comunismo ingl.qxd
24.06.07
16:58
Page 186
Sara Ramo 1] It’s generally a visual composition of moving images created around a song. But in the context of the exhibition Communism of Form, it could be many things. 2] Our way of being in the world, playful experience, the occupation of spaces, the creation of narratives. I’ve been asking myself about these things recently. 3] Which revolution are we talking about here? The term “revolution” has many acceptations and meanings. In general, it implies a transformation, rupture, a change of structures. There is a desire implicit to all poetic action: art rarely wants things to continue as they are, even if that means it has to bring them to light, create a crisis of meaning. It’s a permanently restless reinvention, which is always a little different with each repetition. Here, revolution is not a question of effectiveness.
Giorgio Ronna and Matias Aguayo 1] Image shot through with sound. 2] Memory/Utopia 3] This relationship is, in fact, one of the motivations behind the process of each piece of work. I like to think in clippings, microrevolutions that elude our control and knowledge.
Alberto Simon 1] A format determined by a specific medium (video) and its duration (brief), where the sound-image relationship is established along choreographic/analogical lines. 2] A pre-formatted abracadabra that works in any situation. 3] The role of Evolution is underestimated.
Camila Sposati 1] I think it’s a short video made for a soundtrack. A popular and accessible medium, available on TV anywhere in the world. 2] Formally, I can say that the elements I start out from are
186