Spuren

Manuel Rodríguez Valenzuela Spuren (2012) (for 7 instruments)

Instruments Prepared Trumpet in C +kazoo, plastic mouth siren, piece of aluminium foil and a heavy bag filled with stones/metal objects.

Tenor Trombone (with F attachment) + a heavy bag filled with stones/metal objects.

Electric Guitar + spring drum connected to the lowest 2 strings, amplifier (with overdrive), jack cable, volume pedal, pick, bottle neck, metal stick and bow (preferably a cello one) and a heavy bag filled with stones/metal objects.

Violoncello + spring drum connected to the IV string, bottle neck, metal stick and a heavy bag filled with stones/metal objects.

Percussion 1 Marimba, big timpani (32”), 2 toms (high-­‐medium + low), 2 bongos (high + low), 2 not suspended cymbals (little + big), 2 super-­‐ball sticks, slide whistle, megaphone (with hand-­‐microphone and alarm incorporated) and a heavy bag filled with stones/metal objects.

Percussion 2 Vibraphone, big timpani2 (32”) , 2 toms (high + medium-­‐low), 1 not suspended cymbal (medium), bike bell, wine glass, ceramic plate, box/bin, megaphone (with hand-­‐microphone and alarm incorporated) and 2 heavy bags filled with stones/metal objects.

Piano + ~3 plastic/metal rulers, a piece of duct adhesive tape, inflated balloon, bike horn, megaphone (with hand-­‐microphone and alarm incorporated) and a heavy bag filled with stones/metal objects.

General Quarter tone notation:

(-­‐1/4, +1/4, +1/4, +3/4)

Approximated pitch Normal dynamic/ dynamic of the action/ approximated dynamic

Highest/lowest possible pitch

Let fall from a high of ~1 meter high the different specified objects

Trumpet in C -­‐ Preparation of the trumpet: Remove the 1st, 2nd and 3rd slide tubes out of the trumpet, and place the next objects on the extreme of the opened tubes (as in the picture): 1st valve tube: A Kazoo 2nd valve tube: A mouth siren (toy plastic one)

3rd valve tube: A piece of aluminium foil around the tube -­‐ Always with a pixie and a plunger mute.

Valves: Any valve depressed/depress valve 1/ valve 1 half-­‐depressed/depress valve 2/depress valve 3 Plunger mute symbols: open/close Air sounds: normal/breathing in Slap Harmonics gliss.

Trombone -­‐ Always with a pixie and a plunger mute. -­‐ Transposer tube (F attachment) always opened. When the F valve trigger is activated the sound comes out from the opened tube and not from the trombone bell. Pitches when F trigger is activated are expected to be approximate, and the exact tuning is not important. Depress F valve trigger. Plunger mute symbols: opened/ half-­‐opened/ closed. Air sounds with consonants. The two different positions mean two different air colours (two different consonants, for instance a high [s] and a low [f]) The gliss. line only means a transition between both sounds, the trombone slide doesn´t have to be moved in this moment. Breath in inside the trombone. Slap Harmonics gliss.

Electric Guitar -­‐The electric guitar is NOT connected to the amplifier (just at the very end of the piece), but an amplifier (with overdrive), a jack cable and a volume pedal (both connected to the amplifier) are needed for the piece. The amplifier should be configured in order to have the maximum possible noise out of it. A jack plug should be connected to the amplifier and the other plug should be free to produce electric buzzing noise when touching to it. The volume of both noises (amplifier itself and jack electric noise) should be controlled by a volume pedal. Another option is to have two different amplifiers, one just connected to the volume pedal and the other connected to the jack cable (and to the volume pedal), and control both noises independently. -­‐A spring-­‐drum should be partially connected to the e-­‐guitar: Connect the extreme of the spring to the 5th and 6th string beside the bridge (see picture), in order to get a natural amplification of these two strings. The spring should not touch anything else than the e-­‐guitar strings to avoid the distortion of the sound. The body of the spring-­‐drum should be securely mounted and placed beside the guitarist before the concert starts.

Spring drum

Connection of the spring th th to the 5 /6 e-­‐guitar strings

Clef and noteheads for the jack noise (up) and amplifier noise (down)

Bottle neck notehead. The pitch always shows the placement of the bottle neck on the 6th string. Stop the resonance of the instrument. Exaggerated pressure of the bow with almost not recognizable pitch. (The example on the right: decreasing the pressure)

Jété technique. Number of beats according to the duration of the note. Nail pizz. /Bartok pizz. Detune the indicted string between ( ) as much as you can during the duration of the line.

Violoncello IV string detuned always ~1 octave down. Notation on the IV string is always written an octave up. A spring -­‐drum should be connected to the IV string. Connect the extreme of the spring to the IV string beside the bridge, in order to get a natural amplification of this string (see e-­‐guitar picture). The body of the spring-­‐drum should be securely mounted and placed beside the cellist before the concert starts. ST ORD SP– Sul tasto, Ordinario, Sul ponticello Exaggerated pressure of the bow with almost not recognizable pitch. (The example on the right: decreasing the pressure)

Without tone, no specific pitch intended/ Bowing on the body of the instrument (preferably on a bout) producing a quasi breathing sound.

“Seagull gliss.” (same as a artifical harmonic glissando but keeping the same distance between the 2 playing fingers throughout the glissando) pizzicatto/ Bartok pizz./ Nail pizz./ Pizzicatto tremolo (similar as the guitar rasgueado technique)

Jété technique. Number of beats according to the duration of the note.

Rattling sound 1: Bend the lowest string outside the fingerboard at the indicated position to make a dense percussive rattling sound when bowed, trying always to get the most percussive and noisy sound. This technique works always better and faster bowing up.

Rattling sound 2: To reach this ppp rattling sound, push the III. string to the right until it touches slightly the IV. string, while bowing on this IV. string.

Percussion

Hard stick/ soft-­‐medium stick/ brush stick/ super-­‐ball/ opposite side of the stick. Gliss. along the marimba or vibraphone bars (diatonic gliss.) / percussive and rattling gliss. along the marimba or vibraphone tubes. The pitches indicating the distance of the gliss. are always approximate, the exact distance from one pitch to another is not important.

Let the stick bounce free after hitting the instrument. Number of beats according to the duration of the note. Breath in/out (for the ACME mouth siren) A symbol using super-­‐ball sticks means rubbing on the instrument and not a roll. Vibraphone always with the motor on (~3-­‐4 beats/second)

Piano Preparation: ~3 big plastic/metal rulers close to the dampers covering the whole piano register, except the highest octave. A piece of big adhesive tape (duct tape or any strong one) stuck on the highest octave.

White keys gliss./Black keys gliss./White keys rattling percussive gliss./Black keys rattling percussive gliss. The pitches indicating the distance of the gliss. are always approximate, the exact distance from one pitch to another is not important. Nails/Flesh of the fingers (For the rattling percussive gliss.) Depress the keys with a fast movement from the beginning of the palm (close to the wrist) to the whole hand.

Megaphones (for percussion and piano players) -­‐The megaphones should have a hand-­‐microphone with an ON/OFF switch incorporated, an alarm switch and the possibility to turn up-­‐down the volume (see picture). If the maximum volume of the megaphone is too loud, a piece of foam (of a pillow, for instance) can be placed inside the megaphone bell and it´ll work as a mute.

Megaphone Clef Turn the megaphone volume up/down to the minimum/maximum power. Switch the hand-­‐microphone ON/OFF

Switch the Alarm button ON/OFF Place the hand-­‐microphone close to the mouth. Mouth actions with the hand microphone: Produce a [SCH] consonant with different pitches (but not singing, just by opening/closing the mouth) Produce “click” sounds with your tongue. Also with different pitches by opening/closing the mouth. Blow directly to the hand microphone within a distance of 5 cm between your mouth and the hand microphone. Rub softly the hand microphone on your clothes, producing a soft noise.

Produce a rattling percussive sound with the nails along the front side of the hand microphone. Place the hand microphone inside the megaphone bell. As a result, a very high and loud frequency will come out. If this sound is too loud you can turn the volume in this moment to a middle position. (For the pianist) Make a fast gliss. with the front side of the hand microphone along the white keys of the piano keyboard. (For the percussion 2 player) Place the hand microphone within a distance of ~3 cm between the hand mic. and the mouth siren.

Feet sounds Feet sounds clef. Stamp a foot roughly on the floor. Hit softly the floor with the feet, but without lifting them. The white symbol: with the toe/the black one: with the heel. Left foot/Right foot.

Lighting The three first movements of the piece should be preferably played with spot lights on each musician, or in any case the stage lighting (beside the musicians) should be set as darkest as possible. When the 4th movement starts, all lights should preferably be switched off suddenly (exactly when the trombone player lets fall a bag to the floor), remaining in total darkness until the end of the piece. For this movement the musicians should play then preferably by heart, or at least with the less possible amount of light on the whole stage (for instance just with soft stand lights for the musicians, enough to read the score).

Approximated duration: 8’ 30”

Doubts, questions: manuroval@gmail.com

Manuel Rodríguez Valenzuela 2012

q = 60

81

3

PIXIE + PLUNGER MUTE ALWAYS

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SPRING DRUM PLUGGED TO 5 AND 6 STRINGS

Electric Guitar

V

81

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1 8

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BOTTLE NECK

SPRING-­‐DRUM PLUGED TO IV STRING IV STRING DETUNED AN OCTAVE LOWER

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SLIDE WHISTLE

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1 8

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81 1 8

: Percussion 2

1 8

≈ UÊ

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MVOL: MIN

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42

û- ≈ û- ≈ û- ≈ û- ≈ û- ≈û- ≈ û- ≈ û- ≈ û- ≈ û- ≈ û- ≈ û- ≈ û- ≈ û- ≈

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BAG 1

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(LET FALL TO THE FLOOR FROM ~1m HIGH)

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3

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2

3

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5

2 4 42

42

BONGOS

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4

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:

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V

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l

.

m o l t o

METAL STICK

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1

2

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p

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1 2 3 4 5 6

1 2 3 4 5 6

1 2 3 4 5 6

3

1 2 3 4 5 6

5

etc.

3

5

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etc.

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Ô

Ô

ÔX ˘

.

# # œœ

œ

#œ

42

m o l t o bla ck

>

>

j

nœ

STOP SUB.

∏ CYMBAL 1

ÔC fl

~ ff sub. >

(LET FALL TO THE FLOOR FROM ~1m HIGH)

6

>

Ò Ò Ò Ò Ò Ò Ò Ò Ò œj Ò ∏

m o l t o

? & #œ ? & #œ nœ . #œ #œ >fl

Œ

3

>

rœ >

SP

(jeté)

2 4

> > Ôt ÔX Ô 42

ys

Perc. 1

&

ARCO

œ.

(Wide vibrato)

"ST"

5

1

r œmmmmmm}œ â â Î sub.

u b i t o

ke

Vc.

s

te

V

P

#œ

r >œ r œ n œ # œ y œ y œ # œ œr œr œ n œ # œ œ 2 æ >œ J > 4 }œ ( H) â m o ∏ 3

wh i

E.Gtr.

2 4

3 j 4 rœ

œj

ys

T A B

42

œ

5

ke

B

œJ ? #

T

bla ck

Tbn.

#œ

STOP SUB.

∏

m o l t o

T

j

# }œ

ke

ys

œfl

?

2 n # œœ. 4 œ

release slowly

n # # œœœ.

œ.

# œœ 3

# # œœœ.

# n # œœ.

. n n œœ

∏

. n n œœ *

:

8

(JACK ELECTR. NOISE)

E. Gtr. (AMP. WHITE NOISE)

3 4

2 4

Ó

≠.

(VOLUME PEDAL)

Perc. 1

?

44 44

Ô

Ô

Ô

HM: clothes

Ø

Ô v≈ ‰ . ^ Ô

(ALARM SWITCH OFF)

(H.M. ON)

Ô

43

Ô

MVOL: MAX

Ô

Ô

Ô

(*) Rub the hand microphone in circles on your clothes

4 4

Perc.2

: 43 Œ Œ

MVOL: MIN

: Pno.

‰. Ô Ô (ALARM SWITCH ON)

A

~ØØ

Ó ‰ AÔ Ô (ALARM SWITCH ON)

MVOL: MIN

Ô

Ô

Ô

Ô

3 4

‰ û-

43 û

HM: clothes (*)

Œ

û

Ø

Ô v ≈Œ (ALARM SWITCH OFF)

^

(H.M ON)

MVOL: MAX

42

Ô

Ô

2 4

û

û

2 4

Ô

Ô

42

ûJ û-

û- ‰

Ô

Ô

(almost inaudible)

44 44

Ô

P

û- ≈ û- ≈ û- ≈ û- ≈ ≈ û- ≈ û- 43 ≈ û- ≈ û- ‰ û- ≈ û- ≈ û- ≈ 42 û- ‰ û- ≈ û- ‰

:Œ

Ó

Ó

≠

~ØØ (almost inaudible)

Ô

Ô

Ó

Œ

Ô

Ô v≈Œ

HM: clothes

Ø 3

(ALARM SWITCH OFF)

^

(H.M ON)

MVOL: MAX

43

Ô

3

-ûJ

û û- û- û ûJ3

Ô

3

Ô

42

3

9

&

3 4 ä≠

?

43

30

Tpt.

Tbn.

E.Gtr.

3

0

1

ƒ sub.

43

˘≠ ≠. ≠. ≠. ≠. ≠. 0≠.

(slap)

≠ ≠

1

3

2

&

43

2

6

3

>

ƒ sub.

˘ ä

ô≠ ô . . ‰

(*)

ƒ sub. 3

Ê. ‰ ‰ # ¿.

˘ ˘

:

˘

ä

5

‰ ≈

n ˘O y ˘O

≈

# O. n O. π 3

m o l t o

. ¿ ¿ Ô Ô. Ô. Ô. ¿. ‰

34 ¿ä

Perc. 2

fl .

ƒ sub.

m o l t o

Ô

Ô

3 ä≠ (Blow 5 cm) 4 (q)

43

: Pno.

ƒ

v ^.

5

HM: mouth (Tongue Clicks)

3 ˘¿ 4 43

ƒ sub.

Ó

38

≠ ≠Ó ≠

sub.

‰

(Tongue Clicks)

¿. π v^v

6

HM: mouth

:

˘

5

ô≈ôô≈ôôô‰ ô ≠ .

HM: mouth [SCH]

3 4

STOP SUB.

π

(*) (harmonics: no speci`ic pitch intended)

Perc. 1

π STOP SUB.

m o l t o

˘

5

ƒ sub.

>˘ I. r O

3

3

‰ ‰ Ê Ê ¿ fl fl fl >

≠.

‰

1

m o l t o

(nail pizz.)

Vc.

3

1

Ô

(*) Blow directly to the hand microphone within a distance of more or less 5 cm between your mouth and the hand micr. (*)

≠

(h)

STOP SUB.

π

m o l t o

v^v^v^Ôv^ v 5

‰ ˘¿ fl¿ ‰ 3

5

[SCH]

¿ ¿ fl -

(T. Click) 3

¿.j

π STOP SUB.

m o l t o

Ô v^Ô Ô v ^ Ô Ô 3

STOP SUB.

3

vJ

Ó

3 8

BAG 2

‰ ‰ Ô B (LET FALL TO THE FLOOR FROM ~1m HIGH)

fl>

~ Ï sub.

2 4

GP

Ó

3 4

GP

Ó

10 2

& 42 Œ

35

Tpt.

‰ ≠ X

P

(mouth siren gliss.)

38

43 >≠ >≠ >

≠.

ƒ

E. Gtr.

√

3 4

BOTTLE NECK

‰.

(Breathe IN subito inside trumpet )

Œ

Œ

Ê> 1

Ê2>

Ê>

Ê2>

Ê>

L yL L rL Ê #L

rL

rL

yL

nL

1

1

2

2

P sub.

f

V 43

>œ Jœ 3 &4 II.

f

& 43

I. II.

I.

>œ

> y œJ > # œ # œ yœ J I. etc.

II.

(jeté)

: 42 ≈ ÊX Ê Ô 5

Perc. 1

P

Perc. 2

:

˘ ˘ 42 U ¿ X ¿ ‰ . æ æ BIKE BELL

~ f sub.

Pno.

Œ

:

Ó

2 ˘ ˘ 4 U¿X ¿ ‰. BIKE HORN

~ f sub. 5

Á.

ƒ

ACME MOUTH SIREN

5

& 42

38

Œ

38 ÊX

.

P

43

> UÊ P sub.

> UÊ

P sub.

T>>

Ó

3 8

Ó

r

r >œ

n Jœ

n >œ

rL

n

nL

r œJ

r Jœ

rL

L

r

5

L

y œJ

L

y

5

y>œ yL

L

˘ ˘ > U U˘ ˘ U U U ˘ U U æUÊ ÊJ ≈ æÊ UÊJ ≈ UÊ ÊJ ≈ æÊ UÊJ ≈ UæÊ ÊJ ≈ æÊ ÊJ æ (frull.)

π sub.

5

5

(Breathe IN subito inside the mouth siren)

34 UÈ

È ‰. Èj

ƒ Ï 5sub.

38

> UÊ

r >œ

r

LL LL y L # # LL Á r r LL y L

1

5

Ê œJ r>œ

LH: BOTTLE NECK

SLIDE WHISTLE

1

5

RH: METAL STICK

Vc.

ÁXj

Ê> Ê> Ê> Ê>

METAL STICK

T A B

5

…œ. œ 43 P

… . œ # œ # & 43

Œ

X

# œœ. π sub.

U # œœ.

Œ

. Xn # œœ

≈

. X # # œœ

≈

Un n œœ.

5

≈

Xn œœ. Un # œœ.

≈

5

≈

11

? 81 j }œ0

Tpt.

∏ sub. (as possible)

? 81 j # œ-

Tbn.

Ê2> Ê1> Ê2>

T A B

E.Gtr.

(√) f P Ê rL #L yL Ê nL V sub.

Ê1>

Ê>

Ê1>

#L yL

nL

Ê> 2

2

f sub.

sub.

rL 5

>Ê > r Jœ œ # œ # Jœ Ê r >œ œJ # œJ y >œ &

rL

rL

42

Ê1>

Ê> 2

rL

Ê1>

Ê> 2

f sub.

1 8

Ê #L yL nL

81

5

sub.

r Jœ

sub.

y œJ

r œ>

>> Ê1 2 3 4 5 6

Ï sub.

fi

n LJ

r

sub.

> # œ #œ

r œJ

r

y

n

pizz. tremolo

n

?

sub.

sub.

sub.

?

III.

5

3

˘ > > > U > U U U ˘ U U UÊ Ê UÊ ÊJ ≈ æÊ ÊJ ≈ UÊ ÊJ ≈ Ê æ (frull.)

Perc. 1

: ≈

P sub.

> UÊ

(non frull.)

(non frull.)

π sub.

P sub.

5

IV.

5

> UÊ

3

˘ U 24 UæÊ ÊJ ≈ (frull.)

π sub.

> > ˘ ˘ U > UÊ UÊJ UÊ ÊJ UÊ UÊ UÊ æ ≈ æ ≈ (non frull.)

81

P sub.

5

VIBRAPHONE (TUBES)

Perc. 2

(…)

Pno.

&

P sub.

(…n) œ. n# œ

&≈

# œœ.

π sub.

Un # œœ.

nX # œœ.

. # # œœ U# nœœ.

≈ ≈

5

P sub.

≈

. # # œœ # # œœ. 3

42

. Xn # œœ

# œœ.

π sub.

. n œ U n œ # ≈ 42

U# # œœ.

5

≈

≈

P sub.

n œœ. n œœ.

STOP SUB.

rJÕ

n œ> œJ j Ê œ J J r >œ r >œ œJ y œ> œJ 42 r >œ J y >œ œ 81 # >>œ # œ f f P f P L L rL nL yL Õ Ï # L # L # L r L r L r L y L y L r L L L r L n # L r L Ê # L r L # L Ê r L L y L JÕ 1 Ê y L y L 2 r L & 4 8 # # LL J æ >œ # #œ

> œ œJ

2 Ê2> 4

Ê1>

P sub.

3

(jeté)

(non jeté)

Vc.

Ê1>

∏ sub. (as possible)

>> UÊ

J

rœ r œJ rœ r œJ

ÊXj

ƒ sub.

STOP SUB.

>> j ¿œÕÕÕÕ J ÕÕÕÕ 18 ÕÕÕÕ ÕÕÕÕ j ÕÕ J¿œ ƒ sub. °

STOP SUB.

(BARS)

&

bar

tub

s

es

81 81

2

> # J¿>

Ï sub.

?

Ó

j

#¿

STOP SUB.

12

? 43

Tpt.

Tbn.

? 43

(frull.)

3

œ

}

r}œ-æ .

œ

}-

y}-œ

(frull.)

3

œ

}

# -œ

æ n œ- .

y œ-

}-Ͼ

42 æ æ }œ r}œ . -

æ r -œ

2 4 æ æ œ y -œ .

3

2

3

1

41

5

5

}Ͼ

43 æ y}œ

æ

3 4 æ # -œ .

0

2

r}œ-æ æ r œ-

œ T A B

3 4

1

n}Ͼ 5

æ y -œ

3

2

Êær}œæ Êæ n -œæ

# }œæ Êæ (non frull.)

r -œ

‰.

Œ

3 4

‰.

V Œ

Vc.

? 42

Œ

III. IV.

R

^^^^^^^^^^^^

¿œ ∏

(*)

(as possible)

j

y }œ

p

3

Ê

ARCO

≥ äÊ5

BN

yL

j # -œ

co

≤ äÊ5

6

π

‰

po

Parlato

E. Gtr.

ORD

3

6

Ê

3

LJ

^^^^ R^^^^^ R^^^ R^^^^^^^^ ‰ 43 ¿ . ¿ ¿ ¿ ¿ ¿ -œ . -œ œ -œ -œ œ R

5

3

(*) To reach this ppp rattling sound, push the III. string to the right until it touches slightly the IV. string, while bowing on this IV. string.

TIMPANI

Perc. 1

: 43 Œ

Œ

? ‰. SB SB

5

æ 42 æ æ s}-œ }œ r }œ ∏ (as possible)

æ æ }œ y }œ-

æ

œ

}

43 æ r}-œ .

5

œæ Êæy}-œæ s}-œæ Êæ

}-

3

j

r}-Ͼ po

co

13

?

44

& 42 }>Ͼ

Ó 3

n >œ

y œ>

π

T A B E.Gtr.

rœ

5

#œ yœ >

≥ 2 4 äÊ5

6

#œ

Parlato SP IV.

Parlato

æ }œ > π

≤

≥

3

rœ #œ yœ â â ∏

æ y}>œ

5

≤

nœ rœ â

3

æ æ æ æ }œ r }œ }>œ y}œ . > > >

Ó Ó

42 æ r}œ >

æ

s }œ >> ¿œ

ƒ sub.

°

s

‰

nL

yL

43

≤

>> 42

¿œ

3

? 42 42

3

-≠

äÊ1≥ Ê1ä≤ Ê1- Ê1-

Ê-

Ê-

≠

≠J

3

etc.

π)

2 3 4 5 6

2 3 4 5 6

2 3 4 5 6

2 3 4 5 6

æ }œ

æ r }œ > j J¿œ

3

3

√≠≠J¿

≠it≠.& ≠ ≠ Ô ≠ r ≠ Ô ≠ oÔ c ≠ ¿ ≠≠ÔpÔoÔ

Ï

^

3 4

Ên ≠ r ≠ # ≠J y ≠

3

1 2 3 4 5 6

nœ

¿

}-

(π)

‰ Œ

Ó ‰ Œ Ô

≥

≤ j 43 Ê y ≠ n -≠ r -≠ # -≠ â IV. always (π)

n -≠

43

Œ

(WITHOUT TONE)

nœ â

y}¿-

ST

etc.

5

3

5

Ò s}¿- r}¿- }-¿j n }-¿

43

3

: Œ

Œ

43

Œ

Œ

1 2 3 4 5 6

3

3

j≠ :

-¿

HM: mouth [SCH]

π

3

^

¿-j

(H.M. ON)

3 4

Ó

43

: Π43

-≠J

3

5

(non parlato)

°

HM: w.keys

nL

(with the nails) 3

…2 # >¿ ? 2 j4 #¿ Ï sub.

rL

ä≠J

≠ ≠ ≠ ≠j -≠ -

pp)

(

3 4

t r a n s i t i o n t o " w i t h o u t t o n e "

42 r œ # œ y œ â â

be

Œ

≥

tu

‰

5

#L

3

rœ

ä≠

(WITH THE PALM OF THE HAND)

rs ba

Œ

rL

3

(non parlato)

6

s

3

& Œ

&

yL L rL rL .

2 4

π

(WITHOUT TONE)

≤ äÊ5

6

1

5

t r a n s i t i o n t o " w i t h o u t t o n e "

≤ äÊ5 .

6

nœ rœ >

ba rs

rL

? ‰ ?

#L

& ΠPno.

1

0

3

(Only air, two different "pitches" and consonants)

3

ÕÕÕ ÕÕÕ ÕÕÕ ÕÕÕ

Perc. 2

6

r >œ # >œ y œ y >œ . > ≥ äÊ5

42

5

be

Perc. 1

≤ äÊ5

6

‰ . -≠ ≠J -≠

(

V

Vc.

≥ äÊ5

43

‰ Œ

t r a n s i t i o n t o o n l y a i r

tu

Tbn.

m har

ss. . gli

ƒ sub.

Parlato

?

UJÊ

3

ÕÕÕ ÕÕÕ ÕÕÕ ÕÕ

Tpt.

3

Ô

‰ û-

û-

Ô

Ô

HM: clothes

3

π

3

-Jû

14

-≠

47

Tpt.

& ≠

≠

-≠ .

1

5

≠J Œ 3

42

1

(non frull.)

(frull.)

‰ }œæ >

Œ

3

>>2 38 UÊ ?

har

m

iss. . gl

ƒ sub.

h.

gl iss

.

œj

}

‰

‰ &

38 ≠> 1

Ï

≠≠

2

3

>˘1 ≠≠

‰

0

3

˘≠ 2

Parlato

2 4

? Á ≠- ≠ ‰ . Œ 5

Tbn.

T A B

Ê- Ê1 2 3 4 5 6

Ê- . Ò ÊÈ

1 2 3 4 5 6

1 2 3 4 5 6

1 2 3 4 5 6

1 2 3 4 5 6

2 4

>œ # œj r >œ r >œ y œj # >œ n >œ r œj 3 3 8 8

Ó

ƒ

5

(slap) 3

≠> >>≠ ¿ ‰ }fl¿ fl > >

Ï

È 1 2 3 4 5 6

ä

E.Gtr.

Vc.

5

HM: mouth [SCH]

Perc. 1

5

: Œ

‰ ¿- . ÁJ π

Œ

(H.M. ON)

5

: Ò

5

3

Ô

? HM: mouth

: û Ô

-¿

[SCH]

(

π)

¿ ¿ÊÊÊ¿‰ ‰ fl . . . .

¿ ¿ÒÒÒ 42 ¿ ‰ . . . fl . . 42

Ô

42

Ó

Á ¿ Á. Á.Á. ¿. ¿-

2 4

Ô

42

5

fl

v ‰.

6

Ô

6

Ô

VIBRAPHONE

Œ

&

HM: w.keys

È ¿- . Ô

HM: nails (*)

38 ä¿ U æ 3 8 38

Œ Ó ?‰

Ô

3

¿

& √ J¿

38

‰

38

‰

(*) With the nails along the hand mic. front side

ƒ

3 8

Ô.

>> j ¿œ

J

ƒ sub.

°

… 2> #¿ 38 ?

& 38

> Ï sub.

5

rs ba es tub

˘¿ Ò. . . . -¿ . ÒÒ ¿

42

ƒ

3

3

Ó

≥ ≤ >≥œ œj r >œ r >œ≥ y œj # >œ≤ n >œ r œj 38 38

Ó

Ô

3 8

Parlato SP # IV.

42

2 4

‰ ^. Ô

Ô

Pno.

3

Œ

Ï sub.

Œ

Ô.

Ï

ORD

‰ ÔJ

3

^^^^^^^^^ ‰ & }¿ ≤

3

â

Ï

HM: mouth (Blow 5 cm)

ä≠

Ï

3

Ô

3

38

Ó

‰

‰

38

Ó

‰

:

ä 3 ˘ ¿. ¿. ¿. ¿ 8 ¿ HM: mouth [SCH]

38

ƒ

Ô.

‰ ≠J V

R

‰

j J¿œ STOP SUB.

j #¿

‰

ô ≠

3

‰

Õ ÕÕÕÕ ÕÕÕÕ

Perc. 2

-¿

3 8

≠≠≠

? ≠ ≠ Ê ≠j ‰ . Œ (jeté)

≠ ‰.

≠

3

5

2 4

≠≠≠

V ≠ ≠ Ê ≠ . ≠J ≠

‰ ≠J

‰ vJ

&

?J¿

15

&

˘ 43 ≠

?

43 # ¿ fl

51

Tpt.

Tbn.

3

T A B

3 4

V

43

≠. 0

‰

≈‰

π

5

≠.

5

5

π

METAL STICK

>

. ‰ fi

BOTTLE NECK

Œ

42

Ê. ‰ Ê.

42

Vc.

Perc. 1

Perc. 2

Pno.

& :

&

(Ï )

˘¿

r ˘O

‰

5

3 4

^ ˘œ

34 # œœ #œ ƒ

&

˘œ # 34 œœ

?

43 43

ƒ

1 2 3 4

π

L

‰

≈

# O. r O. n O.

‰

?Œ

¿.

≈ ¿. ¿. ¿. ‰ π Ô v ‰

Œ

π STOP SUB.

5

m o l t o

(Tongue Clicks)

43

Á>

1 2 3 4

y LJ

3

(nail pizz.)

43

3

Á>

Ï

>˘ I. O

‰

3

3

‰ Ê. ≈ ‰ Ê. ‰

E.Gtr.

≠.

2

5

Ó œ fl

≠.

‰

1

5

5

m o l t o

STOP SUB.

5

# œ˘. ##œ

‰

≈ n œœœœ. œ. œ.

m o t 5

‰ 5

l

# œ. #œ

m o t

v ‰

l

5

^

o

π

5

‰

π

5

Ó

Œ

STOP SUB.

v ^v ‰ 5

Œ

III.

j nœ > π

‰

42

42 2 4

∏ 3

3

Ê. ≈ ‰ Ê. ‰ Ê>

2 4 42

≠. ≈ ‰ ≠. ‰

Ê>

1 2 3 4

1 2 3 4

44 44 4 4

Œ

Ó . Œ ‰ ¿ .

∏

Ê>

ÊJ r L

j n œ> Á Ê y œ>

44 r œ >

Ê

#L

3

3

Ó Ó

44

1 2 3 4

yL

# œJ

Ó (h)

Ê>

√ ∏ nL

Œ Ó

∏

Ó í í í

42

Ó

42

Ó

44

Ó

42

Ó

44

Ó

42

Ó

44

Ó

nail pizz.

1

Ó

4 4 44

Ê>

1 2 3 4

44 rL

STOP SUB.

≈ œœœ. œ. œ. ‰ o

Œ

3

‰

0

P

°

Ó

&

16

II. Spiralförmiges Fortschreiten

T A B E.Gtr.

Vc.

gli ss.

m.

ha r

}

3

( ƒ)

Œ

ba rs

? 3

3

Œ

‰.

Œ

Ó

44 . ‰ ‰ # ¿ È È n ¿ È ¿ ¿ . . . fl fl fl fl

Œ

Ó

‰ 3

1

3

2

m o t

íJ
3

‰

j #¿

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o

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ä

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3

¿

π

m o l t o

4 4

ô ‰ ‰. ≠ ≠J V fi œfl Ï 3

3

Ê Ê Ê> Ê Ê

PICK 1 2 3 4

Ó

> Ï

1 2 3 4

p

Œ

(IV.)

ƒ

o

3

≥ # œ>

press.

â Ï

I.

p

o

molt

Œ

(Tongue Clicks)

3

42

HM: mouth [SCH]

: ä¿ ƒ

Ô

˘ ˘¿ ˘¿ ¿ 42 3

42

p

Ó

v ‰. Œ

5 6

5 6

ƒ mo p

o

lt o

molt

&

o

molt

5

œ≤

IV.

o

molt

ƒ

5

œJ

≥ > #œ.

p

mo

lt o

Œ

Ó

STOP SUB.

Œ

ƒ

3

molto

4 #œ œ ? 4# œ #œ œ 3

(*)

OUT

^

Ô

su

bit

o

í í í

P

p

mo l

HM: M.Bell

‰ È

Œ

# œœ> # œ # œœ ?> 4 # œ# nn œ 4 # n œœ # œœn œ n œœ# œœ n π π p F o ƒœm °

fi

STOP SUB.

L Ó L L

# œœ> # œ 44 # œ # # œ œ n#n œœ n œŒ # œ #œ

Ó

Ó

5 5 6 6

(*) (Place the hand mic. inside the Megaphone Bell. As a result, a very high and loud frequency will come out)

m o l t o

°

& 42

5 6

#L nL

L

? Jœ

3

Œ

p

Ê Ê Ê> Ê Ê Ó

press.

ƒm p

˘˘. ¿ : ‰ ¿ ¿ ¿. 44 ¿ ‰ . . π Ï 2 4 v ‰. 4 ^ vJ ^ 4 ä 42 ≠

1 2 3 4

molto

4 #L #L 4L nL

3

HM: mouth (Blow 5 cm)

1 2 3 4

BN

^^^^ 2 4 œ≤ ‰ Œ 4 ¿ &4 } ≤

1 2 3 4

molt

R

ORD

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?

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>

3

≠≠ ≠≠≠ ≠≠

^

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42

2 4

Ó

J Œ j j ¿ ¿ >

F sub.

≠≠ ≠ & ≠≠≠

3

>¿

…2 # >J¿ ?

HM: w.keys

43

F sub. Ï

F sub.

3

5

√>œ jœ & J ?œjŒ >

ÕÕ

ƒ sub.

>¿ ≠

≤ >≥œ # œj r >œ r >œ≥ y œj

ÕÕÕÕÕÕÕÕ

>¿

ƒ

0

3

3

2 4

≠

ƒ

ƒ sub.

3 4 3 4

Parlato SP IV.

œ>√

3 4

˘≠ ˘≠ ˘≠ ≠. ≠. 44 ≠. 2

l

>

Ï

5

Œ

Œ

43

1

3

3

Ó

3 4

43

2

3

y

3 4

s be

?

#

ÕÕÕ

Pno.

Î

3

>˘ 2 > > > ≠≠ ≠ ≠ 4 ≠ 0 1

œ> œJ r œ> r œ> œj ‰ ≠> ≠ ≠ >>≠ >≠ œj

.g lis s.

tu

&

rm

ÕÕÕ

&

ha

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Perc. 2

&

≠≠ 3

Parlato

ƒ

MARIMBA

Perc. 1

Ï

F sub.

(frull.)

3 4

?

3

ƒ sub.

>T 34 UæÊ

gli ss.

2

. liss

?

m.

(non frull.)

h. g

Tbn.

&

har

ss. gli

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(frull.)

ÕÕÕÕÕÕÕ ÕÕ

54

h.

> 34 UæÊ

2 > 0 > U jæ ÊJ ? Œ & 1>≠ }œ > j }œ

1

olto

t

°

Ó STOP SUB.

œ# œ œ œ Ó #œ 5

STOP SUB.

&

17 1 (*) Stamp the foot roughly on the `loor.

&

Ó

s lis

r ha

.

g m.

ƒ sub. F sub.

ƒ sub.

j & Ͼ 3

j }œ

rm ha

s. lis .g

Ï

œ>

42 ÊX fl>

Tbn.

‰.

? 43

Œ

Ó

85

Œ.

Œ

42 ‡.

‰ ‡. ≈ π

(HEEL)

(LEFT FOOT)

L

Vc.

π

(HEEL)

(RIGHT FOOT)

R

L

R

≈ ±. ≈ ‡. ≈ ±. ≈ (TOE)

(RIGHT FOOT)

43 ±. R

(TOE)

43

L

L

R

≈ ±. ≈ ±. ‰ .

R

‡. ≈ ±. ≈

85

Œ.

Parlato SP IV.

‰ ±. ≈ ‡. ≈ ‡. ≈ ±. ‰ . ? 85 Œ . L

R

L

R

ƒ

√œ> ? 85 œj & >

2 4

3 4

Ó

rs ba

ƒ sub. F sub.

5 8

Ó

3

j ¿>

tub es

Œ

Ó

ƒ sub.

?

2 4 42

‰

π

≈‰

≈

3 4

Ó

3 4

Ó

43

Œ

‰. Ó

Œ

5 8

‰

…2 # >¿ ? 3

F sub.

√ J¿ 5 8 j& Œ ¿ ƒ 85 ^

HM: w.keys

sub.

Ó

ÕÕÕ

F sub.

≠≠≠

2 4

# œ.

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&

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¿>ÕÕÕ

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^ ‰.

~Ï

43

?

ÕÕÕ

√>> Õ¿ Õ j Õ œJ ¿ ÕÕÕÕ & ? ¿j≈ Œ es tub

ÕÕÕ j J¿ œ

Ï

œ>> Ï

°

j

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j¿ >

√J¿

‰

&

œj

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3

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:

≈ ‰

‰.

≠≠ ≠≠ ≠

Pno.

&

Œ

3

5

Õ

Perc. 2

42

Á ‰.

≤ >≥œ # œj r >œ r >œ≥ y œj

ÕÕ

Perc. 1

:

IN

5

Ó ≠

MARIMBA

42

r >œ y œJ

≠≠≠

L

ba rs

(LEFT FOOT)

≠≠≠≠ ≠≠≠

42

r œ>

# Jœ

ƒ

ƒ sub.

E.Gtr.

&

Parlato

(*) Stamp the foot roughly on the `loor. (*)

‰.

j }œ

ss. gli

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>>2 UÊ ?

h.

‰.

43

58 Ͼj } >

3

s. lis

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42 ÊX fl>

(*)

g h.

57

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Ô

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:

18 60

Tpt.

Tbn.

& ?

T A B

42 >≠ 1

Ï

2 4

>˘1 ≠

≠≠≠ 3

2

0

Vc.

Perc. 1

Perc. 2

:

&

42

0

1 > >≠ >≠ >≠ 38 ˘≠ 1

2

3

≠> ≠ ≠ ¿ fl >

Ï

3

≠> ≠ ≠ >>≠ >≠ >

ä

‰ ≠

ô ≠

Ï

‰ ‰

2 4

‰

ORD

IV.

‰ ˘≠ ˘≠ ≠. 2

3

0

3

Œ ≠

^

42

>

m o l t o

85 ≠.

‰.

Œ

‰

5 8 r ¿.

‰.

Œ

‰

π

π

5 8

Ó

ä ˘ ˘

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3

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5 8

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R ^^ R ^^ ^^ ≤ ≤ ≤ ≤ 38 5 ‰ & 8œ }¿ }¿ }¿ â fl fl 3

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p

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3 8

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^

3

38

Ó

. 85 ¿

(Tongue Clicks)

P

3

vJ ^J Ó

5 8

Pno.

:

2 4

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24 ˘ ˘¿ ˘¿ >¿ ¿ 42

3 8

Ó ƒ

Ô

‰

ä¿

v ≈ ^

3

38

t

o

5 6

ƒ

5 6

m o l t o

5 6

fi p STOP SUB.

L L L #L ‰ rL

o

# œ≤

IV.

? molto

p

Jœ

mo l

t

o

≥ n œ>

œJ

‰

STOP ƒ m o p SUB. l t o

HM: M.Bell

‰.

≈ È

Œ

OUT

su

Œ

^J

œœ> 58 œœ # œœœ œ œ Œ œ# # œœ #œ

nœ nœ n œJ

ƒ 5

o

molt

molto

π

P

°

bit

o

STOP SUB.

> œ œ 5 œ # œœ œ ? œ œ >œ n# œœ # œœ‰ 8œ œ œ & # œœ π

Ó v ‰.

mo l

press.

v ‰.

π

Ó

˘¿ ˘Ê ˘¿ 38

ƒ

5 molt

°

&

≥œ> .

R

˘ ˘ ¿ ‰ ‰ ¿

p

5 6

3

press.

38 ä≠

Ê Ê Ê> Ê Ê ‰ 5 6

Ï

â Ï

Ï

‰ ¿ #¿ Ê ¿ fl fl . fl

≈ 3 ô ô ô 8 ≠ ≠J V fi œ Ï fl

^^^^^^^ ≤ Œ }¿ ä≠

3

3

R

HM: mouth (Blow 5 cm)

3 8 3 8

Ó

42

3

m o l t o

E.Gtr.

?

≠≠≠ 3

2

3

2 4 2 4

>≠ 1

‰

F

π

mo l

t

o

ƒ

m o l t o

π STOP

& 85 # œ œ œ œ # œ? # œ # œ # œ # œ‰ œ °

5

3

SUB.

63

Tpt.

43 ÊX >fl

0

‰.

Œ

}æ

&‰

œ

rm

ha

>> 24 UÊJ ?

0

Œ

s. lis .g

P

ƒ sub.

19

œj

}

Ï

&‰

3

œ>æ

}

rm ha

.

ss. gli

P

UJÊ

‰.

Œ

?

Œ

ƒ

ƒ sub.

Œ

Œ

v ‰.

Œ

43

?

3 4 43

√¿j œ>> ÕÕ 2 J ? ? ‰ ¿ & 4 JœŒ

‰

Œ

Ó

MARIMBA

Œ

‰

Ï sub.

F

42

œj

œ>

F

‰

Œ

π

≈‰

# œ.

≈‰

^

√ J¿

? & 42 ≠≠

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J ΠJ
Œ

& 42

>>J¿

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42

‰ Œj ¿ ◊

? 3

Ô

‰

j ÕÕ ¿

¿ ÕÕÕ&

F

Œ Ô

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3 4 43

œj

œ>

ä

‰ ô ≠ ≠ Ï

(IV.)

¿

}

â Ï sub.

HM: mouth (Blow 5 cm)

: ‰ ä≠ &

Œ

Œ

‰ ^

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Ó

…≠J¿ œ. ≠≠ 3 ? >¿≠≠≠& 4

# œ.

43

‰

^^^^

Œ

Œ

3 4

≤

R

ORD

Œ

43 3 4

p

5

Œ

F

Ï

Ï sub.

Œ ≠

3

3

Ï sub.

HM: w.keys

Ó ‰

42

>¿>

Ï sub.

° …œ.

3

≠≠≠ ≠≠≠

&

Œ

5

s

43

ƒ

Œ ≠

5

≥ ≤ r œ> # œ n œ> œJ y ≥œ> r œ y Jœ 3 ‰ 4

etc.

tube

Pno.

&

Á ‰.

IN

43

≤ >≥œ # œj r >œ r >œ≥ y œj # >œ n >œ r œj 2 ‰ 4

ÕÕÕ ÕÕÕÕÕÕ

Perc. 2

≈ ±. ≈ ‡ . ‰ . ‡. ≈ ±. ≈ ?

~Ï

43

L

ÕÕÕ

:

R

L

rs ba

Perc. 1

3 4

R

3

Ó

Parlato IV. always SP

s

3 4 ‡. π

L

Vc.

±. ≈ ‡. ≈ ‡. ‰ . π

‰

(frull.)

5

42

R

bar

E.Gtr.

L

≠≠≠≠

43

R

Œ

r œ> # œ n œ> œJ y œ> r œ y Jœ œ> r œ r œJ 3 4æ æ ˘¿>

>œ # œJ r œ> r œ> y œ # œ> n œ> r œ J J‰ 2 4

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3 4 ÊX >fl

Π(non frull.)

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Tbn.

43

>˘1 ≠

π sub.

‰.

: ‰ ^

‰.

œ.

‰.

Ó Ô

Ô

: Ô v≈

20 66

Tpt.

Tbn.

& ?

Perc. 1

2 4

42

E.Gtr.

Vc.

42 >≠ 1

?

&

42

42 42

≠≠≠ 3

2

0

>≠ >≠ >≠ >≠ 1

Perc. 2

: Pno.

≠≠≠ 3

2

0

>˘1 ≠

≠. ≠. 2

3

>

Œ ≠

‰ ≠

Œ

‰

# ¿. r ¿. m o t

Œ

‰

v ‰.

‰

Ô

24 ˘ ˘¿ ˘¿ ˘¿ ¿ ƒ

^

3

¿fl Áfl fl¿

‰

ä¿

l

˘

ô ≈

≤

}¿ fl

>˘1 >˘2 ≠ ≠

≈

>˘1 ˘>2 ≠ ≠ 5

≈

>˘1 3 >1 ≠ 8≠

(Ï )

^^

≈ ≈ ¿ ¿ ¿ ¿ ¿ fl fl fl fl fl > >

> >

˘ ä

˘ ˘ ˘ ˘

π Ï sub.

o

‰ ≠

≠≠≠ 2

3

0

˘≠1

˘≠

≠.

2

3

m o t l

5

R

ƒ

3

π Ï sub.

m o l t o

≠> ≠ ≠ >>≠ >≠ >≠ ≠ ≠ ¿ > fl

HM: mouth [SCH]

2 4

1

3

¿ 42 â 42

3

3

HM: mouth [SCH]

:

2

>

ô ô ô≠ ô ô ô ô 5

3 8

o

3

≠> ≠ ≠ #fl¿ Ê. Ê. Ê. m o t l

38

≠. 0

‰ ≠J

V œfl fi

o

‰.

>

Ï

R ^^^^^ R ^^R ^^ R ^^ ^^ ≤ ≤ ≤ ≤ ≤ ≈ 38 ¿fl â¿ ¿ fl¿ fl¿ fl¿ R

≈

ä≠

^ v ‰

¿j

Ô

v ≈

˘¿ ˘¿ ˘ ˘¿ ¿

‰

Ô

v ≈

‰

5

¿˘ ¿˘ (Blowä≠ 5 cm)

(T. Clicks)

P

^.

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38

≠

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38

Ó ¿˘ ¿˘ ¿. ¿.

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‰

v ≈ ^

m o l t o

Ó

38

Ó

&

Ó

38

Ó

?

21

& ≠. ≈ ‰

69

Tpt.

‰

π

Tbn.

? n¿ ≈ ‰ . π

PICK

Ê Ê

T A B

5 6

E.Gtr.

5 6

Ê>

Ê

5 6

5 6

p

? œ≤ π

5

o

molt

ƒ

p

m o l t o

≥ # œ> .

press.

III.

Vc.

ƒ

5

o

molt

o

molt

t

o

ƒ

2 4 ÊX ‰ . fl> ƒ sub. (*)

Ó

f

π

mo l

t

o

f

2 4 ÊX ‰ . fl> ƒ sub. (*)

Ó

Jœ

}

& # œJ

& ¿. ≈ ‰ π v ‰.

‰

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‰

& Œ

# # œœ p

nœ #œ

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p

o

ƒ

# n œœ molto

p

? œ #œ #œ & #œ molt

°

5

&# n œœ #œ

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°

?# # œœ n œœ n >œœ

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‰

OUT

nœ f

#œ

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fi

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2 4

o

i t

s u b

^.

‰ VIBRAPHONE

Perc. 2

R

(LEFT FOOT)

L

R

±. ≈ ‡. ≈ ‰ ±. ≈

π

(TOE)

(HEEL)

Ó

±. ≈ ‡. ≈ ‰ ‡. ≈ ±. ≈ ‡. ≈ R

L

L

R

R

π

(*) Stamp the foot roughly on the `loor

HM: M.Bell

Perc. 1

(RIGHT FOOT)

STOP SUB.

R

(*) Stamp the foot roughly on the `loor

STOP SUB.

≤

m o l t o

l

Ó

nL

#L nL

(HEEL)

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o

L

‡. ≈ ±. ≈ ‡. ‰ .

(TOE)

2 4

m

R

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1 2 3 4

fi

L

œ .~~~~~~~~~~~~~~~~~~~~~~~~~~~ 42

Ê Ê 1 2 3 4

(LEFT FOOT)

R

(try to imitate the same vibrato pulse as the vibraphone)

&

BN

V L #L #L

42

Ó

‰

(RIGHT FOOT)

42

R

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‡. ≈ ±. ≈

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Ó

v ‰.

Œ

IN

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42

L

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Ó

R

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L

3

vJ

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Ó

2 4

Ó

42

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… # œ. π

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22

5 8 ‡. L

Tbn.

T A B

‰ & 43 }œ>

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R

≈ ±. ≈ Œ

5 8

æ

.

85

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.g lis s

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L

ha rm

73

?

>œ # œJr >œ r œJ

ƒ sub.

3 4

STOP SUB.

43

Ó

> UÊ æ 1

0

0

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ha

rm

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lis s

is harm. gl

s.

it. molto r

.

ƒ sub. P sub. 3

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r

38

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85

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Ó

5 8

Ó

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MARIMBA

3 4

3 4 >

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3

¿ 3

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¿

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ƒ sub.

°

‰

Ô

3 8

‰

>> ¿

≈

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*

molto

o

molt

‰.

œfl fi >

R

^^^ Œ

&

ƒ

‰ ^

3 8

Ó

38

Ó

m o l t o

(*) Blow directly to the hand microphone within a distance of more or less 5 cm between your mouth and the hand micr.

HM: mouth (Blow 5 cm) (*)

ä & ? j≈ : 38 ≠J ≠≠ ≠≠≠ ≠

85

HM: w.keys

ƒ sub.

Ó

≠≠≠≠ ≠≠≠

&

J *

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it. molto r

ÔÔ ◊ F Ô FÔÔ >¿ ? ‰ Œ 43 ‰ j 3

sub.

Pno.

Ñ

π

molto

HM: mouth (T. Clicks)

œJ >

≠≠≠ ≠≠≠

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äj

ORD

tubes

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F sub. ƒ sub. F sub.

°

‰.

>

Ï sub.

38 ≤j ¿ IV. } âÏ

Ó

F sub. ƒ sub. F sub.

(…) œ. & 85

o

m o l t o

0

¿flj #fl¿ Êfl Ê. n ¿.

V 38 ‰

ÕÕÕÕÕÕÕÕÕ

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43

es

5 8

>œ≥ # œJr >œ≤ r Jœ

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‰.

SP IV.

o l t

3

Ï

tub

&

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8

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˘≠ ˘≠ ≠. ≠. 2

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Ó

ÕÕÕÕ ÕÕÕÕÕ

Perc. 2

&

R

s

Œ

85 ‡.

3 4

‡. ≈ ±. ≈ ‰ L

bar

Perc. 1

œ

m

R

Vc.

}

Ï sub.

E.Gtr.

5 8

≈& j

38 ˘>≠J 1

Ï sub.

¿

38

Ï

Œ

ÔJ v ‰ .

23

>> UÊ ? 2

0

>≠ ≠ ≠ ≠ ≠. ≠. >≠ ≠ ≠ ≠ >≠ >≠ >≠ 3 æj 2 & 4 & 8 }œ >

Tpt.

1

2

3

0

2

Tbn.

2 4 42

E.Gtr.

V

Vc.

Perc. 1

& :

2 4

2 4

1

Ï sub.

2

3

P sub.

3

3 8

3

≠> ≠ ≠ # ¿. r ¿. >≠ ≠ ≠ >≠ >>≠

Ï sub.

π sub.

*

Ï sub.

Ó

*

Ï

molto

mo l

‰

œfl fi >f

(nail pizz.)

I.

‰

π

*

¿˘

v ≈ ^

42

o

Ï

*

‰

Pno.

:

24 ˘ ˘¿ ˘¿ ˘¿ ¿ 42

ƒ

^

‰

ƒ sub.

3 8

5

Œ

Ê Ê >Ê Ê Ê

2 4

BN

t

mo l

o

#}œ . > ƒ

œj

}

p SUB.

STOP

m o l t o

Ó

PICK 1 2 3 4

p

œ

p

STOP SUB.

2 4

5

}

r >œ r œJ 2 4

T A B

Ó

?

1

1 2 3 4

1 2 3 4

ƒ

o

molt

1 2 3 4

Œ

1 2 3 4

fi

p

molto

STOP SUB.

#L ΠL L rL L 3

? 38 ‰

Œ

¿˘ Œ

?

38

ƒ sub.

5

Ï sub.

F

j œ>

F

Ó

œJ >

¿

Ó

˘¿ ˘Ê ˘¿ 38 38

‰.

¿j

Ï sub.

38

3

Ô

≤ >≥œ # œj r >œ r >œ≥ r œ J 2 4

√Õ J¿œ> Õ 3 >¿ÕÕÕÕ Õ ? œJ ‰ . 8 J & 3 8

v ‰.

ä¿

Parlato SP IV.

MARIMBA

Ó

[SCH]

r >œ

Ó

°

&

# œJ

m o l t o

Ó

42

œ>

38

≈ Œ

O. r O.

p

≈

t

>

Ï sub.

Parlato

42

‰.

œj

}

tubes

&

0

Õ ÕÕÕÕÕÕÕÕ

Perc. 2

3

2

3

2 4 ¿. 2 4

1

π sub.

Ï sub.

?

3

ba rs

76

Ó v ≈ Œ

≤ IV. œ

Œ

STOP SUB.

π

2 4

Ó

2 4

Ó

°

mo l

t

24 œ # œœ œ π

ƒ

5

o

molt

molto

œJ

&

π

# >œœ

24 œ # œœœ #œœ p

≥ # >œ .

press.

œ #n œœ#n œœ Œ

o

ƒ

# >œœ F

3

molto

p

n œ ? # œœ # n œœ π

mo l

œœ #>œ n # œœ n œœ& #œ t

o

ƒ

m o t l

o

& 42 # œ œ œ # œ ?œ œ # œ # œ œ& #œ °

3

5

24

?

79

Tpt.

38

Ó

42 ÊX >fl

Ó

±. ≈ ‡. ≈ π

‰.

ƒ sub.

Tbn.

?

T A B E.Gtr.

3 8

Œ

3 8

Ê Ê Ê> Ê

& œJ

π

5 6

Perc. 1

5 6

V

L

#L #L

&

38 ≤ nœ I.

≥> œ

?

&

# œœ π

°

Pno.

& &

3 8

ƒ

m o t l

fi

STOP SUB.

≈ ‰

œJ

(I.)

≤œ .

2 4 ÊX fl>

‰.

ƒ sub.

wide vibr.

3 8

R

‰

R

±. ≈ π

±. ±. ‡. ‡. 38 ‰ π

p

‰ STOP SUB.

œ œœ ‰ STOP SUB.

‰ # œ œ# œ œ

42

Œ

‰

42

IN

Á ‰.

Œ

v ‰.

‰

ƒ STOP SUB.

œœœ #n œœ> # œœœ

p

vibr.

STOP SUB.

œ> œJ

P

±. ≈ ‡. ≈ ±. ≈ π

‰

L

‰

L

≈ ‰

‡. ≈& L

R

L R

±. ±. ‡. ‡.

‰

3 8 ‡. L

≈ ±. ≈ ‰ R

press.

^.

n >œ

STOP SUB.

Ó

Ó

P

π

o

R

38 ±.

R

Ó

‰

38 n œ # n œœn œ π

o

Ó

3 8

Perc. 2

bit

L ‰

P p

38

38

5 6

P p

3 8

press.

Vc.

(try to imitte the same vibrato pulse as the vibraphone)

su

5 6

( )~~~~~~~~~~~~~~~~~~~~~~~~~ 2 œ. 4

L

R

ƒ sub.

°

HM: M.Bell

‰

fi

ÈJ

OUT

o

2 4

i t

s u b

~Ï

42

œ

L R

L R

±. ≈ ‡. ≈?

38 3 8

^

Ó

L

R

:

Ó ÔJ

ÔJ

v ≈

38

Ó

38

Ó

3 8

Ó

STOP SUB.

Ó

42

Ó

2 4

…

‰

# œ. π3

‰ Œ Ó

œJ. 3

?

>> UÊ? 2

j 5 æ & 8 }>œ 1

Tpt.

m. har

ss. gli

ƒ sub.

85

Tbn.

85

E.Gtr.

Vc.

?

85

Ï

‰

‰ ≠J

‰

^J

85

ƒ sub.

‰

Ï

molto

Œ Œ

43

Õ ÕÕÕ ba rs

s

be

?

≠

≠≠≠

43

F

R

L

&

1

J¿

‰

Œ

v ≈ Œ

( )~~~~~~~~~~~~~~~~~

R

&œ

(imit. vibraphone pulse)

m

Ó

38

Ó

Œ Á ‰.

IN

v ‰.

& 43 Π43

Œ

STOP SUB.

L

R

L

R

±. ≈ ‡. ≈ ±. ‰ .

π

HM: nails

Œ

Œ

‰ ^ Ô

38 ¿> UJ æ 38

3 8

Ó

‰

…œ. π

Ó Ó

o l t

ƒ

o

L R LR

R

ƒ sub.

JÔ

≈Œ

8

tu

ƒ sub.

38 38

ÈJ

OUT

t o

s u b i

Ô

ÕÕ J¿

j ÕÕÕÕÕ ¿>ÕÕ

√2> 3 # J¿

HM: M.Bell

‰

ƒ sub.

? 43

UJÊ

iss. . gl

ƒ sub.

°

Œ

m har

‰ π±. ≈ ‡. ≈ ±. ≈ ‰ ±. ±. ‡. ‡. 38 R

o ~Ï

i t

s u b

3 4

‰ &

ÈJ

OUT

œ> œ œ

j J¿œ

‰

j¿ Ï > > ‰ ^J

HM: M.Bell

43

≈ ‰

j #¿

HM: w.keys

STOP SUB.

v ≈ ^

>>

I¿œ

43

Œ

Œ

JÔ

ÕÕÕ

85

j }¿ â

Ï

°

?

Ï

>>¿ X æJ

ƒ sub.

Pno.

ô ≠J

ƒ sub.

ƒ sub.

√2> 5 J¿

äj

L R L R

ƒ sub.

≥> r >œ≤ ORD œ # œJ r Jœ R≤ ^^^^^^

J¿œ

8

‰ π±. ≈ ‡. ≈ ±. ≈ 38 ‰

Ï

Parlato SP IV.

5 8 >> j

&

43 ÊX ‰ . fl>

>

‰ ≠J

ÕÕÕ

&

≈ Œ ¿ fl

ÕÕÕÕÕ

Perc. 2

‰ π±. ±. ‡. ‡. Œ

( Ï)

ƒ sub.

85 U J¿> æ 85

43 ÊX ‰ . fl > ƒ sub.

>œ # œJr >œ r œJ ?

tu

:

œj

}

38 Ͼj } >

≈ Œ

Parlato

HM: nails

Perc. 1

>˘1 ≈&≠

≠≠≠≠

83

25

?

s

be

œ> œ

F sub.

STOP SUB.

°

j

#¿

Œ

STOP SUB.

& Ó Ó

26 86

Tpt.

42

42

Tbn.

R

L

R

‰ π±. ≈ ‡. ≈ ±. ≈

STOP SUB.

L

R

±π. ≈ ‡. ≈

Œ

2 4

38

38 ±. R

3 8

Ó

‰

‰

R

‡. ≈ ±. L

±. ±. ‡. ‡. ?

≈ ‰ ‰Ó

:

2 4 42

Pno.

&

&

42

m o t l

o

≠. ÊX ≈ Œ 0

π

Ï

m o l t o

Œ *

m o l t o

R

≈ ±. ≈ ‰ V ‰

œfl fi >

‰

≈ ‰

^^^^^^^ ‰ π±. ±. ‡. ‡. 38 ‡. ≈ ±. ≈ ‰ ? }¿j Œ â L R L R

L

≤

R

R

.

P

±. ≈? R

π

π

‰

‰Ó

* t o

s u b i

‰

L

‡π. ≈ ‰

‡π. ≈ ±. ≈ ‡. ≈? R

L

¿˘ ¿˘ ¿. . ¿ ¿. ≈ ‰

‰

L

Ï sub.

Á ‰.

3 8

Œ

IN

~Ï

v ‰.

Œ

3

…

# œ. π

Ó

^J

38

‰.

38 38

HM: mouth (T. Clicks) (Blow 5 cm)

ä≠J

Ó ÔJ

Ï sub.

Ô v ‰

3 8

Ó

Œ

38 ‡ .

L

3

1

Ï

2 4

42

±. ≈ π

‰

2 4 ÈX ‰ . flF

Vc.

R

J *

t o

1

Ï sub. Ñ

*

≈

≠.

˘≠

˘≠

≈ ≈ ‰ # ¿ Ê Ê n ¿ Ê . ¿ fl fl . . fl äj

s u b i

42 ÊX ‰ . fl F

Perc. 2

Ï sub.

LR L R

E.Gtr.

Perc. 1

>˘1 ≈& ≠

^ v ^

Ó

‰

œ.

‰ Ó

ƒ

≈ ^J

m o l t o

π

v ≈ ‰

Ó

:‰

‰

Ó

‰

# œ.

v ‰.

‰ ≈ U ¿>

BIKE BELL

æ

~f

≈ ‰ Ó

27 90

Tpt.

Tbn.

& ?

43 >≠ 1

≠≠≠

2

3

0

Ï sub.

43

43 E.Gtr.

>˘1 ≠

>≠ 1

≠≠≠

2

3

0

Vc.

Perc. 1

43

:

43 43

Perc. 2

:

3

≠> ≠ ≠ ¿ fl >

Ï sub.

ä

‰

Ñ

*

*

Ï

Pno.

‰

3

3

≠> ≠ ≠ ≠>> >≠ ¿ > fl >

ä

Œ

Ñ

˘≠

‰

Ï

¿

fl

˘ 3

Ñ

˘

38

Ñ

J *

3

¿

}

â

ä≠

(Blow 5 cm)

‰

Ï

‰

3 4X >¿ æ

^

‰.

V 38

Œ

v ‰.

^

Œ

Œ

ä¿

‰

3 4

v ≈ ^

ƒ

^

ä≠

˘¿ ˘Ê ˘¿

3

*

o

>

Ï

3

3

‰ vJ

38

˘

Ñ

Ñ

J *

Ï

3

˘

‰ J *

molto

*

mo l

t

3 8

‰

Ñ

Ï

o

‰

Ó

^^ R≤ ^^^^^^ R≤^^ R^^^^^^ ≤ ≈ ‰ j}¿ }¿ j }¿ }¿ fl â â fl ≤

3

Ï sub.

¿˘ ¿˘ ¿. ¿. ä≠J

(T. Clicks)

ƒ

(Blow 5 cm)

m o t l

Ó

v ‰.

äj

R

3 8

‰

≈

Ñ

3

3 8

3

> >

^ v ^ v ^ Ô.

Œ

Ï

>

5 cm) ˘ . (Blow ¿ 38 ¿ ä≠

P

π

Ï

(T. Clicks)

‰

≈

3

‰ ¿ ≠ ≠ ≠ >≠ ≠ ¿ ¿ > >> fl fl fl >

≈ ‰

œfl fi

2 3 0 2

3

*

t

1 > ≠. ˘≠

>≠ ≠ ≠ ≠ ≠.

1

3

Ñ

3

Œ

‰

3

mo l

R

3 ˘ ˘¿ ˘¿ ˘¿ 4 ¿ [SCH]

‰ J

m o l t o

>˘2 ≠

˘ ä

R ^^^^ ^^^ R ^^^ ≤ ≤ ≤ 38 ‰ }¿ }¿ }¿ fl â fl

R

‰

π Ï sub.

π

m o l t o

Ó ^^^^^^^ ≤

0

38 # ¿ Ê. r ¿. fl

3

*

m o l t o

1 > 38 ˘≠ ≠. ˘≠ 3

2

m o l t o

3

*

HM: mouth

:

2

3

3 4

?

1 > >≠ >≠ >≠ ˘≠ 1

ä¿ p

^

o

π Ï

v ^ v Ó

>¿

˘¿ äJ¿ ˘ ˘ ¿ ˘¿

¿

ƒ

ÔJ

ÔJ

3

¿fl Êfl fl¿ ÔJ

28

Tpt.

Tbn.

?

π Ï

42 2 4

≈ >≠ ≠ ≠ ≠ >≠ >≠ >≠ ‰ . 1

2 3 0 1

2

> } 1

3

3

œ

æ

ƒ sub. Ï

STOP SUB.

≠> ≠ ≠ >>≠ >≠ ¿ Êfl Êfl # fl¿ Œ > fl > > ≈

˘ ä

˘

Ñ

Ñ

5

Ñ

*

>

®

Ñ Ñ

œj

}

#

5

*

T A B

*

E.Gtr.

V

42

Ó

œ

æ

1 2 3 4

4

p

1 2 3 4

1 2 3 4

ƒ mo p

o

molt

Vc.

Perc. 1

?

:

R ^^^ R ^^ ^^ ≤ ≤ ≤

R

42 } ¿fl

:

¿ }¿ â fl

}

≈

¿â

}

^

5

> >>¿ ¿ U Xæ æ

HM: nails

‰.

v^v^

2 4

ƒ

STOP SUB.

(Blow 5 cm)

( Ï)

≤ >≥œ # œj r >œ r œJ

≈ Œ

24 ˘ ¿˘ ¿. ¿. ä≠ ¿ (T. Clicks)

42

Perc. 2

3

^^^^^ ≤ R

v ‰

Ó

5

≈&

ORD I.

p

‰.

43

^ v ‰.

43

ƒ sub. Ï

Ó

VIBRAPHONE

&

Pno.

&

42

Œ

:

42

‰

2 4

˘ U¿

: ‰. ä¿

Ï

v^v^ 3

~f

˘¿ ˘ ˘ Ê ˘ ˘ Ê ˘¿ Ê Ê

Ô

6

˘ X¿

‰.

v ‰.

ƒ

molto

p

p

o ƒ mo t 3

mo l

t

l o

p

# >œœ # œ 34 # œ # n n œn œ Œ #œ

Œ

&

Ó

& 43 # œ œ œ # œ œ Œ

Œ

>

˘O r ˘O # O. r O. ƒ

π

π

F

°

3

m o t l

o

¿˘ ¿˘ ¿. ¿.

(T. Clicks)

n œ> nœ nœ

^

>

‰.

Ï

# œœ> # œ 3 # œ# œ œn n œ ‰ 4# œ # œ# nœœ

Œ

m o l t o

œfl fi

Œ

ƒ sub.

m o l t o

Œ

‰

Œ

ƒ

0

3

2

ƒ

> U¿ æ

° BIKE HORN

o

molt

Jœ

˘≠ ˘≠ ≠. ≠. 1

# ¿ Ê Ê. Ê. fl fl

ΠL

≥ # œ>

press.

34 n œ≤

‰

fi

lt o

3

Parlato SP IV.

UJÊ

Œ

1 2 3 4

43 L # L # L n L

Ó

ss. gli

Œ

> ÊÊ Ê Ê Ê 3 PICK 1 2 3 4

h.

F

STOP SUB.

≈

Ñ

> }

r

ƒ

STOP SUB.

˘˘ ä

& 43 Œ

‰.

0

œ> Jœ r >œ r >œ œJ 3 4 Œ

Parlato

3

>

lis s.

&

1 > ˘ 42 ≠. >≠ ≠ ≠ 1 2

0

h. g

93

>>2 UÊ ?

ƒ m o

v ≈ ^

F

°

Œ

l

t

o

:

STOP SUB.

Œ Œ

?

29 96

Tpt.

Tbn.

& ?

Perc. 1

π

42 n ¿ .

π

42

E.Gtr.

Vc.

42 ≠.

& :

2 4

2 4 2 4

Perc. 2

:

≈

≈

π

≈ ?}ä¿≤

R

42

^^^^^

¿. ≈ â≠ Ï

π

v ≈ ^

F

(I)

‰ &

3 4

ƒ STOP SUB.

o

molt

HM: M.Bell

‰

È

OUT

v ≈ ^ VIBRAPHONE

‰ . &‰

o

i t

s u b

œ>

F

°

3 4 3 4

~f

L

R

R L R

3 4

42

R

R

L

L

R

42 ±. ±. ‡. ‡. ‰

‰

L

42 ±.

Œ

Á ‰.

Œ

Œ

2 4

v ‰.

‰ ^ Ô

2 4

? 42

Œ

3

J Œ

π

‰ Ó

R

L

R

‰.

‡. ≈

R

L

‡. ≈ ±. ‰ . Ó

Ô

v ‰

TIMPANI

Ó …œ.

‰

3

±. ±. ±. ‡. ≈ ±. ≈

‰

R

2 4

~Ï

R

R

‰ π±. ≈ ‡. ≈ ±. ≈

IN

L

L

Œ

R

R

L

±. ±. ±. ‰ ±. ≈ ‡. ≈ π 3

43

: U ˘¿ X ˘¿ ‰ ? 43 BIKE HORN

L

‰ ±. ≈ ‡. ≈ ±. ≈ Œ π

43 ÊX ‰ . fl> ƒ sub.

≤œ

R

±π. ≈ ‡. ≈ ±. ‰ . R

STOP SUB.

‰

Ó Œ

43

&œ

F

(Blow 5 cm)

~ f sub.

?

( )~~~~~

Œ ≠

Ï

5

Pno.

¿

fl>

ô≠

˘ ˘ 42 U ¿ X ¿ æ æ

&

≈ ‰

ä

BIKE BELL

2 4

Ï sub.

43 ÊX ‰ . fl> ƒ sub.

≈ Œ

Ï sub.

‰ ≠ n O.

˘>≠ 1

# œJ

œ. 3

‰

2 4 42

#}íæ

Œ

Œ Ó

3

# œJ.

30

Tpt.

43

43 ±.

R

L

±. ≈ ‡. ≈ ±. ‰ . &

ΠR

Tbn.

L

‰.

L

±. ≈ ‡.

Œ

43

R

1 > 42 ˘≠

Ï sub.

43 ‡.

2

> Ï sub.

42

*

*

Ï

œ fl >

0

}

æ

‰.

>œ # Jœr >œ r œJ

Œ

Perc. 2

Pno.

?

â

Ï sub.

43 3 4

& ?

43 43

HM: mouth (Blow 5 cm)

ä 42 ≠

Ó Œ

43 æ r}œ

43

L

(…)

Œ

^

2 4

Ô v≈

Ôæ

y}Ͼ

F

œJ . #

œ ‰ ‰ Œ 3

Ó Ó

r}Jœ

Ï sub.

‰ ‰

^ v ‰

Œ

≥ ä œ I.

&‰

ä≠

42

f

≈ U ¿> ‰

‰

æ

f

^v^v ≈ ^ &

J¿

‰

Ó ‰

^

v ≈

3

Ô

>

¿

≈

F

√J¿ ? >¿ & ‰ .

˘¿ ˘¿ ˘¿ ˘Ê ˘¿ ˘ ¿ ˘¿

ƒ

*

F

‰ ‰ 3

‰ *

>œ

œ

f

°

˘œ≥

press.

ƒ

HM: mouth (Blow 5 cm)

ä≠

> X æ¿

Ï

‰

3

Ô

3

STOP

: 42 ‰

Ñ

press.

HM: nails

π SUB.

HM: mouth [SCH]

3

Ó

Ó

42

˘ 3

VIBRAPHONE

42

3

Ï

tubes

:

R

U

*

R

‰ ±. ±. ±. ‰ ±. ≈ ‡. ≈ ±. ≈? 42 }¿ 3

ss. gli

‰

ÕÕÕÕÕÕÕÕÕ

Perc. 1

^^^^^^ ≤

h.

f

≠≠≠ ≠≠

43

Vc.

L

‰

œ ÊJ ‰ ‰ æ

Ï sub. L R L

3

}>

Œ

fi

Ï

T

Œ Œ

‰

*

>˘1 ≠

‰

F

ƒ

Ó

UJÊ

œ ‰.

3

¿fl ≈ >≠ ≠ ≠ ‰

±. ±. ‡. ‡. ‰ V 42

≈ ±. ≈ Œ

1

3

L R L R

R

0

3

E.Gtr. L

3

2

Parlato

≈? 42

Ó

≈ >≠ ≠ ≠ ≠ >≠ >≠ ≠> ‰ 1

h. gli ss.

99

3

vJ

3

‰ ‰ œ œ> ƒ

°

…2 # >¿ f

Ó Ó

?

j #¿

‰ ‰ 3

ƒ

2

0

3

m o t l

2

1

o

3

≠≠‰

0

1

π Ï sub.

2

6

>˘1 ≠

≈ ‰

3 4

.

Tpt.

1

h. g

& ˘≠ ˘≠ ≠. ≠. ≠ ≠ ≠ ≠ ‰

102

>>2 UÊ ?

31

j œ ( Ï) }

R

L

L R L R

R

‰ π±. ≈ ‡. ≈ ±. ≈ ‰ ±. ±. ‡. ‡.

Parlato

>

Ï

‰ *

:

ƒ

^

Perc. 2

& Œ

? ΠPno.

:

Ñ

Ñ

*

*

‰

‰

J *

ä≠

‰

Ï sub.

v ≈ ^v^Ô

Ó

>œ≥ n œ r œ # J‰ ?

> U¿ æ

U

>¿

Ô È

(hold)

3

X ˘¿ æ

(release)

Ï

‰ ‰

±. ≈ ‡. ≈ ÊX ‰ . π

Œ

^

43

‰

43

Á Á (hold)

˘ X¿

(release)

3

Œ

‰

Œ

‰

?

>Ï¿

^

Œ

TIMPANI

Œ

R

^J Ô

3

?

r}Ͼ

‰

J¿

& 43 43

L

‰ π±. ≈ ‡. ≈ ±. ≈

v ‰.

& ΠHM: w.keys

R

Ó

43

‰ Œ

R

>ƒfl sub.

43

U >¿ æ

L

R

3

BIKE HORN

~f

‰ ‰ ‰ 6

BIKE BELL

~f

HM: nails

L

Ó

43 ÊX ‰ . fl> ƒ sub.

ƒ

v^Ô v≈‰

3

Ó

43

R

±. ±. ±. ‡. ≈ π

Œ

43

Parlato ST IV.

Œ

ä≠

:‰

Œ Œ Ó

HM: mouth (Blow 5 cm)

:‰

43 ÊX ‰ . fl> ƒ sub.

ƒ

Ñ

3

Ó

& (T. Clicks)

Perc. 1

˘

Œ

fi

¿˘ ¿˘

3

3

Ï

‰.

‰ ‰

L R 3

Ôæ … # œ. ≈ π

Ó vÔ ‰ .

Œ

˘œ

J

œ ‰. w.k .

œ fl

ä

T

≠≠≠≠

V

Vc.

sub.

Œ Œ

E.Gtr.

ä≠

r ¿. ¿. >≠ ≠ ≠ ‰ p Ï

#}œ> n}œ r}œJ ‰

≠

? ‰

T

≠≠≠

Tbn.

3

ƒ sub.

Œ

?

32

Tpt.

2 4

Tbn.

42 ±.

105

‰

3 4

L

R

ÊX ≈ ‰

‡π. ≈

fl > ƒ sub.

R

L

R

3 ±. 8 L

L

±. ≈ ‡. ≈ ±. ≈ ‡. ≈

Œ

>œ # œJ r œ> r œ> y œ JŒ 34

R

R

≈ ‡. ≈ ±. ≈

Parlato

R

L

R

‡. ≈ ±. ≈ ?

‰.

ƒ sub.

5

38

Œ

STOP SUB.

Ó Ê1>≥

42

43

Ó

Ó

ARCO

T A B

E.Gtr.

42

R

L

3

43

R

±. ±. ±. ‰

Œ

π

Vc.

Perc. 1

:

2 4

‰

2 4

‰

42

Ô

‡. ≈ ±. ‰ . L

U >¿ æ f

?

ƒ sub.

3 4

Œ

43

Ô v ‰ 3

U >¿ æ

Œ

ƒ sub.

Œ

3

^ v ‰ Œ 3

>¿œj J Œ & j

Ó

°

43

43

Œ Œ

HM: w.keys

J¿

3

j¿ & Œ Œ > ƒ ^ v ‰ Œ ≠≠

43

Œ

Ó ≠≠≠≠

Ó

ƒ sub. J¿œ

ÕÕ

42

π

STOP SUB.

s

42

œ ‰.

p

Œ

tube

?

Œ

Jœ # .

3 4 j y}œ

38

>≥œ

ƒ

etc.

2 3 4 5 6

2 3 4 5 6

2 3 4 5 6

Ê> 1 2 3 4 5 6

sub.

rL

# JL

5

r L r JL# L n L r LJ

≤ j > r #œ

œ r >œ≥ œJ # >œ n >œ etc.

r

r œJ

5

STOP SUB.

Ó Ó

3

38

Ó

38

Ó

38

Ó

38

fi

STOP SUB.

3

s

&

42

(…)

Ôæ

3 8

bar

42 }Ͼ

‰ ‰ Œ

ÕÕÕÕÕ

Pno.

?

3 8

STOP SUB.

5

VIBRAPHONE

Perc. 2

Œ

SP IV.

ƒ sub.

√

Parlato

R

2 3 4 5 6

V 38 L

BN

Ó

≤ >≥œ # œj r >œ r >œ≥ r œ JŒ 3 4

3 8

Ê1>≥ Ê1>

Ê1>≤

Parlato

Ó

:

:

33

108

Tpt.

85 ‡.

L

L

R

R

L

≈ ±. ≈ ‡. ≈ ±. ≈ ‡. ≈

42 ±. L

Tbn.

T A B

5 8

V

5 8

?

85

:

85

E.Gtr.

Vc.

Perc. 1

5 8

Ó

r >œ # œ 2 4æ æ

Ó Ó

5 8

Perc. 2

Pno.

:

5 > 8 U¿ æ

Ô.

:

5 8U >¿

Ê.

~f

(hold)

BIKE HORN

~f

(hold)

2 4 2 4

Œ Œ

Ó

42

Œ

2 4

Œ

È.

Ê.

2 4

3 8

Œ

STOP SUB.

(sim.)

Ó

42

2 4

3

n >œ # œJ

ä

ô ≠

Ï sub.

Ê

3 8

R

y Jœ

‰

‰

ƒ

STOP SUB.

Ê>≤ Ê>≥ 1 2 3 4 5 6

Ê>≤ Ê>≥.

‰

1 2 3 4 5 6

fi

#

1 2 3 4 5 6

1 2 3 4 5 6

#L

L

r LJ

≤ # >œ

>œ≥

r œJ

Ï

‰ ‰ V 38 n L LJr L JL‰

STOP SUB.

y

fi

STOP SUB.

STOP SUB.

38

Á ‰.

38

^ v ‰

3 8

È

3 8

Ê

3 8

HM: M.Bell IN

~ Ï sub.

R

≈ ‡. ≈ ±. ≈

n >œ # œJr >œ

√ƒ

Ó

Ô

38 ±. L

(non frull.)

ARCO

Ó

Ó BIKE BELL

ƒ sub.

L

≈ ‡. ≈ ±. ≈ ‡. ≈

(frull.)

?

R

R

‰

SP IV.

‰

Ï

Ó Ó ÈJ

˘ X¿ æ

≈ ‰

ÊJ

X ˘¿

≈ ‰

(release)

~f

(release)

~f

STOP SUB.

34

111

Tpt.

43 ÊX ‰ . fl> ƒ sub. L

Œ

Œ

r >œ # œ n >œ # œJ r>œ r œ œJ n >œ Bæ æ (frull.)

3 4 ÊX fl>

Tbn.

T A B E.Gtr.

V

Vc.

Perc. 1

‰.

Ï sub.

3

5

y Jœ

43

3 8

R

3 8 38

Ó ≥ ≤ ≥ r œ> # œ n œ> # œJ r œ> r œ œJ n >œ≤ B

(sim.)

3

5

y œJ

Ê≥>

Œ

Ï sub.

√

# LJ

Œ

38

Ó

STOP SUB.

38

Ó

œ ‰.

‰

fl

ƒ sub.

y LJ

fi

ƒ sub.

Pno.

… ˘œ J 3 œ ‰. &4 ƒ sub.

Œ

Œ

3 8

‰.

‰

J¿

Œ

Î sub.

Œ

Î sub.

Œ

‰ ‰

43

Œ

Œ

‰ ‰

43

œfl ‰ .

Œ

Œ

‰. Œ

Œ

43

>

Ï sub.

¿>

J¿

… ˘œ J 3 œ ‰. 4 Ï sub.

Œ

STOP SUB.

Ê≥>

Œ

Ï sub.

Ó

3

43

tubes

& 38

Ó

tubes

43

ÕÕÕÕÕÕÕÕÕ

:

# >œ r œJ

‰ ‰

STOP SUB.

VIBRAPHONE

Perc. 2

Œ

ÕÕÕÕÕÕÕÕÕ

¿>

Œ

3 4

1 2 3 4 5 6

TOM 4

43

Ó

3 4

Ó

STOP SUB.

Ó

Ï sub.

≈ ±. ≈ ‡. ≈& 43 L

(non frull.)

3 4

? 43 Œ

:

38 ‡ . π L

1 2 3 4 5 6

√

# L r LJ

fi

STOP SUB.

3

(sim.)

3

Œ

≥ # œ> r œJ

Î sub. SUB.

STOP

35

>2 UÊ 2 &4

114

Tpt.

0

ha

rm

.g

lis s.

?

œ

}

æ

Ï sub. m o π l t o

Tbn.

Perc. 1

42

œfl ‰ . >

Î sub.

42 ÊX fl>

(*)

>¿œ

ÕÕÕ

rs ba bes tu

o

t

l

Ï

o

STOP SUB.

R

¿œ ÕÕÕ

Õ molto

2 4 ÊX ‰ . fl> Î sub.

π

°

L

L

R

Ó

3 ±. 8

R

≈ ‡. ≈ ±. ≈? L

Ó

±. ≈ ‡. ≈ ±. ≈ ‡. ≈ π

Œ

Ó

38

Ó

Œ

Ó

38

Ó

Ó

38

Ó

Ó

3 8

Ó

j ¿ œ J Õ ÕÕÕÕÕ

ÕÕÕ

Ï sub.

°

Pno.

‰.

ÕÕÕ

Perc. 2

gliss.

38

Ó

. accel

(*) Stamp the foot roughly on the `loor.

Î sub.

& 42

. harm

m

B 42

:

ÔÔÔÊÔæÔÔÔ&Ô

Ô Ô Ô Ô Ô Ô Ô Ê ÔÔÔÔÔÔÔ UJ

ÕlÕ. ÕÔÔÔÔ Õ Õ Õ Õ Õ e ı Ô ÕÕÔÕÔÔÔaÔccÔÔ Õ Õ Õ Õ Õ ÕÕÕ Ô m

Œ

o

l

t

o

Ï

L

&

STOP SUB.

?

36

117

Tpt.

.

Ï

B

2 4

Perc. 1

2 4

Œ

‰

38

Ó

3 8

¿ > Ï ^

molto

Ï

o

t

l

molto

π SUB.

STOP

Ó

42 π±.

Ó

2 4 ‡. π

R

L

π

Ô

o

m

l

38

ÔÔÔÔÔ accel.

38

t

Ï

o

molto

38

Œ

3 8

Ô

o

l

t

o

Ï

Ï

ÔJ

R

R

L

Ó

42

Ó

≠?≠ 2 ≠≠≠≠ j 4 ≠¿

Ó

‰

>J¿≠≠≠

R

42

j #¿

m

L

Ó

π

Ó

Ê

L

≈ ±. ≈ ‡. ≈ ±. ≈

accel.

π

molto

π

2 4

?

≈ ‡. ≈ ±. ≈ ‡. ≈ V

√j >¿œÕ Ô Ô Õ Ô Õ Õ Ô Õ Ô Õ J Õ?ÕÕ j 2 Õ Ô Õ Ô Õ Ô Õ Õ¿œÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÕÔÕÔ38ÔÕÔıÕÔÕÕÔÕÔÕÕÕÕ & ÕJ¿œ 4

¿ ≠≠ ≠≠≠ J Œ

&

o

m

Ó

π

HM: w.keys

‰

π

…2 #¿

≠≠≠≠

42

Ó

liss.

Œ

j J¿œ

s

?

molto

‰

be

Pno.

&

molto

Ï sub.

°

Ô Ô Ô Ô > Ô Ô Ô Ô Ô UÊJ Ô Ô Ô Ô Ô Ô Ô Ô Ô 3 2 Ô Ô Ê Ô Ô Ô Ô Ô 8 4 Ô æ æ ÔÔÔÔÔÔÔÔÔÔ j #œ Ô #œ g harm.

es

Ï

42

.

ba rs

tu

42

lis s

tub

rs ba

&

.g

√> ¿œ ÕÕÕÕ?

‰

>¿œ

rm

Õ ÕÕÕ ÕÕÕ ÕÕÕ

Perc. 2

&

2 4

Ó

accel.

ha

Ï sub.

MARIMBA

42

Ó

.

42

‰

38

Œ

>T UÊ

LH: VALVE RH: PLUNGER MUTE (SLIDE FIXED)

42

V

œj

}

‰

s lis

Vc.

.g lis s

.g

E.Gtr.

?

ha rm

rm ha

Tbn.

&

>2 24 UÊ

v ‰.

Œ

37

lt o

°

m

o l t

o

π

mo l

. c el

t

o

>¿œj

¿œ π

°

Ô… ÔÔ# 2¿ÔÔ ? Œ ÔÔÔ ¿j Œ ac ce

l.

#

oÏ

molt

.

h. g

g.

h.

æ

f

mo l

t

o

‰

o

m

g. h.

æ t

l

3

lt o

f

>

π

m

l.

o

molt

Ï

4 4

Ó

Ó

HM: w.keys

44

Ó

Ó

^

f

J¿

œ> o

t

l

#

¿

‰ ¿j & m

o

√2> #¿ ?

o l t

o

J¿

‰ ?> & ‰ ¿ ¿

>&

42

>

√2> #¿ ?

ÔÔ ? j ‰ & #¿

ac ce

œj

3

°

…# 2¿ Ô

2 4

ƒ

¿j

Ô

‰

œj

}

2 4 j #¿ Î

? 42 42

Ô

o

Ï

STOP SUB.

√J¿œj ? ¿œ ÕÕÕÔÕÕÔ&ÔÕÔÕÔÕÕÕ : ac

π

π

°

π

J¿

‰

cel.

mo l

t

o

>

Ï

STOP SUB.

j ¿ œ J Õ Õ Ô ÔÕÔÕÔÕÔÕÕÕ

Ô ÕÔÕÕ ı Õ Ô Õ Õ ÕÕ

e acc

¿œ ÕÕÕ

…#2¿

>¿ &

s. glis

molt

o

t

l

MARIMBA

molto

m o l t o

o

m

>¿œ

&

m.

l. acce

. h. g

Î

‰

har

UJÊ Ô Êæ ÔÔÔÔÔÔÔÔ

#œ æ

œfl ‰ .

Î

}Ͼ >p

&‰

Î mo π

3

Ï

> 24 UÊ

o

TOM 4

>œ ¿

Ï

&

>

œj

ÕÕÕÔaÔcÔce ÕÕÕ Ôl.

J

Ï

π

ac

Ï

Ô ÕÔÕ Ô Õ Õ Ô ıÕÕÔÕÕÔÕÕ Œ

UJÊ

√J¿œj ? ¿œ ÕÕÔÕ&ÔÔÕÔÕÕ Œ : œj œ œ œ fl fl fl fl

>

j ÕJ¿œ

o

æ

ÕÕ

rm

o

molt

Ï

molt

Ï

o

≈ }>œ ≈ # >œ œ> T

h. g.

ÔÔÔ

ac. gliss. ce l.

ÔÔÔ

π

.

.

UJÊ

s. glis

ÕÕÕ ÕÕÕ ÕÕÕ ÕÕÕ Õ

Ï mo π

¿œÕ &

iss gl

UJÊ

t

l

m.

≠≠≠≠

o

el.

rm ha

π

√J¿œj ÔÕÕ ÔÕÔÕÕ Œ c ac

el.

#œ

molt

ÕÕÕ

s

tu

t

æ

o

m

har

≠≠≠

?

mo l

oÏ

f

3

≠≠≠ ≠≠≠

Pno.

Ó

π

c ac

¿œÕÕ

Œ

UJÊ

2

≠≠≠ ≠≠≠

&

44

>¿œ

be

ba rs

°

#œ

Œ

ÕÕÕÔaÔcÔcel ÕÕÕÔ. Õ π

æ

UJÊ

Ï

o

molt

UJÊ

ÕÕÕÕ

Ó

¿œ

Ï

o

Œ

ÕÕÕ

44

t

&

g. h.

Õ ÕÕÕÕ ÕÕÕÕ

&

4 4

Ó

Õ ÕÕÕÕÕÕÕ

Perc. 2

?

mo l

g.

1

g.

Perc. 1

44

ƒ m π

h.

‰ }œ> ‰ }œ> ≈ }œ> . æ æ æ

UJÊ

0

h.

Tbn.

?

o

molt

l.

ce ac

g. h.

ha

π

g.

ÔÔÔ

œ

h.

ÊæÔÔ&Ô Œ ? æ }œ ÔÔÔ }œ π æ UJÊ

>2 24 UÊ ? .

44 Ô æ Ô Ô }

0

g h.

Tpt.

2

. h. g

?

120

> 0 Ô l. Ô UÊ ? ceÔÔ c a Ô&

ÕÕÕÕ

0

m

o l t

l.

Ï

o

ÔÔÔÊÔÔ ?

STOP SUB.

acce l.

m

Œ

v ≈ Œ

o l t

o

j

#¿

Ï

?

STOP SUB.

38

Vc.

38

(unstable)

ƒ

? 43 Œ

5

STOP SUB.

Œ

‰

UÊ p

? 43

ha

rm

.g

38

lis s.

mo l

t

o

j}œ æ 0

Œ

p

j æ }œ

‰.

#œ fl Ï

p

STOP SUB.

^^^^^^^^^^^^

Ó

R

m

rm ha

m

iss. . gl

o l t

T

38 ≤ }¿ â Ï sub.

ORD

m har

o

. liss .g

o l t

o

˘ 58 UÊ

‰.

˘ 58 UÊ

‰.

Ï

Ï

3

Œ

STOP SUB.

p

Œ

85

‰

UÊJ

Ó

> U> U > U > 58 UÊ ÊJUÊ ÊJ ≈ UÊ ÊJ ≈ UÊ

43

Ï

& 43

Œ

38

Ó

‰

Œ

>¿œ Õ p

°

? 43 ΠPno.

? 43

Œ

&‰

Ó

#√œ p

°

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Ó

˘

ÕÕÕ 3 ÕÕ8Õ Õ ¿œ

ÔÔÔÔÔ Ï m

o l t

o

? 38 mo l

t

o

3 8

‰.

F sub.

‰

Œ

Œ

STOP SUB.

. ‰ #œ fl

‰

Œ

jœ

Ï

85

p

°

85 m

o l t

o

& 85

Œ

Ï

˘œ

Œ ‰.

Œ

U 5

>

Ê ÊJU.Ê ≈

ÊJU

U

STOP SUB.

>¿

J

ÕÕÕ ÕÕÕ ÕÕÕ

Perc. 2

:

o

molt

‰

SLIDE WHISTLE

Perc. 1

.

Tbn.

3

s lis .g

&4 h.

Tpt.

ss. gli

rm ha

~~~~~~~~~~~~~~ UÊ~~~~~ UÊ. ~~~~~~~ UÊ~ ~ UÊ~~~~~~~ U Ê 3 ≈ 2

1

123

p

mo l

t

o

√2 # J¿ ? & p

mo l

t

o

‰ ?

39

˘ 38 UÊ 0

& 43

126

Tpt.

1

œfl

}

‰.

Œ

‰

Ï

}æ 2

œ

har

p

m

iss. . gl

mo l

t

LH: PLUNGER MUTE RH: SLIDE

Tbn.

E.Gtr.

Perc. 1

Perc. 2

? 43

5

#œ.

r œ # œj

p sub.

‰

V 43

nœ

po

co

#œ.

¿ fl

ÕÕÕ

Pno.

? 43

p STOP SUB.

F

MARIMBA

?‰

Œ

‰.

Œ

. ‰ #¿ fl

:‰

Ï

Œ

Œ Ó

3 8

‰ UÊJ

Œ

p

38

Ï

? 43

j

rœ

≈

Ó

: 43 Œ

& 43

3

Ï

o

‰.

œ

π

> U¿

BIKE BELL

æ

~f

& 38 mo l

t

o

Ï

38 ¿˘ X æ

& 38 ‰ 38

Πha

rm

.g

lis s.

mo l

t

#œ fl Ï

o

Ó

√ œ˘

p

‰. …˘ œ Î sub.

p

m

o l t

o

Õ¿ fl

Ï

j }Ͼ

‰.

‰

√J¿ÕÕÕÕ ÕÕÕ? Õ

‰.

j}œ æ > 1

p

œ

fl> Î sub.

‰.

o l t

m

rm ha

o

s. lis

.g

m

o l t

o

≈ ‰

‰

Ó

≈ ‰

Ó Œ

. iss . gl

fi

‰

Ó

m har

&

p

jœ ◊

°

m

o l t

o

&

40

?

˘ 58 UÊ

129

Tpt.

Tbn.

E.Gtr.

Vc.

Perc. 1

V

Ï

Ï

‰. ‰.

&

85

?

5 8

m

press.

œ

m

ΠΠfi

Ï sub.

&

5 8

Ï

o

STOP SUB.

Ï

˘œ

o

œJ l

: ÈJ

Œ

STOP SUB.

OUT

^J

ÔJ fi

Ó ‰.

Ï

o

t

42

HM: M.Bell

œ œ

‰

42 ÊX ‰ . fl> ƒ sub.

œ

‰

œ> & 85 œœ

&

o l t

Œ

VIBRAPHONE

Pno.

~~~~~~~~~~~~~~~~~~~ 2 œ œJ 4 &

Ó

I.

85

42 ÊX ‰ . fl > ƒ sub.

‰ (imit. vibraphone pulse)

85

85

Perc. 2

Œ

œJ

2 4

t o

s u b i

Œ

42

‰ ? 42

R

±. ≈ ‡. ≈ ±. ≈ π R

±. ≈ π

‰

L

R

±. ≈ ‡. ≈ π

‰

Œ Ó

L

43

≈ ±. ‰ .

±. ±. ‡. ‡. ‰

43 ‡.

≈ ±. ≈ ‰

L

R

43 ÊX ‰ . fl> ƒ sub.

3 4 U ¿> æ 43

^

? 43

‡. ≈ ±. ≈ &

L R L R

‰

L

R

ÁX ≈ ‰

‡π. ≈?

fl> ƒ sub.

‡. ≈ ±. ‰ . V L

R

L R 3

±. ±. ±. ‰ ?

Œ

‰.

R

L

R

HM: nails

R

π

Œ

Œ

Ô

Ô

v ‰.

y}Ͼ

Ôæ

ƒ sub.

&

TIMPANI

Ó

Œ

R

π

L

v ‰.

42

42

R

Œ

~Ï

43 ±. ±. ±. ‡.

Œ

Á ‰.

IN

L R3

… œ. # œJ

3

π

J

43 3 4

‰

#}Ͼ

˘Jœ

œ ≈Œ

ƒ sub.

j

r}œ

F

‰

≠≠≠≠

&

˘2 58 UÊ

Ó

P STOP SUB.

# œ. π 3

‰

41

132

Tpt.

&

42

Œ

≠J- ≠J Œ

3

43 π±. R

1

1

π

3

L

L

R

≈ ‡. ≈ ±. ‰ .

R

L

‡. ≈ ±. ≈ —. ‰ .

&Œ

-≠J1

π

3

≠J Œ 1

3

> œJr œ> œ j≠ ≠Parlato

Tbn.

?

42

Œ

2 Ñ 4 *-

π

E.Gtr.

V Vc.

?

3

-≠

π

Œ Œ ‰ Œ

3

3

42 R

42III.}¿ œπ IV. -

^^^^^^^ 3

Perc. 2

Pno.

&

?

&

2 4

Œ

42

42

43

3

‰

√ ¿œÕÕ? π

Œ

?‰

R

Œ

‰ ‰

Ó L R 3 R

L

R

L

L

‰ π±. ±. ±. ‡. ‰ .

3

* 3

π

LR LR

: ‰ U ¿> ‰ ‰ -≠

Œ Œ

¿>≠≠≠≠≠ &

43

‰

π)

3

Œ Œ

^^^^^^^

æ

ƒ sub.

3

Ô

π

Œ

‰

Œ

Œ

v ‰.

Œ

œ&œ

>œ œJr >œ r œJ

Parlato IV. # SP

π

3

STOP SUB.

VIBRAPHONE

}æ

P

√ ¿ ≠ ≠ ≠ ≠J

^

R

HM: mouth (Blow 5 cm)

HM: nails

3

Œ

(

r Jœ

Ó 3

Œ

π

ΠR

#

3

Œ Œ

-

Ñ

ÕÕÕ>J¿œj 43

43

?Œ

±. ≈ ‡. ≈ ±. ≈ ±. ±. ±. ‡. ‰ . π

3 4 æ r}œ

π

R 3

R

‰ π±. ≈ ‡. ≈ ±. ≈ ±. ±. ‡. ‡. ‰ ? ‰ }¿ œπ

Ó

3

L

43

‰ Œ

Ó

2 4

R

3 4

Ó

MARIMBA

Perc. 1

43

J -≠j Œ 3

L

œ

Ôæ

≈Œ

# œ.

F

…œ. π

Πj

y}œ

P

‰.

π

°

STOP SUB.

˘Jœ

œ ‰.

ƒ sub.

Œ

3

‰ Œ

Œ

?

42

135

Tpt.

42 ÊX ‰ . fl > ƒ sub. 42

Tbn.

L

R

±. ≈ ‡. ≈ π

43 ‡. ‰ . R

Œ

Œ

‰ π±. ≈ ‡. ≈ ÊX ≈

43

Ó

Ó

3 4

Ó

R

L

R

fl> ƒ sub.

2 4

Ó Ó

T A B

Œ

42 ÊX ‰ . fl> ƒ sub. 42 π±.

R

Vc.

‰ π±. ≈

43 ‡. ‰ . L

Œ

1 2 3 4

π

E.Gtr. R

Ê Ê >Ê Ê Ê

PICK

Œ V Œ

BN

1 2 3 4

1 2 3 4

ƒ

o

molt

L #L

1 2 3 4

molto

L

π

#L

5

L

R

≈ ‡. ≈ ±. ≈ ÊX ≈ fl > ƒ sub.

43

ORD IV.

?

Ó

œ≤ π

press.

o

molt

œj

≥ # >œ Ï

molto

Œ

1 2 3 4

fi

Œ

L (IV.)

Œ

≤œ

π

π

≥ œ>

press.

o

molt

f

Jœ π

molto

MARIMBA

Perc. 1

:

42

? 42

43

Ó

Pno.

& 42 ? 42

y}Ͼ

P

Œ

#}Ͼ

… œ. # œJ

π

Ó

‰.

}Ͼ

m

o

43 3 4

o

molt

Ï

3

molto

l

Ó (*)

‰ ÊX ≈ Œ fl> ƒ

t

Ôæ œ> ˆJ Œ

o

U

>

π

π

f

p

œ> & # œ œœ œ # œœ œœ Œ

VIBRAPHONE

F

f

π

(*) Stamp the foot roughly on the `loor

43 æ r}œ

TIMPANI

Perc. 2

‰ ÊX ≈ Œ fl> ƒ

œœ s œœ n >œ ss œ œ

s œ sœ n œ> n œ œœ ? s Œ œ sœ Œ

(*)

R

Î sub.

π

°

mo l

t

o

ƒ 5

molto

π

œœ> ? # # œ # œœ n>œ #n œœ œœ&##œœ# œ n# œœnœœ?nœœ # œœ n >œœ # # œ & #œ π

o

molt

Ï

m o l t o

π

o

molt

ƒ

molto

π

f

Œ ? œ œ nœ n œ & œ œ n œ # œ nœ?n œ n œ n œ & #œ œ ° ◊

(*) Stamp the foot roughly on the `loor

5

3

43

42

Tbn.

T A B

2 4

Ó Ê Ê> Ê 1 2 3 4

1 2 3 4

1 2 3 4

V

#L

#L π

Vc.

Perc. 1

Ê 5 6

fi

E.Gtr.

42

43

Œ

L

3

π

F

3

? 42 Œ

III.

œ

π

œ>

P 3

LJ

π

Jœ

‰

π

œ œ> œ sœ

? 42 Œ

π

& 42 # œ œœ> œœ Œ

P 3

π

3

Perc. 2

π

°

Pno.

F

3

π

π

°

n œ n >œ # >œ 2 ? & 4 # #œœ n œœ # œ

& 42

π

œ

F

#œ n 3

?

π

œj

P

œ π

œ Ê nœ Ê 3

r >œ œ y œ> œ n œ œr œ Ÿmmmm œ œœ ? 42 #}

Ó

3 4 >Ê5 # LJ p

LJ

3

Œ

π

œ

π

Ê Ê>

Ê Ê> 5 6

2 4

L # L LJ ‰

L L LJ ‰

42

5 6

6

43

( )~~~~~

5 6

5 6

œ r >œ

œ >œ Jœ ‰

43

‰

43

œ s s œ> œ œ nœ>œ œ . ‰ ≈ ‰ 3

p

>œ 3 # œ & 4# œ p

3

œ

π

π

‰

œ # n# >œœ 3

œ

°

œ

#œ >

# # œ>œœ

œ

≈

œ n nœ>œ

42

3

Ê Ê ÊŒ

L rL L yL L nL ‰.

5 6

5 6

5

5 6

Ø

5

6

Ó

≈ œ œ œ >œ

42

œ nnœ>œ

42

Ó

2 4

Ó

°

Œ

≈ œ

∏

fi

œ r >œ œ y œ œ n œ œ r œ œ # œ n œ

42

∏

π

43 # œœ >

3 4

π

3

œ> ‰ Jœ

5

5

‰ œ œ # œ> n œ

°

∏

Œ

Ø SUB.

STOP

44

III. Fliehend

Perc. 1

Perc. 2

4

#}

r}

Œ

∏ STOP SUB.

V 43

π

3

#

π

r œJ

-≠

π)

3

(

Œ Œ

≠. ≠. ‰

Œ

‰

Œ

0

≠J Œ

1

π)

3

(

≠-j Œ 3

# ¿. n ¿.

‰ ô‰ ≠ 3

3

Ó

π

R ^^^^^^^^ > œJ r >œ œJ œ ‰ ‰ }¿ 42 œππ Parlato

#

ORD

r

Ó

3

III.

IV.

3

42

Ó

Œ

≠J-

1

œ> œJr >œ

SP IV.

Ó

? 43

Œ

42

Ó

? 43

& 43 Œ

2 4

‰

3

j J¿œ

s

Vc.

~~~~~~~~~~~~~~ mmmmmmmmmmmmmmm œœ ?3 œ œ

¿œ

π

bar

E.Gtr.

. ‰ œ. π

Œ

es

Tbn.

Œ

42

tub

Tpt.

0

ÕÕÕÕ ÕÕÕÕ

& 43

141

42

(

Ó

Ó

)

‰

s œ> s œœ sœ P

Œ

œ sœ ‰ π

œœ œ

‰

p

°

°

Pno.

& 43 Π? 43

Œ

?‰

Ó

3

√≠≠≠ J¿ ≠ ¿>≠≠≠≠& 42 π 42

Ó

? ‰

Ó

‰

. # >œ # œœ # œ # œ #œ

P

nœ °

#œ

#œ

π

‰ ‰

45

144

Tpt.

Tbn.

& ?

Ó

38 >≠

Ó

3 8

1

P

≤ Ê5>

≥ >Ê5

3 8

rL

3 8

Parlato ARCO

T A B

6

E.Gtr. L

±.

π

6

R

3

‡.

‰

‰

V

BN

L

p

# LJ

r LJ

≠≠≠‰ 3

2

0

‡ π.

Vc.

L

3

±.

‰

≠> ≠ ≠ ‰

P

Œ

>≠ ≠ π

2 4

Œ

‰

≠

‰

p

R III. IV.

¿œp

}

^^^^^^^

2

3

3

˘≠J

3

3

F

p

Œ

3

3

F

p

Ó

2 ô4 ≠ F

≤

R

‰

≠J.

j j Œ # ¿ n ¿. fl

2 4

Ó

? 38 ‰

Œ

42

π

3

3

R

≠≠≠

1

0

42 } ¿ IV. F

3

3

^^^^^^^^^ 3

Œ Œ Œ Œ ‰

‰

3

I.

≤

&œ

π

TIMPANI

Perc. 1

Perc. 2

?

&Œ

?ΠPno.

?

38

Ó

3

Õ J¿ Õ Õ ÕÕ Œ Õ Ò Õ j ÕÕÕÕ J ¿ ÕÕ

38

j¿≠≠≠&√≠≠ J¿Œ π

es

b tu

π

3

3

Ó

42 ÊXæ > ∏ SB SB

Ó

Ó

42

38

Ó

42

38

Ó

42

L

3

L

etc.

jæ æ æ æ Ò> Ò Ò> Ò> R

3

3

# œœœ

# œœœ

Œ

‰ œœ

# œœ

Œ

&‰ # œ

œ

Œ

‰

π

°

π

° 3

46

Tpt.

Tbn.

& 85 Œ

Œ

? 85 Œ

( )~~~~~~

E.Gtr.

Vc.

Perc. 1

Perc. 2

85

& 85 ? 85

&œ F

Œ

‰

≥

}>

œ

‰ œj

P

Ô>æ

Ô>æ

& 85 œ n œœ# # œœ ‰

Œ

>œ

œ

P

Pno.

‰

π

Ô>æ

& 85

n >œœ P

j æ}œ π 0

147

3

m o l t o

œ œœ Œ ∏

& 85 œ œ #?œ # œ # œ Œ

UÊJ

‰ ?

‰

42

Œ

˘≠J

‰ ˘≠ ≠. 0

1

3

> 2 œ # œJ ‰ 4 p

42

3

F

f

˘≠

3

P

3

‰ # ¿ n ¿. fl f

F

˘

˘

P

38 ≠-

˘≠

3 8 -≠

# ¿ n ¿. fl

p

p

‰ ô ‰ ôj Œ ‰ ≠ ‰ ≠J Œ

38

^^^ ≤ j}¿ Œ fl

38

3

3

‰ ‰

‰

‰

ÊX >fl Ô>æ

jæ Ô>

42 Òæ >

‰

2 4

Ó

3 8

2 4 j #¿

Ó

38

‰

42

Ó

38

‰

IV. SP

F

…2 # J¿

&

π

‰

?

P 3

>œJ # œJ

p

3

F

3

R

Œ

ORD

3

F

æÒ Òæ Òæj Òæ > > > > 3

3

f

ô ≠J

‰ ? 42

fl

f

-j

‰

F

0

1

ÊX

π

nœ ? # œœ

3

g. h.

p

38 >Ô æ

≠. ‰ P

‰

P

‰ ‰

V

≤

j rœ ∏ >>Ô U

>Ô æ

ÊXj

ƒ

Ó

# œœ

p

œœ #>œ n # œœ #œ f

P

œ #œ #œ #œ

°

47

>œ 0

Tpt.

&

43 43

Tbn.

T A B

3

‰ ÊX ‰ Œ fl F

‰ ÊX ‰ ? ‰ fl F

Vc.

Perc. 1

?

43

43 43

? Pno.

?

43 3 4

f

F

3

Œ

r äœ

ƒ

‰

r

F

Œ

BN

Œ LJ LJ Œ

ô≠-j ô≠ ‰‰ V Œ J

#

1 2 3 4

≥ ≤ 3

F etc.

3

HM: mouth (Blow 5 cm)

Œ : -J≠ ≠ ‰

Œ

3

Œ

Œ

˘œ

˘¿

œ ‰ ‰

F

Œ

1 2 3 4

fi

#L L ≈L LŒ π

42

p

of

5

molt

3

p

Ê> Ê>

>Ê

>Ê >Ê >Ê 3

5

‰ ‰ U ä¿ ¿ ‰ ‰ ‰ ‰ U ˘¿ HM: nails

æ

p

3

^J Ô v ≈ ^

5

¿j

æ

f

3

Ô

v ‰ ^ 3

TOM 3

BONGOS

SB

‰ ‰ Œ

p

3

j¿& J¿ Œ fl p

Ê >Ê

3

Ó

Œ

:‰

Œ Œ

œâæ p

Œ

Œ # œœ>

œ # n nœœ œ n œ

SB

3

˘œ æJ f

42

42 42 42

42

œ œ ≈ & #œ #œ Œ

2 4

π

o

molt

°

5

f p

5

œ

f

‰.

‰ ‰ 5

5

‰ ÊX ‰ fl

ƒ

(PICK)

5

>

6

˘

‰‰ ô≠ ‰‰ V‰ . 5

F

>Ê

>Ê

5

>Ê

5

5

F

rL p

Ê Ê> U>>Ê 5

HM: mouth (Blow 5 cm)

‰ ä≠ .

(BN)

Ï

j

rœ

sub.

Œ

Ô Ô vŒ 5

VIBRAPHONE

Œ

≈

r œJ

2 4

1 2 3 4

press.

Ê> Ê> Ê> Ê> Ê> Ê> Ê Ê>

3

1 2 3 4

5

f

3

Ê Ê Ê> Ê

BN

p

3

P

5

‰ ‰

> ? 42 r œ

Ê Jœ‰ ‰ ˘œJ Œ & PICK

3

ÊX ‰ & 42 fl F 3

Œ

& ‰.

Ó Œ

‰.

¿>

ÕÕÕ ÕÕÕÕ

&

ƒ

‰ ‰ # ¿ ≈ n˘¿ ≈ fl

Õ ÕÕÕ

Perc. 2

43

‰

5 6

3

?

f

ä≠ 1

≥ ˘Ê

ARCO

E.Gtr.

V

ä≠ 1

>œ # œJ

3

3 4 43

&‰

≠≠≠ ≠≠

150

5

ƒ

…2 # >¿ ? 5

ƒ

¿j

j

#¿

48

0

153

Tpt.

Tbn.

& Œ

‰ ÊX & fl≠

? Œ

j #¿ Œ fl

T A B E.Gtr.

85 ˘≠

3

flf

>Ê

6

5 6

6

>Ê 5 6

>Ê 5 6

4 5 6

85

>Ê

3 4 5 6

4 5 6

>Ê

>Ê

3 4 5 6

2 3 4 5 6

3 4 5 6

>Ê

>Ê

2 3 4 5 6

Ê Ê Ê Ê Ê Ê ÊJ 3

3

3

Ê>

6

V Ê Ê Ê Ê Ê Ê

Ï

43 >≠ ≠ > >>

≈ ¿ ≈ ¿ ≈ ¿ ≈ >≠ ≠ ≠ fl fl fl >Ê

‰.

1 2 3

3

3

5 > 8 Ê45

Ê>

2 3 0

Ï

85 n ¿ fl ƒ

f

>

1

ƒ

3

>

≈ ˘≠ ≈ ˘≠ ≈ ˘≠ ≈ >≠ ≠ ≠ ≠ 43 >≠ >≠ >≠ ‰ Œ

1

3 4 43

3

2 3 4 5 6

‰

r >œ # œJ ‰ æ

5

‰.

ƒ

>˘1 ≠

Ï

5

# >œ p

Ê> Ê> Ê> ı Ê> Á> 1 2 3 4 5 6

1 2 3 4 5 6

1 2 3 4 5 6

1 2 3 4 5 6

1 2 3 4 5 6

Ê Ê Ê Ê ÊÊ Î

1 2 3 4 5 6

√ L

r LJ

5

äœ

press.

fl F

HM: M.Bell

Perc. 1

: ‰ È Á Œ 3

su

^ Perc. 2

3

œJ˘ Œ & f

3

J Π& ?

f

bit

o~Ï

vJ Œ Œ Ó

…˘ œ

Pno.

IN

OUT

3

Œ Ó Ó

ÈJ