The natural buckling, cracking, and curling of wood both resists and submits to the preprogrammed geometric cuts creating a disturbed moirĂŠ pattern. The effect translates a phenomenological experience of screen-based computer models into a physical reality. From a distance the geometry creates a shimmering line that plays between painterly and digital. Upon approach, the vibrating geometries fade and the real materiality and physicality of the wood becomes the primary experience.
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EMERGING ARTIST FELLOWSHIP