Section 19. A n a l y ~Thrmgh Design EXERCISE 45: CONTRASTING UNES EXERCISE 46: STRAIGHT AND CURVED LINES
Section 20. Study from Reproductzuctzm~ EXERCISE 47 : COMP08ITION F R O M REFRODUCTIOMS EXERCISE 48: ANATOMY FROM REPRODUCTIONS EXERCISE 49: ANALYSIS OF REPRODUCTIONS
Section 21. The Muscles EXERCISE
50: STUDY OF THE MV~CLEB
Section 22. Exe~cisesin Bl@k and White Oil cob^ EXERCISE 51: SUSTAINED STUDY IN OIL COLOR EXERCISE
52: GESTURE DRAWING IN OIL
EXERCISE,^^ : HALF-HOUR
STUDY XH OIL
Section 83. Analy,si~Through D e e n - Conlinued EXERCISE 54 :THE PREDOMINATING SHAPE EXERCISE 5 5 : MODELLING 'SHE STRAIGHT AND CWRVE EXERCISE 5 6 : B ~ I G H T AND CURVE IN FRAMES
Section a.The Subjective Element EXERCISE 57 : THE SUBJECTIVE STUDY
Section 25. An Approuch to the Use of Color EXERCISE EXERCISE
5 8 : GESTURE ON COLORED PAPER 50: STRAIGHT AND CURVE XN COMR
EXERCISE 60:T H E SUBJECTIVE STUDY - Continued EXFRCTSE 61 : THE SUSTAINED STUDY IN OIL (VARIATIONS) EXERCISE 6 9 : THE SUSTAINED STUDY IN OIL - Co?tfin~ed EXERCISE 63: FULL COLOR EXERCISE
64: ARBITRARY COLOR
ax3 219 215
215 218 218
eao 220