M.Banks Portfolio of Skills
Here is a graphic summary of my creative skills illustrated by design work I did while in college.
Join me for a summary of my design work that highlights the skills I gained during my college career... : s T resume n E composition T n o c conceptualization design process academ ic 2004-2009 University of Cincinnati College of Design, Architecture, Art, and Planning Cincinnati, OH Bachelor of Science in Interior Design, 3.4 GPA on a 4.0 scale + *Participated in the Professional Practice Co-op Program alternating quarters of college study with quarters of professional work in the ﬁeld of Interior Design 2000-2004 Pike High School Indianapolis,IN Academic Honors, 3.5 GPA on a 4.0 scale professio n al 2008 co-op (6 months) Goettsch Partners Chicago, IL 2007 co-op (6 months) F.A. Hunter & Associates Atlanta,GA 2006 co-op (6 months) Corporate Design responsibilities: creating and managing furniture data sheets, organizing ﬁnishes, photoshop rendering, and assembling a hyperlinked digital document for design presentation, managing various test-ﬁt exercises knowledge & skills gained: understanding of the importance of programming in the design process, understanding of time management in relation to what is most expedient for the project Hospitality Design responsibilities: creating and coordinating construction documents, assisting with design deci sions, ﬁnish and furniture selection, space planning, signage design knowledge & skills gained: space planning, experience selecting appropriate materials and furniture for interiors, budgeting, understanding of client/designer/contractor relationships Smallwood, Reynolds, Stewart, Stewart Atlanta,GA Corporate Design responsibilities creating and coordinating construction documents, assisting in selection and responsibilities: management of ﬁnishes, assembling ﬁnish presentation boards, some marker rendering and ﬁeld veriﬁation knowledge & skills gained: interior detailing, coordination of details with elevations, sections and other construction documents, ﬁnish selection *references references available upon request = ski lls composition I’ve developed the ability to compose information, ideas, graphics, materials, and words in whatever form they are required, including anything from verbal and graphic presentations to written reports. conceptualization mArlEnA BAnks *re email@example.com 317.370.8878 ces av ail ab le up on req ue st fer en I’m good at ﬁnding the concept, or governing strategy, necessary to build a design upon, unify elements, or organize information. I also understand that a concept can be as concrete as a list of goals or as abstract as a piece of crumpled paper. design process I understand that in order to create effective design solutions it is necessary to use research and analysis of the client, user, goals and precedents to construct a ﬁrm foundation upon which a conceptual strategy can be built. The conceptual strategy then becomes a stable reference point for all design decisions and ultimately leads to the winning solution. This is the design process I’ve learned and applied in both educational and professional environments. miscellaneous Adobe InDesign/Illustrator/Photoshop CS4, AutoCAD 2004-2007, FormZ, Microsoft Ofﬁce, marker & Photoshop rendering, creating hyperlinked pdf documents & graphic layouts, drawing & sketching = concept lysis ana research + solution composit ion client desires: • updated furnishings • color • within budget dull, outdated interior seeks help... Glen Cove Hotel & Conference Center Lounge F.A. Hunter and Associates �Fall 2007 desires met, client satisďŹ ed. This was a small project over which I was given leadership under the supervision of a senior interior designer. I was given a budget and list of client desires for the space from which I began selecting furnishings. I selected a number of schemes and submitted them along with their pricing perameters to the client. The client chose the composition below and absolutely loved it for their space. It was a very successful interior selection and my ďŹ rst opportunity to have responsibility for a professional project. click on a location select an item see an enlarged floor plan with furniture options Jenner & Block Chicago Office Relocation Goettsch Partners ďż˝Spring 2008 see the cutsheet *Hyperlinked pdf created in Adobe InDesign big client, major presentation. When given the responsibility of creating the ancillary furniture presentation for one of our major clients, I chose to create this hyperlinked pdf document. Within it, I composed the several ďŹ‚oor plan and furniture options, furniture cutsheets and overall design progress. I operated the presentation while a partner gave the verbal presentation. It went very well. conceptualization ks ban a n rle a by m Hi I’m Concept, I’ll be your guide today. Hi I’m Design, so nice to meet you. Great, well just follow me and you wonâ€™t get lost. If you have any questions... just ask. what a DREAMboat! I think weâ€™re made for each other... mission: ospel, then g n a rb u f o re n e g l for the create a music labe for that label. x o b y sk ry u x lu a design concept: going against the grain... “U p Ele strea cti m ve usic Stu ”L dio u �S xury um Sky me box r2 00 Desi gn 8 *images FormZ generated, hand traced & rendered using marker & colored pencil entry 1st ﬂoor: entertainment viewing area kitchen storage “bar” e loung dining entry N the “bar” In order to uphold the integrity of the music label I was challenged to ﬁnd a way to go against the program’s bar requirement. I decided to let the “bar” be more of a social zone where delicious, non-alcoholic drinks would be displayed while not being the total focus of the space. N 2nd ﬂoor oor:: business (viewing area below) stage conference bedroom gallery bathroom *plans generated in Auto CAD swimming upstream... ﬂexible conference room One of the major tenants of today’s Urban Gospel music today is the encouraging people to rebel against the evil ways of the world by living a godly lifestyle. This made the concept of “going against the grain” the perfect base upon which to create the name and graphic representation of the label as well as the ﬂoor plan and other architectural features of the space. what t he clie nt said : “The im a signag ge weʼre tr y e is sle in ek, hip g to convey , and s with o u ophisti cated.. r new cafeʼs .” what I heard: “Can you just make it look like Starbucks...but not?” * signage designed and dimensioned for construction using Adobe Illustrator Holiday Inn Airport Jacksonville, FL Signage F.A. Hunter & Associates ďż˝Spring 2007 “Essence Fine Southern Cuisine” Restaurant Design Studio �Winter 2007 great food live music chill lounge southern hospitality concept: Essence Fine Southern Cuisine rt o f m o C rn e h t u o S ʼ Good ol N upstairs upstairs dining kitchen (stage below) dining (entry below) main level n he c kit N try en main entry lounge stage entry *images FormZ generated, hand traced & rendered using marker & colored pencil this poem is entitled... The Design Process ks ar by m n a ba len hello, nice to meet you...oh really? thatʼs what we do, what do you need? oh yeah weʼre good at those. letʼs get started, whatʼs your budget? we can handle that. whatʼs your vision? goals? how will you use it? how will they use it? research research research analysis brainstorm concept direction... presentation. Is this right? yes? no? ok. oh...revise, yes? nailed it! next... implement schematic big picture not too speciﬁc estimate feedback... excited? us too. letʼs get technical now, details, can it work? will it work? how much? you said how much?! WE cut back, make it work, improvise evalute, present. still a little pricey, nice though... ARE DESIGNERS reﬁne reﬁne reﬁne... MUST...NOT...LOSE...CONCEPT! remember goals go over it again and again and again...sigh... presentation. yes? no? yes! permit it perfect it construct it observe they built what!? change order, soooo not in our drawings, ﬁx it, weʼre not paying for it, oops, eat it, bitter, move on, punch list, check off, move in, love it?--one small problem, ok two, just three, weʼll ﬁx it, overall? hate it? love it? love it! good times, letʼs do it again, tell a friend? celebrate, take a break, breathe again...start...again. There once was a group of Christians in America that had a vision to change the lives of people in need. They started a ministry that empowered these people to take control of their lives by learning and practicing key Biblical principles. The people they helped became successful and gave millions to the cause. The cause turned into CAMP EDEN: a multi-functional Christian center where potential is cultivated and true prosperity is achieved. People from every background come here to learn, fellowship, volunteer, get inspired, and become empowered. The camp’s core users are those who come to learn the Word of God and understand how to apply it to their lives in order to develop self-sufﬁciency and achieve prosperity. These users enroll in the 9-month training program and either live at the camp or commute while taking classes. In addition to these users, others include counselors, staff, visitors, and children. All users are involved in different public and private areas of the camp depending on their reason for coming. The goal for the environment of CAMP EDEN is to help cultivate the potential within every person who sets foot within its boundaries. CAMP EDEN Senior Project �Interior Architectural Design �2008-2009 Join me as I take you on the journey of my senior project which included the programming, design, and construction documentation of CAMP EDEN, the Christian education and community center of Cincinnati, OH. With this project, I was both the client and designer...tough task. Hereʼs thewith scoop... 1st meeting “client”... Plant the Heavens Ministry Alliance is a national ministry that started on the streets of the U.S. helping homeless and disadvantaged individuals by teaching them Biblical principals to practice in order to take control of their lives. “hereʼs the scoop...” Plant the Heavens Ministry Alliance project: Christian Adult Education and Family Community Center program: classrooms, dorms, cafe, library, meeting places main functions: Bible training, residence, community presence we are: size: 26,000sq.ft. “Basically, people from every background come here to learn, fellowship, volunteer, get inspired, and become empowered. The camp’s core users are those who come to learn the Word of God and understand how to apply it to their lives in order to develop self-sufﬁciency and achieve prosperity. These users enroll in the 9-month training program and either live at the camp or commute while taking classes. In addition to these users, others include counselors, staff, visitors, and children. All users are involved in different public and private areas of the camp depending on their reason for coming. The goal for the environment of CAMP EDEN is to help cultivate the potential within every person who sets foot within its boundaries.” 60 (core) transforming users: 12 resident students learning 6 resident counselors helping commuting counselors teaching 18 resident children prospering applying volunteers fellowshipping visitors “our goals are to...” shine: stand out and allow the community to see whatʼs going on inside attract: encourage community habitation of the campgrounds and interior exhibit: show off and encourage godly living innovate: be like nothing thatʼs been done before multiply: be a model for all other CAMP EDENʼs placed around the world studying achieving 6 camp managers 5 greeters 12 commuting students precedents: preceden Monteﬁore Childrenʼs Hospital imaginative and uninstitutional design NYU Dpmt. of Philosophy similar program features Paciﬁc Garden Mission similar client & program type UC College of DAAP; community space & atmosphere design issues & themes stability accessibility bringing out potential separation low operational cost privacy backyard Headquarters space planning Camp ofﬁce Meditation Station Oasis Cafe Heavenport Area Type public Users All users Gardens Adult Dorm Youth Dorm Counselor Dorm Laundry Furniture, Fixtures, & Equipment (4) Heavy Duty Washers (4) Heavy Durty Dryers ease/comfort indoor environmental air quality uninstitutional circulation therapaeutic security water conservation Counselor Study space criteria & analysis 27 site selection & analysis COURT STREET CLARK STREET trafﬁc levels LINN STREE T 35 MPH heavy & fast pedestrian light N medium noise CLARK STREET 35 vehicular COURT STREET original recent renovation Lincoln Community Center LINN STREE T 2nd level CLARK STREET new main level basement COURT STREET original main level N visitor access 37 vehicular access bus stop pedestrian access existing night lighting site selection & analysis N 36 dents for this ce re p t n va le re on g much research s and estabin d o e d e n t, ʼ n rs ie cl se u e s th u ith vario cilafter meeting w researching the s, e su is for this type of fa n s g ce si a e d sp y f o ke m g ra in ntify prog facility type, ide veloping a solid e d s, e m e th n g desi lishing necessary So, .. . n g i s e d o t n a g e b y l l a n ﬁ I , te si a g n si o ity, and cho entry, cafe, headquarters, backyard, meditation station, camp ofďŹ ce, gardens adult dorm, youth dorm, study areas, nursery counselor dorm and counselor study Phase 1: putting the program into the shell The program included private areas (adult, children, & counselor dorms, classrooms), and public areas (cafe, meeting areas, camp ofďŹ ce) which had to be reconciled within this massive building shell. My solution was to use the concept of gradiation to separate public and private areas with semi-public transition zones while taking advantage of the architectural boundaries already provided by the existing character of the shell. Phase 2: exhibition and attraction After delegating public and private areas to their respective parts of the building, I had to remember the goals of the client of standing out and attracting. In order for the activity of the facility to stand out, transparency of the buildingâ€™s facade had to be achieved. The existing facade was very closed and private. I proposed opening up the facade with glazing and populating the front with the most public spaces of the program. This produced activity up front which would easily attract visitors, thereby accomplishing two goals of the client. *Site model generated using FormZ Phase 3: how does it look Taking cues from the site’s context and the spirit of CAMP EDEN’s mission, the ﬁrst round of conceptual thinking centered around CAMP EDEN being this living thing growing through the cracks of a “dead” environment. The entry experience became a transition from the concrete jungle outside to the interior oasis thriving within. Considering the use of innovative materials inspired by the camp’s mission was also a priority. longitudinal section through main ﬂoor main ﬂoor plan walking up existing feature ramp main entry oshop g Phot s *image FormZ d, hand or AC erate AD gen usin ndered e r & d ce tra learning zone entry Phase 4: reﬁning the aesthetic The biggest criticism of the aesthetic solution at this point was that it was still not meeting all of the client’s goals. Although it was attractive and used innovative materials, it was not yet thoroughly exhibiting the great things the camp had to offer. The challenge was to exhibit this Christian ministry in a way that wasn’t expected. I had to ﬁnd a voice for this ministry that wasn’t conﬁned to the walls of conventional religious ornamentation but that would be true to its ideals, foundation, and goals. The client knew they didn’t want to see crosses and stained glass, they just didn’t know what they did want to see. I had to ﬁnd that for them. considering ways to exhibit the prayer, study, and teamwork involved in the curriculum... existing wall to become ex ist in gw a l l to win become full do attra ctive feat ure wal l all w w a leaf section provides inspiration using CAMP EDENʼs “rock” foundation, Bible scripture, to ornament the space. “the work of CAMP EDEN is founded on the Word of God...if anything epitomizes the Word and work of God, CAMP EDEN eﬁnitely does.” “Come to me all you who are weary...” ramp entry longitudinal section showing bentwood feature wall exterior view occupiable bentwood feature wall bentwood, live plants and carved stone accomplish the aesthetic a more reďŹ ned concept and a little more inspiration... feature wall aesthetic entry exhibition ideas NYU Dpmt. of Philosophy, Steve Holl Belzec Memorial exhibit display details 3”=1ʼ0” main ﬂoor rcp fragment nts cross section detail nts Phase 5: main ﬂoor plan fragment nts construction documents Construction documentation and ﬁnal interior design were focused only on the entry experience. By focusing on such a small fragment of the facility, I was able to go into much more detail of how important aspects of the design should be constructed. This phase involved thorough documentation of exterior as well as interior conditions. ﬁnal solution... reception area: exhibiting Godʼs goodness and what the camp has to offer ramp exhibits people taking part in the camp and serves as a transition space into major public areas of the camp open and attractive ut o s d n sta e d a c a r f o i t r n e e t r n i a ng i t i transp b i h x e e l i h w t nigh d day an activity As you can see, the ﬁnal design for CAMP EDEN met and exceeded the clientʼs desires for their space to shine their light on their community, attract people in, exhibit what they had to offer, be innovative and a great example to be multiplied to other locations. The ﬁnal solution is both beautiful and functional while epitomizing the clientʼs vision. The following presentation tells the story of what I learned and designed during a crash course in retail design and branding administered to my studio by design professionals from FRCH Design Worldwide. First I learned their process, then I used it to design a brand and retail environment that absolutely nailed the needs of our consumer: 18-24 year old college student; Cincinnati, OH From this experience, I gained the knowledge and conﬁdence to create successful brands or any design solution because it taught me the value of thoroughly understanding the consumer, the user, the client. (By the way...this compositionʼs aesthetic is inpsired by the character of the advertisements the consumer.) and ﬂyers I studied in order to learn about “Switch” Branding and Environment Design Retail Studio: Proctored by FRCH Design Worldwide �Winter 2008 consumer research analysis What made this project such a success was the wealth of information found in the consumer research. I chose to consult the mind of the 18-24 year old college student in Cincinnati, Ohio by studying the hundreds of advertisements and ďŹ‚yers this consumer posted all around campus in addition to the research conducted from a prior exercise. From these I gleaned the information above and the perfect name for this user group: â€œYoung and In Transition.â€? composing the brand From analysis of the research I discovered that this consumer group is just trying to advance further in life. Therefore, I composed the brand â€œSwitchâ€? using images, words and concepts that spoke to this need and offered this poor consumer the solution: advance by education, exhibition, and exchange along the premise of interdependence. *Image FormZ generated, hand traced & rendered using Adobe Photoshop the storefront concept The next part of the story is telling the consumer more about the brand by the enticement of the storefront. The storefront is the the answer to the consumerâ€™s love of personal expression and advertisement through digital media and offers them freedom to make their voice and their needs visible. paling the competition Every successful brand knows it’s competition as well as who it is and who it is not. Switch is not a garage sale, ﬂea market, or internet business. It’s a dynamic retail venue for face to face contact with people and their “stuff”. This composition of images on these pages helps convey this idea. site and services A retail store is more than what it sells. This consumer demands a cool retail environment inside and outside of the actual store that allows them access to more than one stimulating and rewarding experience. Compositionally, this advertisement to our consumer had to include the added beneďŹ ts of shopping at Switch. *Floor Plan drawn in AutoCAD & rendered using Adobe Photoshop ďŹ nally inside... *Image FormZ generated, hand traced & rendered using Adobe Photoshop *Image FormZ generated, hand traced & rendered using Adobe Photoshop last but not least end. ng! i w e i for v u o y Thank mArlEnA BAnks firstname.lastname@example.org 317.370.8878 To God, the Master Designer, and Jesus His Son, you are and always will be inspiration.