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06.02.10-06.08.10

THE BOHEMIAN

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THE BOHEMIAN

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04

06.02.10-06.08.10

THE BOHEMIAN

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;Tbb^]b ;TPa]TS. Looking at the Gulf disaster from a West Coast point of view

By Dennis Takahashi-Kelso

B

ometime after midnight on March 24, 1989, I was awakened by a phone call. Within hours, I was climbing a rope ladder to the deck of the Exxon Valdez. The grounded tanker would drain 11 million gallons of crude into Alaskaâ&#x20AC;&#x2122;s Prince William Sound. The oil would eventually reach parts of some 1,200 miles of coastline, enough to span Californiaâ&#x20AC;&#x2122;s coast and Oregonâ&#x20AC;&#x2122;s, too. Twenty-one years later, oil remains in the beaches of Prince William Sound.

Back in 1989, I was Alaska Commissioner of Environmental Conservation.

It was my job to oversee the response for the state and enforce cleanup standards. I worked on the spill and its aftermath for two years. Today, Iâ&#x20AC;&#x2122;m executive vice president of Ocean Conservancy. Over the past few weeks, Iâ&#x20AC;&#x2122;ve been in the Gulf of Mexico witnessing a new disaster.

The BP Deepwater Horizon catastrophe, like Exxon Valdez before it, was a breakdown of an industrial system that we had been assured would not fail. In fact, the federal agency that approves drilling leases and plans considers the odds of such a blowout to be so â&#x20AC;&#x153;insignificantâ&#x20AC;? as to be irrelevant to its environmental risk analyses. A generation after the Exxon Valdez, we still do not take those risks properly into account, and our addiction to oil still threatens our coastal communities, wildlife, economy and oceanâ&#x20AC;&#x201D; the life-support system for our planet.

What are the risks for California? New leases are prohibited in state waters, and new leases for federal waters off California were not included in the Outer Continental Shelf Oil and Gas Strategy released by President Obama in March. But California still has 27 active drilling platforms, and 36 leases sold before 1984 have yet to be tapped. The risk remains.

Letâ&#x20AC;&#x2122;s heed the lessons from the Gulf of Mexico and Prince William Sound. Consider what is at stake: Our state ranks first in both employment and gross state product from ocean-related activities. Our coastal economy is driven not by petroleum, but by hotel

rooms and surf shops, by fish tacos and kayak rentals. Tourism and coastal-dependent businesses generate about $43 billion annually for our state. Imagine the impact of an Exxon Valdez or BP Deepwater Horizon off the California coast. Imagine people without jobs, businesses without customers, otters matted in oil, tide pools filled with tar balls and whales breaching through iridescent slicks of crude oil.

The president must demand accountability for Deepwater Horizon. BP, Halliburton and other corporations must be held fully responsible for the cleanup.

Communities and businesses must be compensated. The Gulf ecosystem must be restored. A failure of this magnitude also demands an independent commission to investigate and to ensure it never happens again anywhere in the United States.

California and the entire West Coast should be declared off-limits to new drilling. On a positive note, we have seen proposals in the U.S. House and Senate to do just that.

In the final analysis, as BP Deepwater Horizon has made clear, we need a new national energy policy. New drilling only feeds our addiction to oil and will do little to end our dependence on foreign supplies. Instead, America must move toward greater energy efficiency and conservation. We must also pursue faster, cheaper, safer options.

Lastly, we must heed the lessons of the Exxon Valdez, as a new catastrophe calls us to action.

If we do, no American will ever again have to witness the disasters or the harm to coastal residents that I have seen.

We must heed the lessons of the Exxon Valdez, as a new catastrophe calls us to action.

Dennis Takahashi-Kelso serves as executive vice president of Ocean Conservancy. As Alaska Commissioner of Environmental Conservation at the time of the Exxon Valdez oil spill, he worked for two years on response and restoration, as well as on reforms to federal spill response and liability laws.

Open Mic is a weekly feature in the Bohemian.

We welcome your contribution. To have your topical essay of 700 words considered for publication, write openmic@bohemian.com.

THE BOHEMIAN

06.02.10-06.08.10

05

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The Best Family Investors LLC Winery proposed for the corner of Highway 116 and Occidental Road in Sebastopol is on Board of Supervisorâ&#x20AC;&#x2122;s agenda for June 8. New information and reports have been submitted that should give pause to the board and at the very least require that an Environmental Impact Review be performed.

The California Regional Water Quality Control Board, North Coast Regionâ&#x20AC;&#x201D;a division of the California EPAâ&#x20AC;&#x201D;prepared an eight-page report dated March 1 and submitted it to the Sonoma County Permit and Resource Management Department. It includes copies of correspondence dating back to December 2006.

Here is a direct quote from the report: â&#x20AC;&#x153;The Regional Water Board does not believe that the Mitigated Negative Declaration provides adequate analysis and mitigation of potential impacts to water quality. Without further analysis and mitigation,

we do not consider the MND to be sufficient as an environmental analysis.â&#x20AC;? This report discusses serious concerns and lack of mitigation regarding the existing wetlands on the project site and the proposal to â&#x20AC;&#x153;takeâ&#x20AC;? the wetland for a winery facility.

This report has never been mentioned in a public hearing.

The Sonoma County Board of Supervisors took a straw vote on March 2 to approve this project. Is this how the county protects the people? Is this how the county protects our environment? Will the county ignore the EPA? The Board of Supervisors must put the brakes on this project!

An EIR is required if this project is to continue.

Attend the meeting on June 8 at 2:10pm. Sonoma County Board of Supervisors 575 Administration Drive, Room 100-A, Santa Rosa.

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F8==4A C0:4B 0;; Iâ&#x20AC;&#x2122;m sorry to see Alastair Bland perpetuate the myth that the Golan Heights is located in Israel. (â&#x20AC;&#x153;Wine? In Israel?â&#x20AC;? May 19). Itâ&#x20AC;&#x2122;s true that the Israelis occupy the Golan Heights, but thatâ&#x20AC;&#x2122;s a very different situation, as theyâ&#x20AC;&#x2122;re occupying it illegally.

Although the Golan Heights is part of Syria, Israel passed a law in 1981 claiming the Golan Heights for Israel; the United Nations has condemned the Israeli claim. Syria has never stopped demanding that the land be returned, and in 2006, the United Nations General Assembly adopted a resolution calling on Israel to end its occupation of the Golan, while declaring all the legislative and administrative measures taken by Israel in the Golan null and void. In 2008, the U.N. reiterated its condemnation of Israelâ&#x20AC;&#x2122;s actions 161-to-1.

I hope that the otherwise wonderful Bohemian will not continue to perpetuate the myth.

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THE BOHEMIAN

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#1 again, thanks for the continuous support Sonoma County, see you in the water, or come by the shop!

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Because

always

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THE BOHEMIAN

06.02.10-06.08.10

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08

06.02.10-06.08.10

THE BOHEMIAN

news for Sonoma, Marin & Napa Counties

â&#x20AC;&#x153;Official Newspaper of Plugging the Damned Wellâ&#x20AC;?

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4H4 >5 C74 BC>A< Gray whales, which were taken off the endangered species list in 1994, are once again in peril.

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With hunters on one side and climate upheaval on the other, gray whalesâ&#x20AC;&#x2122; numbers are dropping

By Alastair Bland

4

ach March, gray whales by the thousands flood into the large lagoons of Baja Californiaâ&#x20AC;&#x2122;s Pacific Coast to give birth. The animals congregate densely, and as boatloads of tourists move in to watch, the whales vocalize and sing to one another across the still waters. â&#x20AC;&#x153;You can hear them all across the lagoon, singing and talking,â&#x20AC;? says Sue Arnold, CEO of the California Gray Whale Coalition. â&#x20AC;&#x153;But this year it was silent. It was spooky.â&#x20AC;?

The whales, she explains, did not show up in their usual numbers, making this the fourth consecutive year the eastern Pacific population of grays, for various unclear reasons, has struggled to reproduce.

And as the California Gray Whale Coalition and other environmental groups push an effort to relist the gray whale under the Endangered Species Act, the animalâ&#x20AC;&#x2122;s most dangerous enemies have recently introduced a proposal to continue the annual hunt for the whales in the northwest Pacific, where indigenous Russian hunters are allowed to take 140 of the animals every year.

At its annual summit, now ongoing in Morocco through June 11, the International Whaling Commission will decide to accept or reject a new proposal to extend the Russiansâ&#x20AC;&#x2122; annual harvest of gray whales for at least 10 years beginning in 2011. The proposal includes population figures intended to lend credibility to the bid. â&#x20AC;&#x153;But the whale population numbers

arenâ&#x20AC;&#x2122;t being properly presented,â&#x20AC;? says Sarah Graham, the West Coast manager of the California Gray Whale Coalition. â&#x20AC;&#x153;Theyâ&#x20AC;&#x2122;re using 2006â&#x20AC;&#x2122;s numbers as evidence that itâ&#x20AC;&#x2122;s OK to keep hunting [gray whales].â&#x20AC;?

The 2006 estimate of just under 20,000 individuals was collected and provided by the National Oceanic and Atmospheric Administration (NOAA). Fisheries biologist for the NOAA Wayne Perryman says the next estimate, based on this yearâ&#x20AC;&#x2122;s count of gray whales as they pass north and south along the coast, wonâ&#x20AC;&#x2122;t be available until the end of 2011 at the earliest.

The new proposal on grays comes as part of a broader development at the International Whaling Commission that has environmentalists outraged. &&

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THE BOHEMIAN

06.02.10-06.08.10

09

:216.

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Changes at KSRO beg the question: who killed the radio star?

By Daedalus Howell

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THE BOHEMIAN

adio is for the ruthless. At least thatâ&#x20AC;&#x2122;s how it seems when rewatching Empire of the Air, a documentary by Ken Burns (who else?), currently being reprised on PBS stations on the eve of its 20th anniversary.

The film recounts the bitter patent battle between radio pioneers Edwin Armstrong, inventor of frequency modulation (better known as FM) and David Sarnoff, who envisioned a â&#x20AC;&#x153;radio music box schemeâ&#x20AC;? and would later helm RCA and its network spawn NBC and ABC. A merciless crusader for AM, Sarnoff effectively shut Armstrongâ&#x20AC;&#x2122;s rival invention out of the market for decades, eventually driving him to suicide. Now, it seems Armstrongâ&#x20AC;&#x2122;s ghost continues to exact its revenge on AMâ&#x20AC;&#x201D;in this case, the 73-year-old landmark on the local dial, KSRO 1350-AM. The most conspicuous casualty is 37-year radio veteran Steve Jaxon, who until last week hosted the afternoon show The Drive for the Santa Rosaâ&#x20AC;&#x201C;based station.

Just shy of his second year as the stationâ&#x20AC;&#x2122;s resident raconteur, Jaxon leveraged extensive relationships in the arts and politics to create a regional drivetime show that rivaled, at least in scope, that of his nationally broadcast colleagues. Jaxonâ&#x20AC;&#x2122;s show was also the habituĂŠ of many local media professionals, including several Bohemian contributors, including this one. â&#x20AC;&#x153;Radio has lost its cachet in a lot of different ways lately. Itâ&#x20AC;&#x2122;s the old story that there are â&#x20AC;&#x2DC;so many options,â&#x20AC;&#x2122; from internet radio to whatever,â&#x20AC;? said a circumspect Jaxon shortly after his dismissal by KSRO station manager Kent Bjugstad, who reportedly broke the news to Jaxon and two other staffers on May 24.

Itâ&#x20AC;&#x2122;s likely the decision to cut Jaxon, however, was not made by local management but by their masters on the eastern seaboard, Maverick Media Holdings, a Westport, Conn.based venture that owns KSRO and dozens of sister stations throughout the nation.

Maverick Media could not be reached for comment, nor is it even possible to access its website, maverick-media.ws, which remains perpetually â&#x20AC;&#x153;under construction.â&#x20AC;?

Itâ&#x20AC;&#x2122;s ironic that a company 3,000 miles away and a couple blocks down Main Street from the Westport Williams-Sonoma could

silence a voice that defined Sonoma County.

Such is the nature of the modern media landscape, where â&#x20AC;&#x153;localâ&#x20AC;? media is seldom locally owned. That said, a trend is emerging that is both counterintuitive and testament to the changing sound of radio, as independent voices are frequently pulled into the fray by large organizations that once shunned them.

Broadcast behemoth Clear Channel Communications, for example, has been frequently assailed for the iron grip it keeps on its stationsâ&#x20AC;&#x2122; play lists. Critics claim the micromanagement of the local airwaves has led to a homogeny in broadcast music. Others even describe this as corporate censorship.

However, Clear Channel is also the operator of iHeartRadio.com, an online radio premise with over 750 niche stations that, according to Ad Age, reaches 22 million unique listeners a month, had an estimated $175 million in â&#x20AC;&#x153;digital revenueâ&#x20AC;? in 2009, and regularly platforms new acts (albeit, sometimes in cahoots with record labelsâ&#x20AC;&#x201D;is it true they canâ&#x20AC;&#x2122;t hear you scream â&#x20AC;&#x153;Payola!â&#x20AC;? in cyberspace?).

Likewise, artistempowering businesses like CD Baby help musicians and wouldbe chat hosts and pundits mainline their product directly into the iTunes store, which boasts some 6 billion served.

Though KSRO produced podcasts of The Drive and leveraged social media and other forms of online connectivity, Maverick Media as a whole doesnâ&#x20AC;&#x2122;t seem to motivate a culture of innovation in the distribution and monetization of its product. Instead, itâ&#x20AC;&#x2122;s held to a traditional broadcast model and has had to resort to old-school tactics to stay afloatâ&#x20AC;&#x201D; like cutting its staff. â&#x20AC;&#x153;For AM in a market this size, itâ&#x20AC;&#x2122;s amazing that they stayed on the air for 73 years in some ways. The radio business is screwed right now,â&#x20AC;? says Jaxon, who is currently fielding offers from other stations. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s just consultants and owners that have to be cheaper everyday.â&#x20AC;?

Cheaper, of course, has its price. Consider Sarnoff â&#x20AC;&#x2122;s Law, named for the aforementioned corporate radio raider, who observed that the value of a broadcast entity is only proportional to the number of people tuning in. If your listeners number zero, your station is worthless. On KSRO, at least, they were listening to Steve Jaxon.

Why did Maverick Media pull the plug on 37-year veteran Steve Jaxonâ&#x20AC;&#x2122;s successful show?

Daedalus Howell blogs at DHowell.com.

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In a seemingly counterintuitive move, the nations opposed to whaling (that is, most nations, including the United States) are offering to lift the 24-year moratorium on commercial whaling in exchange for a concession by the pro-whaling nations that will reportedly reduce the number of whales killed annually. (Only Japan, Iceland and Norway formally support the practice, while Russia, the United States, Canada, Greenland, and St. Vincent and the Grenadines allow limited take for indigenous peoples.)

â&#x20AC;&#x2DC;The number of calves born in the last four years has been low. Thatâ&#x20AC;&#x2122;s a fact.â&#x20AC;&#x2122; â&#x20AC;&#x153;This is obscene because the anti-whaling countries are sitting down with the pro-whaling countries and asking, â&#x20AC;&#x2DC;How can we please you?â&#x20AC;&#x2122;â&#x20AC;? says Arnold of the Morocco meeting.

Whaling opponents say the proposed extension of gray whale hunting comes at a dire time for the animals, whose prime Arctic feeding grounds, where the whales fatten for six months of the year, have been heavily impacted by global warming. In these northern waters, gray whales eat plankton that in turn subsist on algae that precipitate from coastal ice floes.

As Arctic sea ice disappears due to longterm warming, this food chain has been severely disrupted. As a result, says Graham, gray whale adults are failing to acquire the energy reserves they need to migrate southward to their calving grounds within the lagoons of coastal Baja California.

Perryman acknowledges the decline in breeding activity. â&#x20AC;&#x153;The number of calves born in the last four years has been low,â&#x20AC;? he says. â&#x20AC;&#x153;Thatâ&#x20AC;&#x2122;s a fact.â&#x20AC;?

For example, in Ojos de Liebres, one of the most important birthing lagoons in Baja, about 2,000 mothers with calves appeared in 2007. This winter, just 578 were counted.

And whereas observers counted 417 mother whales in Laguna San Ignacio in 2006, in 2009 they saw just 201.

But Perryman suspects that weather complicationsâ&#x20AC;&#x201D;and less so long-term climate changeâ&#x20AC;&#x201D;are the cause of the depressed breeding activity in Bajaâ&#x20AC;&#x2122;s coastal lagoons.

Thus, the poor annual calf recruitment might reverse any year, he says.

The California Gray Whale Coalition is advocating a return of the gray whale to the endangered species list, at least under the status of â&#x20AC;&#x153;threatened.â&#x20AC;? Arnold says the process will be a â&#x20AC;&#x153;dauntingâ&#x20AC;? one â&#x20AC;&#x153;that can take years.â&#x20AC;? The gray whale was delisted in 1994 after a dramatic recovery from the verge of extinction.

Perryman, who believes the gray whaleâ&#x20AC;&#x2122;s numbers along the West Coast of North America â&#x20AC;&#x153;are slowly increasing or stable,â&#x20AC;? stresses that NOAA and nonprofit organizations â&#x20AC;&#x153;have common goals and common concernsâ&#x20AC;? relating to marine conservation and protection of whales. â&#x20AC;&#x153;But,â&#x20AC;? he says, â&#x20AC;&#x153;we donâ&#x20AC;&#x2122;t want to rush judgment on these issues.â&#x20AC;?

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When frogs start showing off, are they actually organizing?

By Juliane Poirier

A

ecently a frog broke the rules of the chase and turned himself inâ&#x20AC;&#x201D;to a herpetologist. Notice the tricky punctuation in that sentence; if the dash were gone, it might sound like the frog had morphed into a researcher. It didnâ&#x20AC;&#x2122;t.

However, it did make certain the researchers took notice in a big way.

Try not to think about Jim Henson here, but this brazen little frog was something of a Muppet dead-ringer, bug-eyed and trumpet-nosed, representing a formerly uncatalogued species.

Thankfully, it did not break out in theme songs from childrenâ&#x20AC;&#x2122;s television. But it did gain overnight celebrity status.

What biologist does not dreamâ&#x20AC;&#x201D; even at this late hour in evolutionâ&#x20AC;&#x201D;of discovering a â&#x20AC;&#x153;newâ&#x20AC;? species? Many researchers get funding to go on expeditions where they may or may not pretend to be the Indiana Jones of their specialty areas, crawling all over the place in strange lands and peeking into this habitat and that for any mysterious life forms they can name and categorize. On just such an expedition in New Guinea this spring, researchers were assembled at a camp when the aforementioned frog used a bag of rice as a platform for public attention.

The Australian scientist credited with â&#x20AC;&#x153;discoveringâ&#x20AC;? the frog recalled the event in an email he sent me. â&#x20AC;&#x153;It was raining really heavily and a large number of people were sitting under a tarp trying to stay dry,â&#x20AC;? wrote biologist Paul Oliver. â&#x20AC;&#x153;There was something of a commotion as someone, and then everyone, saw this little frog jumping off a rice sack, because everyone knew we were after frogs.â&#x20AC;? Someone grabbed the frog and the herpetologists identified it as one of the spike-nose tree frog group. â&#x20AC;&#x153;No one had ever seen anything like it before, even the local villagers who live much lower in the mountains,â&#x20AC;? Oliver wrote.

He went on to explain that this particular frog had been seen from a distance five years ago by other herpetologists but had eluded capture. Now here it was, a male tree frog

simply turning himself in. What can we make of this? I say itâ&#x20AC;&#x2122;s political genius.

My theory, based on serious study of Gary Larsen cartoons, is that the frogs are organizing. Everywhere. In California, for example, they managed to get Fish and Game to uphold a ban on non-native frogs imported for food. A few million American bullfrogs are farmed overseas each year and imported, and over half of these imports are infected with a fungus that is killing the native frogs of the Sierra Nevada. This fungus causes chytridiomycosis, a skin disease lethal to frogs.

This disease has lead to the extinction of approximately a hundred frog species around the world. (If my theory is right, the spike-nose frogs can read the writing on the wall.)

Although there was no report of an actual frog appearing, much less upstaging anyone, at the Fish and Game hearing in Sacramento last week, short of having an amphibian testify, the West Coast frogs had world-class advocacy. Save the Frogs founder and director, ecologist Kerry Kriger, did not back down when claims of racism were used to defend frog importation. Kriger stood up to legislators from San Francisco who testified that the Chinese have a 5,000-year tradition of eating frogs and turtles, and therefore the ban on imported frogs was anti-Chinese. â&#x20AC;&#x153;Cultures necessarily evolve,â&#x20AC;? Kriger responded. â&#x20AC;&#x153;If they did not, we would have long since eaten the buffalo and the California red-legged frog to complete extinction, as we did the passenger pigeons.

As Americans, we are fortunate to have many choices of food, and thus it is our responsibility to act wisely and ensure that our culinary decisions are not unduly impacting our natural heritage and the future of our planet.â&#x20AC;?

Oliver did mention in his email that the spike-nose frog that showed up in camp did not vocalize. Nevertheless, it spoke up for its kind; it showed up for roll call while there is still a chance for frogs to be counted. Did I mention that frogs are an indicator species?

If they canâ&#x20AC;&#x2122;t make it, neither can we. So Iâ&#x20AC;&#x2122;m glad theyâ&#x20AC;&#x2122;re organizing.

Did I mention that frogs are an indicator species?

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The Bikram Method of Hatha Yoga is a demanding series of 26 postures, done in a heated room and meant to be performed in the given order, to the best of one's ability. A principle of the class is that one can learn to steadily make new demands of oneself, to work harder, deeper, yet calmer.

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THE BOHEMIAN

â&#x20AC;˘ Hors dâ&#x20AC;&#x2122;Oeuvres â&#x20AC;˘ Cooking Demo with Samples â&#x20AC;˘ Eating for Healthâ&#x201E;˘ Lecture with Dr. Ed Bauman, Director â&#x20AC;˘ Raffle Location: Bauman College 10151 Main St., Suite 128, Penngrove, CA 94951

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By Ari LeVaux

B

ome food companies have found a way to cast their processed foods as organic without going through the inconvenience of actually using certified organic ingredients in their products. By incorporating â&#x20AC;&#x153;organicâ&#x20AC;? into their names, some companies have been able to display the magic word on the packaging of food products that are not in fact certified organic.

This deception has recently been called out by the Cornucopia Institute, an organic watchdog group, which has filed complaints with the National Organic Standards Board and Federal Trade Commission.

Newmanâ&#x20AC;&#x2122;s Own Inc., the parent company of Newmanâ&#x20AC;&#x2122;s Own Organics, which has been justifiably lauded for giving $285 million to charity since 1982, has an enigmatic slogan plastered at the top center of its web page. It reads: â&#x20AC;&#x153;Shameless exploitation in pursuit of the common good.â&#x20AC;?

According to Cornucopia, Newmanâ&#x20AC;&#x2122;s Own Organics seems to be shamelessly exploiting the

word â&#x20AC;&#x153;organicâ&#x20AC;? to help sell products that are not, in fact, certified organic.

Cornucopiaâ&#x20AC;&#x2122;s issue with Newmanâ&#x20AC;&#x2122;s Own Organics boils down to the difference between two types of certifications, both of which are bestowed by USDA-accredited organic inspectors.

The â&#x20AC;&#x153;Certified Organicâ&#x20AC;? label means a processed food contains at least 95 percent certified organic ingredients, with the remaining percentage being unavailable in organic form. The â&#x20AC;&#x153;Made with Organic Ingredientsâ&#x20AC;? label means at least 70 percent of the ingredients are certified organic, with no stipulation that the nonorganic ingredients be unavailable in organic form.

While the difference between 70 percent and 95 percent isnâ&#x20AC;&#x2122;t earth-shattering, itâ&#x20AC;&#x2122;s significant that a cheaper nonorganic percentage can be presented, by semantic sleight of hand, as the real thing. â&#x20AC;&#x153;Made with Organic Ingredientsâ&#x20AC;? is a weak alternative that hangs on to the organic name like a parasite.

The Newmanâ&#x20AC;&#x2122;s Own Organics product line includes both â&#x20AC;&#x153;Certified Organicâ&#x20AC;? products

and those â&#x20AC;&#x153;Made with Organic Ingredients.â&#x20AC;?

Cornucopia believes the company should either switch to a 95 percentâ&#x20AC;&#x201C;plus certified organic product line or change its name. â&#x20AC;&#x153;[The regulations] specify that 70 percent organic products cannot â&#x20AC;&#x2DC;representâ&#x20AC;&#x2122; themselves as organic. If Newmanâ&#x20AC;&#x2122;s Own Organics cannot legally use the term â&#x20AC;&#x2DC;organicâ&#x20AC;&#x2122; or represent its 70 percent organic products as organic, we do not believe they should be able to use the â&#x20AC;&#x2DC;Newmanâ&#x20AC;&#x2122;s Own Organicsâ&#x20AC;&#x2122; company name on the front packaging,â&#x20AC;? Charlotte Vallaeys, farm and policy analyst with Cornucopia, explained via email.

According to Vallaeys, USDAâ&#x20AC;&#x2122;s National Organic Program is currently evaluating the use of â&#x20AC;&#x153;organicâ&#x20AC;? in company names for â&#x20AC;&#x153;made withâ&#x20AC;? products and will issue guidance in due course.

And, she says, the NOP is also investigating some Newmanâ&#x20AC;&#x2122;s Own Organics advertising practices that appear to go beyond the shameless exploitation of a legal gray area.

Thatâ&#x20AC;&#x2122;s one aspect of their business, at least, which is entirely uncharitable.

THE BOHEMIAN

06.02.10-06.08.10

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>DC ž=ž 01>DC he Marin Agricultural Land Trust extends a helping hand to weary cyclists training for the Aug. 7 Marin Century ride by hosting a fun fundraiser that combines a 50-mile trip through West Marinâ&#x20AC;&#x2122;s hilly climes and ďŹ nishes at Stemple Creek Ranch for a barbecue and a few cold ones. Slated for Sunday, June 6, Biking, Beef and Beer ďŹ nds riders disembarking at the historic Stemple Creek spread for the ranchâ&#x20AC;&#x2122;s grass-fed beef, local brews and even a vegetable or two. Ranch tours commence throughout the afternoon. $50â&#x20AC;&#x201C;$60. Malt.org. . . .

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Meanwhile, less active types can opt to spend that same Sunday smack down amid an ocean of chocolate as Napa hosts a chocolate salon that has some 25 cocoa-magic providers gathered at the Yountville Community Center to taste everything from trufďŹ&#x201A;es to chocolate-infused vodka. Admission ($10â&#x20AC;&#x201C;$20; under six, free) allows visitors to wholly embrace their inner Augustus Gloop and literally eat as much of the stuff as they like. Is this the perfect ďŹ rst date event or the worst? Yountville Community Center, 6516 Washington St., Yountville. www.napachocolatesalon.com. . . .

Whatâ&#x20AC;&#x2122;s going on in the vineyards?

Take a FREE tour of a Sonoma County vineyard!

Those with two days to ďŹ ll can ďŹ ll the time, their glasses and their bellies at the Taste of Alexander Valley, a selfguided tour of some 25 northern Sonoma County wineries that plan to pop plenty of corks June 5â&#x20AC;&#x201C;6, pairing their wines with some serious eats. DeLormier, for example, is serving grilled steaks with their Cabs. Hanna offers open-faced BLTs on fresh brioche, with music from the Steve Pile Band. Rosso Pizzeria will be at Francis Ford Coppola; Medlock Ames pairs pie; fave chefs Duskie Estes and John Stewart of Zazu and Bovolo serve up pork cheek sliders at Sausal; Stryker Sonoma has Zinâ&#x20AC;&#x2122;s chef-owner Jeff Mall cooking to match their Bourdeaux-style varietals; and Mercury has Diavolaâ&#x20AC;&#x2122;s Dino Bugica offering his housemade salumi, while artist Trevor Babb (the man responsible for Mercuryâ&#x20AC;&#x2122;s coolio handmade boxes) spins the platters. $65â&#x20AC;&#x201C;$75 and well worth it. 888.AV.WINES.

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Currently available at â&#x20AC;˘ â&#x20AC;˘ â&#x20AC;˘ â&#x20AC;˘

Balletto Vineyards Matanzas Creek Winery Mauritson Family Winery Paradise Ridge Winery

Every day during tasting hours!

Gretchen Giles

Visit SonomaVineyardAdventures.com for more information

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Welcome to Vineyard Adventures Self-guided tours through the areaâ&#x20AC;&#x2122;s most beautiful spots.

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THE BOHEMIAN

06.02.10-06.08.10

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NOW OPEN! Come Celebrate Our Grand Opening

Complimentary Appetizers and Wine Provided by

Thursday June 10th 5-7pm

Audelssa Estate Winery D'Argenzio Winery Deerfield Ranch Winery Marimar Estate Trecini Cellars

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Yo el Rey Roasting locally roasted organic fair trade coffee Available for shipping online

Hd_djgc 8ZaaVgh

1217 Washington St Downtown Calistoga 707.942.1180 www.yoelrey.com

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F8=4A84B

<43;>2: 0<4B C0BC8=6 A>>< ho are these newcomers, turning a funky local landmark into yet another winetasting room? a friend grumbled when the Alexander Valley store and attached dive bar were closed. Just who did they think they were? Theyâ&#x20AC;&#x2122;re the boys from Medlock Ames, who can perhaps best be described as the most ambitiously low-key among the valleyâ&#x20AC;&#x2122;s newcomers, and theyâ&#x20AC;&#x2122;ve revamped the centuryold store as a tasting room that sports a garden instead of a deli, fresh produce in place of salty snacks. And for us thirsty hayseeds just hankering for a cold one, thereâ&#x20AC;&#x2122;s a pleasant surprise.

W

Founded by young out-of-towners funded by the tech boom, the Medlock Ames story is a combination of hip urban aesthetic and a painstakingly self-conscious approach to their impact on the land. Sustainable land practices are mixed with biodynamic borrowings on some 40 acres of vineyard, with a resident ďŹ&#x201A;ock of sheep, natch; the rest of Bell Mountain Ranchâ&#x20AC;&#x2122;s 300-odd acres are left wild. Underscoring the approach, the newest iteration of the logo is die cut-out, leaving sunlight and wine shining through.

Over a year in the remaking, the new tasting roomâ&#x20AC;&#x2122;s interior is airy; voguish lighting swings from wee wiring. Cafe-style seating, booths, a communal table or a zinc bar ensure visitors a variety of choices. Herbs, vegetable starts, citrus and assorted fruits will soon be spilling over an acre of neat, metal-sided garden beds adjacent an insta-ancient grove of transplanted olive trees, while the remainder is a meadow planted in native wildďŹ&#x201A;owers. Meanwhile, the 2008 Sauvignon Blanc ($27) is already loaded with fruit. Guava, strawberry and fruity grassiness make this a standout, and the 2005 Merlot ($42) is an overstuffed basket of blackberry and cherries in cognac teetering down a sinewy palate. Hello again, guava and strawberry in the cloudily contrarian 2008 RosĂŠ ($20)â&#x20AC;&#x201D;I want to sneak a shot of vodka and a little umbrella in it.

All very well and good, and wine is paired with petite and savory bites to boot. Still, a tasting room canâ&#x20AC;&#x2122;t really take the place of a watering hole, especially when closing at 5pm. But whatâ&#x20AC;&#x2122;s that? I just said the magic words: the Alexander Valley Bar is secreted away in the back of the building, and lo, itâ&#x20AC;&#x2122;s 5 oâ&#x20AC;&#x2122;clock. A stylishly self-conscious take on an old-time country bar, the dark-in-the-daytime nook has chocolate-brown stampedtin ceilings and tobacco colored walls. Thereâ&#x20AC;&#x2122;s seating at an industrial metal shop table, and, for now, a 25cent photo booth. Itâ&#x20AC;&#x2122;s hard not to feel an instant, warm nostalgia for this friendly, brand-new and undiscovered jointâ&#x20AC;&#x201D;or maybe thatâ&#x20AC;&#x2122;s the fresh garden mint-garnished Southside talking. And as for my friend the grumbler?

Now she says she just canâ&#x20AC;&#x2122;t wait to go there.

Medlock Ames Tasting Room, 6487 Hwy. 128, Healdsburg. Open daily 10am to 5pm. $12.50 fee.

The bar opens daily at 5pm. 707.431.8845.

James Knight

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32.AB?2

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Celebrity sex tapes as the signature art form of the age

By Greg Beato

8

n recent years, the porn industry has gotten screwed harder than a beleaguered Marquis de Sade heroine, first by rampant piracy, then by a vicious recession. Now that thousands of former customers believe money shots should be as free as Lady Gaga singles and New York Times editorials, the industryâ&#x20AC;&#x2122;s revenues are dropping, production is declining and thousands of talented but underutilized adult performers are fantasizing about a stimulus package of their own. But even if lesbian MILF bondage is no longer the foolproof cash cow it once was, thereâ&#x20AC;&#x2122;s still one subspecies of porn that can reliably open our wallets.

How strong is the allure of the celebrity sex tape? Just ask John Edwards. Blessed with the raw animal magnetism of a well-groomed Maltese, the one-time Democratic presidential candidate is certainly not the first person youâ&#x20AC;&#x2122;d think of if

you were asked to name Americaâ&#x20AC;&#x2122;s most bankable porn star. But according to Andrew Young, the former Edwards aide who temporarily possessed a copy of a 15-minute sex tape his boss made with his personal videographer Rielle Hunter, at least one entrepreneur offered Young â&#x20AC;&#x153;gigantic amounts of moneyâ&#x20AC;? for the unlikely artifact.

Combining technology, exhibitionism, populism, fame, DIY ethos and the possibility of a quick buck, the celebrity sex tape celebrates everything we celebrate; itâ&#x20AC;&#x2122;s the signature art form of the age. It also solves pornâ&#x20AC;&#x2122;s greatest challenge in an age of visual ubiquity: how to retain an aura of illicitness.

Throughout the 20th century, even as photographs, films and video proliferated, various constraints limited the amount of imagery available to us. In the world of old media, devoting 70 editorial pages to, say, celebrity nosepicking photos, was an extravagance not even the National Enquirer could afford. Compiling gruesome galleries of headless motorists, armless

torture victims and kittens becoming lunch was not considered a particularly noble way to inform the public or attract department-store advertisers.

Economics and taste kept us optically innocent.

But visual information wants to be free, too.

In the late 1990s, as the web started shifting from a primarily text-based medium to a far more image-heavy one, sites like Rotten.com and StileProject.com pushed the limits of the IMG tag. Suddenly, truly exotic examples of the forbidden were as accessible as Miss July centerfolds. And porn, which for decades had functioned as our primary commercialized form of forbidden imagery, the stuff we looked at when we wanted to look at something we werenâ&#x20AC;&#x2122;t supposed to look at, proliferated so wildly it lost much of its transgressive power.

Now porn is overexposed, a little too permissible, a little too easily obtained. Which brings us back to the celebrity sex tape. Compared to much of the commercial porn thatâ&#x20AC;&#x2122;s being produced today, celebrity sex tapes are '( THE BOHEMIAN

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notable for their chasteness and sense of restraint. They tend to limit the action to just two participants, who couple as sweetly and kinklessly as a pair of cuddly bunnies.

The first 40 minutes of Pam and Tommy Lee: Hardcore and Uncensored, the 1998 tape that became the genreâ&#x20AC;&#x2122;s first huge commercial hit, contained less risquĂŠ material than the average Lifetime Channel romantic comedy. Thanks to their ostensibly confidential nature, however, celebrity sex tapes do manage to re-establish porn as something thatâ&#x20AC;&#x2122;s at least mildly forbidden.

It says something about the exhibitionistic age we live in that the sex tape has emerged as a totem of privacy, an intensely personal object. Every sex video, after all, presupposes an audience of some kind, even if that audience is only intended to be the people making the tape. If you arenâ&#x20AC;&#x2122;t interested, on some level, in being projected, publicized, cast as a performer engaged in a performance, why engage in porn karaoke in the first place?

Still, in most cases celebrity sex tapes see the light of day thanks only to the efforts of nosy computer repairmen, unscrupulous house painters or opportunistic ex-loversâ&#x20AC;&#x201D; or at least thatâ&#x20AC;&#x2122;s the pose invariably struck.

And if we donâ&#x20AC;&#x2122;t completely believe that line, we nonetheless literally buy it. One Night in Paris wasnâ&#x20AC;&#x2122;t 2005â&#x20AC;&#x2122;s bestselling porn video because it offered more impressive carnal showboating than the 15,000 other porn videos released that year. It was the bestselling porn video because it gave people a chance to see imagery that Paris Hilton allegedly preferred to keep private.

Out in the American heartland, a vast array of tubby octogenarian swingers, clothing-optional sororities and June Cleaver types who enjoy wandering the aisles of Wal-Mart half-naked exhibit their wares on the web for fun and profit. But in decadent, hedonistic Hollywood, few celebrities attempt to capitalize on the fact that you no longer have to be a porn star to be a porn star. For an hourâ&#x20AC;&#x2122;s work, Brad Pitt and Angelina Jolie might conceivably earn upward of $50 million. If they could persuade Jennifer Aniston to join them, theyâ&#x20AC;&#x2122;d all be billionaires.

For now, lesser-known exhibitionists have little to worry about. The stigma attached to celebrity sex tapes remains mystifyingly, comically strong. Paris Hilton, no oneâ&#x20AC;&#x2122;s idea of a blushing wallflower, claims that the distribution of her sex tape â&#x20AC;&#x153;humiliatedâ&#x20AC;? her. Kim Kardashian says her sex tape â&#x20AC;&#x153;devastatedâ&#x20AC;? her and caused her stepdad, Bruce Jenner (whose enthusiastic participation in the reality series Iâ&#x20AC;&#x2122;m a Celebrity . . . Get Me Out of Here! would seemingly qualify him as impossible to embarrass), to stop talking to her for three weeks.

Carrie Prejean, whose series of eight solo sex tapes remains unseen by all but an ex-boyfriend, her mom and perhaps a few dozen lawyers, beauty pageant officials,

gossip columnists and porn-industry entrepreneurs, characterizes them as the â&#x20AC;&#x153;[eight] biggest mistake[s] of [her] life.â&#x20AC;? Kid Rock filed a lawsuit to prevent the release of a sex tape he and fellow rocker Scott Stapp appeared in, apparently determined to protect his reputation as a horny but demure stripper-humper.

Even O.J. Simpson, for whom any visual evidence of amicable relations with women should be considered a plus, considers the celebrity sex tape morally repugnant. â&#x20AC;&#x153;This tape is garbage, and we can prove it,â&#x20AC;? his lawyer exclaimed in 2006 when a video purporting to depict the former football great with two women was released. â&#x20AC;&#x153;O.J. wouldnâ&#x20AC;&#x2122;t do anything like this.â&#x20AC;?

June 25 - July 4, 2010 â&#x20AC;&#x153;Youâ&#x20AC;&#x2122;re gorgeous, baby, youâ&#x20AC;&#x2122;re sophisticated, you live well...Vancouver is Manhattan with mountains.â&#x20AC;?

The New York Times

Photo: Chris Cameron

â&#x20AC;&#x153;Thereâ&#x20AC;&#x2122;s not a Jazz Festival in the world that can touch it.â&#x20AC;?â&#x20AC;&#x201D;Seattle Times

The sex tape has emerged as a totem of privacy, an intensely personal object.

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No doubt a legitimate desire for privacy informs such attitudes, but consider the messages celebrity sex tapes end up conveying most explicitly. Sex is shameful and embarrassing. It can damage your character. Itâ&#x20AC;&#x2122;s best kept behind closed doors.

Itâ&#x20AC;&#x2122;s easy to see how antiporn groups like the American Family Association might enthusiastically embrace the genre, but the rest of us are faced with a difficult, uncomfortable truth: our most publicized, bestselling porn titles are designed not to incite desire or celebrate sexuality but to embarrass and humiliate celebrity exhibitionists, or at the very least demystify their carefully cultivated personas.

This is not a sign of a healthy culture, but at the least the specter of the John Edwards sex tape may threaten to force us to confront the troubling, reactionary turn our taste in porn has taken. As of late February, the tape remains in the custody of Superior Court Judge Abraham Penn Jones in North Carolina, who is presiding over a case in which Rielle Hunter is attempting to reclaim possession of it. But if the tape is ever released commercially, it will likely sell hundreds of thousands of copies to rubberneckers eager to witness the horrific scenes of passion it presumably contains, instantly establishing a preening 56-year-old former senator as our most popular porn star.

And if the grim reality of that nightmare canâ&#x20AC;&#x2122;t reignite our passion for hardcore S&M orgies, interracial foot fetish videos and other more wholesome forms of pornography, then nothing can.

THE BOHEMIAN

06.02.10-06.08.10

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0<0;60< Jason Moran melds hip-hop into the jazz fold.

:TT_Ta ^U cWT 5[P\T Pianist Jason Moran may (accidentally) save jazz

By Gabe Meline

5

or all of its output, jazz is a handwringing industry. Nervous for its future and hesitant to consider that its apex may be in the past, jazz harbors constant questions about how to keep the music alive by enticing and involving a younger generation.

Answering this conundrum routinely revolves, like a circle of fifths, back to Jason Moran.

The 35-year-old pianist, who appears June 12 at the Healdsburg Jazz Festival, provides hope for jazzâ&#x20AC;&#x2122;s place among the young. He imbues his music with hip-hop, samples and spoken word, and has recorded songs by BjĂśrk and Afrika Bambaataa. Heâ&#x20AC;&#x2122;s handsome and well-spoken, not to mention immensely, furiously creative on his instrument. Heâ&#x20AC;&#x2122;s lassoed a meteor shower of rising star awards from Down Beat and was named Jazz Artist of the Year by Playboy.

And yet the lionized Moran, on the phone from his Manhattan home between tours of Argentina and Israel, says he doesnâ&#x20AC;&#x2122;t personally feel much pressure to bear jazzâ&#x20AC;&#x2122;s torch. â&#x20AC;&#x153;When I walk out of my house and I see kids coming from school, I say, â&#x20AC;&#x2DC;Damn, itâ&#x20AC;&#x2122;d be nice to see

them at a show,â&#x20AC;&#x2122; but thatâ&#x20AC;&#x2122;s about as far as it goes for me,â&#x20AC;? he admits. â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;m a pretty lazy person in an outreach way.â&#x20AC;?

If heâ&#x20AC;&#x2122;s lazy at outreach, heâ&#x20AC;&#x2122;s doing a great job at it accidentally. Despite a huge repertoire of original compositions, guest-starring on albums by artists such as Don Byron and Cassandra Wilson and playing constantly all over the world in Charles Lloydâ&#x20AC;&#x2122;s New Quartet, heâ&#x20AC;&#x2122;s recognized outside jazz circles for something else entirely. Mention Jason Moran to friends, and most cite his piano recording of the hiphop classic â&#x20AC;&#x153;Planet Rock.â&#x20AC;?

Moran recorded the Afrika Bambaataa breakdance anthem not as a conscious effort to convert the hip-hop generation to jazz, he says, but because he was â&#x20AC;&#x153;thinking really selfishly.â&#x20AC;?

Itâ&#x20AC;&#x2122;s simply one of his favorite songs, which he readily equates with standards like â&#x20AC;&#x153;Round Midnightâ&#x20AC;?â&#x20AC;&#x201D;the song that got him hooked on jazz in the first placeâ&#x20AC;&#x201D;and â&#x20AC;&#x153;Body and Soul.â&#x20AC;? â&#x20AC;&#x153;â&#x20AC;&#x2DC;Planet Rockâ&#x20AC;&#x2122; actually means more to me in my history than those songs,â&#x20AC;? he declares, â&#x20AC;&#x153;because it is connected to how I grew up as an individual in the â&#x20AC;&#x2122;80s. It marks my time.â&#x20AC;?

Like many artistic visionaries, Moranâ&#x20AC;&#x2122;s concepts tend to outshine his immense talent.

Heâ&#x20AC;&#x2122;s recorded material from The Godfather Part II and from Akira Kurosawaâ&#x20AC;&#x2122;s Yojimbo.

His â&#x20AC;&#x153;Gangsterismâ&#x20AC;? series of songs is inspired

by Jean-Michel Basquiat. Recently, for a Thelonious Monk tribute, he tracked down analog tapes of Monk having a conversation with his record producer and wove the audio into his stage performance, and for a song on his brilliant new album, Ten, he samples Jimi Hendrixâ&#x20AC;&#x2122;s guitar feedback.

These types of things garner attention. But Moranâ&#x20AC;&#x2122;s own inventive playing proves that his various conceptual projects and cover songs are no gimmick.

Ten is Moranâ&#x20AC;&#x2122;s greatest record yet, the sound of a one-of-a-kind pianist at home in his own style. In the past, Moran has shown susceptibility to blocky, clustered chords, rolled up like shirts tightly arranged in luggage.

Ten finds Moranâ&#x20AC;&#x2122;s nimble fingers unpacking those clusters, breathing freer and moving unhampered. Nowhere is this emergence more evident than the albumâ&#x20AC;&#x2122;s first track, â&#x20AC;&#x153;Blue Blocks,â&#x20AC;? which opens with a loping, descending figure; the image conjured is that of a hot-air balloon alighting on the earth. By the middle '+ of the song, the scene has changed; THE BOHEMIAN

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THE BOHEMIAN

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passengers are running all over the ground, as Moranâ&#x20AC;&#x2122;s hands race excitedly and explore new territory on old keys with dizzying speed and clarity. â&#x20AC;&#x153;I dare say itâ&#x20AC;&#x2122;s more honest than anything Iâ&#x20AC;&#x2122;ve made,â&#x20AC;? he says of Ten, which will be released June 22 on Blue Note. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s a record that just is. Not that I feel that in my other records Iâ&#x20AC;&#x2122;m trying hard or something, but I donâ&#x20AC;&#x2122;t have to strain my neck or f lex my muscles as hard. I can just sit down and play now. I think in some of my earlier records, I was very conscious of trying to prove something to my jazz public and to my jazz police, and to the people that I played with, and to my teachers.â&#x20AC;?

One of those teachers was the great Jaki Byard, whose ability to combine barrelhouse stride piano styles with modern, angular inventions has clearly rubbed off on Moran. â&#x20AC;&#x153;Jaki really was heavy on discussing stride, and Earl Hines, and Teddy Wilson, these people like that,â&#x20AC;? he says. â&#x20AC;&#x153;But what heâ&#x20AC;&#x2122;d do when he was playing the music was he would f lip it around and turn it backwards. His left hand would be in Harlem and his right hand would be in China. And he felt very comfortable doing this! It didnâ&#x20AC;&#x2122;t seem like anything difficult, it didnâ&#x20AC;&#x2122;t seem like he was straining or forcing anything. As a student of his, you see someone doing this thing really effortlessly, then you think, â&#x20AC;&#x2DC;Oh, this is just how itâ&#x20AC;&#x2122;s supposed to be.â&#x20AC;&#x2122;â&#x20AC;?

Byard and another prominent teacher of Moranâ&#x20AC;&#x2122;s, the late Blue Note recording artist Andrew Hill, are represented with compositions on Ten, as are Leonard Bernstein, Monk and the early-century player-piano experimentalist Conlon Nancarrow. Three songs are commissionsâ&#x20AC;&#x201D;from a festival, a museum and a ballet companyâ&#x20AC;&#x201D;and â&#x20AC;&#x153;RFK in the Land of Apartheidâ&#x20AC;? is from a soundtrack to the film of the same name.

Yet despite being multi-sourced, Ten is effortlessly cohesive, a fitting anniversary present for Moranâ&#x20AC;&#x2122;s 10 f luid years with sidemen Tarus Mateen and Nasheet Waits.

Moranâ&#x20AC;&#x2122;s modernistic outlook continues even beyond this new record. â&#x20AC;&#x153;I have an idea,â&#x20AC;? he says determinedly. When Jason Moran has an idea, one listens.

Jazz covers of new songs have been proliferating: Vijay Iyerâ&#x20AC;&#x2122;s version of M.I.A.â&#x20AC;&#x2122;s â&#x20AC;&#x153;Galang,â&#x20AC;? Brad Mehldauâ&#x20AC;&#x2122;s version of Radioheadâ&#x20AC;&#x2122;s â&#x20AC;&#x153;Knives Outâ&#x20AC;? and the Bad Plusâ&#x20AC;&#x2122; ever-accumulating interpretations of indie rock. And while Moran says he couldnâ&#x20AC;&#x2122;t find much benefit to the jazz/hip-hop experiments of the early â&#x20AC;&#x2122;90s as evinced in somewhat novelty albums like Jazzmatazz and Hand on the Torch (â&#x20AC;&#x153;Most of the stuff I didnâ&#x20AC;&#x2122;t even think was really that goodâ&#x20AC;?), he thinks the concept of jazz and hip-hop together has a place. â&#x20AC;&#x153;One of the problems of trying to combine the forms is that jazz is really built on improvisation and hip-hop is really built on that beat,â&#x20AC;? he explains. â&#x20AC;&#x153;But if we got rid of some of the powerful elements of each of the forms, and reduced

it to its purity, then we can try to find some common ground. So what I want to do is get MF Doom or Jay Electronica or Ghostface, and just play piano with them.

No other instruments. Just try that. And how does that combination work? Or how will it not work? I want to hear what that is. I have to make that happen. Iâ&#x20AC;&#x2122;ve been talking about it for too long.â&#x20AC;?

â&#x20AC;&#x2DC;Itâ&#x20AC;&#x2122;s more honest than anything Iâ&#x20AC;&#x2122;ve made,â&#x20AC;&#x2122; Jason Moran says of his new album, â&#x20AC;&#x2DC;Ten.â&#x20AC;&#x2122; Until that day, Moran continues to travel both with the â&#x20AC;&#x153;bandwagonâ&#x20AC;? of Waits and Mateen and with Lloyd, and he has nothing but praise for those heâ&#x20AC;&#x2122;s sharing the stage with at a not-to-be-missed lineup rounding out the Healdsburg Jazz Festival. â&#x20AC;&#x153;People that are playing the festival, like Gretchen Parlato, Taylor Eigsti, I see really great threads happening in their music, because theyâ&#x20AC;&#x2122;re extremely conscious of where the music has been,â&#x20AC;? he says. â&#x20AC;&#x153;When I hear their music, itâ&#x20AC;&#x2122;s really clear that they see another path for it to go down.â&#x20AC;?

Other festival highlights include the trio of Charlie Haden, Geri Allen and Ravi Coltrane, son of tenor great John Coltrane; crossover bassist Esperanza Spalding; a bossa nova showcase with Oscar Castro-Neves, Leny Andrade and Claudia Villela; festival favorite George Cables and even a pair of free concerts by advanced saxophonist Craig Handy.

Moranâ&#x20AC;&#x2122;s own group will be joined in Healdsburg by Bill Frisell, the Grammywinning atmospheric guitarist with whom Moran has played many times. â&#x20AC;&#x153;Frisell is as crazy as we are, as a player and a creator,â&#x20AC;? he says. â&#x20AC;&#x153;Weâ&#x20AC;&#x2122;ve played on and off with each other, and each time we find new things to do with each other. Heâ&#x20AC;&#x2122;s an open-palette kind of playerâ&#x20AC;&#x201D;he leaves a lot of space, but he can also fill it up. Heâ&#x20AC;&#x2122;s also really into letting songs and sounds exist.â&#x20AC;?

As long as songs and sounds exist, thereâ&#x20AC;&#x2122;ll be an opening in jazzâ&#x20AC;&#x2122;s future.

As a luminary of the music, Moran is living proof that if one adheres to but is not shackled by tradition, thereâ&#x20AC;&#x2122;s no limit to what jazz can do. â&#x20AC;&#x153;I think of jazz history that way, or piano history,â&#x20AC;? he says professorially. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s just there, and itâ&#x20AC;&#x2122;s there for you to have fun with.â&#x20AC;?

Jason Moran and the Bandwagon play with guest Bill Frisell on Sunday, June 13, at Rodney Strong Vineyards as part of the 12th annual Healdsburg Jazz Festival. The Gretchen Parlato Group with Taylor Eigsti and the Dafnis Prieto Quartet with Peter Apfelbaum also appear. 11455 Old Redwood Hwy., Healdsburg. 2pm. $30â&#x20AC;&#x201C;$45. 707.433.4644. www.healdsburgjazzfestival.org.

369:

>33 B>2:B Are we the only ones who donâ&#x20AC;&#x2122;t envision Catherine Keener and Oliver Platt as a couple?

4bcPcT BP[T

Compassion fatigue sets in soon in Nicole Holofcenerâ&#x20AC;&#x2122;s â&#x20AC;&#x2DC;Please Giveâ&#x20AC;&#x2122;

By Richard von Busack

8

t can be argued that Nicole Holofcener discovered Catherine Keener. After her 1996 indie film Walking and Talking, it was clear that Keener wouldnâ&#x20AC;&#x2122;t merely be used for her capacity for tragedy.

Holofcener discerned the sardonic qualities behind Keenerâ&#x20AC;&#x2122;s essentially sad, drawn face. The partnership continues in the occasionally funny Please Give.

Here, Keener has an against-type role as a bleeding heart in Manhattan.

Kate (Keener) is the propertied owner of a boutique, making scads of money reselling furniture she bought cheap at estate sales. She tangles with her adolescent daughter, Abby (Sarah Steele), and suffers through her guilt at, essentially, making money from other peopleâ&#x20AC;&#x2122;s deaths. She also has a tenant, Andra (Ann Morgan Guilbert), an exasperating old lady whose apartment Kate is planning to annex as soon as the crone dies.

Holofcener hasnâ&#x20AC;&#x2122;t developed much as a visual filmmaker in the past 15 years; she still favors the walking and talking shot, for instance. And visual humor is a little

beyond her, though she tries, as in a gag of a loverâ&#x20AC;&#x2122;s face in mid-sex panting next to a statue of Buddha or in the vintage slapstick of a man dropping a valuable vase. She leaves you with the words, and words are runners-up in The New Yorker cartooncaption contest, though these can hit the mark at times. In one line, for instance, a spuriously valuable piece is said to date from â&#x20AC;&#x153;the antique era.â&#x20AC;?

Please Give spirals out to include Andraâ&#x20AC;&#x2122;s toxically grandparented offspring: one named Rebecca (Rebecca Hall), a dog-walking pal to the angry Abby; and Rebeccaâ&#x20AC;&#x2122;s sister, Mary (Amanda Peet), who supplies a romantic interest to Kateâ&#x20AC;&#x2122;s distracted husband. The doughy husband (Oliver Platt) is drawn by Maryâ&#x20AC;&#x2122;s refreshing curtness. So are we. Since there isnâ&#x20AC;&#x2122;t a traditional Catherine Keener character in this comedy, weâ&#x20AC;&#x2122;re more taken with her surrogate, in the form of Peetâ&#x20AC;&#x2122;s ruthless energy. In a movie, as in a sporting competition, weâ&#x20AC;&#x2122;re drawn to the player who wants it more. â&#x20AC;&#x2DC;Please Giveâ&#x20AC;&#x2122; opens on Friday, June 4, at the Rialto Lakeside Cinemas, 551 Summerfield Road, Santa Rosa. 707.525.4840.

THE BOHEMIAN

06.02.10-06.08.10

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> 20?C08= <H 20?C08= â&#x20AC;&#x2DC;The Dead Poetâ&#x20AC;&#x2122;s Societyâ&#x20AC;&#x2122; screens Monday, June 7, at the Mill Valley library. See Film listings, p40.

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Film capsules by Richard von Busack, Eloy Camacho and Steve Palopoli.

N O R T H B AY M O V I E T I M E S www.sonomamovietimes.com www.marinmovietimes.com www.napamovietimes.com

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Real Reels Sure, you could sit in your den clicking through YouTube for videos of Chet Baker playing in 1965, Billie Holiday singing at Columbia Studios or John Coltrane playing â&#x20AC;&#x153;My Favorite Thingsâ&#x20AC;? in Europe.

But you wonâ&#x20AC;&#x2122;t get the breadth and insight of Mark Cantorâ&#x20AC;&#x2122;s Jazz Night at the Movies, which kicks off the Healdsburg Jazz Festival this weekend. Cantor has accumulated over 4,000 reels of rare, vintage jazz performances, all on actual 16mm or 32mm film, and he personally introduces each clip selected for his twohour program. Bring a friend and be amazed when Cantor starts the projectors on Friday, June 4, at the Raven Theater.

115 North St., Healdsburg. 8pm. $10.

707.433.4644.

C6E6

Blues in B Biceps and brawn are brought by Robert Cray and his bandsmen in a blaring burst of buzz this weekend. Boasting a blazing boldness, Cray bruises bodies to the bone with his brand of bombast and boogie, a bona fide bonfire of boiling bombshells.

His boom is so brusque, the brain blinds itself broadside with a bonsai bulwark.

When the boss of the blues burns, the bootleggers are beseeched and the Bud Light is busted out. Boost yourself up, yell â&#x20AC;&#x153;Bravoâ&#x20AC;? and brace yourself when Cray bestows a bow on Sunday, June 6, at the Uptown Theatre. 1350 Third St., Napa.

8pm. $37â&#x20AC;&#x201C;$47. 707.259.0123.

H6CI6 GDH6

Beer is Good Food Ah, the summer days are here, and with them the long, languid hours of backyard beer drinking. Brush up on your local microbrews for that very activity this weekend as the Beerfest gets underway to raise money for Face to Face. A staggering 42 microbreweries are participating this year, and the amount of food vendors is equally ridiculous. The fact that all this is yours for $45â&#x20AC;&#x201D;all you can eat and drink

(in moderation!)â&#x20AC;&#x201D;well, itâ&#x20AC;&#x2122;s an annual tradition we love. The BluesBurners provide the tunes when Beerfest returns on Saturday, June 5, at the Wells Fargo Center. 50 Mark West Springs Road, Santa Rosa. 1pm to 5pm. $45. 707.544.1581.

E:I6AJB6

Earplugs Optional The nationwide noise scene is a thriving threat thatâ&#x20AC;&#x2122;s been bubbling beneath the ever-calming surface of â&#x20AC;&#x153;indieâ&#x20AC;? rock for some time now with increasing intensity, and locally, Jim Marchbanksâ&#x20AC;&#x2122; JamSessions series has served as a fittingly disorganized support center for the experimental musicians that fall under the umbrella term â&#x20AC;&#x153;noise.â&#x20AC;? Sewing together splinters of industrial, jazz, avant-garde, ambient and other acquired-taste styles, JamSessions 9 promises DJ sets by Mochipet, Kudjo and Dis-trust, along with band sets by Moira Scar, Shrew Florist, SkarSkate, Ashkira and Pathos. Surrender your central nervous system on Friday, June 4, at the Phoenix Theater. 201 E. Washington St., Petaluma.

8pm. $8. 707.762.3565.

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Frankly Speaking The Marin County Civic Center, designed by Frank Lloyd Wright, is being promoted by the Frank Lloyd Wright Building Conservancy for a nomination to the UNESCO World Heritage List.

Why is this interesting? Because it would place the building we drearily enter to pay our speeding tickets alongside such world-renowned sites as the Taj Mahal and the Pyramids of Giza! Conservancy vice-president, author and director of Fallingwater Lynda Waggoner appears this Saturday to talk about the historic significance of the Marin Center and the nomination process; the one-hour lecture is followed by a reception with board members and Frank Lloyd Wright homeowners on Saturday, June 5, at the Marin Center. Board Room 329, 3501 Civic Center Drive, San Rafael. 11am. $10. 415.499.6800.

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E82C>A80= 0<4A820 Just back from Europe, Emily Jane White serenades the Toad in the Hole with Henry Nagle June 4. See Concerts, above.

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Huichica Festival brings indie folk icons Vetiver to wine country onoma County is known for many things: wine, hootenannies, agriculture, nature walks. But allday indie rock festivals? Not so high on the list. Jeff Bundschu, the president of Gundlach Bundschu winery, aims to change that with the launch of the first annual Huichica Music Festival on June 5.. Named for Rancho Huichica, the name of the original land grant where the winery is situated, the festival features an exciting collection of headliners, including San Franciscoâ&#x20AC;&#x201C;based freak folksters Vetiver (above), â&#x20AC;&#x153;Gun Bunâ&#x20AC;? favorite Fruit Bats and Bay Area psych-pop rockers Citay. (In other words, music not normally thought of as â&#x20AC;&#x153;wine countryâ&#x20AC;? fare. Sorry, Michael McDonald fans.)

The idea for Huichica (pronounced â&#x20AC;&#x153;we-cheekaâ&#x20AC;?) began after Fruit Bats performed at the wineryâ&#x20AC;&#x2122;s 2009 summer concert series, which in the past has also featured Maria Taylor (of Azure Ray/Bright Eyes), Jonathan Rice and Deertick. Eric Johnson, the bandâ&#x20AC;&#x2122;s main songwriter, enjoyed playing the property so much that he proposed an all-day festival to Bundschu, an avowed independent music fan who served up wines at this yearâ&#x20AC;&#x2122;s South by Southwest. Marketing director Susan Suiero says that that the outdoor amphitheater on the grounds of the winery has played host to music and performance for over a hundred years, so the festival seemed like a next logical step.

According to Bundschu, â&#x20AC;&#x153;the music you will hear [at Huichica] transcends both genre and generation. It comes from critically lauded emerging bands with national followings that are sure to grow.â&#x20AC;? In the case of Vetiver, who have played with Devendra Banhart and toured extensively with Joanna Newsom, that national following has already been established. The bandâ&#x20AC;&#x2122;s dreamy indiefolk should be a nice complement to an afternoon on the hillside of a 152-year-old winery with views of the surrounding vineyards and Sonoma Valley. Organizers encourage attendees to bring blankets, sunscreen and a thirst for yummy wines to the Huichica Music Festival on Saturday, June 5, at Gundlach Bundschu. 2000 Denmark St., Sonoma. 2pm to 11pm. $30â&#x20AC;&#x201C;$35. 707.939.3015.

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06.02.10-06.08.10

33

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Farm to Table Showcase featuring local producers Wine Garden pouring North of the Gate Winners Chef Demonstrations with local chefs Enter to win: Assist Featured Chef John Ash at

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06.02.10-06.08.10

35

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Mc Nearâ&#x20AC;&#x2122;s Dining House Breakfast â&#x20AC;˘ Lunch â&#x20AC;˘ Dinner BBQ â&#x20AC;˘ Pasta â&#x20AC;˘ Steak

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FRI 6/4 â&#x20AC;˘ 8:45PM DOORS â&#x20AC;˘ $17 â&#x20AC;˘ 21+ DANCE/PARTY HITS

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THE YOUNG DUBLINERS

Thurs Th urs

JJun un 3

8â&#x20AC;&#x201C;11pm 8 â&#x20AC;&#x201C;11pm

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SUN 7/18 â&#x20AC;˘ 7:00PM DOORS â&#x20AC;˘ $22 â&#x20AC;˘ ALL AGES NOUVEAU FLAMENCO

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Ceremonyâ&#x20AC;&#x2122;s new album, â&#x20AC;&#x2DC;Rohnert Park,â&#x20AC;&#x2122; castigates and embraces

By Gabe Meline

THUR 7/15 â&#x20AC;˘ 7:30PM DOORS â&#x20AC;˘ $21 ADV/$26 DOS â&#x20AC;˘ ALL AGES COUNTRY

36

BCA0867C >DCC0 < B42C8>= Rancho Cotateâ&#x20AC;&#x2122;s own Ceremony now tour all over the world.

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he suburbs and punk rock have never been a mutually friendly pair, and Rohnert Park is a special example. As a planned community inspired by Levittown, N.Y., the mother of all suburbia, its layout separates residents into alphabetical sections with the promise that all necessitiesâ&#x20AC;&#x201D;a grocery store, a school, a park, a poolâ&#x20AC;&#x201D;can be found within oneâ&#x20AC;&#x2122;s own neighborhood. Rohnert Park is a collection of boxes, essentially, and if thereâ&#x20AC;&#x2122;s anything punks hate more than the suburbs, itâ&#x20AC;&#x2122;s being put in a box.

In 1986, some of those Rohnert Park punks started the power-violence band Capitalist Casualties, and the city was scorchingly condemned with the song â&#x20AC;&#x153;Planned Community.â&#x20AC;? â&#x20AC;&#x153;We grew up in these planned communities,â&#x20AC;? goes the track, â&#x20AC;&#x153;Rotting inner cities vomited married white couples with children seeking safer places with â&#x20AC;&#x2DC;less colorâ&#x20AC;&#x2122; / We ended up here, a town divided into alphabetical â&#x20AC;&#x2DC;sectionsâ&#x20AC;&#x2122; / We call them cell blocks.â&#x20AC;?

The sentiment remains alive in the younger generation. This week, the hardcore band Ceremony release their new album, dedicated to their hometown. Titled Rohnert Park, its cover photo sums up suburban complacency with a generic tract home, an

American flag and a boy on a skateboard. Is there anything else to do in the town? â&#x20AC;&#x153;I had a problem growing up in Rohnert Park,â&#x20AC;? says Ceremony vocalist Ross Farrar by phone. â&#x20AC;&#x153;I wasnâ&#x20AC;&#x2122;t stimulated as much as I could have been. I always had this pull to go experience different cultures.â&#x20AC;?

That was achieved when Farrar and the rest of Ceremony got out of Rohnert Park as quick as they could, moving to San Francisco and Oakland in 2005. The underground embraced their first album, Violence Violence, and clung fast to its follow-up, Still Nothing Moves You. Theyâ&#x20AC;&#x2122;ve since toured the world with Converge and AFI, and are currently in Korea and Japan in advance of Rohnert Parkâ&#x20AC;&#x2122;s June 8 release.

But Rohnert Park is not a concept album about the manufactured city, even though Farrar explains that he â&#x20AC;&#x153;always knew that Rohnert Park was awkward. Itâ&#x20AC;&#x2122;s evident that itâ&#x20AC;&#x2122;s not an organic place.â&#x20AC;? Only one song directly addresses the town: â&#x20AC;&#x153;The Doldrums (Friendly City),â&#x20AC;? which damns the torpor of the suburbs as a â&#x20AC;&#x153;vacancy stuck in figure 8 where nothing ever happens.â&#x20AC;?

Musically, Rohnert Park is slower and simpler than Ceremonyâ&#x20AC;&#x2122;s previous output, which is fitting for a band whose name derives from a Joy Division song. But their aesthetic is distinctly post-hardcore. Whereas most hardcore bands push to extremes of speed, spectacle and spazz, Ceremony deal in the rare commodity of restraint and show that the original genius of punk rockâ&#x20AC;&#x201D; letting urgency and purpose carry technically unvarnished musicâ&#x20AC;&#x201D;is alive and well.

The three-and-a-half-minute â&#x20AC;&#x153;Sick,â&#x20AC;? for example, begins with an ominous tom drum, subsequently joined by the snare drum and a two-note minor guitar riff. The bass drops in, as does a howling feedback. Forty seconds in, the guitar begins a torrential one-note downstroke; a minute in, the bass echoes it. After the pickup notes crash in unison through the speakers, Farrar tears into the one-chord chorus: â&#x20AC;&#x153;Sick! Iâ&#x20AC;&#x2122;m sick! Iâ&#x20AC;&#x2122;m sick!

Iâ&#x20AC;&#x2122;m sick! Iâ&#x20AC;&#x2122;m sick! Iâ&#x20AC;&#x2122;m sick! Iâ&#x20AC;&#x2122;m sick! Sick!

Sick! Iâ&#x20AC;&#x2122;m sick! Iâ&#x20AC;&#x2122;m sick! Iâ&#x20AC;&#x2122;m sick!â&#x20AC;?

The irony is that in his personal life, the 25-year-old Farrar has started to calm down. â&#x20AC;&#x153;With this record, actually, Iâ&#x20AC;&#x2122;ve tried to be a little more optimistic in my lyric writing,â&#x20AC;? he says. â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;m not as heavy-set as I was before. I donâ&#x20AC;&#x2122;t hate the world as much as I used to.â&#x20AC;?

He also doesnâ&#x20AC;&#x2122;t hate Rohnert Park as much as he used to back when he was getting in trouble with the law and being sent to jail for reasons he doesnâ&#x20AC;&#x2122;t care to discuss. Last year, Farrar moved from West Oakland back to Rohnert Park to live in M section with his sister and to go back to school at the SRJC. It signals a turning point both for Ceremony (â&#x20AC;&#x153;Our fans wonâ&#x20AC;&#x2122;t like it,â&#x20AC;? he bluntly says of the new record) and for Farrar, who enjoys reading books in the quietude of his backyard and seems to be making amends with his upbringing. â&#x20AC;&#x153;I have mixed feelings about Rohnert Park,â&#x20AC;? he says carefully. â&#x20AC;&#x153;I do have a little bit of tension. A lot of things happened when I was growing up here, but I realize now that Iâ&#x20AC;&#x2122;m very appreciative of it. So calling the record Rohnert Park is a balance between homage and hatred.â&#x20AC;?

Ceremony play at 924 Gilman in Berkeley on Sunday, June 13. â&#x20AC;&#x2DC;Rohnert Parkâ&#x20AC;&#x2122; arrives in stores on June 8.

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Napa Countyâ&#x20AC;&#x2122;s new public sculpture exhibitions une is bustinâ&#x20AC;&#x2122; out public art exhibits all over Napa County. Yountville recently installed several sculptures

by Napa-based artist Gordon Huether. â&#x20AC;&#x153;He takes his inspiration from nature, and thatâ&#x20AC;&#x2122;s why people can connect with them,â&#x20AC;? explains Napa Valley Museum interim executive director Ann Mosher. Mosher says that Huether selected pieces based on the sculptureâ&#x20AC;&#x2122;s compatibility with the location.

Yountville residents and visitors already seem enthusiastic about their beautified public spaces. The vice mayor has seen people posing for pictures in front of their favorite sculptures. But these spectacles are more than just a photo-op. â&#x20AC;&#x153;In cities with public art, restaurants are full, and people spend more money that goes toward cultural events. People are more apt to gather in public spaces,â&#x20AC;? Mosher says. The city hopes to continue and expand this program next year by including multiple artists.

Also kicking off a public art exhibition, the city of Napa hosts its first Napa ARTwalk, a public sculptural exhibition with installation scheduled for the week of June 14. This exhibit is also a contest. Napa residents and visitors will have the opportunity to vote on their favorite piece. Aside from a lone Oregonian, the featured artists all hail from California; six are from the Bay Area.

As the artists were instructed to work with the theme of â&#x20AC;&#x153;Celebrating the Napa River,â&#x20AC;? local selections make sense.

Santa Rosa sculptor Riis Burwellâ&#x20AC;&#x2122;s Bird is above. â&#x20AC;&#x153;Local artists know Napa, know what the river means and understand what downtown Napa is like and what we need here,â&#x20AC;? says Arts Council Napa Valley acting executive director Kristina Young. â&#x20AC;&#x153;But a lot of people [in other areas] are dealing with similar issues like preservation of natural resources and revitalizing downtown.â&#x20AC;?

The Arts Council plans to implement an audio tour via smart phone applications. Although the project caused some initial anxiety over soliciting unknown art, Young says she is â&#x20AC;&#x153;thrilledâ&#x20AC;? with the result, hinting that the pieces express a variety of artistic styles and will build a stronger sense of community downtown. â&#x20AC;&#x153;Public art brings people together and gets people looking and talking about spaces in a new way,â&#x20AC;?

Young says. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s something that belongs to the entire community, which is especially important to a downtown like ours that is in a major transition right now. It will be a reason for people to go downtown.â&#x20AC;?

Yountvilleâ&#x20AC;&#x2122;s Public Art Walk inaugurates its Huether sculptures on June 3 at the Yountville Community Center at 6pm. 6516 Washington St. 707.255.5954. The Napa ARTwalk celebrates its exhibition later this month.

707.257.2117.

Caroline Osborn

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restoration, general marketing materials.

Mark Schaumann 707-795-0924, schaumann1@earthlink.net

g ggg Miscellaneous Services Classes & Instruction

High School Diploma!

Family Services Adoptions

Pregnant?

Considering Adoption?

Talk with caring agency specializing in matching birthmothers with families nationwide. Living expenses paid. Call 24/7 Abby’s One True Gift Adoptions. 866/4136293 (AAN CAN)

Electronics

Dish-Best Offer Ever!

$24.99/mo for 1 year 120+ channels, free HD! Free DVR Upgrade! Plus, call now and save over $380! Call 1-877-415-8163

Graphic Services

Golden Star Grafix

Miscellaneous

Decks/Fencing

Heritage Fence Builders

Browse thousands of rental listings with photos and maps.

Advertise your rental home for FREE! Visit: www.RealRentals.comwww.

RealRentals.com (AAN CAN) Miscellaneous

ALL AREAS ROOMMATES.COM

Reach over 5 million young, educated readers for only $995 by advertising in 110 weekly newspapers like this one. Call Jason at 202/289-8484

Browse hundreds of online listings with photos and maps.

Find your roommate with a click of the mouse! Visit: www.Roommates.com.

(AAN CAN)

Organic and Earth friendly foods and supplies Scott Goree - Entertainment coordinator and business manager. 707.795.7358 home, 707.479.5481 cell redgore23@aol.com

Home Services

ALL AREAS - HOUSES FOR RENT

Gain National Exposure

Green Earth Catering

ggg For Sale

Fast, affordable and accredited. Free brochure. Call Now!.

1-888-532-6546 ext. 97 www.continentalacademy.com (AAN CAN)

Real Estate Rentals

Single Services

Interacial Dating Sign up NOW for FREE membership, to find that someone Special! Contact: interracialchristiandating.net

BUSINESS CARDS BROCHURES POSTERS T-SHIRTS CD COVERS FLYERS PHOTOGRAPHIC RESTORATION

general marketing materials Mark Schaumann 707.795.0924

schaumann1@earthlink.net

Ikebana Japanese Floral Design Class An introduction to Ikenobo Ikebana and demonstration of a beginner Moribana and Nigere arrangements. Registration required. Cost: $60. Sat, May 15, 10am- 3pm, Journey Center, Santa Rosa, 707-578-2121, www.journeycenter.org.

Rocks and Clouds Zendo One Day Introduction to Zen Meditation. Sunday July 3.

9:00am-4:00pm. Email us with any questions: daterra@sonic.net or call 707-824-5647.

Sign Up Now-Integrative Yoga Teacher Training Starting September 2010!! A 200 hour non-residential training, 1 weekend/month for 10 months. You will learn how the elements of yoga: asanas, pranayama, body awareness, guided imagery meditation and deep relaxation come together as a vehicle for health and healing. BodyWorks-Integrative Yoga and Stress Management Studio. 490 2nd Str., Petaluma 707-769-9933. www.bodyworksyoga.com

Rocks and Clouds Zendo Meditation and Dharma Talk - Weekly Wednesday Nights at 7:00pm. Email us with any questions: daterra@sonic.net or call (707) 824-5647.

Quality built to withstand Need a quality designer? time. Free estimates. All type Business cards, brochures, of fencing and gates. Licensed flyers, posters, digital collage, Contractor. 707-321-721 cd covers, photographic

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Adult Massage

**North Bay Beauties**

Adult Service Adult Entertainment

A Rare Irish Rose

Quality and maturity in Marin.

Call for photos. Please, no calls after midnight. No private calls/texts. Kara, 415/233-2769.

Miscellaneous

DATING SERVICE

Long-Term/Short-Term Relationships, FREE-2-TRY! 1-877-722-0087 Exchange/Browse Personal Messages 1-866-3621311.Live adult casual conversations 1-877-599-8753 Meet on chat-lines. Local Singles 1888-869-0491 (18+) New!!

Talk Live!! 1-866-362-1311 (AAN CAN)

“New” private location off 101.

Ask about website pix.

707-526-6766. NOW HIRING!

Choose your own

Miscellaneous

Enlargement

FDA Medical Vacuum Pumps.

Gain 1-3 inches permanently.

Testosterone, Viagra, Cialis.

Free brochures. 619/294-7777 www.drjoelkaplan.com (discounts available) (AAN CAN) Phone Entertainment

1-800-GAY-LIVE Call now!

Hook up with hot local guys.

Talk to Gay, Str8, Curious and Bi men in hundreds of cities across the country. Fast, Discreet, and Easy! Premium FREE trial use promo code: NEWS5 (AAN CAN)

SANTA ROSA

707-206-6494 707-20 COLLECT CALL BILLING! 1-866-607-5282 OPTIONS! 1-900-622-1100 1-900 PRICING OPTIONS DIAL #CLICK (#25425)

79¢/MIN.. BOOST 79¢/MIN BOOST, T, A AT&T. T&T T . 99¢/ 99¢/min. min. V Verizon erizon

18+ *Charges may ap apply pply to certain features. features.

THE BOHEMIAN

06.02.10-06.08.10

41

HEALTH&WELL-BEING g A Provider of Pleasure

Classes & Workshops

Belly Dance Classes in Santa Rosa

Small classes. Personalized attention. Beginners welcome. Details at www.moondancerbellydance.com.

g Healing & Bodywork

Man of Your Dreams Men, women, couples. TLC, massage, Tantra, nurturing mutual touch. William 707-548-2187

Massage/Bodywork Strong, thorough, intuitive.

30 yrs. experience 25/50/75 - Colin, CMT: (707) 823-2990

RELAX! Relaxing massage and bodywork by male massage therapist with 11 yrs experience.

707-542-6856

Massage $55 hr • Deep Tissue/Swedish • Sports • Shiatzu • Back Walking • Foot Reflexology • Chair $10/10 min massage • Couples Room

Happy Health Spa

g open 10-10, 7 days

525 Ross St, Santa Rosa

707-591-8899

Massage & Relaxation

In a safe, relaxing, comfortable space by a “mature”, compatible, easy-going gentleman! Since 1991 I`ve provided pleasure to women, men, couples. Good virtues.

NW Santa Rosa, Jimmy, (C) 707-799-4467 or (L) 707-527-9497.

Great Massage, Goddess Touch Swedish, Deep Tissue. Affordable. Free parking Downtown Santa Rosa. CMT Mary 707-228-3275

Guerneville M4M Massage Mitch, CMT. Mature.

Professional. Relaxing intuitive touch. Private discrete studio. 707-849-7409

PAIN/STRESS RELIEF

Holistic tantric masseuse.

Unhurried, private, heartfelt.

Monday thru Saturday.

NEW CLIENT DISCOUNT. 707-793-2232.

Great Massage

Russian River Massage

With a mature, playful CMT. Comfortable incall location near the J.C. in Santa Rosa.

Soothing, relaxing, and fun.

Visa/MC accepted.

Gretchen 707/478-3952.

Professional male massage; strong, deep healing work;

By Joe, CMT. Relaxing hot tub for men/ women; 1 hr/$50, and pool available. Will do 1 1/2 hr $65. 707-536-1516 outcalls. 707-228-6883. www.CompleteBodyBalance. com

An Oasis in Santa Rosa Julie and Friends Full body sensual massage by appointment. 10 am - 6pm. Private.

Visa/MC accepted.

707-578-5444.

Opening Specials

NOW OPEN Therapeutic Massage Center Body Massage $55/hr Open 7 days 9-10pm

707.578.3088

Petaluma Lavender Day Spa

Foot Massage $19.99/45 min

• FREE Table Shower • Excellent Massage • Relaxing Body Treatments • Large Steam Sauna • Easy & Safe Parking

Walk ins Welcome Open 7 Days 9-10pm

707.782.9898

131 Liberty St, Ste. D at Washington behind Wachhovvia Bank

2460 Mendocino Ave., Santa Rosa

SPIRITUAL CONNECTIONS Finding inspiration and connecting with your community Mahakaruna Buddhist Meditation Center Offers ongoing introductory and advanced classes. Weds at noon, Tues & Weds evenings 7:30–8:45pm Prayers for World Peace, Sun, 10:30–11:45am Everyone welcome. 304 Petaluma Blvd., North, Petaluma www.meditationinnorcal.org

The Journey Center: Christ-centered Spirituality, Healing, & Wholeness Reading room, art gallery, prayer/ meditation gatherings, spiritual journey resources, bodywork, bookstore, free WiFi. 1601 Fourth Street, Santa Rosa. www.journeycenter.org 707.578.2121

Share your organization’s inspiration with over 95,100 Bohemian Readers monthly!

Phone: 707.527.1200 email: sales@bohemian.com

42

06.02.10-06.08.10

THE BOHEMIAN

?</ /?2G@;F 3?22 D699 .@A?<9<4F For the week of June 2

Massage • Reflexology Swedish/Shiatsu Open 7 Days: 10am-10pm

1626 4th St. Santa Rosa 707.526.6888

Norma’s Massage

A Safe Place To Be Real

Full Body Sensual Massage

Full body massage, body electric experience. In /Out. www.bobrrmassage.com Bob 707-865-2093.

FLOWER SPA

abla Se hañol!

Esp 10 years exp CMT

Do You Suffer Pain From: Neck • Arms • Back Legs • Waist • Headaches Pulled Muscle • Tension Lack of Energy or Sleep

707.696.0685

128 College Ave, Santa Rosa by appt only

PUSH Therapy In pain and tired of relying on others to fix you? Learn self treatment with PUSH Therapy!

Great for everything from neck pain to plantar fasciitis.

Call (707) 665-9020

MAGIC HANDS Swedish and Deep Tissue Massage with light stretching for men/women Flexible M-F schedule; Incalls only 60min/$60 | 90min/$75 Please call Leo 707-623-6096

g Psychics

Psychic Palm and Card Reader Madame Lisa. Truly gifted adviser for all problems.

827 Santa Rosa Ave. One visit convinces you.

Appt. 707-542-9898

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Q UALITY G RAPHIC D ESIGN BUSINESS CARDS • BROCHURES • POSTERS T-SHIRTS • CD COVERS • FLYERS PHOTOGRAPHIC RESTORATION & COLLAGE

general marketing materials Mark Schaumann 707.795.0924 schaumann1@earthlink.net THE BOHEMIAN

06.02.10-06.08.10

43

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OMAR FIGUEROA CANNABIS LAWYER Consult counsel experienced in defending medical marijuana & cannabis cultivation cases. (707) 829-0215. www.omarfigueroa.com. GoLocal SoCo Member

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Appointments available in your home.

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Call 707-343-1509 OR 415-491-4570.

Donate Your Auto 800.380.5257 We do all DMV. Free pick up- running or not (restrictions apply). Live operators- 7 days! Help the Polly Klaas Foundation provide safety information and assist families in bringing kids home safely.

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Golden Star Grafix Need a quality designer? Business cards, brochures, flyers, posters, digital collage, cd covers, photographic restoration & collages general marketing materials. Mark Schaumann 707.795.0924

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