Stompin' in Seven sample by Tapspace

David Reeves

Stompin’ in Seven for the solo drummer

Stompin’ in Seven by David Reeves © 2013 Tapspace Publications, LLC (ASCAP). Portland, OR. All rights reserved. International copyright secured. Printed in USA. www.tapspace.com Notice of Liability: Any duplication, adaptation, or arrangement of this composition requires the written consent of the copyright owner. No part of this composition may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law.

TSPCS-55

Program Notes During the 1990s I was (and still am) under the spell of Wynton Marsalis’s various ensembles. More specifically, I was drawn to the drumming styles of Herlin Riley. Riley grew up in New Orleans and learned to play the drums in his church. His New Orleans heritage combined with his gospel influences are evident in his playing. Powerful yet sensitive, gritty and earthy yet eloquent and refined, rooted in place by heavy doses of soulful groove. Gumbo served from a drum shell. I instantly purchased and devoured any CD released by Marsalis. Probably the most influential of these recordings was “Sunflowers” from The Marciac Suite (1999 Columbia/Sony Classical). The piece is pure optimism, and the volume knob begs to be cranked up. Riley’s drumming is infectious, and his tambourine playing is epic! It was then, in 2002, that I started formulating the idea for Stompin’ in Seven. I wanted to write a through-composed solo percussion piece in an improvisational style using as few instruments as possible - not quite a complete drumset, but more than just a solo snare drum. I also wanted the piece to be somewhat of a novelty. A drum duet played by one person perhaps? The more I listened to Riley’s playing, the clearer the instrumentation for my piece became. In the end I settled on a snare drum, a kick drum w/double pedal, and hi-hat cymbals. The snare and kick would serve as my dueling duet, and the hats as accompaniment, only played with the left foot – never struck by the sticks. The kick drum should be on the smaller side (15”-18”). When I first started working on this piece, I actually used an old 15” single tenor drum. I built a makeshift cradle to get the drum high enough off the floor for standard drum pedals to work effectively. It all required a good deal of imagination, and the final setup certainly didn’t look like a refined modern drum rig. In fact, the mismatched personality of this setup seemed to give the piece more charm. The music is brought to life by the soul, not by the newest matching high tech gear. And from Herlin Riley’s inspiration through my piecemeal drum setup, Stompin’ in Seven was born.

– David Reeves

Stompin in Seven rehearsal 2002 - David Reeves

14” Grover snare, 15” Ludwig single tenor, 14” Zildjian hats

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Level: Advanced Approx. playing time: 4’30”

Stompin’ in Seven for the solo drummer

David Reeves

New Orleans Street Shuffle q = 152 Snares off Near edge (N.E.)

...

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Stompin’ in Seven – Reeves

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Stompin’ in Seven – Reeves

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