Choose a ‘Carol’ that fits your bill Short, solo and musical takes on a much-told tale BY SCOTT STIFFLER
“A CHRISTMAS CAROL” AT THE MERCHANT’S HOUSE MUSEUM PHOTO COURTESY OF NEW YORK CLASSICAL THEATRE
S
econd only to Shakespeare when it comes to inspiring liberal (often horrendous) adaptations, there really is no excuse for going rogue on Charles Dickens’ beautifully structured tale of Ebenezer Scrooge’s overnight conversion from stingy misanthrope to kind and generous soul. Mr. Magoo and Alastair Sim did very well by the source material, while Fred Flintstone and Kelsey Grammer dropped the ball. As for 2013’s bumper crop of NYC stage productions vying for your hardearned shillings (and their own place in the cannon of “Carol” lore), three Downtown takes on the Dickens classic caught our attention. Let’s all make a Christmas wish and hope they’re more holly than humbug.
Limited time and space — but NY Classical Theatre’s two-person “Christmas Carol” gets the job done.
NEW YORK CLASSICAL THEATRE’S “A (15-MIN!) CHRISTMAS CAROL”
TheVillager.com
PHOTO COURTESY OF NEW YORK CLASSICAL THEATRE
The George C. Scott 1984 TV movie version is so long and torturous, it was still playing as we went to press. So it comes as a tremendous relief to hear that New York Classical Theatre (whose summertime production of “The Tempest” roamed Battery Park) is bringing back their brief, but loyal, two-person version of the often-overlong holiday favorite. Brevity and wit are on the menu of “A (15-Min!) Christmas Carol,” in which Scrooge will act rotten, see ghosts and change his ways — all before you can finish your lunchtime sandwich. Free. At 12:30 & 1:15pm, Dec. 10-12, at One Liberty Plaza (meet by the cafe tables). Also, at 12:30 & 1:15pm, Dec. 18-20, at Brookfield Place (220 Vessey St. — meet by the Winter Garden escalators). For more info, visit brookfieldplaceny.com/15minCC and newyorkclassical.org.
Scrooge goes from grump to goose-buyer, in 15 minutes.
Built a full 11 years before Ebenezer Scrooge first saw the light of day on the printed page, the 1832 red-brick and white-marble row house on East Fourth Street — now known as The Merchant’s House Museum — has period credibility to burn. Back in 2011, Kevin Jones began to develop his intimate, one-man “Carol” with the goal of performing it in people’s homes during the holiday season. He’ll be doing that, in a very real sense, when he brings the Summoners Ensemble Theatre production to the Greek revival double parlor that has long served as the social center of Merchant’s House. Home to the prosperous Tredwell family for nearly a century, it survives today as New York City’s only family home preserved intact from the 19th century. Sitting among the Tredwell family’s furnishings and personal possessions, it’s natural to feel as if you’re helping to write a chapter in the house’s living (and dead) history. Since opening as a museum, dozens of visitors have reported seeing, hearing and sensing long-dead family members, servants and caretakers. Jones’ production is acutely aware of the fact that audiences will be experiencing a classic holiday ghost story told in what the New York Times has declared to be “Manhattan’s Most Haunted House.” Additional resonance comes from the production’s unique connection to its author. Jones notes that this solo show “is my adaptation, taken directly from Dickens’ personally edited performance version of his work — although I did dip DICKENS, continued on p.18
December 5, 2013
17