Art Deco & 20th Century Design by Jamm Design Ltd

Woo l le y & WA l li s SA L I S B U R Y SA L E R O O M S

Art Deco & 20th Century Design Wednesday 7th March 2012

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

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ASIAN ART John Axford MRICS ASFAV — Sophie Lister — Clare Durham — Tim Wright (Consultant)

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BOOKS & MANUSCRIPTS Liz Merry (Consultant)

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CLOCKS Will Hobbs — Richard Price (Consultant)

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GENERAL OFFICE Ruth Pike Pauline West Linda Garthwaite

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SALEROOM MANAGER David Jordan

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PRESS & PUBLICITY Kate Williams

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JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

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PAINTINGS Victor Fauvelle Jo Butler

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SILVER Rupert Slingsby Lucy Grazier

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Members of The Society

ACCOUNTS & OFFICE MANAGER Janice Clift —

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ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 John Axford MRICS ASFAV — 424506 Sophie Lister — 424591 FURNITURE Will Hobbs Mark Richards Jim Gale Gemma Bush

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509

BOARD OF DIRECTORS Paul Viney ASFAV Chairman and Managing Director John Axford MRICS ASFAV Willi Verdon-Smith FRICS COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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Clarice Cliff, Art Deco & 20th Century Design Wednesday 7th March 2012 at 10.30am Viewing Times Saturday 3rd March Monday 5th March Tuesday 6th March Wednesday 7th March

10.00am – 1.00pm 10.00am – 7.00pm 9.00am – 4.00pm 9.00am – 10.30am

ENQUIRIES Michael Jeffery 01722 424505 michaeljeffery@woolleyandwallis.co.uk

Please note the changes to Droit de Suite. Please see page 126.

Catalogue £10.00 (£12.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

There is no surcharge for using this service.

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ClAriCe Cliff 601. ‘Budgerigars’ a Clarice Cliff vase moulded in relief, painted in colours printed factory mark 32cm. high £80-120 602. ‘Crocus’ a Clarice Cliff Bizarre tankard coffee can and saucer, painted in colours, a drum preserve pot and cover, a jug and a bowl in the same pattern printed factory marks can 5.5cm. high £200-400 603. ‘Crocus’ a Clarice Cliff Bizarre Hiawatha bowl, painted in colours printed factory mark 20cm. diam. £60-100

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604. ‘Crocus’ a Clarice Cliff Bizarre Conical cruet, painted in colours, comprising salt and pepper pots, mustard pot and cover, another salt and pepper pot, a preserve pot and cover a twin-handled sandwich plate, a slop basin and a cup and saucers various marks, minor damages salt 8cm. high £200-400 605. ‘Crocus’ a Clarice Cliff Bizarre Athens jug, painted in colours above green and brown bands printed marks, 20cm. high £100-200 606. ‘Crocus’ a Clarice Cliff Bizarre Dover jardiniere, painted in colours between yellow and brown bands printed and painted marks, star crack to base, minor overpainting to the top rim 17cm. high £150-200

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607. ‘Crocus’ a Clarice Cliff Bizarre Conical sugar sifter, painted in colours between yellow and brown bands printed factory mark, small frit to vent 14cm. high £100-200

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608. ‘Aurea’ a Clarice Cliff platter, painted in colours printed factory mark 37cm. wide £70-100

609. ‘Rhodanthe’ a Clarice Cliff platter, painted in colours printed factory mark 42cm. wide £80-120

610. ‘Aurea’ a Clarice Cliff Bizarre Biarritz plate, painted in colours printed factory mark 23cm. wide £120-180

611. ‘Rhodanthe’ a Clarice Cliff Bizarre Bon Jour biscuit barrel and cover, painted in colours printed factory marks restored cover, 15cm. high £100-200

612. ‘Aurea’ a Clarice Cliff Bizarre Lynton shape sugar sifter, painted in colours printed factory mark 12cm. high £180-220 616 613. ‘Taormina’ a Clarice Cliff Trieste shape tureen and cover, painted in colours printed factory mark 21.5cm. wide £100-150

614. ‘Nasturtium’ a Clarice Cliff plate, painted in colours printed factory mark 25.5cm. diam. £100-150

615. ‘Rhodanthe’ a Clarice Cliff bowl, painted in colours printed factory mark 21cm. diam. £150-200

616. ‘Chloris’ a Clarice Cliff Tolphin vase, printed in colours printed factory mark 20cm. high £100-200

617. ‘Gay Day’ A Clarice Cliff Bizarre 362 vase, painted in colours between green, brown and yellow bands printed factory marks, restored top rim 20cm. high £150-250 617

618. ‘Pastel Autumn’ a Clarice Cliff Bizarre 464 tube vase, painted in colours above pink, blue and green bands printed factory marks, minor professional restoration to base 21cm. high £1,200-1,800

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619. ‘Delecia Pansies’ a Clarice Cliff Bizarre twin-handled Isis vase painted in colours printed factory marks, fine star crack to interior, 25cm. high £500-700

620. ‘Original Bizarre’ a Clarice Cliff twinhandled Lotus Jug, painted in shades of yellow, blue, red and purple, outlined in green impressed and printed black mark, minor overpainting to blue 30cm. high £350-450

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621. ‘Limberlost’ a Clarice Cliff Bizarre Stamford tea for two, painted in colours, comprising; tea pot and cover, milk jug and sugar basin, two cups, saucers and a side plate printed factory marks tea pot 12.5cm. high £2,000-3,000 This set bears the impressed 1931 date mark.

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622. ‘Orange Trees and House’ a Clarice Cliff Fantasque Bizarre plate, painted in colours inside orange and black bands printed factory mark 21cm. wide £120-180 623. ‘Orange Trees and House’ a Clarice Cliff Fantasque Bizarre plate, painted in colours inside green and orange bands printed factory mark 18cm. diam. £200-300 624. ‘Autumn’ a Clarice Cliff Fantasque Bizarre plate painted in colours inside a coral red band printed factory mark 15cm. diam. £150-250 625. ‘Windbells’ a Clarice Cliff Fantasque Bizarre Dover jardiniere, painted in colours between green, yellow and orange bands printed factory mark, wear to bands on interior 17cm. high £200-400 628 626. ‘Windbells’ a Clarice Cliff Fantasque Bizarre side plate painted in colours, inside green, and orange bands printed factory marks 15cm. diam. £250-300 627. ‘Rhodanthe’ a Clarice Cliff Bizarre vase, ribbed form, painted in colours, a ‘Pansies’ 613 vase, a tray and four Celtic Harvest items printed marks, damages 10cm. high £100-200 628. ‘Blue Chintz’ a Clarice Cliff Bizarre plate, painted in colours inside green and blue bands printed factory mark 25.5cm. diam. £150-200 629. ‘Oasis’ a Clarice Cliff Fantasque Bizarre plate, painted in colours inside graduated green bands printed factory marks, minor overpainting to blue 25.5cm. diam. £150-200 Provenance The Daniel Brodie Hogg Collection, Christie’s South Kensington 1999 lot 284. 629

630. ‘The Brangwyn Panels’ a limited edition charger designed by Frank Brangwyn, painted with exotic figures amidst flowers and foliage painted inscription to reverse 42cm. diam. £1,500-2,000 Originally Frank Brangwyn designed this scene as one of set of panels for the House of Lords in 1925.

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631. ‘Circus’ a Clarice Cliff Bizarre plate designed by Dame Laura Knight, for the 1934 Art in Industry Exhibition, printed and painted in colours and gilt with a clown to the well, printed factory mark 17cm. diam. £250-300

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632. ‘Inspiration Lily’ a Clarice Cliff 342 vase, painted in shades of pink, yellow and black on a turquoise ground printed and painted marks 20cm. high £800-1,000

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633. ‘House and Bridge’ a Clarice Cliff Fantasque Bizarre bowl, painted in colours above an orange band printed factory mark 22cm. diam. £100-200 634. ‘Patina Blue Firs’ a Clarice Cliff Bizarre bowl, painted in colours above green bands printed factory marks, light wear to interior 16cm. diam. £150-200 635. ‘Melon’ a Clarice Cliff Fantasque Bizarre bowl, painted in colours above black and orange bands printed factory mark 22cm. diam. £150-250 636. ‘Liberty Band’ a Clarice Cliff Bizarre bowl, painted with bands, and a Bizarre preserve printed marks 18.5cm. diam. £80-120 637. ‘Nasturtium’ a Clarice Cliff Bizarre Cylindrical biscuit barrel and cover, with wicker handle, and a Clarice Cliff Budgerigars centrepiece printed factory marks, small chip and hairline to barrel 15cm. high £100-150 641

638. ‘Orange Capri’ a Clarice Cliff Bizarre pedestal bowl, painted in colours, printed factory mark, small chip to foot rim 20cm. high £100-200 639. ‘Original Bizarre’ a Clarice Cliff Hiawatha bowl, painted with chevron design to the shoulder in orange, brown and blue, outlined in green printed mark, 22cm. diam. £150-250 640. ‘Chloris’ a Clarice Cliff Conical 384 bowl, printed in colours printed factory mark 11cm. diam. £50-80 641. ‘Latona Flowers’ a Clarice Cliff Bizarre Dover jardiniere, painted in colours on a Latona ground printed and painted marks, 17cm. high £250-350

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642. A Clarice Cliff Bon Jour tea for two, painted with fruit sprays in colours, comprising; tea pot and cover, milk-jug and sugar basin, two cups, saucers and a side plate printed factory mark 13cm. high £400-600

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643. ‘Newport’ a Clarice Cliff Biarritz plate, painted in colours, and a salt and pepper cruet in the same pattern printed marks, 17cm. wide £100-200 646

644. ‘Bamboo’ a Clarice Cliff charger, painted in colours, printed marks 33cm. diam. £100-150

645. ‘Green Capri’ a Clarice Cliff Bizarre plate, painted in colours printed factory marks 25cm. diam. £100-200

646. ‘Secrets’ a Clarice Cliff Fantasque Bizarre Beehive honey pot and cover, painted in colours printed factory marks 10cm. high £250-350

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647. ‘Secrets’ a Clarice Cliff Bizarre Octagonal side plate painted in colours, inside yellow and green bands printed factory marks 14.5cm. diam. £250-300

648. ‘Green Chintz’ a Clarice Cliff Bizarre 205 vase, painted in colours between green, yellow and brown graduated bands printed factory marks 21cm. high £200-300

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654 649. ‘Carpet’ and ‘House and Bridge’ two modern Wedgwood Clarice Cliff conical sugar sifters, with one original presentation box , and a Moorland ‘Crocus’ sugar sifter printed factory marks 14cm. high £60-80 650. ‘Honolulu’ a modern Wedgwood limited edition Clarice Cliff 464 vase, in original presentation box with certificate, and a Honolulu Stamford teapot and cover printed factory marks 20cm. high £100-150 651. ‘May Avenue’ a modern Wedgwood limited edition Clarice Cliff Isis vase, in original presentation box with certificate printed and painted marks 20cm. high £80-120 652. ‘Orange Roof Cottage’ a modern Wedgwood limited edition Clarice Cliff Isis vase, in original presentation box with certificate printed factory marks 19cm. high £80-120 653. ‘Rudyard’ a modern Wedgwood limited edition Clarice Cliff 366 vase, in original presentation box with certificate, and a Blue Autumn Conical sugar sifter printed factory marks 15cm. high £80-120

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654. ‘May Avenue’ a modern Wedgwood limited edition Clarice Cliff Conical tea cup, saucer and side plate in original presentation box with certificate printed factory marks 7cm. high £80-120 655. ‘Blue Autumn’ a modern Wedgwood Clarice Cliff Stamford tea for two, comprising; teapot and cover, milk-jug and sugar basin, two cups, saucers and side plates, in presentation boxes with certificates printed factory marks 12cm. high £250-350 656. A Clarice Cliff wall plaque, circular, modelled and pierced with flowerheads, in colours on a turquoise ground printed factory mark, 33.5cm. diam £80-120 Provenance Christie’s South Kensington, 24th May 1996 lot 111. The Albert E Wade Collection.

657 657. ‘Orange Erin’ a Clarice Cliff Bizarre preserve pot, painted in colours, and a ‘Solomon’s Seal’ Stamford milk-jug printed factory marks 5cm. high £80-120

658. ‘Coral Firs’ a Clarice Cliff Bizarre Biarritz plate, painted to the well and rim in colours printed factory mark 18.5cm. wide £250-350 This plate has the date mark for 1933.

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659. ‘Comets’ a Clarice Cliff Fantasque Bizarre Tankard coffee set for six, painted in colours, comprising; coffee pot and cover, milk-jug and sugar basin, six cans and saucers and an additional can printed factory marks, coffee pot 19cm. high £1,500-2,000 This set includes one can, and the additional can with a slight variation on the Comets pattern.

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660. A pottery lampbase, circular form, cast in low relief with a stylised mask, painted in grey over ochre, on wooden base, chips, 29cm. high £50-100 661. ‘Solent’ a Corona Ware coffee set for six, printed and enamelled with geometric design in colours, comprising; coffee pot and cover, covered milk jug, sugar basin, six cans and saucers, on a circular tray, and a Myott Art Deco coffee set for six printed marks 18cm. high £80-120 662. A Palissy chintz coffee set for six, model no.2910, printed in colours with dense floral transfers, comprising coffee pot and cover, milk-jug and sugar basin, six cups and saucers printed marks coffee pot 16cm. high £80-120

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663. A pair of Crown Devon plates, model A20, painted with abstract geometric design in shades of orange, yellow, blue and green printed and painted marks 19cm. wide £80-120 664. A Crown Ducal Tudor Rose pattern vase designed by Charlotte Rhead painted in colours, with bronze leaves, on a cream ground, and another twin-handled vase in the Tudor Rose pattern 19cm. high £80-120 665. A Crown Ducal charger designed by Charlotte Rhead, pattern no.4491, tubeline decorated with flowers and foliage, and a bowl in the same pattern printed factory marks, facsimile signature 32cm. diam. £80-120 666. A Bursley Ware floating bowl, printed and painted in colours and gilt with Art Nouveau floral cartouche, on a blue lustre ground printed factory mark 31cm. diam. £80-120 667. ‘Pick a Back’ a Royal Worcester figure designed by Phoebe Stabler, painted in colours printed and painted marks, 20cm. high £500-600

670 668. A porcelain speaker cover modelled as a parrot on a rock, probably Royal Doulton, with gilt metal base, painted in colours unsigned, converted into a lamp base, hairline crack 42cm. high £100-150 669. ‘The Right Hon S.M.Bruce PC MC MP’ an Ashtead Pottery limited edition character jug, designed by Percy Metcalfe, glazed oatmeal moulded mark, printed factory mark and facsimile signature, 77/500, 18.5cm. high £300-500 Literature The Studio 1928, reproduced page 522 20s Decorative Art, Taschen. 670. An Ashtead Pottery jug model no.J13, glazed with bands in shades of blue, brown green and yellow, and an Isle of Wight vase, painted with chevron border in blue and green printed and painted factory marks 17.5cm. high £80-120 671. ‘Mischief’ an Ashtead Pottery figure designed by Phoebe Stabler, model M48, painted in shades of white and blue printed factory marks 21cm. high £350-450

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672. An A E Gray Gloria Lustre octagonal plate pattern no.7071, printed and painted in colours and gilt with fruit printed factory mark 35cm. diam. £250-300

673. ‘Dresden Spray’ a Susie Cooper Productions Kestrel part coffee set for four, pattern 1017, comprising Kestrel coffee pot and cover, Rex shape milk jug, sugar basin, four cans and saucers printed and painted marks 19cm. high £200-300

674. ‘Polka Dot’ a Susie Cooper Kestrel Bachelor tea set, retailed by John Lewis, painted with green spots and banding, comprising teapot and cover, milk-jug and sugar basin, one cup, saucer and side plate printed John Lewis mark 12cm. high £100-200

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675. A Gray’s Pottery teapot and cover designed by Susie Cooper, painted with geometric designs in shades of red, black and yellow printed liner mark 9cm. high £250-350

676. A large Susie Cooper Productions service plate, designed by Susie Cooper, painted to the well with a leopard stalking, in colours incised a silver band, the rim with broad coral red band sgraffito decorated with with wavy line border, silver rim printed Susie Cooper Productions mark 28.5cm. diam. £300-500 Literature Andrew Casey and Ann Eatwell Susie Cooper Pioneer of Modern Design, Antique Collector’s Club, page 194 plate 4 for a comparable plate illustrated hung on the wall of Susie Cooper’s exhibition stand at the British Industries Fair in 1933.

677. A large Susie Cooper Productions service plate, designed by Susie Cooper, painted to the well with a tiger stalking, in colours incised a silver band, the rim with broad coral red band sgraffito decorated with wavy line border, silver rim printed Susie Cooper Productions mark 28.5cm. diam. £300-500 Literature Andrew Casey Art Deco Ceramics in Britain Antique Collector’s Club page 160 plate 18.12 for the original design reproduced.

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680 678. A Shelley BooBoo milk jug, designed by Mabel Lucie Attwell, painted in colours printed factory marks and facsimile signature 15.5cm. high £60-100 679. A Shelley Pottery porcelain Vicar boy figure designed by Mabel Lucie Attwell, painted in colours painted black base 15.5cm. high £150-200 680. ‘Shelley Vogue and Mode Designs 1930-1935’ a new reference book by Rick Hubbard, Shelley Potteries by Watkins, Harvey and Senft, a catalogue on Shelley and some adverts £50-100

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681. A Shelley Regent shape coffee set for six, pattern W12220, printed and enamelled with a geometric panel, highlighted in gilt, comprising; coffee pot and cover, milk-jug and sugar basin, six cups and saucers printed and painted marks 19cm. high £250-350 682. A Shelley Regent tea service for six, pattern W12290/A120, printed and painted with an orange and gold block design, comprising, teapot, cover and stand, hotwater pot and cover, milk-jug and sugar basin, six cups, saucers and side plates and two cake plates printed and painted marks, hot-water pot 18cm. high £500-800

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683. ‘Tall Trees’ a Shelley Queen Anne shape tea and coffee service, pattern 11678, printed in black and yellow on a white ground, comprising; teapot and cover, milk-jug and sugar basin, eight cups, eleven saucers and eight side plates and a sandwich plate, a coffee pot and cover, milk-jug and sugar basin, six coffee cups and saucers, and a dessert set comprising serving bowl and six side bowls printed and painted marks 18cm. high £400-600

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684. ‘Woodland’ a rare Shelley Queen Anne shape coffee set for six, pattern G12157, printed and painted in colours on a white ground, comprising; coffee pot and cover, milk-jug and sugar basin, six cups and saucers printed and painted marks, 20cm. high £700-1,000

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685. ‘Shelley Girl’ a Shelley Pottery advertising figure, modelled seated on a pedestal wearing coral red paisley dress and holding a Shelley tea cup and saucer printed Shelley to base and pedestal, printed Shelley mark to underside of base, oxidisation and wear to paint 31cm. high £1,500-2,000 Literature Chris Watkins, William Harvey & Robert Senft Shelley Potteries, page 54 plate VI for a comparable figure.

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686. A Crown Devon Lustrine vase, tapering cylindrical form with everted rim, printed and painted in colours and gilt on a red lustre ground with an exotic bird flying past flowers and foliage, and two other Crown Devon vases printed factory marks 23.5cm. high £80-120 Provenance The Albert E Wade Collection. 687. A Royal Worcester Crown Ware baluster vase, printed with a Galleon at full sail, on a mottled orange lustre ground printed factory mark 26cm. high £300-350 688. A Carlton Ware Rouge Royale twin-handled dish, printed and enamelled in colours and gilt on a red lustre ground with wading birds below a flowering tree, and four other dishes similar printed factory marks 27cm. wide £120-180

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689. A Carlton Ware Rouge Royale vase, flaring cylindrical form on ribbed foot, printed and painted with a spider on a web spun from flower stems, in colours and gilt on a red lustre ground, two Carlton Ware dishes, a Crown Devon dish and an ashtray similar printed and painted marks, 19cm. high £80-120 Provenance The Albert E Wade Collection. 690. ‘Mikado’ a near pair of Carlton Ware baluster vases, pattern 2364, printed and painted in colours and gilt on a blue ground and printed and painted marks, tallest 27.5cm. high £80-120 Provenance The Albert E Wade Collection, purchased from Christie’s South Kensington 16th August 1996 lot 712. 691. ‘Paradise Bird and Tree with Cloud’ a large Carlton Ware vase, pattern no. 3143, flaring baluster form, printed and painted in colours and gilt on a red lustre ground printed and painted marks, original paper label, 24.5cm. high £100-200 Provenance The Albert E Wade Collection.

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692. A Crown Devon vase, pattern 2073, printed in colours and gilt with stylised flowering trees, on a matt blue ground, and a ginger jar and cover in the same pattern, printed and painted marks, cover in half and re-stuck 23.5cm. high £80-120 Provenance The Albert E Wade Collection. 693. ‘Chinaland’ a Carlton Ware vase, shouldered cylindrical form, printed and painted in colours and gilt on a blue lustre ground printed factory mark 26cm.high £150-200 694. ‘Mikado’ a Carlton Ware vase, pattern 2364, shouldered, cylindrical form printed and painted in colours and gilt on a mottled blue ground, and another Carlton ware vase in the same pattern printed and painted marks, 26.5cm. high £100-200 Provenance The Albert E Wade Collection.

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695. ‘Mikado’ a pair of Carlton Ware vases, pattern no. 2364, printed and painted in colours and gilt on a mottled blue ground printed and painted marks 23cm. high £200-300

696. ‘Duiker Lying’ a Wedgwood earthenware figure designed by John Skeaping, glazed in white impressed marks 18cm. wide £100-150

697. ‘Outlines of Grandeur’ six Wedgwood plates designed by Laurence Whistler, printed in grey with scenes of Stonehenge, Tintern Abbey, New Delhi, St Paul’s Cathedral, Clifton Suspension Bridge, and Holyrood House, the borders printed in red printed inscription to reverse 25,5cm. diam. £200-300

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698. A Wedgwood Hummingbird lustre bowl, designed by Daisy Makeig-Jones, printed in gilt over a mottled blue glaze, the interior mottled orange printed and painted marks 24cm. diam. £100-200 697 part

699. ‘Fairy Gondola’ a Wedgwood Fairyland lustre Chalice bowl, designed by Daisy Makeig-Jones, printed and painted in colours, highlighted in gilt on a orange ground printed and painted marks, repaired foot rim 27cm. diam. £1,500-2,000 Literature Una Des Fontaines Wedgwood Fairyland Lustre page 117 plate 21. 698

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705 700. A Poole Pottery Honeypot and cover, square section, pattern PO, the knop modelled as a bee on flowers, painted in colours, a Poole Pottery Delphis bowl, a Doulton Lambeth stoneware jug and a collection of Poole Pottery various marks, damages 12cm. square £50-150 Provenance The Albert E Wade Collection.

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701. An early Carter’s, Poole Pottery Portuguese stripe vase, originally designed by James Radley Young, painted with ruby lustre stripes on an ochre ground, a Carter, Stabler & Adams BR pattern vase similar and three other Portuguese stripe items impressed and painted marks, minor damages 21cm. high £80-120 Literature Leslie Hayward and Paul Atterbury Poole Pottery Richard Dennis Publication, page 31 for comparable examples Provenance The Albert E Wade Collection.

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702. A Poole Pottery vase by Ruth Pavely, pattern KP, painted with bands of chevron and dash motif in shades of purple and green on an off-white ground, two Poole Pottery candlesticks similar and a floating bowl similar impressed and painted marks, surface dirt and crazing 24cm. high £80-120 Provenance The Albert E Wade Collection. 703. A Poole Pottery vase, designed by Truda Carter, pattern YE, painted by Winifred Collett, twin-handled form, painted with geometric flowers in shades of yellow, grey and black on a white ground, a Carter, Stabler & Adams vase pattern CN, and four other Poole items impressed and painted marks, 13.5cm. high £80-120 Provenance The Albert E Wade Collection.

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706 704. A Poole Pottery twin-handled vase, shouldered form with applied loop handles, painted with flowers and foliage in colours, shape no.462, a Poole Pottery Contemporary bowl, a Royal Copenhagen Marselis vase, a Troika vase, a Pilkington’s vase and three other items impressed and painted marks, Poole vase 19cm. high £150-250 705. A Carter, Stabler & Adams, Poole Pottery vase, designed by Truda Carter, pattern /Co, painted in colours on a white ground, a Poole Pottery cylindrical vase and a jug in the same pattern impressed and painted marks, restored handle to jug tallest vase 25cm. high £80-120 Provenance The Albert E Wade Collection. 706. A Carter, Stabler & Adams Poole Pottery charger painted by Ann Hatchard, painted with stylised flowers and foliage in colours on a pale blue ground impressed marks, painted artist monogram 35cm. diam. £100-200 707. A Carter’s Poole Pottery lustre bowl, dated 1903, rich ruby red lustre exterior, ochre lustre interior incised Carter’s mark and date 20cm. diam. £100-150 708. A Carter’s Poole Pottery ruby lustre charger, the design attributed to James Radley Young, modelled in relief with radiating design, glazed in a rich ruby lustre incised Carter’s, minor glaze frits 45cm. diam. £200-400 Provenance Christie’s South Kensington, 31st March 2004 lot 2 The Albert E Wade Collection. 709. A Poole Pottery twin-handled bowl designed by Harold Stabler, the handles modelled as foliage panels, enamelled to the well in green with a flying bird on a mottled black ground impressed mark, 22cm. diam. £250-300 Literature Paul Atterbury and Leslie Hayward Poole Pottery Richard Dennis Publications, page 43 for a comparable bowl illustrated.

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710. A Carter’s Poole Pottery Tearoom tile, designed by Edward Bawden, printed and painted in black and green enamel with a Poole Art Deco ashtray unsigned, minor rim chips 13cm. square £100-200

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711. A Carter’s Poole Pottery Tearoom tile, designed by Edward Bawden, printed and painted in black and green enamel with a girl winding a large wheel machine unsigned 13cm. square £200-250

712. A Poole Pottery vase designed by Truda Carter, pattern YE, painted by Marjorie Batt, shape no.596, painted in shades yellow, mushroom, grey and black on a white ground impressed and painted marks 24cm. high £400-600

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Provenance Christie’s South Kensington 25th August 2000 lot 265.

713. A Poole Pottery vase, pattern UB, painted with geometric flowers in shades of blue, grey and black on a white ground impressed and painted marks, hairlines to rim 19cm. high £250-350

714. A Poole Pottery vase, pattern QT, painted with geometric flowers and foliage in shades of green, blue, yellow and black on a white ground impressed and painted marks 13.5cm. high £300-500

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715. A Robj Paris porcelain sweet box and cover, modelled as a woman in elaborate headdress, highlighted in gilt and red enamel, printed marks, 19.5cm. high £200-300 Literature Vanna Brega Le Ceramiche Robj 1921-1931 catalogue number 157.

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716. An Upsala Ekeby Paprika pottery vase designed by Anna-Lisa Thomson, slender bottle form, with incised foliate design glazed white on matt brown impressed marks, ATL monogram 32.5cm. high £80-120

717. A French pottery vase, tapering form with everted rim, decorated with geometric leaf design in silver and gold lustre, and a white crackle glazed vase printed factory marks 31cm. high £80-120

718. A Boch Freres vase designed by Charles Catteau, pattern D982, ovoid form with everted rim, painted with a frieze of flying birds, printed and painted marks, restuck chip to top rim 31cm. high £150-200

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719. A Ket G Luneville Pomone wall charger, stencilled and painted with a bluebird flying amongst stylised flowers and foliage printed factory marks, retailers paper label 41cm. diam. £80-120 Provenance The Albert E Wade Collection.

720. A large Royal Copenhagen figure of an Asian warrior, by Bode Willumsen, modelled in ferocious stance, holding an exotic bird, covered in a sang de boeuf glaze pained wave mark and artist cypher, painted date mark 15-8-192, minor restoration to plume of hat, glaze frit to base rim 44cm. high £200-300

721. ‘Damina E Ombrellino’ a Lenci Pottery figure designed by Gigi Chessa, modelled wearing blue and green dress, holding a sun parasol, painted marks, 16.6.932, impressed Chessa Ronza, professional restoration 30cm. high £1,200-1,500

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Literature Lenci Ceramiche A Gran Fuoco, catalogue number 85.

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722. A Keramos Pottery figure of nude woman holding a towel, the towel decorated with floral design in shades of pink printed factory marks, professional restoration 46cm. high £1,200-1,800

723. A Goldscheider figure of a woman, designed by Stephan Dakon, model no.6825, modelled wearing blue dress and holding a broad rimmed hat impressed and printed marks 27.5cm. high £300-500 725 724. ‘The Captured Bird’ a large Goldscheider Pottery figure, designed by Josef Lorenzl, with geometric lamp stand, painted in shades of blue, ochre and cream printed marks, professional restoration, 53cm. high £2,000-3,000

725. A Goldscheider terracotta bust, model no.6835, modelled wearing coral red collar, glazed in colours printed and impressed marks, 19cm. high £300-400

726 726. A Goldscheider Pottery Tragedy wall mask, model no. 6288, modelled as a woman holding a mask to her face, in colours incised 6288 mark, 34cm. high £600-900 Literature Victor Arwas Art Deco Academy Publications, page 292 a variation on this mask illustrated.

727. A Goldscheider Pottery wall mask, modelled wearing blue head-scarf with yellow bead border, glazed in colours impressed marks, printed factory mark 28cm. high £250-350

727

728

729

732

733

730

734

731

735

A PrivAte ColleCtion of WAll MAsks 728. A Goebels pottery wall mask, designed by Miss Agnes Richardson, modelled in profile with blonde curly hair, and another Goebels wall mask modelled as a woman wearing a hat impressed and printed marks 21cm. high £100-200 729. A pair of Czechoslovakian wall masks, modelled as a woman with a borzoi and a woman with a terrier, glazed in colours, impressed and printed marks, 28cm. high £300-500 730. A Goebels pottery wall mask, modelled as a woman in profile wearing a broad rimmed blue hat, and another version wearing a green hat impressed marks 20cm. high £100-200 736 731. A Czechoslovakian pottery wall mask, model no.15177, modelled as a googly-eyed girl, wearing green rimmed blue bonnet, and another googly-eyed wall mask, in colours impressed marks 22cm. high £200-300 732. A Czechoslovakian pottery wall mask, model no.13933, modelled as a woman wearing a scarf, painted in colours, and another colour variation impressed and printed marks 19cm. high £100-200 733. A Goebels pottery wall mask, modelled as a woman with flowers in her hair, painted in colours, another version smaller and a Goebels wall mask of a medieval maiden impressed marks, chip to rim of main mask 16cm. high £80-120

737

734. A Goebels pottery wall mask, modelled as a woman with red flowing hair, casting a sideways glance, and two others smaller impressed marks 19cm. high £100-200 735. A Goebels pottery wall mask of a woman with flowers in her hair, model no.62/3, glazed in colours, and two other Czechoslovakian pottery wall masks factory marks, minor damages 17cm. high £150-250 736. Three Royal Dux pottery wall masks, glazed in colours printed factory marks 19cm. high £200-300 737. A Continental pottery wall mask, modelled in relief and painted in colours, and two smaller unsigned 15.5cm. high £150-250

738

738. A Czechoslovakian pottery wall mask, model no.14930, modelled as a woman in profile, wearing a blue beret and green collar with red bow, and three other small pottery masks impressed marks 12cm. high £150-250

739

743

740

744

741

742

745

746

739. A Goebels pottery wall mask modelled as a woman wearing a red beret, glazed in colours, and a smaller Royal Dux wall mask impressed marks, 17cm. high £100-200 740. A Czechoslovakian pottery wall mask, model no.14835, modelled as woman with open mouth, glazed in colours incised and printed marks 20cm. high £200-300 741. A continental pottery wall mask of a pierrot figure, painted in colours unsigned 22cm. high £100-200 742. A Czechoslovakian pottery wall mask, modelled as a woman wearing a blue and white stripe beret and scarf printed factory marks, restored neck 25cm. high £100-200

747

743. A Goebels pottery wall mask, model 63/3, modelled as a woman wearing chequered hat and scarf, in shades of yellow, black and white impressed marks 21cm. high £100-200 744. A Czechoslovakian pottery wall mask of a jester, model no.15175, modelled with an owl perched on her shoulder impressed and printed marks 18cm. high £100-200 745. A Czechoslovakian pottery wall mask, modelled as Greta Garbo, model no.15334, and two others similar impressed and printed marks, one restored, 19cm. high £150-200 746. A Czechoslovakian pottery double wall mask, model no. 75787, modelled as two heads beside a basket, glazed in colours impressed factory marks, chip to bow, 29cm. high £150-250

748

747. A Czechoslovakian pottery wall mask modelled as Marlene Dietrich, model no.13942, painted in colours, and two others similar impressed and printed marks 21cm. high £200-300 748. A Goebels pottery mask, modelled as a woman wearing green felt hat, with a feather plume, painted in colours, and two other Czechoslovakian pottery wall masks impressed marks 18cm. high £200-250 749. A Royal Dux pottery wall mask, modelled as a woman in black, white and coral red scarf and hat, and two others similar printed marks, chip to tip of hat, 16cm. high £150-200 749

the Albert e WADe ColleCtion of longWy AnD boCh freres CerAMiCs

750. A Longwy Pottery wall charger, enamelled in colours with a bird perched on a tree bough, on a pale blue ground, inside stylised floral borders printed factory marks 36cm. diam. £80-120

750

751. A Longwy Pottery wall charger, model no.3372, enamelled in colours with a long tailed bird perched on a tree bough above a river, on a cream ground, inside a deep floral border printed factory marks 36cm. diam. £80-120

751

752. A Longwy Pottery wall charger, model D.5806 enamelled in colours with a bird perched on a bough, on a cream ground, inside a deep floral border printed factory marks 36cm. diam. £80-120

752

753. A Longwy Pottery wall charger, model no.D.279, enamelled in colours with a long tailed bird flying amongst flowers and foliage on a blue ground, impressed factory marks, remains of paper label 30cm. diam. £80-120

753

754

755

756

757

754. A Longwy Pottery twin-handled bowl, model no.5797, enamelled with a bird perched on a bough, inside a border of flower swags, a bowl painted with flowers and a tray printed marks 28cm. diam. £80-120

755. A Longwy Pottery plate, enamelled in colours with a bird perched on a tree bough, inside a border of flowers, two others similar and a pair of small vases printed marks, 22.5cm. diam. £100-200

758

756. A pair of Longwy Pottery vases, model no.D.39, enamelled with wading birds, one with a fish in its beak, in colours on a crazed yellow ground impressed and painted marks, professional restoration to rim of one, 26cm. high £300-500 Provenance Succession, Olympia 2000.

757. A Longwy Pottery vase, model no. D488, painted with a crane resting before peony flowers, in colours on a crackled white ground, and a pair of Longwy enamelled vases printed factory marks 23cm. high £100-200

759

758. A Longwy Pottery wall charger, model D.341 enamelled in colours with a bird perched on a tree bough watching a flying insect, on a crackled blue ground, impressed A and painted numbers 34.5cm. diam. £80-120

759. A Longwy Pottery wall charger, enamelled in colours with three canes resting on a river bank, on a cream ground, inside a deep floral border printed factory marks 36cm. diam. £80-120

760. ‘Orchidees’ a Longwy Pottery limited edition wall charger, designed by Maurice Paul Chevallier, enamelled with two hummingbird amidst orchid flowers, in colours on a turquoise ground printed and painted marks, number 74 of 150 37cm. diam. £300-500

760

761

762

763

761. A Boch Freres Keramis Pottery vase, model no. D2810, enamelled in colours with columns of flowers and foliage, and another in the same pattern printed factory marks, 30cm. high £200-400

762. A Boch Freres Keramis vase, painted with panels of flowers in colours on a blue ground impressed 1271 24cm. high £60-100

764 763. A Boch Freres Keramis Pottery vase, model no.D2542, enamelled in colours with geometric flowers on a crackled white ground printed factory marks, 25cm. high £150-250

764. A Boch Freres Keramis Pottery vase, model no.D1558, painted with geometric flowers and foliage in colours on a blue ground printed and painted marks, 25cm. high £100-200 Provenance Bonhams sale 26th February 2004 lot 273.

765 765. A Boch Freres Pottery vase designed by Charles Catteau, model no. D.982, painted with a frieze of flying pelicans, in blue, turquoise and yellow on a crackled white ground printed and painted marks 26cm. high £100-200

766. A Boch Freres Keramis Pottery vase designed by Charles Catteau, model no.D1760, enamelled in vivid colours with long tailed birds perched in prunus boughs, between jade green bands printed factory marks 26cm. high £300-500

766

767

768

769

767. A Longwy Pottery Atelier Primavera wall charger, enamelled with a stylised flowerhead roundel inside a geometric flowerhead frieze in shades of blue and turquoise on a crackled cream ground printed factory marks, 37cm. diam. £200-400

768. A Longwy Pottery footed bowl, model no.5196, enamelled with a geometric flowerhead roundel, on a crazed cream ground printed factory mark 27cm. diam. £80-120

770

769. A Longwy Pottery Atelier Bon Marche wall charger, model no. D848, enamelled to the well with stylised flowers in shades of blue, yellow, turquoise and green on a crackled cream ground printed and painted marks 37cm. diam. £300-400

770. A large Boch Freres Persian wall charger, model no.D.24, painted with radiating flower stems in shades of blue, green and coral red printed and painted marks 49cm. diam £300-500 Provenance Bonhams sale 10744 lot 270.

771

771. A Longwy Pottery deep welled charger, enamelled in colours with cranes flying amongst clouds on a blue ground printed factory marks 42cm. diam. £400-600 Provenance Aesthetics, London purchased in 1998.

772. A Longwy Pottery wall charger, enamelled to the well with a white cockatoo before exotic flowers and foliage, in colours highlighted in gilt printed factory marks 38cm. diam. £500-800 Provenance Christie’s 14th November 2006 lot 1798.

772

773

774

773. A Longwy Pottery vase on three ball feet, model no. D5021, enamelled with a vase of flowers in colours on a crackled white ground, and another Longwy solifleur vase £80-120

774. A Longwy Pottery moonflask designed by Jean Luce, enamelled in blue and black with a vase of stylised flowers on a crackled white ground printed factory mark 28.5cm. high £200-400 Provenance Christie’s South Kensington 13th October 2004 lot 417. 775

775. A Longwy Pottery moonflask, enamelled in colours with a family of deer resting in a wooded landscape, on a crackled white ground printed factory mark, remains of retailers label 30cm. high £200-400 Provenance Christie’s South Kensington 3rd October 2006 lot 46.

776. ‘Perles de Rosee’ a Longwy Pottery double moonflask, enamelled in colours and gilt with stylised flowers and foliage on a crackled white ground printed factory marks, 35cm. high £800-1,200 Provenance Christie’s South Kensington Art Deco 15th October 2003 lot 408.

776

777

778

779

777. A Longwy Pottery Atelier Primavera wall charger, enamelled with a lying stylised deer, inside radiating columns of deer and fruiting trees, in blue on a turquoise ground, printed factory marks 37cm. diam. £300-500 Provenance Woolley and Wallis 28th April 2004 lot 178. 780 778. A Longwy Primavera Pottery wall charger, enamelled in black with a stylised bird roundel, the rim radiating geometric panels, on a blue ground printed factory mark 38cm. diam. £300-500

779. A Longwy Atelier Art Bon Marche footed bowl, enamelled to the well with stylised flowers and foliage in shades of green and blue printed and impressed factory marks 27cm. diam. £80-120 Provenance Aesthetics, London. Le Bon Marche is one of Paris’ most famous department stores and is often quoted as the first ever department store. Its present building, on the rue de Sevres, was designed by Gustave Eiffel in 1852.

781

780. A large Longwy Primavera Pottery bowl, resist decorated with a band of objects in white under a turquoise blue ground printed factory marks, 38cm. diam. £150-200

781. A Longwy Atelier Primavera vase, enamelled in blue on a pale blue ground printed factory marks 32cm. high £400-600 Provenance Aesthetics, London.

782. A Longwy Primavera Pottery vase, enamelled in black with geometric design, on a crackled blue ground printed mark 30cm. high £400-600 782

783. A Longwy Primavera Pottery vase, enamelled in colours with a frieze of stylised birds before flowers and foliage, on a turquoise ground printed factory mark 32cm. high £500-800 783

784. A fine Longwy Primavera vase, enamelled with a nude female figure stroking a stylised peacock, the reverse with an ibex in shades of blue, purple and black on a crackled white glaze printed factory marks 32cm. high £1,000-2,000 Provenance Sotheby’s New York, 11th December 2003 lot 196.

784

785. A Longwy Pottery wall charger, model no. F1252, enamelled in colours with bathers beside a river, resting on the bank before stylised trees, on a rich purple ground printed factory marks 36cm. diam. £700-1,000 Literature Dominique Dreyfus Emaux de Longwy an example of this design illustrated on the front cover and page 22.

785

787

786

788

786. A Longwy Pottery deep wall charger, model no. F1252, enamelled with a Jay perched on sprays of berried foliage next to a butterfly, in autumnal colours on a crackled cream ground printed and painted marks 38cm. diam. £300-500 Provenance Sotheby’s 1st June 2005 lot 306.

790

789

787. A Longwy Pottery deep wall charger, model no.D.5677, enamelled with two birds perched on sprays of blackberry, in autumnal colours on a crackled cream ground printed and painted marks 38cm. diam. £300-500 Provenance Sotheby’s 1st June 2005 lot 306. 788. A Longwy Pottery charger, executed by Samana, enamelled with a nude woman fishing on a riverbank, in her net two fish, in shades of grey, red and brown, inside bands blurred printed mark painted mark 41cm. diam. £300-500 789. A Boch Freres Keramis vase designed by Charles Catteau, model no. D1173, enamelled with geometric flowers and foliage in red and black on a crazed white ground printed mark 30cm. high £100-200

791

792

Literature Charles Catteau La Louviere page 84 for a comparable example. 790. A Longwy Pottery Atelier Primavera wall charger, enamelled with a lying stylised deer, inside radiating columns of deer and fruiting trees, in purple and red on a crackled cream ground, printed factory marks 37cm. diam. £400-600 Provenance Michael John. 791. A Boch Freres Keramis vase designed by Charles Catteau, model no. D.746, ovoid form enamelled with pendulous flowers in yellow and red on a crazed white ground printed factory marks, restored hairline to top rim 24cm. high £80-120 Literature Charles Catteau La Louviere page 62 for a comparable example. 792. A Boch Freres Pottery vase designed by Charles Catteau, model no. D1065, painted with columns of flowers and foliage in shades of brown and black on a crackled white ground printed factory mark, 23cm. high £100-200 Literature Charles Catteau La Louviere page 84 for a comparable example. 793. A large Boch Freres vase designed by Charles Catteau, model no. D1210, enamelled with geometric design in shades of yellow, orange and black on a crackled cream ground printed factory marks, restored base rim 34cm. high £200-400

793

794

795 794. A massive Boch Freres Primavera stoneware vase, painted in blue and black with deer in a landscape, on an oatmeal ground impressed Primavera France 46cm. high £500-1,000

795. A Boch Freres Gres Keramis vase, designed by Charles Catteau, model no. D775, glazed in resist with geometric leaf motif, under a thick crazed white glaze impressed marks, facsimile signature 22cm. high £150-250 Literature Dominique Corrieras L’Homme de Keramis Charles Catteau page 58, catalogue no. 58 for a comparable vase.

796. A Boch Freres Gres Keramis stoneware vase, designed by Charles Catteau, model no. D1230, enamelled with stylised flying birds, in lavender, green and brown on a sand ground printed and impressed marks 29cm. high £600-1,000

796

Provenance Christie’s South Kensington, 11th April 2006 lot 52.

797. A Longwy Pottery Atelier Primavera wall charger, enamelled with two female nude figures befriending a deer, in shades of ochre, black and yellow on a crackled cream ground, inside a border of radiating fern fronds printed factory marks 37cm. diam. £400-600 Literature Fiona Gallagher and Michael Jeffery Christie’s Art Deco page 79, this design illustrated. 797

798

799

800

801

798. A Longwy Pottery vase, model no. D.5478, enamelled with flowers and chevron panels in blue and brown on a crazed white ground, and a Longwy enamelled scent bottle printed factory marks 18cm. high £80-120

803

802

799. A Boch Freres Keramis vase, model no.D.2809, enamelled with roundels of bell flowers inside a border of foliage, in colours printed factory marks 17cm. high £100-200 800. A Boch Freres vase, twin-handled form, enamelled with flowers and foliage, in blue on a pale blue ground, highlighted in gilt, and a Boch Freres solifleur vase printed factory marks, 17cm. high £80-120 801. A Boch Freres Keramis vase, model no. D968, painted with geometric leaf design in shades of blue and yellow on a black ground, another vase and an Amphora Pottery vase painted marks 21cm. high £100-200 802. A Boch Freres Keramis vase, model no. D.2516, enamelled with flowers and foliage in colours on a crazed white ground, and another vase similar printed factory marks, 22cm. high £100-200

805

803. A Primavera Pottery vase, ovoid with cylindrical stem, covered in a mottled mint green and black ground, and a Boch Freres vase glazed blue impressed marks 18.5cm. high £100-200

804

804. A tall Boch Freres Pottery Keramis Stalactites’ vase designed by Charles Catteau, shouldered form, enamelled in blue, turquoise and yellow with geometric flower panels, on a crackled white glaze unsigned 41cm. high £80-120 805. A pair of Boch Freres Pottery Keramis Stalactites’ vases designed by Charles Catteau, model no. D1101, enamelled with panels of geometric flowers in blue, yellow and turquoise on a crackled white ground printed factory marks, 20cm. high £100-200

806 807

806. A Boch Freres Keramis Pottery vase, model no. D.2333, enamelled with columns of fruiting foliage in shades of blue, orange, yellow and black on a crackled cream ground, and another vase in the same pattern printed factory marks, 23cm. high £200-400 807. A Boch Freres vase designed by Charles Catteau, enamelled with columns of geometric design in yellow, blue and turquoise on a crazed white ground printed factory mark, facsimile signature 34cm. high £80-120 808. A Boch Freres Keramis vase designed by Charles Catteau, model no.D.704, painted with columns of flowers in shades of blue and yellow on a crazed white ground printed factory marks 36cm. high £80-120

808

809

809. A Boch Freres Keramis vase designed by Charles Catteau, model no.1210, enamelled with geometric motif on a crackled white ground, and another decorated with columns of flowers printed factory mark, restored neck, 30cm. high £100-200

810

811

812

810. ‘Maitrise’ a Keramis Pottery vase designed by Charles Catteau, model no. D.896, painted with a young deer amongst birds and stylised foliage, in blue, turquoise and black on a crackled white ground printed factory mark 31cm. high £200-400

811. A Boch Freres Keramis Pottery vase, designed by Charles Catteau, model no. D.943, enamelled with a frieze of deer, in blue, turquoise and black on a crackled white ground printed factory mark, professional restoration to top rim 24cm. high £80-120

812. A Boch Freres Keramis Pottery vase designed by Charles Catteau, model no.D.1506, ovoid with collar rim, enamelled with birds in shades of blue and turquoise on a crackled cream, above jade green foliage ground printed factory marks, 23cm. high £200-400

813

Literature Charles Catteau La Louviere this design illustrated page 28.

813. A Keramis Pottery vase designed by Charles Catteau, model no. D.943, painted with three deer grazing and alert, in blue, turquoise and black on a crackled white ground printed factory marks 31cm. high £250-350

814. A massive Boch Freres wall charger, designed by Charles Catteau, model no.D.943, enamelled with a deer grazing, the border stylised fruit, in shades of blue, turquoise and black on a crackled cream ground printed factory mark 50cm. diam. £400-600 Provenance Sylvia Powell Decorative Arts, Millennium Collection. 814

815 816

817

818

815. A Boch Freres Keramis vase designed by Charles Catteau, model no. D.942, enamelled with columns of stylised flowers and another vase printed factory mark, facsimile signature 20cm. high £100-200 816.A Boch Freres Keramis vase, designed by Charles Catteau, model no.D983, enamelled with panels of geometric flowers, in red and green on a crackled white ground printed marks, facsimile signature 29cm. high £100-200

819 820

Provenance Michael John. 817. A Longwy Pottery vase model no.5056, painted with a band of yellow flowers, in colours on a crazed cream ground printed factory marks, 25cm. high £100-200 818. A Boch Freres Keramis vase, designed by Charles Catteau, model no. D.751, enamelled with roundels and columns of geometric form in shades of blue and yellow on a crackled white ground printed factory mark, facsimile signature 14.5cm. high £60-100 819. A Boch Freres plate designed by Charles Catteau, model no.D.972, painted to the well with stylised flowerheads in ochre and green on a cream ground, with black band border, and another smaller printed factory marks, 28cm. diam. £100-200

822

821

Provenance Christie’s South Kensington Art Deco, 15th October 2003 lot 406. 820. A Longwy Pottery box and cover, model no.D.5108, enamelled with a cornucopia of flowers, in colours on a crackled ground, and two other Longwy boxes decorated with flowerhead designs printed marks 17cm. diam. £150-250 821. A Boch Freres Keramis vase, model no.D.1755, enamelled with flowers and foliage in colours on a cream ground printed factory marks 34cm. high £150-250 822. A Boch Freres Keramis vase designed by Charles Catteau, model no. D1175, enamelled with geometric flowers in shades of yellow, turquoise and blue on a crazed white ground, and a Boch Freres vase printed factory marks 27cm. high £80-120

823

824

823. A Boch Freres Keramis Pottery vase, model no. D1208, enamelled with flowers and foliage in shades of green, yellow and black on a crackled white ground, and another similar printed factory marks 31cm. high £150-250 824. A Boch Freres Keramis vase, model no. D1174, enamelled with geometric flowers n shades of blue, turquoise and yellow on a crazed white ground printed factory marks 35cm. high £80-120 825. A Boch Freres vase, model no D.873, on four feet, printed with a geometric design in shades of green, yellow, blue and black printed and impressed marks, small chip to foot 40cm. high £80-120 826. A tall Boch Freres Keramis vase, model no. D.871, slender form, printed and enamelled with flowers and foliage in colours on a white ground printed factory marks 47cm. high £80-120

825

Provenance 20th Century Decorative Arts Christies South Kensington, 27th June 2006 lot 912. 826

827. A fine pair of Longwy Primavera Pottery Baigneuses vases, enamelled with bathers before geometric flowers and foliage, in shades of blue and black on crackled blue ground printed factory marks, 29cm. high ÂŁ1,000-2,000 Provenance Christieâ&#x20AC;&#x2122;s South Kensington Art Deco, 30th September 2009, lot 100.

830 828 829

833 832

831

834

828. A pair of Boch Freres Pottery vases, model no. D1122, enamelled with geometric flower and foliage panels in shades of green, orange and black on a crackled white ground printed factory marks, minor professional restoration to rim of one, 35cm. high £200-400 Provenance Sotheby’s 25th November 2004 lot 537. 829. A Boch Freres pottery vase, model no. D1173, enamelled with columns of stylised flowers and foliage in shades of brown and black on a crackled cream ground printed factory marks 34cm. high £100-200 830. A pair of Boch Freres Keramis vases designed by Charles Catteau, model no. D1133, painted with panels of geometric design in shades of turquoise, sand and yellow on a white ground, with panels of black printed factory mark, facsimile signature 29cm. high £200-300 835

831. A Longwy Atelier Primavera box and cover, enamelled with a deer in a stylised forest, in shades of blue and black, another decorated with flowers, another Longwy box decorated with prunus and three dishes printed marks 9.5cm. diam. £150-250 832. A Longwy Pottery vase, model no. D5471, shouldered octagonal section, enamelled with alternating panels of prunus and chequered design, printed factory marks 18cm. high £80-120 833. A Boch Freres Keramis vase, model no.D116, octagonal section, enamelled in blue and green on a crackled white ground with geometric panels printed factory marks 14cm. high £60-100 834. A Boch Freres Keramis Pottery vase designed by Charles Catteau, model no. D1182, shouldered square section, enamelled with geometric design in blue and turquoise on a crackled white ground printed factory mark 24cm. high £100-200 Literature Dominique Carrieras L’Homme de Keramis Charles Catteau, page 73 catalogue number 80. 835. A pair of Boch Freres Keramis vase, model no. D.1425, enamelled in blue, turquoise and white with stylised flowers, printed factory marks, 22cm. high £150-250 Provenance Christie’s South Kensington 27th June 2006 lot 911.

836

836. A Longwy Primavera Pottery vase, bottle form, enamelled in green and black with geometric flowers and foliage, on a crackled white ground printed factory marks 29cm. high £400-600 Provenance Aesthetics, London.

837

837. ‘Boule Coloniale’ a large Longwy Pottery vase designed by Maurice Paul Chevallier, model no. D.5660, painted with a dense frieze of exotic flowers and foliage in colours printed and painted marks, 38cm. high £1,000-2,000 Literature This vase was exhibited by Longwy at the Expo Coloniale de Paris in 1931. Provenance Christie’s South Kensington 4th October 2005 lot 14.

838. A massive Boch Freres Keramis vase, Model no.D1704, shouldered form, enamelled with flowers and foliage in colours on a red ground printed factory marks 38cm. high £800-1,200 Provenance Art Deco Christies South Kensington 15th October 2003, lot 405.

838

839. A Longwy Atelier Primavera Pottery wall charger, enamelled with two stallions, in black and white on a geometric swirling background in shades of blue printed factory marks 38cm. diam. £300-500 Provenance Christie’s South Kensington 15th October 2003 lot 407.

839

840. A Longwy Pottery charger, model no.D.5279, painted with a bird perched on berried foliage, in shades of blue, white, purple and orange on a pink ground, inside a broad band of radiating stylised fern tendrils printed and painted marks, minor professional restoration to the rim 39cm. diam. £200-400 Provenance Phillips, sale 597 lot 440.

840

841. A Longwy Primavera wall charger, enamelled with two nude figures taming a young deer, in a stylised landscape, in shades of white, ochre and black, the rim with radiating fern fronds printed factory marks 38cm. diam. £300-500 Provenance Aesthetics, London.

841

lAlique glAss

842. ‘Bammako’ no. 10-882 a Lalique opalescent glass vase, designed by Rene Lalique stencil R Lalique France 18cm. high £1,500-2,000

842

843. ‘Saint Francois’ No. 1055 a Lalique opalescent glass vase, designed by Rene Lalique stencil R Lalique 17cm. high £1,200-1,500

843

844. ‘Formose’ no.934 a Lalique cased glass vase, designed by Rene Lalique etched R Lalique France 18cm. high £1,500-2,000

844

845

846

847

848

849

850

845. ‘Chiens’ no. 3214, a Lalique stained black, clear and frosted glass bowl, designed by Rene Lalique, moulded V d’A Verrerie d’Alsace mark 23.9cm. diam. £200-400

846. ‘Poisson’ a Lalique opalescent glass bowl, designed by Rene Lalique, moulded R Lalique mark 29cm. diam. £350-450

847. ‘Graines D’Asperges No.1’ no.3220, a Lalique opalescent glass bowl, designed by Rene Lalique, moulded R Lalique to the well 24cm. diam. £350-450

851

848. ‘Moineau’ No.284, a Lalique amethyst glass cendrier, designed by Rene Lalique etched R Lalique France, no.284 9.5cm. diam. £350-450

849. ‘Dindon’ No.287, a Lalique opalescent glass cendrier, designed by Rene Lalique etched Lalique France to base 10cm. wide £300-500

850. A Lalique clear and frosted glass bird table centrepiece, model no.1157, designed by Rene Lalique incised marks, chips 13cm. wide £50-100

851. A Lalique frosted glass figure of a woman holding bunches of grapes, on rounded rectangular base, etched Lalique France to base 19cm. high £100-200 Provenance The Albert E Wade Collection.

852. ‘Pan’ No.504, a Lalique sepia stained, frosted glass scent bottle and stopper, designed by Rene Lalique moulded R Lalique to base 12.5cm. high £300-500 852

853. ‘Sirene’ No.831 a Lalique opalescent glass figural car mascot, designed by Rene Lalique, with blue staining moulded R Lalique 11cm. high £1,500-2,000

853

854. ‘Orly’ no.10.891 a Lalique clear glass vase, designed by Rene Lalique stencil R Lalique 17cm. high £2,000-3,000

854

855. ‘Sirene’ No.831 a Lalique opalescent glass figural car mascot, designed by Rene Lalique cast R Lalique 10.5cm. high £1,000-2,000 Provenance The Albert E Wade Collection.

855

856

857

859

860

858

861 856. ‘Bahia’ no.3413, three Lalique frosted glass tumblers, designed by Rene Lalique, stencil mark R Lalique 12.4cm. high £120-150

857. ‘Cactus’ a modern Lalique frosted glass scent bottle and stopper, with black enamel, two graduated Dahlia scent bottles and a Dahlia powder box and cover etched marks, 10cm high £150-200 862

858. A modern Lalique clear and frosted glass bowl, modelled as two flaring leaves, a Sabino opalescent glass cockerel and a streaked glass vase etched Lalique France, flat chip to end 46cm. wide £100-150

859. A modern Lalique cendrier, modelled in relief with a squirrel, and a Cristal Lalique Gao cendrier applied label 10cm. diam. £80-120

860. Two modern Lalique bottle green fish and three Lalique Scarab’s various marks 5cm. £80-120 863 861. A modern Lalique glass figure of a dinosaur, another model of a deer and a Lalique model of two love birds etched marks 15cm. wide £80-120

862. ‘Deux Faisans’ no.1392, a Lalique clear and frosted glass brooch, designed by Rene Lalique etched R Lalique 8.5cm. long £400-500 This brooch was designed by Rene Lalique in 1911.

863. ‘Chat’ No. 90, a Lalique clear and frosted glass box and cover, designed by Rene Lalique, stencil R Lalique France 10.5cm. wide £700-1,000 This box was designed in 1932.

864

864. ‘Setubal’ No.3180 a Lalique clear and frosted glass lemonade set, designed by Rene Lalique, comprising ovoid jug, four beakers and a tray stencil mark R Lalique France jug 18cm. high £800-1,200

865. A Sabino opalescent glass wall light, cast in relief with fantailed fish minor rim chips, 38cm. wide £200-400 865

866. A Sabino opalescent glass scent bottle and stopper, cast in low relief with flower stems, and a ‘Bourjois’ blue plastic scent bottle case cast marks 11.5cm. high £50-100 Provenance The Albert E Wade Collection. 866

867. A Sabino opalescent glass figure of a nude woman, modelled with draped shawl, applied Sabino paper label 19cm. high £250-450 867

868. An Etling opalescent glass figure of a woman, naked, modelled with long flowing hair to her feet, on circular base moulded Etling France 86 22.5cm. high £800-1,200 Literature Victor Arwas Glass Art Nouveau to Art Deco Academy, page 102 for a full page illustration of this model. 868

869

870

873

871

874

872

875

876

869. ‘Shalimar’ a Baccarat scent bottle and stopper for Guerlain, Paris, flattened urn form with amethyst glass stopper, inscribed Guerlain, Paris in gilt, original paper label, in original presentation box etched marks and paper label to base bottle 14cm. high £50-150 870. An enamelled glass decanter and six shot glasses, each enamelled with red arc design, and a collection of scent bottles and decanters similar and other glass unsigned 26cm. high £150-250 871. A moulded, frosted glass ball shade, moulded in relief with flowerhead panels, an iridescent glass vase and an enamelled glass vase unsigned shade 28cm. high £80-120 872. A W.M.F Ikora glass bowl, crackled amber graduating to yellow glass cased in clear unsigned 39.5cm. diam. £80-120 877

873. A Legras cameo glass vase, ovoid mottled glass, decorated with aster flowerheads painted in shades of red signed Legras 22cm. high £300-500 874. A Kosta Unik cameo glass vase, by Edvin Ollers, dated 1917, pale green glass over frosted glass body decorated with stylised flowers, highlighted in gilt painted gilt mark Kosta EO monogram, incised Unik K.6 £300-400 Literature Stockholms Auktionsverk, 28th October 2009, lot 902, for a comparable covered vase dated 1917 and number K10, in a similar cameo design. 875. An enamelled glass vase by A Mazoyer, ovoid with everted rim, painted in shades of orange, blue and black with flowers, painted signature to side, small chip to top rim, 17.5cm. high £50-150 876. A Daum Nancy glass decanter and stopper, with applied amethyst trails and prunts acid etched Daum Nancy 32cm. high £200-300 877. A Loys Lucha internally enamelled glass ceiling light, bowl shaped, decorated with geometric pink dahlia flowers, remains of hanging silk threads signed to the rim, 35.5cm. diam. £100-200

878

878. A large Schneider glass vase, compressed body with tapering cylindrical neck, octagonal knopped rim, clear glass with air bubble inclusions acid etched Schneider mark 49cm. high £200-300

879

879 top

880

879. A Daum pate de verre glass panel, designed by Jacques Adnet rectangular, with two dragonflies, set in an ebonised wood box cast Daum and Adnet signature 20 x 12.5cm. £1,000-2,000

881

880. A sapphire blue glass figure of a woman, cast from a model by Charles Korschann, modelled lying on her side, on a rounded rectangular base, cast signature Charles Korschann, 24cm. wide £400-600

881. A Muller Freres footed glass vase, flaring cylindrical form, pale pink frosted and polished glass, modelled in relief with a boar hunt, with ebonised wood foot signed in the cast Muller Freres Luneville 22.5cm. high £800-1,200

882. A tall Charder La Verre Francais cameo glass vase, by Charles Schneider, slender, flaring cylindrical form red overlay decoration of flowers, over frosted orange glass cameo signature Charder 42cm. high £1,000-1,500 882

883

884

887

885

888

886

889

890

883. A Davidson’s of Gateshead Jadeite glass vase, cylindrical form with everted rim, a Nazing glass posy bowl, a dish and a pair of Continental silvered black glass vases unsigned 20cm. high £80-120

884. A Nazing glass vase, mottled green and white, pulled to the top rim, cased in clear unsigned 26cm. high £50-100

885. A Nazing glass vase, flaring cylindrical form, mottled white and green cased in clear, an iridescent glass trumpet vase and another glass vase unsigned 23cm. high £80-120

891

886. A Stevens & Williams Rainbow glass vase, flaring cylindrical for, internally decorated with pink and green optical swirls, another smaller, a tall footed glass vase in the manner of Keith Murray and two other glass items unsigned , 25cm. high £100-200

887. A Monart glass vase, pattern PJ 393, mottled orange glass with green spots, cased in clear paper label to base 22cm. high £200-300

888. A Jobling press moulded green glass salad server and saucer, decorated with floral panels, and a glass twin-handled royal commemorative vase, inscribed E R 1902 inset to the stem with a coin, a Strathearn etched glass vase by Gordon and two other items unsigned 21cm. wide £60-100

889. A peach tinted glass mounted wood table, square section on four tapering legs unsigned 60cm. square £100-200

890. A peach tinted glass mounted wood occasional table, D shaped section, the top surface with cut groove decoration unsigned 65cm. wide £80-120

891. A peach tinted mirrored glass wall mirror, dodecagonal form, on ebonised wooden back unsigned 73cm. wide £300-500

892. A peach tinted glass mounted wooden floor lamp, on stepped, square section chrome and glass base, with later shade unsigned 160cm. high £80-120

892

furniture

893. A P.E. Gane Ltd Bristol walnut veneer Modernist bureau book case, the design attributed to J P Hulley, with drop front, fitted bureau above drawer and geometric bookshelves applied retail label to the drawer 109cm. wide, 111cm high ÂŁ200-400 Provenance This Modernist bureau was linked to Marcel Breuer who stayed with Gane in Bristol before travelling to America. Although probably not designed by Breuer, more likely designed by the House designer J P Hulley, Breuerâ&#x20AC;&#x2122;s influence on the firm of Gane was strong. It led to them producing a range of contemporary Modernist furniture.

894. A Betty Joel Token Works bedroom suite, dated 1935, comprising walnut dressing chest with hinged built in bedroom mirror, carved shell handles, two graduated side tables, a bedside D shaped table, a long twin bed headboard and two foot boards applied label to chest 140cm. high, 60cm. wide ÂŁ1,000-2,000 The label lists the makers as G Robinson and W Pound.

893

894

895

895. A five piece walnut veneer lounge suite, with simple carved motif to arms, comprising; three seat settee, two club chairs and two armchairs unsigned settee 160cm. wide ÂŁ400-600

896. A glass mounted walnut veneer dining room suite, probably English, comprising pedestal, four door sideboard with black glass inset top and chrome handles, pedestal dining table with inset glass top and eight walnut veneer tub chairs with white leather upholstery unsigned sideboard 154cm. wide, table 184cm long x 94cm wide ÂŁ600-1,000

896

897

897. A streamlined three piece suite, comprising two seat sofa and pair of armchairs, upholstered in silver and black material unsigned 151cm. wide £800-1,200

898

898. A Heal’s walnut occasional table, rounded rectangular form with inset glass top, two overhanging shelves and two sliding retractable shelves inset ivorine label 78cm. wide £300-500

899

899. A Heal’s mahogany extending dining table, on chamfered legs, 151cm. wide, 91cm. high £150-200

900. A walnut low table, circular form on cruciform base, unsigned 97cm. diam. £300-500 900

901

902

903

904

901. A PEL chromed metal umbrella stand with enamelled metal drip tray, applied PEL label 50cm. wide £100-200 Provenance Fine Art Society Britain Between the Wars, March 23rd-April 29th 2004.

902. A mirrored glass uplighter, flaring conical form unsigned 72.5cm. high £200-300 903. An occasional table, the design attributed to Heal’s, circular top with cruciform stretcher with stepped feet unsigned 51cm. diam. £80-120 904. A chrome metal desk lamp, the design attributed to Max Schumacher, the shallow disk shade on angled stem and domed base unsigned 43cm. high £150-250 905. A Bath Cabinet Makers painted chest, with two door cupboard, painted floral panels to the doors, patinated metal tassle handless, stamped marks, to back, applied label 76 x 50cm. £300-500 905 906. An Epstein Style Art Deco walnut and leather three piece suite, comprising two arm chairs and a three seat sofa, with black leather finish unsigned £2,500-3,000

906

907

908

909

910

907. A Smith’s mirrored glass electric wall clock, peach tinted circular face with blue border cast marks to the movement 37.5cm. diam. £100-200

908. A Hotkiss patinated metal night light, modelled as a woman heads, with open mouth applied metal plaque 17cm. high £100-150 911

909. A shagreen and ivory mounted wooden cigarette box, hinged, rectangular form, with applied ‘FWF’ metal monogram, and another similar unsigned 18.5cm. wide £100-200

910. A shagreen easel backed mirror, shaped rectangular form with bevelled mirror, unsigned 39.5cm. high £300-500

911. An Art Deco electroplated metal cocktail set, comprising six shot glasses on a shaped twin-handled tray unsigned 46.5cm. wide £80-120

912

912. A Jaz bakelite mantle clock, cast tortoiseshell bakelite with applied metal panels, a bakelite bowl and stand, a ink bottle case and a boxed paperknife set printed mark 16cm. high £100-200 913 913. A silver mounted amber and bakelite bracelet, square links set with amber and bakelite geometric panels, in Robert Stewart Sauchiehall Street retailers case, stamped marks, 925 20cm. long. £80-120

914. A German chromed metal novelty Zeppelin cocktail shaker, modelled in the form of a Zeppelin airship, comprising, shaker, cover and strainer, flask, box and cover, corkscrew and holder, four measuring cups and a spoon/ladle stamped D.R.G.M made in Germany 13cm.high £300-500 Provenance The Albert E Wade Collection. 914

915

916

917

918

919

920

921

922

915. A Sheaffer Jade ladies lever-filler fountain pen, cast marks 11.5cm. long £100-150 916. A Parker Mandarin Yellow Duofold Junior button-filler fountain pen cast marks 11.7cm. long £100-150 917. A Parker Lapis Blue Duofold Junior button-filler fountain pen, cast mark 11.7cm. long £100-150 918. A Swan black and jade 242/54 lever-filler fountain pen, an Onoto button-filler and a Conway Stewart button filler fountain pen cast marks 14cm. long £80-120 919. A Mont Blanc Meisterstuck fountain pen, cast marks 14cm. long £100-200 923

924

920. A Bulgari engine turned white metal pen, a Parker Sonnet fountain pen, a black Waterman fountain pen, a Nazareno Gabrielli silver ball pen in presentation box, a white metal and enamel Vatican Museum pen a Cross propelling pencil and a Delta silver ballpen in presentation box various marks £500-600 921. A Gold mounted Waterman’s Ideal 42 1/2 safety fountain pen, and a collection of pens and pencils £200-300 922. A modern Cartier engine turned white metal fountain pen, in original presentation case, a three other Cartier pens in original presentation cases cast marks £400-600 923. An Art Deco hand-coloured print on paper of a promenading couple, by Lucien Baubant, framed signed in the print image 27 x 22cm £60-80 924. An Art Deco print of a lady seated by a parrot by H L Marriott, dated 1938, another similar and two smaller prints by Edward Cole, framed signed in the prints 41 x 26cm. £80-120 925. ‘The Ring’ a watercolour on paper design, after Norman Lindsay, highlighted in silver gilt, framed indistinct signature and date 1922 26.5 x 17cm £600-1,000 Norman Alfred William Lindsay (1879-1969). An Australian artist of merit, his erotic paintings and etchings caused considerable controversy in the late 1930s particularly in America.

925

DoDo

926‡. ‘Nachte in Moskau’ (night in Moscow) ,an early original poster design by Dodo Burgner, unframed signed Dodo and dated 10/9/23, losses, 47 x 36.5cm. £100-200 The Marmor Haus (Marble House) theatre and cinema was built in Berlin in 1912-1913.

926

927

927‡. A watercolour on paper design of two bathers, by Dodo Burgner, mounted, unframed unsigned image 44 x 34cm. £150-250

928‡. An early watercolour and pencil fashion design by Dodo Burgner, depicting a woman in shift dress and cloche hat, the reverse with similar figure, unframed unsigned, dated 2.5.25 sheet50 x 38cm. £150-250

928

929‡. A pencil and watercolour wash on paper of a couple dancing, by Dodo Burgner, unframed, mounted unsigned image 43 x 29cm. £100-200

929

930

930‡. A sheet of watercolour sporting figures by Dodo Burgner, mounted, unframed unsigned image 33.5 x 26.5cm. £80-120

931‡. ‘Die Ballverblodeten’ (The Ballgoers) an original design for Ulk magazine by Dodo Burgner, for Ulk March 1929, signed and dated 29 Dodo in pencil, annotated to the border, studio stamp to reverse image image 40 x 29cm. £400-600 931

932‡. ‘Frauchens Liebling’ (Favourite Mistress) an original artwork design for Ulk magazine by Dodo Burgner, Ulk November 1929, number 44, unframed signed and dated in pencil 29 Dodo, annotated in pencil to border image 42 x 31cm. £400-600 Forthcoming Exhibition Dodo. 1st March -20th May 2012 Staatliche Museen zu Berlin, Kunstbibliothek. 22nd June-9th September 2012 Ben Uri Gallery, The London Jewish Museum of Art. 932

933 933‡. A pen and ink Vogue fashion study on board by Dodo Burgner, probably for Michels Silk-weaving Company, unframed, signed Dodo image 52 x 38cm. £300-500 934‡. A page of pen and ink geometric designs by Dodo Burgner, unframed unsigned image 31 x 23cm. £100-200 935‡. A watercolour on paper design of a gentleman lighting a woman’s cigarette, by Dodo Burgner, unframed unsigned image 45 x 33cm. £150-250

934

935

sCulPture

936 937

938

939

936. A Rena Rosenthal hammered brass fish dish, a patinated bronze fish similar, three other figures and a box and cover stamped mark, 28cm. wide £50-100

937. A small patinated bronze and ivory model of a woman, on circular onyx base unsigned 15cm. high £100-200 941 938. A patinated bronze and ivory group of two dancing girls, on flaring onyx base unsigned 18cm. high £200-300

940

939. A patinated bronze figure of a woman balancing a ball on her arm, on square section black marble base indistinct signature cast in the bronze 36cm. high £300-400

942

940. A silver patinated metal model of a Spanish dancer, modelled standing holding a tambourine, on alabaster circular base unsigned 27cm. high £80-120

941. A verdi gris bronze model of a reclining male, resting on rocks partially draped with a towel, signed in the bronze GFM 49cm. wide £200-400

942. ‘The Hunt’ a patinated bronze figure, cast from a model by Alexander Kelety, signed in the bronze Kelety, 48cm. wide £300-500

943

943. A large gilt metal sculptural double inkwell, two gilt metal lurchers, on shaped onyx base with onyx inkwells, and a smaller lurcher figure, unsigned 51cm. wide £250-300

944. ‘Gamine’ a bronze and ivory figure, cast and carved from a model by Ferdinand Preiss, on green onyx base, incised F Preiss to base 33cm. high £5,000-10,000 Literature Alberto Shayo Ferdinand Preiss, Antique Collector’s Club front cover for this model illustrated. Page 47 an original advert for Preiss figures sold at Waring & Gillow reproduced with Gamine illustrated and priced at 24 Guineas.

945

945. A patinated bronze figure, cast from a model by Demetre Chiparus, on rectangular black marble base signed in the bronze, Etling Paris Bronze 75cm. wide £2,000-3,000

946. ‘Venetian Lady’ a bronze and ivory figure cast from a model by Demetre Chiparus, on stepped red veined marble base signed in the casting and Etling Paris 38cm. high £2,500-3,000 946

947. A tall cold-painted bronze model of a nude dancer, cast from a model by Josef Lorenzl, modelled kicking one leg forward, with blue drape held in her left hand, on octagonal section onyx base signed in the bronze Lorenzl 69cm. high £2,000-3,000

947

Literature Bryan Catley Art Deco and Other Figures, Antiques Collector’s Club, page 210 for this design illustrated. Victor Arwas Art Deco, Academy Edition, page 163 for an identical figure illustrated.

948

948. A large silvered bronze figure of a nude dancer, cast from a model by Josef Lorenzl, modelled kicking her leg forward, on shaped onyx and black slate base signed in the bronze Lorenzl 43cm. high £1,500-2,500

949

949. A cold-painted bronze figure of a dancer, cast from a model by Josef Lorenzl, modelled on one foot with arms outstretched, wearing a pink short dress, on waisted onyx base signed Lorenzl in the cast, damaged ankle 22cm. high £100-200 Provenance The Albert E Wade Collection.

950

951

952

950. A bronze and ivory figure cast and carved from a model by Franz Peleschka-Lunard, modelled as a classical draped figure, on an onyx base with lamp fittings signed in the bronze figure 20cm high £600-800

951. A patinated metal double dancer lamp base, on alabaster base, with frosted glass shade unsigned 48cm. high £500-1,000

952. A patinated bronze figure of a nude woman, wearing Egyptian revival headdress, a drape over her right arm, on flaring square section red marble base unsigned 43.5cm. high £500-700

953 953. ‘Girl on a Dice (holding a Pierrot doll)’ a patinated bronze figure, cast from a model by Pierre Laurel, on square alabaster dice, with bronze base rim, signed Pierre Laurel Marcel Guillemard foundry cast to the base 46cm. high £1,500-2,000

954. A bronze and Ivory figure group, cast and carved from a model by Ferdinand Preiss, a nude woman perched on the corner of an Onyx base, with a peacock bird beside her incised F Preiss to the base, minor losses to hand 10cm. high £400-600 954

955

956

957

958

20th Century Design 955. A pair of WMF pewter mounted glass wine decanters, each enamelled with flag iris design stamped marks to pewter 21cm. high £100-200

956. A Cristallerie de Kariovy, Bohemian glass vase, tapering square section, decorated with a frieze of female warrior figures, in colours and gilt, acid etched mark to base 20cm. high £50-150 Provenance The Albert E Wade Collection.

959

957. A painted glass table lamp, by Michel, painted with cobnuts in brown and green signed Michel to base 42cm. high £150-250

958. An Art Nouveau Galle cameo glass vase, by Emile Galle, shouldered form, amber glass overlay decorated with primrose flowers, on a lemon yellow glass ground, cameo signature Galle to side 12.5cm. high £300-500 Provenance The Albert E Wade Collection. 960 959. An Art Nouveau Galle cameo glass vase, by Emile Galle, tapering ovoid form, purple overlay glass decorated with violet flowers, on a deep orange ground cameo signature Galle to side 11cm. high £250-350 Provenance The Albert E Wade Collection.

960. An Art Nouveau Muller Fres, Luneville solifleur cameo vase, the blue/green overlay decorated with a moth before sprays of pine cones and needles, on a mottled yellow and orange body, and a smaller Muller Fres mottled yellow and blue glass vase cameo signature Muller Fres Luneville to main vase, acid etched mark to yellow vase 16cm. high £200-400 Provenance The Albert E Wade Collection.

961. An Art Nouveau Galle cameo glass solifleur vase, by Emile Galle, decorated in brown with flower fronds on a mottled amber and yellow ground cameo signature Galle 17.5cm. high £500-800 961

962

966

963

964

967

965

968

969

962. An Iridescent glass vase in the style of Loetz, compressed form with everted rim, swirling golden iridescent finish with surface decoration acid etched AS mark, 11cm. high £150-200 963. A Loetz phanomen glass box and cover circular section on three ball feet, pink glass, internally decorated and cased in clear unsigned 15cm. diam. £250-300 964. A W.M.F pewter and glass biscuit barrel, flaring rectangular form, cast in low relief with foliate panels and a continental clear and frosted glass vase, cast in relief with a frieze of naked female figures both unsigned 22cm. high £50-150 Provenance The Albert E Wade Collection. 965. A Dis enamelled glass box and cover, circular section enamelled with a butterfly, an amber flashed glass dish probably Moser, enamelled signature DIS 8cm. diam. £50-100 966. A set of seven wine glasses, possibly Theresienthal, shallow bowls with cranberry and green columns in the clear glass stem, unsigned 20cm. high £50-100

970

Provenance Christie’s South Kensington 4th July 1991 lot 240. The Albert E Wade Collection. 967. A Solomon & Reich, Krasna cameo glass vase flaring cylindrical yellow glass cased in black with houses in a pine tree landscape, acid etched signature to side 24.5cm. high £300-400 968. A set of six English acid-etched glass bell shades, etched with berried foliage, metal mount stamped England 21cm. high £50-150 969. A tall green glass floor vase in painted metal tripod mount, attributed to Whitefriars, fluted glass with flaring rim unsigned 112cm. high £60-100 970. An Art Nouveau Loetz gooseneck iridescent glass vase with compressed, dimpled body, tall cylindrical neck with everted and pulled rim, splashed green iridescence unsigned 25cm. high £600-800 971. A Louis Comfort Tiffany iridescent glass vase, model Y2081, footed floriform shape covered in a golden iridescence incised LCT Y2081 12.5cm. high £700-900

971

972

976

973

974

977

978

975

979

972. A Kosta glass paperweight by Vicke Lindstrand ovoid with polished face, internally decorated with seaweed design etched marks Kosta 91809 Lindstrand 9cm. high £100-200 973. A Kosta glass vase, the design attributed to Vicke Lindstrand, clear, flattened glass with simple purple line inclusion, A Steuben urn shaped glass vase, a pair of Schneider glass candlesticks and three other glass items, incised Kosta LH 1243 16cm. high £100-200 974. A Svaja glass charger, streaked green and opaque glass cased in clear etched Svaja 47cm. diam. £80-120 980

981

975. A large Svaja glass vase, streaked green and opaque glass cased in clear etched Svaja 44.5cm. high £80-120 976. A William Manson Manart glass perfume bottle and stopper, dated 1998, mottled dark green glass with aventurine inclusions, inset with a stylised flower stem with bees and glass cane decoration, and a Scottish glass vase probably Vasart etched signature, dated 1998 20cm. high £60-100 William Manson was apprenticed to Paul Ysart in 1970, setting up his own company in Perth, Scotland in 1997. 977. A Caithness, Luckenbooth silver and glass heart-shaped necklace, by Colin Terris and Paul Ysart, in original case, another similar, a Caithness brooch, a pair of earrings and two rings, all cased stamped marks necklace 3.5cm high £150-250 978. A Stromberg Sommerso cased glass solifleur vase, amethyst cased in clear, and another smaller etched marks 46.5cm. high £80-120 979. A Holmegaard case blue glass Gul vase and stopper, designed by Per Lutken and Otto Brauer, and a smoked glass Gul vase unsigned 33cm. high £60-100

982

980. A Riihimaki green glass vase, the design attributed to Helena Tynell, and two others unsigned 28cm. high £80-120 981. A pair of Holmegaard amethyst glass vases, cylindrical form unsigned 18cm. high

£50-120

982. A Whitefriars Cinnamon glass Hoop vase, designed by Geoffrey Baxter, unsigned 28.5cm. high £150-250 Provenance Given to the current vendor for Christmas 1967. 983. A Wedgwood dark blue Sheringham glass candlestick designed by Ronald Stennett-Willson, the stem with three applied disks, and another Wedgwood two disk blue glass candlestick unsigned 16.5cm. high £50-150 983

984

985 part

988

986

989

987

989A

984. A Seguso style Murano Italy, glass model of a bird, pink glass with gold aventurine inclusion, cased in clear, with applied black glass eyes, on a domed glass base unsigned 32cm. high £80-120 985. A continental glass service, smoked glass feet with clear glass bowls, comprising; seventeen brandy bowls, fourteen small glasses, seven champagne flutes and twentyone various wine glasses acid etched R and crown mark wine glasses 14cm. high £200-400 986. A Ruda dark blue glass vase designed by Gote Augustson, cast in low relief with geometric design, two others similar, and three other Ruda glass items unsigned 22cm. high £80-120 990

987. An amethyst glass Handkerchief vase probably Italian, internally decorated with air bubbles and another similar unsigned 15cm. high £80-120 988. A glass flower vase in the style of Desny, faceted slender form on rectangular section base, unsigned 30cm. wide £80-120 989. A cased glass vase in the manner of Seguso, shouldered square section, etched signature Flavio Poli to base 18cm. high £80-120 989A. A Murano Italy, glass model of a fish, red and blue glass cased in clear on a domed glass base, unsigned 45cm. high £80-120 990. A Barovier-Toso, Murano glass and bronze photograph frame, easel backed form, clear glass with aventurine inclusions, stamped marks to frame 26cm. wide £250-350

991. A Murano glass picture frame, easel backed, rectangular frame with bronze mounts unsigned 27cm. high £150-250 991

992

996

993

997

994

995

998

999

CerAMiCs 992. A large pair of Doulton Lambeth Silicon Ware vases, by Eliza Simmance, decorated with stylised foliate design in shades of white, pale blue and black on an ochre ground, highlighted in gilt impressed marks, incised monograms 36cm. high £300-400 993. A Doulton & Co Lambeth stoneware barge advertising model, glazed ochre impressed marks, minor chips 17cm. wide £50-100 994. A Doulton Lambeth stoneware jug by Mark V Marshall, incised and pushed out with a shield before wave motif, in shades of brown, green and blue, impressed and incised marks, re-stuck handle 18cm. high £80-120 995. A pair of Royal Doulton stoneware vases, by Maud Bowden, modelled in low relief with fruit and flower swag design in shades of green, brown and blue impressed and incised marks, 22cm. high £80-120

1000

996. A Doulton Lambeth stoneware cruet set, dated 1876-1877, incised decoration in shades of blue, green and ochre, in fitted electroplated stand impressed marks 17cm. high £120-180 997. A Doulton Lambeth stoneware vase by George Tinworth, dated 1874, bottle form, incised and applied with seaweed scroll design, glazed in shades of brown, blue and green impressed and incised marks, restored base 33cm. high £300-400 998. A Doulton Lambeth stoneware ewer by Frank Butler, dated 1879, shouldered form, incised with scrolling foliage bands in shades of blue, green and brown, a Doulton Lambeth jug by Elisa Simmance, a Kingsware jug and ‘John Peel’ a Crown Devon mug impressed and incised marks, damages 28.5cm. high £80-120 999. A Doulton Lambeth Faience vase, shouldered form with tall, flaring cylindrical neck, painted with daisy flowers in colours on a brown ground impressed and painted marks 47cm. high £250-300 1000. A pair of Royal Doulton stoneware vases by Hannah Barlow, ovoid with collar rims, incised with a frieze of cattle grazing and resting, in ochre, the base incised with a band of stylised foliage impressed and incised marks 13.5cm. high £400-600 1001. A large Doulton Lambeth stoneware jardiniere and stand, by Mark V Marshall, tubelined decorated with flower panels, in shades of ochre and green impressed and incised marks and artist monogram, hairlines, 125cm. high £1,800-2,200 1001

1002

1003

1006

1004

1007

1005

1008

1009

1002. ‘Where did That One Go To’ a Winton Grimwades Old Bill wall plate, designed by Bruce Bairnsfather, dated Belguim 1915, printed in sepia with Bill sheltering from an explosion, printed factory marks, 25cm. diam. £30-50 1003. A Royal Doulton Nightwatchman Kingsware flask, designed by Charles Noke, modelled in relief and painted in colours, and another similar impressed marks, one with facsimile Noke signature, chips 27.5cm. high £80-120 1004. Nine Royal Doulton figures, painted in colours printed factory marks £150-200 1010

1005. ‘The Young Miss Nightingale’ HN.2010 a Royal Doulton figure, painted in colours printed factory marks 24cm. high£100-200 1006. Henry VIII and his six wives, seven limited edition Royal Doulton figures, painted in colours and twelve other figures including Royal Doulton and Royal Worcester various marks £300-500 1007. ‘Autumn Breezes’ HN1911 and ‘Rose’ HN1368, two Royal Doulton figures, painted in colours printed and painted marks £80-120 1008. ‘Dick Turpin’ HN3272 a Royal Doulton limited edition figure, modelled and glazed in colours, with metal pistol and wooden base printed factory marks, 211/5000 28cm. high £80-120 1009. A Doulton Lambeth stoneware jug with pewter cover, tapering cylindrical form, incised with flower stems, in blue and green on an ochre ground, between blue bands impressed marks, 17cm. high £50-100 1010. A Bernard Moore footed bowl, internally decorated with fish in a deep purple glaze, the exterior with flambe red wave border printed Bernard Moore mark 25cm. diam. £300-500

1011

1011. ‘Don Quixote’ a stoneware bust by Charles Noke, on ebonised wood oval base, the base titled in gilt signed in gilt to the base C Noke Sc. 38cm. high £300-500

1012. ‘Boer War Solider’ a rare Doulton Lambeth salt-glazed stoneware figure, designed by John Broad, with bronze rifle, on socle base impressed factory mark, incised artist signature 32cm. high £500-1,000

1012

1013. ‘The Falconer’ a Charles Vyse blanc de chine stoneware figure by Charles Vyse, dated 1927, glazed white, on ebonised wood base incised C Vyse 1927, end of foot chipped off 38cm. high £350-450 Literature Terence Cartlidge Charles & Nell Vyse Dennis & Pascoe page 29 for this sculpture illustrated.

1014. ‘The Young Bacchus’ a Charles Vyse Pottery figure, dated 1921, painted in colours painted marks and date, restuck headdress to goat 28.5cm. high £1,000-2,000

1013

1014

1015

1016

1015. ‘The Shawl’ a Charles Vyse Pottery figure, dated 1926, painted in colours painted mark and date to base, minor losses to flowers and frit to base, 27cm. high £800-1,200

1016. ‘The Lavender Girl’ a Charles Vyse Pottery figure, dated 1921, painted in colours painted marks, professionally restored wrist and lavender stems 23cm. high £400-600

1017

1021

1018

1019

1020

1022 1023 1024 1017. A Minton’s encaustic tile designed by A W N Pugin for St Peter’s Church, Marlow in shades of red, green and yellow, framed 15cm. square £150-200 Provenance St Peter’s Catholic Church Lady chapel, until it was demolished in 1970. Private collection. 1018. A Ruskin Pottery stoneware lamp base, dated 1930, modelled as a ginger jar and cover on a stand, covered in a yellow graduating to orange crystalline glaze impressed marks, 27cm. high £100-200

1025 1019. A Baron Pottery model of a Egyptian god, with applied glass eyes, glazed blue incised marks 18cm. high £300-350 1020. A Minton’s Art Pottery plate, painted with a portrait of woman in shades of blue impressed marks, painted signature B Tunmarn, flat chip to foot rim, 25.5cm. diam. £50-80 1021. A pair of Leeds Fireclay Company Lefco Ware stoneware jardiniere on low stands, cast in low relief with a band of foliage, glazed oatmeal, on waisted square socle impressed factory marks, minor chips 54cm. diam. £450-500

1026

1022. A terracotta centrepiece designed by Constance Spry, tapering cylindrical foot with swollen bowl and everted rim, covered in a grey glaze incised signature Constance Spry 17cm. high £60-100 1023. A Fulham Pottery flower vase, the design attributed to Constance Spry, flaring flowerhead form, glazed matt white, and two others similar printed Fulham Pottery mark 36cm. wide £50-100 1024. A Wemyss Honey pot, cover and stand, square section with thistle finial, painted with a swarm of bees, in colours painted Wemyss made in England 18.5cm. square £200-300 1025. Two West Country pottery models of birds, attributed to C H Brannam by James Dewdney, glazed in shades of green, blue and cream, incised JD to one, glaze loss, firing cracks and minor restoration 19cm. wide £80-120 1026. A Pilkington’s Lancastrian bowl by Gwladys Rodgers, flaring form, painted in gold lustre with linear triangular design to the exterior, the interior with golden hearts on a mottled red and orange ground impressed marks, painted artist monogram 10.5cm. diam. £150-250 Provenance The Bill Coles Collection.

1027

1027. A Wileman, Foley Intarsio twin-handled vase, designed by Frederick Rhead, model no.3084, printed and painted in colours with a frieze of white geese, between floral borders printed factory marks, minor glaze frit to top rim, 30cm. high £500-600

1028

1032

1029

1033

1030

1031

1034

1035

1028. ‘Pomegranate’ a Moorcroft Pottery vase, designed by William Moorcroft, painted in colours on a blue ground, a Pomegranate dish with metal rim, and a Magnolia bowl impressed marks, 9.5cm. high £250-350 1029. A James Macintyre & Co jug, designed by William Moorcroft, with pewter lid, tubeline decorated with stylised flower stems, in blue on a green and blue ground printed factory marks, restored 16cm. high £100-150 1030. ‘Rose Garland’ a James Macintyre & Sons twin-handled coupe designed by William Moorcroft, painted in colours, highlighted in gilt on a white ground. retailed by E Williams, Newport printed and painted marks, restoration 23cm. diam. £500-700 1031. ‘Rose Garland’ a James Macintyre & Co twin-handled coupe designed by William Moorcroft, painted in colours, highlighted in gilt on a white ground printed and painted marks, crack to rim by handle, 21cm. wide £700-900

1036

1032. ‘Wisteria’ a Moorcroft Pottery inkwell, with brass cover, designed by William Moorcroft, painted in colours impressed factory marks 11.5cm. diam. £200-250 1033. ‘Flambe Leaf and Berry’ a Moorcroft Pottery vase, shouldered form, painted in colours, and a ‘Columbine’ dish painted blue signature 18cm. high £200-300 1034. ‘Leaf and Berry’ a Moorcroft Pottery vase designed by Walter Moorcroft, painted in colours on a graduated green to blue ground impressed marks, painted blue signature 32cm. high £300-500 1035. A James Macintyre & Co Aurelian Ware solifleur, printed in blue and coral red, highlighted in gilt printed factory marks 23cm. high £120-180 1036. ‘Yellow Flag Iris’ a Florian Ware baluster vase designed by William Moorcroft, painted in shades of yellow, green and blue printed and painted marks, 17cm. high £1,000-1,500 1037. ‘Anemone’ a tall James Macintyre baluster vase designed by William Moorcroft, slender form, painted in shades of red, green and blue on a sand ground printed mark, painted green signature 30cm. high £2,000-2,500

1037

1038

1039

1040

1041

1038. A Moorcroft Pottery vase, baluster form, covered in a graduating green to ochre glaze impressed factory marks 32cm. high £80-120 Provenance The Albert E Wade Collection.

1039. ‘Powder Blue’ a Moorcroft Pottery coffee set, covered in a mottled blue glaze, comprising coffee pot and cover, hot-water pot and cover, milk-jug and sugar basin, four cups and saucers impressed factory marks 20cm. high £80-120

1042

1043

1040. ‘Coronation of King George V’ 1911, a James Macintyre & Co commemorative pepper pot, printed in colours printed factory marks 6cm. high £50-100 Provenance The Albert E Wade Collection.

1041. ‘Leaf and Berry’ a large Moorcroft vase, designed by William Moorcroft, painted in shades of blue and green on a celadon ground painted blue signature, professional restoration to top and base rims 37cm. high £500-800

1042. A Florian Ware solifleur vase, designed by William Moorcroft, tubeline decorated with a band of scrolling flowers and foliage in shades of blue on a pale blue ground printed mark, painted green signature, restored neck 26cm. high £300-500

1044

1043. ‘Peacock Feather’ a Florian Ware twin-handled vase designed by William Moorcroft, painted in shades of blue on a pale blue ground printed factory mark, painted green signature, repaired handles 19cm. high £800-1,200

1044. ‘Violets’ a Florian Ware solifleur vase designed by William Moorcroft, slender, waisted form with fluted rim, in shades of blue on a pale blue ground printed factory mark, painted green signature 25cm. high £1,000-1,500

1045. ‘Waving Corn’ a Moorcroft Pottery vase, designed by William Moorcroft, shouldered form with collar rim. glazed in matt blue impressed marks, painted blue signature 16cm. high £500-1,000 1045

1046. ‘Flambe Fish and Jelly Fish’ a Moorcroft Pottery vase, designed by William Moorcroft, painted in colours under a flambe glaze, painted blue signature 10.5cm. high £400-600

1046

1047. ‘Alhambra’ a James Macintyre & Co vase designed by William Moorcroft, painted in shades of blue and coral red, highlighted in gilt on a salmon pink ground printed factory mark, 18cm. high £1,000-1,500

1047

1048. ‘Hazledene’ a rare Moorcroft lustre landscape vase, designed by William Moorcroft, made for retail by Liberty & Co, rich ruby lustre glaze incised and printed marks to base, small chips to foot rim 19cm. high £800-1,200

1048

1049

1051

1050

1052

1053

1054

A PrivAte ColleCtion of Dennis ChinAWorks 1049. ‘Hummingbird’ and ‘Iris’ two Dennis Chinaworks roundels, designed by Sally Tuffin, painted in colours impressed and painted marks 16cm. diam. £60-100 1050. ‘Bee’ a Dennis Chinaworks footed bowl designed by Sally Tuffin, dated 1997, painted by Louise Norris, in shades of brown and green on a yellow ground impressed and painted marks, numbered no.34, 22cm. diam. £80-120 1055 1051. ‘Polar Bear’ a Dennis Chinaworks pot and cover designed by Sally Tuffin, dated 1999, painted in shades of blue, white and black, impressed and painted marks, numbered no.78 13.5cm. diam. £120-180 1052. ‘Monkey’ a Dennis Chinaworks vase, designed by Sally Tuffin, dated 2000, painted in shades of green and pink, impressed marks, numbered no.54 14.5cm. high £60-120 Literature Dennis Chinaworks page 18 for a comparable vase. 1053. ‘Penguin’ a Dennis Chinaworks vase, designed by Sally Tuffin, dated 2000, teardrop shape, painted in colours impressed and painted marks 14cm. high £80-120 1056 1054. ‘Iris’ a Dennis Chinaworks miniature vase designed by Sally Tuffin, dated 2002, painted in colours impressed and painted marks, numbered no.1 6.5cm. high £50-100 1055. ‘Butterfly’ a Dennis Chinaworks trial tazza designed by sally Tuffin, dated 2006, painted by Tania Pike in colours on a cream graduating to blue ground impressed and painted marks, 15cm. diam. £120-180 1056. ‘Deer’ a Dennis Chinaworks limited edition vase designed by Sally Tuffin, dated 2003, painted in colours on a purple ground impressed and painted marks, numbered no.20/50 20cm. high £100-200 1057. ‘Ocelot’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 1998, impressed and painted marks, numbered 22, 23.5cm. high £200-300

1057

1058

1059

1060

1061

1058. ‘Rhino’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 2002, painted in shades of blue and purple on a pale blue ground impressed marks, painted marks 19cm. high £250-350

1059. ‘Indian Elephant’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 1999, painted in colours, impressed and painted marks, no.19 16cm. high £100-200

1060. ‘Otter’ a Dennis Chinaworks limited edition vase designed by Sally Tuffin, dated 2001, painted in colours on a celadon ground, impressed and painted marks, 24/100, 18.5cm. high £120-180

1061. ‘Koala Bear’ a Dennis Chinaworks vase, designed by Sally Tuffin, dated 2000, painted in colours on a celadon ground impressed and painted marks, 16cm. high £150-250

1062

1063

1064

1065

1062. ‘Iris’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 2002, painted by Heidi Warr, in shades of orange blue and green on a purple ground impressed and painted marks, numbered No.3 27cm. high £200-300

1063. ‘Pink Lily’ a Dennis Chinaworks Flute vase designed by Sally Tuffin, dated 2002, painted in colours on a purple ground impressed marks, painted marks, numbered no.25, 17cm. high £100-200

1064. ‘Hare Moonlit’ a Dennis Chinaworks Etruscan vase designed by Sally Tuffin, dated 2005, painted in shades of blue impressed and painted marks, numbered no.9, 35.5cm. high £400-600

1065. ‘Butterfly’ a Dennis Chinaworks limited edition vase, designed by Sally Tuffin, dated 2002 painted by Catherine Mellor, in shades of blue, purple and green impressed and painted marks, numbered 18/25, 32cm. high £250-350 Literature Dennis Chinaworks, page 44 for a comparable vase.

1066. ‘Circles’ a Dennis Chinaworks Egyptian vase designed by Sally Tuffin, dated 2002, painted in colours on a yellow ground, impressed and painted marks, numbered no.5, 21cm. high £300-400 1066

1067

1071

1068

1072

1069

1073

1070

1074

1067. A collection of Portmerion Pottery, including Totem and Magic City, designed by Susan Williams Ellis, and a ‘Where Did you get That Hat’ vase printed marks £50-80 1068. ‘Charlie Chaplin’ a continental pottery character jug, painted in colours moulded mark to base, old restoration 23cm high £50-100 1069. A Kevin Francis prototype Captain Jean-Luc Picard toby jug, painted in colours painted Prototype 23cm. high £80-120 1070. A set of three Beswick graduated seagull wall hangings, model no.922, painted naturalistic colours printed and impressed marks 30cm. high £80-120 1075

1071. ‘Susie Cooper’ a Kevin Francis limited edition character jug, modelled seated on a Kestrel teapot drinking a cup of tea, painted in colours printed factory marks, numbered 46/350 23cm. high £50-100 1072. ‘The Mayflower’ A Poole Pottery charger designed by Tony Morris, painted by Susan Pottinger, dated 1977, painted in colours painted marks and inscription 32cm. diam. £50-100 1073. A Poole Pottery vase, shouldered form painted in the Bluebird pattern, another similar and six other Poole items printed marks 22.5cm. high £150-250 1074. A Crown Ducal Spectria figure of a pierrot, covered in a rich flambe glaze printed marks 20.5cm. high £80-120

1076 1075. A Poole Pottery Contemporary bowl, pattern PRB, painted with a broad band of mushroom, with black and white elliptical design printed and painted marks 33cm. diam. £50-100 1076. A Poole Pottery Atlantis charger by Guy Sydenham, with trailed ochre glaze to the well impressed and incised marks, 33cm. diam. £100-150

1077

1077. A rare Poole Pottery Studio vase, designed by Robert Jefferson, ovoid with slender neck, resist decorated with abstracted eye motif in green on a white ground printed Poole Studio mark 13.5cm. high £300-500 Literature Leslie Hayward and Paul Atterbury Poole Pottery Richard Dennis Publications page 111 for some original shape designs by Robert Jefferson. Tony Morris has confirmed that this resist decoration was designed by Robert Jefferson.

StuDio Pottery

A PrivAte ColleCtion of stuDio Pottery

1078. Shoji Hamada (1894-1978) four Mashiko Pottery tea plates, each with painted design in tenmoku on a nuka glaze unsigned 18cm. diam. £400-600 Provenance Mrs Davis.

Mrs Davis (right) with lot 1084 on the table behind 1079. Shoji Hamada (1894-1978) four Mashiko Pottery tea plates, each with painted design in tenmoku on a nuka glaze unsigned, hairline to rim of one 18cm. diam. £400-600 Provenance Mrs Davis.

1078

1079

1080. Shoji Hamada (1894-1978) Two Mashiko Pottery stoneware plates, each with a ladle poured design in green copper Seigi glaze on a nuka ground unsigned, 25cm. diam. £700-900 Literature Swan Song of the 20th Century - Contemporary Ceramics, Bonhams. 9th June 1999 lot 89 page 36 for an identical plate, purchased Via Hamada from a Mashiko gallery in 1957 by Susan Peterson Provenance Mrs Davis.

1080

1081. Shoji Hamada (1894-1978) Two Mashiko Pottery stoneware plates, each with a ladle poured design in green copper Seigi glaze on a nuka ground unsigned, 25cm. diam. £700-900 Literature Swan Song of the 20th Century - Contemporary Ceramics, Bonhams. 9th June 1999 lot 89 page 36 for an identical plate, purchased Via Hamada from a Mashiko gallery in 1957 by Susan Peterson. Provenance Mrs Davis. 1081

1082

1082. Shoji Hamada (1894-1978) a set of eight Mashiko Pottery stoneware plates, each painted with a nuka lavender glaze over olive unsigned, rim chip to one 24cm. diam. £800-1,200 Provenance Mrs Davis. Literature The Retrospective Exhibition of Shoji Hamada, April 16th - June 5th, 1977 The National Museum of Modern Art, Tokyo catalogue number 179 page 143 for 2 comparable plates from a set of six, dated to 1960.

1083. Shoji Hamada (1894-1978) A Mashiko Pottery stoneware plate, with poured tenmoku and nuka glaze on a dry iron ground unsigned 21.5cm. diam. £800-1,200 Literature Shoji Hamada Master Potter, Ditchling Museum catalogue page 71 plate 44 for a comparable example. International Contemporary Ceramics Bonhams, 16th April 2008 lot 42 for a comparable square dish.

1083

Provenance Mrs Davis.

1084. Shoji Hamada (1894-1978) a Mashiko Pottery stoneware square dish, painted with brushed nuka and tenmoku borders unsigned, restuck small chip and hairline to the rim 29cm. square £800-1,200 Literature Shoji Hamada, Japanese catalogue, plate 74 for a comparable square dish illustrated The Retrospective Exhibition of Shoji Hamada, April 16th - June 5th, 1977 The National Museum of Modern Art, Tokyo catalogue number 138 page 89 for a comparable dish, dated to 1954. Provenance Mrs Davis.

1084

1085. Shoji Hamada (1894-1978) a Mashiko Pottery stoneware plate, with a ladle poured design in green copper Seigi glaze on a nuka ground unsigned, repaired rim 25cm. diam. £150-250 Literature Swan Song of the 20th Century - Contemporary Ceramics, Bonhams. 9th June 1999 lot 89 page 36 for an identical plate, purchased Via Hamada from a Mashiko gallery in 1957 by Susan Peterson. Provenance Mrs Davis. 1086. Shoji Hamada (1894-1978) A Mashiko Pottery hexagonal stoneware dish, decorated with a simple radiating linear star design in celadon and olive glazes, two Mashiko rectangular trays and circular dish painted with a spiral design and a Japanese pottery dish unsigned, last dish with 2 character impressed seal mark, small chip to corner of one tray 11cm. diam. £200-300

1085

Literature Sarah Riddick Pioneer Studio Pottery, The Milner-White Collection, page 49 catalogue number 44 for a comparable hexagonal dish. Provenance Mrs Davis. 1087. Richard Batterham (born 1936) a cut-sided stoneware bowl, glazed to the inside and to the foot of the exterior in celadon ash, and another Richard Batterham bowl unsigned, one painted 14 to base 21cm. diam. £80-120

1086

1088. Wenford Bridge a stoneware jug, decorated with a band of impressed decoration, covered in a rich tenmoku glaze, another similar, two mugs a beaker and two other items main jug has impressed Wenford and TM seal marks,various other marks, jug 15.5cm. high £80-120 1087

1088

Provenance Mrs Davis. 1089. Mark Hewitt (born 1955) a Wenford Bridge teapot, painted in brown on a celadon green ground, another by Mark Hewitt and two other teapots impressed seal marks, chips 14cm. high £80-120 Provenance Mrs Davis.

1089

1090 1090. Mark Hewitt (born 1955) a Wenford Bridge stoneware casserole and cover, with incised decoration to the interior and cover in ochre and olive, A Wenford Bridge storage jar and cover by Thiebaut Chague and two others impressed seal marks, chips 32cm. wide £80-120 Provenance Mrs Davis. 1091. Seth Cardew (born 1934) a Wenford Bridge charger, painted with a wading bird in blue and brown on a grey ground impressed seal marks, 31cm. diam. £100-150 Literature Oliver Watson Studio Ceramics, Phaidon/Victoria & Albert Museum, page 166 catalogue number 111 for a comparable piece. Provenance Mrs Davis.

1091

1092. Shoji Hamada (1894-1978) a rare stoneware , rectangular hand built bowl, painted to the well with sugar cane motif in iron brown on an off white matt glaze, the exterior with diagonal brush strokes unsigned 24cm. long ÂŁ2,500-3,000

1092

Provenance Susan Peterson Collection.

1093

1093. Shoji Hamada (1894-1978) a large stoneware, rectangular hand built bowl, on four feet, resist decorated to the well with sugar cane motif under a kaki glaze, the exterior with diagonal brush strokes unsigned, firing crack repaired by Hamada to one corner ÂŁ2,500-3,000 Provenance Susan Peterson Collection.

1094. ‘Bernard Leach - The Milner White Collection’ a photographic poster with impressed BL seal mark, framed unsigned image 59 x 41cm. £50-60

1094

1095

1095. Bernard Leach (1897-1979) Bird of Peace, a soft ground etching on paper, framed signed in the print, numbered in pencil 13/25 image 14 x 11.5cm. £200-400 Literature Simon Olding The Etchings of Bernard Leach, Crafts Study Centre, Farnham, page 91 plate 64 for a comparable version of this print, originally conceived in 1918.

1096

1097 1096. Bernard Leach (1897-1979), attributed a Leach Pottery stoneware bowl, painted with simple brush design in blue on an oatmeal ground impressed Leach Pottery seal mark 22.5cm. diam. £80-120

1097. Bernard Leach (1897-1979) a Leach Pottery slip decorated dish, with incised panels, glazed to the foot in green impressed seal marks 17cm. diam. £200-300

1098. Bernard Leach (1897-1979) a Leach Pottery stoneware vase, swollen form with incised and painted brushstroke design, in shades of blue on celadon ground impressed seal marks, hairlines 22.5cm. high £300-500

1098

1099. Leach Pottery three sagger pots from the Leach Pottery kiln, with incised marks, damages largest 16cm diam. £150-200 Provenance Katharine Pleydell-Bouverie, given to her by Bernard Leach, then in turn given to Ian Gregory. The incised marks and numbers to the sides are in Bernard Leach’s script.

1099

1100. Leach Pottery an unusual tripod dish, the interior with marbled slip decoration, impressed St Ives mark 31cm. diam. £100-200

1100

1101. Michael Leach (1913-1985) a Yelland Pottery stoneware platter, rounded, rectangular form, with painted leaf design to well impressed Yelland mark 37cm. wide £50-150

1101

1102‡. Bernard Leach (1897-1979) a large Leach Pottery footed bowl, painted to the well with flax stems, in blue and tenmoku on an ochre ground painted BL impressed seal mark 30cm. diam. £600-800 1102

1103. Shoji Hamada (1894-1978) an early stoneware tripod cauldron pot, with incised decoration, covered in a rich tenmoku glaze unsigned 9.5cm. high £2,000-3,000

1103

1104‡. David Leach (1911-2005) a Lowerdown Pottery charger, resist decorated in tenmoku with a willow tree design to the well, impressed seal mark 38cm. diam. £600-900

1105

1104

1105‡. David Leach (1911-2005) a Lowerdown Pottery stoneware charger, decorated to the well with combed decoration in a thick dolomite and tenmoku glaze, the rim with resist brush-stroke design impressed seal mark 37cm. diam £500-700

1106. David Leach (1911-2005) a Lowerdown Pottery tin-glazed earthenware jug, another David Leach Lowerdown jug smaller, two David Leach tea cups and saucers, and two jugs by other artists impressed seal marks 21cm. high £150-200

1106

1107. David Leach (1911-2005) a Lowerdown Pottery vase, square section, painted with a willow tree design in tenmoku, blue and iron red impressed seal marks 16cm. high £180-220

1107

1108

1108. David Leach (1911-2005) a Lowerdown Pottery vase, resist decorated with a willow tree design, a Joe Finch vase decorated with simple tenmoku brush design and another vase impressed seal marks 16.5cm. high £80-120

1109

1109‡. David Leach (1911-2005) a Lowerdown Pottery porcelain tea set for six, comprising; teapot and cover, milk-jug and sugar basin, six cups and saucers, all cut-sided form with a pale blue celadon glaze impressed seal mark teapot 15cm. high £1,200-1,800

1110‡. Michael Cardew (1901-1983) a Wenford Bridge stoneware bowl, painted to the well with a wading bird painted in blue on an ash glaze impressed marks 29cm. diam. £400-600 Provevance Dr Wynn-Parry Doctor to Michael Cardew’s wife Mariel.

1110

1111‡. Michael Cardew (1901-1983) a Wenford Bridge charger, painted with a wading bird, in blue on an ash glaze impressed seal marks, 40cm. diam. £600-800 Provevance Dr Wynn-Parry Doctor to Michael Cardew’s wife Mariel.

1112. Michael Cardew (1901-1983) an Abuja Pottery stoneware teapot with screw top, covered in a tenmoku glaze with a narrow band of resist decoration, over-slung wicker handle impressed seal marks, paper price sticker to base 13cm. high £300-500

1111

Literature Crafts Advisory Exhibition Michael Cardew page 51 for a comparable Abuja period teapot.

1113. Michael Cardew (1901-1983) A Winchcombe Pottery earthenware wall pocket, incised with a simple flower stem design, covered in a rich dark brown glaze impressed seal marks to base 23cm. high £200-300 1112

1114. Michael Cardew (1901-1983) a Wenford Bridge stoneware bowl, painted with a Willow tree design in blue and brown on an ash glaze, with incised marks impressed seal marks, 25.5cm. diam. £300-500

1113

1114

Provenance Dr Wynn-Parry Doctor to Michael Cardew’s wife Mariel.

1115 1116

1117

1118

1115. Katharine Pleydell-Bouverie (1895-1985) a small stoneware bowl, the exterior with incised combed decoration, glazed to the interior, and another similar impressed seal mark, painted glaze details 7cm. diam. £80-120 1116. Katherine Pleydell-Bouverie (1895-1985) a rare Cole Pottery stoneware vase, ovoid form with collar rim, painted with simple brush pattern on an ash glaze impressed artist monogram, Cole mark, minor glaze faults 21cm. high £500-700 1117. Paul Barron (1917-1983) a stoneware unomi, square section, covered in a tenmoku glaze, another similar and a porcelain unomi impressed and painted B marks 9cm. high £100-200 1118. Paul Barron (1917-1983) an earthenware vase, flaring form with pinched, squared rim, glazed to the foot in green impressed seal mark 10cm. high £60-100 Provenance Margaret Bide collection.

1119

1119. Phil Rogers (born 1951) a Marston Pottery stoneware charger, decorated with simple brushed design on ash glaze impressed seal mark 27cm. diam. £80-120 1120. Phil Rogers (born 1951 ) a large Marston Pottery stoneware unomi, painted with brush design under a rust glaze impressed seal mark 9cm. high £80-120 1121

1121. Winchcombe Pottery a collection of slip decorated domestic ware including work by Sidney Tustin, Charles Tustin, Seth Cardew and others various marks £100-200

1120

1122. Sidney Tustin (born 1914) a Winchcombe Pottery dish, slip decorated design titled ‘Nickel’, a combed beaker, a Clive Bowen bud vase, a Charles Tustin mug a Wenford Pottery teapot and a small vase various marks, fine hairline to beaker, glaze loss to dish rim, dish 12.5cm. diam. £100-150

1122 1123

1123. Abuja Pottery a stoneware vase and cover, painted with a band of swirl decoration in sage green unsigned 21cm. high £80-120

1125 1124 1126

1124. Janet Leach (1918-1997) a Leach Pottery cut-sided stoneware vase, shouldered form with everted rim impressed seal marks 18cm. high £400-600

1125. William ‘Bill’ Marshall (1923-2007) a Leach Pottery stoneware teapot and cover, ovoid with side handle, impressed flower decoration, glazed pale celadon, impressed seal marks, small chip to spout 19cm. wide £150-200

1126. William ‘Bill’ Marshall (1923-2007) a stoneware fluted jug, covered in a rich tenmoku glaze incised WM monogram to side 28cm. high £350-450

1127

1127‡. William ‘Bill’ Marshall (1923-2007) a stoneware vase, tall slender form with collar rim, covered in a tenmoku glaze, with splashed decoration to shoulder incised monogram 45cm. high £800-1,200

1128‡. William ‘Bill’ Marshall (1923-2007) a tall stoneware vase, with everted rim, covered to the foot with a hakeme glaze, with iron brushed foliate design impressed and incised monogram, dated 83, 37cm. high £800-1,200

1128

1129

1130

1131

1132

1129. David Leach (1911-2005) a Lowerdown Pottery tin-glazed earthenware egg cup and tankard, and a collection of studio pottery including work by Robin Welch and Guy Sydenham various marks £100-200 1134 1133

1130. David Leach (1911-2005) a Lowerdown Pottery cut sided bowl, glazed pale blue over tenmoku, a John Leach vase, an Ara Cardew vase and a large collection of studio pottery various marks £150-250 1131. Mike Dodd (born 1943) a cut sided stoneware vase with knopped neck, covered in a running ash glaze impressed seal mark 24cm. high £80-120 1132. Michael Casson (1925-2003) a stoneware ovoid vase, painted in resist with geometric panels in rust on an ochre ground impressed seal mark 18cm. high £180-220

1135

1136

1133. Malcolm Pepper (1937-1980) a footed bowl, painted in blue with grasses, a Lowerdown Pottery vase and a collection of various studio pottery various marks 16cm. diam. £50-150 1134. Farnham Pottery a sgraffito decorated terracotta bowl by M B Hill, decorated with panels of Iznik designs under a tan glaze, and a Farnham Pottery teapot with incised decoration incised marks to bowl 19.5cm. diam. £100-150 1135. Ian Godfrey (1942-1992) a massive stoneware pouring vessel and cover, incised with bands of stylised foliate and geometric panels, glazed in ash incised signature to base 25cm high £400-500 1136. Trevor Corser (born 1938) a Leach Pottery cut-sided vase, with pinched loop handles, covered in a rich Tenmoku glaze, and another, larger Trevor Corser vase impressed seal marks to both 24cm. high £100-200

1137

1138 1137. Sam Haile (1909-1948) a bellied jug, slip decorated in tenmoku over celadon, impressed seal mark, hairline to top rim, minor glaze loss 20cm. high £80-120 1138‡. William ‘Bill’ Marshall (1923-2007) a stoneware vase, shouldered ovoid form with collar rim, resist decorated with grasses, on a speckled celadon ground to the foot impressed WM monogram 20cm. high £350-450 Provenance Bettles Gallery, Ringwood 1993. 1139‡. ‘Flying Flamingos in Carmargue’ a watercolour design for a pottery panel, by Stella R Crofts, framed applied paper labels to the reverse, one inscribed in ink ‘To Miss Sargeant with happy memories Doris Crofts, July 1958 image 24.5 x 17cm. £300-500 1139

Exhibited Society of Women Artists, number 11, price 5 guineas.

1140. Denise Wren (1891-1979) a massive Oxshott Pottery stoneware vase, irregular shouldered form, glazed brown incised mark and Oxshott 52cm. high £300-500

1140

1141. ‘Touriera’ a Ratton limited edition tile designed by Paula Rego, glazed in colours with a man holding a parrot, card slip case, painted signature and number to reverse 14cm. square £300-500

1141

1142

1142. ‘Macaco Com Lagarto’ a Ratton limited edition tile designed by Paula Rego, painted in colours with mythical beasts, in card slip case painted signature and number to reverse 14cm. square £300-500

1143‡. ‘Visage’ a Madoura Pottery jug designed by Pablo Picasso, slender form with painted tear—drop face, conceived in 1955 in a n edition of 500, impressed Edition Picasso Madoura Plein Feu marks, flat frit chip to base rim 31cm. high £2,000-3,000 Literature Suzanne & Georges Ramie Ceramiques de Picasso, no.288, a comparable version illustrated page 150. 1143

1146 1145

1144

1144. Aldermaston Pottery a tin-glazed jar and cover, painted in shades of green on an off white ground printed mark, artist cipher 21cm. high £100-150

1145. Alan Caiger Smith (born 1930) an Aldermaston Pottery tin-glazed vase, waisted cylindrical form, copper lustre decoration printed and painted marks 23cm. high £300-350

1146. Alan Caiger Smith (born 1930) an Aldermaston Pottery large earthenware goblet vase, painted in black on a cream ground painted monogram 17cm. high £80-120

1147

1147. Alan Caiger Smith (born 1930) an Aldermarston Pottery platter painted with abstract design in shades of brown on a grey ground painted marks 52cm. wide £80-120

1148. Janice Tchalenko (born 1942) a stoneware teapot and cover, glazed in shades of green, blue and red unsigned 11cm. high £80-120 1149

1148

Literature Oliver Watson Studio Pottery, Phaidon, page 35 plate 35 for a comparable pot.

1149. Roger Law and Janice Tchalenko a stoneware vase, dated 1996, organic form with applied trail decoration, glazed purple and sang de boeuf incised marks 20cm. high £100-200

1150. Roger Law & Pablo Bach three salt-glaze stoneware busts, impressed seal marks to two largest 16.5cm. high £100-200 1150

1151. Takeshi Yasuda (born 1943) a stoneware bucket form with over-slung handle, covered in a running green ash glaze unsigned 25cm. high £300-500

1151

1152. Takeshi Yasuda (born 1943) a twin-handled bowl, covered in a Sansai glaze unsigned 28cm. wide £250-350

1152

1153‡. Magdalene Odundo OBE (born 1950) a carbonised terracotta vase, ovoid form with collar rim, incised Odundo 24cm. high £2,000-3,000

1153

1156

1154. John Maltby (born 1936) ‘Horatio’ a swing boat wall sculpture signed John Maltby England 31cm. high £300-350

1155

1154

1155. John Maltby (born 1936) ‘The Sloop Albert’ a swinging boat sculpture signed John Maltby to reverse, impressed seal mark 30cm. high £200-300 Provenance New Craftsman Gallery, St Ives.

1157 1156. John Maltby (born 1936) ‘Two Racing Boats’ a stoneware rectangular plaque, framed reverse, impressed seal mark, 48cm. wide £200-300

1157. John Maltby (born 1936) a stoneware square-rimmed footed dish, painted with abstract chequer design in black, blue and tenmoku highlighted in gilt painted Maltby 24cm. square £200-300

1158. John Maltby (born 1936) ‘Bird with Black Fish’ a stoneware figure, painted signature and title to base 25cm. high £200-300 Provenance Candover Gallery, Alresford. Private collection.

1159‡. John Maltby (born 1936) ‘Ancient King’ a stoneware sculpture, dated 2007 painted title, signature and date to base 47cm. high £300-400

1158 1159

1160‡. John Maltby (born 1936) ‘Harbour with Boat, Ropes and Moon’, a large stoneware sculpture, on metal stand signed Maltby 46.5cm. high £1,500-2,000 This sculpture was probably one of only three made by John Maltby for an exhibition in Germany in the 1990s.

1162 1163 1161

1161. Chris Carter (born 1945) a stoneware Cycladic vase, glazed pale blue to the foot impressed CC 27cm. high £200-300

1162. Chris Carter (born 1945) two early stoneware bowls, each covered in a green glaze impressed CC mark 13.5cm. diam. £80-120 1164

1163. Robert Dawson ‘Aesthetic Sabotage’ a set of eight limited edition plates, printed in blue on a white ground printed factory mark, facsimile signature numbered 27cm. diam. £100-200

1165

1164. John Ward (born 1938) a stoneware vase, swollen, rectangular section, decorated with panels of white and black impressed seal mark 13cm. high £300-500

1165‡. John Ward (born 1938) an ochre banded stoneware bowl, low conical form, impressed seal mark 30cm. diam. £700-900

1166. A Fulham Pottery tile by Jean-Paul Landreau painted with two bathers, another similar and four tiles with etched inscription dated 1983 15.5cm. square £50-100 1166

1167

1167‡. Lucie Rie (1902-1995) a stoneware cup, decorated in off white with a bronze glazed exterior, sgraffito decorated with lines impressed seal mark, professionally restored inside 7.5cm. high £150-250

1168

1168‡. Lucie Rie (1902-1995) a stoneware plate, glazed off white impressed seal mark, minor professional restoration to the rim 14cm. diam. £200-300

1169

1169‡. Lucie Rie (1902-1995) a stoneware plate, glazed off white with bronze rim, impressed seal mark, minor professional restoration to rim 16cm. diam. £400-600

1170 1170‡. Lucie Rie (1902-1995) a stoneware pourer, glazed grey with bronze rim impressed seal mark, 7cm. high £300-500

1171‡. Lucie Rie (1902-1995) a stoneware plate, glazed American Yellow, with a bronze rim impressed seal mark 15cm. diam. £400-600

1171

1172

1173

1174

1172. Peter Hayes (born 1946) a bronze Totem form, produced in a edition of 6 etched signature 2/6 20.5cm. high £500-600 Peter Hayes has just started experimenting with cast bronze sculptures with this being the initial trial form.

1173. Peter Hayes (born 1946) a canal clay sculpture signed Peter Hayes 2011 30cm. high

£450-550

1174. Peter Hayes (born 1946) a porcelain disk form, on raku base ink signature Peter Hayes 201143cm. high

£450-550

1175. Peter Hayes (born 1946) a tall Totem form raku pottery sculpture, with keyhole aperture, on black slate base, incised Peter Hayes 2011 59cm. high £350-450

1175

1176

1179

1180

1177

1178

1181

1176. A Gouda, Holland Regina Kastor Art Nouveau twin-handled vase, painted in colours on a black ground painted marks 29cm. high £100-200 1177. A Turn, Vienna Art Nouveau solifleur vase, ovoid, twin-handled form, printed and painted in colours and gilt with flowers and foliage, on a blush ground printed and impressed marks 26cm. high £80-120 1178. An Art Nouveau vase, probably Amphora, shouldered form with applied leaf handles, painted with scrolling flowers and foliage on a matt blue ground, highlighted in gilt impressed 5876, 26.5cm. high £100-200 1179. A Lachenal pottery Persian wall plate, painted with flowers and foliage in shades of blue, green and coral red impressed Lachenal mark 28cm. diam. £100-200

1182

1180. A large Louis Etienne Desmant earthenware Bayeux Tapestry bowl, with five lug handles, painted to the well with knights on horseback, the rim with panels of animals and birds, in colours incised Desmant Subles Normandie 38cm. wide £200-300 1181. A Pierrefonds Pottery centrepiece, slender elliptical form with pulled handles, covered in a yellow and green crystalline glaze impressed marks, hairlines to top rim 40cm. wide £80-120 1182. A Rosenthal porcelain tea service for twelve, pattern no. 3622, printed with bands of flowers and foliage in gilt on a green ground, between coral red borders, comprising; teapot and cover, hot-water pot and cover, twelve cups, saucers and side plates and two sandwich plates printed number Thomas Bavaria marks, minor damages hot water pot 26cm. high £300-500 1183. A Wiener Keramik pottery centrepiece designed by Michael Powolny, modelled as a child holding up flowers and foliage impressed marks to base 21cm. high £800-1,200 Provenance Sotheby’s 24th February 2004, lot 131. The Albert E Wade Collection. Literature Bel Etage 2001 catalogue page 118 for an example of this figure.

1183

1184

1185

1188

1189

1192

1194

1196

100

1193

1195

1197

1186

1190

1187

1191

1184. A Cantagalli pottery jug, painted with stylised flowers in ruby lustre on a white ground, and a Zsolnay Pecs plate and a pierced pottery vase and cover painted cockerel mark, 14cm. high £100-200 1185. A Gouda Pottery wash basin and ewer, painted with formal foliage border, between green bands painted factory marks, restored spout, ewer 28.5cm. high £100-200 1186. An Aesthetic Movement Minton’s Pottery low tazza, designed by William Coleman, printed with flower stems, butterflies and a peacock feather, a Minton’s bowl decorated with a parrot, and a Creil Montereau plate designed by Francis Eugene Rousseau, printed marks, small chip to main item, 24.5cm. diam. £80-120 1187. A large Czechoslovakian model of a tribesman on a camel, probably Royal Dux, modelled with a young boy in attendance, painted in colours, highlighted in gilt impressed marks, hairlines to base 60cm. high £100-200 1188. Three P Ipsens Danish pottery figures, designed by Adda Bonfils, each modelled as a young child playing, impressed marks to base largest 19cm. wide £80-120 1189. An Amphora Pottery twin-handled vase enamelled in colours with pink flamingos, on a mottled white glaze ground, another decorated with wading birds and an Amphora pottery centrepiece impressed marks, 32cm. high £100-200 1190. A Darbyshire Pottery Australia, figure of an aborigine, modelled crouched, glazed in colours impressed marks, 8.5cm. high £80-120 1191. A Carlton Ware dish printed and painted with a pagoda design, with sliver metal mount, a Sylvac money-box and a pottery head printed factory marks 6.5cm. diam. £50-100 1192. A Rozenburg Pottery miniature vase, shouldered cylindrical form, painted with flowers and foliage in colours and a Gouda Holland Juliana Ivora printed factory mark, chip to top rim 11cm. high £80-120 1193. A modern Minton model of a standing monkey, produced to celebrate the year of the monkey, 2004, covered in a textured gold finish printed factory marks 22cm.high £50-100 1194. ‘Mallard Duck Flying’ a French pottery figure on a glass base, glazed in colours cast signature to underside of tail feathers 38cm. wide £100-200 Provenance; Purchased from Liberty, Regent’s Street by repute. 1195. A large Amphora Pottery model of an elephant, glazed in colours impressed marks 40cm. high £100-150 1196. A pottery figure of a woman kneeling holding her hair, in the style of Ashtead, glazed cream and streaked blue, and another continental pottery figure incised M mark 31c,m. high £80-120 1197. A Rosenthal porcelain studio vase designed by Bjorn Wiinblad, a box and cover similar, and two Rosenthal modern glass dishes printed marks, facsimile signature 16cm. high £80-120

1198

1199

1200

1198. A Rosenthal plate designed by Pierro Fornasetti, printed in black, the rim with gilt band printed factory marks 23.5cm. diam. £100-200

1199. A Fornasetti ceramic dish, rounded rectangular section, printed with a horse and trap design, another Fornasetti circular dish and two glass dishes decorated with pocket watches factory marks, 14cm. wide £50-80

1200. A Fornasetti Pottery dish, designed by Pierro Fornasetti printed in colours with a flag inscribed ‘Re d’Inghilterra’, printed factory mark 18cm. wide £80-120

1201

1201. A large tin-glazed pottery studio table centrepiece by Bjorn Wiinblad, modelled as a woman with flowers in her hair, holding a cloth in her hands signed and dated 76 to the side £300-500

1202. ‘Ruins’ a rare limited edition ceramic fruit bowl, designed by Ettore Sottsass, 1992, produced in an edition of 9, glazed green painted signature, date and number 9/9 £4,000-6,000 Literature Bruno Bischofberger Ettore Sottsass Ceramics, Edition Stemmle, page 163 this range discussed with an illustration of this edition. 1202

101

1203

1204

1207

1208

1205

1206

1209 1210 1203. A collection of books on pottery and contemporary ceramics, including titles on Richard Slee, Alison Britton, Janice Tchalenko, Sam Haile, Elizabeth Fritsch, Glenys Barton, Rye Pottery, Doulton and others £50-100 1204. Nine books on design, including ‘The Hot House’ by Andrea Branzi, ‘Jewellery by Architects’ by Barbara Radice, and ‘Design Now’ by Volker Fischer £50-100 1205. A collection of design and 20th Century decorative arts catalogues, including Sotheby’s and Christies £50-100

1211

1212

1206. A small collection of Festival of Britain memorabilia, comprising; an enamel badge, tie clip in presentation box, three guide books and a copy of the Daily Mail Festival of Britain publication £50-150 1207. ‘Adam and Eve’ an aquatint on paper, framed, unsigned 27 x 21.5cm £80-120 1208. A set of four recipe prints, each with erotic image, framed one with crossed out signature in print images 36.5 x 28cm. £80-120 1209. ‘Ballets Russes De Monte Carlo’ a programme for the Theatre Royal Drury Lane, 1938, ‘Basil’s Ballets Russes’ Royal Opera House 1937, ‘Russian Ballet Company’ 1939, and three other books £50-100 1210. A set of four scraperboard designs by Horowicz, framed, signed in the print 18 x 15cm. £80-120

1213

1214

1211. A collection of French Art Nouveau and Art Deco furniture catalogues and journals £50-100 1212. ‘Art Wall Papers’ a book of sample sheets, dated 1906, and five other sample books 27cm. square £50-80 1213. Fourteen volumes of The Studio, bound in green, comprising volumes 56-60, 63-67, 69-71 and ‘Summer Special 1901 ‘Modern British Domestic Architecture and Decoration’ £150-200 1214. ‘The Studio’ volumes 54-61 (7 volumes), The Studio volumes 22 and 23, ‘Etching’ by Julian Trevelyan a studio handbook, Textiles by Anthony Hunt, ‘International Fine Arts Exhibition Rome 1911’ a souvenir of the British Section, and seven various loose Studio journals £50-150 1215. ‘The Proud City (Tower of London)’ a London Underground lithographic poster, designed by Walter E Spradbery, dated 1944, framed, and ‘The Art of Travel’ an Electric Railway poster by E G A Bain, framed both signed in the image, image visible 100 x 61.5cm £100-200

1215

102

1216

1216. ‘The Four Seasons’ a set of four modern limited edition lithographic prints, originally designed by Alphonse Mucha 19001903, produced by the Mucha Foundation, framed signed in the print Mucha, signed in pencil and numbered 5/35 image 51 x 21.5cm. £1,000-1,500 Literature Alphonse Mucha The Complete Graphic Works, Harmony Books, catalogue number P38 Spring 1900, P49-P51 Summer, Autumn & Winter all originally designed 1903, illustrated page 150 and 151.

1217. ‘Utok More’ a lithographic print by Alphonse Mucha, published 1922, framed signed in the print Mucha image 20 x 15cm. £200-300 Literature Alphonse Mucha The Complete Graphic Works, Harmony Books, catalogue number L36 for a comparable example.

1217

1218

1218. ‘A Girl with a Harp’ a heliogravure by Alphonse Mucha, framed, signed in the print Mucha image 16.5 x 10.5cm. £200-300

1219. An Art Nouveau lithographic print on paper by Paul Berthon, framed, signed in the print image 52.5 x 38cm. £50-150 1219

103

1221

1220

1224

1222

1225

1223

1226

1220. ‘Parade’ a large lithographic poster designed by David Hockney, printed by the Petersburg Press, for the Metropolitan Opera, 1981, framed printed details to design, 205 x 103cm. £200-400

1228

1227

1221. ‘David Hockney Photocollages’ a photographic poster, framed, image 92 x 82cm £80-120 1222. ‘David Hockney - Galerie Claud Bernard’ an advertising poster, framed, image 64 x 45cm. £80-120 1223. ’Allen Jones Recent Work’ 1975, a poster designed by Allen Jones, the reverse printed with design and biography of the artist, printed by Sinc ltd/TPS Ltd, framed and glazed to both sides 75 x 50cm £80-120 1224. ‘Annie Hall’ and ‘Bonnie and Clyde’ two Australian Day Bill film posters, 76 x 33cm £50-150 1225. ‘On The Threshold of Space’ and ‘Missile Monsters’ two American Insert film posters, 92 x 36cm £50-150 1226. ‘Man in The Moon’ a film poster, artwork by Longi, printed by N Moneta, Milano 100 x 68cm. £50-100

1229 1227. ‘Octopussy’ and ‘For Your Eyes Only’ - Double Double 0 Seven, a British Quad film poster 101.5 x 76cm. £50-100 1228. ‘Deerhunter’ a British Quad film poster, published by Lonsdale and Bartholomew 101 x 76cm. £50-100 1229. ‘Careless Talk Costs Lives’ six lithographic posters, designed by Fougasse (Cyril Bird), signed in the print 32 x 20.5cm. £300-500 1230. Two Mick Marston limited edition silk screenprints, framed numbered 8/10 and 9/10 with printed chop cipher images 75 x 65cm. £80-120 1230

104

1231

1232

1233

1234

1235

1231. A Thonet bent wood stickstand, rounded rectangular ply back, with enamelled metal drip pan unsigned 91cm. high £200-300

1232. An oak side table, in the manner of Gustav Stickley chamfered, square section unsigned 51cm square £150-250

1233. A Liberty & Co table, slender rectangular section with rod and ball decoration to ends, on casters unsigned 70 x 33.5cm. £150-200

1234. An inlaid bone and mother of pearl Anglo-Moorish small table, possibly retailed by Liberty & Co, hexagonal form unsigned 32.5cm. high £80-120

1235. A Cotswold School oak and ebonised wood sideboard, the design attributed to Peter Waals, faceted section, with central shelved cabinet below two drawers, flanked by angled, shelved cupboards, with tea caddy moldings, the ebonised wood handles with turning lock design, on eight carved feet unsigned 127cm. wide, 50cm deep, 122cm high £1,800-2,200

1236

Literature Annette Carruthers and Mary Greensted Good Citizen’s Furniture, page 125 for a bookcase made by Waals for comparison.

1236. A Gordon Russell Workshops nest of three teak tables, rounded rectangular tops, stamped marks, 61cm. wide £80-120

1237. A Gordon Russell oak dressing table, rectangular on eight carved legs, with rosewood handles unsigned 135cm. wide £800-1,200 1237

105

1238

1239

1240 1238. A Gordon Russell Workshops oak stool, with carved stretchers, applied metal label 50cm. high £300-400

1239. A Gordon Russell Workshops oak armchair, bent wood frame applied factory label 74cm. high £80-120

1240. A walnut low table, probably Gordon Russell, rectangular form unsigned 161 x 51cm £150-200

1241. An E Gomme Ltd Redford mahogany sideboard, the design attributed to Leslie Dandy, on flaring legs, two drawers with cupboards below, applied label to inside of door 125cm wide, 87cm high £300-400

1241

Literature British Art & Design 1900-1960 V&A Museum page 196-197 for a dressing table design similar.

1242. A Heal’s mahogany sideboard, three cupboards below three drawers, with carved wood handles 151cm. wide £500-800

1243. A Gordon Russell Limited dining room suite, designed by Trevor Chinn comprising; sideboard, extending table and six chairs, sideboard 153cm. wide £400-600 1242

1243

106

1244. A Brianco Ladderax wall mounted teak bureau, fitted rectangular bureau clipped to enamelled wire wall supports, with two teak shelves unsigned 122cm high x 76cm wide £50-100

1245. A teak footstool, possibly American, with sprung seat and padded cushion, unsigned, applied regd plastic label 57cm. wide £80-120

1244

1245

1246. A pair of Carl Hansen, Danish, teak chairs designed by Hans Wegner, stamped marks to both 79.5cm. high £150-250

1246

1247. A Danish teak coffee table designed by Hans Wegner, rectangular with upturned sides, cane shelf applied label to underside 151cm. long £300-500

1247

1248

1248. A nest of three Andreas Tuck, Danish teak tables, designed by Hans Wegner, stamped marks 48cm. high £200-300

1249. A Danish teak and rosewood desk designed by Hans Wegner, with twin-banks of drawers, stamped made in Denmark 148cm. wide £800-1,200 1249

107

1250. A massive rosewood veneer and chrome table, possibly made by Hille swollen rectangular top unsigned 303 x 130cm. £700-1,000

1251. A set of ten Hille padded steel framed armchairs with blue/purple upholstery applied labels 87cm. high £300-500

1250 1252. A Hille Alpha polished steel glass topped low table, designed by Robin Day, square section top, unsigned, chip to top 115cm. wide £100-200 Literature Lesley Jackson Robin & Lucienne Day Mitchell Beazley page 107 for comparable tables illustrated.

1251 part

1252

1253. A rosewood and polished aluminium serving trolley, on casters unsigned 93 x 47cm. £50-100

1253

1254 1254. A set of eight Hille Polo chrome metal and plastic chairs, designed by Robin Day, comprising two armchairs and six chairs, green and yellow plastic seats, cast marks, 69cm. high £300-500 Literature Lesley Jackson Robin & Lucienne Day Mitchell Beazley page 147 for comparable examples. Charlotte & Peter Fiell 1000 Chairs Taschen, page 326 for a comparable chair.

1255. A continental cherry wood dining table, rounded, rectangular form with flaring legs, the top inset with oak border, with concealed drawers to each end unsigned 148cm. long, 65cm wide £100-200 1255

108

1256

1257

1258

1259

1256. A Vitra Louis 20 chair designed by Phillipe Starck, green plastic and aluminium cast marks 84cm. high £50-100

1257. A pair of Vitra Louis 20 chairs, designed by Phillipe Starck, green plastic seat and front legs, with polished aluminium back legs, cast marks 88cm. high £80-120

1259A

1260

1258. A pair of Fritz Hansen Series 7 chairs, chromed metal frame with bent-ply bucket seats applied labels 75cm. high £80-120

1259. A set of four Herman Miller shell chairs, applied labels 75cm. high £150-200

1259A. ‘First’ a Memphis chair designed by Michele De Lucchi, metal and lacquered wood unmarked 89cm. high £500-1,000 Literature Barbara Radice Memphis, Thames and Hudson, page 175 this design illustrated. 1261

1260. A white fibreglass Felt chair, designed by Marc Newson, probably made by Cappellini, with polished aluminium leg unsigned 84cm. high £1,000-2,000

1261. A limited edition deck chair designed by Tracey Emin, printed by Eyes Wide Digital for the Royal Parks Foundation, with figure and text design from an edition of 250, signed and dated 08 130cm. long £200-300

1262. A Cappellini Thinking Man’s Chair, designed by Jasper Morrison, 1986, varnished terracotta metal 92cm. deep, 70cm. high £600-1,000 1262

109

1263

1264 1263. An Eglin bent ply settee, pair of low-back armchairs and a stool, with leather padded seats, 213cm. long £200-300

1264. A pair of Eglin bent ply and chrome armchairs, with leather padded seats, and a stool 82cm. high £100-200

1265

1266 1265. ‘Carnival’ a set of three of Heal’s printed cotton curtains, designed by Evelyn Redgrave, printed with orange circle repeat design 176 x 99cm. £50-100

1266. A set of four lucite high-backed dining chairs, with drop in zebra striped seats signed to base of back 13.5cm. high £150-250

1267

1267. A glass topped brass low table, rounded triangular top, unsigned 91cm. diam. £80-120

1268

1268. A chrome framed tile topped table, rectangular with abstract design top, signed Roci 123 47cm. £60-100

1269. A Ramsey frosted glass topped painted metal low table, rectangular form with original, thick frosted glass unsigned 103 x 46cm £500-800 1269

110

1270. An Italian L’Appoggio bar stool, designed by Claudio Salocchi, 1970 enamelled steel and black plastic unsigned 118cm. high £100-200 1270

1271. Two beech and rosewood armchairs, with padded leather seats unsigned 104cm. high £200-300 1271

1272. A pair of Reynolds of Ludlow yew stools, each on three turned legs unsigned 33.5cm. high £50-100 1272

1273. A rosewood and beech low table, the shaped, round top cut with three flaring legs unsigned 78cm. diam. £400-600 1273

111

1274

1275

1276

1277

1274. An embroidered wall hanging of a galloping stallion, 1970s, in shades of yellow and pink unsigned 148 x 130cm. £150-200

1275. A silk scarf decorated with airline cipher and transport vignette, a BEA silk scarf and four other silk scarves £40-60

1276. A collection of Mr Fish, Clifford Street shirts and tops, 1970s, a Maddalena Marconi clutch bag and a tie £100-200

1277. A Memphis Zambia long sleeve cotton shirt designed by Nathalie du Pasquier, small size, slim fit Memphis label £50-100 Literature Barbara Radice Memphis, Thames and Hudson, page 93 for this design illustrated. 1278

1278. Myriam Gilby (1929-2010) ‘January’ a free weaving wall hanging, signed and titled to reverse, stitched monogram 104 x 100cm. £100-200

1279

112

1279. A large Richard Windley segmented wooden bowl, dated 1992, incised RW 92 74.5cm. wide £200-300

1280

1284

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1287

1280. A Hugh Wallis brass twin-handled tray, elliptical form with rope-twist border, stamped monogram to the well, stamped HW monogram 56cm. wide £50-100 1281. A pair of brass fire dogs, in the manner of Thomas Jeckyll, cast with flowerhead decoration before cast lattice design unsigned 20cm. deep £80-120 1282. A pair of cast brass candlesticks, each modelled as a dragon creature unmarked 17cm. high £50-100 1283. A Rainaud patinated metal table lamp, octagonal domed shade with opaque glass lining, on swollen cylindrical stem unsigned 58cm. high £100-200 1288 1284. A cold painted bronze model of an Egyptian figure, modelled walking, balancing a basket on her head and holding a bird , on red marble base unsigned 19cm. high £100-150 1285. A near pair of firedogs attributed to Benham & Froud, in the style of Dr Christopher Dresser, ovoid form with tripod foot and hooked bar unsigned 20cm. high £50-100 1286. A continental Secessionist electroplated metal smokers set, hammered finish with black enamelled detailing, comprising twin-handled tray, ashtray with glass liner, cigarette box and cover and match box cover, in fitted retailers case cast yacht mark to the tray tray 23.5cm. wide £50-100 1287. A Roberts & Belk silver preserve jar holder, model no.6589, pierced, cylindrical form, decorated with stylised flower stems, retailed by Barraclough & Sons retailers mark, stamped R & B London 1927 and marks to base, 11.5cm. high £150-250 1288. A WMF electroplated coffee service, comprising; coffee pot with hinged cover, hot-water pot with hinged cover, milk-jug and sugar basin and cover, on a shaped rectangular tray stamped marks, tray 60cm. wide £400-600

1289

1289. A Duchess of Sutherland’s Cripples Guild electroplated copper pedestal bowl, incised with a frieze of fruiting grape vine above inscription ‘ A Souvenir 1911-1912’ stamped marks, 15cm. high £150-200 1290. A Liberty & Co Cymric silver spoon, designed by Oliver Baker, the entwined stem with hammered heart shaped bowl, stamped marks, rubbed date marks 20.5cm. long £300-350 Literature Birmingham Gold & Silver 1773-1973 City Museum & Art Gallery, Birmingham, catalogue number G88, for a comparable example citing this design published in The Studio 1900 captioned designed by Oliver Baker. 1290

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1291. A pair of tall perspex shell table lights, on square perspex base unsigned 75cm. high £250-300 1292. A pair of perspex and chrome table lamps, two curved perspex blades flanking a central chromed metal column, on rectangular base, with fluted spherical shade unsigned 77cm. high £100-200 1293. A pair of wall brackets, each modelled as a parrot unsigned 60cm. high £300-400 1299

1294. A Stelton Denmark, Cylinda Line stainless steel tea/coffee set designed by Arne Jacobsen, comprising; hot-water pot and cover, milk-jug, sugar basin and cover, strainer and stand on a twinhandled circular tray various factory marks, tray 35.5cm. diam, coffee pot 12.5cm. high £150-250 1295. A McVitie & Price biscuit tin and cover, modelled as a grotesque bird, enamelled in colours, 22cm. high £400-600 1296‡. ‘Stephen Jefferies rehearsing Dances of Albion’ cast from a model by Brenda Naylor, and a photograph unsigned 32cm. high £500-700 1297. An Italian plastic radio and light unsigned 22cm. high £60-100 1298. An Alessi 9091 whistleing steel kettle, designed by Richard Sapper, 1982 stamped marks 21cm. high £50-100 1299‡. A limited edition sculpture of an Elephant by Eduardo Paolozzi, produced for Nairn Floors Limited, a grey plastic case and cover with original certificate and product ephemera to the interior numbered 875/3000, stamped Nairn, cast artist signature 30cm. high £800-1,200 1300. A Giotto Memphis dressing table mirror, designed by Ettore Sottsass, applied Giotto label 66cm. high £1,200-1,800

1300

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1301. A Gallia Christofle Cardinal vase, designed by Lino Sabattini stamped marks to base 37cm. high £120-180 1302. A Longines rhodium plated silver watch, designed by Serge Manzon, model C17.18, no.16808687, with black leather strap signed Longines to the face, stamped marks to back plate 3.5cm. square face £200-300 1303. An enamelled metal belt clasp, pierced form, each half an opium poppy stem, enamelled pink, blue and green stamped marks to back 9.5cm. wide £100-200 1304. A WMF part cutlery service comprising; six dessert forks, five knives, and eleven various knives stamped marks £80-120 1308 1305. A pair of Georg Jensen Acorn pattern silver sugar tongs, stamped marks 10.5cm. long £80-120 1306. A Georg Jensen silver pickle fork, with cast foliate terminal, stamped marks, no.21, 13.5cm. long £80-120 1307. A David Andersen silver box with hinged cover, the design attributed to Johan Sirnes, circular the cover cast in low relief with cupid standing before a rose bough, the box set with alternating moonstones and red stones, on rope border and tripod foot stamped marks 8.5cm. diam. £800-1,000 1308. A rare H.G. Murphy silver bangle, with wirework decoration set with green chrysoprase stamped HGM mark London 1937 8cm. long £1,000-1,500

1309

1310

1309. A Payne & Sons silver dish designed by Geoffrey G Bellamy, triangular section on applied ball feet stamped hallmarks, retailers mark and facsimile signature, London 1958 12cm. wide £150-200 1310. A Dunhill novelty chrome lighter, modelled as a covered stein tankard, another Dunhill lighter and a collection of lighters cast marks 8cm. high £50-150 1311. A Dunhill Aquarium table lighter, lucite panels of two small red fish, the reverse with a large red fish, amongst weed cast marks 9.5cm. wide £2,000-2,500 1311

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Arts & Crafts Wednesday 20th June 2012 Entries are now being accepted for this sale

ENQUIRIES Michael Jeffery Tel: 01722 424505 michaeljeffery@woolleyandwallis.co.uk

A Liberty & Co silver and enamel clock, set with turquoise stones. Estimate: ÂŁ15,000 - ÂŁ20,000

Paintings Wednesday 21st March 2012 Entries are now being accepted for our June sale

ENQUIRIES Victor Fauvelle Tel: 01722 424503 victorfauvelle@woolleyandwallis.co.uk

Dod Procter R.A. (1891-1972) Girl in a red cap Signed Oil on canvas laid down 37 x 28cm Estimate: ÂŁ3,000 - ÂŁ5,000

Silver Tuesday 24th & Wednesday 25th April 2012 Entries are now being accepted for this sale

Victorian novelty silver claret jug, by George Fox, London 1882, height 21.5cm. Estimate: £5,000 - £7,000

ENQUIRIES Rupert Slingsby Tel: 01722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Grazier Tel: 01722 424530 lucygrazier@woolleyandwallis.co.uk

Jewellery Thursday April 26th 2012 Entries will be accepted until 29th February

ENQUIRIES Jonathan Edwards FGAA Tel: 01722 424504 jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA Tel: 01722 424595 mariellewhiting@woolleyandwallis.co.uk

A pair of Renaissance style pearl and diamond drop earrings. To be sold on behalf of the Trustees of the 7th Duke of Newcastle (deceased). Estimate: ÂŁ6,000 - ÂŁ8,000

Asian Art Wednesday 23rd May 2012 Closing date for entries 16th March 2012

ENQUIRIES John Axford Tel: 01722 424506 johnaxford@woolleyandwallis.co.uk

A rare Chinese famille rose bowl, c.1730, 29.2cm. Estimate: £4,000 - £6,000

20th Century Design AnD CerAMiCs AnD glAss vAluAtion DAys friday 16th March Salisbury Salerooms 51-61 Castle Street Salisbury SP1 3SU A pair of Bow Dismal Hounds, c.1758. Sold for £7,400

friday 23rd March Woolley and Wallis Estate Agency 36 St Thomas Street, Lymington, SO41 9NE

A Clutha glass ewer designed by Dr Christopher Dresser, found on a recent valuation day in Salisbury. Estimate £3,000 - £5,000 To be included in Arts and Crafts, 20th June 2012. 20TH CENTURY DESIGN for items to be consigned for the specialist Arts and Crafts auction on 20th June including Liberty metalware, Martinware and William De Morgan Enquiries and bookings Michael Jeffery 01722 424505 michaeljeffery@woolleyandwallis.co.uk A Liberty silver and enamel clock designed by Archibald Knox. Sold for £40,000

CERAMICS AND GLASS Enquiries and bookings Clare Durham 01722 424504 claredurham@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

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CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter. PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

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7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

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Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual clientâ&#x20AC;&#x2122;s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Christine Johnson 01722 424509

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms Ltd. Registered in England No. 2998482 VAT No: 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 8901 7522

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Woo l le y & WA l li s Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

20th Century Design

Brief Decription

Wednesday 7th March 2012 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email Debit/Credit Card details: VISA OTHER

MASTERCARD

SWITCH

(please specify)

We do not accept American Express cards

Cardholder Card No. Valid from Expiry date Issue No.

(Switch only)

If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.

Signature Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

Price Excluding buyer’s premium & VAT

AuCtion CAlenDAr FURNITURE & WORKS OF ART 3rd April 2012 3rd July 2012 Will Hobbs 01722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards 01722 411854 • markrichards@woolleyandwallis.co.uk SILVER 24th & 25th April 2012 17th & 18th July 2012 Rupert Slingsby 01722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Grazier 01722 424594 • lucygrazier@woolleyandwallis.co.uk JEWELLERY 26th April 2012 19th July 2012 Jonathan Edwards 01722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting 01722 424595 • mariellewhiting@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 6th March 2012 Clare Durham 01722 424507 • claredurham@woolleyandwallis.co.uk 20TH CENTURY DESIGN 7th March 2012 – Clarice Cliff & Art Deco 20th June 2012 – Arts & Crafts Michael Jeffery 01722 424505 • michaeljeffery@woolleyandwallis.co.uk PAINTINGS 21st March 2012 13th June 2012 Victor Fauvelle 01722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler 01722 424592 • jobutler@woolleyandwallis.co.uk CLOCKS, POCKET WATCHES & BAROMETERS 2nd April 2012 Will Hobbs 01722 339752 • willhobbs@woolleyandwallis.co.uk Richard Price 01722 339752 • richardprice@woolleyandwallis.co.uk ASIAN ART 23rd & 24th May 2012 John Axford 01722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister 01722 424 591 • sophielister@woolleyandwallis.co.uk BOOKS & MANUSCRIPTS 13th June 2012 Liz Merry 01722 424500 • lizmerry@woolleyandwallis.co.uk • Entries can usually be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk