96
ACT TWO Scene 10 Tea in the front room of the boy’s house. Michael lays out three places at the table. Cake and jam sandwiches etc. Michael goes upstairs. The doorbell rings. The mother moves to the door to let the old man in.
Michael
Mother
Kurt
q = 70
q = 70 mp
Rehearsal Piano
mp
Reh. Pno.
5
9
Reh. Pno.
13
Reh. Pno.
Act 2 file corrected 07/11/05
97
Act 2 16
Reh. Pno.
19
Reh. Pno.
22
Reh. Pno.
G1 q = 120 25
Mi
Mo
K
Reh. Pno.
mf I ar - rive
to have tra - di - tion
q = 120 mf
-
al
Bri - tsh
tea
in tea - cups,
on
98
Act 2
29
Mi
Mo
K
Reh. Pno.
sau
-
cers
ti - ny
with
spoons.
32
Mi
Mo
K
Reh. Pno.
35
Mi
mf
Mo
You'll be luc - ky,
K
Reh. Pno.
There's no su -gar
. make no mis -take.
3
3
for
a start.
3
3
99
Act 2
41
Mi
Mo
K
Reh. Pno.
Mo
K
Reh. Pno.
you.
3
to bake this
tion
3
used all my ra -
3
3
She shows him the cake. He reaches for it. Well, he almost manages to take a bite out of it. Playfully she smacks his hand down.
cake for
I've
Su - gar's ra - tioned.
46
Mi
3
3
3
51
Mi
Mo
K
Reh. Pno.
It
is
-
n't
100
Act 2
55
Mi
Mo
K
Reh. Pno.
tea - time yet.
Have - n't
the
put
ket - tle
on.
59
Mi
Mo
K
Reh. Pno.
f
f
Of
course,
There must
be
62
Mi
Mo
K
Reh. Pno.
a
spe - cial
time
to
have
tea.
H1 65
Mi
Mo
K
Reh. Pno.
101
Act 2
q = 142
They sit at the table laid with cake and sandwiches. Kurt studies the sandwiches. The mother folds her arms.
q = 142 mp
Mo
K
70
Mi
Reh. Pno.
mf
75
Mi
Mo
K
Reh. Pno.
mf
I
sup - pose
you
are
a
re
-
fu
-
gee?
102
Act 2
80
Mi
Mo
K
Reh. Pno.
mf I
am
worse
than
that
here.
I
am
al - most
a
cri
85
Mi
Mo
K
Reh. Pno.
-
mi nal.
I
es - caped from
Ger
-
ma - ny.
Then
I
took
a
90
Mi
Mo
K
Reh. Pno.
boat
from
Nor
-
way.
But the Bri - tish
on
-
ly
see
my
Ger
-
man
pass -
103
Act 2
Mo
K
95
Mi
Reh. Pno.
-
port
and
as - sume
I
must
be
a
-
zi.
Na
I'm
a to
-
tal
100
Mi
Mo
K
Reh. Pno.
Art
-
I
tell
ist,
them
as
best as I
can.
So they
Mo
K
105
Mi
Reh. Pno.
put
me
in
a
camp
on
the
Isle
of
Man.
I
can
104
Act 2
Mo
K
110
Mi
Reh. Pno.
stay
here in
Bri
-
tain,
the
im - mi - gra - tion
man
wrote,
115
Mi
Mo
K
Reh. Pno.
on
the
strict
un - der - stand
-
ing
I
leave
by
the
first
boat.
120
Mi
Mo
K
Reh. Pno.
mp
Don't you have
a
sub mp
105
Act 2
125
Mi
Mo
K
Reh. Pno.
fa
-
mi - ly?
Not
long
a
-
go
the
mf
sub mf
130
Mi
Mo
K
Reh. Pno.
Na
-
zis
killed
my
wife.
I was not
told
for
three
months
Mo
K
135
Mi
Reh. Pno.
that
she
had
died.
I
have
a
son
called
Ernst,
106
Act 2
140
Mi
Mo
K
Reh. Pno.
who
I
love,
but
it
is
-
for
him,
dan
ger - ous
too.
145
Mi
Mo
K
Reh. Pno.
148
Mi
Mo
K
Reh. Pno.
mf
What
can you do
such
a
in
si
-
tu - a
-
tion?
I1
107
Act 2
q = 112
152
Mi
Mo
K
sub. mp
haps I can mar - ry an at -
sub. mp
Reh. Pno.
mp
Per -
q = 112
157
Mi
Mo
K
Reh. Pno.
tract - ive Bri - tish wo - man, who can cook for me
and
mp
I
will give me a bed?
163
Mi
Mo
K
Reh. Pno.
hope
you
are
not
look - ing at
me?
What?
do you think,
Is it time now,
108
Act 2
169
Mi
Mo
K
Reh. Pno.
for
fa - mous
cup
of
Bri - tish tea?
174
Mi
Mo
K
Reh. Pno.
mf
(blushing)
Not
Be
yet!
sub mf
-
cause,
the
be - cause
ket - tle
has - n't
178
Mi
Mo
K
Reh. Pno.
boiled.
182
Reh. Pno.
109
Act 2 Scene 11 186
Mi
K
Reh. Pno.
q = 154
In Michael’s neat bedroom upstairs. Nothing is out of place. Michael has laid out his collection of bus tickets. Kurt knocks and enters. Michael shows him the tickets.
q = 154 f
191
Mi
K
Reh. Pno.
196
Mi
f
This
K
Reh. Pno.
200
Mi
K
Reh. Pno.
Mill
is
a
good
one.
Hill to Crys - tal Pa - lace
–
that
to
Wa - ter - loo.
was my first.
Pon - ders End
Optional repeat
This
one will
cost
you,
110
Act 2
205
Mi
K
Reh. Pno.
Black - wall Tun - nel
K
Reh. Pno.
Reh. Pno.
My
best
bus - es
are...
bus - es
My
best
are the thir - ty eight,
twen - ty one,
twen
-
ty
four,
and I
al - so
K
to Kew.
215
Mi
210
Mi
love
the
one - o -
two.
220
Mi
K
Reh. Pno.
f It
can't
be
pos - si - ble
to col - lect
e
-
v'ry
bus
ti -
cket
in
Lon -
don?
111
Act 2
225
Mi
May - be.
K
Reh. Pno.
230
Mi
K
Reh. Pno.
E - ven if you
could,
what is
K
Reh. Pno.
the
point?
234
Mi
Dun
-
no.
237
Mi
K
Reh. Pno.
mp
Is
it
be - cause
you
look
a - round
and
e - v'ry - thing
is
such
a mess?
mp
112
Act 2
242
Mi
K
Reh. Pno.
mp
I don't un - der
stand.......
mf
J1
247
Mi
f
K
Reh. Pno.
You
look
at
the
bomb
sites,
the
farms
are
emp
-
-
ty,
252
Mi
K
Reh. Pno.
no
one's
down
the
coal
pits,
the
K
Reh. Pno.
fac - tor - ies
are
257
Mi
closed.
Is
that
it?
f
Can't
say.
113
Act 2
262
Mi
K
Reh. Pno.
mf
You
want
e
-
v'ry -
thing
back in
its
mf
267
Mi
K
Reh. Pno.
place.
The
King's
on
his
throne,
fish and chips
at
the
dog
race.
272
Mi
K
Reh. Pno.
How
diff' - rent
we
are,
me
and
you.
277
Mi
K
Reh. Pno.
I
like
my
cha - os
and
rub
-
bish,
and
all
you
114
Act 2
282
Mi
K
Reh. Pno.
think
a - bout
is
bus
num - ber
one
K1
-
o
-
-
-
two.
287
Mi
K
Reh. Pno.
K
Reh. Pno.
mf
That's
the one
I
real
-
K
Reh. Pno.
ly want,
it's the one
I've
ne - ver seen;
It's
the
Bull and
Crown,
Ching - ford,
mf How do we find this
ti -
cket?
to
Gold
-
ers Green.
You
297
Mi
292
Mi
mf
break in - to the
gar - age at
night
302
Mi
K
Reh. Pno.
115
Act 2
when the
bus - es
are
a - sleep,
and be - fore
the clean - ers
have
ar - rived,
and you
307
Mi
K
Reh. Pno.
the floor. hunt a - bout on And
312
Mi
K
Reh. Pno.
if you found this
ti - cket,
and
if
this whole
col - lec - tion
was
Mi
K
Reh. Pno.
would you
com - plete,
what
317
mp
Some - how....
be?
sub. mp
116
Act 2
322
Mi
Reh. Pno.
I've ne ver been to the Bull mf sort
K
of
don't
know.
mf
327
Mi
K
Reh. Pno.
and Crown,
Ching
-
ford,
the
bus
sta
but I live near
-
tion
de - pot
331
Mi
K
Reh. Pno.
where the red
bus
-
es
sleep.
I've
ne - ver been to
Gold - ers Green,
but I
336
Mi
K
Reh. Pno.
live
near
the
bus
sta - tion
de - pot
where
the
red
Lon
-
don
bus
-
Kurt stands by the door. - es sleep.
341
Mi
K
Reh. Pno.
117
Act 2
346
Mi
K
Reh. Pno.
molto rit.
molto rit.
118
Act 2 Scene 12 Moments later. Downstairs in the front room. The mother puts the cosy over the tea pot. Kurt enters. She looks up.
Alla tango q = 90 350
Mi
Mo
K
Alla tango q = 90 mp cantabile
Reh. Pno.
mp
355
Mi
Mo
K
mp
3
This is the co - sy we put o - ver the tea - pot
To keep the tea hot.
3
Reh. Pno.
mp
So,
fa - mous
119
Act 2
360
Mi
Mo
K
Now, I come to think of it
I
Reh. Pno.
ket-tle is boiled?
sup - pose you'd
pre - fer
your
tea
cold.
Mo
K
365
Mi
Reh. Pno.
I for - get to
re - spect - ful - ly
in - form you
that I
dance
and I'm
high - ly
a - dept
at the tan - go.
370
Mi
Mo
K
Reh. Pno.
Is there no
end to
what
you can do?
Would you con - si - der
a
3
3
120
Act 2
Mo
K
374
Mi
Reh. Pno.
3
tan - go
for
3
(reconsiders)
Cer - tain - ly
not...
not
be - fore
tea.
two?
377
Mi
Mo
K
(mp)
I
will
Reh. Pno.
take you to the Ham - mer - smith
(mp)
(mp)
Pa - lais,
or
3
ra - ther,
you
will
take
me,
381
Mi
Mo
K
Reh. Pno.
be -cause I don't have mo - ney to pay.
At
mp
my
ex - pense.
Mi
Mo
K
386 q =104
all
life.
I
mf
love
mf cantabile
wo - men.
q =104
Reh. Pno.
121
Act 2
L1
I've
loved
wo - men
my
393
Mi
Mo
K
Wo - men I
love
Reh. Pno.
I call ‘arrs’.
In
Ha
-
no
-
ver
I
had a
Mo
K
400
Mi
four sea - ter
car,
Reh. Pno.
and when I drove a - long
I
ne - ver
al - lowed
more
than
two
122
Act 2
Mo
K
406
Mi
Reh. Pno.
friends in - side
I
al - ways
kept one seat
-
ty
just in
emp
case
I
drove
past
a
412
Mi
Mo
K
Reh. Pno.
beau - ti
-
ful
and
you
are
def - 'nite - ly
(looks at the mother)
‘arr’,
a
real
418
Mi
Mo
K
Reh. Pno.
‘arr’.
mf That's
not the sort
of talk
I
want
to
hear,
and you've made me blush like a
423
Mi
Mo
K
Reh. Pno.
123
Act 2
sil
-
ly
cow.
They sit at the table. She pours tea. Kurt stuffs himself with thin white sandwiches. The mother watches him.
Mo
K
427
Mi
Reh. Pno.
q = 90
432
Mi
Mo
K
Reh. Pno.
mp
I
know it
was hard in the
war.
q = 90
mp
mp
I
lost
e - v'ry - thing.
My work....
My wo -
man....
124
Act 2
439
Mi
Mo
K
Reh. Pno.
I'm
sor -
p
ry.
Should - n't
have
pp
asked.
(stops eating) p
What
hap - pened
to
Mo
K
445
Mi
you?
Reh. Pno.
Mo
K
449
Mi
Reh. Pno.
M1
125
Act 2
q = 146 453
Mi
Mo
K
Reh. Pno.
mf
I
lost
alm - ost
e
-
v'ry - thing, too.
q = 146 mf
My
hus
-
band... -
459
Mi
Mo
K
Reh. Pno.
The
doo
-
I
dle - bugs....
still
lis
-
ten
to
the
night
sky.
465
Mi
Mo
K
Reh. Pno.
I
still
ex - pect
the
stars
to
go
out.
126
Act 2
471
Mi
Mo
K
Reh. Pno.
Then
a
noise like
no
o
- ther
noise.
mf
What
is
a
doo-
477
Mi
Mo
K
Reh. Pno.
- dle - bug?
The
V
1
Mo
K
Reh. Pno.
The
The
483
Mi
ro
-
cket
o - ver Lon - don.
She pushes the cake his way. She pours him more tea. He cannot stop eating. She watches him.
doo - dle - bug!
doo - dle - bug!
127
Act 2
489
Mi
Mo
K
Reh. Pno.
Ter - ri - ble
things
try.
I've seen
hap - pened in your coun -
pic - tures
of
Na
-
495
Mi
Mo
K
Reh. Pno.
- zis for
-
cing
peo - ple
to
scrub
the
pave - ment
with tooth
brush - es.
500
Mi
Mo
K
Reh. Pno.
Oh that
was per -haps
more
of a joke.
You don't want to
128
Act 2
505
Mi
Mo
K
Reh. Pno.
be - lieve
ev'
-
ry
-
thing you
hear.
Mo
K
Reh. Pno.
done
on
both
sides.
ter
3
things were
- ri - ble
Michael enters from his room upstairs. The mother stands and hugs Michael by the shoulders.
509
Mi
3
A - ny - way,
,
,
N1 q = 88 513
Mi
Mo
K
Reh. Pno.
p
I
said
I
lost
q = 88 p
3
e - v'ry - thing...
That's
129
Act 2
518
Mi
Mo
K
Reh. Pno.
not
quite
true.....
I've
521
Mi
Mo
K
Reh. Pno.
3
still
got
my
son.
q = 102
524
Mi
Mo
K
Reh. Pno.
(looks at the devoured table) mf
Oi!
q = 102 mf
130
Act 2
528
3
Mi
Mo
K
Reh. Pno.
Who's
3 3
stuffed him - self
3
sil - ly
and
left
no-thing
for
me,
for
me?
131
Act 2 Scene 13 q = 168 533
Mi
K
Reh. Pno.
There is a discarded ticket box attached to the iron pole of a bus stop. Michael and Kurt pull out a number of old tickets and sift through them on the ground. A bus goes by. The conductress stands on the open deck. Ting ting! She isn’t stopping. They both ignore the bus.
q = 168
f
539
Mi
K
Reh. Pno.
K
Reh. Pno.
544
Mi
f
It's
my
birth -
day next week.
f
What is the one thing
132
Act 2
549
Mi
K
Reh. Pno.
K
Reh. Pno.
it. You can't af - ford
it
a -ny - way.
Do you
want that
K
Reh. Pno.
Bil - let
yes.....
I
do
It
won't
want
from the Crook - ed
Well,
get
ti - cket
for -
Just
559
Mi
you want in the whole world for your birth - day? 553
Mi
that.
to St. Al - bans?
565
Mi
K
Reh. Pno.
cost me
mo - ney
to
get
that.
All we
need
to
do
is
break in
-
to
the bus ga
-
rage.
570
Mi
K
Reh. Pno.
Mi
K
Reh. Pno.
por - tant thing
To be
ho - nest
that's not
in
the
world.
the
most
im -
But it's close.
575
133
Act 2
All
right
580
Mi
K
Reh. Pno.
then, what is it, what
is
it,
Mi
K
Reh. Pno.
is
can't
what
it
I
I
af - ford?
585
want
a
bike.
134
Act 2
591
Mi
K
Reh. Pno.
I'll
get you a
I'll
get
bike.
No - bo - dy makes them a - ny
more.
598
Mi
K
Reh. Pno.
There's no
K
Reh. Pno.
you
a
bike.
602
Mi
pe- trol
for cars.
So no - one's go - ing
to sell
a bike.
O1
q = 84 609
Mi
K
Reh. Pno.
mp But if I
find
bike
a
like
no bike
is,
such
a
bike.
like
q = 84
mp legato
135
Act 2
617
Mi
K
Reh. Pno.
In
fact
a
bike
so
im - por
-
tant
you
won't
you
want,
625
Mi
K
Reh. Pno.
won't
want
to
ride
it,
bike
you
will
631
Mi
K
Reh. Pno.
at a - mazed,
P1 q = 168 f Show me a
K
Reh. Pno.
but
bike,
f
q = 168
show me
don't
dare
a
bike,
show
me a
touch it.
bike.
I
you
639 Mi
stare
A
want
to
ride,
136
Act 2
644
Mi
I want to
K
ride.
Mi
Reh. Pno.
me
Just
show me a
me!
bike
show
Oh,
bike.
They let the bus tickets run through their fingers. There is nothing they want. They toss them up in the air. Clouds of bus tickets.
mf
662
Reh. Pno.
a
654
Reh. Pno.
Show
I dare not touch.
K
649
Reh. Pno.
,
137
Act 2 Scene 14 671
Mo
K
Reh. Pno.
q = 78
The mother is alone in the house. Kurt knocks. She lets him in.
q = 78 p
674
Reh. Pno.
677
Reh. Pno.
680
Reh. Pno.
q = 158
683
Mo
K
Reh. Pno.
mf
It's a love ly day to - day! q = 158 mf
138
Act 2
688
Mo
K
Reh. Pno.
mf
I
don't
think
so.
It
has - n't
stopped rain
-
ing.
693
Mo
K
Reh. Pno.
K
Reh. Pno.
I'm
I've
698
Mo
ve - ry
sus
brought
-
pi
-
some - thing
for
you.
cious.
You
can't
see
it.......
703
Mo
K
Reh. Pno.
It
is - n't
food
You can't
touch
it....
It
139
Act 2
708
Mo
K
Reh. Pno.
want
a
does - n't
bone.
It
won't crease
713
Mo
K
Reh. Pno.
And it's just for you.
718
Mo
K
Reh. Pno.
I'm
e - ven
more
sus - pi - cious.
Q1
723
Mo
K
Reh. Pno.
q = 104 f
You
were
q = 104 f
in - ter - est - ed,
you
said,
in the Ger - man
V
1
ro
-
cket.
140
Act 2
727
Mo
K
Reh. Pno.
K
Reh. Pno.
What did you
731
Mo
call them,
-
dle
-
Doo
please?
bugs..........
And
when
the
doo - dle - bug
ro -
how
long
did you
735
Mo
K
Reh. Pno.
- cket
cuts
out
o
-
ver
Lon
-
don,
739
Mo
K
Reh. Pno.
count be
- fore
it
lands?
You
count
to
743
Mo
K
Reh. Pno.
twen
-
ty.
I
Reh. Pno.
K
Reh. Pno.
752
Mo
Reh. Pno.
ve
-
ry
but
I'll
put
the
ket
-
ful
of
you,
-
tle
on...
think
I
(semi-spoken)
thought
Song.
I K
Doo - dle - bug
subito pp
writ - ten you a
pp
750
Mo
have
That's K
747
Mo
141
Act 2
need
to
sit
down.
142
Act 2
755
Mo
K
Reh. Pno.
K
Reh. Pno.
Kurt doesn’t hesitate. He lies on the table and shapes himself like a medium sized rocket. The mother seems paralysed.
758
Mo
143
Act 2 DOODLEBUG SONG Approximate pitches and rhythm, free within suggested outlines, using all possibilities from speech to singing
761 K
(preliminary ignition)
,
whoor
whoosh
chuk
chuk
-
, sta
-
szing!
Szing
chuk
teeee -
,
perrsh
per
,
ning
Weeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeen.......
K
, Chu
764 K
-
ka
,
chuc
perrsh
per - ra
Wha!
ssssssssssssssssssssss
nn
Woorshshshshshshshshshssssss
Kurt changes his position on the table. Swivels to a different angle.
keeeeeeeeniiiiiiiiiing
Nnnnnnnnnnnnnnnnnng
Nnnnnnnnnnnnnnnnnnnnnnnnnnng...
(falsetto)
slow gliss.
ka Nnnnnnnnnnnnnnnnnnnnnnng
-
766 K
Nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn...
chu
(through the night sky)
765 K
Yhiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiine................
chu
(booster engine gains height)
763 (initial rocket thrust fades)
ra
vroooooooom!
762 K
-
K
(q = c.60)
f Chuk chuk chuk chuk chuk -
760
Nnnnnnnnnnnnnnnnnn
-
churh
-
ningchk!
Nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnng
Rocket engine cuts out – silence
Eins,
zwei,
drei,
vier,
fünf,
(pitches and rhythms ad lib.)
144
Act 2
q = 148 f
I
that's
e
769
Mo
K
Reh. Pno.
think *
sechs, q = 148 f
-
nough –
K
sieben,
acht,
neun,
Reh. Pno.
K
Reh. Pno.
Reh. Pno.
zehn,
Kurt rolls off the table onto the floor with a hint of a dive. The mother sits at the table crying. She shakes with tears.
- stand!
K
it!
p
p
What
is
q = 144
q = 144
R1
sub. p
What
You
won't
You've
done
no -
thing!
un
-
it?
778
Mo
Stop
775
Mo
772
Mo
der
-
have I done?
* Kurt continues counting as before (not co-ordinating with the new tempo).
145
Act 2
781
Mo
K
You
Reh. Pno.
don't
like
the
(crying)
K
Reh. Pno.
My
hus
-
K
Reh. Pno.
V
1
band
was
rock
-
et.
killed
by
a
788
Mo
song?
785
Mo
791
Mo
K
Reh. Pno.
mp
I'm
so
sor
-
ry.
146
Act 2
795
Mo
K
Reh. Pno.
I've
been
a
799
Mo
K
Reh. Pno.
weren't
sil - ly
to
know.
You
fool.
I
am
a
-
803
Mo
K
Reh. Pno.
shamed
of
my
self.
S1 q = 150
f (wiping her eyes)
807
Mo
K
Reh. Pno.
no.
No,
I'm
q = 150 f marcato
po - si - tive that
it's
good
a
song.
I
might
need to
hear
it
813
Mo
K
Reh. Pno.
a
147
Act 2
cou - ple
of
times
be -
fore
I
can.......
q = 78
Kurt hugs her.
819
Mo
mf
K
Reh. Pno.
I don't want you
to think
I
q = 78 mp
am
ex
-
ult
-
ing
in
the
war.
824
Mo
K
Reh. Pno.
I want
you
to
be - lieve
it's
e - v'ry - thing
q = 82
that
I
ab
-
hor.
829
Mo
f marc.
K
Reh. Pno.
I
be - lieve
the
whole
point
q= 82
f
of
a
pro - per
war
is
to
make
148
Act 2
834
Mo
K
Reh. Pno.
ab - so - lute
ly
sure
that
no
one
is
killed
at
all.
839
Mo
K
Reh. Pno.
The
great
-
est
wars
are
fought
when
842
Mo
K
Reh. Pno.
no - bo - dy
dies
at
all.
The mother leans against his shoulder. She wipes her face.
845
Reh. Pno.
q = 120
Act 2
848
Reh. Pno.
851
Reh. Pno.
149
150
Act 2 Scene 15 Another day. In the front room. On the table are a few presents. The mother watches Michael unwrap the birthday presents. A few balloons. Cards on the mantelpiece. Kurt arrives with an object wrapped in brown paper. It is almost too large and awkward a shape to carry. It is difficult to guess what is under the brown paper.
q = 164
853
Mi
Mo
K
Reh. Pno.
q = 164 f
859
Reh. Pno.
865
Reh. Pno.
870
Mi
Mo
K
Reh. Pno.
f
Hap - py birth - day! Hap - py birth - day! Hap - py birth - day,
Mi
-
chael!
151
Act 2
876
Mi
Mo
Hap - py birth - day, dear Mi
Hap f
K
Reh. Pno.
-
- py birth - day, dear Mi
-
Michael takes the large object in brown paper and unwraps it.
-
-
chael! Hap - py birth - day
chael! Hap - py birth - day
chael! Hap - py birth - day, dear Mi
chael! Hap - py birth - day, dear Mi
882
Mi
to
you!
to
you!
f
It's
a bike,
Mo
K
Reh. Pno.
it's
a bike.
it's
a bike,
888
Mi
Mo
K
Reh. Pno.
it's
a bike,
it's
a
bike,
a
bike.
it's
It's what I've
152
Act 2
894
Mi
Mo
K
Reh. Pno.
al
-
-
ways
want
-
-
K
Reh. Pno.
bike.
It's
what
I've
al
907
Reh. Pno.
want
-
ed.
ways
q = 150
It is a violently twisted boy’s bike. It looks like a piece of metal that has had a head-on crash with a vehicle. The bike frame and the wheels contorted. Michael looks at it. Michael looks up.
902
-
T1
Reh. Pno.
bike,
Mo
a
a
it's
it's
bike,
It's a
898
Mi
ed.
153
Act 2 911
Reh. Pno.
Mo
K
Reh. Pno.
,
,
q = 80
916
Mi
(confused) p
It's
a
p
bike,
it's
a
bike,
it's
a
bike.
q = 80
f It's
a
spe
924
Mi
Mo
K
Reh. Pno.
f
f
-
cial
kind
of
bike.
154
Act 2
927
Mi
Mo
K
It's
a
DA
-
-
DA
bike.
Reh. Pno.
Mo
K
Reh. Pno.
p 930
Mi
(lowers his head)
Thank
thank
you.
p
you,
q = 148
934
Mi
Mo
K
f
It's
q = 148
Reh. Pno.
f
a
155
Act 2
939
Mi
Mo
K
spe
-
cial
kind
Reh. Pno.
of
bike.
Most
child -
ren
have
944
Mi
Mo
K
bikes
that
they
ride
Reh. Pno.
a - round
all
day.
949
Mi
Mo
K
This
Reh. Pno.
is
a
bike
which
you
hang
on the
wall.
156
Act 2
The boy runs out of the room. The mother looks at the old man.
953
Mi
Mo
K
Reh. Pno.
p
Mi
-
chael?
Mi
-
chael?
sub. p
mf
959
Mi
Mo
K
Reh. Pno.
p
He
on
-
ly
want
-
a
bike........
sub. p
ed
sub. mp
mp
Per
-
Mo
K
965
Mi
Reh. Pno.
haps
I
made
a
mis
-
take.
Mi
Mo
970 q = 130
p
How
K
Reh. Pno.
could
you
do
q = 130 p
157
Act 2
U1
this?
p
see
I
made
a
You
mis -
975
Mi
Mo
K
Reh. Pno.
- take.........
How
could
you
do
this
to
a
boy?
q = 98
981
Mi
Mo
K
Reh. Pno.
thought
he'd see
the
q = 98
I
joke
in
a
bi
-
cy
-
cle
which he
158
Act 2
987
Mi
Mo
K
Reh. Pno.
can't
ride.
I
thought
he'd
laugh
and
is
a
here
think,
bike
992
Mi
Mo
K
no
Reh. Pno.
one
could
You
tell
me
you're
a
great
ride.
999
Mi
Mo
art - ist
K
Reh. Pno.
and it
may
be
true,
but un - der - neath
this
stuff,
159
Act 2
1005
Mi
Mo
K
what
kind
of
man
are
you?
Reh. Pno.
Mo
K
I'm
dim.
1011
Mi
Reh. Pno.
not
sure.
160
Act 2 Scene 16 Outside the old man’s room in north London. The mother approaches the door. Kurt opens the door before she can knock. They study each other. Moment. She follows him inside the room - his ‘White Palace Room’. The square cardboard stalactite shapes hang from the ceiling. When you enter, it is immediately an upturned space and the eye and the mind try to accommodate it.
q = 126 1014
Mo
K
Reh. Pno.
q = 126
mp
1020
Mo
K
Reh. Pno.
K
Reh. Pno.
this
art
1026
Mo
mp
I
don't
un
you
do.
I
just
want
-
der - stand
to
know
what kind
161
Act 2
1032
Mo
K
Reh. Pno.
of
man
are
you.
1038
Mo
K
Reh. Pno.
mp
I
want
to
find
a
new
way
to
look
at each
and
1044
Mo
K
Reh. Pno.
e
-
v'ry
day.
So
much
de - pends
on
o -
pen
-
ing
our
1050
Mo
K
Reh. Pno.
eyes
with a sense of
con - ti - nu - ous
sur
-
prise.
What
you
162
Act 2
1055
Mo
K
Reh. Pno.
see
is
not
-
ly
there,
real
what
is
real
K
Reh. Pno.
K
Reh. Pno.
to
take
the chance.
But I'm pre - pared
is
too
K
I'm
We'll both
go
and tan - go
at the Ham - mer - smith
ve - ry flat - tered.
to
you are.
Pa - lais de Danse.
Reh. Pno.
hard
1071
Mo
true
What a rum old dog
bear.
1066
Mo
and
1061
Mo
I sup - pose I'm the one
1077
Mo
K
Reh. Pno.
163
Act 2
who
pays
for
the tick
-
ets?
How
well
you
3 3 3
1081
Mo
K
un
-
der
-
Reh. Pno.
3
3
stand
me.
3
3
3
3
3
3
V1 q = 84 p
1085 Mo
On
K
Reh. Pno.
q = 84
I'm
ve - ry
flat
-
con - trary.
ar - tist.
the
p
Such a great
tered.
164
Act 2
1092
Mo
K
Reh. Pno.
But there
are
strict
rules
at - tached.
p
The
has
tan - go
1099
Mo
K
Reh. Pno.
ma
-
ny
1104
Mo
K
Reh. Pno.
K
Reh. Pno.
-
sion
is:
there
q = 152
a
slow
dance
of
f
And
rule
death.
I
ul - ti - mate
is no ma lar - key.
It's
and
q = 152 one
rules.
1109
Mo
pas
strict
f
don't un - der - stand
the
word, ‘ma - lar -
key’.
1113
Mo
q = 140
3
mf
I'll
K
Reh. Pno.
K
Reh. Pno.
Han
it
in
there'll
be
no she - na - ni - gans.
ky
-
mf
‘She - na
-
ni - gans’?
Kurt studies her.
pan - ky.
-
ord - 'na - ry words:
mf
1118
Mo
put
q = 140
165
Act 2
I'm
ha - ving trou - ble
with ‘han - ky - pan -
1124
Mo
K
Reh. Pno.
- ky’.....
Studies her again.
W1
Mo
K
Reh. Pno.
1129 q = 154
mf But
mf
mf
Ah,
there you
are
wrong.
I'm
not
your Lon - don
you are my Lon - don ‘arr’.
q = 154
166
Act 2
1139
Mo
K
Reh. Pno.
‘arr’.
And
I
keep in
my
car
a
seat
emp
-
ty
for
1143
Mo
K
Reh. Pno.
you, that is I
say
if
I had a car,
you'd
be my ‘wan - tee’.
q = 78p 1146
Mo
K
Reh. Pno.
Trans - late
for
me.
p
q = 78
sub. p e legato
My
‘wan - tee’
3
3
is
K
Reh. Pno.
want
3
all
the
time.
Nor
3
3
3
-
am
I your ‘wan
3
-
cial who
I
3
3
3
-
3
tee’!
one spe
some
1155
Mo
3
3
X1
167
Act 2
q = 164 1162
Mo
K
Reh. Pno.
May
I
q = 164
call
you
‘Mut -
ti’?
K
Reh. Pno.
3
me
what
3
you
like
K
Reh. Pno.
but
keep
it
3
there
will
be
no,
3
3
in
no
ü
-
-
man,
3
ber
Ger
Call
mf
and
1171
Mo
1168
Mo
mf
3
do
-
ings.
1174
Mo
K
Reh. Pno.
Ü
-
ber
do
-
ings?
I
am
un - ac - quaint - ed
with
168
Act 2
1177
Mo
K
Reh. Pno.
ü
-
ber
do
-
ings
And ‘ma - lar
3
-
key’.
And ‘she - na
3 -
ni - gans’...
1180
Mo
K
Reh. Pno.
And this ‘han
-
ky
-
-
ky’.
pan
You
mean:
1183
Mo
K
Reh. Pno.
nichts
K
an
-
ru
q = 124
-
chi
-
ges
da
-
bei.
1186
Mo
What
e
-
ver
I
mean,
q = 124
Reh. Pno.
1190
Mo
K
keep
strict
-
ly
to
the
art
Reh. Pno.
we'll
169
Act 2
of
DA
DA.
-
1194
Mo
K
Reh. Pno.
Reh. Pno.
1202
Reh. Pno.
Oh
real -
ly:
will
we?
1198
170
Act 2 Scene 17
Lights change. It’s a cavernous dance hall. The slow Argentine tango has been called a ‘cake-walk played adagio’. Kurt and the mother dance. At the close of the tango he holds the mother in an intimate clutch. It is a tableau. He is about to kiss her. She abruptly turns her face to the side. Very stylish and poised. The mother leans back in his arms. Very Latin a la Hammersmith Broadway.
1205
Mo
K
q = 94
q = 94
mp
Reh. Pno.
mf cantabile
1210
Reh. Pno.
1220
legato
Reh. Pno.
1215
Reh. Pno.
legato
171
Act 2
1225
Reh. Pno.
1231
Reh. Pno.
Y1
q = 108 1237
Mo
K
Reh. Pno.
q = 108
(mp)
mp
Af - ter
all,
1243
Mo
K
Reh. Pno.
to
DA
-
DA –
K
Reh. Pno.
the whole
cor -
pur - pose
of
is
not to
make
love
at
all.
Am
mak
ding
1249
Mo
-
ac
-
ing love
I
right?
172
Act 2
1255
Mo
K
Reh. Pno.
mp
I
-
re
serve
my
1260
Mo
K
Reh. Pno.
an
-
swer.
1264
Mo
K
Reh. Pno.
to black
173
Act 2 Scene 18 1268
Mi
K
q = 102
q = 102
The bus depot at night. Giant metallic cave. Michael and Kurt flash their torches. Thin corridors of beaming light. Shadows of red sleeping buses. Shadows of high towers. Shadows of barbed wire. Shadows of look-out towers. The boy encourages the old man to follow. Kurt steps back. Looks up at the dark shadows. He retreats.
espress.
Reh. Pno.
p
1276
Reh. Pno.
1272
Reh. Pno.
174
1280
Reh. Pno.
Act 2
1284
Reh. Pno.
Z1
1288
Mi
p
Come
K
What's the mat
p
-
ter?
No...
on!
Reh. Pno.
175
Act 2
1292
Mi
K
Reh. Pno.
It
looks
like
K
K
pri
-
(backing away)
a.....
Go
It
looks
like
NO!.....
camp....
son
on
a
-
head....
The boy runs away into the darkness. Kurt is alone in the darkness.
Reh. Pno.
a
1300
Mi
Reh. Pno.
1296
Mi
176
Act 2
A2
q = 146 1304
Mi
mf
K
Reh. Pno.
Things
the
art
-
-
-
q = 146 mf pesante
ist
must
not
1309
Mi
K
Reh. Pno.
do
to
-
-
-
day....
1314
Mi
K
Reh. Pno.
Be trapped be hind
barbed wi - re
walls,
Be
judged
by the
1319
Mi
K
Reh. Pno.
shape
and de - sign
of
your
nose...
Be banned from show
-
ing
your
work...
177
Act 2
1323
Mi
K
Reh. Pno.
Be
asked
to
scrub
floors
with a
tooth - brush...
1327
Mi
K
Reh. Pno.
Be
a - fraid
when
come for
they
you....
1332
Mi
K
Reh. Pno.
Be
told
to
pack
one
bag
and
leave your home.
1337
Mi
K
Reh. Pno.
Be
thrown
in
-
to
cat - tle
trucks...
178
Act 2
1341
Mi
K
Reh. Pno.
Be - ing
K
Reh. Pno.
made
to
wear
striped
py -
1345
Mi
- ja
B2
-
mas,
Be
or
-
dered
to
1349
Mi
K
Reh. Pno.
shave
for
head
lice...
Be
told that
you
1354
Mi
K
must take a sho
Reh. Pno.
-
do
to - day.
wer.
Things
the art
-
ist
must
not
179
Act 2
1359
Mi
K
Reh. Pno.
Things
the
art - ist
must
not do
to
-
day.
1363
Mi
K
Reh. Pno.
Be
forced
to
take
a
jour
-
ney
to
a
place you
1368
Mi
K
Reh. Pno.
do
not
know......
Things
the
art - ist
must
1373
Mi
K
Reh. Pno.
not do to - day...
Take
a
night
train
which
180
Act 2
1378
Mi
K
Reh. Pno.
pass
-
es
a
hun
-
dred
stops,
but they
have
no
name...
1382
Mi
K
Reh. Pno.
Things
the
art - ist
must not
1386
Mi
K
Reh. Pno.
do
to - day,
Things the
art - ist
must do to - day.
1392
Reh. Pno.
1395
Reh. Pno.
C2
q = 112
1398
Mi
K
Reh. Pno.
Reh. Pno.
Not a
mf
3
-
Wal
mark
on it.
per - fect - ly clean,
q = 112
It's K
mf
Look!
1403
Mi
181
Act 2
Michael runs back. He waves a bus ticket in his hand. He lights Kurt up with his torch.
tham - stow Dog
Track to
Gold
-
ers
1408
Mi
Green! K
Reh. Pno.
K
Reh. Pno.
does
it
Stops
q = 138
stop?
Where
1413
Mi
mf
at
Ed - mon - ton,
q = 138
the
An - gel,
on the
North
Cir
-
cu - lar
182
Act 2
1418
Mi
K
Reh. Pno.
Road.
Stops
at
K
Reh. Pno.
Reh. Pno.
Reh. Pno.
Crown,
Ching - ford.
And
then
there's the
all the way
back
a -
Bald
Faced
Stag
at
East
Gol - ders
Green
Sta - tion
then
gain.
Pal - mers Green Lane,
Hea - ven....
Finch - ley
There's Mus - well Hill Broad - way to
and K
at the Bull and
1433
Mi
and
Stat - ion. K
Pool,
1428
Mi
Larks - wood Swim - ing
1423
Mi
Which stop
would you
183
Act 2
1438
Mi
K
Reh. Pno.
like
to get out
at?
I
like
Larks - wood Swim - ming
Pool.
It
sounds
1443
Mi
K
Reh. Pno.
like mus
-
-
i
-
cal
streams,
Where
trees
float
in
1448
Mi
K
Reh. Pno.
Moment. They study each other
dreams.
,
D2
q = 72 1452
Mi
K
Reh. Pno.
Is q = 72
your col - lect - ion
com - plete?
I think it
is.
You don't
184
Act 2
1459
Mi
K
Reh. Pno.
need me
a - ny
I
don't
think we
more.
should see
each
o - ther
1466
Mi
K
Reh. Pno.
a
-
is - n't
a
bus
There
gain.
ti - cket you
have - n't
got.
1472
Mi
K
Reh. Pno.
Ev' - ry - thing's
back
in
it's
place.
and
K
Reh. Pno.
you
got
the
lot.
Kurt gives the ticket back to Michael. Kurt walks away into the dark.
1477
Mi
1481
Mi
K
Reh. Pno.
185
Act 2
Where
Michael is alone.
are
you
go -
ing?
1486
Mi
K
Reh. Pno.
186
Act 2 Scene 19 Outside Kurt’s room. The door is open. Michael approaches. Kurt is on his knees on the floor. He has a toothbrush in his fingers. Another day.
1490
Mi
K
q = 92
q = 92
Reh. Pno.
Reh. Pno.
pp
pp
Why
K
1500
Mi
don't you
want to see
me?
But
pp
I'm not good for
K
Reh. Pno.
why?
you.
1507
Mi
I
don't think we should
a
gain.
meet
-
But
why?
I
should
187
Act 2
1513
Mi
K
Reh. Pno.
ne - ver have gi - ven you that
bike.
I
was try - ing to ex
-
plain
some - thing
a - bout
1519
Mi
K
Reh. Pno.
DA - DA.
But
that's
not the
sort
of
thing
that
Mi
K
Reh. Pno.
Reh. Pno.
a
were
K
I
1534
Mi
a
-
po -
lo
fraid
-
to
go
in
I
-
know
why
to
the
you
gise........
-
like.
1526
you'd
bus
de -
pot.
You thought it
188
Act 2
1539
Mi
K
Reh. Pno.
looked
like
a
pri
-
son
K
Reh. Pno.
camp.
Yes
that's
true.....
do - ing
on
the
1544
Mi
What
are
you
floor?
E2
1549
Mi
K
Reh. Pno.
q = 69 mp
Peo
- ple
have
been
forced
to
q = 69 mp legato
clean
pave - ments
with
a
tooth
-
brush.
1555
Mi
K
Reh. Pno.
This
is what they
can
do
with
DA - DA
when
they
want
to
per -
189
Act 2
1562
Mi
K
- vert
Reh. Pno.
Mi
it
with
E
Reh. Pno.
-
-
vil.
q = 114 mf
tell
what.
I
-
stand.
kind
un - der
would - n't
you
You
q = 114 mf
I'll
K
1570
of
the
shape of the
bike.
All
like
1577
Mi
twist - ed
K
Reh. Pno.
up.
I
can tell my
friends
I
was
out for
a
ride,
and
I
190
Act 2
1584
Mi
hit K
Reh. Pno.
a car
head
- on
do - ing
se - ven - ty
five.
mf
You don't have to pre - tend.
1591
Mi
K
Reh. Pno.
Or
if
you
like....
You
can have the
can
K
Reh. Pno.
it
for
have
one
of
those
I
found.
you want to
You
if
pic - tures,
tick - et
1597
Mi
stick
it.
1603
Mi
K
Reh. Pno.
Mi
-
chael....
I
on
-
ly
want to be
your
Kurt hesitates.
friend.
191
Act 2
F2
q = 90 1611
Mi
mf
K
Reh. Pno.
You look a - round q = 90
mf legato
and hate
the cha - os,
and want
to put
e - v'ry
-
thing
back
in
or -
der.
1618
Mi
K
are
I look
strange.
How
young.
so
Reh. Pno.
And you
a - round
and see
1625
Mi
K
Reh. Pno.
cha
-
os,
and
I
love
it.
It
has
a
ran -
192
Act 2
1629
Mi
K
- dom
beau
Reh. Pno.
-
ty.
I
And
am
old.
G2
q = 76 1633
Mi
K
K
Reh. Pno.
q = 76
1639
pp
Kurt starts to scrub the floor again with the toothbrush. He stops. Looks up at Michael.
pp
Ev - en DA- DA
strange....
How
Mi
pp
art
can be ap
-
plied
for
193
Act 2
1647
Mi
K
Reh. Pno.
ter - ri - ble u
-
ses.
E - ven
art - ists'
laugh - ter
in the
dark
is
o - pen to
a - bu
-
1654
Mi
K
Reh. Pno.
- ses.
Reh. Pno.
What do
I
need
to make a
tooth - brush some
-
thing less than
E - vil?
(instinctively)
mm
K
1662
Mi
(spoken)
Tooth -paste?