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RateBeer ( 15

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entertainment software at Trilobyte, helping develop classic old-school computer games like the 11th Hour. This user-based mindset influenced how RateBeer was internally developed. Bill Buchanan originally started the site back in 2000 with a few others, but offered it to Tucker for free after the latter spent a summer helping redesign the entire site. Since then, the majority of Tucker’s time has been focused on developing RateBeer into the international presence it’s since become. “The whole idea [developing software] was you listen to people and craft an experience to make it enjoyable for whoever’s using it. It’s the way that we build RateBeer. We talk to people. We try to keep it fun. We look at what people are passionate about, and we feed that passion.” Establishing local visibility has generally been less of a priority. The website BeerAdvocate, as a counterpoint, has spun off a print magazine and hosts highly regarded beer festivals in Boston each year. “I’m not a business guy,” Tucker explained. “I’m primarily a toymaker. My focus has always been on building toys.” And public relations? “It’s not something I’m particularly good at.” With Tucker and his team of internal admins (Disclosure #3: I used to be one) focusing on site development, RateBeer’s reach and influence have steadily grown. As Joe notes in our conversation, in the craft beer world, “traditional marketing doesn’t work too well.” The typical sports imagery with buxom females tends to be derided, seen as vestigial tricks of the mass-market breweries. The annual RateBeer Best awards, published every January, are both widely publicized and recurrent sources of controversy. The list of the top-rated beers on the site tends to be significantly skewed toward higher-alcohol, higher-impact styles like imperial stouts and double IPAs, resulting in many questioning the utility and value of RateBeer’s user-based review system. Whereas the wine world is arguably subject to the influence of “Parkerization” (the

notion that some winemakers tailor their products to Robert Parker’s particular tastes), RateBeer’s Top 50 list is perhaps the beer world’s closest equivalent in this regard. Much of the criticism stems from the degree of emphasis placed on the list. The most immediate flip side of the RateBeer Best awards (and the site’s ratings in general) is the exposure and acclaim they provide to up-and-coming craft breweries, which rarely have marketing budgets anywhere near those of conglomerated breweries like Anheuser-Busch or MillerCoors. For lesser known breweries, high scores online can open doors that would otherwise remain shut. In 2010, a Scientific American article regarding online rating sites singled out RateBeer as its lone example of what’s working well in distinguishing the good from the bad, while gently disparaging the built-in biases of websites like Amazon and Yelp. Yet despite any misgivings Tucker might have about his public role in the website’s future, beer is generally better enjoyed as a shared experience. Along with local beer writer Mario Rubio, the two have teamed up on a number of small-scale, casual events under the banner of RateBeer Events. Recent happenings included an intimate “meet the brewer” event with Shaun Hill of Vermont’s Hill Farmstead Brewery at the Tucker household, as well as a beer dinner at Hopmonk Sonoma during San Francisco Beer Week to celebrate local and further-flung breweries earning 2012 RateBeer Best awards. Even here, Tucker often defers to Rubio as the main public presence. Part of it goes back to personal preference. (Disclosure #4: As someone also not particularly fond of public attention, I sympathize.) But it also touches on the underlying ethos of RateBeer. As Tucker asks, rhetorically, “Do you listen to the one guy, or do you listen to the people?” Ken Weaver is the author of ‘The Northern California Craft Beer Guide,’ with photographer Anneliese Schmidt, due out this spring from Cameron + Company. He lives in Santa Rosa, and isn’t really trying to sell you cutlery.