Stigmart Videofocus Special Issue

Page 25

A stills from moonless

year I walk away, literally throw my hands up. Just then another project calls me much louder.

in as in as it may. But I don't let it rule me or my work. As an artist I find it very difficult to pick a side.

Your works show powerful "social effort" in an intimate mood. It could seem a specious question, however: in your opinion what role does the artist have in society?

You have spoken about a dream. Where do you get the ideas for your work? Lots of dreams. Lots of ideas from dreams. Mostly ideas just come without warning so you need to capture them quickly. And then plant them so they can grow. Many idea seedlings die as soon as they are born. I get ideas from everywhere. Nothing is promised.

Every role and no role. It is difficult because as a filmmaker I want to give voice and create images that I feel are underrepresented but I do not want to be tied to anything. I want to be whimsical and superficial today and heavy handed tomorrow. I want to be free to create. I struggle with noting any social relevance in my work although these things are apart of me and something I am concerned with. So although I am conscious of it I let all the social effort creep

In your statement, you say "The presence of a spaceship lingers in the background of each film reminding us to see beyond ourselves and our struggling existence."

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