completely separate the lighted areas. This is not an exercise in light and shade. Continue to feel the unity of the body through the attempt to follow the gesture. This may sound contradictory but it is not. You are thinking of the whole gesture, the whole movement, but naturally, because you are using two colors, you d l h d yourself subconwiously influenced by the
light and shade,
Using the materials listed in Exercise 35, make a long study of drapery on a piece of gray paper, using light and shade but always feeling the f om. Devote to it as much time as you can and will outside of your reguIar work in the next three schedules. Dr~tllfor $f frsm h r o ras dimM in 8cWmJa 17.