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SOFA (SOUTH A STREET ARTS DISTRICT) PRESENTS THE S I X T H A N N UA L :

SATURDAY NOVEMBER 13 5 – 8 PM Join us for an evening of family fun, entertainment, food, live music, performers, costumes, the infamous SOFA parade and ART!

Participating galleries: Gallery 300 The Gallery of Sea and Heaven Studios on A Uribe Backstreet Gallery Tibidabo Photography Hoffman Perez Studios Jeremiah’s Photo Corner The Imaginists Studio ISM Atlas Coffee Co. / Atlas Studios

South A Street Arts District (SOFA) is located in downtown Santa Rosa, next to Juilliard Park, on the corner of A Street and Sebastopol Ave. For more information, please call: 707 332-1212.

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11.10.10-11.16.10

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How do you call the cops on the cops? By Ben Saari

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hen I was in elementary school, a parent pulled a gun in the teachersâ&#x20AC;&#x2122; lounge. He was there to kidnap his son. Two teachers and the principal dogpiled on him, and the gun went off a couple times before Mr. Wurtzberg got his finger behind the trigger and Mr. Woods jammed his finger in the barrel. The schoolyard rumor was that the parent was also an FBI agent, but it was clear to me that, agent or not, the faculty in the teachersâ&#x20AC;&#x2122; lounge acted right. When someone pulls a gun at a school, the right thing to do is dogpile and disarm him, and it doesnâ&#x20AC;&#x2122;t matter if the gunman works in law enforcement. But when the person in law enforcement with a gun is actually on the job, and isnâ&#x20AC;&#x2122;t trying to kidnap someone, things seem to become less clear. Last week, Johannes Mehserle, the ex-BART officer who shot and killed Oscar Grant in Oakland on New Yearsâ&#x20AC;&#x2122; Day in 2009, was given the minimum sentence for involuntary manslaughter. With credit for time served in jail, early estimates have him free in seven months. It is a historic event for an officer to be convicted in a line-of-duty killing. In early January 2009, it looked like Mehserle was going to walk. While Oscar Grant was bleeding on the BART platform, cops on the scene detained witnesses and tried to confiscate cell phones and cameras. In the week after the killing, word of mouth, community radio, and ultimately internet postings of cell phone video spread the truth of what had happened. On Jan. 7, Mehserle resigned from BART in a continuing dance to avoid making on-therecord statements. It wasnâ&#x20AC;&#x2122;t until 12 days after Grant was killed that Mehserle was arrested. Whatever one thinks of the adequacy of Mehserleâ&#x20AC;&#x2122;s sentence, itâ&#x20AC;&#x2122;s doubtful any charges would have been brought against him without the combination of clear video evidence and a fracturing social order. This brings up very distressing questions locally. In the 56 cases of people who have been killed by Sonoma County law enforcement agencies or who have died in their custody, not a single officer, employee, or contractor has faced a criminal charge. While large wrongful-death settlements have been made in a number of high-profile police killings and in-custody deaths, these invariably come with gag conditions that silence surviving family members, and the payouts are buried in department budgets, making a clear public accounting difficult. In the mid-â&#x20AC;&#x2122;90s, many families of those

killed locally went another route and, at great risk to their reputation, spoke out publicly about their experience. These families got the attention of the U.S. Commission on Civil Rights, who held a hearing and released a report in 2000. That report and its recommendations for a civilian review board were blasted in the Press Democratâ&#x20AC;&#x201D;the same week that two more people were killed by police. Ten years down the road, not much has changed. Shootings by city police are still investigated by the county Sheriff â&#x20AC;&#x2122;s department and vice-versa. The local Democratic Party has added police review to its platform, but even with a countywide majority, it has failed to institute even a pilot program in any city. Despite two new chiefs in Santa Rosa, there has been no meaningful change in policy. Surviving families find themselves having made a call for help that resulted in the death of an already distressed loved one. I cannot imagine how tough that is. Last week, I visited the roadside memorial for Nicodemus Sullivan, who was shot between 30 and 42 times by three Sheriff â&#x20AC;&#x2122;s deputies and a CHP officer in southwest Santa Rosa. When I approached the site on Hargrave Avenue, one of Nicâ&#x20AC;&#x2122;s friends was in front of a makeshift altar, red-eyed, chain smoking and grinding his heels into the asphalt. I parked down the road to give him privacy and walked back slowly, looking at the spraypaint marking where cars had been and bullet casings had landed. I paid my own respects and left a list of other local people killed by police on the altar. We live in a county where part of the population regularly has their cars stolen by the police because they werenâ&#x20AC;&#x2122;t born on the right side of an imaginary line; where three to four people a year are killed or die in custody without any daylight on the following investigations; where departments refuse to fill public-records requests in a timely fashion. The only relief we see comes from regular folks: the people who step up to divert traffic from driverâ&#x20AC;&#x2122;s license checkpoints, who assist those abused by police and who monitor and document public police work. No one doing this work gets paid for it, and none are advancing a political program or party. All are doing it simply because it is right.

It is a historic event for an officer to be convicted.

Ben Saari is a police accountability activist and construction worker. He lives in Roseland with his family, his dog and his Star Wars memorabilia. Open Mic is a weekly feature in the Bohemian. We welcome your contribution. To have your topical essay of 700 words considered for publication, write openmic@bohemian.com.

THE BOHEMIAN

11.10.10-11.16.10

05

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While I was slightly dismayed at the indirect characterization of Mentor Me Petaluma as â&#x20AC;&#x153;sinkingâ&#x20AC;? and in need of a bailout (â&#x20AC;&#x153;Advocate for the Advocates: George Moskoff â&#x20AC;&#x2122;s Minerva Project bails out sinking nonprofits,â&#x20AC;? Nov. 3), I was very happy to be included in the article as an example of one of the many savvy local nonprofits working with George and his fellow consultants. The Minerva Project, along with SSUâ&#x20AC;&#x2122;s Center for Community Engagement, is a fantastic resource, and I applaud their efforts!

The city of Bell, Calif., has nothing on the Sonoma County Office of Education Board of Directors when it comes to gratuitous retirement benefits. At a recent meeting, the board set aside its own rules for the time of service needed to award retirement health benefits for the superintendent. Dr. Carl Wong asked for and received lifetime health benefits, even though he had not served the required number of years to do so. The board bypassed the requirements by allowing him credit for â&#x20AC;&#x153;time servedâ&#x20AC;? as superintendent of Petaluma Unified School District. This extraordinary gift comes at a time when Dr. Wong has issued five furlough days for all of his staff. Additionally, he is seeking to cut health benefits to teachers and clerical staff, cut summer

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school for the Community School program, and place substitute teachers to teach in Juvenile Hall for 63 days per year. With this, the board then increased the salary of the new incoming superintendent by close to $20,000â&#x20AC;&#x201D;before he even steps in the door. This means he will be making in the neighborhood of $193,000 per year. Shame on you, Dr. Wong, and shame on the board.

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C74A40A44=>D67?4>?;40;A403H I am a student at Santa Rosa Junior College majoring in environmental conservation. One topic I canâ&#x20AC;&#x2122;t get out of my mind is the overpopulation of humans. I believe we have exceeded our carrying capacity and then some. When I look for solutions to environmental issues, whether it be improving salmon habitat or protecting ecosystems, wildlife almost always loses over the needs of human growth. If thereâ&#x20AC;&#x2122;s a debate over whether gravel mining should be permitted in our creeks, sure, thereâ&#x20AC;&#x2122;s a council meeting about it. But wildlife loses, somehow the project passes, and the destruction begins. If only we could see that we are in the way. There isnâ&#x20AC;&#x2122;t room anymore, and I donâ&#x20AC;&#x2122;t hear anyone address this in a public forum. I am 34 years old and probably wonâ&#x20AC;&#x2122;t have children. There are simply too many people already. I can adopt. To me, that is recycling at its finest. I know that convincing people to plan their number of children or to adopt instead is a touchy subject, but it needs to be said.

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news for Sonoma, Marin & Napa Counties

â&#x20AC;&#x153;Official Newspaper of Andrew Shirvellâ&#x20AC;&#x2122;s Walking Papersâ&#x20AC;?

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;405H6>0;B Activist and author Ed Rosenthal, pictured at last weekâ&#x20AC;&#x2122;s Harvest Dance in Sebastopol, is among many who see legalization in California as simply a matter of time.

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Not quite yet, say marijuana advocates, as budding support for a revised 2012 proposition grows By Kylie Mendonca

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ever has California been so close to legalizing marijuana as it was in September this year, when polls showed 49 percent of likely voters in support of Proposition 19, the initiative that would have legalized recreational marijuana use for adults while allowing local governments to collect a tax on its sale. By late October, however, the same field polls showed support among Californians sinking, and on Nov. 2, marijuana legalization failed by just 4 percent statewide. Yet many legalization activists are calling Prop. 19 a victory, if only for the dialogue and base of support it created. The initiative won unprecedented support from various

law-enforcement groups, the NAACP, the National Latino Officers Association and the SEIU by casting legalization as both a civil rights issue and potential job creator. â&#x20AC;&#x153;It puts us in a place weâ&#x20AC;&#x2122;ve never been in before,â&#x20AC;? says Bay Area attorney Chris Conrad, who helped draft the initiative. â&#x20AC;&#x153;Weâ&#x20AC;&#x2122;re closer than weâ&#x20AC;&#x2122;ve ever been.â&#x20AC;? In the wake of Prop. 19â&#x20AC;&#x2122;s defeat, the sentiment heard most often from marijuana advocates is that legalization in California is no longer a question of if, but of when and how. Legalization advocates statewide anticipate putting the issue before voters in 2012 as a reworded, more detailed proposition, having learned from the experience of Prop. 19. Last weekend, Conrad spoke as part of

a five-person panel at Sebastopolâ&#x20AC;&#x2122;s Harvest Dance, a celebration of the marijuana harvest season. Discussion centered on why Prop. 19 failed and why 2012 would be ripe for another shot at legalization. Key among the reasoning for success in 2012 is that proponents need to pick up just four percentage points to pass some kind of legalization, which may happen with almost no effort on the part of legalization advocates. Younger voters tend to favor legalization and also show up in greater numbers for presidential elections. By the simple fact that more young people in favor of legalization will reach voting age in the next two years, some marijuana activists are predicting a boon of up to two percentage points. %.

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Activist and author Ed Rosenthal, who was once deputized by the city of Oakland as an official marijuana grower for the cityâ&#x20AC;&#x2122;s medical marijuana industry, agrees. â&#x20AC;&#x153;I donâ&#x20AC;&#x2122;t think itâ&#x20AC;&#x2122;s so much that peopleâ&#x20AC;&#x2122;s attitudes have really changed,â&#x20AC;? Rosenthal opines. â&#x20AC;&#x153;I think itâ&#x20AC;&#x2122;s that the older people are dying off and the younger people have a more relaxed attitude.â&#x20AC;? But whether activists can pick up two more additional points depends largely on the wording of the law thatâ&#x20AC;&#x2122;s written. A post-election survey funded by legalization proponents and conducted by polling specialists Greenberg Quinlan Rosner found that 50 percent of Californians already support legalization. According to the GQR survey, 31 percent of voters who voted no on Prop. 19 agreed with the following statement: â&#x20AC;&#x153;I believe marijuana should be legalized or penalties for marijuana should be reduced, but I opposed some of the specifics of Proposition 19.â&#x20AC;? Thatâ&#x20AC;&#x2122;s largely the message that many â&#x20AC;&#x153;No on 19â&#x20AC;? activists campaigned on, especially in Northern California. Geographically, Sonoma County sits at the northern end of a string of coastal counties, reaching down to Santa Barbara, which voted in favor of Prop 19. Fifty-four percent of Sonoma County voters were in favor of Prop. 19, while more than 62 percent of Marin County voters approved the initiative, among the highest approval ratings in the state. Napa County, meanwhile, rejected the initiative. But so did the largest potproducing counties in the state. The so-called green triangle comprising Mendocino, Humboldt and Trinity counties shut down the initiative, highlighting one of the biggest obstacles to legalization: a fractured marijuana-advocacy base. â&#x20AC;&#x153;Some people you sit down and smoke a joint with really donâ&#x20AC;&#x2122;t care if you go to jail,â&#x20AC;? Conrad says, but though â&#x20AC;&#x153;they may grow great weed, theyâ&#x20AC;&#x2122;re not going to vote against their pocketbooks.â&#x20AC;? The fact is that many growers donâ&#x20AC;&#x2122;t want legalization; they want the higher risk and higher payoff that comes with uncontrolled substances. And on the opposite side of the debate, patient-advocacy groups want their medicine to remain untaxed and unassociated with recreational use. Americans for Safe Access, a well-respected medical-marijuana advocacy group, declined to support or oppose the initiative publicly, while other medical groups, including the California Cannabis Association, made statements against Prop. 19. There were several portions in the text of Prop. 19â&#x20AC;&#x201D;a lengthy, open-tomisinterpretation documentâ&#x20AC;&#x201D;that failed to win over marijuana users. Among the troublesome provisions was an added criminal penalty for smoking marijuana in the presence of minors. Virtually unenforceable, the inclusion was meant to resonate with straight-laced parents but wound up alienating those wanting to smoke freely in their homes. A final nail in Prop. 19â&#x20AC;&#x2122;s coffin was driven by Gov. Arnold Schwarzeneggerâ&#x20AC;&#x2122;s signature on an 11th-hour bill that decriminalized marijuana possession in California. Senate Bill 1449, which goes into effect Jan. 1, 2011, changes personal possession of less than an ounce of marijuana from a misdemeanor to

an infraction, essentially the same punishment as a jaywalking ticket. A $100 fine will apply to citations issued, but a violator will no longer have the obligation to appear in court over small possession. For many voters, the bill represented sufficient change. Though state law enforcement officials arrested more than 17,000 people for pot-related felonies last year, and another 60,000 Californians were cited for misdemeanor possession, according to the California Bureau of Statistics, no one is serving time for possession of less than an ounce of marijuana. But that doesnâ&#x20AC;&#x2122;t mean marijuana possession doesnâ&#x20AC;&#x2122;t lead indirectly to incarceration, says Omar Figueroa, a cannabis defense attorney who is in favor of legalization. â&#x20AC;&#x153;This would cause a revolution in search and seizure law,â&#x20AC;? he says, â&#x20AC;&#x153;because smelling marijuana would no longer be reason to search someoneâ&#x20AC;&#x2122;s house or person.â&#x20AC;?

â&#x20AC;&#x2DC;They may grow great weed, but theyâ&#x20AC;&#x2122;re not going to vote against their pocketbooks.â&#x20AC;&#x2122; â&#x20AC;&#x201D;Chris Conrad So whatâ&#x20AC;&#x2122;s next for 2012? The next proposed state law would likely offer more protection for medical marijuana, which could be in jeopardy if Republican Steve Cooley is elected to the attorney generalâ&#x20AC;&#x2122;s office. At press time, Cooley and opposing attorney general candidate Kamala Harris were locked in a too-close-to-call race with 1 million ballots left to count, and Cooley, as district attorney of Los Angeles County, has stated on record that he intends to apply federal law to state dispensaries. The federal government, which has yet to recognize marijuana as a therapeutic drug (though 13 states and the District of Columbia have), is not becoming more relaxed. In a recent statement, Attorney General Eric Holder promised to â&#x20AC;&#x153;vigorously enforceâ&#x20AC;? federal law, no matter what California voters decided. Future proposals will also almost certainly include details on taxation and regulation. Voters will be looking for exactly how those taxes will be levied; whether or not they will be earmarked; and how they will directly contribute to the state general fund. With added protections for landlords and employers, the next legalization initiative may include concessions and protections for nearly everyone involvedâ&#x20AC;&#x201D; except, of course, for those who oppose legalization on any ground. More than anything, future efforts to legalize, regulate and tax marijuana will rely on a solidified base. In Sebastopol, Stevie DeAngelo of Americans for Safe Access sat on the panel with Conrad, making modest pleas for unity and healing within the movement. â&#x20AC;&#x153;We really need people who love cannabis more than money to be involved with this,â&#x20AC;? he says, â&#x20AC;&#x153;or the people who love money will take it over.â&#x20AC;?

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?^[XcXRP[5PbWX^]BW^f Online widget frocks politicians in corporate sponsorsâ&#x20AC;&#x2122; logos By Juliane Poirier

F

elcome, fashion and democracy fans! Today we celebrate an online spotlight that allows us to see more clearly how laws are purchased in this countryâ&#x20AC;&#x201D;a device, indeed, that may help us to stop such purchases in the future. Before we trot this little gem down the web-fashion runway, itâ&#x20AC;&#x2122;s important to look first at one example of how voters recently stopped the purchase of a law in Californiaâ&#x20AC;&#x201D; yes, hallelujah!â&#x20AC;&#x201D;by soundly defeating the well-funded Proposition 23. Following the biggest money back to Texas, we rallied with an informed vote because we knew that Big Oil was behind the proposition. The outfits in our fashion show today will help us to similar victories in the future. On our runway, the models now swaggering in high dress are not chosen for their sex appeal, height, beauty or physique. In fact, some of them are chunky, even corpulent. Others are lean as weasels with that bland, smiling look that cries unctuousness even before they open their mouths. But that brings us to one of the best parts of our show todayâ&#x20AC;&#x201D;they will not be allowed to speak! Instead, their outfits will tell us what they have to say before they say it. The models are all U.S. senators, dressed in garb very much like NASCAR drivers, covered with logos of the corporations or groups sponsoring them. This bit of fun clarity is brought to us by the Influence Tracker, an online widget developed by a collaboration of minds from Wired magazine and MAPLight, Berkeleyâ&#x20AC;&#x2122;s follow-the-money organization. While the widget was still in development, Daniel Newman, who directs MAPLight, wrote an opinion piece for the San Jose Mercury News proposing that California legislators, when proposing a bill, should be forced to wear logos of their corporate sponsors. â&#x20AC;&#x153;With our logo proposal,â&#x20AC;? Newman wrote this past July, â&#x20AC;&#x153;when lawmakers get up to speak, colorful patches on their suits will make it clear whom they represent. Your lawmaker, not just your AT&T installer, will wear the familiar blue and white AT&T sphere. AT&T is among the top spenders on lobbying in California, as is the Western States Petroleum Association. The associationâ&#x20AC;&#x2122;s curved

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swoosh will be prominent on lawmakersâ&#x20AC;&#x2122; suit jackets, along with the logos of their oil company members, including the red letters of ExxonMobil and the cheerful yellow and green sun of BP.â&#x20AC;? Newman went on: â&#x20AC;&#x153;Lawmakers give away citizensâ&#x20AC;&#x2122; money, water and air to the corporations and lobbyists who pay for them to get elected. If the office holders were required to wear NASCAR-style logos, this would become transparent.â&#x20AC;? Forcing actual outfits on lawmakers is unfortunately infeasible, but the Influence Tracker does dress politicians with logos. Although the first version, out now, doesnâ&#x20AC;&#x2122;t focus on the Golden State, Influence Tracker creates a back silhouette of each member of Congress wearing the logos of their biggest sponsors. Released a few weeks before the Nov. 2 election, the widget can be downloaded to personal sites. And though it doesnâ&#x20AC;&#x2122;t yet track our own state legislators, there is reason to keep improving the program since, according to MAPLight, almost 79 percent of the money raised by California legislators comes from outside of California. How can these legislators be representing the voters of this state? The money behind the recently defeated Prop. 23 â&#x20AC;&#x201D;both for and against itâ&#x20AC;&#x201D;was mostly from other states as well. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s a broken system where money sets the agenda,â&#x20AC;? Newman said in a recent interview. â&#x20AC;&#x153;But we have dollar democracy, not just a voter democracy.â&#x20AC;? In Newmanâ&#x20AC;&#x2122;s eyes, the way to a government that is accountable to citizens is to reduce lawmakersâ&#x20AC;&#x2122; financial dependence on groups that want something back from government. Following the money is a big start. This year, MAPLight tracked four of the propositions. Next year, it will track all of them. In the meantime, Californians can check the MAPLight website after each vote in Sacramento, where they can find extensive data to sketch their own NASCAR suits for legislators. â&#x20AC;&#x153;We have the vote and the interest groups that support and align with that vote,â&#x20AC;? says Newman, â&#x20AC;&#x153;along with how much money they gave your lawmaker.â&#x20AC;? Sound like a coat of many colors? It is. Get your own Influence Tracker widget at www.MAPLight.org.

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Enjoy our elegant holiday desserts Frangelica Hazelnut Cakes Pumpkin Cheesecakes Princess Cakes Pumpkin shaped

Pear Frangipan Tart Black Forest Cake Plus, our wonderful selection of award-winning breads, seven kinds of pies, tasty breakfast treats and holiday cookies. Also offering quiche Lorraine and veggie quiche.

Now taking

Thanksgiving orders 7225 Healdsburg Ave ¡ Sebastopol 707.829.8101 1445 Town & Country Drive ¡ Santa Rosa 707.527.7654 1353 Lincoln Ave ¡ Calistoga 707.942.1443

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Gear up for the holidays! Call Bliss Bakery for gluten-free & food allergyfriendly catering, plus special order holiday cakes

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<>=4H5>A06 his year, the California Department of Food and Agriculture will award $17 million in grants. The Specialty Crop Block Grant (SCBG) given to many nonproďŹ t organizations, for-proďŹ t organizations, schools and government entities funds research, nutrition projects and marketing, aiming to enhance the competitiveness of California specialty crops. On Wednesday, Nov. 17, the State Department of Agriculture will host a workshop on the grant application process in Santa Rosa.

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The SCBG is given to a wide variety of projects each year proposed by nonproďŹ t and for-proďŹ t organizations alike. Workshop space is limited, and interested parties should email grants@cdfa.ca.gov with contact information and number of those attending to reserve space. Sonoma County Board of Supervisors Board Chambers, 575 Administration Drive, Room 102-A, Santa Rosa. 1â&#x20AC;&#x201C;3pm. Free. 916.657.3231.

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The excitement happens at Connolly Ranch, which provides hands-on education in outdoor settings to connect children with nature through different forms of farmbased and environmental education. Take your chances on Saturday, Nov. 13, at Connolly Ranch, 3141 Browns Valley Road, Napa. 9â&#x20AC;&#x201C;11am. $5 per ticket. 707.224.1894.

Haley Sansom

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(Choice of one of the following)

Homemade New England Style Clam Chowder or Butter Letttuce Salad with fresh apple, glazed walnuts and feta cheese

Annual Thanksgiving Dinner

Entrees

(Choice of one of the following)

Fresh Oven Roasted Turkey or Country Glazed Petaluma Baked Ham

Thursday, Nov 25, Noonâ&#x20AC;&#x201C;7pm

traditional cornbread stuffing, creamy mashed potatoes and gravy, candied yams and homemade cranberry sauce

Salmon Wellington with spinach and mushroom duxelle, topped with Champagne sauce and served with rice pilaf and roasted vegetables

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In 2010, 63 projects in total were awarded grants. UC Berkeley received $489,628 for a project to control the vine mealybug, affecting local vineyards in the North Bay. The American Vineyard Foundation ranked this pest ďŹ rst in importance in 2006, and the UC project tested the project for reducing its mating in Napa County. Also last year, Sunsweet Growers received $450,000 to jumpstart the production of bread made from prunes. The California State Beekeepers Association was granted $260,675 to improve forage resources for bees that pollinate Californiaâ&#x20AC;&#x2122;s special crops.

On Saturday, Nov. 13, Stone Bridge School of Napa and Connolly Ranch provide a very different way of raising money. â&#x20AC;&#x2DC;Barnyard Bingoâ&#x20AC;&#x2122; is a rural tradition but is anything like your typical bingo game. How it works is this: an area of land is divided into squares, each square is assigned a ticket number, and a cow is released within the enclosed area of land. The ticket holder for the square in which the cow decides to go number two is No. 1. Grand prize: $500.

Traditional 3 Course Menu

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Prime Rib with Yorkshire pudding, baked potato and roasted vegetables

Desserts

(Choice of one of the following)

Pumpkin Pie, Apple Pie a la Mode, Pecan Pie, or Chocolate Decadence Cake 3495 Adults/ 2995 Seniors 65+ 1995 Childrenâ&#x20AC;&#x2122;s Menu (under 10)

Reservations Advised

415-662-2219

On the Town Square, Nicasio www.ranchonicasio.com

Three-Course Vegetarian Dinner available by reservation

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THE BOHEMIAN

11.10.10-11.16.10

15

Reflexology 50 minutes

$40

thru Nov. 30th

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North County 6aZmVcYZgKVaaZnK^cZnVgYh

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Margery Smith, C.M.T.

707.544.9642

by appointment only

Simply Vietnam

Traditional Vietnamese Restaurant

Best Vietnamese Restaurant

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Thank you

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9ZAVBdciVcnVK^cZnVgYh L^cZgn The local preference for authentic Vietnamese

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fresh ingredients large dining room friendly staff always affordable

dine in & take out

707.566.8910 966 North Dutton Ave~Santa Rosa Monâ&#x20AC;&#x201C;Sat 10â&#x20AC;&#x201C;9m Sunday 11â&#x20AC;&#x201C;8

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mention this ad for $1.00 off

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16

11.10.10-11.16.10

THE BOHEMIAN



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Local markets, stocked full of local wine, often have only inexpensive Burgundy on offer, labeled â&#x20AC;&#x153;Pinot Noir.â&#x20AC;? Curiously, this is the only context in which it translates as French for â&#x20AC;&#x153;donâ&#x20AC;&#x2122;t bother.â&#x20AC;? Burgundy is situated a sight too far east of Napa than my current travel budget allows, so I gassed up the auto and drove to the wine merchants of San Francisco, where a hundred and then some dropped on few bottles nets a promising sampling from the golden slope. And? How about that herbal tea. If thereâ&#x20AC;&#x2122;s hope that my West Coast tastes might reconcile with Old World terroir, itâ&#x20AC;&#x2122;d have to be at Boisset Taste of Terroir. Occupying the former Gallo tasting room on the east side of the Healdsburg plaza, French wine magnate Jean-Charles Boisset has taken the unusual step of offering samples from his Burgundian portfolio alongside corresponding varietals from De Loach Vineyards, which he has owned since 2003. The requisite merch is glossed with a Euro ďŹ&#x201A;air: angular JCB Private Collection chrome spittoons, Champagne sabers and swan-necked decanters. The soundtrack is Euro techno, but the black-clad staff exceeds continental expectations, being, to wit, welcoming, ready to share knowledge with unpretentious ease, and keeping a full house busily chatting over their pours at tables and at the bar. Like a silky tea made from potpourri, the Bouchard AĂŽnĂŠ & Filsâ&#x20AC;&#x2122; 2005 Beaune Premier Cru ($40) followed the wind off of a cut hay ďŹ eld with subtle ďŹ&#x201A;avors of orange peel, rose hips and dried cranberry. The Jean-Claude Boisset 2004 Chambolle-Musigny ($55) combined ďŹ ne leather aromas with an equally supple ďŹ nish tinged with tangerine skin, while the 2005 Gevrey-Chambertin ($55) saw the ďŹ rst appearance of fresh, albeit tiny, fruits: wild raspberry perfume over a ďŹ rm palate. Now, how does California cousin DeLoach Vineyardsâ&#x20AC;&#x2122; 2007 O.F.S Pinot Noir ($40) compare? Remarkably Burgundian, in style, but . . . with a gloss of delicious cherry fruit. Thatâ&#x20AC;&#x2122;s the party that I want to be at. Boisset Taste of Terroir, 320 Center St., Healdsburg. Daily 10:30am to 5:30pm; till 9pm Thursdayâ&#x20AC;&#x201C;Saturday. Tasting fees from $12 to $100. 707.473.9707. James Knight

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aspired to an evening of classical music and chamomile tea, but instead, friends showed up with Champagne and we cut the rug until dawn. Or thatâ&#x20AC;&#x2122;s what I used to hear upon reading umpteen â&#x20AC;&#x153;about usâ&#x20AC;? statements from wineries that aspire to make Pinot Noir in the style of Burgundy. Although its anglicized appellation has been spread thin to include anything from a hue on the painterâ&#x20AC;&#x2122;s palette to jug wine for the plebeian palate, Bourgogne is the undisputed seat of one of the worldâ&#x20AC;&#x2122;s most noble wine grapes, and nearly every new-minted California vintner must needs make their pilgrimage to Rome. I mean Beaune.

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11.10.10-11.16.10

17

32.AB?2

F7>:=4F. Crickets really do taste a lot better with a tiny squeeze of lime.

7^f;^f2P]H^d6^. The creepy-crawly sustainability of eating lower on the food chain By Alastair Bland

0

mericans crave efficiency. We esteem cars that burn less gas for each mile driven, jobs that generate the most money per hour and mobile phones that pack the most capabilities into the smallest possible package. In short, we want bang for our buck. But we skimp on efficiency when it comes to eating, because we just canâ&#x20AC;&#x2122;t resist meat. According to the United Nationsâ&#x20AC;&#x2122; Food and Agriculture Organization, Americans consume 275 pounds of animal flesh every year, more per capita than nearly any other populace on earth. (Floss, anyone?) This is an expensive habit in carbon terms. A 2007 study by the National Institute of Livestock and Grassland Science in Japan reported that producing one pound of beef produces the same amount of CO2 as does driving a small car 70 miles. Also, the waste of land is staggering. According to a U.N. report titled Livestock in a Changing Landscape, almost one-third of the earthâ&#x20AC;&#x2122;s ice-free land surface is devoted to livestock production, while only 8 percent is devoted to production of

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11.10.10-11.16.10

THE BOHEMIAN



food consumed directly by humans (i.e., plants). As the earthâ&#x20AC;&#x2122;s human population escalates, with a population of 10 billion expected by the year 2050, the stresses on our planetâ&#x20AC;&#x2122;s resources will follow, especially if we continue to bring home the bacon and butcher the beef. So what if we just cut big mooing, grunting mammals from the equation and looked to another source of protein? Something lower on the food chain, perhapsâ&#x20AC;&#x201D;like insects? We wouldnâ&#x20AC;&#x2122;t be the first large mammals to consume them. The brown bear will sink its teeth into elk and salmon when it can, but it also eats large quantities of moths, termites and ants, and for a creature so high on the food chain to stoop to the bottom for its sustenance is a model act of humility that humans might do well to emulate. Insects and other arthropods, like most â&#x20AC;&#x153;lowerâ&#x20AC;? forms of life, abound, constituting an edible resource of tremendous biomass. Ants alone reportedly approximate about one-third of all terrestrial animal biomass, according to ecologistsâ&#x20AC;&#x2122; models. Add termites, moths, spiders and cockroaches to the menu, and we suddenly have a bounteous resource scuttling about innumerably at our feet, in the cracks and crevices

and vile, damp places of the earth, a vast source of protein and minerals almost entirely untapped. Eating bugs makes so much sense, in fact, that the U.N. is giving consideration to the matter. In February 2008, the Food and Agriculture Organization hosted a workshop called â&#x20AC;&#x153;Forest Insects as Food: Humans Bite Backâ&#x20AC;? in Chiang Mai, Thailand. There, 36 entomologists, edible insect nutritionists, foresters and others with a stake in the developing edible-insect movement discussed the potential of six-legged animals as food and the challenges of developing a market and industry for them. The BBC reports that a handful of Dutch companies have already begun breeding beetles, crickets and locusts for food. Even here in the United States, advocates are pushing the concept. The entomology department of Iowa State University posts online nutritional information about eating insects, while numerous cookbooks, including Creepy Crawly Cuisine: The Gourmet Guide to Edible Insects by Julieta Ramos-Elorduy, tout the wisdom and sense in eating earthâ&#x20AC;&#x2122;s most abundant terrestrial animal resource and offer recipes like fried grasshoppers, ant larva tacos and mealworm

cookies. Eminent entomologists like Gene R. DeFoliart, a bug-eating advocate at the University of Wisconsin well known to many in the insectivorous community, also vouch for insects as food. And some highend restaurants, such as Mezcal in San Jose and the increasingly famous Typhoon at the Santa Monica Airport, are putting insects on their menus. You might say the insectivore movement is gaining legs. And they’re wiggling.

Bottoms Up Just why creatures can be categorically defined as sustainable or not-so-sustainable food sources can be understood with a quick look at the trophic energy scale, a conceptual representation of organisms and the energy each one requires to grow and reproduce. At the apex of the pyramid scale are the meat-eating predators, like tigers and bluefin tuna. At the bottom are the simplest organic building blocks of life, like algae and phytoplankton, which often require little more than sunlight to grow. In terms of biomass, there is very little of the former and vast quantities of the latter. The critters at the bottom of the trophic pyramid are better choices for food, not only because they’re plentiful. They’re also efficient. It is through algae and phytoplankton that the energy of the sun is first absorbed into the food web through photosynthesis. As energy ascends the pyramid, however—from phytoplankton to krill to sardines to tuna, from bacteria to grasses to grazers to carnivores—energy efficiency is lost rapidly. For every pound of flesh at the top of the trophic pyramid, immeasurable quantities of energy have been expended to make it. Casson Trenor, the senior markets

campaigner with Greenpeace and a former consultant with the sustainable-seafood nonprofit Fishwise, explains basic trophic math using two of the creatures he knows best, tuna and sardines. “To take our protein from the level of tuna is a totally inefficient use of the ocean,” says Trenor, who in 2007 founded the sustainable sushi restaurant Tataki in San Francisco and who recently received Save Our Shores’ Ocean Protection Hero of the Year award. “If we want a pound of protein, we could get it from sardines. If we need to get it from tuna, it might have taken 15 pounds of protein from sardines to make that pound of tuna protein.” Thus, the lower we eat on the food chain, the more sustainable our diets become. The invertebrate level is a good place to settle down and make a meal, for these spineless species are excellent processors of energy. On average, invertebrate species utilize 20 percent of assimilated energy (i.e., food ingested and not pooped out) for growth and reproduction. Vertebrates, by contrast, use just 2 percent of assimilated energy for growth and reproduction, the balance being used for nothing but fueling motion and metabolism. Of course, a vegetarian diet is the most sustainable long-term nutrition plan of all. Plants not only draw their energy directly from the sun via photosynthesis, they do it efficiently, directing up to 85 percent of assimilated energy toward making more of themselves. Algae can double their biomass in hours just by soaking up the sun. But the food business is show business, and no chef attains rock-star status by boiling primordial broths of microscopic nourishment. They gain fame by carving up beasts and grilling them. A restaurant in New Jersey called Café Arugula has even served up retired circus cats (read: “roasted leg of lion”) at expensive special event dinners. '%

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At the EcoFarm Conference in Asilomar last January, where restaurateurs and food producers convened to discuss sustainablefood production, sardines were a hot topic of discussion. That sardines have become an esteemed item in the culinary world gives Trenor at Greenpeace reason to hope. â&#x20AC;&#x153;Sardines are a powerful indicator of change in the seafood industry,â&#x20AC;? Trenor says. â&#x20AC;&#x153;Sardines have been out of favor for a long time. Theyâ&#x20AC;&#x2122;ve been the poor manâ&#x20AC;&#x2122;s food, processed down by the train tracks and eaten out of a tin.â&#x20AC;? At Fishwise, Bill Wall, business partnership program manager, says the economic downturn combined with an increased awareness of ecological dynamics has spurred interest in small fishes and other mollusks. Squid, for example, are a great choice for diners hunting low on the trophic scale. â&#x20AC;&#x153;Unless you eat anchovies and sardines,â&#x20AC;? says Lou Zeidberg, a researcher in Monterey working for UCLA, you arenâ&#x20AC;&#x2122;t going to get any closer to phytoplankton than with squid.â&#x20AC;? Sardines and anchovies both filter phytoplankton from the water. Squidâ&#x20AC;&#x201D; voracious predators, even the four-inchersâ&#x20AC;&#x201D; do not eat phytoplankton, Zeidberg says, but they eat the copepods and the baby fish that do. Moreover, squid grow marvelously fast, a key point in true sustainability. The familiar market squidâ&#x20AC;&#x201D;the sort usually dredged in flour and friedâ&#x20AC;&#x201D;rarely lives more than eight months, according to Zeidberg. Its rapid life cycle helps make the population resilient. Wall at Fishwise says retailers that donâ&#x20AC;&#x2122;t regularly stock smaller fishes and mollusks may just need to be encouraged. â&#x20AC;&#x153;The best way to see the items in the case is to ask your fishmonger,â&#x20AC;? Wall says. â&#x20AC;&#x153;Let them know there is a demand for lower trophic-level items.â&#x20AC;? He adds that there are health, and not just ecological, benefits to eating species closer to the trophic base. â&#x20AC;&#x153;Seafood lower in the food web is typically lower in mercury and contaminants, too,â&#x20AC;? he says. â&#x20AC;&#x153;Mercury and PCBs bioaccumulate, meaning they are found in greater concentrations higher in the food web. As a shark eats many small fish with low mercury levels, all of the mercury consumed by the shark remains in the tissue, making the mercury content of the shark many times more than the fish it eats.â&#x20AC;? The same rule applies to tuna, known for its potentially dangerous densities of mercury.

Jiminy Bar Snacks Those uninterested in seafood but wanting more than veggies might aim in between, at the meek of the earth. But insects need not be rendered into mere bar food, and cooking them at home can produce creative and tasty dishes, both savory and sweet. Iowa State Universityâ&#x20AC;&#x2122;s entomology department recommends a â&#x20AC;&#x153;rootworm beetle dip,â&#x20AC;? no small portion of which is beetlesâ&#x20AC;&#x201D;a full cup of them, dried and roasted. Their site also includes recipes

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for â&#x20AC;&#x153;banana worm bread,â&#x20AC;? chocolate chip cookies with dried crickets crumbled into the dough and â&#x20AC;&#x153;mealworm fried rice,â&#x20AC;? calling for equal parts rice and larvae. According to the same website, 100 grams, or about a cup, of grasshopper contains 20.6 grams of protein, 6.1 of fat and 3.9 of carbohydrates. (A three-ounce portion of lean beef, just under a quarter-pound, contains 27.4 grams of protein.) Caterpillar contains 28.2 grams of protein per 100 grams. The same volume of dung beetle contains 17.2 grams. And crickets are high in calcium. Many gardeners know that dandelions and other weeds go well in salads. Fewer know that the common garden snail, Cantareus asperses (formerly known as Helix aspersa), does well when sautĂŠed in butter and garlic (what doesnâ&#x20AC;&#x2122;t?) and served in the shell in which it lived its life. Yep, the garden snail that ravages your chard and kale is among the snails esteemed as escargot. In fact, it was introduced to California from France, no less, in the 1850s as a food source, according to a UC Davis online report. It now lives around the world. Although snails can reportedly carry diseases dangerous to people, Cantareus aspersus is ranked as a food item by those who know. The French harvest the snails in the fall and may set them loose in an empty fish tank for several days where they are allowed to feed on rolled oats for a clean change of diet. A subsequent forced fast of several days renders them ready to prep, cook and eat. Snails are high in protein, vitamins E and B1, magnesium, phosphorus and potassium and are low in fatâ&#x20AC;&#x201D;prior to the butter. Be forewarned, though: snails may carry a parasitic roundworm. If cooking fails to kill this parasite, it may kill you. Do your homework.

Staring at the Sun Those who eat shark, tuna, beef and lion areâ&#x20AC;&#x201D;how do we put this gently?â&#x20AC;&#x201D;pigging out on the worldâ&#x20AC;&#x2122;s precious resources. But what if we could draw our energy directly from the sun? Some believers say we can. They call themselves sungazers and claim that life can be lived without food as we know it. By staring at the sun while standing barefoot on barren sand, rock, mud or soil, the philosophy goes, one can photosynthesize sunlight into calories. Mason Howe Dwinell, a former San Francisco resident, sungazed on and off for a year in 2003 and 2004, was featured in a documentary film and eventually wrote a book about his experience and philosophy. Though he never went more than three weeks without food, he does declare on his website (www.sungazing.com), â&#x20AC;&#x153;Yes, you can live without food.â&#x20AC;? Dwinell, now of Vermont, suffered only minor damage to his maculae during his days of staring at the sun, but he says his vision never deteriorated. Elsewhere, sungazing gurus have reportedly lived for years without food. The science behind the practice is not fully understood or thoroughly documented, but its advocates assure: With patience and faith, we can actually eat the sun. Iâ&#x20AC;&#x2122;d rather eat termites.

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7>C3>6B Paul Gordon, left, stars in, wrote, directed and produced â&#x20AC;&#x2DC;The Happy Poet,â&#x20AC;&#x2122; currently making waves at festivals.

BX[eTaBRaTT]B^XaTT Behold, the Napa Valley Film Festival approaches By Rothtana Ouch

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nnouncing ourselves,â&#x20AC;? says Marc Lhormer, â&#x20AC;&#x153;is like announcing a baby being born.â&#x20AC;? Lhormer, with wife Brenda, is co-creator of the Napa Valley Film Festival, slated to arrive in November 2011. By way of announcement, heâ&#x20AC;&#x2122;s drumming up initial buzz for next yearâ&#x20AC;&#x2122;s inaugural festival by throwing a launch celebration at various venues in Napa County from Nov. 12 to Nov. 14. With six films screening during the three-day launch celebration, Lhormer sees this weekend as a â&#x20AC;&#x153;teeny-tiny little tasteâ&#x20AC;? of what he anticipates to be a much larger and engrossing film festival. Next year, he hopes to feature both full-length films and shorts for a total of 75 films. â&#x20AC;&#x153;People are looking for something like this,â&#x20AC;? he says. Lhormer is no stranger to the festival circuit. Near the beginning of the previous decade, he took over the reins of the Sonoma Valley Film Festival, which at that time was lacking in attendance and celebrity. The

original festival organizers had fallen first into ambivalence and then abandonment. Lhormer seized the opportunity and reorganized the event in 2001, bringing with him marketing skills and a vision for the festivalâ&#x20AC;&#x2122;s raison dâ&#x20AC;&#x2122;ĂŞtre. His efforts paid off handsomely. â&#x20AC;&#x153;The first year, the audience tripled,â&#x20AC;? says Lhormer today. â&#x20AC;&#x153;We ended up building a really phenomenal and beautiful festival.â&#x20AC;? Lhormer spent seven years as a chief figure of the Sonoma Valley Film Festival up until the production of his own piece of indie filmmaking, Bottle Shock, in 2008. After the promotion and distribution of the film, which focuses on the true tale of homegrown Napa wine competing and defeating Parisian wine in a 1976 blind taste test, Lhormer saw fit to realize his dreams of holding a film festival in the heart of Napa Valley â&#x20AC;&#x153;We got serious last summer, about a year and a half ago, in 2009,â&#x20AC;? Lhormer says, adding that this film festival has nothing to do with his previous involvement with the Sonoma Valley Film Festival. â&#x20AC;&#x153;This is a clean split,â&#x20AC;? he says. â&#x20AC;&#x153;Weâ&#x20AC;&#x2122;re just focusing on creating a brand-new film festival.â&#x20AC;?

St. Helenaâ&#x20AC;&#x2122;s Cameo Cinema will have the honor of screening the first official film of the festival. â&#x20AC;&#x153;Overall, the consensus is that this is going to be a wonderful event coming up,â&#x20AC;? says Cathy Buck, proprietor of Cameo Cinema, where luminaries like Francis Ford Coppola and Robert Redford have been known to show up. â&#x20AC;&#x153;Everyone is looking forward to the what the Napa Valley Film Festival has to offer.â&#x20AC;? The single-screen, 97-year old Cameo Cinemas this weekend shows John Cameron Mitchellâ&#x20AC;&#x2122;s Rabbit Hole, starring Nicole Kidman, Diane Weist and Aaron Eckhart, on Friday, Nov. 12. The film deals with a familyâ&#x20AC;&#x2122;s struggle to cope with the loss of their only child, and Buck expects it to be a major attentiongrabber. â&#x20AC;&#x153;A lot of these independent films are spectacular,â&#x20AC;? she says. For Buck, the NVFF is an opportunity not only to attract a wider audience for Napa theaters, but to also bring awareness to local residents of quality films produced outside mainstream Hollywood. She sees the traditional Hollywood system of distribution as difficult for small filmmakers to overcome, and believes film festivals hold the '' THE BOHEMIAN

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key in helping independent cinema. Like many others, the NVFF plans to bridge the distance between filmmakers and their audience by inviting filmmakers to speak and answer questions at the festival. â&#x20AC;&#x153;The public benefits from it tenfold,â&#x20AC;? says Buck, â&#x20AC;&#x153;to have an opportunity to meet and greet filmmakers and start following what they are doing.â&#x20AC;? The festival marks a chance for independent filmmaker Paul Gordon to present his film The Happy Poet at the Napa Valley Opera House for an audience he might not be able to reach otherwise. â&#x20AC;&#x153;Unless you get distribution,â&#x20AC;? explains Gordon, â&#x20AC;&#x153;this is the only way people see your films.â&#x20AC;? The Happy Poet, produced, written and directed by Gordon on a shoestring budget, tells the story of one manâ&#x20AC;&#x2122;s vision to run an organic sandwich business with little financial backing. Instead, the entrepreneur, played by Gordon himself, is forced to rely completely on raw idealism. Fittingly, the plot of The Happy Poet mirrors that of Gordonâ&#x20AC;&#x2122;s own experience in the film industry. Before writing the filmâ&#x20AC;&#x2122;s script, Gordon had wanted to shoot a much more elaborate, expensive and different film. Unable to secure the proper financing, however, he turned his attention to producing a more lighthearted, humorous tale set in Austin, Texas. â&#x20AC;&#x153;I just wanted to do something locally that was fun with the resources I had and with my friends who are good actors,â&#x20AC;? says Gordon. â&#x20AC;&#x153;I wrote it really fast and realized that the story of the food stand in the movie is what weâ&#x20AC;&#x2122;ve been through trying to make the film. In a lot of ways, making an independent film is very much like starting a small business on your own.â&#x20AC;? Gordonâ&#x20AC;&#x2122;s film has previously screened at the South by Southwest film festival in Austin. Itâ&#x20AC;&#x2122;s also been at festivals in Tokyo, Venice and several other cities throughout America, to warm reception; in fact, it received a standing ovation at Michael Mooreâ&#x20AC;&#x2122;s Traverse City Film Festival. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s a classic example of a zero-budget independent film,â&#x20AC;? says Lhormer of The Happy Poet. â&#x20AC;&#x153;It shows what you can do with next to no money.â&#x20AC;? For Gordon, the Napa Valley Film Festival also presents an opportunity to revisit a personal connection. Gordon will appear at the Nov. 13 screening at the Cameo. â&#x20AC;&#x153;I have good friends that live in St. Helena,â&#x20AC;? says Gordon. â&#x20AC;&#x153;Actually, fours years ago I worked at a winery in Napa Valley, and Iâ&#x20AC;&#x2122;ve been interested in coming back.â&#x20AC;? Another independent film playing this weekendâ&#x20AC;&#x201D;and making waves throughout cinematic circlesâ&#x20AC;&#x201D;is Blue Valentine, a story about a young coupleâ&#x20AC;&#x2122;s disintegrating marriage, starring Academy Award nominees Ryan Gosling and Michelle Williams. In early October, the MPAA

handed down an NC-17 rating for the film, causing much discussion and anticipation, but what controversy or popularity garnered in recent weeks is of little value to Lhormer. â&#x20AC;&#x153;We made a decision prior to the rating,â&#x20AC;? says Lhormer, who doesnâ&#x20AC;&#x2122;t see the adults-only rating as a deterrent to screening the film for an audience. â&#x20AC;&#x153;We definitely donâ&#x20AC;&#x2122;t want to shy away from the material. The acting is unbelievably good.â&#x20AC;?

â&#x20AC;&#x2DC;Every year, we will have films that push the envelope.â&#x20AC;&#x2122; â&#x20AC;&#x201D;Marc Lhormer

The film looks to have a wider albeit limited release in December, and the Weinstein Company, distributor of Blue Valentine, is set to appeal the MPAAâ&#x20AC;&#x2122;s decision sometime this month. Harvey Weinstein has gone on record to state his hopes of retaining director Derek Cianfranceâ&#x20AC;&#x2122;s unaltered vision of the film after the appeals process. Regardless of the outcome, the NVFF will screen the uncut version of Blue Valentine. Lhormer speculates that the Napa Valley Film Festival will be no stranger to controversial films, and hopes to showcase storytelling with deep emotional impact. â&#x20AC;&#x153;Every year, we will have films that push the envelope,â&#x20AC;? Lhormer says. Still, the most personal aspect of Lhormerâ&#x20AC;&#x2122;s involvement with the festival comes from his experience on the other side of the camera. Bottle Shock was independently distributed, and he knows the complexities of creating and marketing an independent film. â&#x20AC;&#x153;Weâ&#x20AC;&#x2122;ve been through all of it,â&#x20AC;? he says. With a launch celebration this year and a fully expanded festival in 2011, Lhormer is putting all of his efforts into supporting independent cinema once more. For independent filmmakers, a festival is a chance to share their dreamâ&#x20AC;&#x201D;and for the moviegoing audience, an opportunity to put a human face to strips of film. â&#x20AC;&#x153;Come get a taste,â&#x20AC;? Lhormer says. â&#x20AC;&#x153;See what weâ&#x20AC;&#x2122;re doing.â&#x20AC;? The Napa Valley Film Festival launch celebration runs Fridayâ&#x20AC;&#x201C;Sunday, Nov. 12â&#x20AC;&#x201C;13, at Cameo Cinema (1340 Main St., St. Helena) and the Napa Valley Opera House (1030 Main St., Napa). For complete details and screening times, visit www.napavalleyfilmfest.org.

@A.42

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<><B5>A43F0A3 Allison Rae Baker and Mary Gannon Graham play vampire-obsessed fanatics stalking Keith Baker in Cinnabarâ&#x20AC;&#x2122;s â&#x20AC;&#x2DC;We y U, Nosferatu.â&#x20AC;&#x2122;

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Vampire satire and mid-century opera a devilish pair By David Templeton

F

hen I was eight years old, I was taken to the local drive-in movie, where I saw Franco Zeffirelliâ&#x20AC;&#x2122;s unforgettable Romeo and Julietâ&#x20AC;&#x201D; and the outrageously strange Battle Beneath the Earth. I was thinking of this oddly matched double feature at the recent opening weekend of Cinnabar Theaterâ&#x20AC;&#x2122;s own unlikely pairing: We y U, Nosferatu, a world premiere one-act comedy by L.A. screenwriter Jack Paglen, and The Medium, a short, dramatic 1946 opera by composer Gian Carlo Menotti. Clearly, these two plays couldnâ&#x20AC;&#x2122;t be more different. Still, there is something appetizing about this odd evening of theater, like eating vanilla ice cream drizzled with balsamic vinegar; served together, each brings out unexpected flavors in the other. In Nosferatu, directed with wicked glee by Beth Craven, main character Dean (Keith Baker) receives a mysterious package from someone named Mary Anne Wexler, founder of the Southeast Idaho chapter of something called Moms for Edward. Dean is baffled by the package, accompanied by a letter filled with references to â&#x20AC;&#x153;Team Edwardâ&#x20AC;? and â&#x20AC;&#x153;Team Jacob,â&#x20AC;? and packed with bizarre questions (â&#x20AC;&#x153;Does your skin sparkle?â&#x20AC;?). Itâ&#x20AC;&#x2122;s clear that she has identified him as a real-life vampireâ&#x20AC;&#x201D;in fact, as none other than Count Dracula. â&#x20AC;&#x153;I found you!â&#x20AC;? she writes, her off-the-rocker stalker vibe compounded by having cased his condo on the internet: â&#x20AC;&#x153;I bet you werenâ&#x20AC;&#x2122;t expecting Google Maps back when you were impaling people in 1390!â&#x20AC;? Encouraged to contact her on Skype, Dean begins talking with Mary Anne (a hilarious Allison Rae Baker, Skyping in her pitch-perfect performance from backstage). Clearly, sheâ&#x20AC;&#x2122;s been bitten by the Twilight bug, and that

popular series gets skewered in the loopy Twilight tribute Mary Anne has patched together for Deanâ&#x20AC;&#x2122;s edification. Eventually, sheâ&#x20AC;&#x2122;s joined on the Skype screen by a fellow Mom for Edward named Dottieâ&#x20AC;&#x201D;a sidesplitting performance by Mary Gannon Grahamâ&#x20AC;&#x201D;who keeps asking Dean to take his shirt off. Partly a parody of the current cultural obsession with vampires (including references to True Blood and The Vampire Diaries), Paglenâ&#x20AC;&#x2122;s clever script also examines the nature of evil and whether popular culture, by turning its greatest icons of evil into objects of sexual desire, has lost something significant in the translation. Itâ&#x20AC;&#x2122;s a very funny show that actually has something juicy to say. The Medium, directed by Elly Lichenstein and with music direction by Amy Glenn, also has something to say. Monica (beautifully played and sung by Emma McNairy) is the abused daughter of alcoholic con-woman Baba (a wonderful performance by Valentina Osinski), who ekes out a living by pretending to be a medium. She goes by the name Madame Flora, and preys on grieving parents eager to speak with their dead children. Baba involves the reluctant Monica in her schemes, also employing a mute Gypsy boy Toby (Lukas Thompson), who not so secretly loves Monica. Things turn serious when Baba begins to believe that real spirits have been conjured, and they are angry with her for cheating so many people. As all operas of this kind must do, the story leads to tragedy. Taken with Nosferatu, Menottiâ&#x20AC;&#x2122;s lovely examination of the power of belief gives us the satisfying, full-spectrum opportunity to laugh and then to cry. â&#x20AC;&#x2DC;We y U, Nosferatu!â&#x20AC;&#x2122; and â&#x20AC;&#x2DC;The Mediumâ&#x20AC;&#x2122; run Fridayâ&#x20AC;&#x201C; Sunday through Nov. 21 at Cinnabar Theater. Fridayâ&#x20AC;&#x201C; Saturday at 8pm; Sunday at 2pm. 3333 Petaluma Blvd. N., Petaluma. $20â&#x20AC;&#x201C;$35. 707.763.8920.

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â&#x20AC;&#x2DC;Unstoppableâ&#x20AC;&#x2122; full of dumb suspense, Hooters waitresses By Richard von Busack

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nly director Tony Scott (Top Gun, Enemy of the State) would het up a runaway-train movie, a genre already full of testosterone. In Scottâ&#x20AC;&#x2122;s new film Unstoppable, an old dog (Denzel Washington) and a young pup (Chris Pine) race to catch up with an unmanned train heading for catastrophe in their own singleengine locomotive. But this is no Runaway Train, Andrey Konchalovskyâ&#x20AC;&#x2122;s 1985 film full of philosophical purpose. Instead, Unstoppable is full of cloying special effects, unrealistic acts of heroism and Hooters waitresses. Computer animation allows the train to do things real trains canâ&#x20AC;&#x2122;t ordinarily do, such as dance sideways on the rails, like the circus train in Dumbo, for instance. This is heavymachinery porn, something Scott usually does very well, but instead of lingering over the big, heavy, greasy surfaces to get the men in the audienceâ&#x20AC;&#x2122;s pupilâ&#x20AC;&#x2122;s dilated, Scott, a promiscuous refocusser, uses camera work that seems pulled from World War II combat footage. Unstoppableâ&#x20AC;&#x2122;s dialogue, by Mark Bomback, is action-movie catechism. How much is the train worth? â&#x20AC;&#x153;One hundred million!â&#x20AC;? How much does it weigh? â&#x20AC;&#x153;Ten million pounds!â&#x20AC;? Whatâ&#x20AC;&#x2122;s the nature of its cargo? â&#x20AC;&#x153;Molten phenol! Very toxic, highly combustible!â&#x20AC;? To what can it be likened? â&#x20AC;&#x153;A missile the size of the Chrysler building!â&#x20AC;? Careening at 70 miles per hour, the halfmile-long train is headed for a precarious S-curve over some dangerous gas tanks. News helicopters buzz around the runaway train, providing an action-movie Greek chorus. Computer animation shows us what will happen should the trains meet, done in the now beloved Taiwanese-newscast style of Apple Action News. Every Scott film is heavy on the

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11.10.10-11.16.10

THE BOHEMIAN



exclamation points, but this one is as worn out as Americaâ&#x20AC;&#x2122;s rail infrastructure. Rosario Dawson shines as a control-tower boss, but in rooms where experts look at maps and telephone each other, Scott repeats one shot over and over, panning the camera as it is dollied to induce appropriate thematic motion sickness. Such a speeding monster ought to serve a purpose more interesting than bringing together two diametrically opposed railway workers and forcing them to appreciate their families. Isnâ&#x20AC;&#x2122;t this trainâ&#x20AC;&#x201D;a glowering locomotive bearing the numbers â&#x20AC;&#x153;777â&#x20AC;?â&#x20AC;&#x201D;a symbol of something? Eco-catastrophe? Corporate malfeasance by a thinly veiled version of freight-hauling company CSX? Thereâ&#x20AC;&#x2122;s a plot point about layoffs, and weâ&#x20AC;&#x2122;re supposed to think the head executive in the film (Kevin Dunn) is an idiot who only cares about profit, although he does engineer a pretty entertaining rescue by yo-yo-ing a former Marine (â&#x20AC;&#x153;Just back from Afghanistan!â&#x20AC;?) from a helicopter onto the deck. The moment compares favorably with the finale, as seen in previews, of a hero â&#x20AC;&#x153;actually running,â&#x20AC;? exclaims a newscaster, â&#x20AC;&#x153;on top of the train cars!â&#x20AC;? As if this hadnâ&#x20AC;&#x2122;t been a feat performed some time before in the history of cinema. Like Scott, Washington is here to repeat things. â&#x20AC;&#x153;Thereâ&#x20AC;&#x2122;s only one rule, and one rule only,â&#x20AC;? he says, sagely. But he tells us what happens to those who break that one rule, whatever that rule was: â&#x20AC;&#x153;And he was found in the wreck with his hand upon the throttle, scalded to death by the steam, poor boy.â&#x20AC;? Like a dose of Ritalin, the movieâ&#x20AC;&#x2122;s editing gets more furious as the audience gets calmer, and Unstoppable never goes completely over the top where it belongs. â&#x20AC;&#x2DC;Unstoppableâ&#x20AC;&#x2122; opens in wide release Friday, Nov. 12.

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N O R T H B AY M O V I E T I M E S www.sonomamovietimes.com www.marinmovietimes.com www.napamovietimes.com THE BOHEMIAN

11.10.10-11.16.10

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Lightning Rod

Third Leg

Double Dose

â&#x20AC;&#x153;Remember when Ronald Reagan was president? We had Bob Hope. We had Johnny Cash. Think about where we are today. Weâ&#x20AC;&#x2122;ve got President Obama. But we have no hope, and we have no cash.â&#x20AC;? Yessir, this stupid line of thinking comes courtesy of your new House majority leader, John Boehner, who used this bit daily as part of his campaign stump speech. What did Johnny Cashâ&#x20AC;&#x2122;s daughter, Roseanne Cash, think about it? â&#x20AC;&#x153;John Boehner,â&#x20AC;? she tweeted on Election Day, â&#x20AC;&#x153;stop using my fatherâ&#x20AC;&#x2122;s name as a punch line, you asshat.â&#x20AC;? Go, girl! Unfortunately, Cashâ&#x20AC;&#x2122;s tweet wasnâ&#x20AC;&#x2122;t enough to prevent the re-election of Boehnerâ&#x20AC;&#x2122;s asshattery, but it did earn her a place in our hearts. Did we mention that her latest album, The List, is among her best work ever? Cheer her on when Cash appears Saturday, Nov. 13, at the Uptown Theatre. 1350 Third St., Napa. 8pm. $45â&#x20AC;&#x201C;$60. 707.259.0123.

Easily the areaâ&#x20AC;&#x2122;s most vibrant lightning rod for the current youth explosion of energy and creativity, the Arlene Francis Theatre this weekend hosts a five-band bill thatâ&#x20AC;&#x2122;s anything but usual. Why? Because no matter whoâ&#x20AC;&#x2122;s playing, the atmosphere at the large brick building in Railroad Square, formerly known as the North Bay Film and Art Collective, is always freely inventive. Chalk that up to Martin Hamilton, whose patient stewardship this weekend hosts the bands Writer, Garden & Villa, Starskate, Guy Henry and locals Mystery Invention, celebrating the release of their new album. Art by Zohn Mandel, Julia Davis and Saif Azzuz will be on display, too, but what matters is the spirit of the place, and you canâ&#x20AC;&#x2122;t fit that into a press release. See what I mean on Thursday, Nov. 11, at the Arlene Francis Theatre. 99 Sixth St., Santa Rosa. 7pm. $5. No phone.

â&#x20AC;&#x153;Fake country,â&#x20AC;? â&#x20AC;&#x153;weird cartoon musicâ&#x20AC;?â&#x20AC;&#x201D;these are phrases that the members of 3 Leg Torso use to describe their music. What it is, in actuality, is a metropolitan cross of tango, klezmer and chamber music thatâ&#x20AC;&#x2122;s landed in a number of soundtracks and on theater stages countrywide. Fans of A Hawk and a Handsaw, Yann Tiersen and Tin Hat Trio will find much to be distracted by in 3 Leg Torsoâ&#x20AC;&#x2122;s vivaciousness, and especially so in a live setting this weekend. Switching from vibes to percussion, Gary Irvine serves as an anchor for the groupâ&#x20AC;&#x2122;s compositions for upright bass, accordion and violinâ&#x20AC;&#x201D;and, yes, they need an anchor. â&#x20AC;&#x153;Weâ&#x20AC;&#x2122;re all trying to be the third leg,â&#x20AC;? says member T. J. Arko. See for yourself on Saturday, Nov. 13, at 142 Throckmorton Theatre, 142 Throckmorton Ave., Mill Valley. 8pm. $20â&#x20AC;&#x201C;$23. 415.383.9600.

Ever since his days leading the Modern Hicks, local singer-songwriter Kevin Russell has specialized in an easygoing brand of Western swing and country; his smooth baritone and slick guitar skills bring even the most ragged barn-burning songs back down to earth. With his recent project the Rhythm Rangers joining a rĂŠsumĂŠ that includes Laughing Gravy, Under the Radar and his own solo career, Russell is certainly prolific. He outdoes himself this weekend by releasing two CDs at once: Pilgrim and There Ainâ&#x20AC;&#x2122;t Nobody Home But Me. The albums feature backing by the likes of Jim Hurst, Doug Adamz, Ted Dutcher, Layne Bowen and other Russell contemporaries, and many will be on hand to accompany Russell at the double-release show on Saturday, Nov. 13, at the Sebastopol Community Center Annex. 425 Morris St., Sebastopol. 7:30pm. $15. 707.824.1858.

11.10.10-11.16.10

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Country mega-superstar Tim McGraw graces the Lincoln Theater with his presence in a benefit show Nov. 13. See Concerts, p28. THE BOHEMIAN

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28

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f you could go back in time 25 years and walk around declaring that one day Sebastopol would be hip-hop headquarters in Sonoma County, most people would call you crazy. Bryce Williams, on the other hand, might think you were on point. After all, in 1985, the DJ who now goes by Chango B entered and won a breakdance contest at the Sebastopol Community Center. The prize? A Paul Hardcastle 12-inch. It was, as they say, love at first backspin. This weekend, Williams hosts the Platform, a multimedia hip-hop showcase covering MC-ing, breakdancing, DJ-ing and in the art on display by local street artist Jimmy Hits, grafďŹ ti writing. Pulling from the cream of local rhyme talent, the show includes 2010 NorBay winner Truthlive (above), freestyle whiz and Jazz MaďŹ a sensation Dublin and Interdependent Mediaâ&#x20AC;&#x2122;s unstoppable Moe Green on the mic. Breakers from the Zulu Nation troupe get down to DJs Lazyboy, Primo and Beset, and Williams himself goes up on the 1200s against Big G from the 808 Band in a DJ vs. live drummer extravaganza. â&#x20AC;&#x153;Hip-hop to me is a really important piece to the Sonoma County Music scene,â&#x20AC;? says Williams, adding that he tries to bring breakdancing and writing to any event he puts on. â&#x20AC;&#x153;I saw the Black Eyed Peas at the Phoenix like 10 years ago,â&#x20AC;? he notes, â&#x20AC;&#x153;and there were breakers there.â&#x20AC;? And though Sebastopol may seem like an unlikely spot for beats, rhymes and life, the vibe makes for fertile ground to champion the underground. â&#x20AC;&#x153;There are a lot of MCs in Sonoma County that are grinding,â&#x20AC;? he says, â&#x20AC;&#x153;and then thereâ&#x20AC;&#x2122;s a lot of club hip-hop out there with Hollywood rappers that look really pretty. Iâ&#x20AC;&#x2122;m trying to put focus on supporting my friends who are working really hard in the underground hip-hop community.â&#x20AC;? For an Analy grad who grew up in rural BloomďŹ eld, Sebastopol still sometimes seems like the big city when Williams recalls watching Beat Street as a kid. â&#x20AC;&#x153;I was like, â&#x20AC;&#x2DC;What is this culture? Itâ&#x20AC;&#x2122;s not cows.â&#x20AC;&#x2122; The people were dressing really cool, dancing all crazy, they had these boomboxes. I was like, â&#x20AC;&#x2DC;What is this about?â&#x20AC;&#x2122;â&#x20AC;? Find out when the Platform sets it off on Saturday, Nov. 13, at Aubergine. 755 Petaluma Ave., Sebastopol. 8pm. $10. All ages. 707.827.3460.

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CA0=B?028582<04BCA> Conductor Gabriel Sakakeeny still doesnâ&#x20AC;&#x2122;t know quite how his China trip came about.

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American Philharmonic to perform in China By Sara Jane Pohlman

6

abriel Sakakeeny says the invitation came completely out of the blue. â&#x20AC;&#x153;My brother George is a famous bassoonist, his wife is Chinese, we have relatives in Beijing,â&#x20AC;? says the music director for the American Philharmonic, still a little confused. â&#x20AC;&#x153;Maybe someone searched for â&#x20AC;&#x2DC;George Sakakeenyâ&#x20AC;&#x2122; online, and they came up with the American Philharmonic instead.â&#x20AC;? However it happened, the â&#x20AC;&#x153;peopleâ&#x20AC;&#x2122;s orchestraâ&#x20AC;? has been honored with an invitation to appear next month at some of the best concert halls in China, playing concerts in Shanghai, Beijing, Yantai and Qingdao. Chinaâ&#x20AC;&#x2122;s Ministry of Culture is funding half the airfare, along with every nonsightseeing expense, for the 70 musicians and their 12 â&#x20AC;&#x153;camp followers,â&#x20AC;? as Sakakeeny fondly calls the various attendant spouses and children. To avoid any crosscultural snafus, orchestra members are taking a class on appropriate Chinese etiquette and have been asked to remove anything political from their luggage or instrument cases, such as â&#x20AC;&#x153;Free Tibetâ&#x20AC;? stickers. Musicians are also tutored on what to anticipate once at the concert hall. Chinese audiences, for instance, expect a lengthy program and see no problem with chatting on cell

phones or with one another. â&#x20AC;&#x153;There will literally be people in the audience timing us,â&#x20AC;? Sakakeeny says. â&#x20AC;&#x153;If itâ&#x20AC;&#x2122;s less than 90 minutes, people will ask for their money back. Itâ&#x20AC;&#x2122;s a very different scene.â&#x20AC;? In a business deal that felt more like a marriage compromise, the tour coordinators from China had specific requests for the programâ&#x20AC;&#x2122;s lineup. â&#x20AC;&#x153;We have a mixed program of Chinese, American and European music,â&#x20AC;? Sakakeeny says. â&#x20AC;&#x153;We thought we would open with their national anthem, but itâ&#x20AC;&#x2122;s pretty controversial at the moment, so they asked us to play â&#x20AC;&#x2DC;Ode to the Red Flagâ&#x20AC;&#x2122; instead. Itâ&#x20AC;&#x2122;s very communist sounding.â&#x20AC;? The special program also includes three pieces from movie scores by John Williams, including the instantly recognizable, fourmovement suite from Harry Potter and the Sorcererâ&#x20AC;&#x2122;s Stone. The second half features European classics like Straussâ&#x20AC;&#x2122; â&#x20AC;&#x153;Blue Danube Waltzâ&#x20AC;? and Respighiâ&#x20AC;&#x2122;s Pines of Rome alongside the Butterfly Lovers Violin Concerto, the â&#x20AC;&#x153;Spring Festival Overtureâ&#x20AC;? and â&#x20AC;&#x153;Jasmine Flower,â&#x20AC;? three staples of the repertoire in China. The American Philharmonic hasnâ&#x20AC;&#x2122;t always jetted across the Pacific. The group first sprang from grassroots Cotati in 1998, when the city council expressed interest in Cotati having its own orchestra. Sakakeeny saw an opportunity for an experiment: what if, he proposed, there was an orchestra based on and funded by the community? City leaders handed Sakakeeny $12,000 and told him to make it happen. In an overwhelming response from the first free concert in Cotatiâ&#x20AC;&#x2122;s La Plaza Park, the audience passed an unprompted hat around for donations even as the volunteer-built stage sank into the mud under 3,000 pounds of rented grand piano. Sakakeeny has stayed roughly two free concerts ahead of the game through payit-forward audience donations, but the economic drag of the last few years has hit professional orchestras and concertgoers right where it hurts. â&#x20AC;&#x153;People still donate the same amount,â&#x20AC;? Sakakeeny says, â&#x20AC;&#x153;but only about half the number of people show up.â&#x20AC;? To make up the difference, and to help the orchestra continue to present free concerts, the American Philharmonic has arranged a series of ticketed concerts in the next few months with smaller ensembles at intimate venues. â&#x20AC;&#x153;Theyâ&#x20AC;&#x2122;re not all at the Wells Fargo Center, and theyâ&#x20AC;&#x2122;re not for the same audience,â&#x20AC;? Sakakeeny explains. â&#x20AC;&#x153;This is purely fundraising. The concerts are for people who want to donate, and they get a really great time at a beautiful venue in return.â&#x20AC;? Not to worry, free-concert loversâ&#x20AC;&#x201D;the price tag falls away once the series is over. Sakakeeny wouldnâ&#x20AC;&#x2122;t have it any other way. â&#x20AC;&#x153;This is my purpose in life,â&#x20AC;? he says. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s a lovely, community-based expression of something I will do until I drop.â&#x20AC;? The American Philharmonic presents a program of American composers on Saturdayâ&#x20AC;&#x201C;Sunday, Nov. 20â&#x20AC;&#x201C;21, at the Wells Fargo Center (50 Mark West Springs Road, Santa Rosa; Saturday at 8pm, Sunday at 3pm; both free). On Sunday, Dec. 19, the orchestra plays its entire China tour program in a fundraising farewell concert at the Wells Fargo Center (8pm; $35). Full schedule of chamber concerts at www.apsonoma.org.

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THE BOHEMIAN

11.10.10-11.16.10

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Two portrait exhibits reflect life as we donâ&#x20AC;&#x2122;t know it his is where the mouth was,â&#x20AC;? exclaimed the sixyear-old boy at the opening reception, jumping and pointing to Aziz & Cucherâ&#x20AC;&#x2122;s portrait Maria, â&#x20AC;&#x153;and these were her eyes, here!â&#x20AC;? His sister, rumpling her face at the former eye sockets, nostrils and mouth all covered in skin, was less enthusiastic: â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s kinda creepy.â&#x20AC;? For all the big names at Personal Identities, the portrait exhibit at SSUâ&#x20AC;&#x2122;s University Art Gallery, itâ&#x20AC;&#x2122;s the lesser-known work that elicits the strongest reaction. While Chuck Close, in a large, looming aquatint, stares down at Robert Bechtleâ&#x20AC;&#x2122;s self-image in charcoal, the beautiful weave of color that is Kehinde Wileyâ&#x20AC;&#x2122;s Dwayne looks on from across the wing. In a corner devoted to icons, Andy Warholâ&#x20AC;&#x2122;s Richard Nixon and Marilyn Monroe hang opposite Ray Beldnerâ&#x20AC;&#x2122;s incredible image of Mick Jagger, intricately sewn together with folded dollar bills. Attracting works by Robert Arneson and Eric Fischl is no easy task, logistically, and curator Michael Schwager has with Personal Identities shown determination, taste and, in a lengthy essay for the program, exemplary passion for the portrait. The show stays up until Dec. 12 at University Art Galley, 1801 E. Cotati Ave., Rohnert Park. 707.664.2295. Curated by Catherine Devriese at ArtSpace 404, Line Up bends the rules of the self-portrait even while devoting an entire wall to its history. Artists have rendered themselves either in straight portraiture or, in the case of Lin Maxâ&#x20AC;&#x2122;s . . . having awaited this advice, a book of sewn-together maps, death certificates, sheet music and sepia photos. Carla Sarvis lists lifeâ&#x20AC;&#x2122;s hallmarks, Genevieve Willson Barnhart utilizes old business cards and Janet Charnofsky admits coyly that sheâ&#x20AC;&#x2122;s always wanted to play for the 49ers. In works like that by Emily Payne, Line Up especially succeeds. Payne mirrors her life in wonderful finepoint line drawings of post-it notes to herself, a bag of tomatoes, a textbook, a sneaker, all framed in gray thread. Though no faces appear, the sparse glimpses remind the viewer of the parts that make the whole. Line Up runs through Dec. 12 at ArtSpace 404, 404 Mendocino Ave., Santa Rosa. 707.579.2787.

â&#x20AC;&#x153;T

Lectures

Gabe Meline

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ŸB42A4CBA4E40;43½ New work by Karen Spratt opens at Riverfront Art Gallery Nov. 13. See Openings, p32.

34

11.10.10-11.16.10

THE BOHEMIAN



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Lunafestâ&#x20AC;&#x2122;s films raise funds for womenâ&#x20AC;&#x2122;s shelter tâ&#x20AC;&#x2122;s hats off to the presenters of this yearâ&#x20AC;&#x2122;s Lunafest film festival, which benefits Santa Rosaâ&#x20AC;&#x2122;s Sloan House womenâ&#x20AC;&#x2122;s shelter and the Breast Cancer Fund. Fittingly, Lunafest presents short films by, for and about women, and this yearâ&#x20AC;&#x2122;s emcee is none other than Emmy-award winning KRON-TV film critic Jan Wahl, who will speak on â&#x20AC;&#x153;Fabulous Females in Film.â&#x20AC;? Sloan House, formerly the Chanate Womenâ&#x20AC;&#x2122;s Shelter, has for decades been an emergency haven for women suffering poverty and domestic violence. As sponsors of Lunafest, Community Action Partnership Sonoma (CAP) is hoping the $40 general-admission tickets will help cover the $80,000 to $100,000 operating cost of Sloan House for one year. â&#x20AC;&#x153;If we raised $30,000, Iâ&#x20AC;&#x2122;d be in heaven,â&#x20AC;? says Hazel Whiteoak, resource development manager for CAP. â&#x20AC;&#x153;Whatâ&#x20AC;&#x2122;s most exciting about Lunafest is that itâ&#x20AC;&#x2122;s a remarkable festival for an exceptional cause that really makes a difference in our community.â&#x20AC;? Themed â&#x20AC;&#x153;A Little Help from My Friends,â&#x20AC;? Lunafest will screen 11 award-winning films over the course of 90 minutes. Included are Get a Grip (above), a biopic on Fannie Barnes, who became San Franciscoâ&#x20AC;&#x2122;s first woman cable-car driver in 1998 at age 52; Mother of Many, an animated film about a midwifeâ&#x20AC;&#x2122;s helping hands; and Love on the Line, a stop-motion story of love via the dots and dashes of the telegraph system. A red-carpet Champagne reception starts the afternoon, followed by hors dâ&#x20AC;&#x2122;oeuvres and beverages, live â&#x20AC;&#x2122;60s music by the Rolling Blackouts and a silent auction including a sculpture by Sebastopol artist Patrick Amiot of a mermaid holding the moon. Also, donâ&#x20AC;&#x2122;t come hatless. Prizes will be awarded for best menâ&#x20AC;&#x2122;s and best womenâ&#x20AC;&#x2122;s hats that reflect a favorite filmâ&#x20AC;&#x201D;think Scarlett Oâ&#x20AC;&#x2122;Haraâ&#x20AC;&#x2122;s green velvet number, made from her motherâ&#x20AC;&#x2122;s drapes and roosterâ&#x20AC;&#x2122;s tail feathers. For this cause, Rhett Butler really would give a damn. Lunafestâ&#x20AC;&#x2122;s projectors roll on Sunday, Nov. 14, at Spreckels Performing Arts Center, 5409 Snyder Lane, Rohnert Park. 2pm. $15â&#x20AC;&#x201C;$70. 707.544.6911.

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THE BOHEMIAN

11.10.10-11.16.10

35

JJewish ewish Community Community Center Center

JEWISH H FILM FESTIVAL FESTI VAL A 2010 October Octob er 27 â&#x20AC;&#x201C; Decembe Decemberr 7

SONOMA COUNT Y

Best Year of Engaging Films!

ALL PETALUMA SHOWS CANCELLED. PETALUMA TICKETS HONORED IN SANTA ROSA

SAVIORS IN THE NIGHT

Wed, Oct 27, 1:00 pm Sun, Nov 21, 6:30 pm NEW

CAMERA OBSCURA

Tue, Nov 16, 7:15 pm NEW Wed, Nov 17, 1:00 pm NEW

YOO-HOO, MRS. GOLDBERG

Wed, Nov 17, 4:00 pm NEW Sun, Nov 21, 8:30 pm NEW

HEY HEY ITâ&#x20AC;&#x2122;S ESTHER BLUEBERGER

Tues, Nov 30, 7:15 pm NEW Wed, d Dec 1, 1:00 pm

NORAâ&#x20AC;&#x2122;S WILL

Tue, Dec 7, 7:15 pm NEW

NEW DAY AND LOCATION IN SANTA ROSA!

TTickets: ickets: 707-528-4222 707-528-4222 or ww www.jccsoco.org w..jcccsoco.org or buy at the thea theater ter on the t day of the pe performance. rformance. f $10 Matinee, $12 Evening, $8 Student Stude ent (with ID)

SANTA RO SANTA ROSA SA S SCREENINGS: CREENINGS: Sixth Street Playhouse e 52 West West 6th St, Santa Rosa, in Historic Railroad Railroad Square Sq quare

36

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THE BOHEMIAN



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BOHEMIANCLASSIFIEDS

Placing an Ad

Contacting Us

§ By Phone Call the Department at 707.527.1200 Mon.-Fri., 8:30a.m.5:30p.m.

Bohemian Classifieds 847 5th Street, Santa Rosa, CA 95404 Monday through Friday, 8:30a.m. to 5:30p.m. ph: 707.527.1200

√ By Fax Fax your ad to the Classified Department at 707.527.1288

Computer Services

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g Adult Services Adult Entertainment

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Place your classified adult services ad here, Call 707.527.1200 x206 today! Sales@bohemian.com THE BOHEMIAN

11.10.10-11.16.10

37

HEALTH&WELL-BEING g Healing & Bodywork

Man of Your Dreams

Men, women, couples. TLC, massage, Tantra, nurturing mutual touch. William 707548-2187

Great Massage

g

By Joe, CMT. Relaxing hot tub and pool available. Will do outcalls. 707-228-6883.] Massage & Relaxation

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FLOWER SPA

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1626 4th St. Santa Rosa 707.526.6888

Serious Massage

Full Body Sensual Massage

g sional. Relaxing intuitive touch. Private discrete studio. 707-849-7409 Psychics

Psychic Palm and Card Reader Madame Lisa. Truly gifted adviser for all problems. 827 Santa Rosa Ave. One visit convinces you. Appt. 707-542-9898 ----

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11.10.10-11.16.10

at Washington St

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Happy Health Spa open 10-10, 7 days

525 Ross St, Santa Rosa

707-591-8899

$40-half hour 7 days, 10-10

707.623.2289 400 College Ave cross street -Glenn

chair massage with foot bath - $25/30 min

6741 Sebastopol Ave, #160 Sebastopol | 707.823.8540

Golden Flower Massage Spa

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• Swedish & Deep Tissue Massage • Hot Stone Massage

699 Petaluma Blvd. N

707.765.1879

THE BOHEMIAN

Open 7 days 9-10pm

707.578.3088

Rocks and Clouds Zendo - Rohatsu Sesshin 7 Day Meditation Retreat. Fri Dec 3 - Fri Dec 10. Email us with any questions: daterra@sonic.net or call 707-824-5647

Chiang Mai Thai Spa

Open 7 days 9am-10pm

38

131 Liberty St, Ste. D

with this ad

Bearhands4u

PAIN/STRESS RELIEF

707.782.9898

$50-one hour

itive energy healing work, 14 years experience. $75/hour. Rachael, LMT 707-824-0894

$40

Walk ins Welcome

Open 7 Days 10am-10pm

in Santa Rosa

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• deep tissue massage • relaxation massage • large private rooms • professional CMT’s

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Petaluma Lavender Day Spa

Foot Massage $19.99/45 min 2460 Mendocino Ave., Santa Rosa

thru Nov. 30th

Encountering God during Advent: An Invitation to the Contemplative Gifts of the Season (Free Workshop) Learn contemplative approaches to the Advent season that will enrich your spiritual journey. Sun, Nov 21, 7-8:30p, Journey Center, 707-5782121, www.journeycenter.org

Margery Smith, C.M.T.

707.544.9642

HEALTH&WELL-BEING g Healing & Bodywork

Man of Your Dreams

Men, women, couples. TLC, massage, Tantra, nurturing mutual touch. William 707548-2187

Great Massage

g touch. CMT in Santa Rosa. 415-717-9378.

Blissful 4 Hand Massage with man and woman, $200.00, William 707-548-2187

Lovely, Luscious, Sensual Massage Beautiful and private studio in Sebastopol. Lara 707-481-2644

FLOWER SPA

A Safe Place To Be Real Holistic tantric masseuse. Unhurried, private, heartfelt. Monday thru Saturday. NEW CLIENT DISCOUNT. 707-793-2232.

Massage • Reflexology Swedish/Shiatsu Open 7 Days: 10am-10pm

1626 4th St. Santa Rosa 707.526.6888

Serious Massage

Full Body Sensual Massage With a mature, playful CMT. Comfortable incall location near the J.C. in Santa Rosa. Soothing, relaxing, and fun. Visa/MC accepted. Gretchen 707/478-3952.

For your special bodywork needs - Strong, Thorough, In- A Provider of Pleasure tuitive. 30 yrs. experience. In a safe, relaxing, comfortColin, CMT (707)823-2990 able space by a “mature”, compatible, easy-going gentleman! Since 1991 I`ve proTherapeutic Massage vided pleasure to women, For Women men, couples. Good virtues. NW Santa Rosa, Jimmy, Swedish, integrated with (C) 707-799-4467 or deep tissue, NMT and intuitive energy healing work, 14 (L) 707-527-9497. years experience. $75/hour. Rachael, LMT 707-824-0894

Massage for men, Sebastopol. Mature, strong, professional. 707/291-3804. Days, evenings, weekends $60/hr. Outcalls available.

Professional male massage therapist; strong, deep healing bodywork. 1 hr / $50, 1 1/2 hr $65. 707-536-1516 www.CompleteBodyBalance.

RELAX! Relaxing massage and bodywork by male massage therapist with 11 yrs experience. 707-542-6856

11.10.10-11.16.10

Want your entire body squeezed, kneaded, massaged & stretched by skillful male CMT? Call/text 707-824-8700, or visit www.SantaRosaMassageforMen.com for pics/schedule.

Guerneville M4M Massage Mitch, CMT. Mature. Professional. Relaxing intuitive touch. Private discrete studio. 707-849-7409

g Psychics

Madame Lisa. Truly gifted adviser for all problems. 827 Santa Rosa Ave. One visit convinces you. Appt. 707-542-9898

707.782.9898

131 Liberty St, Ste. D at Washington St

Massage $55 hr • Deep Tissue/Swedish • Sports • Shiatzu • Back Walking • Foot Reflexology • Chair $10/10 min massage • Couples Room

Happy Health Spa open 10-10, 7 days 707-591-8899

Sunset Massage in Santa Rosa • deep tissue massage • relaxation massage • large private rooms • professional CMT’s

$40-half hour 7 days, 10-10

707.623.2289 400 College Ave cross street -Glenn

chair massage with foot bath - $25/30 min

$49 for 1 hour massage

NOW OPEN Therapeutic Massage Center Boody Massage $55/hr

• Swedish & Deep Tissue Massage • Hot Stone Massage

699 Petaluma Blvd. N

707.765.1879

THE BOHEMIAN

Open 7 days 9-10pm

707.578.3088

Rocks and Clouds Zendo - Rohatsu Sesshin 7 Day Meditation Retreat. Fri Dec 3 - Fri Dec 10. Email us with any questions: daterra@sonic.net or call 707-824-5647

6741 Sebastopol Ave, #160 Sebastopol | 707.823.8540

Golden Flower Massage Spa

$40

Walk ins Welcome

Open 7 Days 10am-10pm

$50-one hour

Grand Opening Special!

50 minutes

• NEW Foot Reflexology Treatment • Excellent Massage • Relaxing Body Treatments • Large Finnish Steam Sauna • Easy & Safe Parking

525 Ross St, Santa Rosa

Psychic Palm and Card Reader

Reflexology

SUMMER SPECIAL $50

Chiang Mai Thai Spa

Open 7 days 9am-10pm

38

MASSAGE FOR MEN

Petaluma Lavender Day Spa

with this ad

Bearhands4u

PAIN/STRESS RELIEF

Relax & Enjoy Some

By Joe, CMT. Relaxing hot tub Quality Time Out! and pool available. Will do A sanctuary of pleasure and outcalls. relaxation. Enjoy the best of 707-228-6883 healing, sensual massage by a lovely lady with a caring Massage & Relaxation touch. Quality, class & excellence. Accept Visa/MC Joy Touch of Bliss C.M.T. 707-477-1766. Breath, relax and receive a loving, nurturing and sensual Santa Rosa.

Foot Massage $19.99/45 min 2460 Mendocino Ave., Santa Rosa

thru Nov. 30th

Encountering God during Advent: An Invitation to the Contemplative Gifts of the Season (Free Workshop) Learn contemplative approaches to the Advent season that will enrich your spiritual journey. Sun, Nov 21, 7-8:30p, Journey Center, 707-5782121, www.journeycenter.org

Margery Smith, C.M.T.

707.544.9642

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11.10.10-11.16.10

39

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