PATTERN Magazine Issue 6 Fall 2014

Page 1












CONTENTS PATTERN ISSUE NO. 6 patternindy.com

text

EDITOR’S LETTER, 6 CONTRIBUTORS, 12 CLUTCH: Cole Farrell, 28 MICHAEL PROVUS Q&A, 30 NAPTOWN SOUND, 37 Amber Martinez EJAAZ J. Brookinz Jacob Gardner Jared Thompson Jennie DeVoe John Zeps Karen Moratz Kristin Newborn Liz Janes and Michael Kaufmann Antonio Maxie Nathan Klatt Oreo Jones and Grey Granite Reverend Peyton Rusty Redenbacher Scott Matelic Vess Ruhtenberg Wil Foster KYLE LONG Q&A, 66 SIRIUS BLVCK, 74 TONY STYXX, 78 PAM BLEVINS HINKLE Q&A, 96 INDY’S RECORD LABELS, 98 TOM BATTISTA, 110 SHARON RICKSON Q&A, 114 OP-ED: Jeb Banner, 148

images

WE ARE HEX, 16 SHIRT CODE, 34 MUSIC BEAUTY NOTES, 68 EMPTY SPACES, 80 MEETING OF THE DONS, 92 LILY & MADELINE, 116 ICON, 126 INTO THE GROOVE, 138 ON THE COVER: Photography by Esther Boston Art Direction by Polina Osherov Model: EJAAZ ON THE THIS PAGE: Photography by Larry Endicott Styling by Kelly Kruthaupt Model: Jilly Weiss Hair by Brooke Ferrin Klekovski Makeup by Ella Hattery

10

PATTERN ISSUE NO. 6








17



19


20

PATTERN ISSUE NO. 6




23



25







31






BAZBEAUX Indy’s BEst PIZZA sIncE 1986 downtown 333 mAssAchUsEtts AvE 317.636.7662

cArmEl 111 wEst mAIn st 317.848.4488

BroAd rIPPlE 811 E wEstfIEld Blvd 317.255.5711


























61














74

PATTERN ISSUE NO. 6









THE MELODY INN

82

PATTERN ISSUE NO. 6


83


THE VOGUE

84

PATTERN ISSUE NO. 6


THE PALLADIUM // One of the newest and largest venues in central Indiana is The Palladium at the Center for the Performing Arts in Carmel. This monstrous facility, completed in 2011, opened to great fanfare. On the exterior one finds huge expanses of native Indiana limestone reminiscent of great Renaissance architecture topped with a massive Palladio dome (hence the name). Inside, the fantastic theater glistens with its all-white, stateof-the-art facilities, and its acoustics are unlike any other building in the country. This is a facility designed specifically to provide music for central Indiana for the next 500 years. / Grammy winner Michael Feinstein is the dominant figure at the Palladium. His Great American Songbook project attracts the attention of musicians from across the nation. A popular music lineup that includes crooner Tony Bennett, the O’Jays, and Peter Frampton makes it an enviable destination. / Plagued somewhat by political and fiscal challenges, this newest venue still has hurdles to jump before cementing its place in Indiana music history. This is not a place one dares ignore, though. The Palladium was built for music and there’s little doubt that music will long make its home here. THE JAZZ KITCHEN // Indianapolis loves jazz, even if we have differing opinions as to exactly what the term means. For some, it’s the big band sounds of Duke Ellington or Maynard Ferguson. Others prefer the fusion sound of Miles Davis or Bela Fleck. Still others go more for Wynton Marsalis or Larry Ochs. Sometimes the debates between fans and even musicians get rather heated. That heat, however, makes The Jazz Kitchen the perfect home for Jazz in Indianapolis. All styles are welcome here. Even in the dead of winter, the menu and the music are hot enough to melt through a foot of snow. / David Allee opened The Jazz Kitchen in 1994 at the corner of 54th and North College Ave., a challenging location to find if one is new to the city. Yet, this small venue packs such a big sound that one easily dismisses the minor inconveniences. Harry Connick, Jr. played here, as did Buckwheat Zydeco, Terrance Blanchard, and every other significant jazz artist of the past 20 years. Rated one of the top 100 Jazz Venues in the world, with one of Indy’s best kitchens, you’ll find one of the city’s premier music experiences at the Jazz Kitchen no matter when you visit. MELODY INN // The first time I stopped by “The Mel,” a ball from the pool table at the back of the room flew through the air and landed with a large “thunk” on the stage. The band’s lead singer never missed a beat. After all, this is the kind of place where one just expects things like that could happen on occasion. / Eclectic is probably the best way to describe this Butler-Tarkington bar, with its strange mix of wall decorations and mirrors and signs, and it probably describes the bar’s history as well. / Best known today as the home of Indy’s punk band scene, Melody Inn actually opened as a piano bar in 1935 and progressed as popular music genres changed. During the 1980s, the bar even served lunch and dinner for a while. While some big names have certainly crossed the small plywood stage (I’m still trying to imagine The Rev. Peyton’s Big Damn Band crowded up there), part of what makes The Mel so attractive is their willingness to give new bands a break. / Given how music is taking a hard indie shift, chances are the band you see here tonight could be tomorrow’s big headliner. THE VOGUE // Trivia time: Which popular Indianapolis music venue once showed the infamous porn flick, “Deep Throat?” That would be none other than what is perhaps Indy’s most well known venue of them all: The Vogue. / Built in 1938, The Vogue had a long history as a first-run movie theatre, arguably at times the largest in town. Its location on North College Avenue made it the “in” place for the city’s rapidly expanding upper and middle class families that were making Meridian-Kessler and Broad Ripple their home. / Surviving that short stint as an adult movie venue in the early 1970s, in 1977 The Vogue opened as a nightclub and live music venue and has remained such ever since. Over the years, the club has hosted acts diverse as Willie Nelson, Frank Zappa, and Ice Cube. / Delightfully, through all the necessary changes over the years, The Vogue’s beautiful architecture has remained largely untouched, except for the occasional new coat of paint. One still feels that sense of grandeur in the old movie house and from the balcony on might easily imagine sitting back to watch the latest news reel. The Vogue is yet another sparkling gem in Indy’s illustrious music crown. HILBERT CIRCLE THEATER // Walking into the Circle Theater is like taking a step back in time. Look around at the architecture, the decorative molding, the grand design of this special place, and imagine how it must have felt to have been one of the first patrons to visit here when the theater first opened in 1916. The first motion picture palace west of New York to exclusively host full-length photoplays, Indianapolis residents came to the Circle Theater not only for entertainment, but news and social events. The 20 piece orchestra occupying the pit was there to accompany the films, not perform great symphonic works. The musical conductors became local celebrities. / Of course, silent films were short-lived, and with their demise stage shows became popular. All the big acts, from Tommy Dorsey to Frank Sinatra, graced this stage. The organist even had her own radio show. Attendance began to wane in the 1950s, however, and the theater went classically silent for three decades. Fortunately, generous donations brought it back in 1984 as the home of the ISO, setting a standard of excellence to which it still holds. THE CHATTERBOX // Indianapolis loves jazz. Oh, wait. I’ve said that already, haven’t I? Well, let’s underscore that with a big thick marker because The Chatterbox demands our attention. Jazz loves a syncopated counterpoint, and The Chatterbox provides that for Indy’s Jazz scene. The intimate club is located right smack in the heart of the Mass Ave. cultural district, and showing up here too late can mean being stuck standing on the sidewalk, trying to listen to the band through the open door and over the din of all the people crowded around the tables outside. Popular? Yes, you might say that. / Owner David Andrichik has booked hundreds of great acts to play on this tiny, almost claustrophobic, stage, but at the moment the world knows it as “that place Josh Kaufman used to play.” Used to, because since Josh went and won NBC’s The Voice he’s been playing slightly larger places that aren’t quite so intimate (which I am guessing he’s starting to miss about now). Andrichik has an incredible ear for talent, and local jazz artists work hard to make it to this stage. As a result, there’s no such thing as a bad night at the Chatterbox. Ever. Just get there early. OLD NATIONAL CENTRE // Scattered across the country are a handful of structures constructed around the turn of the 20th century based on ancient Egyptian themes in the grand Masonic tradition. Few of them still exist in operational condition and we are fortunate to have one here in Indianapolis. Known now as Old National Centre, what was formerly the Murat Centre was built in 1909 and has long been an easily recognizable piece of architecture unlike anything else in the city. While the facility itself has been renovated multiple times, one can still see the careful hand-carved ornamentation and marvel at the precision with which this facility was built. Walk in. Look up. Marvel. / Another unique aspect of Old National Centre is its ability to accommodate multiple shows at the same time. The Murat Theater frequently hosts touring Broadway musicals. The Egyptian Room is a smaller venue that hosts national up-and-coming acts. The Corinthian room is smaller still, and is often where one can find local bands on their way up the musical ladder. Such beauty, history, and flexibility make the Old National Centre a sparkling jewel in Indy’s musical crown.

85



87


MURAT THEATRE AT OLD NATIONAL CENTRE

88

PATTERN ISSUE NO. 6


89





LITE BLU

INDIANA JONES

“Fancy” by Iggy Azalea is a definite play! Probably one of the top summer songs of 2014. Next, in a very close second, is “Talk Dirty” by Jason Derulo. The horns are sharp and commanding, which attracts everyone to the dance floor.

My personal rotation has been pretty heavily digging through the new Lana LP, the Duck Sauce Record, Cocaine Piñata by Mad Lib and Freddie Gibbs.

Club Residency: Citywide

I would love to be a part of an all-female DJ event. There are so many talented DJs and to have all of us showcasing our spin on different genres of music would be worthwhile.

Club Residency: Social, Casba

In the club, I’m digging the deep house sound and there has been a strong resurgence in 90s hits as well. Since Indy is my home, I’m going to be continuing to build my brand here. Growing the Crush Ent DJ brand with Gabby Love, Lockstar, Cadillac G, and Danger.

LIMELIGHT

Club Residency: Blu, Hideaway at Blu Personally and professionally, I’m a big fan of whatever Disclosure does. Personally, I still listen to Yeezus pretty frequently. I enjoy Migos and Drake. I’ve been listening to Outkast’s catalogue all summer. Doing things outside of playing music is what I see for myself soon. I’d love to do some creative consulting for local businesses — both music and non-music related. Indy’s center city is next. In particular, the neighborhoods on perimeter of downtown. I’m looking forward to several new businesses that are arriving. It’s an exciting time to live and work in Indy.

93


METROGNOME

Club Residency: Coaches on Tuesdays, Tantrum on Fridays, Jazz Kitchen for ICON events I’ve got a lot of stuff on heavy rotation right now. Stuff like Oddisee “Tangible Dream,” DJ Day “Land of 1,000 Chances.” A lot of the Selection stuff too. Freddie Gibbs and Madlib “Piñata.” Stuff like that. What’s next? I’ll be operating my latest venture, Deckademics DJ School, to its fullest potential and helping our students reach their own. In terms of parties and events, I always have a slew of ideas, just a matter of which to pursue first.

94

COOL HAND LEX

ACTION JACKSON

Personally I’ve been jamming to Grey Granite’s “Rich in the Blood” series and strangely, I’ve found myself enjoying a lot of southern rock like The Allman Brothers and Steve Miller Band. Professionally I’m just making rumps shake so I’m all over the sonic spectrum.

Personally, it’s been Fleetwood Mac, Yung Lean, and Steely Dan. Professionally it’s been Grandtheft, TWRK, and Young Thug.

Club Residency: Multiple Clubs, 2013-2014 Indiana Pacers DJ, Teaching at Deckademics DJ School

I’m running the Rad Summer Record Label, excited for upcoming releases from Oreo Jones and Party Lines. Working on my own dance music EP with Lemi Vice.

Club Residency: HiFi on Wednesdays, Metro on Fridays, White Rabbit or Revel on Saturdays

I’m releasing an original album under my other name Bangs Nicely. I see a Pacers championship, marriage equality, and a lot more awesome party nights on tap for our Circle City.


HELICON

SLATER HOGAN

A lot of good listening, I’m loving it. Hot Chip, Lee Fields, Cut Copy. Barry Manilow ‘Twerk Remixes.’

For house music, I’m always listening to Tchami — “Move Your Body,” Brose-Femi “don’t say nothin” John Larner remix, and Common “Diamonds.”

Club Residency: Social on Fridays, Flatwater on Sundays, ISO Happy Hour Series, RAW Artists Indy

I’m not always certain what’s next for me, but I always am looking for time to walk the Earth, get into adventures and meet new people. I think Indy is going through a transitional period in terms of nightlife and entertainment. It’s got some nuances now that have blossomed. Most of the DJs I know are welcoming and enjoying it.

Club Residency: Blu on Thursdays and Saturdays, Revel on Fridays

John Larner and I have a few remixes coming out in the near future. One for Grammynominated artist Steve “Silk” Hurley and the other is a re-release coming out on Guesthouse Music. As long as we have all this local talent, Indy will continue to grow musically.

CADILLAC G

Club Residency: Blu, Hideaway at Blu Personally, I’m listening to anything from producer J Paul Getto and professionally it’s T.I., No Mediocre. I’m always working on my sound, that’s really what is next for me. Honing in on that and continuing to get better every day as an artist. For Indy, I see some more exponential growth for the art and music scene.



97










BEANIE, BOOMERANG BTQ COLLAR, LUX & IVY SWEATSHIRT, JAMES DANT “FUTURE EAST” CUFF, HOUSE OF 5TH SKIRT, BOOMERANG BTQ BELT, STYLIST’S OWN

106

PATTERN ISSUE NO. 6


rock your look STAND OUT FROM THE CROWD WITH A BADASS MIX OF ACCESSORIES AND PRINTS. PHOTOGRAPHY BY GABRIELLE CHEIKH STYLING BY MARIA DICKMAN HAIR BY SHAWN DILLMAN (HAIRSPRAY SALON) MAKEUP BY ASHLEY FATT MODEL MORGAN TAYLOR (INDEPENDENT) DESIGN BY LINDSAY HADLEY

107



109





MYAH EVANS

BRETT WISCONS

BRETT WISCONS

FOR A HEALTHY DOSE OF INDIANA LIVING, take a listen to Brett Wiscons, the Zionsville-based Americana singersongwriter. His latest album, 33, includes songs titled “Indiana Summer” and “Broad Ripple,” both lovely little homages to the state. “Growing up in Indiana has shaped my life and my music; there’s no doubt,” Brett says. “I wanted to capture that.” Brett shot the entire “Indiana Summer” video exclusively in Indianapolis, filming scenes at the historic Rathskeller Biergarten alongside picturesque Midwestern landscapes, but his goals aim higher than local venues. When he began his career at the age of 16, his dream was to be a working musician. Today, at 34, he’s achieved that goal and hopes to build his fan base around the country. “I feel like I need to reintroduce myself to the Indy scene because I spend a lot of time on the road,” Brett says. “But, to me, that’s the best way to spread my music and not get burnt out in one particular market.” But Brett is confident in the burgeoning Indianapolis scene. He hopes new venues will pop up to replace ones like the old Patio in Broad Ripple, but believes there is promising original music, craft beer, and independent artists coming out of Indy. Brett is, of course, part of that scene, with his music as well as his side job as a writer. He plans to release the third book in his Bear Whitman detective series at year’s end. Brett has been keeping busy, with a performance at the State Fair under his belt and a gig opening for Danielle Bradbery, winner of the The Voice ‘s fourth season. He plans to do another tour throughout the Carolinas and Tennessee later this fall, in addition to releasing a new music video. But no matter where his tours take him, he’ll always come home to Indiana.

MYAH EVANS MYAH EVANS HAS A POTENT COMBINAtion in inspiringly woeful lyrics and a voice so great, it must be sent from heaven. Her passion for music has never wavered; she started with childhood performances, playing piano and borrowing a friend’s guitar to perform on YouTube. Now, with an explosive 14,000 views (and rising) on her “Brittle Bones” video and a #GETFAMILIAR tour that kicks off in September, her star can only rise. Her lyric-based music is indiealternative, but she proves her wide-ranging vocal talent over and over again. Through hip-hop collaborations with Indianapolis artists like Mark Battles and EJAAZ, her voice and style really shines. Myah uses her music as an expression for imperfect emotion, releasing her feelings into the world in order to let go and relate to her listeners. She has created her own independent movement, which she’s dubbed N.O.M.E. “With the movement I aim to spread this message: ‘Know yourself, know who you’re becoming, know what you want to cause, know me,’” Myah says. Myah completed her first album, Familiar Things, back in 2012. She recently dropped “All of Me,” an acoustic single, in June as the follow-up to February’s hip-hop track “Negative Shxt,” featuring HYM. With multiple performances and collaborations under her belt and in the pipeline, Myah’s got a promising future ahead.

113



CRYSTAL: Starting and leading a non-profit organization seems like a daunting task. What do you think you’ve learned from this experience?

CRYSTAL: What inspires you as a musician?

SHARON: I feel like I’ve been to grad school and back. I have friends who went to school for nonprofit development, and they call me with questions. It’s not my background, but I’ve been living it for five years. That’s another rewarding thing about it: free education. I might be volunteering a lot of time, but the things I learn are unrivaled by any college education I could get.

SHARON: When I play music, I’m in my happiest spot, tuned out from everything else that’s going on. The act of playing in a band and making music with people is a great thing, and it’s something I never get tired of. The longer I play, the more I know, and the more creative, confident and expressive I feel. You’re either a lifer, or you’re not. Some people use a guitar as a hobby, but musicians have a different way of life and a different set of priorities.

CRYSTAL: How has your experience in the music business helped you organize Girls Rock!?

CRYSTAL: What myths do people have about life as a professional musician?

SHARON: All those life lessons from booking shows, playing in bands, and working as an art teacher, or even bartending — everything I’ve ever done, I totally pour into the organization.

SHARON: People think it’s much more glamorous than it actually is. I’m not saying that there aren’t very glamorous moments when you’re playing in front of thousands of people, or you’re in a green room drinking champagne. That happens on occasion, but more times than not, you’re moving your own gear and getting paid very little. If your heart’s in the right place, you’re doing it for the love of the game.

CRYSTAL: Have there been any moments with Girls Rock!, where you stood back and realized that you had really accomplished something? SHARON: Definitely, the first showcase in 2010. We had eight or nine original bands from the camp. The girls had just met that week, and it was our first year pulling this thing off. It was fantastic to see a packed house — standing room only — and the whole community coming out to support these young ladies in their first musical performances. Seeing them get on stage and nail their songs, with confidence and stage presence, when it seemed like they would never get there. We knew it was a big deal. I just wanted to do it again, and keep making it bigger and better. My band, Small Arms Fire, also opened a show for a Girls Rock! band that was doing a record release at an all-ages venue. Getting asked by a bunch of 15-year-old girls if my band would open for them was a pretty cool feeling. ✂

115



117


(LILY) DENIM, RAG AND BONE AT SAKS FIFTH AVENUE. DRESS, MINA UK AT SHOP STYLE. SHOES ARE STYLISTS OWN. (MADELEINE) BODYSUIT, CHEAP MONDAY AT SHOPBOP. TOP, ABOUND AT NORDSTROM. PANT, BAND OF GYPSIES AT URBAN OUTFITTERS. BOOT, FOREVER21. LYRICS FROM BACK TO THE RIVER.

118

PATTERN ISSUE NO. 6




(LILY) DRESS, TRINITY AT BOOMERANG BTQ. CARDIGAN, TOPSHOP AT NORDSTROM. PARLAMOR NECKLACE, ADORN AT A DO. (MADELEINE) SHIRT, SWEET CLAIRE AT BOOMERANG BTQ. SKIRT, RE:NAMED AT NASTY GAL. LYRICS FROM PARADISE.

121


(LILY) DRESS, DIANE VON FURSTENBURG AT SAKS FIFTH AVENUE. BRACELET, KATE SPADE SATURDAY. (MADELEINE) DRESS, KATE SPADE SATURDAY. BRACELET, B.P. AT NORDSTROM. LYRICS FROM IN THE MIDDLE.

122

PATTERN ISSUE NO. 6



(MADELEINE) SHIRT, ESLEY AT BOOMERANG BTQ. SKIRT, KATE SPADE SATURDAY. PARLAMOR NECKLACE, ADORN BY A DO. (LILY) DRESS, SOPRANO AT NORDSTROM. SHIRT, XTAREN AT BOOMERANG BTQ. NECKLACES, BOOMERANG BOUTIQUE. AND LEITH AT NORDSTROM. LYRICS FROM IN THE MIDDLE.

124

PATTERN ISSUE NO. 6



HEADSCARF, SUNGLASSES, NECKLACE & TEE SHIRT, CAROLYNS CONSIGNMENTS JEWELRY, STYLISTS OWN COLLECTION

126

PATTERN ISSUE NO. 6



NETTED BODYSUIT, BROADRIPPLE VINTAGE KNUCKLE RING & SUNGLASSES, CAROLYNS CONSIGNMENTS

128

PATTERN ISSUE NO. 6


HARLEQUIN SHORTS, WHITE PLATFORM SHOES & JEWELRY, BROADRIPPLE VINTAGE SPANDEX BODYSUIT, STYLISTS OWN COLLECTION

129


ORANGE LEOPARD SCARF, CAROLYNS CONSIGNMENTS

130

PATTERN ISSUE NO. 6


TANK TOP, LEOPARD BOOTS & JEWELRY, CAROLYNS CONSIGNMENTS PANTS, GYPSY WARRIOR VINTAGE BELT, FEATHER BRACELET, LEOPARD PRINT SHAWL, STYLISTS OWN COLLECTION

131


MILITARY JACKET, WHITE WAYFARER SUNGLASSES, JEANS & STOCKINGS, STYLISTS OWN COLLECTION

132

PATTERN ISSUE NO. 6


ORIGINAL GNR TOUR SHIRT & JEWELRY, STYLISTS OWN COLLECTION HEADSCARF, URBAN OUTFITTERS FLANNEL SHIRT, LEGGINGS & COMBAT BOOTS, MODELS OWN

133


FRINGY TANK, FREE PEOPLE RUFFLE VEST, RYU NECKLACE & SLEEVE BRACELET, CAROLYNS CONSIGNMENTS HEAD SCARF, THRIFTED LEATHER CUFF, REPRO MIDIEVAL RELIC CUFF FROM FRANCE

134

PATTERN ISSUE NO. 6


PLAID FRINGE JACKET, THRIFTED GUN PRINT T-SHIRT, TIGER PRINT BEANIE & GLOVES, STYLISTS OWN COLLECTION

135





SUIT, ROCKIN’ RUBY’S VINTAGE THREADS CHAIN AND MONOCLE, STYLIST’S OWN BRA, AMERICAN EAGLE.

groove INTO THE

Photography and Styling by WILLYUM BAULKEY. Hair by JENNIFER COFFEY ODOM (Twenty Volume.). Makeup by MANDI TAYLOR LUCAS (Twenty Volume). Models: JOANNA BAJENA (LModelz), SHYLA ROBSON (Independent), EMMY ELLE (Independent), TODD BAILEY (Independent), and DAMON ANDREW RICHARDS (Independent). Design by STACEY MCCLURE.

139





THIS PAGE: WIG, ENVY WIGS SHIRT, EIMAJ DESIGNS BY DAMPIER SKIRT, NICHE CUFFS, NICHE OPPOSITE PAGE: GOWN, LOUISE MULLIGAN AT ROCKIN’ RUBY’S VINTAGE THREADSTROUSERS, EXPRESS SHIRT, KENNETH COLE AT DILLARD’S SUSPENDERS, KOHL’S

143


CAT SUIT, LEG AVENUE HEELS, JOURNEYS

144

PATTERN ISSUE NO. 6


145


146

PATTERN ISSUE NO. 6






Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.