Marc Benamou - RASA, Affect and Intuition in Javanese Musical Aesthetics

Page 301

256

bibliography Pendidikan dan Kebudayaan, Direktorat Jenderal Pendidikan Dasar dan Mengenah, Directorat Pendidikan Menengah Kejuruan. Soebantar. [1968]. Seni Karawitan di dalam Seni Pedalangan Wajang Kulit Purwa (Gamelan Music in the Shadow Puppet Theater). Surakarta: Akademi Seni Karawitan Indonesia. Soerjomentaram. [n.d.]. Seni Suara (Music). Yogyakarta: Soejadi. Reprinted in Pelajaran Kawruh Jiwa (The Study of Spiritual Knowledge). [Jakarta]: Departemen Pendidikan dan Kebudayaan, 1980. [First presented at a conference in 1951.] Soeroso. 1983. Gamelan B: Untuk SMKI (Gamelan B: for the High School of Javanese Performing Arts). [Jakarta?]: Departemen Pendidikan dan Kebudayaan, Proyek Pengadaan Buku Pendidikan Menengah Kejuruan. Soetarno. [1978]. “Le rôle de la musique dans les arts du spectacle à Java” (The Role of Music in Javanese Performing Arts). Ph.D. dissertation, Université de Paris VII. ———. 1988. Unsur-Unsur Estetis dalam Pedalangan Wayang Kulit Jawa Tengah (Aesthetic Elements in Central Javanese Shadow Puppetry). Surakarta: Akademi Seni Karawitan Indonesia and The Ford Foundation. ———. 1991. “Estetika Pedalangan” (The Aesthetics of Shadow Puppetry). Paper presented at the Seminar Dosèn Sekolah Tinggi Seni Indonesia tentang Estetika Seni Pertunjukan Tradisional (STSI Faculty Seminar on the Aesthetics of Traditional Performing Arts), February 27, STSI Surakarta. Sukamso. 1992. Garap Rebab, Kendhang, Gender, dan Vocal dalam Gendhing Bondhet (The Rebab, Kendhang, Gendèr, and Vocal Parts in Gendhing Bondhèt). Surakarta: Sekolah Tinggi Seni Indonesia. Sukirno. 1991. Identifikasi Wanda Topeng Panji Gaya Surakarta (Identification of the Facial Expressions of Surakartan Panji Masks). Surakarta: Sekolah Tinggi Seni Indonesia. Sumarsam. 1995. Gamelan: Cultural Interaction and Musical Development in Central Java. Chicago: University of Chicago Press. Supanggah, Rahayu. 1985. “Introduction aux styles d’interprétation dans la musique javanaise.” Ph.D. thesis, Université de Paris VII. ———. 1991b. “Bahasa/Sastra Jawa sebagai Saran Ungkapan Seni dalam Seni Karawitan” (Javanese Language/Literature as a Means of Expression in the Art of Karawitan). Paper presented at the Kongres Bahasa Jawa, Semarang. Supardi. 1991. Sekaran Bonangan Gaya Mloyowidodo (Mloyowidodo’s Melodic “Flowerings” for Bonang). Surakarta: Sekolah Tinggi Seni Indonesia. Suraji. 1991. Onang-Onang, Gendhing Kethuk 2 Kerep Minggah 4: Sebuah Tinjauan tentang Garap, Fungsi serta Struktur Musikalnya (Onang-Onang . . . : An Overview of Its Interpretation, Function, and Musical Structure). Surakarta: Sekolah Tinggi Seni Indonesia. Suratman. 1985/1986. Gending-Gending Dolanan Anak-Anak di Surakarta I (Children’s Play Songs in Surakarta). Surakarta: Proyek Pengembangan Kesenian Indonesia and ASKI. Tembang Djawa kanggo ing “Sekolah Pertama” sarta “Sekolah Ra’jat” kang Basané Priboemi Basa Djawa (Javanese Song for Use in Primary Schools Using the Indigenous Javanese Language). [No date (c. 1942–45), no place of publication]: Djawa Gunseikanbu.


Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.