Palo Alto Weekly 01.22.2010 - Section 1

Page 26

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Movies (continued from previous page) (Century 16, Century 20) Alice Sebold’s bestseller “The Lovely Bones� held good potential for a screen treatment, but Peter Jackson squanders it on a schizoid film that largely misses the point of the novel. “The Lovely Bones� takes place partly in the afterlife of Susie Salmon, teen victim of a rapemurder. Sebold’s story finds Susie exploring

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her “In-Between� purgatory while failing to let go of Earth, where her family mourns and her killer roams free. Jackson fails to engage us in the hurt of the Salmons, to whom at least half of the story should belong. Jackson contains himself mostly to the obsession of Susie’s father Jack (Mark Wahlberg), who believes he can and must solve his daughter’s murder. Rated PG-13 for mature

FIFTY-FOURTH SEASON 2009-10 BOX OFFICE 650.424.9999 Tickets online at WBOpera.org

Der FreischĂźtz

Carl Maria von Weber

in German, with English titles

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will Love triumph?

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Lucie Stern Theatre 1305 MiddleďŹ eld Road Palo Alto

February 19, 21, 27 and 28, 2010

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JosĂŠ Luis Moscovich conductor

Yuval Sharon director

Paula Goodman Wilder Ben Bongers Peter Graham Gregory Stapp Eric Coyne David Hodgson Patrycja Polushowicz Joaquin Quilez-Marin and

Yannis Adoniou’s KUNST-STOFF Dance Company

thematic material involving disturbing violent content and images, and some language. Two hours, 15 minutes. — P.C. (Reviewed Jan. 15, 2010)

STANFORD THEATER

Up in the Air ---1/2 (Century 20) George Clooney is professional downsizer Ryan Bingham, a “transition specialist� with an arsenal of platitudes at his disposal for doing a company’s dirty work. Ryan meets his match in Alex Goran (Vera Farmiga), a sexy mileage junkie equally as turned on by elite status and sleekly wheeled luggage. Theirs is a match made in heaven — and hour-long intervals in Omaha, Modesto and Wichita. Ryan’s carefully crafted cocoon threatens to rupture when savvy supervisor Craig Gregory (Jason Bateman) hires wet-behind-the-ears consultant Natalie Keener (Anna Kendrick) to eviscerate 85 percent of the travel budget and take the company “glocal� — global-turning-local. Ryan and Natalie set off for Detroit and a series of test firings to prove their points. His that the proper sack requires face-toface commitment; hers that a disembodied computer presence is just as effective. Let the games begin! Rated R for language and sexual content. 1 hour, 49 minutes. — J.A. (Reviewed Dec. 11, 2009) Youth in Revolt --(Century 16, Century 20) Teen Nick (Michael Cera) longs to lose his virginity, and he sets his sights on one Sheeni Saunders (Portia Doubleday), the incongruously self-possessed daughter of Bible-thumping trailer park dwellers. The star-crossed would-be lovers face plenty of obstacles. “Excessively nice,� Nick hatches a plan to turn bad and thus be sent from his mother (Jean Smart) to his father (Steve Buscemi), who lives closer to Sheeni. To get up the gumption, Nick fashions a devilish French alter ego named Francois Dillinger, ever-ready to counsel badness. Rated R for sexual content, language and drug use. One hour, 30 minutes. — P.C. (Reviewed Jan. 8, 2010)

The Stanford Theatre is at 221 University Ave. in Palo Alto. Go to www.stanfordtheatre.org or call 650-324-3700.

Carrie (1952) Naive Carrie (Jennifer Jones) hopes to make it in the big city, but loses her job and seeks help from a man she’s met. Fri.Sat. at 7:30 p.m., plus Sat. at 3:20 p.m. We Were Strangers (1949) Directed by John Huston, this film of the Cuban underground stars Jennifer Jones and John Garfield. Fri.-Sat. at 5:30 and 9:40 p.m. Since You Went Away (1944) Claudette Colbert, Jennifer Jones and Shirley Temple struggle with life on the home front during World War II. Sun. at 2 & 7:30 p.m.; Mon.-Tue. at 7:30 p.m. The Man in the Gray Flannel Suit (1956) Gregory Peck plays a Connecticut commuter haunted by war memories. Wed.-Thu. at 7:30 p.m.

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Bay Area debut of celebrated choreographer Wheeldon’s “dream ballet troupe� (The New York Times) with live music.

West Coast Premiere! Compelling radio theater company returns with new docudrama charting Robert F. Kennedy’s personal and political journey.

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