turning to complete mush - unless mush is what you're looking to produce. Input also features a stereo delay. This is odd. In my experience delay normally goes at the end of the effects chain so that you add delay to the overall processed sound. Why put the delay at the beginning then? Well, it looks like it's there to give you more sound crunching options. It's also interesting to hear what happens when you start processing a signal that already has a delay on it. Things get‌ strange.
processed. The easiest way to think of Anyway, let's move back over to the other side of the plug-in. The manual it is that you each control starts (internally and with AMT at zero) in a explains that relectro consists of four neutral position - i.e. having no effect sections: Input, Main, Modulation and on the sound. As you increase AMT all Output. The Input section offers a filter with which you can roll off some control values move up to the value that you have set in designing your of the high end of your signal. The preset. As you can see that leads to a Leak control allows you to feed the subtly different effect than just removed high end straight through to increasing the wet/dry mix. It's a the output and hence back into the control that needs playing around with signal. Leak helps to keep a sound to see how best it can be used. crisp and stops you're initial input Special Wusik Edition
October 2011
The Main section gives you the bulk of relectro's sound shaping features, and there's quite a lot here to work through. I've not even begun to get a good grip on all of the different controls on offer in this section - this is kind of why I'm going to do a three issue review - there's simply too much here to try and understand it and explain it in one article. Suffice to say that there's a lot going on here and there is an exceptional amount of interplay between the controls - what www.WusikSoundMagazine.com
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