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01.27.10-02.02.10

THE BOHEMIAN

Performances

On-Sale Friday

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Enrich. Educate. Entertain.

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This Friday Second Show Added

For tickets call 707.546.3600 (noon-6pm Tue-Sat) Online wellsfargocenterarts.org Highway 101 to River Road, Santa Rosa • Connecting our Community through the Arts Wells Fargo Center for the Arts gratefully acknowledges generous support from

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THE BOHEMIAN

01.27.10-02.02.10

03

TO PURCHASE TICKETS:

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 04

01.27.10-02.02.10

THE BOHEMIAN

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THE BOHEMIAN

01.27.10-02.02.10

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6;0031DC=>C70??H The article about a teen activist protesting the serving of foie gras by Cyrus Restaurant in Healdsburg used dehumanizing and inaccurate terminology to describe the youth (â&#x20AC;&#x153;Foie Gras Flap,â&#x20AC;? Jan. 13). It was also highly inappropriate to report on this individualâ&#x20AC;&#x2122;s gender identity when the information was not pertinent to the story. In a case involving a young person, it becomes especially dangerous to publicize their transgender status, since doing so may compromise his or her safety. Identifying the young woman as a â&#x20AC;&#x153;transvestite teen activistâ&#x20AC;? served only to sensationalize the story through the use of an outdated and defamatory term. If gender identity is relevant to a story, the appropriate term to use is â&#x20AC;&#x153;transgender.â&#x20AC;? Had the youthâ&#x20AC;&#x2122;s gender identity been necessary to include in the story, describing this activist as â&#x20AC;&#x153;a 16-year-old male who dresses and lives as a female,â&#x20AC;?

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assigned at birth? What does that have to do with the story at all? Identifying her in this way puts her safety at risk in a very small town that isnâ&#x20AC;&#x2122;t always accepting of differences. Third, the writer correctly refers to the young woman as she, and therefore it makes no sense to even mention that she is dressed in womanâ&#x20AC;&#x2122;s clothing. There is nothing remarkable or relevant to the story about a young woman wearing womenâ&#x20AC;&#x2122;s clothing. The story was rightfully careful to leave out her name. Why include unnecessary information in a derogatory way about her gender? Iâ&#x20AC;&#x2122;d be happy to provide you and your staff information and training about gender diversity. Please feel free to contact me if I can be of service.

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BD270B70<4 I am not sure you are aware of the differences between â&#x20AC;&#x153;transvestitesâ&#x20AC;? and transgender individuals. Your language is clearly archaic and in need of some fine-tuning. I am a transgender man living in Healdsburg, and I do not know if you realize the severity of the danger you could be putting this minor in by outing her to the public. Then you misrepresented her by putting a picture of an entirely different person in the paper when you published the story. Do you know that MTF women are targeted every day for sexual and physical violence at the hands of those who misunderstand? We do not need your help in it. I do not happen to share the views this young woman does about Cyrus, but misrepresenting someone in my community is offensive, especially from a magazine so much of its readers consider as a resource for factual information. I suggest some education surrounding transgender issues. I am sure there are plenty of transgender people out there willing to give it if one would be willing to receive. I am currently filming a documentary about my life in Healdsburg and have faced tremendous adversity. Nowhere in this article was there a need to publish the status of her gender. It is irrelevant and such a shame.

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06

01.27.10-02.02.10

THE BOHEMIAN



news for Sonoma, Marin & Napa Counties

â&#x20AC;&#x153;Official Newspaper of Lovely Hot Soupâ&#x20AC;?

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60;02C82 In Chris Impeyâ&#x20AC;&#x2122;s view, the universe will gradually weaken, chill and collapse.

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Astronomer Chris Impey already knows how it ends By C. E. McAuley

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ometime after Lynda Williams sings her 90-second version of the â&#x20AC;&#x153;Big Bangâ&#x20AC;? and tantalizes audience members with her sexy rendition of â&#x20AC;&#x153;Carbon Is a Girlâ&#x20AC;&#x2122;s Best Friend,â&#x20AC;? the universe will end. Santa Rosa Junior College physics instructor by day and indemand â&#x20AC;&#x153;physics chanteuseâ&#x20AC;? by night, Williams kicks off an evening aptly titled â&#x20AC;&#x153;The Endâ&#x20AC;? on Jan. 30 at SRJCâ&#x20AC;&#x2122;s Petaluma campus, while the award-winning Dr. Chris Impey, author and astronomer from the University of Arizona, cheerfully tells everyone of the universeâ&#x20AC;&#x2122;s demise. Impeyâ&#x20AC;&#x2122;s forthcoming book, How It Ends, is due out in April. But thereâ&#x20AC;&#x2122;s one thing Impey wonâ&#x20AC;&#x2122;t be mentioning: the alleged Mayan apocalypse of Dec. 21, 2012, which prompted director Roland Emmerichâ&#x20AC;&#x2122;s unintentionally

hilarious film 2012 and which all of modern science, though not the History Channel, has likewise rejected. â&#x20AC;&#x153;All of this apocalyptic talk is a sign of light-headedness,â&#x20AC;? Impey says. â&#x20AC;&#x153;I had a slight debate with my editors about whether or not to include it in How It Ends and won the argument to not to. I donâ&#x20AC;&#x2122;t want to legitimize cranks. The entire discussion gets very tiresome from the perspective of real science. All of this talk about the Mayans is really a form of idiocy that gets the history, culture and astronomy all wrong.â&#x20AC;? Why such a ghastly topic? â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;m a cosmologist by trade,â&#x20AC;? he explains, â&#x20AC;&#x153;so I wanted to get out of my own little corner of the universe and look at how everything ends, not just the universe, but how human life ends, the human species itself, the destruction of the biosphere, the earth, the galaxy and then, of course, finally, the universe itself.â&#x20AC;?

Though the â&#x20AC;&#x153;big crunchâ&#x20AC;? theoryâ&#x20AC;&#x201D;which posits that the universe will collapse upon itself, essentially proposing the opposite of the big bang theoryâ&#x20AC;&#x201D;has fallen from favor, more recent scientific consensus says when the end comes billions of years in the future, itâ&#x20AC;&#x2122;s gonna be a cold one. â&#x20AC;&#x153;If you were looking into space through a telescope, you would gradually see the entire universe just getting dark as the stars and galaxies simply died from lack of energy,â&#x20AC;? Impey says. â&#x20AC;&#x153;You would see this enormous blackness that would take the place of everything we see in the night sky. The observable universe will get stripped away of things to look at.â&#x20AC;? Of course, Impey adds, by that point our Milky Way galaxy would have been long ago destroyed by colliding with the neighboring Andromeda galaxy, and the slow, dark death of the universe would continue % -

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THE BOHEMIAN

01.27.10-02.02.10

07

4=360<4 Astronomer Dr. Chris Impey sees the demise.

%,

Saturday, Feb 6th, 2010 1â&#x20AC;&#x201C;4pm Special early entry time for Wine Club Members is at 12:00 $ 40 per person or 35 for Collectorâ&#x20AC;&#x2122;s Circle All tickets sales in advance at W W W. R O D N E Y S T R O N G . C O M Rodney Strong Vineyards 11455 Old Redwood Hwy Healdsburg Open daily 10am to 5pm $

Sorry, no children and no one under 21 allowed. No refunds will be offered for cancellations, lost or stolen tickets. Please bring ID for entry.

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01.27.10-02.02.10

NANNETTE

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THE BOHEMIAN



4=3BC>A84B

until simply everything fades to black. â&#x20AC;&#x153;The prognosis is that the universe will be diffused, empty and cold,â&#x20AC;? he says. â&#x20AC;&#x153;Thatâ&#x20AC;&#x2122;s the best prognosis.â&#x20AC;? Or is it? There is another competing theory, one on the frontiers of science that has what Impey terms a certain â&#x20AC;&#x153;grotesque qualityâ&#x20AC;? that makes it a fascinating scenario. In this case, the universe doesnâ&#x20AC;&#x2122;t end in a cosmic chill, but continues to accelerate until the very fabric of space/time is torn apart. Take that, Roland Emmerich. Though it all sounds a bit direâ&#x20AC;&#x201D;existence tearing itself apart like a newspaperâ&#x20AC;&#x201D;itâ&#x20AC;&#x2122;s also, well, hip. And thatâ&#x20AC;&#x2122;s what keeps bringing Impey back for more. â&#x20AC;&#x153;I love it,â&#x20AC;? he declares. â&#x20AC;&#x153;Astronomy is the coolest subject in science. Itâ&#x20AC;&#x2122;s very accessible and one of the most exciting areas of research. Iâ&#x20AC;&#x2122;m motivated by sharing that knowledge with my students and the public. We donâ&#x20AC;&#x2122;t really live in a science-literate culture. Most people have trouble distinguishing between science and pseudoscience or superstition. This shows us we can look at the universe rationally and logically.â&#x20AC;? Williams, the physics chanteuse, not only croons about carbon but also sings the praises of this apocalyptic astronomer. While Williams lauds Impey for his numerous accolades, including his recent induction as a fellow to the American Academy for the Advancement of Science, she celebrates the more unconventional paths he takes. Williams praises the work that Impey has done in the arts, such as a project called â&#x20AC;&#x153;Astrobiology in the Sacred,â&#x20AC;? completed through a grant from the John Templeton Foundation. According to Williams, not only has Impey taught at the Papal Observatory in Rome (and made friends with the Pope), but he also teaches astrophysics to the Dali Lamaâ&#x20AC;&#x2122;s monks in India. Joining Impey and Williams for â&#x20AC;&#x153;The Endâ&#x20AC;? could be just the beginning of an evening of mind-bending cosmic magic. â&#x20AC;&#x2DC;The Endâ&#x20AC;&#x2122; is an evening of cosmic proportions for the mind and ear on Saturday, Jan. 30, at 7pm. SRJC, Petaluma Campus, Ellis Auditorium, 680 Sonoma Mountain Parkway, Petaluma. The event is free; parking is not. 707.778.2415.

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An MBA finds herself in the odd spot of promoting barter By Amanda Hutchins

8

t is, unfortunately, easier to spend less than it is to make more. As a finance geek, I tend to approach every problem armed with an Excel spreadsheet, so let me illustrate. After taxes, an annual 5 percent raise (optimistic by most companiesâ&#x20AC;&#x2122; standards) results in an approximately 3.3 percent increase in take-home pay. If your income is $100,000, thatâ&#x20AC;&#x2122;s only $3.3K for the year, or $275 a month. With luck, it will mitigate overall inflation and leave you exactly where you were before. Itâ&#x20AC;&#x2122;s certainly not enough to afford the new Porsche Iâ&#x20AC;&#x2122;ve always dreamed of. If youâ&#x20AC;&#x2122;re an independent service provider (consultant, masseuse, contractor), you can certainly raise your hourly rates, but at some point youâ&#x20AC;&#x2122;re going to price yourself out of the market and wind up making less overall than you would if your rates were reasonable. It doesnâ&#x20AC;&#x2122;t matter if youâ&#x20AC;&#x2122;re the best house painter in the world, people are only willing to pay so much for a given service. Multiply that rate by the hours you can work, and thereâ&#x20AC;&#x2122;s your income. There is a loophole, however. Assuming you have a valuable skill, you can trade your expertise with others for services or items that you want. My brother is an excellent personal trainer, and his clients pay him well to kick their asses. To supplement cash payments, he trades training with a masseuse and a tattoo artist, and is a little more relaxed and definitely more colorful than he was before. He has even bartered several sessions for a new f latscreen TV. As a financial analyst, I am not in the most barterable profession and am jealous of my brotherâ&#x20AC;&#x2122;s ability to call on a masseuse any time in exchange for an hourâ&#x20AC;&#x2122;s worth of training. But recently, Iâ&#x20AC;&#x2122;ve been thinking about the less obvious or valuable forms of bartering. A few weeks ago, a zipper on my favorite $15 sweatshirt broke. It would have cost me more to pay somebody to fix it than it would to buy a new sweatshirt. I worked for a clothing company and can understand logically how cheap inputs like overseas labor and mass-produced fabric can make that possible. But from an environmental and local level, it doesnâ&#x20AC;&#x2122;t quite

compute. Shouldnâ&#x20AC;&#x2122;t one small component of an item cost less than the sum total of the materials required to make it? And even accounting for the loss in productivity when repairing one item vs. thousands, shouldnâ&#x20AC;&#x2122;t replacing a single zipper cost less than sewing the entire sweatshirt? With a perfectly good sweatshirt in my closet (minus one zipper) I am having trouble justifying its disposal and replacement. However, I canâ&#x20AC;&#x2122;t really see paying somebody to fix it; it did only cost $15, after all. As I have the sewing abilities of an eight-year-old boy, repairing it myself is out of the question. I mentioned this dilemma to a friend, and it turns out her mom actually taught her to sew. A new zipper is no problem. In appreciation, I offered to cook her dinner. I find this solution much more appealing than my previous options: (a) supporting an international corporation by buying a new sweatshirt; or (b) paying somebody more than the sweatshirt cost to repair it. It also accomplishes something that feels a little bigger and more meaningful than the small task itself. It brought a friend to my table and resulted in an evening of laughter, card games and decent food. (I am not quite at the â&#x20AC;&#x153;Top Chef â&#x20AC;? level of cooking. Yet.) I realize that this may not be the most procapitalist solution, especially coming from an MBA, but there is something satisfying about these small, people-focused exchanges. In a time when money seems tighter every day, when global resource-consumption leads to poverty and war, and when a single sweatshirt has traveled farther to reach me than many people travel their entire lives, going back to basics feels a little less chaotic and a little more real. So maybe we canâ&#x20AC;&#x2122;t all be amazing trainers, but we can help each other move or sew a zipper or make somebody dinner and maximize our experiences without needing to maximize our financial wealth.

I realize that this may not be the most pro-capitalist solution, but there is something satisfying about these small, people-focused exchanges.

You are invited to the 11th Annual

PAWS FOR LOVE Saturday, February 6, 2010 6:00 to 10:00pm Finley Community Center W. College at Stony Point, Santa Rosa â&#x2122;Ľ heartfelt art created by rescue animals â&#x2122;Ľ live and silent auctions â&#x2122;Ľ wines by Foppiano and Kenwood â&#x2122;Ľ gourmet hors dâ&#x20AC;&#x2122;oeuvres â&#x2122;Ľ live music

Amanda Hutchins is a finance professional and occasional writer living in Santa Rosa. Open Mic is a weekly feature in the Bohemian. We welcome your contribution. To have your topical essay of 700 words considered for publication, write openmic@bohemian.com.

All proceeds benefit animals in need

Admission: $30 advance / $40 at door VISA/MC accepted

For information and tickets: www.pawsforlove.info or 707.544.3974

THE BOHEMIAN

01.27.10-02.02.10

09

LAW SCHOOL Informational Seminar Tuesday, February 2 6:30 to 8:00 p.m.

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By Juliane Poirier

?

icture us as nobles, if you can. Like royalty, we are waited upon by invisible hands. We get to eat because bees pollinate and invisible multitudes create nutrients in soil. We get to hike in shade and savor our exercise because trees protect the ground from erosion and scrub the air for us to breathe. The list goes on. Nature contributes to our contentment and our economy in the way that mothers doâ&#x20AC;&#x201D;taken for granted and not included on the spreadsheet of commerce. But take away these unpaid services and what happens? Things fall apart. Scientists estimated 15 years ago that in 1995 dollars, nature provided roughly $33 trillion in annual services to humankind. Ho hum, said the humans, and politiciansâ&#x20AC;&#x2122; dealings continued to ignore eco-services. Among the costly mistakes made in countries around the world was deforestation, now understood to be responsible for the release of more greenhouse gas emissions than any other human activity. Still yawning? Then count yourself among many of the worldâ&#x20AC;&#x2122;s legislators, unmoved by the facts. Enter the photographers, with pictures to pick up where statistics fall short. The right photo can tell a story better than any writer or lobbyist. This is enough to motivate Cristina Mittermeier, director of the International League of Conservation Photographers (ILCP), who spoke last week in Marin. The Mexico-born Mittermeier is on a book tour, part of her agencyâ&#x20AC;&#x2122;s mission to inform the public of eco-service value. Mittermeier became a scientist in the first place to advocate for nature. Now she takes pictures. â&#x20AC;&#x153;Somewhere along the way,â&#x20AC;? she explained, â&#x20AC;&#x153;I realized that we didnâ&#x20AC;&#x2122;t need more science.â&#x20AC;? She shifted from being a biochemical engineer and marine biologist to being a conservation photographer. â&#x20AC;&#x153;I didnâ&#x20AC;&#x2122;t feel like I was stepping down,â&#x20AC;? she said. â&#x20AC;&#x153;I simply felt it was a better way for me to contribute to the conservation agenda.â&#x20AC;? She now helps partner photographers with scientists to get the most critical photographs taken. â&#x20AC;&#x153;I still contribute to the scientific literature,â&#x20AC;? Mittermeier said, â&#x20AC;&#x153;But I am now educating policy makers all over the world by showing them pictures

and helping them understand the value of nature. Photography is a great way to burn into the collective consciousness images that do not need translation. We take these pictures to legislators and use the images to start a conversation.â&#x20AC;? By partnering photographers with scientists, the ILCP promotes conservation in an apolitical way. With funding from Cemex, the worldâ&#x20AC;&#x2122;s largest cement manufacturer, the ILCP produces a book each year with photographic subjects assigned by scientists. This year, the scientist-authors are from Conservation International, and the book is The Wealth of Nature: Ecosystem Services, Biodiversity and Human Well Being. â&#x20AC;&#x153;The book shows that ecosystem services, things we take for granted, have an intrinsic value,â&#x20AC;? Mittermeier said. â&#x20AC;&#x153;But they are not given economic value. Countries donâ&#x20AC;&#x2122;t have a line item for pollination, so if itâ&#x20AC;&#x2122;s suddenly gone they canâ&#x20AC;&#x2122;t say how much it will cost to replace the service.â&#x20AC;? Mittermeier claims photographs can make a huge impact. â&#x20AC;&#x153;Not only do they inform and inspire,â&#x20AC;? she said, â&#x20AC;&#x153;they are able to retain peopleâ&#x20AC;&#x2122;s attention. For people who will never visit these places, the images are the only way they will get a glimpse, perhaps try to connect the dots and make better decisions. Haiti is a country that committed ecological suicide by cutting down all its trees. If you squander your ecologic services, a tragedy that would be bad under any circumstances becomes brutal.â&#x20AC;? Mittermeier points out how the squandering of ecosystems impoverishes people, pointing to the 90 percent loss of forest cover in Madagascar caused when the former president sold land to Koreans to raise rice and beef. â&#x20AC;&#x153;The little forest that remains holds some of the greatest biodiversity on earth,â&#x20AC;? Mittermeier said, emphasizing that ecosystems provide medicines, psychological solace, food, water and even religious and cultural identity. â&#x20AC;&#x153;I think a lot of countries just donâ&#x20AC;&#x2122;t see it yet, but healthy ecosystems support healthy economies.â&#x20AC;? To those who remain blind, Mittermeier and her colleagues plan to show just the right images. â&#x20AC;&#x153;Photography and science,â&#x20AC;? she promised, â&#x20AC;&#x153;are a powerful combination.â&#x20AC;?

In 1995 dollars, nature provided roughly $33 trillion in annual services to humankind.

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07PXcXP]<TP[ Eating traditional Haitian food is one way of paying attention to a brighter side of peopleâ&#x20AC;&#x2122;s lives By Ari Le Vaux

4

ating Haitian food wonâ&#x20AC;&#x2122;t directly aid earthquake survivors, and it isnâ&#x20AC;&#x2122;t a substitute for sending cash or other forms of assistance. But eating Haitian for an evening is a way of paying attention to a brighter side of Haitian life and can be a valuable reminder that there is more to Haiti than its enormous capacity for suffering. Already, citizens of the world are catching up on their Haitian history and learning that long before the quake, Haiti was the poorest nation in the Western Hemisphere, and one of the most environmentally degraded, politically oppressed and violent, too. If the disaster helps focus attention on this sore spot, perhaps someday weâ&#x20AC;&#x2122;ll recognize a silver lining to this tragedy. Whether youâ&#x20AC;&#x2122;re breaking bread together, taking a meal to a sick friend, or learning about another culture through its food, eating can be a bonding experience. So while our thoughts and support go out to the people

in Haiti, how about a virtual trip there via an eveningâ&#x20AC;&#x2122;s victuals, to remind us that Haitians deserve respect as well as help? While Haitiâ&#x20AC;&#x2122;s experience under French rule did much to set its tumultuous trajectory, a country could do worse, from a culinary perspective at least, than to be colonized by France. Our first dish, in fact, bears a vague resemblance to the French dish duck a lâ&#x20AC;&#x2122;orange. Itâ&#x20AC;&#x2122;s called griot, a word that also refers to West African minstrels. Griot the dish is pork marinated in sour orange juice and then brownedâ&#x20AC;&#x201D;a sort of pork a lâ&#x20AC;&#x2122;orange, if you will. Itâ&#x20AC;&#x2122;s one of the most treasured dishes of Haiti, and very rare in a country where pork is a luxury. Sour orange, one of griotâ&#x20AC;&#x2122;s key ingredients, isnâ&#x20AC;&#x2122;t as easy to obtain as simple oranges gone bad. Sourâ&#x20AC;&#x201D;or Sevilleâ&#x20AC;&#x201D;orange is a distinct citrus in the orange family, and if you can get your hands on some, by all means do. Alternatively, Goya markets a sour orange marinade called Naranja Agria. Otherwise, limes can be used, or a mixture of lime and orange juice.

If using fruits, cut them into quarters and squeeze the juice into a bowl until you have roughly a cup and a half. Save the peels. Cut two pounds of pork chop or pork shoulder into half-inch cubes and toss the cubes in salt until theyâ&#x20AC;&#x2122;re coated. Stir the peels of the squeezed fruit in with the salted meat, so the zest from the rinds can permeate the meat. Let sit for half an hour. Now rinse the meat cubes under cold water. Place them in a pot and cover them with the juice. Add a sliced jalapeĂąo pepper, a teaspoon of thyme, a quarter cup of chopped scallions (or yellow onion), a quarter of a bell pepper, diced, and a few sprigs of chopped parsley. At this stage, some recipes will tell you to marinate overnight, but as one seasoned blogger notes: â&#x20AC;&#x153;All Haitian grandmas will tell you that if you want your griot right away, you got to take the proper measures for that.â&#x20AC;?In other words, you donâ&#x20AC;&#x2122;t have to marinate it overnight to meet authentic Haitian approval. Add just enough water to the juice to cover the meat and seasonings, and simmer &) THE BOHEMIAN

01.27.10-02.02.10

13

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until the chunks are soft enough to push a spoon throughâ&#x20AC;&#x201D;about 45 minutes. Remove the pork chunks from the pot, dry them and slowly fry them in oil until nicely browned on all sides. Then add the onions, parsley and peppers that remain in the pot, and a quarter cup of the liquid, stirring occasionally. When the liquid cooks off, turn off the heat. Serve the griot with cornmeal porridge, prepared as follows: Bring eight cups of water with a teaspoon of salt to a boil and whisk in two cups of cornmeal. Keep whisking until all lumps disappear. Add crushed chile flakes if you wish. Simmer for 15 minutes, or until the grains are no longer crunchy. As it cooks, add water if necessary, and be vigilant with a scraper so nothing sticks to the bottom. When the cornmeal is soft, cook until itâ&#x20AC;&#x2122;s as thick as oatmeal, stir in a tablespoon of butter or olive oil, and pour into a wide, shallow dish to cool. Cut into pieces and serve.

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01.27.10-02.02.10

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Like the African minstrels of its namesake, griot is a storyteller. There are a lot of flavors going on in this meal. Like the African minstrels of its namesake, griot is a storyteller. It sings a harmony of dissonant notes: the pungent heat of the jalapeĂąos, the sour and sweet penetrating acidity of the citrus, the richness of the pork and its satisfying brown coat. The porridgeâ&#x20AC;&#x2122;s creamy and subtle corn flavor carries the griot, and creates a wonderful juxtaposition of flavors and textures. Itâ&#x20AC;&#x2122;s a pairing so complete that once you start eating them together you arenâ&#x20AC;&#x2122;t satisfied eating one without the other. But the reality is, just as Haitian meals are more likely to consist of cornmeal porridge alone, your griot will probably run out before the cornmeal porridge. If so, consider slowly frying slices of the leftover porridge in oil the next morning for breakfast. It develops a crispy skin and nutty flavor thatâ&#x20AC;&#x2122;s surprisingly satisfying. Perhaps once youâ&#x20AC;&#x2122;ve eaten their food, youâ&#x20AC;&#x2122;ll feel connected to the Haitian people in a way thatâ&#x20AC;&#x2122;s different from the connection you felt when you sent money to an earthquake relief organization. Itâ&#x20AC;&#x2122;s a feeling of respect for the culture that created this amazing meal, rather than pity for the poor people whose pitiful world has come crashing down on their heads. In the end, both respect and pity are worth indulging. After you enjoy your meal, consider how far the money you spent on that pork chop could go toward the Haitian relief effort. Letâ&#x20AC;&#x2122;s open our wallets as well as our mouths.

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3A40< 38=8=6 id you see the new Dominoâ&#x20AC;&#x2122;s Pizza commercial in which the company admits that its pizza tastes like garbage and itâ&#x20AC;&#x2122;s trying to do better? Now the company says it is taking bold steps, like using real cheese, sauce that doesnâ&#x20AC;&#x2122;t taste like ketchup and a crust better than the box it comes in. Radical stuff. Itâ&#x20AC;&#x2122;s a novel bit of PR that must have been fueled by same really poor sales.

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â&#x20AC;&#x153;The old days of trying to spin things simply doesnâ&#x20AC;&#x2122;t work anymore,â&#x20AC;? Dominoâ&#x20AC;&#x2122;s president Patrick Doyle told the Associated Press in an interview. Translation: Weâ&#x20AC;&#x2122;ve been lying to you for years that our pizza was ďŹ t to eat, and now weâ&#x20AC;&#x2122;re going to make pizza without the cheapest low-grade ingredients we can ďŹ nd. We hope you suckers will buy it. With a wealth of excellent pizza out there, thereâ&#x20AC;&#x2122;s no reason to try the â&#x20AC;&#x153;newâ&#x20AC;? Dominoâ&#x20AC;&#x2122;s, but I appreciate the companyâ&#x20AC;&#x2122;s candor. Imagine if other fast-food companies were equally forthcoming. Imagine further if they not only fessed up to inferior-tasting food but also to the environmental damage and animal suffering they cause. Here are a few scenes taken from my wildest dreams. â&#x20AC;&#x153;Letâ&#x20AC;&#x2122;s face the facts,â&#x20AC;? says a chief McDonaldâ&#x20AC;&#x2122;s ofďŹ cer in a catchy new ad. â&#x20AC;&#x153;The production and transportation of beef are major sources of climate-warming carbon emissions. The grain fed to the cattle destined for our Big Macs and Quarter Pounders could eliminate starvation around the world. We all live on this planet. Happy meals? Who are we kidding?â&#x20AC;? The Colonel chimes in: â&#x20AC;&#x153;Youâ&#x20AC;&#x2122;d think that for a company that prides itself on its chicken that we would require our suppliers to treat their birds more humanely,â&#x20AC;? says a contrite Colonel Sanders in a somber new ad campaign. â&#x20AC;&#x153;Sadly, thatâ&#x20AC;&#x2122;s not the case. The 750 million chickens raised for KFC are crowded into ammonia- and feceschoked warehouses where they must suffer beak cuttings and broken bones because they are bred to gain so much weight so quickly their bones just snap. I wonâ&#x20AC;&#x2122;t even get into how many of these growers go about slaughtering the chickens. Chickens of America, I apologize.â&#x20AC;? And the king of burgers? After being hounded by PETA and its â&#x20AC;&#x153;Murder Burgerâ&#x20AC;? campaign, Burger King agreed to a series of animal-welfare improvements. The company now requires 2 percent of its eggs to come from hens that are not conďŹ ned to battery cages and now buys 10 percent of its pork from farms that donâ&#x20AC;&#x2122;t use cruel gestation crates where pregnant pigs are immobilized. The company also rewards suppliers that use more humane methods for slaughtering chickens. â&#x20AC;&#x153;We want to be doing things long before they become a concern for consumers,â&#x20AC;? said Steven Grover, Burger Kingâ&#x20AC;&#x2122;s vice president for food safety, quality assurance and regulatory compliance. So far did Burger King go that PETA gave the company its â&#x20AC;&#x153;most improved national food chainâ&#x20AC;? award in 2008. Actually, I didnâ&#x20AC;&#x2122;t dream up that bit about Burger King. It really happened. And the fact is if more of us started to look at the real costs of cheap food and made our decisions accordinglyâ&#x20AC;&#x201D;as Burger Kingâ&#x20AC;&#x2122;s Grover acknowledged, our â&#x20AC;&#x153;concernsâ&#x20AC;? actually do matterâ&#x20AC;&#x201D;my dream scenarios for fast-food chains and other restaurants might not be so far off.

Stett Holbrook

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Back by popular demand: $45 locals 3 course prix fixe Now, through the end of March. Our incredible Thurs. Night Winemaker Dinner Series Hosted by Farmhouse Master Sommelier, Geoff Kruth Feb 4 Arnot-Roberts, Feb 18 Windgap, Mar 4 Scherrer Hot Hotel Deal, as featured in Travel & Leisure 2 nights & dinner in our Michelin starred restaurant.$512

Join us on Facebook

7871 River Road, Forestville For Reservations Call

707-887-3300

www.farmhouseinn.com

It is Solved by Walking . . .

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January 31st 707.283.0373 www.veriditas.org

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with this coupon

2 FOR 1 DINNER WITH PURCHASE OF 2 DRINKS

Valid after 4pm. Not for take-out. Exp. 2/3/2010

128 N. Main St, Sebastopol

707.829.2822

BREAKFAST â&#x20AC;˘ LUNCH â&#x20AC;˘ DINNER

www.EastWestCafeSebastopol.com

THE BOHEMIAN

01.27.10-02.02.10

17

18

01.27.10-02.02.10

THE BOHEMIAN

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THE BOHEMIAN

01.27.10-02.02.10

19

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poster: Lance Walker

An Evening of Music Benefitting KWMR

February 13 at the Dance Palace - Point Reyes Station

Doors open at 7:00, Show at 8:00 p.m. - Advance Tickets Recommended - Available at KWMR.org

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THE BOHEMIAN



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<D<< =0?0 n permanent loan from Napoleon Bonaparte, Mummâ&#x20AC;&#x2122;s motto is emblazoned for quiet contemplation even on the wall of the menâ&#x20AC;&#x2122;s room: â&#x20AC;&#x153;In victory, you deserve champagne; in defeat, you need it.â&#x20AC;? Heady stuff, indeed, but a question for the Corsican: What about when itâ&#x20AC;&#x2122;s just complicated? Perhaps Mummâ&#x20AC;&#x2122;s premium Napa Valley sparkling wine can help us with that, too.

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Set on the quieter side of the valley, the manifestly Californian-style ďŹ zz factory is all barn and no chateau, and although lacking in dank cave ambiance, a tour provided our group with an robust account of exactly how the bubbles get into the bottle, accompanied by a ďŹ&#x201A;ute of Brut RosĂŠ. On the way outâ&#x20AC;&#x201D;surprise!â&#x20AC;&#x201D;a photography gallery that includes Ansel Adams prints and rotating exhibits begs the eye to linger. â&#x20AC;&#x153;Changing Earth: A Photographerâ&#x20AC;&#x2122;s Perspectiveâ&#x20AC;? features striking portraits of landscape and environmental decline, through March 13. Indoor or patio seating takes the pressure off the elbowsâ&#x20AC;&#x201D;with no bar to wade through crowds to get to, visitors can relax at small tables and choose from single tastes or ďŹ&#x201A;ights of two ďŹ&#x201A;utes apiece. But as Iâ&#x20AC;&#x2122;ve said before, when you go Napa, go the extra; Mumm Napa opened the Oak Terrace last year for visitors who want to take it to the next level. With seating in plush, red love seats; cheese, fruit and nut plates; special attention; and a choice of Mummâ&#x20AC;&#x2122;s best library releases, itâ&#x20AC;&#x2122;s a right good rendezvous for romantic duosâ&#x20AC;&#x201D;or just good friends, alike. Acquiring more aromatic nuance over time, vintage bubbleâ&#x20AC;&#x2122;s tingly tease only gets ďŹ ner, too. The 2000 DVX Brut ($55) is named in honor of G.H. Mummâ&#x20AC;&#x2122;s original man in Napa, Guy Deveaux; a haunting aroma of the sea from a shell is enlivened by citrus zip and stone fruit notes. Tart red berry fruit keeps the creamy 2004 DVX Brut RosĂŠ ($65) lively as it lingers comfortably on the palate, while the honeyhued 25th Anniversary Brut Reserve ($80) is richly adorned with toasted nut, baked pear, and again, that memory of the sea. But to be honest, I was initially called to Mumm out of pure curiosity. The Sparkling Pinot Noir ($30) is a truly blood red and bubbles like a mouthful of stillfermenting wineâ&#x20AC;&#x201D;minus the sourness, sulfur and yeastâ&#x20AC;&#x201D;with ďŹ&#x201A;avors of grape, red licorice and tart cherry. The CuvĂŠe M Red ($30) is similar but smokier, with cream, leather and a red berry, black cherry character. Verdict on the passionate reds: certainly broadens the sparkling food pairing options. But Mummâ&#x20AC;&#x2122;s still wines run deep, too. The 2004 Syrah ($60) is especially bright and juicy, a silky, licorice and plum-cherry treatâ&#x20AC;&#x201D;one of those glassfuls thatâ&#x20AC;&#x2122;s supple and alluring with every succeeding sip and that you never want to end. At this point, our host notes with a laugh that visitors predictably sink ever more comfortably into the furnitureâ&#x20AC;&#x201D;not a bad way to spend a gorgeous sunny day, when the 180-year-old oak tree shades the terrace, but just perfect even as overburdened clouds make their inevitable advance from the horizon to bring the ďŹ rst tears of rain, as tiny as the stream of bubbles rushing upwards and away, to vanish like thousands of too-soon-departed happy moments. Mumm Napa, 8445 Silverado Trail, Napa. Open 10amâ&#x20AC;&#x201C; 5pm daily. Tasting options $6â&#x20AC;&#x201C;$20; Oak Terrace, $30. 707.967.7700.

James Knight

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ŸE0=8C0B F8C70AC8BC½B B:4C271>>:½ Every item here is entirely made of porcelain. If pressed, the skull could probably pour an awkward cup of tea.

4eTah?XRcdaTCT[[bPBc^ah3^]žc8c. Richard Shawâ&#x20AC;&#x2122;s ingenious ceramics arenâ&#x20AC;&#x2122;t at all what they seem By Gretchen Giles

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culptor Richard Shaw says that he has found a way to avoid the anxiety of the blank canvas. Rather than depicting something that might never have been seen before, he makes a teapot. Rather than conjuring a fantasy figure straight out of nowhere, he makes a bowl. Rather than calling up some imaginary creature never before known to humankind, he makes a vessel. But the forms that his teapots, bowls and vessels take are not previously known to mankind and canâ&#x20AC;&#x2122;t dispense tea, hold oranges or suffer flower arrangements. Shaped like bowler hats, demitasse cups, cookies, walnuts, cakes, playing cards, cheese wedges, lemon slices and other homely domestic nouns, Shawâ&#x20AC;&#x2122;s ingenious porcelain pieces intend to trick the eye and lead the mind. â&#x20AC;&#x153;If you make it functional, you have to jump through a lot of hoops, make a lot of decisions about it,â&#x20AC;? Shaw, 69, explains by phone from his Fairfax home. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s not making fun of functionality, itâ&#x20AC;&#x2122;s not not respecting it, but respecting it and making fun of it at the same time. Just because somethingâ&#x20AC;&#x2122;s a painting

doesnâ&#x20AC;&#x2122;t mean itâ&#x20AC;&#x2122;s art; just because itâ&#x20AC;&#x2122;s a teapot doesnâ&#x20AC;&#x2122;t mean itâ&#x20AC;&#x2122;s not art.â&#x20AC;? Shawâ&#x20AC;&#x2122;s circuitous phrase â&#x20AC;&#x153;itâ&#x20AC;&#x2122;s not not respecting itâ&#x20AC;? gives a hint at the method this UC Berkeley ceramics professor takes to arrive at his work and his method. Trained at UC Davis and the San Francisco Art Institute, Shaw is internationally known for his trompe lâ&#x20AC;&#x2122;oeil technique in slip-casting porcelain so that it uncannily resembles its inspiration, be that a cigar or a novel. Mentored by Cotati sculptor Bob Hudson, his former teacher and merry collaborator, Shaw is among that group of Bay Area artists who very much dislike being described as â&#x20AC;&#x153;funkâ&#x20AC;? artistsâ&#x20AC;&#x201D;and yet inevitably areâ&#x20AC;&#x201D;including Woodacreâ&#x20AC;&#x2122;s painting punster William T. Wiley, di Rosa Preserve stalwart Viola Frey and the late Robert Arneson. The Sonoma County Museum honors his career with â&#x20AC;&#x153;Richard Shaw: Four Decades of Ceramics,â&#x20AC;? a 40-year retrospective of his work opening Jan. 29. Shaw, who intended to be a painter, arrived at art school just as ceramic work was changing from earnest functionality to freer sculpture. Writing in the museumâ&#x20AC;&#x2122;s companion catalogue to the show, Sonoma State University art

history professor Michael Schwager notes, â&#x20AC;&#x153;It was a time for breaking rules, and Shaw was ready to do so technically, structurally and aesthetically in clay.â&#x20AC;? His first pieces worked and reworked a sinking ship, an image he had obsessively drawn in high school, having been forced to read a Readerâ&#x20AC;&#x2122;s Digest version of the Titanic tragedy for several consecutive semesters. But Shaw sunk his Titanic into a couch. At a wedding, he thought it would be funny to remove the bride and groom statuettes from the cake (he was nearly alone in thinking so), and that disaster of manners led to him casting his own wedding figures. And so on, with life presenting all manner of opportunity for Shaw to lampoon, examine, mimic and transform. In the early 1970s, when he and Robert Hudson were neighbors in Stinson Beach, the two began to collaborate, using the same materialsâ&#x20AC;&#x201D;mostly domestic cast-offs culled from area thrift storesâ&#x20AC;&#x201D;the same paint and the same molds. Neither worked on the otherâ&#x20AC;&#x2122;s sculpture, but all materials and inspirations were shared. What had been intended to be a summerâ&#x20AC;&#x2122;s lark turned into two intense years of '' immersion that helped Shaw hone the THE BOHEMIAN

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ingenious trompe lâ&#x20AC;&#x2122;oeil technique of which he is the undisputed master. But critics and art professionals are quick to remind that thereâ&#x20AC;&#x2122;s much more to Shawâ&#x20AC;&#x2122;s work than meetsâ&#x20AC;&#x201D;or tricksâ&#x20AC;&#x201D;the eye. A recurring motif is that of the cup with a plate, perhaps a cookie and a book. â&#x20AC;&#x153;I think that if you look at the titles of the books, there are so many levels where heâ&#x20AC;&#x2122;s being very subtly creative and sometimes not so subtle and is joking,â&#x20AC;? says Sonoma County Museum executive director Diane Evans, who curated the show. â&#x20AC;&#x153;The little bits of debris on the plates. One thing that people tend to overlook with his work is the blue and white workâ&#x20AC;&#x201D;look at the artwork on the plate, heâ&#x20AC;&#x2122;s created all of the designs and patterns, playing upon traditional Asian designs. None of these are direct copies from some object in nature. He manipulates everything.â&#x20AC;? The â&#x20AC;&#x153;blue and white workâ&#x20AC;? that Evans references is Shawâ&#x20AC;&#x2122;s homage to the traditional Blue Willow china pattern prized by the Victorians and ubiquitous now. Looking closely at the familiar dishware, one can see that Shaw has entirely redrawn the figures. â&#x20AC;&#x153;As a kid I didnâ&#x20AC;&#x2122;t like it, but I liked that it told a story,â&#x20AC;? he explains. Ah, the story. Narrative is rampant and intended in Shawâ&#x20AC;&#x2122;s work, and he gives lots of intriguing clues for viewers to mull over. â&#x20AC;&#x153;The realism and the transition of the materials grab people, but hopefully there are layers going on,â&#x20AC;? he says. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s about people looking at things that they probably wouldnâ&#x20AC;&#x2122;t spend that much time looking at otherwise, like junk, and the story of why that is put together, because a lot of times Iâ&#x20AC;&#x2122;m trying to pretend Iâ&#x20AC;&#x2122;m someone else. Especially in the still lifes. You can read it: Is it a male who did this, or a female? What were they drinking when they left that coffee cup? What kind of book were they reading? Thatâ&#x20AC;&#x2122;s the narrative and then just enjoying the works for what they are.â&#x20AC;? Michael Schwager adds, â&#x20AC;&#x153;The wow factor that everyone, understandably, has when seeing Richardâ&#x20AC;&#x2122;s work is that it is

technically such a tour de force. He has such prodigious skill. But people who give thought to artwork at all talk about the content, the storytelling and the implied narrative thatâ&#x20AC;&#x2122;s there, as, actually, does Richard. This little tableaux he createsâ&#x20AC;&#x201D; thereâ&#x20AC;&#x2122;s a cigar sitting on the edge of a tray of watercolors or a house of cardsâ&#x20AC;&#x201D;the story part is what grabs people and holds people and thatâ&#x20AC;&#x2122;s what given Richard a sustained career. However, his renown and respect in the field would be less if that were all that was to it.â&#x20AC;? Long married to the painter Martha Shaw, who is being given an adjacent exhibit of her solo work at the museum, Shaw is known for regularly biking from Fairfax to his Berkeley teaching post and for playing bluegrass guitar and soccer. What some may not know is that under this athletic family man there lurks the heart of a romanticâ&#x20AC;&#x201D;specifically, one whose romance is with materials. Shawâ&#x20AC;&#x2122;s sculpture often juxtaposes an artistâ&#x20AC;&#x2122;s palette or watercolor box or sketch book with other items. He explains: â&#x20AC;&#x153;There are a lot of materials that have so much possibility, like if you buy the right kind of brush, it will make everything turn out all right. With a palette or the watercolor boxes, itâ&#x20AC;&#x2122;s not what they make but what is used to make it. I think thereâ&#x20AC;&#x2122;s a real romance in art and art materials and traditional materials.â&#x20AC;? Forty years is long enough to get good at something. The challenge is in keeping it fresh. â&#x20AC;&#x153;I take chances once in a while,â&#x20AC;? Shaw explains. â&#x20AC;&#x153;Selling isnâ&#x20AC;&#x2122;t the priority, but you can tell that when people buy things, itâ&#x20AC;&#x2122;s because it moves them some way. In every show, thereâ&#x20AC;&#x2122;s some work that goes in a new direction and that kind of keeps me alive. â&#x20AC;&#x153;If I can do what Iâ&#x20AC;&#x2122;m known for and find a way to make it interesting to me,â&#x20AC;? he laughs, â&#x20AC;&#x153;all the better.â&#x20AC;? â&#x20AC;&#x2DC;Richard Shaw: Forty Years of Ceramicsâ&#x20AC;&#x2122; runs Jan. 30â&#x20AC;&#x201C;May 30 at the Sonoma County Museum. A public reception is slated for Friday, Jan. 29, from 5pm to 7pm. 425 Seventh St., Santa Rosa. 707.579.1500.

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4\TaVX]VEXbX^]b Arts Council of Sonoma County awards three young artists grants

By Dani Burlison, Gretchen Giles and Gabe Meline

5

or the fifth time, the Arts Council of Sonoma County has awarded $5,000 grants to three emerging artists to allow them greater freedom in exploring their craft. Established in 2006 (and taking a year off in 2007), the Emerging Visual Artist Award is one way that Sonoma County is trying to better invest in the arts. Partnering with United States Artists (USA), the council decided to make these grants in conjunction with various national foundations after a USA study found that while 96 percent of Americans appreciate the arts, only 27 percent believe that artists contribute to the good of society. Bleech and bah! In addition, the study discovered that the median reported income for artists from their artistic work was only $5,000. Surely we can all do better than that. Culled from some 95 applicants, who underwent a rigorous two-part judging process, weâ&#x20AC;&#x2122;re pleased to introduce to you Tramaine de Senna, Andrew Sofie and Laine Justice.

Beauty of the Mundane It is forbidden to enter unless the visitor first slips on a pair of cardboard huaraches. Hand-woven and oversized to accommodate feet still clad in shoes, the slippers protect the cardboard-covered floor and make a comfortable swishing sound as one glides about, circumnavigating the weightlifting torsos hanging from the ceiling. These carefully rendered muscles of bulky men are drawn on more cardboard and twirl in any slight breeze, turning to reveal their origins as paper towel cartons. Tremaine de Senna, 29, has created this installation at Healdsburgâ&#x20AC;&#x2122;s Hammerfriar Gallery. A TV loop showing body builders at the gym plays silently in the background, the camera honing in on painfully veined male pecs as large as any trophy brideâ&#x20AC;&#x2122;s plastic breasts. On the walls are drawings of what de Senna calls â&#x20AC;&#x153;bodybuilding buddies,â&#x20AC;? homoerotic evocations of twinned men exercising in postures easily mistaken for lovemaking, and under a clear plastic vitrine on a table in the main room, gaudy hot pink and garish gold paint frame small paper plates upon which juicy red meat

cuts are depicted. Thereâ&#x20AC;&#x2122;s a lot going on in here. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s kind of dumb how it started off,â&#x20AC;? de Senna later explains by phone from her Occidental home. â&#x20AC;&#x153;[Hammerfriar owner Jill Plamman] asked me to do something for the beginning of the year, and I thought of New Yearâ&#x20AC;&#x2122;s resolutions and getting fit, so I went to the grocery store and started looking at magazines.â&#x20AC;? She pauses to laugh at herself. â&#x20AC;&#x153;But it ties into my themes of ritual and display and decoration,â&#x20AC;? she says more earnestly, â&#x20AC;&#x153;and I found the whole idea of body buildingâ&#x20AC;&#x201D;when people are really big and bulky as opposed to just being healthyâ&#x20AC;&#x201D;really intriguing. I love the beauty of the mundane; the cardboard came into place and itâ&#x20AC;&#x2122;s just such a common material.â&#x20AC;? The garishly decorated paper plates, she explains, were inspired by her recent residency in Germany, where strangely elegant scalloped disposable dishware are used to serve up the quick street food of the masses. â&#x20AC;&#x153;I like taking the association with fast food and greasiness and then turning it into art,â&#x20AC;? she says. During her time in Berlin, de Senna worked extensively with mutable materials, eventually recladding her entire room in cardboard and tinfoil and building all her furniture, save her bed, from more cardboard. â&#x20AC;&#x153;I worked at Make magazine,â&#x20AC;? she says, â&#x20AC;&#x153;and there I was really inspired by the idea, particularly in this economy, that you can teach yourself a skill set, like how to be less of a consumer, and I took it literally. Itâ&#x20AC;&#x2122;s a continuation of the residency and a â&#x20AC;&#x2DC;decorative mendacityâ&#x20AC;&#x2122; installation where I lived there and also created artwork. It was influenced both by my time at Make and by Japanese interior architecture. The Japanese treat very common materials like paper and wood very elegantly.â&#x20AC;? Spending even a small amount of time talking to de Senna, one is struck by her breadth of interest and experience. In addition to her magazine stint, she worked as a costume designer for American Conservatory Theatre and as an architectural draftsperson. The sitting-sewing work of the former was too â&#x20AC;&#x153;cattyâ&#x20AC;? for her tastes; the latter, too robotic. â&#x20AC;&#x153;Youâ&#x20AC;&#x2122;re a CAD monkey, and your hand is transferred into the computer,â&#x20AC;? she sighs. Because what de Senna really wants to do is to draw. Her video work is already quite sophisticated and she plans a series of diptychs marrying the video with the drawing. Planning to spend her EVA money on the rent, de Senna has won a residency in Switzerland later in the year, where sheâ&#x20AC;&#x2122;ll stay in a small Baroque city and create site-specific work. Whatâ&#x20AC;&#x2122;s guaranteed is that sheâ&#x20AC;&#x2122;ll keep on challenging herself. â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;m using and trying to understand materials and their chemistry, like how cardboard is corrugated,â&#x20AC;? she says. â&#x20AC;&#x153;I get so much pleasure from that, and it allows me to produce a false world. Being a materialist, youâ&#x20AC;&#x2122;re in a world of dĂŠcor and fakeness and everything underneath it is a fake pillowy marshmallow.â&#x20AC;?â&#x20AC;&#x201D;G.G. '*

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On the BIG SCREEN Bringing Up Baby January 31 at 3pm $6.00 ALL SEATS

Funny Valentine

Craig Jessup sings Rodgers & Hart

February 13

Special Guest Artist

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4<4A68=60AC8BCB

Open Source Art Twenty-six year-old Andrew Sofie never thought of himself as an artistâ&#x20AC;&#x201D;he wanted to be a post-production sound effects editor for movies. His mother being an art educator didnâ&#x20AC;&#x2122;t exactly steer him in an art-oriented direction, and it was with film that he worked while a student in Santa Rosa High Schoolâ&#x20AC;&#x2122;s ArtQuest program. At SSU, he dove into sculpture, receiving his BFA. But Sofie starting noticing a major paradigm shift after high school. People, he saw, were manufacturing things in their own homes that they once relied on mass production to supply. Things like printed photographs and compact discs. He watched as intellectual property and digital rights became huge issues in the music community, as well as his own forte, open source software. Then he got a job at Kreysler & Associates, a digital fabrication company in Vallejo, and became involved with the digital molding of Claes Oldenburg and Coosje van Bruggenâ&#x20AC;&#x2122;s bow-and-arrow sculpture Cupidâ&#x20AC;&#x2122;s Span near the base of the Bay Bridge in San Francisco. â&#x20AC;&#x153;I started to see the influence that these kind of technologies, of digitally fabricating things, would have on people in the next decade,â&#x20AC;? Sofie says. What, he thought, if art and sculpture became digital property? He had seen how a digital-fabrication system could cut a mold and create huge sculpturesâ&#x20AC;&#x201D;the feathers on the bow and arrow being made by a computer numerical controlled milling machine, for example. What happens if digital fabrication becomes widespread? What if, instead of buying a tactile piece of art, a collector could download the specifications and cut the sculpture themselves? Such is the nature of Sofieâ&#x20AC;&#x2122;s thinking. And though he doesnâ&#x20AC;&#x2122;t brashly predict that reallife art hewn from human hands will become obsolete, heâ&#x20AC;&#x2122;s fascinated with exploring the implications and distribution avenues for art that digital fabrication allows. â&#x20AC;&#x153;Possibly, in the next five years,â&#x20AC;? he says, â&#x20AC;&#x153;if these technologies move forward a little faster, a lot of things will change. People will be making more things in their own home, theyâ&#x20AC;&#x2122;ll be using these types of technologies to create their own products that are very individual.â&#x20AC;? Working with open-source software, Sofie has created two key programs. The first, CityCA(1.0), is a generative simulation engine in the Python language that creates pieces based on a chain-reaction algorithm. The other, slyly titled Šâ&#x201E;˘, serves as a channel for distributing digital works. Paired together, the two would work as a cable network bringing art to flatscreens, desktops, projectors and more, and would permit viewing and subscription purchases. â&#x20AC;&#x153;Do we just mimic the iPhone app store with art now?â&#x20AC;? Sofie hypothesizes. â&#x20AC;&#x153;Or do we first, before anybody

gets there, pre-empt that, and make some work commenting on the possibility of art becoming that?â&#x20AC;? With his EVA grant, Andrew is hightailing it to San Francisco, where he keeps a studio in the Mission district, to prepare for his upcoming show this September at the Sonoma County Museum. Heâ&#x20AC;&#x2122;s also working on three books and a series of bronze works. On his off-season, he tends bar and takes trips to Baja to help build houses. Not a bad life for someone who once dreamt of long nights doing tedious postproduction edits in the foley room.â&#x20AC;&#x201D;G.M.

Quarteto Vivace Brasil Sunday, February 7, 3:30pm Wells Fargo Center for the Arts

Fever Dreams If Sibylle Von Olfersâ&#x20AC;&#x2122; Root Children had dreams, they would surely be dreaming within the deeply fantastical layers of Laine Justiceâ&#x20AC;&#x2122;s paintings. Stepping into her humble Healdsburg art studio is akin to entering an apothecary of magical potions. Jars of hand-mixed paints of almost exclusively organic materials such as finely ground lapis lazuli, glass paint, rabbit skin glue, beeswax, sheets of paper-thin gold and even crushed crystal fill the shelves of the room. An old ceramic doll with human hair, made by her grandmother as a replica of her father during childhood, sits quietly beneath the avocado tree in her second f loor window. Drawing from a surprisingly wide array of materials, Justice can never be certain of her end results. â&#x20AC;&#x153;I like it that way,â&#x20AC;? she says with a widening smile. As a severely allergic child, Justice spent several humid, bug-laden summers visiting family in Alabama, kept inside in order to be spared infectious bug bites. â&#x20AC;&#x153;It was during those times with my cousins and friends playing outside that I began seriously putting my energy into painting,â&#x20AC;? says Justice. Young adulthood brought her to study art at the Pratt Institute of Art and Design, which included classes in Italy and finally, subsequent art shows in the United States. A running theme in her work is the depiction of delicate, melancholic little girls that incite a desire in the viewer to crawl inside the paintings to rescue or to join them on their many adventures through the often dark and always whimsical landscapes across silk and linen canvasses. She plans to use her award money to buy supplies, lapis lazuli naturally being pricier than mere acrylic paint. Her work has been labeled with terms ranging from â&#x20AC;&#x153;beautifulâ&#x20AC;? to â&#x20AC;&#x153;twistedâ&#x20AC;? yet these declarations cannot easily label the feelings and ideas that surface while inspecting her work. Detailed patterns intertwined with a deepness of emotion and colors shaded through layers of glass paint result in a satisfying richness. With the emotions and imaginations stirred after absorbing it all, Justiceâ&#x20AC;&#x2122;s work remains in the mindâ&#x20AC;&#x2122;s eye and reveals itself in dreams long after the viewer has walked away.â&#x20AC;&#x201D;D.B.

Â&#x161;Â&#x2019;Â&#x2021;Â&#x201D;Â&#x2039;Â&#x2021;Â?Â&#x2026;Â&#x2021;Â?Â&#x2021;Â&#x2018;Â&#x2C6;Â&#x201D;Â&#x192;Â&#x153;Â&#x2039;Â&#x17D;ÇŻÂ&#x2022; Top Classical Ensembles as they bring sizzling energy to Brazilian sambas and chĂ´ros, Argentinean tangos, American ragtime, and arrangements of favorite classics by Bach, Carmen by Bizet and Carnival of the Animals by Saint-Säens. Concert sponsored by American Ag Credit Season Sponsor: Sequoia Senior Solutions

Buy One Ticket, Get One Free at the Wells Fargo Center for the Arts Box Office: 50 Mark West Springs Road Santa Rosa Must present this ad for offer. Students may purchase any seat in the house for $10. Reserved seats: $20-$40 Purchase 10 or more tickets and receive a 10% discount

Tickets: 546-3600

SANTA ROSA CONCERT ASSOCIATION Great Artist Series 2009-10 www.srconcert.org

THE BOHEMIAN

01.27.10-02.02.10

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@A.42 O N S TA G E N O W I N T H E G K H A R D T T H E AT AT R E

9455C7><0B

<>AC0;5;4B7 Ben Stowe plays a TV actor confronted with Hamletâ&#x20AC;&#x2122;s ghost.

Jan 28 thru Feb 7 Thu/Fri/Sat at 8pm Sat/Sun at 2pm

6^^S 7P\

IN THE STUDIO

THE PRICE OF EVERYTHING

Funny and clever, â&#x20AC;&#x2DC;I Hate Hamletâ&#x20AC;&#x2122; works wonders

West Coast Premiere of a Vaudeville Musical

Jan 22, 23, 29, 30 & FEB 5, 6 at a 8pm Jan 24, 31 & Feb 7 at 2pm m

COMING SOON

VVALENTINEâ&#x20AC;&#x2122;S ALENTINEâ&#x20AC;&#x2122;S DAY DAAY SSHOW February 14 at 8pm TTix ix i $14 $ S P E C I A L

E V E N T

6TH STREET PLA PLAYHOUSE AYYHOOUSE

5TH BIRTHDAY BIRTHD DA AY

CELEBRATION CELEBRA AT TIO ON February 18 at 7pm Tix Tixi $25 $25 Featuring the Shannon Rider Band B Fun. Music. Dancing. Food. Fun n.

www.6thstreetplayhousee.com www.6thstreetplayhouse.com Box Office 707 523-4185 ext 1 52 W6th St Santa Rosa CA 95401 9 26

01.27.10-02.02.10

THE BOHEMIAN



By David Templeton

4

veryone knows that in William Shakespeareâ&#x20AC;&#x2122;s Hamlet, the melancholy Daneâ&#x20AC;&#x2122;s epic indecision is caused, in large part, by the appearance of his dead fatherâ&#x20AC;&#x2122;s ghost. In Paul Rudnickâ&#x20AC;&#x2122;s crafty comedy I Hate Hamlet, which opened last weekend at the Sonoma County Repertory Theatre, the hero is television actor Andrew Rally, whose own indecisionâ&#x20AC;&#x201D;about whether or not to take the part of Hamlet in an upcoming stage production in Central Parkâ&#x20AC;&#x201D;is the reason the ghost appears to begin with. The ghost, that of legendary actor and one-time Hamlet John Barrymore, is sent from the afterlife to prepare the nervous actor to play the prince of Denmark, a role Andrew feels entirely unprepared for but knows has the potential to alter his lifeâ&#x20AC;&#x201D;one way or another. Andrew, with virginal Shakespeare-loving girlfriend Deirdre in tow, has just rented the New York City apartment that once housed Barrymore himself, and still bears the marks of the great actorâ&#x20AC;&#x2122;s fondness for classical furnishings, complete with suit of armor and Medieval tapestries (a great set by David R. Wright and Nick Charles). â&#x20AC;&#x153;Look at this place! Is there a moat?â&#x20AC;? Andrew wants to know. An impromptu

sĂŠanceâ&#x20AC;&#x201D;during which Andrew utters the confession, â&#x20AC;&#x153;I hate Hamlet!â&#x20AC;?â&#x20AC;&#x201D;results in the semi-resurrection of the famed actor-loverdrinker, whose first act is to pour himself a stiff drink. â&#x20AC;&#x153;Sometimes,â&#x20AC;? he remarks with a flourish, â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;m not sure if Iâ&#x20AC;&#x2122;m dead or just incredibly drunk.â&#x20AC;? Since only Andrew sees the ghost (with one or two interesting exceptions), the resulting spectral master class leads to a number of confusing situations, each a hilarious send-up of actors, directors, television, celebrity worship, the pros and cons of performing Shakespeare and Hamlet itself, a play Barrymore warns has the power to change an actor forever. Itâ&#x20AC;&#x2122;s a rich and funny idea, and Rudnickâ&#x20AC;&#x2122;s script capitalizes on it beautifully, teasing out a whole series of amusing confrontations between Andrew (played with acerbic intelligence and cocky self-doubt by Rep regular Ben Stowe) and Barrymore (Rep artistic director Scott Phillips, showing the heart beneath Barrymoreâ&#x20AC;&#x2122;s ham), as the living and the dead develop a gradual respect for one another. This kind of comedy is all about timing and pace, and director Jennifer King keeps things popping along when they need to pop, and pulling back for occasional moments of serious introspection, all staged with inventive bits and pieces that sometimes come out of nowhere. A highlight is the elaborately funny swordfight that ends Act I, as Barrymore discovers that his new student contains more spirit and promise than heâ&#x20AC;&#x2122;d first assumed. Though Stowe and Phillips are the heart and soul of the show, King has assembled a tight, energetic supporting cast. As Deirdre, Allison Marcom (most commonly seen in musicals), demonstrates a strong comic flair. In the show-stopping role of Gary, Andrewâ&#x20AC;&#x2122;s Hollywood director pal and sometime creative partner, Dan Saski is a whirlwind of creative comic choices. Rudnick gives Gary some of the scriptâ&#x20AC;&#x2122;s funniest (and snarkiest) lines, dismissing his friendâ&#x20AC;&#x2122;s impending Hamlet in the park as â&#x20AC;&#x153;Shakespeare for squirrels,â&#x20AC;? and casually dissing Barrymoreâ&#x20AC;&#x201D;whom he can actually see, but not recognizeâ&#x20AC;&#x201D;with the industry observation that â&#x20AC;&#x153;an â&#x20AC;&#x2DC;actorâ&#x20AC;&#x2122; is just some English guy who canâ&#x20AC;&#x2122;t get a TV series.â&#x20AC;? Rounding out the cast are Emily Gomes as Felicia, an over-enthusiastic New York real estate agent and occasional psychic, and Peggy Van Patten as Lillian, Andrewâ&#x20AC;&#x2122;s chain-smoking agent, who once had a fling with Barrymore and knows a thing or two about Shakespeareâ&#x20AC;&#x2122;s power to transform people. This includes Barrymoreâ&#x20AC;&#x2122;s ghost, who by the end of the show has actually discovered a measure of humility, copped to his life-ending status as a â&#x20AC;&#x153;hopeless, unemployable lushâ&#x20AC;? and even developed some hard-won respect for his overcautious student. Thankfully, humility never stops the dead Barrymore from uttering lines like â&#x20AC;&#x153;I do not overactâ&#x20AC;&#x201D;I simply possess the emotional resources of 10 men.â&#x20AC;? While Shakespeare might sometimes be, as Gary wryly remarks, just â&#x20AC;&#x153;algebra onstage,â&#x20AC;? Rudnickâ&#x20AC;&#x2122;s playful I Hate Hamlet is one big recess from beginning to end. â&#x20AC;&#x2DC;I Hate Hamletâ&#x20AC;&#x2122; runs Thursday-Sunday through Feb. 21. Thursday-Saturday at 8pm; Sunday at 2pm. Sonoma County Repertory Theater, 104 N. Main St., Sebastopol. $20â&#x20AC;&#x201C;$25. 707.823.0177.

369:

4B20?4 Katie Jarvisâ&#x20AC;&#x2122; Mia finds respite in dance.

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Filled with tension, â&#x20AC;&#x2DC;Fish Tankâ&#x20AC;&#x2122; is one hard party By Richard von Busack

F

hile Fish Tank is a film about the kind of people who name their dog after a brand of lager, there isnâ&#x20AC;&#x2122;t an ounce of patronization in it. Director Andrea Arnoldâ&#x20AC;&#x2122;s film is the furthest thing from a slumming expedition, though it concerns the illicit romance between an adult and Mia (Katie Jarvis), a 15-year-old girl living in a housing estate in the east coast of England. According to the BBC, Fish Tankâ&#x20AC;&#x2122;s location, the Mardyke Estateâ&#x20AC;&#x201D;a set of concrete towers surrounded by post-industrial wastelandâ&#x20AC;&#x201D;is the most notorious housing development in its 43-square-mile area. Arnold (Red Road) isnâ&#x20AC;&#x2122;t glomming on the gritty squalor with her frequent collaborator, photographer Robbie Ryan. The landscapes are bathed in sea light; titanic rain clouds march in. In repeated spins, Bobby Womackâ&#x20AC;&#x2122;s version of â&#x20AC;&#x153;California Dreaminâ&#x20AC;&#x2122;â&#x20AC;? comes in like the original version did in Chungking Express, adding forlorn romance and lyricism to the views. In the last third, when Mia starts to make an escape, we can see past Essexâ&#x20AC;&#x2122;s rubbish heaps, junkyards and tired-looking houses into something wildâ&#x20AC;&#x201D;particularly at the plotâ&#x20AC;&#x2122;s climax at the Thames estuary,

where the land ends as abruptly as if it had been chewed away by a steam shovel. Mia is falling off the edge herself. A small, thin girl at odds with everyone, sheâ&#x20AC;&#x2122;s a drop-out and a delinquent, and the specialed school gates are gaping wide for her. Sheâ&#x20AC;&#x2122;s scarcely tolerated at home by her lounging mother, Joanne (Kierston Wareing). Her little sister Tyler (Rebecca Griffiths) isnâ&#x20AC;&#x2122;t a fan either, and Mia is always ready to have it out with the pack of teenage girls who roam the housing projectâ&#x20AC;&#x2122;s corridor. Miaâ&#x20AC;&#x2122;s therapy for the stress is dancing, practicing until sheâ&#x20AC;&#x2122;s breathless in her hideout, the living room of an abandoned f lat in this concrete tower. Her mother has just made a real find: Connor (Michael Fassbender), a man with a job. We know this because Mia finds a pay stub when she helps herself to a fiver out of his wallet. He can do things, like snatch fish out of a pond with his bare hands. And the bedroom action between him and Miaâ&#x20AC;&#x2122;s mother is working out, as we see when Mia peeks through her motherâ&#x20AC;&#x2122;s bedroom doorway. But the walls in Miaâ&#x20AC;&#x2122;s f lat arenâ&#x20AC;&#x2122;t thick enough. The boundaries get broken fast, and Mia starts to draw Connorâ&#x20AC;&#x2122;s attention. Only a female director would know how to chart the mixed emotions behind such a f lirtation or know how to make the sexual tension erotic instead of creepy, or to be able to make it clear what a young girl like Mia might think she wanted, while really not knowing what she might get. Even though Mia narrowly escapes being raped by a pair of boys early on in the film, Arnold isnâ&#x20AC;&#x2122;t after the males in the movie. Of course Miaâ&#x20AC;&#x2122;s gone wrong, but thereâ&#x20AC;&#x2122;s nothing delicate in this filmâ&#x20AC;&#x2122;s world. Miaâ&#x20AC;&#x2122;s mother is as negligent as an animal, and yet sheâ&#x20AC;&#x2122;s a beautiful blonde creature, true to her own nature. The Lolita-like shot of Connor tending Miaâ&#x20AC;&#x2122;s wounded, unwashed foot is a reminder of what made that novel work as a story of power gone haywire. When Mia avenges herself, sheâ&#x20AC;&#x2122;s a brutal child acting out, but the justice of what sheâ&#x20AC;&#x2122;s doing is apparent. Arnold is a fiendishly persuasive director, and she makes you see things from Miaâ&#x20AC;&#x2122;s view. The riverâ&#x20AC;&#x2122;s mouth finale is where this little film gets big: itâ&#x20AC;&#x2122;s like the end of a Romantic novel when the elements are brought in to witness the emotional states of the characters on a windy fen or the banks of churning water. Katie Jarvis was a nonprofessional picked off a railway platform by Arnold, and sheâ&#x20AC;&#x2122;s chillingly good. Sheâ&#x20AC;&#x2122;s not a phenomenally talented dancer (she had to be trained for the part), and I liked the way Fish Tank denied the usual stuff about the slum girl making it big as a dancer. Stripping away that movie myth, Arnold expresses something better: the raw hedonism and willfulness that makes a poor life bearable. Itâ&#x20AC;&#x2122;s rare when a director who is so sensitive, who has such a sure eye and ear, can understand the bliss of a hard party. â&#x20AC;&#x2DC;Fish Tankâ&#x20AC;&#x2122; opens on Friday, Jan. 29, at the Smith Rafael Film Center, 1118 Fourth St., San Rafael. 415.454.1222.

AT THE CHARLES M. SCHULZ MUSEUM

FIRST FRIDAY FILM SERIES â&#x20AC;˘ 7 PM SPONSORED BY CRAIG SCHULZ

FATHER GOOSE STARRING CARY February 5

GRANT

The Red Shoes, March 5 All the Presidentâ&#x20AC;&#x2122;s Men, April 2 Duck Soup, May 7 $3 / person Free / Museum Members

707-579-4452 www.SchulzMuseum.org

CHARLES M. SCHULZ MUSEUM 2301 HARDIES LANE, SANTA ROSA THE BOHEMIAN

01.27.10-02.02.10

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THE BOHEMIAN



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Winner ofAcademy 2 GoldenAward GlobeNominee Awards Including Foreign Language Film! BestBest Actor â&#x20AC;&#x201C; Drama â&#x20AC;&#x201C;â&#x20AC;&#x201C; Jeff Bridges â&#x20AC;&#x153;Raw and Riveting!â&#x20AC;? Rolling Stone

WALTZ WITH BASHIR CRAZY HEART A MIGHTY HEART

(1:00) 3:00 5:00 7:00 9:15 (1:45) 4:30 7:00 9:30 R RR (12:30) 2:45 5:00 7:20 9:45 â&#x20AC;&#x153;One Of The Award Best Movies The Year!â&#x20AC;? â&#x20AC;&#x201C; TIME 2 Academy Noms Of Including Best Actor! â&#x20AC;&#x153;A Triumph!â&#x20AC;? â&#x20AC;&#x201C; New York Observer ATHE SINGLE MAN WRESTLER (12:30) 2:45 5:00 7:20 9:40 R R (12:20) 9:45 LA2:45 VIE5:10 EN 7:30 ROSE (12:45) 3:45 6:45VICTORIA 9:45 PG-13 THE YOUNG 10 Academy Award Noms Including Best Picture!

(12:20) 5:10 7:30 PG SLUMDOG MILLIONAIRE â&#x20AC;&#x153;ä&#x2013;&#x;ä&#x2013;&#x;ä&#x2013;&#x;ä&#x2013;&#x; â&#x20AC;&#x201C; Really, Truly, Deeply â&#x20AC;&#x201C; No 5:10 or 7:30pm Shows on Wed, Feb 3rd 4:00 7:10 R One of (1:15) This Yearâ&#x20AC;&#x2122;s Best!â&#x20AC;?9:40 â&#x20AC;&#x201C; Newsday

THE LOVELY BONES

ONCE9:35Including 8 Academy Award (1:15) 3:10 4:00 6:45Noms PG-13 (1:00) R Best Picture, Best5:20 Actor7:30 & Best9:40 Director! No 6:45 or 9:35pm Shows on Thu, Feb 4th

MILK

â&#x20AC;&#x153;Wise, Humble andPRECIOUS Effortlessly (1:30) 4:10 6:45 Funny!â&#x20AC;? 9:30 R â&#x20AC;&#x201C; Newsweek (12:35) 7:40 R Please Note: No 1:30 Show Sat, No 6:45 Show Thu

WAITRESS

(1:30) 4:00 7:10 9:30 Best ROF THE IMAGINARIUM 5 Academy Award Noms Including Picture!

FROST/NIXON DOCTOR PARNASSUS

(2:15)9:45 7:20PG-13 R (2:30) â&#x20AC;&#x153;Swoonly Romatic, Mysterious, Hilarious!â&#x20AC;? â&#x20AC;&#x201C; Slant Magazine

REVOLUTIONARY ROAD THE HURT LOCKER

PARIS, JE RTâ&#x20AC;&#x2122;AIME (11:45)9:50 4:45 9:50 R (1:15) 4:15 7:00 9:30 R

Kevin Jorgenson presentsEMBRACES the California Premiere of BROKEN

(2:50) R PURE: A BOULDERING FLICK Michael Mooreâ&#x20AC;&#x2122;s Thu, Feb 26th at 7:15 NINE SICKO MOVIES 5:20 IN THE MORNING PG-13 Starts Fri, June 29th! Fri, Sat,THE Sun &MORNING Mon MOVIES Advance Tickets IN On Sale Now at Box OfďŹ ce!

FROZEN RIVER Fri, Sat,2:30 Sun & Mon7:30 Mornings (12:00) 5:00 10:009:50 AM 10:15 VICKY CRISTINA BARCELONA 10:00 AM AM THE HURT LOCKER 10:20 AM CHANGELING 10:10 AN EDUCATION Venessa Redgrave Meryl Streep Glenn CloseAM 10:40 RACHEL GETTING 10:20 AM AM A SERIOUS MANMARRIED 2009 LIVE ACTION SHORTS (Fri/Mon Only)) 10:45 EVENING 10:30 AM AM INGLOURIOUS BASTERDS 10:45 AM 2009 ANIMATED SHORTS (Sun Starts June 29th! 10:40 AM JULIE AND JULIA (NO Fri, SHOW SAT)Only)

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Film capsules by Richard von Busack and Eloy Camacho. THE BOHEMIAN

01.27.10-02.02.10

29

Wed, Jan 27 8:45-9:45am; 5:45-6:45 Jazzercise 10am-12:15pm Scottish Dance Youth and Family 7:00-10:00pm Singles & Pairs Square Dance Club Thur, Jan 28 8:45-9:45am; 5:45-6:45 Jazzercise 7:25–11:00pm Circles N’ Squares Square Dance Club Fri, Jan 29 8:45-9:45am Jazzercise 7:15–11:00pm DJ Steve Luther presents Waltzapalooza

Sat, Jan 30 8:00-9:00am; 9:15-10:15am Jazzercise 10:30-11:45am Salsa Workout with DJ Steve Luther 8:00–11pm Contra Dance features Raggedy Annes Challenging dance, not for beginners

Sun, Jan 31 8:30-9:30am Jazzercise 10:30–11:30am Zumba Fitness with Anna 5:00–9:30pm DJ Steve Luther Country-Western Lessons & Dancing $10 8:45-9:45am; 5:45-6:45pm Jazzercise WEIGHTWATCHERS MEETING Weigh in 3:30, Meeting 4:00 7:00-10:00pm Scottish Dance

Mon, Feb 1 3:30pm

A WORLD-CLASS CELEBRATION OF MUSIC, FOOD & WINE

Saturday, May 22

MAY 21-23, 2010 FIELD of DREAMS DOWNTOWN SOMOMA, CA

Tues, Feb 2 8:45-9:45am; 5:45-6:45pm Jazzercise 9:30am WEIGHTWATCHERS MEETING Weigh in 9:30, Meeting 10:00 7:15-9:00pm AFRICAN DANCE with Victoria Strowbridge featuring West African & Congolese Dance

Santa Rosa’s Social Hall since 1922 1400 W. College Avenue • Santa Rosa, CA 707.539.5507 • www.monroe-hall.com

ON-SALE NOW! Additional shows will go on-sale once artist announcements are made!

EARTH,WIND www.SonomaJazz.org 866-527-8499 & FIRE 9pm opening act tba

www.bohemian.com Your Online Weekly Source

30

01.27.10-02.02.10

THE BOHEMIAN

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Fear Itself

Time Traveler

The East Bayâ&#x20AC;&#x2122;s Hieroglyphics crew might be best known for their star hip-hop acts Del the Funky Homosapien and Souls of Mischief, but buried underneath a pile of three-eyed stickers was the cunning and versatile Casual. Not one to let history pass him by, Casual has continued to live up the hovering beats and natural f low of his landmark 1994 debut, Fear Itself, by not only releasing four albums since but becoming actively engaged in his community. His colleagues on the Oakland Board of Cultural Affairs know him as Jonathan Owens, as do the members of Youth UpRising, a nonprofit center in Oakland where Owens serves as a consultant. But to fans heâ&#x20AC;&#x2122;ll always be Casual. He performs with turn-of-the-century turntablists DJ Cue and DJ Quest on Saturday, Jan. 30, at the 19 Broadway Niteclub. 19 Broadway, Fairfax. 9pm. $20â&#x20AC;&#x201C;$22. 415.459.1091.

It was a self-fulfilling prophecy that any attempt by Hollywood to adapt the complex brilliance of Audrey Niffeneggerâ&#x20AC;&#x2122;s bestselling novel The Time Travelerâ&#x20AC;&#x2122;s Wife would essentially fail. How could the big screen handle such a poignant and unique story? Could it possibly, like Eternal Sunshine of the Spotless Mind, present alternate realities without losing its romantic wallop? In Time Travelerâ&#x20AC;&#x2122;s case, unfortunately, the answer was no, but that hasnâ&#x20AC;&#x2122;t diminished Niffeneggerâ&#x20AC;&#x2122;s resolve. The author follows up her phenomenally popular breakthrough with Her Fearful Symmetry, set in and around Londonâ&#x20AC;&#x2122;s Highgate Cemetery, and for its release, she sits down and shares a mealâ&#x20AC;&#x201D;catered by Insalataâ&#x20AC;&#x2122;s of San Anselmoâ&#x20AC;&#x201D; for Book Passageâ&#x20AC;&#x2122;s â&#x20AC;&#x153;Literary Lunchâ&#x20AC;? series on Wednesday, Jan. 27, at Book Passage. 51 Tamal Vista Blvd., Corte Madera. 12pm. $50 includes lunch and signed copy of book. 415.927.0960.

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In January 1880, a grand theater in the heart of Napa was unveiled to great fanfare with a production of Gilbert and Sullivanâ&#x20AC;&#x2122;s light opera H.M.S. Pinafore. One hundred and thirty years laterâ&#x20AC;&#x201D;after hosting the likes of Jack London and John Philip Sousa, closing for several decades, and then hosting the likes of Wynton Marsalis and Steve Martinâ&#x20AC;&#x201D;the Napa Valley Opera House has a lot of history to celebrate. Thanks to a valiant rescue and restoration effort, the intimate, elegant hall has survived several earthquakes to stand proud as the cultural center of Napa, and this weekend, no other than famed soprano Ruth Ann Swenson appears in recital to herald the house. Accompanied by Whitney Crist on piano, Swenson pays tribute to Luisa Tetrazzini, the Italian soprano who performed on the Opera House stage in the early century, on Saturday, Jan 30, at the Napa Valley Opera House. 1030 Main St, Napa. 7pm. $75; $130 includes catered afterparty. 707.226.7372.

This year marks the 20th Anniversary of Mark Hummelâ&#x20AC;&#x2122;s Blues Harmonica Blowout, and to celebrate, the harp master is taking his muchloved annual harmonica showcase on the road. From way up in Chico to way down in Redondo Beach, Hummel tours for two weeks with a smattering of bluesy blowers to show off the rich, dirty texture of the instrument. While guests like James Cotton and Willie â&#x20AC;&#x153;Big Eyesâ&#x20AC;? Smith fill out his residency at Yoshiâ&#x20AC;&#x2122;s in Oakland, his local Petaluma show scares up Kim Wilson of the Fabulous Thunderbirds and Rod Piazza, leader of the Mighty Flyers. There are years and years of harmonica wizardry on Hummelâ&#x20AC;&#x2122;s stage every year, and with Rusty Zinn and Andy Santana filling out the band, itâ&#x20AC;&#x2122;s gonna be a hell of a night. Opening the show are the Aces, who actually use Charlie Musselwhiteâ&#x20AC;&#x2122;s old harmonica amplifier, on Tuesday, Feb. 2, at the Mystic Theatre. 23 Petaluma Blvd. N., Petaluma. 8pm. $25. 707.765.2121.

6PQT<T[X]T THE BOHEMIAN

01.27.10-02.02.10

31

Coyote Den Bar & Dance Hall Saturday, February 6th â&#x20AC;˘ 7pm Huge Screen in Event Center Free Appetizer Buffet â&#x20AC;˘ Fun UFC Stuff Giveaway UFC Pint Glass Beer Specials BudweiserÂŽ Ring Girl

0.92;1.? :B@60 Concerts

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THE BOHEMIAN



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Fundraisers in the North Bay umerous benefits for the relief effort in Haiti have sprung from the goodwill of North Bay residents; listed below are a few upcoming chances to help the earthquake victims in unique ways. On Sunday, Jan. 31, the Baby Seal Club organizes a beneďŹ t auction called To Haiti With Love at the Hopmonk Tavern to beneďŹ t Oxfam and Doctors Without Borders. Each guest is encouraged to bring an item worth $25 or more to donate to the auction. (Auction items may be dropped off in Santa Rosa at New Arts Project, 606 Wilson St.) The Hopmonk is donating 50 percent of each drink sold during the event to the cause. Music and DJs well into the night follow, starting at 10pm. Presented by Baby Seal Club and sponsored by the New Arts Project, the North Bay Bohemian and the Hopmonk Tavern. 230 Petaluma Ave., Sebastopol. Doors 2pm; auction at 3pm; cash or check only. $20-$25. 707.829.7300. Also on Sunday, Jan. 31, the Muir Beach Community Center hosts a beneďŹ t for Partners in Health and DG Educational Services Haiti. Mark and Myriam Pasternak of Nicasio will speak about their experiences working with relief efforts in Haiti after the Jan. 12 earthquake in Port-au-Prince. The event will include a supper of organic foods from local producers, including Drakes Bay Oyster Farm, Della Fattoria Bakery and the Straus Creamery. Sponsored by the Muir Beach Community Center. 19 Seascape Drive, Muir Beach. 5:30pm. $50. 415.300.6686. On Friday, Feb. 5, Cellars of Sonoma and Aioli Delicatessen pair up in a Red Cross fundraiser. A $20 cover charge gets you a ďŹ&#x201A;ight of four wines; $10 of that cover charge goes directly to the Red Cross. Aioli will be providing tapas for $1 each with all proceeds going to the relief fund. There will also be a silent auction with massages, magnums of wine, auto and computer repair and more. Please call 707.887.2476 to RSVP or to donate an item to the auction. 133 Fourth St., Santa Rosa. 6pm-9pm. $20. 707.887.2476. On Tuesday, Feb. 9, El Coqui restaurant in Santa Rosa will be donating all proceeds from those who order the Canoa con Carne Molida, a plantain stuffed with seasoned ground beef, or the Canoa Vegetariano, a vegetarian option, to the Haiti relief effort. 400 Mendocino Ave., Santa Rosa. Dinner. 707.542.8868. Gabe Meline

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01.27.10-02.02.10

33

the last day saloon nightclub & restaurant the best place for live music, dancing and dining

DON’T FORGET…WE SERVE FOOD TOO!

Mc Near’s Dining House

THE BAR AND RESTAURANT OPENS ON ALL SHOW DAYS AT 4 PM

Breakfast • Lunch • Dinner BBQ • Pasta • Steak

7:30 PM SHOW > $10 > IMPROV COMEDY

1/28

FRI 2/5 • 7:00PM DOORS • $15 ADV/$17 DOS • 21+ ROCK

WORLD'S BIGGEST COMEDY DUO

THE MOTHER HIPS WITH BIG LIGHT & DAVE BROGAN

+ THE PIDGINS Musical Accompaniment by Win Meyerson

FRI 2/6 • 8:45PM DOORS • $17 • 21+ DANCE PARTY BAND

8:30 PM SHOW > $10 > BLUES

1/30

AN EVENING WITH

VOLKER STRIFLER BAND

WONDERBREAD 5 MON 2/8 • 7:00PM DOORS • $28 ADV/$30 DOS • 21+ BLUE GRASS/AMERICANA FOLK

+ ALABAMA MIKE & 3RD DEGREE

DAVE RAWLINGS MACHINE WITH

2/4

8:30 PM SHOW > $10/12 > HIP HOP

San Quinn

+ Rapping 4-Tay + At All Costs

DAVE RAWLINGS, GILLIAN WELCH AND KETCH SECOR, WILLIE WATSON & MORGAN JAHNING (MEMBERS OF THE OLD CROWE MEDICINE SHOW)

2/5

FRI 2/12 • 7:00PM DOORS • $23 ADV/$25 DOS • 18+ SINGER/SONGWRITER

9:30 PM SHOW > $15 > HEAVY METAL SFARZO STRINGS PRESENTS

LIZZY BORDEN

LOUDON WAINWRIGHT III

+ Damage Inc. + Aftertayst

PLUS SOLID AIR

2/6

SAT 2/13 • 7:00PM DOORS • $15 • 16+ ROCK

9:00 PM SHOW > $15 > MOTOWN

PRIDE & JOY

THE LOST BOYS WITH CLOVERLEAF DRIVE

+ DJ ON-QUE

FRI 2/19 • 8:00PM DOORS • $25 ADV/$30 DOS • 21+ REGGAE

2/7

THE KINGDOM OF ZION TOUR

1:00 PM SHOW > $10 > DIXIELAND JAZZ

GOLD COAST JAZZ BAND

ALBOROSIE & THE SHENGEN CLAN

+ T.R.A.D. J.A.S.S. 9:30 PM SHOW > $6/8 > REGGAE ROCK

2/11

SAT 2/20 • 7:00PM DOORS • $20 BALCONY/$25 FLOOR • 16+ COMEDY

PION 2 ZION

LOOKING FOR INTELLIGENT LIFE TOUR

+ BLUESHIFT + DJ DISTRUST

GALLAGHER SUN 2/21 • 7:30PM DOORS • $25 • ALL AGES FUNK/BLUES/HIP HOP

9:00 PM SHOW > $15/20 > MALE DANCERS

2/12

HAVE A GIRLS NIGHT OUT

G LOVE & SPECIAL SAUCE

CALIFORNIA BAD BOYZ

WITH REDEYE EMPIRE TUE 2/23 • 7:00PM DOORS • $30 ADV/$32 DOS • 18+ JAZZ

9:30 PM SHOW > $13/15 > ROCK

2/13

AN EVENING WITH

FRANK HANNON GUITARIST BAND (LEAD FROM TESLA)

MEDESKI MARTIN AND WOOD

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23 Petaluma Blvd, Petaluma

01.27.10-02.02.10

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2/16 MARDI GRAS PARTY

For All Ages Shows • No Children Under 10 Allowed

34

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JazzReach and Metta Quintet aim to save Americaâ&#x20AC;&#x2122;s truest art form By David Sason

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hile jazz is certainly no longer Americaâ&#x20AC;&#x2122;s most popular music, itâ&#x20AC;&#x2122;s alive and kicking. Witness the Metta Quintet, who bring their multinational â&#x20AC;&#x153;Big Drum, Small Worldâ&#x20AC;? concert to the North Bay this week. As the resident ensemble for the nonprofit JazzReach organization, this dynamic group has lived up to its name (a Pali word meaning â&#x20AC;&#x153;benevolenceâ&#x20AC;?) by educating children about jazz and ensuring its endurance. Their efforts are desperately needed. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s really hard for arts presenters around the country to sell jazz, even if itâ&#x20AC;&#x2122;s Wynton Marsalis or Wayne Shorter,â&#x20AC;? says drummer and JazzReach founder Hans Schuman. According to a recent NEA study, the audience for what is often called â&#x20AC;&#x153;the only true American art formâ&#x20AC;? is rapidly diminishing (and aging). Even Shumanâ&#x20AC;&#x2122;s love of jazz was born of happenstance. â&#x20AC;&#x153;I grew up in the â&#x20AC;&#x2122;80s, so I was a fan of all those progressive rock bands,â&#x20AC;? says Schuman, 42. â&#x20AC;&#x153;But through that, I discovered Weather Report and Return to Forever, those fusion groups who were comprised of some of the greatest jazz musicians; from that, I discovered Miles Davis.â&#x20AC;? His fatherâ&#x20AC;&#x2122;s suggestions proved integral to the 13-year-old drummerâ&#x20AC;&#x2122;s path. â&#x20AC;&#x153;He wanted to expand my palette, so he

UPCOMING CONCERTS AT THE

made me tapes of people like Max Roach and Clifford Brown,â&#x20AC;? Schuman says. By graduation, the Arizona native decided to attend the famed Berklee College of Music. â&#x20AC;&#x153;My father gave me the usual â&#x20AC;&#x2DC;something to fall back onâ&#x20AC;&#x2122; speech, which went in one ear and out the other.â&#x20AC;? After moving to the Big Apple in 1990, Schuman found the jazz community nurturing, but the publicâ&#x20AC;&#x2122;s indifference perturbing. â&#x20AC;&#x153;I took a trio into a Brooklyn high school, and the music was met with a lot of apathy,â&#x20AC;? he remembers. â&#x20AC;&#x153;I was thinking thereâ&#x20AC;&#x2122;s got to be a better way to connect with these kids, so that begat creating larger-scale, live multimedia programs that would introduce the kids to the music in a more engaging way.â&#x20AC;? JazzReach was born, but even the initial lawyer and incorporation fees were unaffordable. Once again, a relative proved Schumanâ&#x20AC;&#x2122;s greatest benefactor, this time his late grandmother. â&#x20AC;&#x153;When she passed away, she left her piano to me,â&#x20AC;? he says of the Steinway Grand with which she taught lessons for nearly 60 years. â&#x20AC;&#x153;I ended up selling the piano to this wonderful family whose nine-yearold son was a remarkably gifted pianist. It felt like the right thing.â&#x20AC;? JazzReachâ&#x20AC;&#x2122;s most important work lies in their policy of having only original compositions on albums and main stage performances. The groupâ&#x20AC;&#x2122;s 2002 debut Going to Meet the Man boasted original pieces inspired by writer James Baldwinâ&#x20AC;&#x2122;s collection of short stories by the same name, and 2006â&#x20AC;&#x2122;s acclaimed Subway Songs compiled eight commissioned pieces, all thematically linked by an ingenious leitmotif: a two-note major fifth mimicking the opening of subway train doors. â&#x20AC;&#x153;â&#x20AC;&#x2DC;Big Drum, Small Worldâ&#x20AC;&#x2122; highlights how jazz has gone from ref lecting the American experience to this global music ref lecting the greater human experience,â&#x20AC;? Schuman says. â&#x20AC;&#x153;There are all these amalgams and stylistic hybrids that are being created now.â&#x20AC;? Six composers from six different countries are presented in video interviews followed by performances of their new works. â&#x20AC;&#x153;Sicaâ&#x20AC;? is by Puerto Rican saxophonist Miguel Zenon, whose Grammy-nominated Esta Plena Schuman considers the most essential jazz record of the moment and proof of the genreâ&#x20AC;&#x2122;s vitality. â&#x20AC;&#x153;In jazz, the possibilities are infinite in terms of what one can play; it doesnâ&#x20AC;&#x2122;t stop at Lady Gaga or the Black Eyed Peas,â&#x20AC;? Schuman says. â&#x20AC;&#x153;Weâ&#x20AC;&#x2122;re not at war with popular culture, and weâ&#x20AC;&#x2122;re not trying to discourage kids from listening to what theyâ&#x20AC;&#x2122;re listening to. Our goals are to broaden their awareness.â&#x20AC;? The Metta Quintet perform the historical â&#x20AC;&#x2DC;Hanging with the Giantsâ&#x20AC;&#x2122; for grades Kâ&#x20AC;&#x201C;5 on Thursday, Jan. 28, at the Marin Center. 10 Avenue of the Flags, San Rafael. 9:30am and 11am. $8.50 ($4 scholarship tickets available). 415.457.4878. On Friday, Jan. 29, they perform the original â&#x20AC;&#x2DC;Big Drum, Small Worldâ&#x20AC;&#x2122; in the Carston Cabaret at the Wells Fargo Center, 50 Mark West Springs Road, Santa Rosa. 8pm. $20. 707.546.3600.

SEBASTOPOL COMMUNITY CULTURAL CENTER Sat. Feb. 6th 8:00pm

Premium tickets (1st 8 rows/ centered): $20 General tickets: $15 advanced / $18 door CD release concertâ&#x20AC;&#x201D;the â&#x20AC;&#x153;Ghost Townâ&#x20AC;? tour

Sat. Feb. 13th 9:00pm

Dance Concert â&#x20AC;&#x201C; very limited seating $20 advanced / $23 door A Bluegrass interpretation of â&#x20AC;&#x2DC;Dark Side of the Moonâ&#x20AC;&#x2122; w/ special guest Aaron Redner of Hot Buttered Rum on ďŹ ddle; liquid lights, costumes and movie backdrop

Fri. Feb. 26th 8:00pm

Premium tickets $30; General tickets $25 adv/$28 door

VĂ&#x201E;SEN - Mar. 5 All concerts at:

Sebastopol Community Cultural Center Tickets & info: 707-823-1511 www.cumuluspresents.com Peopleâ&#x20AC;&#x2122;s Music, Last Record Store

JOHN GORKA & PATTY LARKIN - Mar. 12 ALTAN - Mar. 21 Take a scenic drive for a unique dining experience

Dinner and a Show Reservations advised HAPPY HOUR Mâ&#x20AC;&#x201C;F â&#x20AC;˘ 4â&#x20AC;&#x201C;6PM EST. 1941

Fri

Jan 29

20 min from downtown Petaluma, 25 min from everywhere else!

â&#x20AC;&#x153;Tequila Timeâ&#x20AC;?

NATASHA JAMES

Riding High on the Charts! 8:30pm

LAVAY SMITH AND HER RED HOTT Jan 30 SKILLET LICKEERS Sat

Annual Winter Party! 8:30pm

Sun

Jan 31 Fri

THE JEB BRADY BAND

R&B and Blues 4:00pm / In the Bar Blues Wizard

Feb

5 RON THOMPSON

Sat

Feb

UNAUTHORIZED ROLLING STONES 6 8:30pm

Sun

7 SUPERBOWL SUNDAY PARTY

Feb

8:00pm / In the Bar

Pregame Brunch 11â&#x20AC;&#x201C;3 Happy Hour Menu 3â&#x20AC;&#x201C;6 Serving Dinner 5â&#x20AC;&#x201C;9

â&#x2122;Ąâ&#x2122;Ąâ&#x2122;Ą Valentineâ&#x20AC;&#x2122;s Weekend â&#x2122;Ąâ&#x2122;Ąâ&#x2122;Ą Fri

Feb 12

Rancho Debut!

BAUTISTA

Hot Latin Jazz Fusion Dance Band 8:30pm

Sat

TOMMY CASTRO BAND Feb 13 8:30pm MIKE LIPSKIN & DINAH LEE Feb 14 4:00pm / In the Bar Sun

Enjoy a Romantic Evening with

â&#x2122;Ą â&#x2122;Ą

â&#x2122;Ą

â&#x2122;Ąâ&#x2122;Ą

â&#x2122;Ąâ&#x2122;Ą

THE BAGUETTE QUARTETTE SPECIAL VALENTINEâ&#x20AC;&#x2122;S DAY MENU

7:30pm

415.662.2219

On the Town Square, Nicasio www.ranchonicasio.com

THE BOHEMIAN

01.27.10-02.02.10

35

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36

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Raven Playersâ&#x20AC;&#x2122; new compilation celebrates Kander and Ebb ohn Kander and Fred Ebb are best known as the composer and lyricist, respectively, of such Broadway musicals as Cabaret, Chicago, Zorba, Kiss of the Spider Woman and Steel Pier, but easily their most famous composition was written for a movie. â&#x20AC;&#x153;New York, New York,â&#x20AC;? created for the 1977 Martin Scorsese film of the same name, is one of those indelible songs that seems to have always existed. But that was the special thing about Kander and Ebb (Ebb passed away in 2004)â&#x20AC;&#x201D;they had a way of writing timeless songs that contributed to the stories they were telling onstage, while occasionally transcending those stories to stand on their own. The musical review 2 by 5, which opened in Healdsburg last weekend as a presentation of the Raven Players, assembles some of the duoâ&#x20AC;&#x2122;s best-known songsâ&#x20AC;&#x201D;and a few lesser-known gemsâ&#x20AC;&#x201D;into an evening of song and dance constructed as a celebration of this great American songwriting team. With a large cast of actors, singers and dancers, director Joe Gellura, musical director Chris Alexander and choreographer Tony Gianchetta have created an energetic ensemble that highlights the songwriting skill of its writers, while dressing it up with plenty of the old razzle-dazzle (and yes, â&#x20AC;&#x153;Razzle Dazzleâ&#x20AC;? from Chicago is one of the songs that is brought to life in the show). â&#x20AC;&#x153;The choreography is phenomenal,â&#x20AC;? says Denise Elia, who appears in 2 by 5 alongside such well-known local performers as Tika Moon, Sherri Guinn, John Rathjen, Emily Hough and others. â&#x20AC;&#x153;But the dancing,â&#x20AC;? Elia adds, â&#x20AC;&#x153;is what drives the show.â&#x20AC;? 2 by 5 runs through Feb. 14. Jan 28â&#x20AC;&#x201C;31, Feb. 5â&#x20AC;&#x201C;6, 12â&#x20AC;&#x201C;14 and 19â&#x20AC;&#x201C;21. Thursdayâ&#x20AC;&#x201C;Saturday at 8pm; Sunday at 2pm. Raven Performing Arts Theater, 115 North St., Healdsburg. $20â&#x20AC;&#x201C;$30; Thursday, $15. 707.433.6335, ext. 11. David Templeton

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Gabriel Iglesias on NBC, George Lopez and working clean etting kicked off the television show Last Comic Standing in 2006 for using his BlackBerry might have been the best thing that ever happened to Gabriel Iglesias. â&#x20AC;&#x153;By me losing,â&#x20AC;? the comedian says from a hotel room in Missoula, Mont., â&#x20AC;&#x153;people were still talking about it, and it released me from my one-year commitment that I had with NBC. And then Comedy Central gave me my one-hour special the same year! Things work out.â&#x20AC;? Comedy Central named the 33-year-old Southern California native â&#x20AC;&#x153;Comedian of the Year,â&#x20AC;? and heâ&#x20AC;&#x2122;s since recorded two platinum-selling DVDs and released a double CD, We Luv Fluffy. Heâ&#x20AC;&#x2122;s also added a second show to his Friday night stint at the Wells Fargo Center to accommodate ticket demand. The Last Comic Standing fracas, in hindsight, reads like a modern parallel to Decca Records rejecting the Beatles. Iglesias, self-nicknamed â&#x20AC;&#x153;Mr. Fluffyâ&#x20AC;? for his girth, sets himself apart from the rest of the fat pack by avoiding self-deprecation and distances himself from the glut of race-relations comedians by steering clear of tired, done-to-death stereotypes, something that perhaps alienates his more famous and more base-line colleagues George Lopez and Carlos Mencia. â&#x20AC;&#x153;You wonâ&#x20AC;&#x2122;t see me on Lopez Tonight anytime soon,â&#x20AC;? Iglesias laughs. â&#x20AC;&#x153;He made that very clear in a tweet. I canâ&#x20AC;&#x2122;t believe it, Iâ&#x20AC;&#x2122;m quoting his tweet!â&#x20AC;&#x2122;â&#x20AC;? Never mind that Iglesias is far funnier than Mencia and Lopez combined. His spot-on impersonations keep the action moving in his freewheeling stories about drunk driving, playing pranks on other comedians and signing autographs for strippers. Iglesias also works clean, something he says has helped his career. â&#x20AC;&#x153;Donâ&#x20AC;&#x2122;t get me wrong, in my show youâ&#x20AC;&#x2122;ll probably hear the f-word maybe three times,â&#x20AC;? he says. â&#x20AC;&#x153;But by keeping my show friendly, and not getting in your face, and not getting political or really crazy, Iâ&#x20AC;&#x2122;m able to perform in a lot more places.â&#x20AC;? That includes a USO tour of the Middle East during which, Iglesias says in disbelief, he performed for the king of Jordan. Asked why comedy is so popular worldwide, he answers, â&#x20AC;&#x153;I think the times are so rough right now, people are really looking to comedy. Theyâ&#x20AC;&#x2122;re looking for that release, theyâ&#x20AC;&#x2122;re looking to get away. Between the economy, all the stuff thatâ&#x20AC;&#x2122;s happening globally and politics, right nowâ&#x20AC;&#x2122;s a good time to get away and get a laugh.â&#x20AC;? Gabriel Iglesias brings his â&#x20AC;&#x153;Fluffy Shop Tourâ&#x20AC;? to the Wells Fargo Center on Friday, Jan. 29. Two shows, 7:30pm and 10pm. $37.50. 707.546.3600.

G

Gabe Meline

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ONE HONEST WOMAN LEFT Bright SF, 60s, with good values, flexible and honest, likes reading, camping, travel, taking walks. Seeking similar male, 5069, for friendship, casual relationship, possible LTR. 309769



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ABBREVIATIONS: A-Asian; B-Black; C-Christian; F-Female; G-Gay; H-Hispanic; J-Jewish; M-Male; N/S-Non-Smoker; P-Professional; S-Single; W-White Guidelines:BohemianRomanceisacommunitypublication.ParticipantsintheBohemianRomancemust be 18 years or older. Use of Bohemian Romance for any illegal purpose will be subject to prosecution. Bohemian Romanceisnotliableforthecontentofthepersonalsadvertisementsortheresponsetosuchadvertisements.BohemianRomance encourages readers to take appropriate safeguards when responding to personal and arrangingmeetings.Screenallrespondentscarefully.Meetingswithnew companions should occur in public places and participants should not divulge their addresses. Be smart, not sorry. Notallboxescontainavoicegreeting.

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Call costs $2.19/min. Must be 18+ Men Seeking Women EASY ON THE EYES Outgoing, good-looking WM, 6’, 175lbs, salt-n-pepper/blue, good sense of humor, spontaneous, romantic, adventurous, likes weekend getaways, concerts and more. Seeking honest, appreciative woman, 22-65, who has goals in life. 320839



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KISSING & CUDDLING Single man in Sonoma County, extremely romantic, looking for an equally romantic partner. I love soft kisses, snuggling on the couch, and making you laugh! 315225



LOTTERY WINNER if you respond to this ad you will in effect have won the lottery. I’m a bald 54 year-old, handsome man, well-traveled, love cooking, adventure, exploring. Ready to have a slender, attractive, sexy, happy girlfriend. 325270



FRIENDSHIP FIRST Caring, honest, nurturing SM, 60s, enjoys music, watching tv, walks, camping, coffee shops, hiking and museums. Looking for SF, 30-70, for dating possibly leading to LTR. 313144



LTR AND LOVE IN BOOTS Italian Taurus, SM, 45, 6’, 218lbs, N/S, N/Drugs, N/D, long hair, educated, published, financially/emotionally secure, respectful, inspiring, tender, great sense of humor, enjoys alternative music, dancing, movies, animals, cooking, conversation, mountains. Seeking thin, dancing SWF, 18-33, in boots for LTR. 315055



LET’S MEET FOR COFFEE SM, 20s, bright, artistic, ambitious, optimistic, personable, likes dining, travel, the beach, walking, exercise. Seeking female, 20s, for possible relationship. 318319



COMPASSIONATE SM, 60s, with good values, likes camping, dancing, dining, reading, hiking, walking, biking. Looking for SF, 50s, for LTR. 318320



Women Seeking Women LET’S GO OUT WF, 5’2”, 125lbs, would like to meet a BF, 48-59, for fun, romance and possible relationship. Give me a call. 326658



WHERE ARE YOU? You are 35-45, very feminine, dark, mystical, spiritual, with a sense of humor, know what you like, and want to enjoy life, but not alone. I’m trying to find you, where are you? 310085



LOOKING FOR YOU SWF, 41, Santa Rosa area, looking for a SWF, 30-45, to hang out and have fun with. 318644





WHATEVER YOU DECIDE! SM, 5’11’’, 170lbs, light brown hair, blue eyes, athletic build, shaved, smooth and sexy, well-endowed, into a wide variety of pleasures. Anything goes; role play, fantasy fulfillment, toys, porn, lingerie. Seeking couples and females to party and play. 316161



COUPLE SEEKS WOMAN Very attractive, middle-aged, married white couple, she’s 5’2”, 125lbs, 34D. He is 5’11”, 172lbs. Both and very sensual and she is multi-orgasmic. We are N/S, light drinkers, heal-conscious, pleasant, non-pushy. Please be N/S, H/W proportionate, white, Hispanic or Asian, under 55. Bi or bi-curious ok. Discretion assured. Let’s have fun. 314002



Alternative Lifestyles BROWN SUGAR SBF, 44, big behind and beautiful breasts, loves to get freaky. Spontaneous and open-minded, searching for well-endowed, spontaneous, open-minded, well-dressed man who appreciates a good lady. 325727



INTIMATE ENCOUNTERS SWM, 47, 6’, blond/blue, very strong, Scorpio, seeks discreet intimate encounters with single, married or divorced ladies in the North Bay. I’m a great masseusse as well. 326306



Men Seeking Men

KEEP IT DISCREET WF, 30s, dark/dark, light complexion, fun-loving, bicurious, seeks discreet female, 28-55, to have fun and party with. 314779

JOIN US White couple looking for a female, 18-25, for fun, discreet times together. Give us a call. 311573



TURN THE TABLES Handsome, sane, married WM, 57 is looking for a woman, who knows how to use a strap on, for ongoing, mostly daytime play. I will please you in any way that you want and I take directions well. 318288



GREAT LEGS! Tall, slender cross-dresser, very nice legs, looking for men or a group of men. Give me a call, let’s have some fun! 318996



BD/SM SWM, submissive, wants one or two females or young male for BD/SM, watersports, torture, anal. Never did any of this before, but curious to try now! 319455



SEEKING COUPLES Good-looking bi male, 50, would like to meet bi man/ woman couples for erotic interlude. 319986



TRIPLE PLAY Handsome, easygoing, discreet, polite gentleman, 57, enjoys couples. I am a WM, 6’, 190lbs, athletic build, well hung and Bi. I also like dominant women. 232423

LOOKING FOR LOVE Seeking one man to love and care for completely and forever. Me: SBM, 50ish, affectionate, supportive, genuine, lots to offer. You: just be yourself, imperfect, mature older man, 70-90, with some humor, some laughter. Are you the one? 299175

READY FOR FUN? SWM, 30, feminine bottom, looking for a top WM, 20-60, for good times and fun. Let’s see where it goes! 311892

COMPASSIONATE GUY Hard-working, classy, cleancut, caring, honest male in search of a male, 58-69, who likes night clubs, television, travel, dancing, the beach, taking walks, exercise. 308996



LET’S HAVE SOME FUN Male looking for an older gentleman, 35-65, to teach me the ropes. I haven’t been with too many people. I like watching adult movies and trying new things. 321782

SHE-MALE SEEKS GOOD TIMES Want to spend time with a man or a woman. I am very affectionate, beautiful, and love to be held. Interested? 279657

I NEED HELP! Married HM, 49, 5’11”, goodlooking, doesn’t get it at home. Looking for a wild woman with a high libido for a discreet sexual encounter. 322196







SPANK YOU VERY MUCH Woman, thou shalt be spanked. Gentle or hard, clothed or naked, whatever you deserve, by a sexy man who knows how to do it. 288495









FREAKY MAN... looking for a freaky, spontaneous, wild, erotic woman, 18-55, to get together and have some fun, adult times together. 322361



JOIN US Bi couple looking for a stud, a muffin or both. Satisfaction guaranteed. 323336



SANTA ROSA AREA WM, 41, looking for openminded people who enjoy adult fun. I like adult movies, toys and looking for a couples and females. I can be orally bi depending on the chemistry. 323130



LET’S HAVE FUN SM, 38, 6’2”, 200lbs, looking for a top or couples to get together and share good times with. 324363



DISCREET ENCOUNTER BiHM, 50, 5’6”, 180lbs, nonsmoker, seeking males, females or couples to have some hot fun and more. 324668



ANYTHING GOES I love to please and be pleased. Looking for a couple for fun times together. 325726

18+

866.689.5312



Get ready to meet someone special.

Missed Connections AMAZON KINDLE Hello, I met you Friday June 27 at the Russian River Brewing Company on Fourth St. in Santa Rosa. She may be a computer programmer from St. Helena Hospital and watched on this day 3 movies back to back in the theater on Fourth St. in the town of Santa Rosa The Love Guru by Mike Meyers, Wall-E and another film. And she sipped a little beer and read from her Amazon kindle. I would like to get in touch with this girl and ask her to edit my book. She is a perfect candidate for my book. Hope to hear from you. Phil. 274972



CORINA IN OLIVER’S Saturday at 4:00PM, You had 15-year-old twins with blacks belts in karate. I have two cute little kids. We talked about children and kale. Lunch? 311695



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THE BOHEMIAN

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§ By Phone Call the Department at 707.527.1200 Mon.-Fri., 8:30a.m.5:30p.m.

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â&#x2C6;&#x161; By Fax Fax your ad to the Classified Department at 707.527.1288

g g Initiatives. $12-$25 Hourly. Flexible hours. Please call 707-332-9118

Jobs

MOVIE EXTRAS NEEDED

Call 510-273-9005, fax 510-658-3732. $11.50/hour

Business Opportunities

Bartenders In Demand No experience necessary. Make up to $300 per shift. Part-time, day, evening, night shifts available. Training, placement, certification provided. Call 877-879-9153 (AAN CAN)

Remodeling/Repair

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$19.99/mo HBO & Showtime FREE - Over 50 HD Channels FREE Lowest Prices â&#x20AC;&#x201C; No Equipment to Buy! Call Now for full Details 1-877-482-6735 (AAN CAN)

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ggg Family Services

For Sale

%% &"&'

Âľ8c\UZS8W[Âś9S\\SRg

Adoptions

Electronics

Activists

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Wanted through out Bay Area Help qualify California

$19.99 per month. HBO & Showtime Free. Over 50 HD

Adult Entertainment

g g

For Sale

g g g g Media Makeup Artist Training. Ads, TV, film, fashion. One week class. Stable job in weak economy. Details at www.AwardMadeUpSchool.com 310/364-0665. (AAN CAN)

Classes & Instruction

Pregnant? Considering High School Diploma! Adoption? Talk with caring agency specializing in matching birthmothers with families nation

Reach over 5 million young, educated readers for only $995 by advertising in 110 weekly newspapers like this one. Call Jason at 202-2898484. This is not a job offer. (AAN CAN)

Professional Services Golden Star Grafix

Green Earth Catering Organic and Earth friendly foods and supplies Scott Goree - Entertainment coordinator and business manager 707.795.7358 home, 707.479.5481 cell redgore23@aol.com

Stony Point Rd.

Standish Ave

Storage Master Self Storage

#

Dutton Ave.

Corby Auto Row

Rohnert Park

Real Estate Services

g Miscellaneous

***FREE Foreclosure Listings*** Over 400,000 properties nationwide. LOW Down Payment. Call NOW! 1-800-817-5290 (AAN CAN)

3205 Dutton Avenue

Santa Rosa

HWY 101

â&#x20AC;˘ Call for our current specials â&#x20AC;˘ Month to Month Availability â&#x20AC;˘ Boxes, Packaging & Moving Supplies â&#x20AC;˘ Residential & Commercial â&#x20AC;˘ Professional On-site Managers

Hearn Rd.

Carpet Vacuum job 35 hours/week

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Weâ&#x20AC;&#x2122;ll Help You Choose A Program Or Degree To Get Your Career & Your Life On Track. Call Collegebound Network Today! 1-877-892-2642 (AAN CAN)

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Computer Services

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W. Robles

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Earn $75-$200 Hour

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Todd Rd.

Earn $150 to $300 Per Day. All Looks, Types and Ages. Feature Films, Television, Commercials, and Print. No Experience Necessary. 1-800-340-8404 x2001 (AAN CAN)

Career Development

wide. Living expenses paid. Call 24/7 Abbyâ&#x20AC;&#x2122;s One True Gift Adoptions. 866/413-6293 (AAN CAN)

1O:WQS\aS%#$&'

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1435 Sebastopol Road

3 FOR FREE Prepay first

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707-546-0000 707-578-3299

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Need a quality designer? Business cards, brochures, Fast, affordable and accredflyers, posters, digital collage, ited. Free brochure. Call Now!. cd covers, photographic 1-888-532-6546 ext. 97 restoration, general marketing materials.

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Adult Entertainment

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Kara, in Marin. Call for photos. Please, no calls from blocked phone numbers. No calls after midnight. 415/233-2769. Adult Massage

**North Bay Beauties** Convenient incall off 101. Ask about website pix. Liza * 707-566-7866 Kayla * 707-843-2271

* FREE TO T RY !

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SANTA ROSA

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01.27.10-02.02.10

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HEALTH&WELL-BEING gg Healing & Bodywork

Miscellaneous

Strong Thorough and Intuitive

Prof Surrogate/Masseuse

30 yrs experience. Excellent Rates! 1/2 hour, hour or 90 mins. Colin, CMT 707-823-2990.

Holistic, caring, help with all sexual concerns. Tantric and relationship coaching. Supervising Dr available. 707-793-2232

Man of Your Dreams Men, women, couples. TLC, massage, Tantra, nurturing mutual touch. William 707-548-2187

Bearhands4u Massage for men, Sebastopol. Mature, strong, professional. 707/291-3804. Days, evenings, weekends $60/hr. Outcalls available.

Windsor: 4 Men Brent, C.M.T. 26 years experience. Nurturing, intuitive touch. Private, discrete studio. 707/477-0400.

g Massage & Relaxation

Deep Relaxing Full Body Massage

Soothing, relaxing, and fun. Visa/MC accepted. Gretchen 707/478-3952.

Take Care of Yourself

Affordable Swedish, Deep Tissue or Acupressure. Free parking Downtown Santa Rosa. CMT Mary 707-228-3275

Massage â&#x20AC;˘ Reflexology Swedish/Shiatsu

Golden Flower Massage Spa

Open 7 Days: 10am-10pm

1626 4th St. Santa Rosa 707.526.6888

Cindy Cross, CMT â&#x20AC;˘ Swedish & Deep

Tissue Massage â&#x20AC;˘ Hot Stone Massage

699 Petaluma Blvd. N

707.765.1879 Open 7 days 9am-10pm

Need a relaxing massage? Come in for Swedish, Deep Tissue, Tui Na, Reiki, Lifestream, Acupressure and see what a difference it can make. Call 707.665.9020. First Time Client Special! 90 minutes for $60. Cindy Cross, C.M.T. 665-9020 By appointment only

the way you like it. Swedish and deep tissue techniques. By Joe, CMT. Relaxing hot tub Relaxing and rejuvenating. and pool available. Will do Flexible schedule for your outcalls. 707-228-6883. convenience. Outcalls available. Call James RELAX! 707-477-4365. Relaxing massage and bodywork by male massage thera- A Safe Place pist with 11 yrs experience. To Be Real 707-542-6856 Holistic tantric masseuse. Unhurried, private, heartfelt. Monday thru Saturday. NEW CLIENT DISCOUNT. 707-793-2232.

NOW OPEN Therapeutic Massage Center Boody Massage $55/hr Open 7 days 9-10pm

Foot Massage $19.99/45 min

707.578.3088

2460 Mendocino Ave., Santa Rosa

A Provider of Pleasure In a safe, relaxing, comfortable space by a â&#x20AC;&#x153;matureâ&#x20AC;?, compatible, easy-going gentleman! Since 1991 I`ve provided pleasure to women, men, couples. Good virtues. NW Santa Rosa, Jimmy, (C) 707-799-4467 or (L) 707-527-9497.

MASSAGE FOR GUYS

Lily Spa RELAX Asian Massage 4HAIs$EEP4ISSUE 3WEDISHs(OT3TONE (2-). WALK INSORAPPT

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Guerneville M4M Massage Mitch, CMT. Mature. Professional. Relaxing intuitive touch. Private discrete studio. 707-849-7409

Full Body Sensual Massage With a mature, playful CMT. Comfortable incall location near the J.C. in Santa Rosa.

41

01.27.10-02.02.10

THE BOHEMIAN

â&#x20AC;˘ FREE Table Shower â&#x20AC;˘ Excellent Massage â&#x20AC;˘ Relaxing Body Treatments â&#x20AC;˘ Large Steam Sauna â&#x20AC;˘ Easy & Safe Parking

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g 131 Liberty St, Ste. D

at Washington behind Wachovia Bank

Psychics

Psychic Palm and Card Reader Madame Lisa. Truly gifted adviser for all problems. 827 Santa Rosa Ave. Call for Appointment 707-542-9898 Call 707.527.1200

MEN! Get a Massage

Great Massage

Petaluma Lavender Day Spa

Opening Specials

With a deeply relaxing, pampering, sensual, massage. Winter Special. CMT in Santa Rosa. Call Bliss - 415/717-9378.

To total Completion by a mature male $40/hour. Napa Valley location. Roger 707-525-1771.

Great Healing Massage

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Margery Smith 707.578.9642

Advertise in the Health & Well Being Today!

Prayer with the Master (Free 4-Week Workshop) Deepen your understanding and experience of prayer by learning from the prayer life of Christ and the writings of other teachers of prayer. All are welcome! Mondays, Jan 25 - Feb 15, 6:30-8:30p, Journey Center, Santa Rosa, 707-578-2121, www.journeycenter.org.

SPIRITUAL CONNECTIONS Finding inspiration and connecting with your community The Journey Center: Christ-centered Spirituality, Healing, & Wholeness Reading room, art gallery, prayer/ meditation gatherings, spiritual journey resources, bodywork, bookstore, free WiFi. 1601 Fourth Street, Santa Rosa. www.journeycenter.org 707.578.2121 Santa Rosa Shambhala Meditation Center Free instruction and practice opportunities Tuesday 4:30-5:30 PM, Wednesday 7 PM, Sunday 10 AM - 11:15 AM. www.santarosa.shambhala.org

Mahakaruna Buddhist Meditation Center Offers ongoing introductory and advanced classes. Weds at noon, Tues & Weds evenings 7:30â&#x20AC;&#x201C;8:45pm Prayers for World Peace, Sun, 10:30â&#x20AC;&#x201C;11:45am Everyone welcome. 304 Petaluma Blvd., North, Petaluma www.meditationinnorcal.org

Jeremy Taylor Dream Workshop

Feb. 7th, 1-4pm â&#x20AC;&#x153;Dreams: A Way to Self Knowledge and Spiritual Awakeningâ&#x20AC;?

Cost: $45 Sunday Service Guest Speaker, 10:30am

Unity Church of Santa Rosa 4857 Old Redwood Hwy, Larkfield Business Park www.UnityofSantaRosa.org | 707-542-7729

Share your organizationâ&#x20AC;&#x2122;s inspiration with over 95,100 Bohemian Readers monthly!

Phone: 707.527.1200 email: sales@bohemian.com

?</3?22 /?2G@;F D699 .@A?<9<4F For the week of Jan. 27

Place your pet related ad here today! Call 707.527.1200

Low Cost Vaccination Clinics every Sunday, 9:30-11am

Presents

JOAN RANQUET

ANIMAL COMMUNICATOR ~ AUTHOR OF “Communication with all Life, Revelations of an Animal Communicator” Location: Sonoma Humane Society 5345 Hwy 12 West Santa Rosa, CA 95407 Date: January 30th (Saturday) Time: 2:00pm-4:00pm Cost: $20 All Proceeds go to: Sonoma Human Society www.sonomahumane.org To Reserve a spot for this workshop, Call Christy Hamilton - 707.545.7721 www.joanranquet.com

$100

off

35 years training experience

Doggie Boot Camp or

3 private sessions for $200 (reg $240)

Guest on the Discovery Channel’s K-9 Cops for his expertise Obedience training the natural way

exp. 02/28/10

10 acres of safe, country training grounds Exceptional for aggression issues Strong leadership skills taught for owners

707-322-3272 www.incrediblecanine.com

WESTERN FARM CENTER 707.545.0721 21 West 7th St. Santa Rosa

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Meet Star • Kitty of the Week MEET OUR “STAR” OF THE WEEK – This gorgeous Tortie Point/Siamese cross truly lives up to her name! She's a stunner and her personality is over the top as well. Just walk past her cage and see the performance she puts on to get your attention! A languid paw reaching through the grate and a seductive meow, all to entice you over. To learn more about adopting Star or many other homeless animals at the Sonoma Humane Society, please visit us or check us out online. The Adoption Center is open 7 days a week from 12PM - 6PM and is located at 5345 Highway 12 West, Santa Rosa (just 5 miles west of Hwy 101 @ Llano Rd) www.sonomahumane.org

Meet Iris • Doggie of the Week

Meet JJ • Doggie of the Week

HI, I'M IRIS and I'm ready to move into your heart and your home. She's a hoot to watch as she entertains herself and you! And when she stops she's got the most endearing habit of sticking her little pink tongue out between her teeth - adorable! I love all the people who visit me and I purr up a storm when they stop to say hello. To learn more about adopting Iris or many other homeless animals at the Sonoma Humane Society, please visit us or check us out online.

MEET JJ, PET OF THE WEEK! A handsome young 1 year old Lab/Pitt mix who's filled with youthful exuberance, he tries his best to be calm around people but sometimes forgets, so he's probably best around older children. But if you love a lively dog, full of energy and this, JJ's the boy for you! To learn more about adopting JJ or many other homeless animals at the Sonoma Humane Society, please visit us or check us out online.

The Adoption Center is open 7 days a week from 12PM - 6PM and is located at 5345 Highway 12 West, Santa Rosa (just 5 miles west of Hwy 101 @ Llano Rd) www.sonomahumane.org

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The Adoption Center is open 7 days a week from 12PM - 6PM and is located at 5345 Highway 12 West, Santa Rosa (just 5 miles west of Hwy 101 @ Llano Rd) www.sonomahumane.org

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01.27.10-02.02.10

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BOHEMIAN FLIPSIDE Q UALITY G RAPHIC D ESIGN BUSINESS CARDS â&#x20AC;˘ BROCHURES â&#x20AC;˘ POSTERS T-SHIRTS â&#x20AC;˘ CD COVERS â&#x20AC;˘ FLYERS PHOTOGRAPHIC RESTORATION & COLLAGE

general marketing materials Mark Schaumann 707.795.0924 schaumann1@earthlink.net

For tickets call 707.546.3600 (noon-6pm Tue-Sat) Online wellsfargocenterarts.org Highway 101 to River Road, Santa Rosa â&#x20AC;˘ Your Community Non-ProďŹ t Arts Center for 28 years

<=@B6 0/G G=5/ Bikram Yoga San Rafael  3ECOND ST 3UITE  3AN 2AFAEL s 9/'! s WWWSANRAFAELYOGACOM We donâ&#x20AC;&#x2122;t change because we see the lightâ&#x20AC;Śwe change because we feel the heat. So what are you waiting for? 2010 is your time to change your body, change your life! The Bikram beginning practice is suitable for beginners and advanced yogis appealing to both men and women of all fitness levels.

Bikram Yoga of Santa Rosa  7ILSON 3TREET 3ANTA 2OSA s 9/'! s WWWBIKRAMOFSANTAROSACOM Bikram's Yoga system will reshape and heal your body while it relieves stress and tension. The Bikram Method of Hatha Yoga is a demanding series of 26 postures, done in a heated room and meant to be performed in the given order, to the best of one's ability. A principle of the class is that one can learn to steadily make new demands of oneself, to work harder, deeper, yet calmer. Itâ&#x20AC;&#x2122;s Hot!

Bikram Yoga Petaluma  0ETALUMA "LVD .ORTH 0ETALUMA s  WWW"IKRAM9OGA0ETALUMACOM Want to lose unwanted weight quickly and safely? Bikram yoga's your ticket. Want to get healthy? With Bikram yoga, every muscle group and all five systems of the body are stimulated towards peak performance. The end result is you ROCKâ&#x20AC;&#x201D;mentally, physically, emotionally and spiritually.

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01.27.10-02.02.10

43

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Donate Your Auto 800.380.5257

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We do all DMV. Free pick up- running or not (restrictions apply). Live operators- 7 days! Help the Polly Klaas Foundation provide safety information and assist families in bringing kids home safely.

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