comment that I started to do more research and change my approach to every movie. My pattern of mixing is now totally different.
What is your favourite technique when it comes to working with sound?
Testimonial
(After a brief moment of intense contemplation, if I may add) We’re working for the movie. Only after seeing the move can we decide what to do, it’s not about “us” as much as what is required.
You’ve practised Mridangam. Does the knowledge of classical music help in your line of work? Of course. Definitely. (Add a vehement nod of approval) Music sense should be very high. Sound Engineering is not only about dialogues. With this rhythmic sense that I got from Mridangam, it helped in editing music and beat. You have to be able to choose from the thousand sounds that the director captures, play one up and ensure that the director approves of it.
You have been giving guest lectures at Muzik Lounge for the past two years. Tell us something about the institution? Muzik lounge is one such institution where emphasis is more on practical exposure. It gives the students more confidence to take up the task at a much faster rate and to execute things professionally. I was very impressed with the way they had set up their labs, with no compromise on the quality of equipments provided to its students. ML has always successfully taken out the teacher in me and I’m happy to see their students working for some prestigious studios in India & abroad.
Tell us a little about your experience with Four Frames. The aim was to become a cinematographer. It was around that time I got to come here (Four Frames) for 6 months as an apprentice. I started with assisting Deepan Chatterji and now 13 years, I’m still here! Four Frames is equipped with the latest state of art technology and with a man like Priyadarshan heading the organization, quality will never be compromised.
Student : Manikandan
Course : Diploma in Audio Engineering
Currently working at : RADIOME 100.3 F.M, U.A.E Though I have worked for 3 years as an RJ, it was just one year since I have discovered a real passion for Sound. I was in a hunt for getting an admission into the best institution where I can nurture the professional in me to the core. One of the biggest advantages of being a Muzik Lounge student is that you get teachers and instructors who are pioneers in the industry and exploring things practically. It was fun and a big learning experience too. The role that Stephen Devassy and Sam Devassy play in nurturing the taste of Sound and Music in the society is greatly appreciable. I am deeply indebted to Muzik Lounge for giving me a rich and vibrant exposure in the world of Sound Engineering. I would strongly recommend Muzik Lounge as the right place to shape your career!
Epilogue He’s now working as a music director for an upcoming Malayalam movie Mr. Bean; incidentally his mother happens to be the lyricists for the same movie. In fact, it seems music is in the genes. His (late) father, the legendary Malayalam music director M.G Radhakrishnan, a renowned Music Director and a prominent authority of Carnatic Music made a big impact on him. Not from a musical family? No problem! Practice, be authentic & dedicated as Rajakrishnan says!
Admissions OPEN
Batch for Diploma in Music Technology(18 months) & Diploma in Audio Engineering (18 months). You can download the application form from www.muzikloungeindia.com.
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