Texas Architect November/December 2013: Campus Architecture
This issue explores the value of architectural diversity and creative responses to context. The discussion begins with a series on the three presidential libraries in Texas. Located on university campuses, the libraries all respond to their academic settings in unique ways. Connection is a driving element of the other projects presented — a business school, museum, student center and dining hall, and race track. All strive to tie their respective campuses closer together with individual design statements.
Of Note Val Glitsch, FAIA, Texas Architects 2014 President by Nonya Grenader, FAIA provided a strong foundation for Glitsch’s work as an architect. She graduated with a Bachelor of Arts (1976) and a Bachelor of Architecture (1978) from Rice University, and a Master of Architecture (1979) from Harvard Graduate School of Design. Wil- A mix of early experiences 14 Texas Architect 11/12 2013 translucent gate along a slim pool, the small house reveals itself: a master class in the careful collage of materials. A burnished masonry wall begins outside and slips inside, becoming the backdrop to maple shelves holding a lifetime of artifacts: books read, mementos/souvenirs of places visited, sculptures made. A luminous photograph by her son, Eric Hester, hangs above her desk, and a steel handmade book about her daughter, Skyler Inman, sits on the table. The efficient 2,000-sf house is rich in detail and memory. On a larger scale, Glitsch collaborated with Natalye Appel, FAIA, on the Unitarian Fellowship of Houston (AIA Houston Honor Award, 1995). Working with a modest budget, the two architects understood how careful orientation could result in a spectacular view and how humble materials could be transformed by meticulous detailing. During construction, the project PHOTOS COURTESY VAL GLITSCH, FAIA. PHOTO OF PERRY STREET BY HIEBERT PHOTOGRAPHY & PROFESSIONAL IMAGING. When Val Glitsch, FAIA, begins her presidency of the Texas Society of Architects in 2014, she will bring with her the experience of 30 years as principal of her own distinguished firm and 15 years of meaningful leadership with the Society’s programs. Her small architectural studio has produced a large number of exemplary projects that have been recognized with numerous honors and awards at the local, state, and national levels. Her work has been widely published and is often noted for its clarity, sensitive fit within its context, responsibility to its environment, and carefully detailed spatial sequences. In her engagement with Texas Architects, Glitsch has served on the Publications Committee (1997–2005, chair 2006–2007) and as a contributing editor. She has served as vice president of the Outreach Commission (2009– 2010), chair of the Honor Awards Committee (2011–2012), and a member of the task force that revitalized the website to better communicate the vast number of resources and opportunities that the Society offers to both its members and the general public. liam Cannady, FAIA, one of Glitsch’s professors at Rice (and later her employer at Wm. T. Cannady & Associates) recalled, “Val had this uncanny ability to hit a problem running, solving it quickly and skillfully.” When Glitsch began her practice in the early ’80s it was a challenging economic time for architects, and her commissions were for small projects or renovations. She focused on putting materials together with economy of means, and, as an active participant in the construction and remodeling of her own first house, she refined her ideas about the act of making. One of her early commissions, the McAshan Townhouse, received a Progressive Architecture award in 1981, with jurors noting, “It is done artfully and without pretension.” Since then, she has completed over 80 houses, both new and remodel projects, each achieving a perfect balance of contextual sensitivity and design innovation. And her houses respond to unique client needs. The Bennett House+Studio (Texas Architects Design Award, 1993) demonstrates Glitsch’s flair for sectional complexity, which allows living and working spaces to elegantly connect and reference one another. Working outside an urban context, the Grinstead-Wood House (AIA Houston Design Award, 1998) reflects the beauty of its Wimberley site with massive stone walls that catch the Hill Country light and deep porches that offer expansive views. Val’s own house (AIA Houston Design Award, 2004) demonstrates the potential of a minimal footprint made larger by an elongated sequence of movement. Walking through a