C M SQ page 41 Y K Page 41 QUEENS CHRONICLE, Thursday, January 23, 2014
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‘Thaw’ breaks through some of the ice continued from page page 00 37 continued from
below an ice cap is one of the larger There are exceptions: Blane De St. installations. The piece, entitled “Understory,� is a Croix’s piece “Everglade Forest Fires� was fabric-enclosed cocoon that features a a clear standout. The collage involves limited supplies — video installation juxtaposing the depth archival ink jet prints, ink on paper mounted of the ocean with the sky. It is beautifully done without being on canvas — but the detailed and textured over the top. design is a beautiful Janet Biggs has a portrayal of the sheer more traditional destruction a forest piece entitled “Fade fire can cause. t o W h i t e .� T h e His sculpture When: Thursday to Monday, 12-minute video fol“N o m a d i c L a n d 11 a.m. to 6 p.m., lows through the scape,� which uses through April 6 icebergs of the Arcnatura l mater ia ls Where: Dorsky Gallery, tic an explorer who from the Gobi Des11-03 45 Ave., only escapes the ice ert, is also a standLong Island City when he boards the out in the gallery’s Tickets: Free. ship he inhabits. collection. V icki Da Silva’s E l i z a b e t h J o rdorsky.org piece “Anthropodan’s piece “Lookcene� is a bit lacking for a Way Out� luster. The highis a fa nt a s t ic a lly chaot ic miniature sculpture of f ish definition video loop with sound uses a trapped behind a straight pin fence. Her camera with slow shutter speed picking up second piece, "The Moon Grazing Hare," the light used by one of her assistants to spell the word “anthropocene,�meaning Age is also good. Itty Neuhaus’ imagined environment of Man.
‘Thaw’
Blane De St. Croix’s piece “Everglade Forest Fires� is one of a few standouts at the Dorsky Gallery’s “Thaw� exhibit. PHOTO BY TESS MCRAE The cave in the background is lit beautifully but the letters get in the way of it. While “Thaw� may not go as deep as it could have, the exhibit is worth a visit for the works of Neuhaus, Biggs, De St. Croix and
Jordan which utilize the environment they surrounded themselves with for an extended period of time in such a way that the art they have produced needs little to no explanation. Q They stand well on their own.
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