Glance| Spring 2005 by California College of the Arts

A publication for the CCA community Spring 2005 Volume 13 { No. 2 }

C ALIFORNIA C OLLEGE of the A RTS â&#x20AC;&#x201D; S AN FR ANCISCO/OAKLAND

White Cubes + Gray Areas Recombinant World

CONTENTS

Glance Spring 2005 Volume 13 {No. 2}

Director of Publications Erin Lampe

eDitor Erica Olsen

contributors Susan Avila Chris Bliss Natasha Boas Joseph Terrell Bryant Erica Holt Jeff Hunt Ashley Lomery Jessica Russell Roopesh Sitharan

DesiGn Sputnik CCA, a student design team

DesiGn Director Bob Aufuldish

DesiGners Schuyler Crawford Suzanne LaGasa Glance is a publication of the cca communications Department.

Recombinant World: Media Arts at CCA by Jeff Hunt

White Cubes + Gray Areas: Curating Contemporary Art by Natasha Boas, Roopesh Sitharan, and Erica Holt

Alumni Profiles: CCAâ&#x20AC;&#x2122;s Global Face by Jessica Russell

12 14 17 18 24 28 36

Meet the Scholarship Students In the News Honor Roll of Donors Spotlight on CCA Faculty Notes Alumni News & Notes In Memoriam

Please send all address corrections by mail to the cca advancement office, 5212 broadway, oakland, ca 94618 or by email to bjones@cca.edu. Please send editorial correspondence to the cca communications Department, 1111 eighth street, san francisco, ca 94107 or to glance@cca.edu. Printed in iceland by oddi Printing cover images: taylor Wright

SP 05

Shaping CulTurE

California College of the Arts educates students to shape culture through the practice and critical study of the arts. The college prepares its students for lifelong creative work and service to their communities through a curriculum in art, architecture, design, and writing.

Dear Friends, In our mission statement, we say we teach our students to have a greater capacity for lifelong creative work and service to their communities. This is a challenge given an economic context in which the shape of creative, meaningful work is being radically reconfigured. California College of the Arts is committed to an education through the arts that gives our graduates the capacity to work in ways they find personally fulfilling while forging significant connections to their communities. But that’s not enough. We also want our students to shape culture—to become effective, creative individuals who also understand that they work within a larger, social context. That is our ambitious educational agenda. And while our goal is ambitious, it is also attainable. In this and previous issues of Glance, you have read about how our alumni are making their marks. Architect Charly Wittock, profiled in this issue (page 11), is designing museum installations, commercial buildings, and private homes around the world. Also profiled is Orfeo Quagliata (page 10), who is making an international impact on the design world. If you read “Awards & Accolades” (page 16) or the news on our website (www.cca.edu), you will realize that our students do not wait for graduation day to start shaping culture. They are entering and winning design contests sponsored by industry leaders and national professional organizations. They are applying for and receiving fellowships and residencies from national foundations. They are published authors and accomplished artists with gallery representation. They are working in the community, bringing art and art making to populations challenged by social and economic conditions. Our alumni and students are fulfilling our mission; their education at California College of the Arts has equipped them for both professional achievement and community engagement. They are helping to understand and shape the culture of the future. We are so very proud of them! Sincerely,

Michael S. Roth President

rECOmbiNaNT WOrld: Media Arts at CCA

all photos courtesy of Media arts Program

by Jeff Hunt

The Media Arts Program is a hotbed of activity these days. From kinetic sculpture to narrative and experimental film, from a new Core class to a faculty feature film workshop, from sound editing to interactive robotics, the program is literally abuzz. Renamed in 2004, the program formerly known as Film/Video/Performance has come to be thought of as part of a much broader arena of expression, a discipline that includes interactive installation, performance objects, and kinetic sculpture. There is still a strong screenbased component, where students do work ranging from fully abstract to more traditional, narrative films. But the new name recognizes an important new idea in contemporary art—that rapid advances in technology have expanded our understanding of what media are and how they can be manipulated.

art + technoloGy The changes in the college’s Media Arts Program are, in part, a response to what’s going on in the larger art world. “Media arts are increasingly visible in both gallery and museum settings,” says Ralph Rugoff, director of the CCA Wattis Institute for Contemporary Arts. Rugoff curated the Wattis’s spring exhibition, Irreducible: Contemporary Short Form Video, a survey of new work from the past ten years. Larry Rinder, dean of graduate studies and adjunct curator at the Whitney Museum of American Art in New York, comments, “Film, video, and computer-based art have become ubiquitous in today’s art world, often in combination with, rather than exclusive of, work in other, traditional media.” With a screen or a robot demanding a response from the individual before it can continue to perform, interactivity is at the core of what media arts is all about. Program chair Barney Haynes (MFA ’88) recognized the emerging influence of technology in his field. In

the late 1990s, his Interface course introduced concepts like robotics and programming. Today, courses such as Recombinant Media and Emphasis Fabrication give students the opportunity to explore interactive machinebased art. During spring semester 2005, students in Recombinant Media collected biological data and manipulated it in such a way that it could be seen, heard, and even felt. “Recombinant Media is about electronics and programming—hooking up sensors so you can monitor heart rate or the temperature of the human body,” Haynes says as he sits in the Hybrid Lab, the central nervous system of the Media Arts Program. To one side is a semicircle of iMacs equipped with ProTools sound interface boxes. The other side of the lab is a makeshift tech museum—a stack of old CRT monitors, colored wire, little metal plates topped with circuits, diodes, spools of film, a pile of what looks like amputated robot limbs. In Emphasis Fabrication, the focus is kinetic sculpture. Erin Elliot, a third-year student with an individualized major centered around performance and installation, has found art and technology courses such as this to be a natural fit for her varied goals. Elliot says, “I plan to use the skills I learn in the Media Arts classes not only to document my performance and installations, but also to explore ways of using these media in nontypical, performative ways.” The Media Arts faculty bring an unusual set of skill to the program. Consider Donald Day, chief engineer at RGB Spectrum, a computer programmer who came to his profession first as an artist, which gives him a valuable perspective. Or Todd Blair, a machinist and vital part of San Francisco’s Survival Research Laboratories. Day and Blair coteach Recombinant Media and Emphasis Fabrication with Haynes, who began as a painter, moved into video art, and now makes interactive installations and kinetic sculpture.

“We We want people to start W thinking about interactivity and nonlinearity right off the bat.” —Barney Haynes

Changes in First-Year Program Proof of the influence of media arts is found in a fundamental change in the college’s Core curriculum. Beginning this fall, Visual Dynamics 4D will be required for all undergraduates. Representatives of many programs were brought together to develop the new course, but the increasing scope of media arts was a huge factor in the makeover. First-Year Cochair K. C. Rosenberg says, “The class will address the collaborative nature of making. And not just that, but interactive and media literacy qualities also.” “We want people to start thinking about interactivity and nonlinearity right off the bat,” Haynes agrees. “We’re also going to have a production component, and it’s almost criminal to not have a class that teaches media literacy.” The new Core concept was tested in fall 2004 in associate professor Mie Preckler’s Visual Dynamics course, in which students were tutored by a representative of Pixar Animation Studios’ Pixar University. The students spent a total of 20 hours at the company’s Emeryville campus, writing, shooting, and editing short videos. Pixar, in partnership with Walt Disney Pictures, has been responsible for producing some of the most inventive Hollywood features of recent years, including Toy Story and The Incredibles. At Pixar, students were given the tools and some training, then more or less let loose to create. “The class mirrored the Pixar philosophy of using technology to its fullest, but concentrating on the most important aspect of filmmaking: storytelling,” says Michael Thompson, a second-year graphic design student. 4

Time-Based Arts Whether used to tell stories or create visual and aural expressions, film and video are still the backbone of the program. “Film has a tactile, seductive quality,” says Haynes. “You can touch it, you can scratch it, stuff that appeals to artists.” Fourth-year student Erica Willis works mostly in experimental film. A transfer student from Columbia College Chicago, Willis appreciates the way the CCA program allows her to bring various genres into her mediabased work. “Being in an environment that welcomes all genres, you come across various systems, structures, and theories that can eventually form a new hybrid,”

Angela Milash, Desirable Uncertainty of the Noise Plane, 2004 Painting with speakers

Willis says. “This environment allows for collaborating and melding of media with the support of extremely knowledgeable instructors and staff.” Filmmakers Lynn Marie Kirby and Jeanne Finley, for instance, bring a sense of experimentation as well as conceptual rigor to the program. Kirby works in virtually every time-based medium, including film, video, performance, sound art, and installation. Finley works in installation and documentary, in addition to her experimental video work. It’s a blending of approaches that offers students a great sense of freedom in their work—and an approach that encompasses sound as well as visual images. “All the classes have a sound component in them,” says Haynes. “We think about sound equally with the visual. Sound conveys subtle meaning, much like color with painting.” That’s where Richard Beggs’s Sound for the Moving Image course comes in. Beggs (MFA Painting ’67) is an industry giant, having done sound for such films as Francis Ford Coppola’s Apocalypse Now, Sophia Coppola’s Virgin Suicides and Lost in Translation, and Spike Jonze’s Adaptation. Students in Beggs’s course learn a mix of technical skills, recording and editing sound, and sound theory. “People can be manipulated and affected,” Beggs says, “and not be conscious of why or how that’s happening to them. Sound goes deeper into some area of response that we don’t know much about.” In addition to Beggs, the CCA program is attracting other big names in the field, such as Rob Epstein, who

made the well-known documentaries The Times of Harvey Milk and The Celluloid Closet. A two-time Academy Award winner, Epstein will teach directing as a visiting artist in fall 2005. As the program ends its first year under its new name, Haynes reflects: “The time-based arts such as film and video have always been cross-disciplinary and collaborative. Cinema has always embraced new technologies. Within Media Arts, we are following that model. In addition to developing our own program, we are working with other programs to create a curriculum that gives students the tools to create artwork that reflects the potential of the information age.”

Left: Erin Elliot, Trichotomy, 2004. Rear projection screen, surveillance webcams, butoh dance performance by Isaac Amala. Above: Chandra Beck, Untitled, 2004. Ceramic, tassels, motors, party favor noise makers, air compressor, iMac video tracking.

Extreme digital Video CCA alum Rick Schmidt (MFA Film ’71) is an award-winning independent filmmaker. He is also the author of Feature Filmmaking at Used-Car Prices (Penguin Books, 2000) and Extreme DV (Penguin Books, 2004), considered bibles in the world of indie film. For over a decade, Schmidt has taught film/video workshopsin which participants produce a full-length feature in only ten days. One such workshop was held at California College of the Arts this past January. Nine faculty members from various programs—none of them filmmakers—completed a feature-length video using Schmidt’s techniques. One of the participants was Andrew Dunbar, adjunct professor in the Architecture Program. “The team effort and the fact that we had only ten days to conceptualize, shoot, learn Final Cut Pro, and edit really galvanized the group,” Dunbar says. The result was Mine, a 78-minute video collaboration featuring pairs of speakers telling each other’s stories. “Rick asked us to look for the most interesting stories in our lives,” Dunbar reflects. “By using other people to tell your story, we felt the stories themselves became central to the whole experience.” Schmidt will lead another feature workshop at California College of the Arts in June 2005, a 15-day, 3-credit course organized through the Extended Education Program. For information about the workshop, call 510.594.3710. Mine (stills), 2005

WhiTE CubES + Gray arEaS: Curating Contemporary Art

Not the traditional museum studies curriculum, the MA Program in Curatorial Practice emphasizes practice — through creative partnerships, international perspectives, and development of projects beyond the traditional white cube of the gallery. The program also serves as a lively forum for discussion of contemporary issues in curating, through ventures such as Curating Now, a symposia series organized in partnership with galleries in San Francisco and Los Angeles. The program graduates its first class in spring 2005. In this issue of Glance, we meet some of the people who are involved with the program and look behind the scenes of the first graduating exhibition at New Langton Arts, an independent art space in San Francisco.

Praxis Made Visible: Notes From an Exhibition by Natasha Boas

The “practice” in “curatorial practice” comes to the fore in the second year of the CCA program. During this year the students perform a practical application of their first year of theoretical studies, which included courses on art history, curatorial models, professional development, the history of exhibition making, and writing for curators. The class works together to conceive, develop, and present an exhibition, with an accompanying catalog and public programs. This European model of student group curation—the class of 2005 includes nine student-curators—is unprecedented in the American university and art college system but has proven successful in curatorial studies programs such as those at the Royal College of Art (London) and De Appel (Amsterdam). Often complex and challenging, the process of developing the exhibition collaboratively has been a lesson in group dynamics and has provided a forum for curatorial debate. The students engage in every aspect of exhibition production, from managing the budget and fundraising, to liaising with artists and galleries, to overseeing marketing and catalog design. In effect, the group takes on the roles of a professional gallery staff, negotiating and articulating ideas, prioritizing tasks, and working as a team to bring the exhibition into fruition. Dean MacCannell’s book The Tourist: A New Theory of the Leisure Class (UC Press, 1999) — read in the first-year art history and theory course — was a seminal text for the class of 2005. Early on, the students agreed to work through ideas of leisure, from the formal to the social to the political. During fall 2004, they gave presentations on artists they thought should be included, which resulted in discussions about specific works and curatorial focus. This included an ongoing investigation of the relationship between tourism and leisure, and how the exhibition should frame both terms.

Using a class blog and generating working lists of words and concepts in relation to proposed artists, the students approached a final focus for the show. At one stage, the exhibition appeared “too much about travel and melancholia,” and at another it had “too much emphasis on elsewhere.” The concept of leisure in relation to San Francisco became critical, as did consideration of the gallery as a site of leisure. Finally, three subgroups of students decided on specific artworks, their availability, and their practicality in relation to budget and gallery placement. After hours of heated debate and from an initial list of over 60 artists, the final artist list and curatorial thesis was agreed upon in early January, five months after the first class conversation took place. The resulting exhibition, Downtime: Constructing Leisure, is on view from April 13 to May 14 at New Langton Arts, 1246 Folsom Street, San Francisco. The exhibition features 11 cross-generational artists from Canada, England, France, Mexico, Slovenia, and the United States who address physical and social structures associated with pastimes, tourism, and retreat. Several of the artists were commissioned to produce site-related or socially engaged projects, including Bay Area artists Josh Greene and Melinda Stone. The exhibition presents the work of Bureau d’études (France), Luis Jacob (Canada), and Jonathan Hernández (Mexico) for the first time on the West Coast. A fully illustrated catalog with three contextual essays, an interview with Dean MacCannell, and artists’ pages is available for sale. natasha boas is a independen t curator and an adju nct professor in the Ma Program in curatorial Practice. she worked with the class of 2005 throughout the process of developing the exhibition.

PersPectiVe: by roopesh sitharan “Curator” is a strange word. I never knew such a word existed until I was involved with an event in 2004 at Petronas Gallery in Kuala Lumpur, Malaysia. The curator was organizing an event called “The Use of Technology in Art Creation.” It was my first encounter with a person in such a position. At that point, I was very much involved with the electronic art practice that eventually led me to California College of the Arts. It was my intention to become an engineer when I was in high school, but I was assigned multimedia for my studies instead. There is a saying that goes, “Happiness is found not by gaining what you want but making the best of what you get.” Keeping that in mind, I started my venture into the realm of multimedia. Technology is a central focus for Malaysia as it tries to achieve the goal

of becoming a modern and developed country by the year 2020. Multimedia is one component. As I was going through my early school years, we were bombarded with the massive outside influence of technology. This allowed interventions into our lifestyle and culture. New modes of communication and interaction emerged. A repercussion from that: I was working on www.uploaddownload. org, a project that got people around the region to come together online to collaborate and create work addressing issues of nationality and identity. At the time, I was working as a tutor for Multimedia University in Malaysia. With this project I was subconsciously taking on the role of a curator. The project raised many critical questions about the role of a curator within the practice of new media, especially in the context of the Southeast Asia

region. The project began in 2003 and was exhibited at Fukuoka Asian Art Museum, Fukuoka, Japan; Petronas Gallery, Malaysia; Thailand New Media Festival 2004; and Raffles LaSalle International Design School Gallery, Thailand. California College of the Arts together with the Asian Cultural Council was open enough to accept and support me in my work. Being here has been a learning experience, official and unofficial. I realize now that Malaysia does lack curators, especially in new media. It is exciting to see the practice evolving and being professionalized. I am eager to see the outcome, as I hope to apply what I learn from the CCA program to Malaysian society. roopesh sitharan will receive his Ma in curatorial Practice in 2006. he was awarded the first Porter Mccray fellowship from the asian cultural council for the 2004–5 academic year.

KaTE FOWlE: Beyond the Gallery Trained as a painter at the Norwich School of Art and Design, then as a curator through the Arts Council of England, Kate Fowle moved from London to San Francisco three and a half years ago to pursue the two loves in her life — her American husband and contemporary art. Before coming to California College of the Arts, Fowle ran a curatorial partnership in London, smith + fowle, that specialized in commissioning contemporary art. Fowle continues to work as an independent curator in addition to cochairing Curatorial Practice with Ralph Rugoff, director of the CCA Wattis Institute for Contemporary Arts. In San Francisco her projects have included 17 Reasons (2003) with gallery owner Jack Hanley. Taking art to the streets of the Mission District, the exhibition offered local and internationally known artists a chance to present new work on street corners and in store windows — breaking out of the gallery context to engage with the environment. It should come as no surprise that in the CCA curriculum, Fowle espouses partnerships and expanded approaches to curating. By “creating a broad network and adding a little generosity into the equation, everyone learns faster,” she comments. In their professional development course, Fowle’s students establish relationships with projects and organizations. Through a collaboration with inSite, a project focused on commissioning artistic interventions into the social fabric of San Diego–Tijuana, students have the opportunity to explore the public art process. Further afield, Fowle has developed a partnership with Arts Initiative Tokyo, which hosted first-year students this semester on a research trip to Japan. “By forging collaborations with other organizations, we can start to create an international network,” says Fowle. She has been instrumental, with the support of various funders, in bringing over 20 speakers and visiting faculty from overseas in the past year, including Midori Matsui (Japan), Manray Hsu (Taipei), Mami Kataoka (Japan), and Santiago Sierra (Mexico). As if all this were not enough to keep Fowle busy, she also publishes frquently in her field. She is a contributor to What We Want Is Free by CCA adjunct professor Ted Purves (SUNY Press, 2004), her book on recent architecture in San Francisco is forthcoming from Batsford, and she has begun working on a project to translate texts by contemporary Asian artists and curators into English.

Photo: schuyler crawford

“Curating today is a kind of renaissance endeavor.” — Kate Fowle

— erica holt, Marketing and communications associate

alumNi PrOFilES:

CCA’s Global Face

by Jessica Russell

CCA alumni live and work on every continent except Antarctica. Whether coming to the United States from abroad to study like Charly Wittock, or moving to another country after graduation like Orfeo Quagliata, alumni are using what they learned at California College of the Arts to have a truly international influence on the worlds of art, architecture, and design.

orfeo quaGliata Born in 1972 in San Francisco, CA BFA 1999, Wood/Furniture Lives and works in Mexico other education: Cabrillo College, College of Marin current occupation: Industrial designer; founder, Phuze (www.phuzedesign.com) influences at cca: Chris Deam, Thom Faulders, Barry Katz, Martin Linder

Photos courtesy of Phuze 10

Though he graduated from California College of the Arts with a degree in wood/ furniture, orfeo quagliata initially spent four years as an industrial design major. “I liked ID but got sick of the little tiny plastic parts,” he says. “I wanted to get my hands on bigger materials.” Changing majors was not out of character for Quagliata; in fact, he chose CCA because of its diversity of programs. “I didn’t want to specialize in any one thing. I wanted to learn as much about every possible material as I could. I took classes in ceramics, paint, photo, glass, every single class I could. It took longer than I thought [it would] to get out, but now I can design anything.” Quagliata became a successful designer while still in school, selling his glass and jewelry designs to private collectors and studying with furniture designer and architect Chris Deam. By the time he graduated with high distinction, crystal company Nouvel Studio had taken notice. With their encouragement, Quagliata moved to Mexico City in 2000 and founded Phuze, a glasswork collaboration with Nouvel Studio. Phuze’s designs include glass jewelry, flatware, vessels, furniture, lighting, and sculpture.

cW architects, Duvel headquarters at night, belgium

In the factory by 5 a.m., Quagliata spends his days developing prototypes, contacting clients, and meeting with architects. Nights are spent drawing and reading contracts. “Designing is only 5 percent of my time in the real world,” he says. Quagliata hopes current students remember to enjoy their time in school, bend the rules, and design what they want before they have to go out in the real world. His newest projects include a jewelry line and the design of a restaurant in Mexico City. Phuze was recently featured in Metropolitan Home’s 2004 “Design 100” issue, and the products can be found at stores such as the SFMOMA Museum Store, Neiman Marcus, and the Bon Marché. Says Quagliata, “The recognition doesn’t hurt.” charly Wittock has the alphabet to thank for his successful architecture career. At 17 he left Brussels to windsurf in Hawaii, but after two years his parents wanted him back in school. While registering for the University of Hawaii he scanned the alphabetical list of majors and picked the first one that sounded laid-back. “I had friends in Brussels studying architecture. They were always at the café hanging loose, so I thought I’d have a lot of time to windsurf. I realize now I chose a very busy profession. I’ve never windsurfed again.” Wittock transferred from Hawaii to California College of the Arts, drawn by the college’s faculty of practicing architects and the interdisciplinary, art school setting. After graduating at the top of his class, he worked with architect Mark Horton for two years before entering the master of environmental design program at Yale. While at Yale, Wittock took a leave of absence to lead the expansion of the Bibliotheca Wittockiana, the bookbinding museum founded by his father in Brussels. The project opened the doors for him to start his own firm, CW Architects. It’s midnight in his Brussels office as Wittock describes a typical day at CW Architects. His day often begins before the sun comes up and ends late into the night. Wittock calls himself a workaholic and perfectionist but is quick to point out that it isn’t all about work. Each night he eats dinner with his two children and puts them to bed, but then it’s usually back to the office. He also cooks a pasta lunch for his staff almost every day, explaining, “My mother was Italian, and it’s important for me to share my love of good food with my staff and take time out to speak about life and projects.” Reflecting on his time at the college, Wittock says, “CCA faculty are doing interesting things with their lives, and that’s inspiring to students. It gave me the courage and guts to do what I do today.” His firm has produced a diverse body of work in locations around the world, including an artist installation for the Whitney Museum of American Art in New York (with Lee Mingwei ’93), a home for California author Alice Walker, and a café in Brussels.

charly Wittock Born in 1968 in Rome, Italy BArch 1992 Lives and works in Belgium other education: M.E.D. 1998, Yale University current occupation: Principal, CW Architects (www.cwarchitects.com) influences at cca: John Bass, Jim Jennings, David Meckel, William Stout

mEET ThE

Scholarship Students

by Ashley Lomery

Very special thanks go to all of the alumni, friends, and parents who made a gift last spring in support of scholarship at California College of the Arts. Almost $18,000 was raised for the Architectural Studies, Design, Fine Arts, and Collegewide Scholarships. Below are profiles of the eight students who benefited from your generosity. Many are graduating in 2005. Their education would not have been possible without your support.

colleGeWiDe scholarshiP 1. Joseph Del Pesco MA, Curatorial Practice, 2nd year Joseph Del Pesco earned a BFA in graphic design at the Savannah College of Art and Design and went on to open his own galleries in Portland, then Minneapolis. The Collegewide Scholarship has encouraged him to do his best work, Joseph says. Through the program, he has prepared to take on projects such as the one awaiting him after graduation—curating an exhibition of public art proposals at the Rooseum in Malmö, Sweden. 2. Dan shafer MFA, Design, 2nd year After graduating from Western Washington University, Dan Shafer moved to San Francisco and worked as a freelance designer. He chose to pursue graduate study at CCA because of its emphasis on leadership and innovation. A presentation he attended with

Lucille Tenazas, cochair of the MFA Program in Design, encouraged Dan to look at design in new ways. Dan would like to teach and maintain his own design business, following the model of CCA faculty who are design professionals. 3. Paige taggart BFA, Visual Studies, 3rd year Paige Taggart’s family encouraged her interest in art from a young age. The Healdsburg, CA, native came to CCA after studying at City College in San Francisco. Paige began by studying jewelry/metal arts, but her love of art history won out, and she changed her major to visual studies. Paige appreciates the stimulating atmosphere at CCA. Receiving the Collegewide Scholarship has meant a lot, she says, as she could not attend without that support. After she graduates, she would like to travel and work for a museum or art gallery.

architectural stuDies scholarshiP

eleanor harwood, untitled, 2004

4. katie baylis Bachelor of Architecture, 5th year Katie Baylis first came to CCA as a high school student in the summer Pre-College Program. She went on to UC Davis and Columbus College of Art and Design before finding her way back to CCA. Inspired by learning and thinking in three dimensions, she found her niche in the Architecture Program. Her entry for the National

AIDS Memorial Design Competition will be included in a book about the competition. Katie is considering pursuing a master’s degree in landscape architecture.

fine arts scholarshiP 5. eleanor harwood MFA, Drawing/Painting, 2nd year Born in Wales, Eleanor Harwood has lived in San Francisco for eight years and enjoys CCA’s international network of visiting artists. Eleanor has a degree in film from UC Santa Cruz and is a curator at the Adobe Books backroom gallery in San Francisco. She came to CCA in part because of the CCA Wattis Institute programs, and with the encouragement of Stephen Goldstine, Dennis Leon Professor of Graduate Studies. Eleanor is a painter of contemporary landscape. 6. layla kraus BFA, Photography, 4th year Layla Kraus grew up in rural Sonoma County, CA, and became interested in photography as a teenager. She transferred to CCA from San Francisco State University. Layla works mostly in color, with subject matter that often deals with nostalgia for place and examines the links between childhood fantasies and adult life. She has been in a number of group shows recently. After graduation, Layla plans to begin freelancing. She hopes to run her own artist space someday.

7. Dana Landau BFA, Photography, 4th year Originally from Israel, Dana Landau developed her interest in photography while studying in Florida. She came to CCA because of the excellent reputation of the photography faculty. Dana’s work focuses on body image and social issues. After graduation she hopes to work as a fine art photographer. She is also interested in going to graduate school and teaching photography.

Design Scholarship 8. Susan Sun Kim BFA, Interior Design, 4th year Susan Sun Kim’s passion is interior design—the manipulation of an interior space to suit the personality, desires, and mood of its occupants. The Design Scholarship has helped to cover essential expenses in her field of study. Born and raised in San Francisco, Susan plans to remain in the city after graduation and work with a design firm. She is also interested in pursuing an MBA.

Photos: Suzanne LaGasa

The students profiled on these pages are some of the faces of scholarship at CCA. There are many other stories like theirs. The college is committed to securing funds to provide financial aid for gifted students who otherwise could not afford to attend CCA. The college is pursuing a strategy to strengthen the scholarship program through increased support from alumni, parents, foundations, corporations, and friends. While the total dollars allocated at CCA for scholarships has increased over the past five years, so has CCA’s student body. (Enrollment rose 30 percent from 2000 to 2005.) We are attracting more of the brightest and most talented students. We need your help to meet the college’s pressing need for increased financial aid. The students you support today will be the artists, writers, architects, and designers of tomorrow—influencing what we see, use, and experience. Your investment in CCA students will pay the highest of dividends by giving them the opportunity to fulfill their boundless potential. CCA provides individuals, corporations, and foundations with the opportunity to support endowed and annual scholarships. To make a gift or for more information, please call CCA Individual Giving Manager Camille Gerstel at 510.594.3787 or email cgerstel@cca.edu. Thank you.

iN ThE NEWS

Gifts & Grants Over the fall and winter, California College of the Arts received very generous donations from alumni, parents, friends, foundations, and corporations. The CCA Center for Art and Public Life was awarded a $250,000 grant from the Nathan Cummings Foundation to support core programs and a national conference on community arts. To further its very successful Community Student Fellows program, the Center received a $35,000 grant from the Walter and Elise Haas Fund. The Christensen Fund awarded the Center a $25,000 planning grant for CrossConnections, a project with visiting artist and alumna Taraneh Hemami (MFA ’91) and scholar Persis Karim. In addition, the Center received a grant of $10,000 from the San Francisco Foundation and a grant of $5,000 from the Alafi Family Foundation. The Alameda County Office of Education and the Art Education Initiative funded by the Ford Foundation awarded the CCA Teaching Program $13,000 and $5,000, respectively, to advance K–12 teacher preparation in the arts. Student scholarships received vital support. Our thanks go to Dick and Lorene Groshong, who gave $50,000 to create the Richard F. “Rick” Groshong Memorial Scholarship in memory of their son, who graduated from the college in 1971. The George Post Memorial Scholarship received a generous addition with a gift of $50,000 from Elvin Fowler. Sincere thanks go to Byron Meyer, whose gift of $25,000 created the Byron Meyer Scholarship in Graduate Fine Arts, and to Elizabeth Schaufel, whose contribution of $25,000 was added to the Gertrude Schaufel Memorial Scholarship. Trustee Kent Logan renewed his generous support with a gift of $20,000 to the Vicki and Kent Logan Scholarship for Curatorial Practice. The Richard and Jean Coyne Family Foundation gift of $20,000 will be added to the Coyne Family Scholarship for illustration students. With a $10,300 grant from the Miranda Lux Foundation and a $5,000 grant from the Morris Stulsaft Foundation, the college will offer 10 new full scholarships 14

to low-income students in its summer 2005 Young Artist Studio Program and Pre-College Program. In addition, $8,730 was received from the Garzoli Gallery in support of the Louis and Lundy Siegriest Memorial Scholarship. California College of the Arts also received key programmatic support. IDEO contributed $35,000 in support of a sponsored studio in the Industrial Design Program. The W. L. S. Spencer Foundation awarded the Curatorial Practice Program $25,000 to enable first-year students to travel to Tokyo to meet with Japanese curators, scholars, and peers. The Ken and Judith Joy Family Foundation renewed their grant of $10,000 to the Photography Program. The college’s Architecture Lecture Series was given a $5,000 grant from the LEF Foundation. Gensler and Oslo School of Architecture gave $5,535 and $5,000,respectively, to sponsor studios in architecture. Carol and Dick Hyman gave $5,000 to support career services. Giving by alumni, parents, and friends continues to grow. We welcome and thank the following new donors to the Curator’s Forum, whose gifts of $5,000 or more benefit the CCA Wattis Institute for Contemporary Arts: Gretchen and John Berggruen, Frish Brandt, Rena Bransten, Susan Cummins, Jeffrey Fraenkel, Linda and Jon Gruber, Michael Hackett, Mr. and Mrs. Raoul Kennedy, Kay Kimpton and Sandy Walker, Peter and Eileen Michael, Carole and Fred Middleton, Mr. and Mrs. John Miller, Mr. and Mrs. Dexter Paine, Rose Roven, Chara Schreyer and Gordon Freund, Dr. and Mrs. Norman C. Stone, John and Pamela Story, Susan Swig Watkins and Richard Watkins, Charlotte and David Winton, and Robin Wright. Tim and Nancy Howes made a gift of $29,000 to benefit the CCA Wattis Institute, the Annual Fund, and the Jewelry/Metal Arts Program. Gifts of $10,000 were received from Miranda Leonard for the (continued on page 15)

Program News neW bfa ProGraM focuses on coMMunity arts As an institution with its roots in the Arts and Crafts movement, California College of the Arts has a nearly 100-year history of educating “artist citizens” who are committed to working in their communities. Beginning in fall 2005, the college will be the first art school in the country to offer a BFA in community arts. The new interdisciplinary program will focus on community-based arts theory and practice, with an emphasis on service learning, civic engagement, and diversity issues. The curriculum includes studio coursework, courses in arts administration, and a required internship. The program will draw on the extensive resources of the CCA Center for Art and Public Life, which creates community partnerships based on creative practice that serve the college and the diverse population of Oakland and San Francisco. “In the last ten years, art practice has changed considerably,” comments Sonia BasSheva Mañjon, director of the Center for Art and Public Life. “While at one time being an artist meant a more solitary way of life, many artists today are seeking direct involvement with their communities. By lending the skills and knowledge of their professions to community organizations, service providers, cultural institutions, and government agencies, they are active agents for social engagement and change.”

Mfa ProGraM eMbraces neW Genre Beginning in fall 2005, the MFA Program in Fine Arts will include students working in the area of social practices. This genre incorporates art practice as diverse as urban interventions, utopian proposals, guerrilla architecture, “new genre” public art, social sculpture, project-based community practice, web-based interactivity, service dispersals, and street performance. Artists who work in this genre often create their work together with an audience or propose critical interventions within existing social systems. California College of the Arts has long fostered artists whose work encompasses such social practices, from collaborative projects by Harrell Fletcher ’93 and Jon Rubin ’93, developed while they were graduate students, to CCA Wattis Institute for Contemporary Arts exhibitions and programs such as Marina McDougall’s Utopia Now! (2001) and Ted Purves’s Generosity Projects (2002). Social practices are increasingly prevalent in the contemporary art world; their art historical legacy includes the work of the Situationist International, happenings, Brazilian neoconcrete artists, and feminist performance art. The formation of this concentration within the MFA Program in Fine Arts will allow our students to reflect on and contribute to this important development in international cultural practice. Andrea Fraser will be the inaugural Social Practices Distinguished Visiting Artist during fall 2005.

For more information about the BFA in Community Arts or MFA concentration in Social Practices, call 800.447.1ART (1278).

cca students work at the creative arts charter school, san francisco, in Patricia alarcon’s course, building community Partnerships.

(continued from Gifts & Grants, page 14) Annual Fund and from Robyn and John Horn for the Ronald and Anita Wornick Award. Alumni and friends contributed over $19,000 to the college in response to our fall 2004 direct mail appeal. CCA trustees continue to be very generous in their Annual Fund support. Our thanks go to Louis Belden, Simon Blattner, Jan Boyce, Tim Brown, Tecoah Bruce, Nancy Forster, Ann Hatch, Betty Hine, Leigh Hudson, Lorna Meyer, Tim Mott, Nathan Oliveira, Steve Oliver, Shepard Pollack, David Robinson, Karen Rose, Hank Salvo, George Saxe, Norma Schlesinger, Bryce Seidl, Mary Jo Shartsis, Alan Stein, Judy Timken, Calvin Wheeler, Ron Wornick, Jan Zakin, and Mary Zlot. In addition, we have had many generous gifts in support of Threads, the CCA Gala Fashion Show in April 2005. All sponsors and donors to that event will be acknowledged with a special thank-you in the fall 2005 issue of Glance. in the news

Awards & Accolades Ann Morhauser ’79 reports that two pieces in her Shell Series will be on permanent display at the new Luce Foundation Center for American Art, Smithsonian American Art Museum, scheduled to open in 2006 in Washington, DC. Morhauser is a CCA trustee and the owner and president of Annieglass, a glass design and production firm based in Santa Cruz, CA. In January the California state legislature recognized adjunct professor Thomas Wojak ’92 for his work with the Vallejo Main Street Program, dedicated to revitalizing downtown Vallejo, CA. The W.O.R.K.S, a screen printing studio founded by Wojak in 1972, relocated to Vallejo in 2002 from San Francisco. Wojak and his companion, Misty Youmans ’96, built the first live/work studio in downtown Vallejo. Graphic design alumni Yoshie Matsumoto ’03, Melissa Tioleco-Cheng ’02, and Robert Williams ’03 were awarded a $50,000 grant from Sappi Fine Paper North America for their entry in the 2004 Ideas That Matter competition. The team was the top recipient of 18 national winners. They will use the grant to create a communications campaign for Friends for Youth, a Bay Area mentoring program. The short story “Watermark” by writer Melanie Westerberg ’04 was selected for the acclaimed anthology series Best New American Voices. The anthology, to be published by Harvest Books in fall 2005, features student work nominated by writing programs from across the country. First-year student Lauren Stocksdale was among 31 students nationwide whose work—selected from more than 21,000 portfolios—was in a show of Advanced Placement Program artwork on view at the David J. Brodsky Gallery in Princeton, NJ, and the Frist Center for the Visual Arts in Nashville, TN, during 2004–5. Third-year architecture students Joseph Barajas, Michael Boone, Patrick Flynn, and Daniel Robb received the distinction “Design of Note” for their entry to the National AIDS Memorial Design Competition. Their design, Fissure, was a project in the fall 2004 Architecture Studio 3, taught by Hugh Hynes, Keith Plymale, Sandra Vivanco, and Leonardo Zylberberg. The competition, set up to identify an artistic complement to the National AIDS Memorial Grove in San Francisco’s Golden Gate Park, drew nearly 200 entries from 21 states and 22 countries. Five finalists and seven Designs of Note were chosen. Third-year industrial design students walked away with all three top awards in a recent national competition sponsored by the Industrial Designers Society of America (IDSA) and the maverick design entrepreneur James Dyson of vacuum cleaner commercial fame. Their winning projects came out of the fall 2004 ID3 Studio, taught by Kiersten Muenchinger and Rick Lewis, which focused on innovation in the design of domestic products. CCA had a remarkable nine student finalists in the competition, which was open to all NASAD schools. Brandon Warren took grand/first prize, Isamu Yoda took second prize, and Christine Miller and Jennifer Olsen took third prizes. Warren moved on to represent the United States in the international phase of the competition.

staff aPPointMents ashley lomery Associate Vice President for Advancement, Individual Giving cian Phillips Director of Network and Systems Services Julia rowe Associate Dean of Advising and Retention

hONOr rOll OF dONOrS California College of the Arts thanks the following donors whose new gifts and pledges to the college were recorded between January 1, 2004, and December 31, 2004. Alumni are identified by actual or expected year of graduation, when known. Note: Donors to the 2005 CCA Gala will be thanked in the fall 2005 issue of Glance.

inDiViDual Donors $10,000+ Louis deK. Belden Simon and Kimberly Blattner Jan and Tom Boyce Tim Brown, IDEO Tecoah Bruce ’74, ’79 and Thomas Bruce Carmen M. Christensen Carla Emil and Rich Silverstein Nancy S. and R. Patrick Forster Mr. Elvin Fowler Dick and Lorene Groshong Mrs. Charles H. Hine Robyn and John Horn Tim Howes and Nancy Howes ’05 Ms. Leigh Hudson Ms. Kay Kimpton and Mr. Sandy Walker Byron D. Kuth and Elizabeth Ranieri Miranda Leonard Vicki and Kent Logan Ms. Linda Lotspeich, Albertina L. Zanzi ’41* Living Trust Tony and Celeste Meier Byron R. Meyer Lorna Meyer and Dennis Calas Steven and Nancy Oliver Shepard Pollack and Paulette Long Mr. C. David Robinson FAIA and Mrs. Mary L. Robinson Karen and Ronald Rose Henry and Nancy Salvo Dorothy and George B. Saxe Ms. Elizabeth Schaufel Alan and Ruth Stein Judy and Bill Timken Christopher E. Vroom Ronald and Anita Wornick Dr. Janice H. Zakin, MD, and Mr. Jonathan Zakin Mary and Harold Zlot Anonymous

$5,000–$9,999 Susan Cummins James and Mary Dunnam Mark Fox I BlackDog Linda and Jon Gruber Michael Hackett

Ann Hatch and Paul Discoe Joe and Beth Hurwich Brenda Jewett and George F. Jewett III ’96 Mr. and Mrs. Raoul Kennedy Eileen and Peter Michael Carole and Fred Middleton Mr. and Mrs. John Miller Ms. Ann Morhauser ’79 Edna Reichmuth Trust ’39* Katherine Renick Rose Roven Norma Schlesinger Estate of Lundy Siegriest ’49* Hugo Steccati ’38* Michael Vanderbyl ’68, Vanderbyl Design Susan Swig Watkins and Richard Watkins Mrs. Sarajane Miller-Wheeler and Dr. Calvin B. Wheeler Charlotte and David Winton

$1,000–$4,999 Mr. and Mrs. Michael D. Alhadeff Susan Avila and Stephen Gong Mr. Ronald M. Bancroft Ellen and Drew Bradley Billy Bragman Mr. and Ms. Robert J. Bransten Dick and Brenda Buckerfield Michael Bull ’63 and Priscilla Bull Dr. Alfred W. Childs and Mrs. Eunice M. Childs Susan Ciriclio ’71 Ms. Penny Cooper and Ms. Rena Rosenwasser Mr. Dennis Crowe, Vehicle Mary Foust Henry L. Gardner Mrs. Blanche S. Goldenberg Ms. Sara A. Goldenberg ’04 Tracy and Maie Herrick Ms. Lynne Ingalls ’60 Dr. Thomas M. Jackson and Dr. Kathleen Grant Ms. Susan Landor Keegin Ms. Maureen McClain Ms. Diana McLaughlin George H. Mead III ’76, ’78, The H. T. Mead Foundation David Meckel John L. Milner ’72

Michael Muscardini ’72 and Robyn Muscardini ’73 Mr. Richard Nagler and Ms. Sheila Sosnow Mr. and Mrs. Alonzo A. Neese, Jr. Dr. Thomas L. Nelson and Dr. Wylda H. Nelson Ellanor and Russell Notides John S. Osterweis and Barbara Ravizza Ms. Gay Outlaw and Mr. Bob Schmitz Mary and Andrew Pilara Mr. Steve Reoutt ’61 Dr. Michael S. Roth and Dr. Kari Weil Mr. Michael Sasso, Sasso Memorial Charitable Trust Ms. Chara Schreyer and Mr. Gordon Freund Andrea Schwartz Jane Scott Büldan Seka Mary Jo and Arthur Shartsis Dr. Robert H. Shimshak and Ms. Marion Brenner Mr. Bruce Sidner and Dr. Nancy Butte Mr. and Mrs. John T. Story Ms. Judy Swanson Kenneth W. Swenson ’53 and Cherie Swenson Mr. and Mrs. Paul A. Wilson Thomas Wojak ’92 and Misty Leigh Youmans ’96 Robin Wright Anonymous

$500–$999 Robert and Judy Aptekar Gene and Neil Barth Mr. and Mrs. John Berggruen, Berggruen Gallery Mr. Ron Berman ’76 Tom Brodehl, Art Loft Kathleen A. Brosnan ’83 and John A. Murphy Dr. and Mrs. Michael Butcher Ms. Erika Celestre Sally D. and Philip D. Chapman Ms. Claudia Chesavage ’76 Nina Chiappa ’76 Allan Crane ’78 and Mary Crane Mr. Don A. Crewell and Ms. Mary Jacobson Rose Anne Critchfield Mr. and Mrs. Richard B. Dilday II ’74

(continued on page 20) in the news

SPOTliGhT ON CCa

1. Nancy and Tim Howes at the Curator’s Forum event. Jan. 2005. 2. Chara Schreyer and Michael S. Roth at the Curator’s Forum event. 3. (L to R): Ron and Anita Wornick with Ralph Rugoff at the opening reception for IRREDUCIBLE: Contemporary Short Form Video at the CCA Wattis Institute. Jan. 2005. 4. (L to R): Drue Gensler, Art Gensler, and Susan Shawl at the Scholarship Dinner. Nov. 2004. 5. Diane Christensen and student Daniel Choe at the Scholarship Dinner. 6. (L to R): Steve Lotspeich, Linda Lotspeich, student Vanessa Massoud, Ken Zanzi, and Ellen Zanzi at the Scholarship Dinner. 7. Leslie Whitelaw and Ned Forrest at the IRREDUCIBLE reception. 8. (L to R): Kimberly Blattner, Michael S. Roth, and Anne Robinson Woods at the Irreducible reception. 9. Sonia Mañjon and student Jennifer Colliau at the Scholarship Dinner. 10. Ron Wornick and Roselyne Swig at the Wornick Award reception. Nov. 2004. Photos: 1, 4–6, 9–10: Douglas Sandberg; 2: Tom Gibbons Photography; 3, 7–8: Ken Friedman

hONOr rOll OF dONOrS continued from page 17

Mr. Andy D. Dreifort, A & D Precision Machining, Inc. Lori and Peter Feibelman Mr. Thomas Goetzl John and Pamela Goode Ruth C. Greenberg Mr. Roger J. Hoffman ’72 Mr. and Mrs. John P. LaBorde Stan and Margarette Lathan Brian Douglas Lee Sheri S. McKenzie and Mark S. Bernstein Douglas C. Sandberg ’78 and Kristine Sandberg Mr. John Sanger Bryce and Chris Seidl Ms. Eve Steccati-Tanovitz ’69 and Mr. Ron Tanovitz ’69, Steccati Tanovitz Charles E. Upham Ms. Patricia Walsh Jeffrey R. Werner ’79, Werner Design Associates Mr. Jeff Williams and Ellen and Maya Pack Bobbi and Herb Wiltsek

$250–$499 Gale R. Antokal ’80, ’84 and Neil H. Gozan Douglas Bernhagen ’69 and Cathy Bernhagen Ms. Karen Jacobs Bradley ’88, Left Black Shoe, Inc. Amanda A. Bryan ’84, John M. Bryan Family Fund Mr. Thomas Dehlinger and Mrs. Carole Dehlinger Mr. Robert A. Ellis and Ms. Jane W. Bernstein Mrs. Diane Frankel and Mr. Chuck Frankel Mr. Dean Freeman ’59 Ruth M. Gross ’64* Maud Hallin William P. Jaeger ’88 and Lyla Jaeger Mr. David D. Kennedy ’74 Kurt Kiefer ’92 and Mary L. Williamson Ms. Betty Klausner Mr. Christophe LeDuy ’96 Mr. N. Colin Lind Mr. Kevin Maples ’94 Jack Mills ’64 Janet M. Monaghan ’73 and Brian J. McKeever Ruth P. Nash Nadine O’Donovan ’51 and Mr. Timothy O’Donovan The Honorable and Mrs. Stuart Pollak Ms. Sharon R. Robinson ’62, ’79 Mr. Timothy J. Schmitt Mr. Patterson Sims and Ms. Katharine A. Homans Mr. Duane H. Steidley ’72 Jenny Stein ’89 Mr. Frank Tavaszi Susan Threlkeld Mr. Langston G. Trigg, Jr. and Mrs. Taffy Trigg 20

Marilyn and Murry Waldman Jan C. Walker ’74 Yang and Chinying Wang Lloyd Wasmuth ’37, ’54 Laurellee Westaway Suzanne Westaway Mr. and Ms. James W. Wilson II ’64 Ms. Sara T. Winokur and Mr. Robert H. Winokur Anonymous (2)

$50–$249 William Adamo ’48 and Elizabeth Adamo Erik Adigard ’87 Hassan Afrookhteh, Domus Architecure + Construction Kent Alexander ’97 Mia S. Alexander ’79 Ms. Rosemary A. Allen ’89 and Mr. Howard W. Allen Mr. Alfonso Alvarez ’90, ’93 Ms. Jane D. Hegedus Alvarez ’76 Cal Anderson ’46 Lilica and Kinsey Anderson Joseph Arena ’56 and Tonni Arena David H. Asari ’89 Mary Beth Avary ’65 Robert Avery ’62 and Amanda Avery John Reid Bagley ’68 Ms. Barbara Bagot and Mr. J. Eugenio Lopez Matthew Baker ’96 Ms. Raquel Baldocchi Edmund and Ann Bartlett Ms. Jacqueline Bassman ’82 Ms. Zlata Baum ’82 and Mr. Jamy Sheridan ’81 Mr. Fred Baumann Lisa Bayne ’75 and Stephen Bayne Alice Beall ’74 Leslie Becker Mr. and Mrs. Roger Bedier Jacob Belsky ’65 Mary B. Bender ’84 and Charley C. Hoyt Donald Berk ’75 and Nina Berk ’74 John W. Berry ’50 Ms. Creo Bettencourt, Creo Bettencourt Designs Ms. Lidia M. Bidinost Mr. and Mrs. Daniel P. Bodelson ’72 Joanna E. Boley-Lee ’72 John A. Borzini ’72 Mr. and Mrs. Jack Bousian ’42 Geoffrey Bradley ’82 Maureen Bragdon ’73 and Richard Bragdon Mr. Art Brandenburg ’86 Ms. Kristin K. B. Breiseth ’97 Phyllis Peres Brown ’56, ’82 Mr. and Mrs. Hank Bruce Kate Buckelew ’99 and Bruce Buckelew Ms. Cecily R. Burke ’72 and Mr. David O. Taussig Stormy Burns ’80 and Shane Burns John Burton ’80 and Jodi Burton

Mr. F. Joseph Butler The Byron Family—Walt, Yvonne, Leslie & Margaret Lauren C. Caldwell ’81 and Steven G. Matzkin Casimiro Camacho ’96 Martha MacLean Campbell ’78 and Twining F. Campbell III Mr. Wayne S. Campbell Jr. ’99 Peter Canepa ’71 Mr. Stanley Caplan ’63 and Ms. Sue Caplan ’63 Mr. and Mrs. Scott Carey Judith A. Carter ’67 and Bruno J. Brania Ralph Carter ’54 and Mrs. Mary Carter Mr. Todd Cary and Ms. Corol Ann Fontana Cary Robert D. Casamajor ’67, Casamajor Marketing Associates Ms. Hana Cerkez ’01 Mr. and Mrs. William M. Chambers ’64 Vivian Chesterley ’84 Ms. Iris Cheung ’94 Ms. Hsien-Yin Ingrid Chou ’91 Diane Chow ’80 Mr. Richard L. Chow ’82 and Ms. Audrey Chow, Hane Chow, Inc. Mr. Hongchan Chun and Ms. Hyonja Choi Blanche C. Clark ’49 Rosemary Clark ’67 Ann D. Clemenza Susan B. Clifford Margaret M. Colbert ’31 Mr. Steven Come and Ms. Ann K. Lambert Ms. Lucy Congdon Hanson ’95 Mr. Don Cooper, Design Matrix, Inc. Ms. Melinda L. Cootsona ’82 Ms. Linda G. Corbett ’87 Mrs. Mary L. Correia ’67 Evelyn D. Corrigan ’50 Ms. Penny L. Cortright Ms. Marilyn U. Cottingham ’76 Ms. Julia Couzens ’72 and Mr. Jay-Allen Eisen Mr. Cory Covington ’96 Madelyn J. Crafts ’90 Douglas and Suzanne Cunningham Joseph A. Czuberki Walter J. Daggatt ’70 Robert E. Daskam ’49 Ms. Frances S. Daugherty Mr. Paul B. Deal Ms. Cathy DeForest and Mr. Leon Pyle Mr. and Mrs. Bojana Dekleva Mr. Tomas del Solar ’72 and Ms. Barbara Lifschutz Betty W. Denebeim ’80 Mrs. Jeanene Denegri ’81 Walt Denn ’75 and Pat Denn Ms. Pamela M. Dernham ’98 and Mr. Gregory Linden Ms. Nancy B. DeRoche and Mr. Dave N. DeRoche Ms. Nancy A. Derr ’57

Ms. Cyndi Devereaux ’92 Mr. Rene di Rosa Jon Dodge ’69 Melanie Doherty ’78 Mr. Don J. Donoughe ’90 Sheryl S. Drinkwater ’95 and Justin Lee Mark M. Dutka ’92 Mr. Leroy Dutro ’41 Gerald and Jane Dwyer Gladys M. Eaton Mr. Charlie Ebberts ’51 Ms. Delia J. Ehrlich Constance and Albert Eisenstat Mr. and Mrs. Eric Elsesser Shirley W. Emerson ’82 Julia L. Erickson ’94 Avery Falkner ’68 Donald Fay ’50 and Linda Fay Joanne B. Feist Andrew G. Fisher ’78 and Jeffry Weisman Daniel H. Fitch ’60 Hans D. Flink ’61 Ms. Joan E. Folkmann ’82 and Mr. Paul H. Wise Ms. Patricia James Fotos James M. Fowler ’69 and Sui Hen Fung Fowler Betty G. Franks ’89 Mr. and Mrs. Hugo M. Friend Jr. Mr. and Ms. Dennis Furby Kathleen Gadway ’83 and Marcell Gadway Mr. Robert D. Garfinkel ’64 Carrie Gaynor Mr. Robert B. Gayton ’76 Ms. Marya Getreu Mr. Rob T. Gibson ’90 Samuel Ginsburg and Rose Ginsburg ’95 Ms. Judith Z. Gold and Mr. Paul J. Heidenreich Ken Goldberg and Tiffany Schlain Mr. Richard Goldman Daniel and Hilary Goldstine Mr. and Ms. Stephen Goldstine Ms. Lois K. Gordon Mrs. Nancy E. D. Gorrell ’60 Mr. Richard J. Graef Mr. and Mrs. Jeffrey Green Mr. and Mrs. Leonard Greenwold Mr. Steve Gretz ’76 Ms. Deborah C. Griffin ’92 and Mr. Gregory C. Griffin Lawrence Grossman and Helen G. Grossman ’98 Ms. Barbara Guest Mr. William A. Hamilton ’68, ’75 Ms. Elaine D. Hanan ’88 Jean M. Hansen ’79 and David C. Maglaty Mr. Robert W. Hanson ’42 Mark A. Harpainter ’98 and Pauline C. Mohr Ms. Doris Harris ’83 Ms. Jacquelyn A. Harrison ’72 Ms. Beverly W. Hastings Leslie Hata ’68

Andrea Hattersley Margaret and Ralph Heineman J. R. Heinzkill Ms. Jodine W. Henderson ’54 Ms. Kathryn A. Henderson ’77 and Mr. Steven C. Thomas Mel Henderson ’51 Margaret A. Henry ’49 Mr. Robert C. Herhusky ’85 and Ms. Susan Chin James M. Hewes Jr. ’87 Ted O. Hilbourn Robert Hildreth ’86 Mary Hinckley ’82 Evelyn M. Hinde ’75 Laurie M. Hoey ’87 Mrs. Ann M. Hogle ’77, ’78 David E. Horper ’69 Nancy Johnsen Horton ’79 and John D. Horton Ms. Margaret A. Hoy ’75 and Mr. Patrick J. Hoy Carson Hua ’94 J. A. Scott and Sandy Hughes ’75 David E. Hunt and Barbara G. Hunt Miss Susan W. Hunt ’85 Hannah K. Hunter ’83 Thacher Hurd ’72 and Olivia Hurd ’72 Donna M. Hyland ’50 Susanne and William Indich Ms. Gail C. Isen and Mr. Chuck S. Isen Ms. Aimee Y. Iura ’97 Mr. Martin Izquierdo ’65 Janet D. Jacques ’78 Mary and Rudy Jacuzzi Numo Jaeger ’77 Walter F. Jenny Jr. ’74 James J. Jermantowicz ’78 and Elaine Jermantowicz Ms. Carole A. Jeung ’89, ’97 Bruce C. Johnston Ms. Deborah Jones Marsha Jurgenson ’72 and Neal Jurgenson E. Shari Kadar ’89 Ms. Marian A. Kaminitz ’79 John and Alice Kataoka Ms. May T. Kawamoto ’69, ’85 Ms. Madeleine S. Keesing ’72 John and Tina Keker Genevieve Keller ’80 and Gordon Keller Marnie Kelley ’79 and Mr. Mark Kelley Robbins C. Kelly ’78 Mr. and Mrs. John W. Kenney Patrick Kenney ’83 and Diana Kenney Miss Joan L. Kenny ’50, ’51 Ms. Sara Khurody-Downs ’98 Toni K. Kilcoyne ’97 and Craig Kilcoyne Gordon King ’56 and Corky King Paul J. Klem ’83 Dr. Ellen Klutznick Derek Knudsen Mark and Rita Knudsen ’77 Karen E. Koblitz ’73 and Alan P. Friedenberg

Carol Koch Mr. David G. Kolonay ’90, ’97 and Ms. Melissa A. O’Connor Mr. G. J. Komendant and Ms. Linda Calvin Mr. Norman Kondy Katherine K. and John Kriken Dave and Akiko Kubo Matthew Kusinitz ’74 and Marilyn Geller ’74 Andrew J. Laird ’40 Mr. Kelly Greenwell and Ms. Lou Ellen Lambert ’72 Diana Lamson Mr. Ronald Larman Mr. John Laskey and Ms. Karen J. Kindblad ’91 Ms. Roccena B. Lawatch ’78 Biensien Lee ’68 and Marie Lee Edwin Lee ’54 and Jean Lee Gregory D. Lee ’67 Ms. Julie Lee Mr. Jack K. Lehman ’52 Cookie and Paul Leiber Dennis Leinfelder ’87 Mr. James Leritz Susan M. Lilly ’88, ’91 Gale Lindstrom ’63 and Marilyn Lindstrom Judith Linhares ’63 Ms. Joyce Linker Jacqueline P. Little ’92 Donald A. Logan ’50 Mr. Frederick P. Loomis ’04 Mr. Craig Lopez and Mrs. Cecilia Lopez Scott H. Love ’76 Ms. Jane Lurie Roderick B. Mac Connell ’61 Joan L. Machado ’53 Patricia K. Macias ’95 Janis L. MacLeod ’69 Ms. Susan Mall Jane F. Malmgren ’39 Fukiko Oguchi Marshall ’66 and Orr Marshall Bunny Martin and David Kurtzman Ms. Diane C. Martini Nancy Marzi ’54 Ms. Marcia L. Masse and Mr. Paul F. Masse, Masse’s Pastries Liz Maxwell Mr. Michael P. McCachren ’80 Ms. Geraldine McCleave ’68 James Mc Connell ’59 and Lonnie Mc Connell Charles D. McDevitt ’66 Ms. Donna Mc Glaughlin Ms. Therese M. McGlone ’90 and Mr. Wayne Welch Ms. Katherine McKay ’87 Emily McKibben ’89 and Mr. Brian McKibben Jean W. McLaughlin ’88 and Tom H. Spleth Mrs. Dawna E. McLelland Mary W. Mead, The H. T. Mead Foundation Mr. Joe L. Medina ’94 and Mr. Gary DeVost in the news

Ms. Abigail G. Melamed Christina Meyer ’93 Margery Meyer ’52 and Dr. L. Bruce Meyer Mrs. Sherli Micik ’63 Julie Miller ’91 Maralyn Miller ’52 Mr. John E. Miner ’74 Barbara L. Minneman ’67 Lou Minor and Ingrid Minor ’42 Ms. Noriko Miyoshi ’96 Ms. Mary P. Moffatt Mr. and Mrs. Stuart Moldaw Mr. Philip F. Monohan and Mrs. Marie Monohan James R. Moore Karen T. Morikawa ’77 and Derek T. Morikawa Roslyn and Mervin Morris Karen Murphy ’76 Mrs. Agnes Murray ’80 and Mr. Graham Walker Richard Murray ’49 and Marjorie Murray ’49 Maril Myers Peter Myers Ms. Alysha Naples and Mr. Brian Huffines Bettey M. Naymark ’80 Mr. and Ms. John A. Nelson ’77, ’80 Martina Ng ’88 Ms. Nancy Nickerson ’77 Judith K. Nishimine ’89 and Jim Nishimine Daphne Noyes Erin O’Brien-Kerr ’93 and Mr. Daren O’Brien-Kerr Stanley and Lynne Ogi Mr. William D. B. Olafsen, ASID ’87, Olafsen Design Group, Ltd. Nathan Oliveira ’52, ’68 and Ramona Oliveira Ms. Carol J. Olwell ’70 Ms. Jean Orlebeke Ms. Judith E. Oroshnik ’83 Raymond M. and Pearl Osecheck Arleen L. Oshiro ’72 Jeffrey T. Padilla ’83 Sushil C. Pal ’78 Mr. David M. Pallotta ’89 Dmitry Panich ’91 Pati Paolella ’78 and Landy Paolella Mr. In Gul Park Ms. Alice Park-Spurr ’93, ’95 and Mr. Edward J. L. Spurr Leroy W. Parker ’66 Mr. and Mrs. John J. Parman Marie and Angelo Parrinella Wendy J. Paull-David ’72 Nicholas F. Pavloff ’62 Charmaine M. Pearson ’91 Mr. William Peters David E. Peterson ’71 Dr. and Mrs. Tom Piatt Ernie A. Pinata ’71, ’74 and Anne Pinata ’73 Ms. Dana Plays ’78 22

Richard Plishker and Bettyann Plishker ’78 David Polata ’89 and Sharon Polata Ms. Kathryn L. Porter ’77 Margaret Post ’77 and Tom Post Ms. Leotie Pratt ’89 Rosalie Price ’61 and John Price Ms. Andrea Ramiza ’92 Mr. Carlos Ramos ’70 Ms. Jennifer Rankin Sharon Rayner ’65 and John Rayner Mr. Michael Reardon Ruth R. Reeder ’75 Theo Regello ’49 Harry Reom ’50 and Carol Reom Ms. Helene Y. Rice ’97 Robert W. Richards ’74 Zorine Rinaldi ’69 Ruth M. Rippon ’49, ’51 Barbara and Frederick Riser Mr. Craig Roberts Leslie D. Rolle ’79 and Felix Rolle Ms. Stephanie A. Ross ’71 Paul and Joy Rousso ’81 Karen A. Roze ’89, Sacred Rose Tattoo Robert and Eileen Ruby John Rusting ’48 and Isabelle Rusting Leslie Ann Rutledge-Ullman ’75 and Henry E. Ullman Mrs. Sylvia Sackman Karen J. Sakahara ’96 Mr. Daniel San Souci ’67 Mr. Vernon R. Sanders ’70 Earl W. Saunders ’53 Frank C. Sausa, Sr. Mr. Phil Schlein Mr. Melvin A. Schuler ’46, ’47 Mr. Michael R. Schwager ’75 Ms. Cathleen J. Schwartz and Mr. Peter Schwartz Mr. and Mrs. Toby C. Schwartzburg Ann K. Schwiebinger-Mayer ’81 and D. J. Mayer Mr. and Mrs. Donald H. Seiler Ms. JoAnn M. Selisker ’91 Nancy and Steve Selvin Mr. Leslie M. Sennette ’81 and Ms. Zelma F. James Mr. and Ms. Andrew M. Shafer ’74 Adrienne A. Sharp ’75 Ms. Susan W. Sheldon ’68 Annabelle Shelly ’58 and William Shelly Ms. Emily P. Shepard ’90, ’93 Mr. Brian J. Sherman ’01, Emotive Design Mr. and Mrs. Hiroshi Shibata Mr. Stanley O. Shinkawa ’52 Mrs. Ethel W. Shipp ’50, ’51 Barre Shlaes and Mario Taravelli Mr. Ralph H. Silver Barbara Silverman Stephen J. Skoro ’79 Mr. and Mrs. Morton V. Slater Mr. Dennis Smith ’72 Mr. Douglas R. Smith ’77 Robert P. Smith ’62

Winsor Soule and Marcia Tanner Mr. Bruce W. Spaulding and Ms. Dianne J. Spaulding Todd S. Spina ’80 Terry N. St. John ’66 Deborah J. Stafford ’79 and Wayne T. Lemley Ms. Albina Starkova Mr. William Steel ’68 Mr. and Mrs. Norman J. Stein Sr. ’70 Mr. and Mrs. Goodwin B. Steinberg Mr. Geoffrey Strawbridge Ms. Catherine S. Stricklin and Mr. John L. Manferdelli Mr. Norman Sugimoto, Norman Sugimoto Photography Ms. Roselyne C. Swig Miss Asako Takusagawa ’42 Philip S. K. Tang ’77 Leslie Taylor ’89 and Denise Taylor Lori S. Taylor ’01 and Stephen E. Taylor Ravenna Taylor ’85 and Charles Taylor Barbara Terzopoulos ’73 Mr. Gene Thompson ’63 Katy and Stephen Thorp Meredith G. Tizzard ’65 and William Tizzard Robert Tong ’53 and Helen Tong Alvin and Rena Tormanen Louis Torres ’74 and Julie Torres ’74 Susan E. Trubow ’89 Georgia J. Truffini ’72 and Terry Wallace Ms. Ellen F. Tuchman ’76 and Mr. Harry H. Orenstein Steven B. Utz ’97 Jim L. Vandegrift ’73 Michael D. Varisto ’73 Sharon and Clement Viano Ms. Helen Villa ’61 and Mr. Esteban Villa Mr. Roberto Villa and Mrs. Silvia Villa Lois Wachner-Solomon ’79 Mr. and Mrs. Robert L. Wait ’52 Joseph Walsh and Jane Howard Walsh ’38 Ms. Teresa Walsh ’02 Ms. Birte Walter ’83 Mr. David L. Wasley and Ms. Janet E. Blair Frederick Wasser ’60 and Linda Wasser James K. M. Watts ’80 Susan E. Wear ’81 Ms. Bettina Weinberger ’85 Ms. Betsy Weis ’81 Mr. Gerald G. Weisbach Dr. and Mrs. Jack Werner, Jr. Mr. Derek Wernher ’66 Ms. Emily E. West ’82 Kristy L. Weyhrich ’93 and Joshua S. Evett Ms. Jill M. Whaley ’66 Mr. and Mrs. Lawrence A. White ’72 Mr. Karl W. Wieser ’98 Sharon Wilcox ’65 Randall and Ingrid Wiley Ana K. Wilson ’68 Derek E. Wilson ’92 Mrs. Ferne E. Wilson ’42

Randy L. Wilson Linnea Wong ’76 and William Wong Dr. Ruth Worthington George T. Wray ’69 Mrs. Mari Wright ’65 Mr. and Mrs. William C. Wright ’77 Mr. and Mrs. Jeff Wyche Philip Y. Yoke ’71 Ms. Ruby Young ’52 Zohar Zaied ’94

orGaniZational Donors $10,000+ Alameda County Office of Education The Architectural Foundation of San Francisco The Christensen Fund The Clorox Company Foundation Far West School Fong & Chan Architects, Inc. Gensler Family Foundation George Frederick Jewett Foundation The Getty Foundation Grants for the Arts/San Francisco Hotel Tax Fund IDEO The James Irvine Foundation The Ken and Judith Joy Family Foundation LEF Foundation The MF Foundation/Tim Mott Miranda Lux Foundation The Nathan Cummings Foundation Oakland School for the Arts Richard and Jean Coyne Family Foundation Richard and Rhoda Goldman Fund The San Francisco Foundation Skidmore Owings & Merrill, LLP U.S. Department of Education, Alameda County Office of Education Walter & Elise Haas Fund The W. L. S. Spencer Foundation

$5,000–$9,999 Alafi Family Foundation Anshen + Allen California Academy of Sciences City National Bank Ford Foundation, University of California, Berkeley Gensler The Morris Stulsaft Foundation National Council of Architectural Registration Boards Oslo School of Architecture Ove Arup & Partners, California Limited Trillium Press

$1,000–$4,999 Asian Cultural Council City of Oakland Cultural Funding Program

GlaxoSmithKline International Interior Design Association Jensen & Macy Architects Los Angeles Glass Alliance Luna Textiles McCall Design Group National Education Loan Network, Inc. Zolla Family Foundation

$500–$999 Barbara Scavullo Design Beverly Prior Architects CCS Architecture, Inc. David Baker + Partners, Architects Donald A. Crosby Gump’s Levy Design Partners MBT Architecture

$250–$499 Art League of the East Bay ELS Architecture and Urban Design Everest Waterproofing & Restoration Inc. Kava Massih Architects National Institute of Art & Disabilities Potrero Hill Association of Merchants and Businesses

$50–$249 Landmark Hotels, Inc. Markus Lui & Associates Maxim Healthcare Services Pacific Gas and Electric Company Zendarski Studio

Gifts in kinD Mr. Steve Berley Simon and Kimberly Blattner CCI General Contractors Meg Croft ’00 Mrs. Edwin Drechsel Ms. Karen Findley Ms. La Shaune Fitch ’02 Estate of Viola Frey ’55* Ms. Shelley Post Gardner Estate of Audrey Garwood* Ms. Pam Glen Mr. Thomas Goetzl Ms. Aimee Graham Ms. Donna Hatton Mrs. Charles H. Hine Ms. Melanie J. Hofmann ’96 Ms. Celena Hoskins Ms. Caroline Jones Dr. and Mrs. Roy M. Kahn Kelly Moore Paints Mr. Bill Laven Liliana Lighting-Imports Mr. Roland Medel Pacific Laser System

Peachpit Press Randolph & Hein Ms. Laurelin Remington-Wolf Sharon Risedorph Photography Robert Mondavi Family of Wines Dona Robertson Ms. Linda Robertson Mr. Rob Rothway The Saunders Family Trust Ms. Elizabeth Schaufel Morgan Schmidt-Feng ’93 Mary and Donald Seid Ms. Nancy Servas Ms. Laurel Sprigg Ms. Rainey Straus ’02 Walker Warner Architects Williams-Sonoma, Inc. Ms. Anne M. Wolf ’91

leGacy society Cal Anderson ’46 Simon and Kimberly Blattner Ms. Audrey Brown-Stone ’76 Shirley Y. Christensen ’53 Gladys M. Eaton Mrs. Phoebe Fisher-Wolters Estate of Viola Frey ’55* Koko Fujita ’70 and Thomas E. Flowers Estate of Audrey Garwood* Kenneth A. Goss Mr. Jim Kidder Mr. Robert P. Levenson ’74 and Ms. Diane M. Kinnane Dr. Thomas L. Nelson and Dr. Wylda H. Nelson Gerald M. Ober ’56 Diane Oles ’84 Mildred N. Patterson Shepard Pollack and Paulette Long Estate of Edna M. Reichmuth ’39* Norma Schlesinger Estate of Lundy Siegriest ’49* Linda Lotspeich, Albertina L. Zanzi ’41* Living Trust Anonymous (5) *Deceased

Due to space constraints, we will publish a list of gifts made in honor of and in memory of individuals in the fall 2005 issue of Glance. our apologies for not being able to recognize these generous donors in the current issue.

in the news

Faculty Notes Michael S. Roth, President published: “Opposition from Within,” commentary on Dominick Lacapra’s “Tropisms of Intellectual History,” Rethinking History, Vol. 8, No. 4, Dec. 2004; “Is It a Wonderful Life?,” review of Stanley Cavell’s Cities of Words: Pedagogical Letters on a Register of the Moral Life and Emerson’s Transcendental Etudes, BookForum, Oct.–Nov. 2004; “Futuristic designs give way to grim realities,” review of Alastair Gordon’s Naked Airport: A Cultural History of the World’s Most Revolutionary Structure, San Francisco Chronicle, Sept. 2004; panel discussion, “Teaching Artists and Showing Art: Museums, Art Schools, Artists, and Students,” SFMOMA Art Sandwiched In series, Jan. 2005; presentation, “Education through the Arts,” Association of American Colleges and Universities Annual Meeting, “Liberal Education and the New Academy: Raising Expectations, Keeping Promises,” San Francisco, Jan. 2005; manuscript evaluator for University Press of New England and University of North Carolina Press.

Steve Ajay: show, Schurman Fine Art Gallery, Berkeley, CA, Sept.–Oct. 2004. Kim Anno: group show, 2 1/2, San Francisco State University, College of Creative Arts, Fine Arts Gallery, San Francisco, Sept.–Oct. 2004. Stephen Beal: solo show, Hardware Store Plaids, Bucheon Gallery, San Francisco, Jan.–Feb. 2005. Natasha Boas: curated, Botany 12, Sonoma County Museum, Santa Rosa, CA, Oct. 2004–Feb. 2005. Raul Cabra ’90: group show, Belles Lettres: The Art of Typography, San Francisco Museum of Modern Art, Oct. 2004–Apr. 2005. Lia Cook: solo show, Embedded Portraiture, Perimeter Gallery, Chicago, IL, 2004. Mark Eanes: solo show, Master Studies/ Sacred and Profane, Parsons School of Design Gallery, Paris, France, Dec. 2004–Jan. 2005. Linda Fleming: featured, Art in America, June–July 2004. Donald Fortescue: two-person show, Blue Room Gallery, San Francisco, Aug.–Sept. 2004. Mark Fox: lecture, “Seesaw: Deviation and Conformity in Graphic Design,” AIGA San Francisco, Sept. 2004; designated a Fellow of the American Institute of Graphic Arts, San Francisco, Sept. 2004.

Linda Geary, Siena 12, 2004

Guillermo Galindo: performance: Transmission Mission, audience interactive, live electronic music performance in collaboration with Chris Brown and with support of Galería de la Raza, Yerba Buena Gardens, San Francisco, May 2004.

Gregory Gavin: public art commission, RIVERLAND: San Joaquin, part of Aquatopia: A Confluence of Art, Science, and the California Watershed, sponsored by Reynolds Gallery, University of the Pacific, Stockton, CA, July 2004; artist-in-residence grant, Arts Up, City of Seattle, WA, 2004; public art grant, City of Oakland, 2004; NEA: Challenge America Grant, 2004; works in progress: Talking Bridges, public art, South Park neighborhood, Seattle, WA; Swan’s Waterworks, public art collaboration with Museum of Children’s Art at Swan’s Market, downtown Oakland. Linda Geary: group show, Pulliam Deffenbaugh Gallery, Portland, OR, Sept. 2005; Residency, Otranto, Italy, July 2005. Charles Gill ’55 (emeritus): group shows: Idaho Triennial Exhibition, Boise Art Museum, Boise, ID, Dec. 2004– Mar. 2005; The Fine Art of Print, Stewart Gallery, Boise, ID, 2004; Elegance of Form: Views of Home, Boise Art Museum, Boise, ID, 2004. Eric Heiman ’96: group shows: TDC50, 2004; Grown in California, Herbst Pavilion, San Francisco, Nov.–Dec. 2004; The Way We Work, Southern Exposure, San Francisco, Sept.–Oct. 2004; work published: Print, Nov.–Dec. 2004; Communication Arts, Nov. 2004; How, Aug. 2004; Step Inside Design, July–Aug. 2004; lectures: “If the sleep of reason produces monsters, why do we still want to dream?” (with Jeremy Mende), Blurred Boundaries: Interdisciplinarity in Visual Arts Education/AICAD Academic Symposium, Baltimore, MD, Nov. 2004; “Three Wishes,” Future History: AIGA Design Education Conference, Chicago, IL, Oct. 2004.

Dee Hibbert-Jones: two-person show (with Rhoda London), Sacred Spaces, Berkeley Art Center, Berkeley, CA, June–Aug. 2004; performance (with Nomi Talisman), Take a Letter, Berkeley Art Center, Berkeley, CA, July 2004. Todd Hido ’96: solo show, Roaming, Baldwin Gallery, Aspen, CO, Nov.–Dec. 2004, and Secrist Gallery, Chicago, IL, Oct.–Dec. 2004; group shows: Arti & Architettura 1900–2000, Palazzo Ducale, Genoa, Italy, Oct. 2004–Jan. 2005; Picturing the Modern World: The Photography of Dwell Magazine, James Nicholson Gallery, San Francisco, Oct.–Nov. 2004. Steven Skov Holt: co-curated, Blobjects and Beyond: The New Fluidity in Design, San Jose Museum of Art, San Jose, CA, Feb.–June 2005. Mildred Howard: group show, Inside Out: Selections from the Permanent Collection, San Jose Museum of Art, San Jose, CA, Nov. 2004–May 2005. David Huffman ’98: solo shows: Patricia Sweetow Gallery, San Francisco, Apr.–May 2004; Dark Matter, de Saisset Museum, Santa Clara University, Santa Clara, CA, Apr.–Aug. 2004; featured: Art Papers, Sept. 2004; Flash Art (July–Sept. 2004). Lynn Marie Kirby: screening, Latent Image Excavations: New Work by Lynn Marie Kirby, Pacific Film Archive, Berkeley, CA, Nov. 2004. Glenn Kurtz: published: creative nonfiction, “Practicing,” in AutoBioDiversity, ZYZZYVA 20th anniversary anthology (Heyday Books, spring 2005); essay, “Composing with Images: Lynn Hershman’s Photography,” in Lynn Hershman Private Eye, University of California Press (forthcoming, winter 2005).

Tim Swischuk and Lisa J. Moran @ POPularLABoratories, popamorphicgrit!, 2004

Kathleen Larisch: solo show, B. Sakata Garo, Sacramento, CA, Jan. 2005. Mary Little (with Peter Wheeler): group show, Craft Showcase 5, Museum of Craft & Folk Art, San Francisco, Nov.–Dec. 2004; Bay Area Furniture Art 2004, Blue Room Gallery, San Francisco, Oct.–Nov. 2004. Jessamyn Lovell ’01: group shows: Photo NY 2004, Metropolitan Pavilion, New York, NY, Oct. 2004; Go West!, Richmond Art Center, Richmond, CA, 2004. Margaret Mackenzie: solo shows: Ultima Materia, Stiftung Futur, Dec. 2004; Prima Materia, Stiftung Futur, Rapperswil, Switzerland, Aug. 2004; group shows: Beginnings and Endings, Works Gallery, San Jose, CA, Oct. 2004; Box Show, Gallery Route One, Point Reyes, CA, Aug. 2004; Wild Books, Point Reyes Books, Point Reyes, CA, May 2004; artist in residence, Stiftung Futur, July–Dec. 2004. Phyllis Martin-Vegue: panelist, Merging Perspectives, presented by SFMOMA Architecture + Design Forum and San Francisco chapters of AIGA, AIA, and IDSA, San Francisco, Oct. 2004. Jeremy Mende: lecture, “If the sleep of reason produces monsters, why do we still want to dream?” (with Eric Heiman), Blurred Boundaries: Interdisciplinarity in Visual Arts Education/AICAD Academic Symposium, Baltimore, MD, Nov. 2004.

Jack Mendenhall: solo show, OK Harris Gallery, New York, NY, 2006; group shows: Seventh Annual Realism Invitational, Jenkins Johnson Gallery, San Francisco, June–July 2005; Summer Is..., Bernarducci Meisel Gallery, New York, NY, June–July 2004; American Photorealism, traveling to Iwate Museum of Art, Iwaki City Art Museum, Kumamoto Prefectural Museum of Art, and Hakodate Museum of Art, all in Japan, 2004. Jennifer Morla: group show, Belles Lettres: The Art of Typography, San Francisco Museum of Modern Art, Oct. 2004–Apr. 2005. Nance O’Banion: group show, Matter and Spirit, String Room Gallery, Book Arts Center Gallery, and Louis Jefferson Long Library, Wells College, Aurora, NY, Mar.–May 2004. Michelle Richmond: published: story, Glimmer Train 51, 2004; novel excerpt, San Francisco Chronicle, June 2004. Larry Rinder: curated: Tim Hawkinson, Whitney Museum of American Art, New York, NY, Feb.–May 2005, traveling to Los Angeles County Museum of Art, June–Sept. 2005; Six Feet Under: Make Nice, Week Two (work by Tim Hawkinson and Lutz Bacher), White Box, New York, NY, July 2004; gallery talk (with Lucinda Barnes) on the work of Irene Pijoan, Berkeley Art Museum, Berkeley, CA, Nov. 2004.

Marianne Rogoff: published, book review of Grace, by Linn Ullmann, San Francisco Chronicle, Jan. 2005. Joseph Rosa: curated, Glamour: Fashion, Industrial Design, Architecture, San Francisco Museum of Modern Art, Oct. 2004–Jan. 2005; panelist, “Fabricating Affluence,” exhibition opening panel discussion, SFMOMA, Oct. 2004. Ralph Rugoff: published, article, Frieze, Nov. 2004. Raymond Saunders ’62: solo show, Gallery Resche, Paris, France, 2004; group show, African American Artists in Los Angeles, A Survey Exhibition: FADE (1990–2003), Luckman Gallery and University Fine Arts Gallery at California State University, Los Angeles, and Craft and Folk Art Museum, Los Angeles, Jan.–Feb. 2004. Jovi Schnell: group show, Moving Mountains by Kicking Rocks, The Luggage Store, San Francisco, Nov.–Dec. 2004. Mitchell Schwarzer: Bilgray lectures, sponsored by University of Arizona Judaic Studies program, Temple Emanu-El, and Center for Creative Photography, Tucson, AZ, Jan. 2004; published, article, “City Planning— Time for Vision Again,” San Francisco Chronicle, Aug. 2004; book Zoomscape reviewed, San Francisco Chronicle, Nov. 2004. Elizabeth Sher: two films, Alma’s Jazzy Marriage (with Mal Sharpe and Sandra Sharpe) and Stalls (with Maggie Simpson), now on DVD from www.ivstudios.com Jennifer Sterling: group show, Belles Lettres: The Art of Typography, San Francisco Museum of Modern Art, Oct. 2004–Apr. 2005.

Mark Fox, Seesaw poster, 2004

Larry Sultan: solo show, Janet Borden, Inc., New York, NY, Sept.–Oct. 2004; group shows: Fashioning Fiction in Photography, Museum of Modern Art, New York, NY, Apr.–June 2004; Photographing Undomesticated Interiors, Smith College Museum of Art, Northampton, MA, Nov. 2003–Jan. 2004; honored, Bay Area Treasure luncheon, San Francisco Museum of Modern Art, Nov. 2004; featured: Artforum International, Sept. 2004; Village Voice, Oct. 2004; New York Times, May 2004. Timothy Swischuk: group show, Blobjects and Beyond: The New Fluidity in Design, San Jose Museum of Art, Mar.–July 2005; work also featured in Blobjects exhibition catalog (Chronicle Books, 2005). Tina Takemoto: panel discussion, “Picturing Pain in Rubens’s Time and Our Own,” UC Berkeley Art Museum, Berkeley, CA, Mar. 2005.

Lucille Tenazas ’79: group show, Belles Lettres: The Art of Typography, San Francisco Museum of Modern Art, Oct. 2004–Apr. 2005; panelist, Merging Perspectives, presented by SFMOMA Architecture + Design Forum and San Francisco chapters of AIGA, AIA, and IDSA, San Francisco, Oct. 2004. Pamina Traylor: group shows: Craft Showcase 5, Museum of Craft & Folk Art, San Francisco, Nov.–Dec. 2004; Snyderman Gallery at SOFA (Sculpture Objects and Functional Art) exposition, Chicago, Illinois, Nov. 2004. Deborah Valoma ’95: guest curator, The Past in Present Tense: Four Decades of Baskets by Julia Parker, Bedford Gallery, Dean Lesher Regional Center for the Arts, Walnut Creek, CA, Aug.–Oct. 2004. Thomas Wojak: solo show, Vallejo Mug Shots, Vallejo Naval and Historical Museum, Vallejo, CA, Jan.–Feb. 2005; featured, Daily Republic, Fairfield/Suisun, CA, Jan. 2005.

CCa bOOKShElF

uta barth By Matthew Higgs with Timothy Martin and UtaBarth, Contemporary Artist series, Phaidon, 2004 Matthew Higgs, formerly curator at the CCA Wattis Institute and cochair of the MFA Program in Fine Arts, interviews artist Uta Barth. Part of Phaidon’s Contemporary Artists series.

blobjects and beyond: the new fluidity in Design By Steven Skov Holt et al. Chronicle Books, 2005 Published in conjunction with the exhibition of the same title at the San Jose Museum of Art, on view from March through July 2005.

Glamour: fashion, industrial Design, architecture By Joseph Rosa et al. Yale University Press, 2004 This catalog—which won second place in the 2004 New York Book Show— accompanies the exhibition of the same title at the San Francisco Museum of Modern Art, on view from October 2004 through January 2005.

Monuments for the usa Edited by Ralph Rugoff CCA Wattis Institute for Contemporary Arts, 2005 This fully illustrated catalog accompanies the spring 2005 CCA Wattis Institute exhibition of the same title. Featuring proposals by more than 50 international artists, the book might also serve as a kind of mailorder catalog for commissioning the monuments.

new Museums: contemporary Museum architecture around the World By Mimi Zeiger Rizzoli, 2005 Designed by Dung Ngo An examination of the recent boom in high-design museum projects, with 30 examples of the world’s most innovative museum architecture. Part of the Universe Architecture series.

faculty members: to be included in future cca bookshelf columns, please send notice of your book publications to glance@cca.edu.

Alumni News & Notes cca aluMni: beyonD the bay area Living outside the San Francisco Bay Area doesn’t mean you have to lose touch with the college. Our listservs allow alumni across the country and internationally to communicate with each other. And in a growing number of cities each year, the CCA Alumni Association is hosting special alumni events. We recently hosted successful events in New York, Los Angeles, and Seattle. These networking events are a great way to connect with fellow alumni living in your city, catch up with old friends, and get updates about the college. Events are generously hosted at the business or studio of an alumnus from that region. If you’re interested in hosting an event in your city, please email us at alumni @ cca.edu. To hear about upcoming events in your area, sign up for our mailing lists at www.cca. edu /alumni. There are many ways that California College of the Arts can continue to serve as a resource for you, even after graduation. We hope you will take advantage of all we have to offer.

1941

Paul Wonner: group show, It’s About Time: Celebrating Thirty-Five Years, San Jose Museum of Art, San Jose, CA, Oct. 2004–Feb. 2005.

1952 nathan oliveira: two-person show, Manuel Neri/Nathan Oliveira: Bay Area Figurative Sculptors, Cantor Center for Visual Arts, Stanford University, Stanford, CA, Dec. 2004–Aug. 2005.

1954 robert bechtle: solo show, Robert Bechtle: A Retrospective, San Francisco Museum of Modern Art, Feb.–June 2005; accompanying exhibition catalog published (UC Press, 2005); featured, KQED-TV’s Spark, 2005.

1955 Joseph Terrell Bryant President, Alumni Council BArch ’99

kay sekimachi: group show, Craft Showcase 5, Museum of Craft & Folk Art, San Francisco, Nov.–Dec. 2004.

1956 stanley Grosse: current projects: Tapestry series, Paige Gallery, San Francisco, and Magnolia Editions, Oakland; giclee project, Itera Press, Phoenix, AZ. Manuel neri: two-person show, Manuel Neri/Nathan Oliveira: Bay Area Figurative Sculptors, Cantor Center for Visual Arts, Stanford University, Stanford, CA, Dec. 2004–Aug. 2005.

1959 richard e. brennan: group show and Award of Distinction, 12th Sevier County Juried Biennial Exhibition, Arrowmont School of Arts & Crafts, Gatlinburg, TN, Jan.–Feb. 2005; current project: series of bird sculptures.

1961 l to r: lee Mingwei ’93, rebecca spivack ’71, heather dekoning ’98, and Jessica russell, alumni relations Manager, at a new york area alumni event hosted by international studio & curatorial Program (Dennis elliott ’69, director and founder). nov. 2004. 28

Garry knox bennett: solo show, Preoccupations of a Serial Chairmaker, Gallery 555 and Sculpture Court, Oakland

City Center (Oakland Museum of California Professional Services Division), Jan.–Mar. 2005.

1967 M. Louise Stanley: public art (created with Vickie Jo Sowell and Jeremy Hamm), Neighborhood Convergence, at Powell Street undercrossing of Interstate 80, Powell Street/ Emeryville exit, Emeryville, CA, 2004; access via wheelchairaccessible pedestrian walkways.

1969 Roger Kast: solo show, Roger Kast: Recent Works, Bemidji Community Arts Center, Bemidji, MN, Oct. 2004.

1970 Kim Mendenhall: solo show, Meisel Gallery, New York, NY, 2005; group shows: American Photorealism, traveling to Iwate Museum of Art, Iwaki City Art Museum, Kumamoto Prefectural Museum of Art, and Hakodate Museum of Art, all in Japan, 2004; The New Photorealist, Meisel Gallery, New York, NY, 2004.

1972 Magdalene Crivelli: group show, Third Annual Competition: Masks—Another Skin, Artempresa Gallery, Cordoba, Argentina, Nov.–Dec. 2004.

1973 Anne Austin: group show, Celebrations Among Us, Oakland International Airport (Oakland Museum of California Professional Services Division), Oct. 2003–Feb. 2004; curator/coordinator, San Pablo Arts Gallery; board of directors, Richmond Art Center; lecture, Roots & Branches TV series, 2004; published, American Art Collector (Alcove Books, 2004).

Patricia Hagen ‘94, Lobe, 2004

1975 Eva Bovenzi: group show, Essence of Nature, Bedford Gallery, Dean Lesher Regional Center for the Arts, Walnut Creek, CA, June–Aug. 2004. Nevin Mercede: two-person show, Giving Art (Con)Text, Dayton Visual Arts Center, Dayton, OH, Mar. 2005; continued work on Reflections series; promotion and tenure, associate professor, Antioch College; participant, Global Partners Russian cultural study program, funded by Mellon Foundation, St. Petersburg and Moscow, summer 2004.

1976 Mark Bowles: solo shows: Art Foundry Gallery, Sacramento, CA, Sept.–Oct. 2004; Brazilian Court, Palm Beach, FL; Williams and Paddon, Granite Bay, CA; group shows: Robert Allen Fine Arts, San Francisco; Crocker-Kingsley 74th Annual Biennial, Crocker Art Museum,

Sacramento, CA, Jan.–Mar. 2005; residency, Maynard Dixon, Thunderbird Foundation, UT, 2005.

1977 Squeak Carnwath: solo shows: Oakland Art Gallery, Oct.–Nov. 2004; Squeak Carnwath Being Human: Paintings & Prints, 1998–2004, Olin Art Gallery, Kenyon College, Gambier, OH, 2004; group shows: Magnolia Editions: Tapestries, JayJay Gallery, Sacramento, CA, 2005; Paintings, John Berggruen Gallery, San Francisco, 2005; Artist/ Teacher/Artist, Sonoma Valley Museum of Art, Sonoma, CA, 2005; TEN, Byron C. Cohen Gallery for Contemporary Art, Kansas City, MO, 2004; The True Artist is an Amazing Luminous Fountain, Selected Works from the di Rosa Preserve: Art & Nature, The Kreeger Museum, Washington, DC, 2004; It’s About Time: Celebrating 35 Years, San Jose Museum of Art, San Jose, CA, 2004; new website, www.squeakcarnwath.com.

Rita Spencer Knudsen: solo show, Paper Sculpture, Thomson Hall Gallery, Sausalito Presbyterian Church, Sausalito, CA, Sept. 2005. Herb Ranharter: solo show, Going for Baroque, International Atomic Energy Agency wing at Vienna International Centre of the United Nations complex, Vienna, Austria, Mar. 2005; working in studios in Berkeley, CA, and Vienna, Austria; recently finished translation of art book about 18th-century sculptor Franz Xaver Messerschmidt. Fayette Block Watkis: production handweaver for Randall Darwall since 1994; scholarship teaching assistant, Haystack, June 2004, and Penland, June 2005.

1978 Jamie Brunson: group shows: Transversal, Robischon Gallery, Denver, CO, Jan.–Feb. 2005; Traywick Contemporary, San Francisco International Art Expo, San Francisco, Jan. 2005; It’s About Time: Celebrating 35 Years, San Jose Museum of Art, San Jose, CA, Oct. 2004–Feb. 2005; Neo-Mod: Recent Northern California Abstraction, Crocker Art Museum, Sacramento, CA, Nov. 2004–Jan. 2005; Hidden Order: Pattern Content in Contemporary Abstraction, Oakland Art Gallery, Aug.–Sept. 2004.

James Jermantowicz: solo show, Galerie Gora, Monteal, Canada, Oct. 2004; group show, Pareidolia, Orange County Center for Contemporary Art, Santa Ana, CA, Aug. 2004.

1979 Ann Morhauser: featured, NewYorkMetro.com, Feb. 2005, and Santa Cruz Sentinel, Jan. 2005. Ken Romero: solo show, Gathering Tribes, Berkeley, CA, spring 2005; group show, Totems to Turquoise: Native North American Jewelry Arts of the Northwest and Southwest, American Museum of Natural History, New York, NY, Oct. 2004–July 2005; merit award, Eiteljorg Museum Indian Market, Indianapolis, IN, 2004; third place, SWAIA Santa Fe Indian Market, Santa Fe, NM, 2004; work in permanent collection of Indian Pueblo Cultural Center, Albuquerque, NM; represented by Blue Rain Gallery, Taos, NM.

1980 Germán Herrera: solo shows: Recent Work, Centro de la Imagen, Mexico City, Mexico, July–Aug. 2005, traveling to Centro Fotográfico Manuel Alvarez Bravo, Oaxaca City, and Fototeca de Veracruz, Veracruz, Mexico; A Book of Mirrors, Blue Sky Gallery, Portland, OR, Feb. 2005; group shows: Marin Arts Council 2004 Grantee Showcase, Marin Community Foundation, Hamilton Field, Novato, CA, Feb.–Apr. 2005; Latin Spirit, SFMOMA Artists Gallery, Fort Mason, San Francisco, Feb.–Mar. 2005; selected by SF Camerawork for their fine print collection.

1981 Betsy Weis: solo show, Through Water: Betsy Weis, A Survey 1987–2004, Saginaw Art Museum, Saginaw, MI, Dec. 2004–Mar. 2005; lecture, Stephanie Dean ‘98, Boy in a Puddle, 2003 30

Saginaw Arts & Sciences Academy, in conjunction with artist residency, Saginaw, MI, Jan. 2005.

1982 Jennifer Bain: solo show, Poetry of Nature: Recent Work by Jennifer Bain, Kathryn Markel Fine Arts, New York, NY, Sept.–Oct. 2004; new website, www.jenniferbain.com. Carole Seborovski: group show, Faculty Exhibition, Hunter College Times Square Gallery, New York, NY, Feb.–Apr. 2005; Little Red School House & Elisabeth Irwin High School Art Auction, I-20 Gallery, New York, NY, Feb. 2005.

1987 Katherine McKay: taught watercolor class, Richmond Art Center, Sept.– Nov. 2004; artist’s business class, Richmond Art Center, Sept.–Oct. 2004; matting and framing workshop, Richmond Art Center, Davis Art Center, Pacific Art League, fall 2004; Japanese printmaking workshop, UC Santa Cruz Extension, July 2004. Ann Weber: solo show, Sculpture and Drawing, Kay Kimpton Contemporary Art, Feb.–Mar. 2005; group shows: In the Round, Institute for Contemporary Art, San Jose, CA, Jan.–Feb. 2005; Art as Furniture, SFMOMA Artists Gallery, Nov.–Dec. 2004; Inner Workings, Oakland Art Gallery, Sept.–Oct 2004; Off the Rim, Grounds for Sculpture, Hamilton, NJ, May–Sept. 2004; public art project in production, bronze sculpture, Phoenix, AZ; featured, San Francisco Chronicle, June 2004.

1988 Lampo Leong: solo shows: Spatial Luminance, Lycoming College, Williamsport, PA, 2004; Aspiration to the Sublime, Living Green, San Francisco, 2004; group shows: International Contemporary Ink Paintings, Zengxiu

Lynn Sondag ‘97, Ocean Beach, 2004

Institute of Technology, Gaoxiong, Taiwan, 2005; Medial 1. Art Biennial, Medial Museum, London, UK, 2005; Question, Cantor Center for the Visual Arts, Stanford, CA, 2004; Macao Contemporary Paintings, Museu de Arte de Macau, 2004. Patricia Olynyk: lecture, Penny W. Stamps Distinguished Visitors Lecture Series, UM School of Art and Design, Ann Arbor, MI, Mar. 2005. Gabrielle Thormann: solo shows: compact gallery, San Luis Obispo, CA, Jan.– Feb. 2005; Surety of String, Foyer Gallery, The LAB, San Francisco, Nov.–Dec. 2004; two-person show, Layered Language, Monterey Peninsula College Art Gallery, Monterey, CA, Nov.–Dec. 2004.

1990 Amy Kaufman: solo show, Around, Mills College Art Museum, Oakland, Sept. 2004; group shows: It’s About Time: Celebrating 35 Years, San Jose Museum of Art, San Jose, CA, Oct. 2004–Feb. 2005; 13, Richard Levy Gallery, Albuquerque, NM, Nov. 2004–Jan. 2005; NeoMod: Recent Northern California Abstraction, Crocker Art Museum,

Sacramento, CA, Nov. 2004–Jan. 2005; lecture, Microsoft Corporation, Mountain View, CA, Nov. 2004. Michele Pred: solo show, Brian Gross Fine Art, San Francisco, July 2005; group show, San Francisco Art Exposition (with Nancy Hoffman Gallery), Jan. 2005; featured: ArtNews, Feb. 2005; New York Times, Oct. 2004; lecture, “Refining and Submitting Your Portfolio,” Napa Valley Arts Council, Napa, CA, Mar. 2005. Roman de Salvo: solo shows: Main Street Sculpture Project, Aldrich Contemporary Art Museum, Ridgefield, CT, May–Oct. 2005; Power Maze 3, Nevada Museum of Art, Reno, NV, Sept. 2004–Jan. 2005.

1991 Bonnie Kaplan: published, short story, “Oh My Godzilla,” in anthology, Mentsh (2004); stand-up comedy bit featured on Sprint/ AT&T phone laugh tracks. Lisa Kokin: solo show, Attachments, Catharine Clark Gallery, San Francisco, Oct.–Nov. 2004; group shows: Annual Faculty Exhibition, John F. Kennedy University, Berkeley,

CA, Feb. 2005; San Francisco International Art Exposition, Jan. 2005; Inner Workings, Oakland Art Gallery, Sept.–Oct. 2004; Hidden Treasures, Nathan Larramendy Gallery, Ojai, CA, July–Aug. 2004; adjunct faculty appointment, John F. Kennedy University, Berkeley, CA.

1992 Marlene Aron: group show and Alumni Association Award, 2004 Alumni Exhibition, McDonough Museum of Art, Youngstown State University, Youngstown, OH, Sept.–Oct. 2004; commission, outdoor sculpture, Bioneers Conference, Marin Center, San Rafael, CA, Oct. 2004; lecture, “Seeing the Divine: Religion and Spirituality in the Life and Work of Vincent Van Gogh,” Center for Spiritual Living, Santa Rosa, CA, Nov. 2004, and Unitarian Universalist Church of Berkeley, Kensington, CA, Sept. 2004. Robert Shepherd: principal, grey. studio, Berkeley, CA; teaching Architecture 100A, UC Berkeley, spring 2005; runner-up (in collaboration with magnet studios), Trenton schools competition. 31

Ken Romero ‘79, Bracelets and ring

Karen Sjoholm: “Building Books,” part of interactive event, Build, Works/ San Jose, San Jose, CA, Nov. 2004.

1993 Lauren Ari: two-person shows: The Dictionary, Klaudia Marr Gallery, Santa Fe, NM, Dec. 2004–Jan. 2005; look it up, JayJay Gallery, Sacramento, CA, Nov.–Dec. 2004. Naomie Kremer: featured, Spark, KQED TV, San Francisco, Feb. 2005. Linn Meyers: solo shows: G Fine Art, Washington, DC, fall 2005; Gallery Joe, Philadelphia, PA, May 2005; Linn Meyers New Works, Margaret Thatcher Projects, New York, NY, Jan.–Feb. 2005 (catalog available); award, Fifth Floor Foundation Grant, 2004.

1994 Harrell Fletcher: solo/collaborative shows: The Earth Manual, In Situ, Paris, France, 2005; Tender Feelings, Gasworks, London, UK, June–Sept. 2005; Sasquatch, The Wrong Gallery, New York, NY, 2005; group show, Near and Far, Domaine de Kerguéhennec Centre d’Art, Bignan, France, 2004. Patricia Hagen: solo show, Order in Chaos, Bryan Ohno Gallery, Seattle, WA, Apr.–June 2005; group show, Bryan Ohno Gallery at SAM 32

Rental Gallery, Seattle Art Museum Rental Gallery, Seattle, WA, Mar.–Apr. 2005; recent purchase, King County Arts Commission. Fain Hancock: group shows: Greenwood-Chebithes Gallery, Laguna Beach, CA, 2005; Holiday Splendor, Hang Gallery, San Francisco, 2004; Pattern and Decoration Show, Woman Made Gallery, Chicago, IL, 2004.

1995 Margaret Brostrom: solo show: Portraits, Gallery Sanchez, Noe Valley Ministry, San Francisco, Aug.–Sept. 2004; group shows: All in the Family, Off the Preserve, Napa, CA, Nov.–Dec. 2004; From the Garden, Fetterly Gallery, Vallejo, CA, May–June 2004; lecture, Pinole Art Association, Pinole, CA, Jan. 2005. Rose Marie Ginsburg: group shows: Fiber Dimensions at Pacifica, Sanchez Art Center, Pacifica, CA, Nov.–Dec. 2004; Fiber 2004, Alameda Art Center, Alameda, CA, Nov. 2004; Innovations in Fiberart, Sebastopol, CA, Nov. 2004; Elder Arts Celebration, DiRosa Off the Preserve Gallery, Napa, CA, July–Aug. 2004; Culture & Agriculture, New Visions Gallery, Mansfield, WI, May–July 2004; Intersections II, Herbst International Exhibition Hall, Presidio, San Francisco, Apr.–May 2004.

Jason Jagel: solo show, Peripheral Visions, Market Street kiosks, San Francisco Arts Commission’s Art on Market Street Program, Nov. 2004– Feb. 2005. Bruce McAllister: group shows: Solaris Gallery, West Hollywood, CA, Jan. 2005; Process Exposed, O’Hanlon Center for the Arts, Mill Valley, CA, Nov. 2004. Alice Park-Spurr: solo show, Northern Whispers, Johnson Gallery, San Luis Obispo, CA, June–July 2004; group show, Winsor Gallery, Vancouver, BC, Canada, Sept. 2004; cover image for Wood Spoken: New and Selected Poems, by Earling Friis Baastad (Northbound Press, 2004).

1996 Laurie Reid: solo show, Fancy, Mills College Art Museum, Jan.–Feb. 2004. Jesse Simon: solo shows: Cartelle Gallery, Marina Del Rey, CA, July 2005; Ampersand International Arts Gallery, San Francisco, Nov. 2004.

1997 Kent Alexander: group show, CrockerKingsley 74th Exhibition, Crocker Art Museum, Sacramento, CA, Jan.– Mar. 2005.

Emanuela Aureli: group shows: Jewelry & Champagne, Guilford Handcraft Center Gallery, Guilford, CT, Dec. 2004; Holiday Crafts Park Avenue 04, Seventh Regiment Armory, New York, NY, Dec. 2004; 5th Anniversary Show, Sculpture to Wear Gallery, Santa Monica, CA, Nov.–Dec. 2004; featured, American Art Collector, Book Two—Central States (Alcove Books). Max and Linda Geiser: award, best new product, for Wallter Wall Applications, New York International Gift Fair, Aug. 2004; featured, Extreme Makeover Home Edition, ABC-TV, fall 2004 and spring 2005; Born American, Fine Living Network, winter 2004; San Jose Mercury News, July 2004. Rebecca Niederlander: solo show, Carl Berg Gallery, Los Angeles, CA, Oct. 2005; group shows: Touch Me, Gallery C, Hermosa Beach, CA, Mar.–May 2005; American Gothic: Talent for the Dark Ages, Gallery C, Hermosa Beach, CA, Dec. 2004–Jan. 2005; Miniature Worlds, The Brewery Project, Los Angeles, CA, Nov.–Dec. 2004.

1998

1999

Jennifer Cooper: group show, City Employees Art Show, City Hall, New Orleans, LA, Nov. 2003; work received Best in Show award and was purchased by private collection.

Desiree Holman: solo show, Breath Holes, San Francisco Arts Commission Gallery, Feb.–Apr. 2005; group shows: Fantasy Island, The Drake, Toronto, Canada, Jan. 2005; Continuities, UC Davis Nelson Museum, Davis, CA, Oct.–Dec. 2004.

John Copeland: solo show, moonshiner, 31 Grand, Brooklyn, NY, Sept.– Oct. 2004. Stephanie Dean: group shows: Holga, Carleton, and Diana: Three Artists Using Plastic Cameras, Flatfile Galleries, Chicago, IL, Mar. 2005; Arranged Marriage, Johnsonese Gallery, Chicago, IL, Jan.– Feb. 2005; End of the Line, Johnsonese Gallery, Chicago, IL, Nov. 2004–Jan. 2005; awards: Union League Club Civic and Arts Foundation scholarship; second place, fine art portraiture, International Photo Awards; honorable mentions, International Photo. David Huffman: solo show, Land of the New Rising Sun, Lizabeth Oliveria Gallery, Los Angeles, Dec. 2004–Jan. 2005; group show, Black Belt, Santa Monica Museum of Art, Santa Monica, CA, Dec. 2004–Feb. 2005.

Rajkamal Kahlon: solo show, P.P.O.W. Gallery, New York, NY, Apr.–May 2005; group shows: The Black Madonna, Castle Gallery, College of New Rochelle, New Rochelle, NY, Dec. 2004–Feb. 2005; Art on Paper 2004, Weatherspoon Museum, University of North Carolina, Greensboro, NC, Nov. 2004–Jan. 2005; The Book as Object and Performance, Gigantic ArtSpace, New York, NY, Nov. 2004–Jan. 2005; 2004–2005 F.A.W.C. Visual Art Fellows, Provincetown Art Association, Provincetown, MA, Jan.–Mar. 2005; Visual Art Fellow, Fine Arts Work Center, Provincetown, MA, 2004–5. Lava Thomas: group show, Meat Show, San Francisco Arts Commission Gallery, Nov. 2004–Jan. 2005.

Michaela Peters: curated, 1 in 30 Gallery opening, San Francisco, July 2004. Andrew J. Phares: group show, Nancy Boy, Richmond Art Center, Richmond,CA, Jan.–Mar. 2005; Metalliform, Diablo Valley College Art Gallery, Pleasant Hill, CA, Jan.–Feb. 2005. Gwyan Rhabyt: group show, Curate This, Richmond Art Center, Richmond, CA, Oct.–Nov. 2004; award, Public Art Open Proposal Grant, City of Oakland. Lynn Sondag: solo show, Lynn Sondag, Recent Works, Triangle Gallery, San Francisco, Feb.–Mar. 2005; adjunct faculty, Dominican University, San Rafael, CA. Caitlin Atkinson ‘02, Untitled #20, 2004 33

G. Dan Covert ‘04, Register to Rock! poster, 2004

2000

2001

Anthony Discenza: group show, Pop_Remix, SF Camerawork, San Francisco, May–June 2004; screening (with Torsten Burns), Cinematexas 9 film festival, Sept. 2004.

Libby Black: group shows: Bay Area Now 4, Yerba Buena Center for the Arts, San Francisco, 2005; The Superfly Effect, Jersey City Museum, Jersey City, NJ, Jan.–July 2005; The Real World, Kala Institute Gallery, Berkeley, CA, June–July 2005; Paper Beats Rock, cherrydelosreyes, Los Angeles, CA, June–July 2005; Heather Marx Gallery, San Francisco, 2005.

David Fruscione: senior designer for Banana Republic store design, San Francisco; designs fixtures and furniture, and selects and manages artwork for the entire fleet. Anna Von Mertens: solo shows: Anna Von Mertens: Suggested North Points, University Art Museum, UC Santa Barbara, CA, 2005; Black & White, Shades of Gray, Lizabeth Oliveria Gallery, Los Angeles, CA, Jan.–Feb. 2005; Point of View, Mills College Art Museum, Oakland, Nov. 2004; group show, Astonishing Knowledge, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY, 2004. Lee Walton: group shows: Upon Further Review, Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, NY, 2005; Social Constructions, Southern Exposure, San Francisco, 2005; artist in residence, Monash University, Melbourne, Australia, 2005.

Therese Buchmiller: solo show, Objects in Full Color, Humanities Fine Arts Gallery, University of Minnesota, Morris, MN, Jan.–Mar. 2005. Lily Cox-Richard: artist in residence fellowship, Vermont Studio Center, Feb. 2005. Mark Lion: principal and creative director, Lion Associates; award, Business of the Year, Sausalito, CA, Nov. 2003. Hector Dio Mendoza: artist residency at San Francisco Solid Waste Transfer and Recycling Center featured, New York Times, Jan. 2005. Greg Silva: jewelry by Greg Silva now available at Annieglass, Santa Cruz, CA.

Marcia Weisbrot: group shows: Journals of Discovery, Oregon Book Arts Guild, Multnomah County Library, Portland, OR; One-off, Paul Sunderholm Gallery, San Francisco; What’s in a Book?, New Langton Arts, San Francisco; Cuesta College Book Arts Exhibition, San Luis Obispo, CA (all 2004); emergency grant recipient, Visual Aid and Gottlieb Foundations, 2004.

2002 Caitlin Atkinson: group show, En Masse: Work by Camerawork Members, SF Camerawork, Mar.–Apr. 2005. Ellen Babcock: interactive event, Build, Works/San Jose, San Jose, CA, Nov. 2004. Elizabeth Block: published, novel, A Gesture Through Time (Spuyten Duyvil Press, forthcoming); book launch event, Bowery Poetry Club, New York, NY, Jan. 2005; short films screened across U.S. and Canada and distributed by Canyon Cinema; 2005 Mills fellow in residence, Santa Fe Art Institute, Santa Fe, NM. David Hevel: interactive event, Build, Works/San Jose, San Jose, CA, Nov. 2004. Cristina Lei Rodriguez: solo show, New Work, Rocket Projects, Miami, FL, Feb.–Mar. 2005.

Tessa Rumsey: award, Barnard Women Poets Prize, 2004; published, The Return Message (Norton, 2005). Josho Somine: interactive event, Build, Works/San Jose, San Jose, CA, Nov. 2004.

2003 Adele Crawford: “Building Books,” part of interactive event, Build, Works/San Jose, San Jose, CA, Nov. 2004. Sasha Duerr: “Cultivating Color Fields,” part of interactive event, Build, Works/San Jose, San Jose, CA, Nov. 2004. Nicole Hayden: group show, Hang Gallery, San Francisco, Sept. 2004. Mechele Manno: video work featured in multimedia performance, Songs From a Book of Days, New Langton Arts, San Francisco, Jan. 2005. Yoshie Matsumoto: merit award, How magazine, Oct. 2004. Francis McIlveen: solo show, Angst Americana, Toki Gallery, Berkeley, CA, Sept.–Oct. 2004.

2004 and 2005; 26th Type Directors Club Annual; and The Design of Dissent (Rockport Publishers, forthcoming); working as designer for MTV Off-Air Creative, New York, NY. Nia Halima : solo show, Access Art Gallery, Oranjestad, Aruba, May 2005; group show, South End Art Gallery, San Nicolaas, Aruba, Oct. 2004–Jan. 2005; teaching sculpture and painting to elementary school children in Aruba.

Michele Theberge: solo show, Into the Open, Lisa Coscino Gallery, Pacific Grove, CA, Jan.–Feb. 2005.

California College of the Arts wishes to thank the many alumni who volunteered their time, talents, and energy to the CCA community in 2004. Alumni serve on the CCA Board of Trustees, represent the college at admissions events across the country, serve on the Alumni Council, host local and regional alumni events, and participate in many other activities. Alumni volunteers are a vital part of the college’s success. If you want to connect with fellow alumni, experience campus life, develop leadership skills, or share your knowledge with the next generation of artists, be a CCA alumni volunteer. To learn more, go to:

2004

Douglas Blanc ’98 Tecoah Bruce ’79 Joseph Bryant ’99 Wayne Campbell ’99 Valeri Clarke ’98 Pamela Cobb ’98 Steve Compton ’95 Erin Delorefice ’02 Pam Dernham ’98 Dennis Elliott ’69 Donna Fenstermaker ’88 Billy Feuerman ’02 Sylvi Herrick ’99 Melanie Hofmann ’96 Carole Jeung ’97 George Jewett ’96

G. Dan Covert: work published, Graphis Poster, 2005; AIGA 50 Books/50 Covers, 83rd Art Directors Annual, Communication Arts Design Annual, and Graphis Logo 6 (all 2004); Graphis New Talent

Ana Szyld: “A Cup for a Story,” featuring the Traveling Café Cart, part of interactive event, Build, Works/San Jose, San Jose, CA, Nov. 2004.

Alumni Volunteers for 2004

Marie Van Elder: solo show, Ordinary Girls, Hang Gallery, San Francisco, Feb.–Mar. 2005. Jennifer Clark: group show, Confluence, A Street Gallery, Santa Rosa, CA, Oct.–Nov. 2004; guest curator, annual auction, Museum of Contemporary Art at Luther Burbank Center, Santa Rosa, CA, 2005; award, Best in Show, Unbound-Bound, Cultural Arts Council Gallery, Santa Rosa, CA.

Frederick Loomis: solo show, The Visionary Drawings of Edward Mathew Taylor, Southern Exposure Gallery, San Francisco, Mar.–Apr. 2005.

www.cca.edu /alumni /volunteering or call 510.594.3764. Rebecca Katz ’04 Carol Ladewig ’91 Dale Lanzone ’71 Lee Mingwei ’93 Katherine McKay ’87 Ann Morhauser ’79 Nathan Oliveira ’52 Michaela Peters ’97 Barbara Rogers ’69 Douglas Sandberg ’78 Raymond Saunders ’62 Eve Steccati-Tanovitz ’69 Arlene Streich ’66 Ron Tanovitz ’69 Catherine Thompson ’95 Sharon Wilcox ’65

Photo courtesy of eve steccati-tanovitz

In Memoriam richard n. belben Southern California October 14, 2004

ruth carver Ukiah, CA 1934 January 1, 2004

Marie franklin Orianda, CA October 14, 2004

Peter M. hobkirk-frerichs Fountain Hills, AZ December 27, 2004

Jan Wilson kaufman Oakland, CA December 5, 2004

Marian McGee Certificate 1958 November 2, 2004

evelyn rose boero Moller Pleasanton, CA BAEd 1939 January 28, 2004

stan Painter Rohnert Park, CA 2004

sunny Perkins Berkeley, CA BFA 2000 November 17, 2004

hugo steccati Hugo Steccati, accomplished commercial and fine arts photographer, passed away on September 9, 2004, at the age of 88. A Bay Area native, Steccati received a BA in secondary art education from California College of Arts and Crafts (now California College of the Arts) in 1938. After graduation he received his first big break doing caricatures of famous people in the news for the San Francisco Chronicle Magazine. In 1940 he began teaching art at Antioch High School and summer school photography classes at Mills College. In the summer of 1941, he studied with Fernand Leger. Steccati served in the U.S. Navy as a First Class Specialist Photographer during World War II. In 1945, after the war, he formed Stone and Steccati Photographers in San Francisco with Dean Stone ’40. In 44 years as a partner in the advertising and product photography firm, Steccati worked with many prominent clients and designers. He photographed individual portraits of Harry Truman, Dwight D. Eisenhower, and Ronald Reagan before retiring in 1990. But for Steccati, retirement was an elusive concept. He soon began pursuing fine art photography. Using in-camera multiple exposure to create photographic images became his favorite method and fine art photography his passion. His photographs were exhibited at the Tokyo Museum of Art (1982–5) and used to illustrate two books published by Shufunotomo, Tokyo. He and his late wife, Alva, a CCA alumna, collaborated on photographs that combined images of her abstract watercolor paintings with his photography. They created a book together, Dem Tag Entfliehen (Munich: Laterna Magica, 1989). Steccati’s work is on display as part of the permanent collection at UCSF Mount Zion Hospital and is featured in numerous private collections. On January 8, more than 270 family and friends assembled at the Oakland campus to celebrate the life of Hugo Steccati. Over 40 of his beautiful doubleexposure photographs were on view in the Oliver Art Center, and a number of guests spoke about Steccati and his love for photography, his family and friends, and the college. His daughter Eve Steccati-Tanovitz ’69 recalled, “Hugo had a deep love for CCA. It was here where he met the love of his life, our mother Alva; where he met the best business partner and dearest friend he could hope to find, Dean Stone; and also where he met that other great love of his life, photography. Hugo never forgot how CCA had changed his life for the better in so many extraordinary ways.” Other speakers included CCA President Michael S. Roth, Hugo’s son Leo Steccati, trustee Tecoah Bruce ’74, ’79, Douglas Sandberg ’78, family friend Susan Landor Keegin, former alumni director Sandra Weber, and the inaugural Hugo and Alva Steccati Memorial Scholarship recipient, Marina Perez-Wong ’04.

drOP uS a liNE

Deadline for the next Glance is July 31, 2005. Send us news of your current and upcoming exhibitions, awards, publications, or honors. You may enclose a slide or photograph of your artwork, labeled on the back with your name and year of graduation, along with the medium, dimensions, and date of the piece.

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exhibition title Please complete and return this form by July 31, 2005, to:

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