Texas Architect Sept/Oct 2011: Design Awards
The September/October 2011 edition featured the Texas Society of Architects’ Design Awards. Jurors – Steve Dumez, FAIA; James Russell, FAIA; and David Salmela, FAIA – gave awards to: Arthouse by LTL Architects; Brockman Hall for Physics by Kieran Timberlake; Cabin on Flathead Creek by Andersson-Wise Architects; Rainwater Court by Dick Clark Architecture (with Architecture for Humanity); Sam Houston Tollway NE Toll Plaza by RdlR Architects; Singing Bell Ranch by Max Levy Architect; Sisters’ Retreat by Mell Lawrence Architects; and five projects by Lake/Flato Architects—Arizona State University Polytechnic Campus, Armstrong Oil & Gas, Brown Residence, Cutting Horse Ranch, and Full Goods Warehouse and Il Sogno. Other articles covered Fountain Place as winner of the 25-Year Award, Texas Accessibility Standards, Houston Mod, the North Texas Sustainability Showcase, Bob Borson’s “Life of an Architect” blog. Jim Atkins and Grant Simpson outlined roles as specified in AIA contract documents.
TEXAS ARCHITECT 9 / 10 2 011 22 Tour Spotlights Mid-Century Beaumont b e a u m o n t A recent tour sponsored by Houston Mod, a design advocacy group, highlighted the residential architecture of Beaumont’s leading mid-century modernists. The day trip was the culmination of a series of events highlighting April as Modern Month, in which affiliates of the international DoCo- MoMo (Documentation and Conservation of Buildings, Sites and Neighborhoods of the Modern Movement) celebrated modern heri- tage locally and regionally. The April 30 tour, organized with the assis- tance of Beaumont art collector Tamsen K. Kiehnhoff, attracted 56 modern architecture aficionados, mostly from Houston but a few from Beaumont. The itinerary included houses – ranging from the late 1930s to mid-1960s – designed by Beaumont architects Douglas E. Steinman and Albert S. Golemon, Rex D. Goode Jr., Charles H. Thompson Jr., and James Flowers. In addition, the group saw houses by Houston architects Bolton & Barnstone and Wilson, Morris & Crain, as well as two build- ings by the Austin firm Fehr & Granger, the superlatively maintained St. Stephen’s Epis- copal Church and the adjoining campus of All Saints School. The meticulous restoration of many of these houses attests to the pride their owners (primarily artists and art collectors) take in these examples of spatially inventive, precisely crafted modern design. The tour concluded with a festive reception at Tam Kiehnhoff’s modern house, at which her husband, attorney Thomas N. Kiehnhoff, dispensed that iconic mid-century modern cocktail, the bone-dry martini. Joining tour participants at the reception were modern architects Thompson, Flowers, and Milton Bell, AIA, as well as artist Robert Madden. Other events during Modern Month included a series of talks on the history of modern architecture in Houston. The series was co-sponsored by Houston Mod in col- laboration with the annual Houston Modern Market. Presentations featured collector Don Emmite speaking on the designs of Russel Wright, art dealer William Reaves speaking on mid-century modern artists in Texas, and William F. Stern, FAIA, speaking on the Hous- ton buildings of Philip Johnson. In addition, Columbia University preservation professor Theodore H. M. Prudon, FAIA, president of DoCoMoMo US, spoke at the Museum of Fine Arts, Houston on international efforts to preserve significant works of modern architecture. His address was given under the auspices of the museum’s Design Council, Houston Mod, AIA Houston, the Rice Design Alliance, the Greater Houston Preservation Alliance, Preservation Texas, and the state chapter of the Association of Preservation Technology International. Prudon went on to speak before the North Texas chapter of DoCo- MoMo in Dallas and the Mid-Texas Modern chapter in Austin. Houston Mod’s advocacy for modern design adroitly mixes education (lectures, exhibitions, publications), direct exposure (tours), and fun (house parties), a combination that appeals to a broad array of modernistas both within and outside the design professions. The Beaumont tour forcefully made the point that cutting-edge modern design was not the exclusive province of big city architects in Texas during the post-war era but was broadly distributed throughout the state. STEPHEN FOX Stops on the tour included the Smith-Kiehnhoff House (above), designed by James Flowers and completed in 1959; and the Goode-Haynes House (below) from 1958 by D. Rex Goode Jr. The mural is by Beaumont artist Robert Madden. TO P PHOTO COURT ESY HOUS TO N M OD ; BOT TO M PHOTO BY GER A L D M OORHE A D, FA IA