On View 10-11.2011

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Daytona Beach continued...

10-year passage from the mountains of Tora Bora to the uprisings in the Arab world in early 2011. ((See The Power of the Image in the August/September 2011 issue on pg. 44.) Thru 12.16

Portraits from Afghanistan by Khalid Hadi

Featured in this exhibition are paintings, calwww.morikami.org ligraphy and ceramics www.smponline.org On display are more by Zen masters of the Portraits of wounded than 40 exquisite 17th to the 20th cenfighters, orphans and examples of Japanese turies. The works are children, injured by snuff bottles, produced examples of the genre land mines and bombs, during the Meiji Period of Japanese art called form a moving visual (1868–1912) for export zenga, which originatrecord of the toll taken abroad. These small, ed in the 17th century on the population of intricately designed Afghanistan during bottles exemplify the Soviet occupation. the superb technical (See The Power of the virtuosity and artistic Image in the August/ sensibility of late 19th September 2011 issue and early 20th century on pg. 46.) Japanese craftsmen. as spiritual exercises, 10.18-01.22.12 aids to meditation and DELRAY BEACH Zenmi—A Taste visual sermons show10.18-01.22.12 of Zen: Paintings, ing the path to Zen Small Wonders: Calligraphy and enlightenment. Southeast Museum of Photography

and Japanese Gardens

Japanese Snuff Bottles from the Trammell and Margaret Crow Collection of Asian Art Morikami Museum

Ceramics from the Collection of Riva Lee Asbell Morikami Museum and Japanese Gardens

DUNEDIN Thru 12.23

Believe It or Not?
 Dunedin Fine Art Center

www.morikami.org

www.dfac.org

1. Image (detail) ©Kate Brooks 2. Image ©Khalid Hadi 3. Image courtesy of Morikami Museum and Japanese Gardens

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