Exodus, Koolhas
Free-Zone 3-2, Woods
Imagines an idealized cold-war scenario as a catalyst for production
Exodus ~ City as generator and instigator of diverse contemporary culture Product: Conceptual expression of the walled (imprisoned) metropolitan London as satire for modernism in cold war era
of diverse culture, when in fact, this scenario produces a degenerative subculture. Koolhas is neither explicitly nor implicitly stating that modernism is harmful or negative. The context in which the subject matter is portrayed is entirely indifferent to the apparent psychological and sociological implication of the imagery.
Free-Zone ~ Buildings are in a constant state of flux, reflecting external condition of the city, particularly, war, decay, and violence. Product: Stylized representation of buildings penetrated and mutated by empathy of the city.