly or despicable.The artist reflects on these matters by changing roles. She becomes the one who manipulates the images instead of being manipulated.The artist criticises the absurdness of repetitive messages spread through advertisement by revealing the act of manipulation instead of trying to hide it.

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Shane Allan Smith - Trash Mask Paint on Bag - 53.3 x 30.4 x 30.4 cm

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Laura Mosquera - Around Your Walls Acrylic, Gouache & Flashe on Panel - 40.6 x 50.8 cm

Acrylic on Panel - 122 x 122 cm

David Willis - Saturday Night on Saturn

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Veronica Ibarguengoitia - Dither Oil on Canvas - 91.4 x 121.9 cm

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MASHA POLUEKTOVA 08.08.2017 (Left) 21.07.2017 (Right) Tinted Cyanotype - 36 x 50.5 cm each

Poluektova’s series “Absence” was started five years ago during a road trip in the USA when the artist stayed with her boyfriend in motels just for one night and then continued spending time in other places. These blueprints represent the anthropological traces of unconscious movements during the dreams which have been redeveloped again manually on paper. Masha has captured moments of mental absence, but at the same time confirmed being physically in a space.

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Andrew K Currey - Duality of the Avatar (Left) Digital Diety (Right) Pencil & Gold Leaf on Paper - 45.7 x 30.5 cm, 157.5 x 86.3 cm

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Yves Goyatton - Architectonic Bronze - 58.4 x 35.5 x 35.5 cm

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MISUN KIM MiSun Kim - Brightness of the Universe Korean Traditional Ink on HwaSunJi (Paper) - 105 x 135 cm

MiSun’s main subjects are pine cones and pine needles. Kim noticed how various shaped pine cones are like distinctly different looking stars, and thought they looked like our lives.

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Vassilis Patikis - Three Graces With Redbull Acrylic on Canvas - 40 x 63 cm

Jared Malton - Cassette Tile Sequence Cassette Tapes on Board, Acrylic, & Aerosols - 42 x 2250 cm

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James Au - Red Nails Chinese Ink on Paper - 35 x 75 cm

Elin Fan - Por trait Triptych Ink, Gel Pen & Metallic Paints on Cardboard - 12.7 x 38 cm

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Edmund Jun - Untitled Acrylic - 45 x 30 cm

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E ME R S ON 21 | 1 3 4 0 A R T


approach to art is about exploring the effortless and spontaneous qualities of nature through scribbling, mark making, and other expressionist techniques in a variety of media. The resulting layers of paint and paper address themes that deal with interconnectivity, continual motion and order vs. chaos. The work is also a testament to the ways in which art records individual experience, i.e., psychological states, layers of emotion, and interpretations of reality. The process is intuitive and personal. It contrasts

AN EXPLORATION OF NATURE the attitude of organic forms frozen in time to the vibrant energy of the brushstroke. The collage elements are obtained through drawing, photography, or scanning, then sometimes digitally altered. Working with a range of media, including acrylic paints, various qualities of paper, and different types of pastels and pencils helps to achieve a complex, textured finish. A native of Virginia Beach, Virginia, Emerson has been painting and exhibiting since her first art fair in France in 1993. In addition to painting, photography, mixed media, and jewelry, she has worked extensively in digital marketing, designing online promotional and educational materials for art galleries, non-profits, and healthcare organizations. Marlowe has also gained valuable experience as an art educator, both in private schools in France and at the Virginia Museum of Contemporary Art. She currently works out of her home studio, affectionately known as Sharp Corner. Printemps (Top Left) - 121.9 x 121.9 cm Double Rainbow (Bottom Left) - 101.6 x 101.6 cm Acanthus (Middle) - 152.4 x 121.9 cm Mixed Media (Acrylic, Oil Pastel, Paper, Pencil) on Canvas

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Tina Sturzenegger - Pure Hong Kong (Left) Pokemon for Gardeners (Right) Photography - 105 x 70 cm each

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Hiromi Kawano - The Dream That Pear Saw (Left) Existence (Right) Computer Graphics - 3024 x 3024 pixels, 1915 x 2553 pixels

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Lars Sjรถberg - Animal Skull (Top) Skull (Bottom)

Photography & Computer Graphics

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Tanis Teau - Skull Face Lorde Digital Art/ Image Manipulation - 1300 x 1300 px

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SUBSCRIBE Make sure to subscribe and be the first to recieve next quarter’s issue of 1340 Art Magazine. Get acquainted with the artists you already love, and those you’ve been waiting for..

www.1340gal l er

Jonathan Hemelberg - Quetzal Tails (Left) Nopales Con Calypte Anna (Right) Acrylic Ink - 21.6 x 27.9 cm each

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Werlen Fabrice - Par tir 30.5 x 30.5 cm

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Digital Photography - 30.5 x 45.7 cm

Zacharie LĂŠvesque Gauthier - Untitled

Photography - 20.3 x 25.4 cm

Noel Caban - Unrestrained

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Art Paris Art Fair

Art Expo New York

19–22 April 2018 art-expo-new-york-2018/ Art Expo New York is the largest international gathering of qualified trade buyers, giving hundreds of established and emerging artists the opportunity to get in front of the right people.

21-29 April 2018 informationen-fuer-besucher/ Since 2013, Kunst Schimmer has been an independent art fair for young, contemporary art in Ulm. It is an independent part of the spring trade fair “Living Housing Leisure”, which attracts between 65,000 and 70,000 visitors each year.

Tefaf New York Spring

Art3f Luxembourg

Scope International Contemporary Art Show

5–8 April 2018 Art Paris Art Fair will bring together 142 galleries from 23 different countries at the Grand Palais. Diversity and discovery are the key words of this leading springtime event for modern and contemporary art.

4-8 May 2018 in 1988, TEFAF is widely regarded as the world’s pre-eminent organization for fine art, antiques, and design. TEFAF gives international dealers the platform to present museum-quality works of all eras and genres to a broad base of collectors and connoisseurs.

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1−3 June 2018 luxembourg#info Art3f moves the lines of traditional contemporary art trade shows, giving to these cultural events a human and warm side. With a VIP bar offering quality food and a fine selection of wines, a jazz atmosphere, and live performances, there’s so many reasons to explore it.

Kunst Schimmer

12-17 June 2018 basel-2018/about/ SCOPE Basel’s well-appointed venue offers collectors the most convenient and ideal view of the contemporary art world available nowhere else. SCOPE Basel will welcome 70 International Exhibitors alongside 10 Breeder Program galleries.

Nicolae Vatra - Untitled 1 (Top) Untitled 2 (Bottom) Photography

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Robyn Willow Chmelyk - Gibraltar Candy Tuft (Left) Ummmm Okay.... (Right) Digitally Manipulated Photograph & Illustration - 21.6 x 27.9 cm each

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Ernesto Ibanez - Lynn Mixed Media & Nails - 25.4 x 12.7 x 35.5 cm

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“THERE IS AN EYE UNSEEN, AN INSIDE EYE, WITH AND BY WHICH TRUTH IS REVEALED.” Victoria Herrera - Silence (Top) The Face of Flowers (Middle) Memor y (Bottom) Photography - 100 x 100 cm each

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Celie Placzek - Aubergine Photography - 21.6 x 27.9 cm


Still Life Lambda Print on Fuji Archive Paper Mounted on PVC - 110 x 136 cm

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Oil - 27.9 x 35.5 cm

Gayle Madeira - Watermelon Summer

Photography - 36 x 48 cm

Michel Van Weegberg - Grape Branches with Vase and Bolders

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Mitch Fuller - Bloom Exotic Wood - 45.7 x 45.7 cm

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Jรถrg Pietschmann - Untitled Sculpture - Driftwood & Polished Oil Finish - 55 x 35 x 25 cm

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discover Discover and buy affordable fine art from the comfort of your home. 1340Gallery is a premier online gallery where you will discover an exclusive selection of carefully curated art by top upcoming talent from all over the globe. Works can be bought directly from the website and delivered anywhere in the world.

www.1340gal l er

Nasser Lubay - Mirror Oil on Canvas - 127 x 137 cm

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Marga Miret - Blue Winter I Acrylic on Canvas - 40 x 40 cm

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Har vey B-Brown & David Scheinmann - Adored & Adorned: Diana Vickers (Left) Adored & Adorned: Nikita Sahay (Above) Photograph Adorned with Mixed Media - 160 x 120 cm each

Today the curated self-portrait as a social media commodity has made portraiture part of the throw-away culture. In response to this B-Brown and Scheinmann were inspired to make a more considered portrait with layers of narrative. Starting by taking photographs of people with whom they have a strong connection, the images are adorned using materials and techniques that tell a story about the person while playfully referring to familiar contemporary iconography. Photographic prints are transformed into three dimensions using paints, inks, collage, and sculptural techniques and then further augmented with postproduction technology. The resulting images are heightened “Meta-portraits�; and as such they are much more than a traditional photographic portrait, they are passionate and inspired constructed depictions.

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Emily Surabian - 8.28.17 2:16 PM (Top) Acrylic, Ink & Thread on Gessoed Canvas - 30.5 x 40.6 cm

I Fought the Dream (Bottom) Watercolor, Acrylic, Encaustic Gesso, Gauze, Tissue Paper, Magazine, Newspaper, Paper Towel, Rope, Mod Podge & Sand on Aquabord - 61 x 91.4 cm

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Mar y Mirabal - A Conscience Breath Acrylic on Canvas - 61 x 76.2 cm

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Jenifer Mawby - Optimism Rebounds in Early Returns Digital Drawing - 27.9 x 35.5 cm

Mawby is interested in reverse engineering the digital into the analog and also trying to see contemporary, everyday visual and digital culture through a naive, alien lens. These are digital drawings that feel analog and appear to be infographics or charts about the financial markets.They are in fact, artworks deeply relevant to our life and times.

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ROXA OCAMPO Hope Digital - 16.7 x 13.4 cm

STEPHAN KOCHS Whatever Happened To...? #2 Digital Art & Print - 100 x 100 cm

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Elena D’Alessandro - Flamingo (Left) Back to Spring (Right) Photography - 30 x 50 cm each

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Lisa Renner - Stranded (Top) Silence (Bottom) Photography - 4000 x 1954 pixels, 3000 x 2003 pixels

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SHARIATPANAHI 53 | 1 3 4 0 A R T


eyed Asadollah Shariatpanahi was born in 1938 in Semnan, Iran. His talent and interest in painting was discovered early on in life. Between 1965-1967 he moved towards realism in his paintings. Seyed Asadollah became increasingly interested in portraiture, and painted famous characters. When Professor Fazlollah Reza became the dean of his school,Tehran University, the previous (traditional) milieu of the university gave way to modernity and Shariatpanahi was encouraged to utilize these modern techniques. In the 1960s modernity was a new horizon in the sky of the Iranian art. In 1969, when he finished his bachelor study, Seyed Asadollah returned to his hometown, Semnan, and started his job in the organization of education for Teachers. He also taught art at the Center of Intellectual Training for Children and Teenagers, which led to the birth of a new generation of artists who now hold their own spectacular artistic positions. In his early work in 1970s, Seyed Asadollah was impacted by Cubism. The human body in a variety of different configurations and viewpoints was the main focus of his

ART & WAR artworks. He continued this in the same manner until the Islamic Revolution in 1979, when Iranian society experienced profound changes in the political regime. Changes were experienced in every section of social life, including the visual arts. During this period after the revolution till the end of Iran-Iraq war, government was against any sort of modernism. Seyed Asadollah was banned for a year from serving in the organization of education and had to stop painting to save his life. In 1997 when the reformists’ period started and huge development in contemporary Iranian art happened, Shariatpanahi benefited from a relaxation of the rules and thus re-started his paintings. The golden period of his career began after 2000 by entering into his new-found Iranian-modernity paintings. His artworks after 2000 include both a modern system of thought along with a traditional paradigm of thinking. Asadollah Shariatpanahi now lives in Semnan where he continues to teach painting to his students at his own art gallery. He is considered one of the most celebrated Iranian painters of all time. The Cour t (Left) Ar twork #3 (Right) Oil on Canvas - 120 x 180 cm, 100 x 70 cm

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Penny Santy - By the Water (Top) Swimmers (Bottom) Oil on Canvas - 127 x 71.2 cm, 150 x 60 cm, 76.2 x 76.2 cm

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Marian Lazaro Mar tin - The Por t Photography - 5477 x 3651 pixels

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Photography - 60 x 60 cm

Evan Lawrence - The Philosophical Dreamer

Photography - 109 x 109 cm

Calen Barnum - Untitled (Rituals of Intercourse I)

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3d Design

Carlos Javier Vielba Seco - We R Bros

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TARA FLORES Us and Them (Top) - 50.8 x 50.8 cm Inner Space (Middle) - 50.8 x 50.8 cm Spread Out and Float Away (Bottom) - 91.4 x 91.4 cm House Paint & Acrylic on Canvas

The series “Boundaries Lost and Found” is about physical and emotional boundaries on an energetic level. Think about the moment when you’ve kept so still and have become so relaxed that you can no longer feel where your body ends and the space around you begins. Like all of your atoms are spreading out and floating away. Maybe this is why setting emotional boundaries is so hard. There’s not a strict “us and them,” “this or that,” “me vs. you.” Energy is fluid, we are space and we are movement. It’s not in our nature to be contained. Flores paints what she would want this tiny science to look like.

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Habanera Acrylic & Mixed Media on Panel - 101.6 x 101.6 cm


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Matias DiCarlo - Luz Sculpture - 221 x 288 x 220 cm


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Ryan Kohler - You Don’t Matter Oil - 71.1 x 55.9 cm

Felix Dรถrflinger - Hindsight Acrylic & Ink on Paper - 36 x 48 cm

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Star Li - I Saw You in Full Bloom Oil on Canvas - 76.2 x 101.6 cm

Hanna Supetran - Beauty in Diversity (Left) Strength in Diversity (Right)

Oil on Canvas - 122 x 122 cm each

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Art Start was founded in 1991, when a

small group of motivated artists decided to meet with children living in New York City homeless shelters to create art together. Over the past 26 years and with the help of more than 11,700 volunteers and teaching artists, Art Start has brought the creative process to more than 23,000 underserved youth, and has become an award-winning, nationally recognized model for transforming young lives. Today, we bring creative arts workshops and Emerging Artist mentorship opportunities to children and youth living in homeless, domestic violence, runaway, and young mother-and-child shelters throughout New York City, as well as secure and non-secure detention programs for court-involved youth. Our programmatic goals are founded on solid research that shows that art programs for youth, especially those who have been impacted by turbulence, poverty, and other traumas, have the power to increase academic performance, decrease juvenile delinquency, increase self-esteem, and lead to more positive interactions with peers.

Creative arts give children the opportunity to grow and develop self-awareness through self-expression, which has been proven to reduce stress and accelerate psychological and physical healing. Art Start uses a student-centered approach to education. Our workshops instill in our youth the confidence to appreciate who they already are and what they innately have to offer the world; then, to think critically, ask important questions, and pursue meaningful opportunities in life – against all odds. Our creative workshops are structured to support consistency, build resilience, and provide direction to youth going through a time of challenging transition. By using art and music projects that focus on the outlet for expression, kids are free to build trusting relationships with our teaching artists naturally, learning to open up and bond in ways not possible through the social service or traditional education model. Though they face many obstacles, our kids have dreams that far surpass their circumstances. They yearn to be participants and make meaningful contributions. Art Start teaches kids how to survive their own lives with confidence, creativity, and hope, and learn to transform a time of instability and transition into a time for personal growth and development.

Her drawings and paintings are filled with brilliant blue skies and giant yellow suns. There are trees in her imaginary gardens that are laden with enormous red fruit. She shows us her finished masterpieces with a smile that melts our hearts. She is six years old, and she lives in a domestic violence shelter.

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SOPHIE SWAN Swan’s work is best described as a textile painting. It is created by hand-weaving natural fibres into loose fabric, which is then layered over a painted canvas. The painting peeks through gaps in the weaving, visually blending colours. Due to this, the artwork can take on different personalities depending on the available light or the direction and distance of the viewer. The compositions of her work are inspired by the everyday environment, especially colours found in nature and how they can conjure up memories or capture you in a moment.

Sophie Swan - Summer Skin (Top) Sunrise II (Bottom) Handwoven Cotton on Canvas 80 x 80 x 3 cm each

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Daniel Sullivan - Project Monarch 52 (Top) Project Monarch 31 (Bottom) Acrylic on Cradled Wood Panel - 91.4 x 152.4 x 2.5 cm each

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Ernst Koslitsch - Yellow Universe (Flatlands)

Kathy Mor ton Stanion - Journey of Wonder

Sculpture, Yellow Wood - 110 x 120 cm

Mixed Media - 64 x 42.5 cm

The Wanderer #1: Waiting was a sculptural installation and performance piece comprised of a twelve by three-meter white wooden wall positioned across a red-earth dirt road. Dressed in a Jewish burial robe, the ritualistic work commenced at dusk with the ringing of the Buddhist singing bowl. From there Greener walked around the wall barefoot for 10 hours, as the wall transformed under the full moon night sky. With the further ringing of the singing bowl at dawn to symbolise the end of the ritual, Greener set fire to the wall, leaving only ash and cinders. A powerful symbol about letting go of physical object and returning the land back to how it was. Greener’s art is created with the intention to be exhibited outside the conventional gallery space. He aims to bring art to a new audience by bringing people ‘out into nature’ to witness art, to witness a performance outside the traditional boundaries of both gallery and urban frameworks. Isaac Greener - The Wanderer #1: Waiting Installation / Sculpture

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“I LIKE TO CHALLENGE MYSELF BY QUESTIONING THE AUDIENCE ABOUT SOCIAL ISSUES, ESPECIALLY GENDER INEQUALITY.” Boonyapat Deedenkeeratisakul - The Vaccum (Top) The Cutting Board (Bottom) Digital Graphic & Print - 20.3 x 20.3 cm each

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Francesco Baiocchi - Clouds Acrylic on Canvas - 100 x 100 cm

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1 3 4 0 A RT M A G A Z I N E 2018 // Q2

JOIN US Are you an artist who wants to be featured in our next issue or on our social media? Apply on our website, and who knows, maybe we’ll see you next time. To sell your work, you can also check out our curated platform at

1340 ART Magazine Q2 // 2018  

1340 ART Magazine Q2 // 2018

1340 ART Magazine Q2 // 2018  

1340 ART Magazine Q2 // 2018